1
Tal Fussman - I Feel
2
Tal Fussman - MAD
3
Tal Fussman - Bongo Man
4
Tal Fussman - Life Itself ft. 8-AN
Tal Fussman returns to Rekids with the ‘I Feel’ EP. Rekids welcomes back Tal Fussman with the ‘I Feel’ EP, following up his 2024 ‘De?nition’ EP on Radio Slave’s label, which won support from the likes of Honey Dijon, Orlando Voorn, Yu Su, Saoirse, Dave Clarke, and more. The Innvervisions, COD3QR artist and Survival Tactics label boss starts ‘I Feel’ with the title track and, in true Fussman fashion, infuses drummy club cuts with plenty of feeling via soulful synths and apt vocal sampling. The rolling organic percussion of ‘MAD’ continues, locking us in the groove while hard-hitting stabs ?y above before ‘Bongo Man’ channels the lush sounds of the rainforest alongside more expert drum work. Closing out the ‘I Feel’ EP, Tal Fussman works with fellow producer 8-AN to drop the dream-like strings of ‘Life Itself’, another deep track that is as club-ready as it is introspective.
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Germany
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More records from Tal Fussman
1
Tal Fussman - Crystallized
2
Tal Fussman - Who's Who
3
Tal Fussman - Walking on Mars
4
Tal Fussman - Knowledge > Machine
Berlin’s Tal Fussman returns to Rekids with the ‘Walking on Mars’ EP, releasing 7th November 2025. It follows the Survival Tactics boss’ recent album on Binh’s Time Passages, as well as his ‘De?nition’ (2024) and ‘I Feel’ (2025) EPs on Rekids, with Fussman’s fresh spin on classic House and Techno winning support from the likes of Raresh, Cromby, DVS1, Saoirse, Carista, Honey Dijon, and many more. The ‘Walking on Mars’ EP opens with ‘Crystallized’, a cavernous cut exclusive to 12”, where Tal Fussman pares back his signature percussive style in favour of a rolling groove set against a deep, atmospheric backdrop. ‘Who’s Who?’ follows, its wild sequences and skewed drumlines colliding in restless motion. The title track, ‘Walking on Mars’, drives forward on hard-hitting drums that gradually unfold into a soulful house melody, setting the stage for ‘Knowledge < Machine’, a razor-sharp electro ?nale of snaking synths and an apt robotic vocal. Fussman’s versatility shines throughout, with the EP already winning support from Antal, Rene Wise, Marcel Dettmann, and Fred P. Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Hilit Kolet, Frankey & Sandrino, Mathias Kaden, Huxley, and many more.
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1
Tal Fussman - Rioz
2
Tal Fussman - Rioz (Marcel Dettmann Shuffle Remix)
3
Tal Fussman - Mind Of A Wolf
4
Tal Fussman - Mind Of A Wolf (My Own Shadow Remix)
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1
Tal Fussman - Rather Be Numb
2
Tal Fussman - Rust To Silver
3
Tal Fussman - Sugar Lady
4
Tal Fussman - Falling Apart, Coming Together
5
Tal Fussman - Dance
6
Tal Fussman - Self Reflection
7
Tal Fussman - DML
8
Tal Fussman & Omir Smadar - A Night With You
9
Tal Fussman - Lights Off
10
Tal Fussman - Jack, Move, Go
11
Tal Fussman - The Resurrection
12
Tal Fussman - Together
13
Tal Fussman & Mori Miller - Denialo
Time Passages celebrates their 30th release with a triple by Tal Fussman.
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Germany
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1
Tal Fussman - Everybody
2
Tal Fussman - Everybody (Elisa Bee Remix)
3
Tal Fussman - Everybody (KiNK Remix)
Tracklisting:
A1 - Tal Fussman - Everybody
A2 Tal Fussman - Everybody (Elisa Bee Remix)
B1 Tal Fussman - Everybody (KiNK Remix)
Press release:
Survival Tactics label boss Tal Fussman starts 2025 with the ‘Everybody’ EP, arriving on the label 28th February 2025, featuring two massive remixes by KiNK and Elisa Bee. Fussman’s titular single, ‘Everybody,’ sees dub chords
tumble over a steady beat, a vocal sample keeping pace before shimmering keys create a gorgeous dance-floor moment at the halfway mark.
Stepping up to remix Tal Fussman's ‘Everybody’, Sardinia’s Elisa Bee infuses the track with swinging organic rhythm, resampling the original’s chords into a playful stab bouncing off the drums while stripping back the vocal. Bulgarian
lynchpin KiNK then flips ‘Everybody’ into a strobelight-inducing cut complete with bubbling synths and rave-ready hoover sounds, contributing his tried-and-tested flair to an EP that is the complete Techno package.
Berlin-based DJ, producer, and label owner Tal Fussman is known for his varied discography on labels such as Innvervisions, Drumpoet, Dyinamic, Laurent Garnier’s COD3QR, and Radio Slave’s Rekids. He now returns to his
Survival Tactics label with ‘Everybody’, a versatile offering that’s already supported by the likes of Honey Dijon, Ben Sims, Dave Clarke, and many more.
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A1 - Tal Fussman - Everybody
A2 Tal Fussman - Everybody (Elisa Bee Remix)
B1 Tal Fussman - Everybody (KiNK Remix)
Press release:
Survival Tactics label boss Tal Fussman starts 2025 with the ‘Everybody’ EP, arriving on the label 28th February 2025, featuring two massive remixes by KiNK and Elisa Bee. Fussman’s titular single, ‘Everybody,’ sees dub chords
tumble over a steady beat, a vocal sample keeping pace before shimmering keys create a gorgeous dance-floor moment at the halfway mark.
Stepping up to remix Tal Fussman's ‘Everybody’, Sardinia’s Elisa Bee infuses the track with swinging organic rhythm, resampling the original’s chords into a playful stab bouncing off the drums while stripping back the vocal. Bulgarian
lynchpin KiNK then flips ‘Everybody’ into a strobelight-inducing cut complete with bubbling synths and rave-ready hoover sounds, contributing his tried-and-tested flair to an EP that is the complete Techno package.
Berlin-based DJ, producer, and label owner Tal Fussman is known for his varied discography on labels such as Innvervisions, Drumpoet, Dyinamic, Laurent Garnier’s COD3QR, and Radio Slave’s Rekids. He now returns to his
Survival Tactics label with ‘Everybody’, a versatile offering that’s already supported by the likes of Honey Dijon, Ben Sims, Dave Clarke, and many more.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Tal Fussman - Freedom Defines House
2
Tal Fussman - The Royal
3
Tal Fussman - Pace
4
Tal Fussman - Even Rome Wasn't Built In A Day
Tal Fussman’s first EP for Rekids, ‘Definition’, kicks off with ‘Freedom Defines House’ - a contemporary reimagining of the classic NY house cut. Big, drummy and complete with a House-focused spoken vocal, the track channels classic Tenaglia and Vasquez sounds, just with added mix-down punch and flair.
On ’The Royal’, Survival Tactics label-boss Fussman runs with the expansive sound design and power percussion that feature across the whole ‘Definition’ EP but delves into Techno-influences with a soaring set of staccato strings and stabs. ‘Pace’ builds on ’The Royal’s Techno references but contrasts the captivating leads with a tunnelling, heads-down vibe created by rhythmic filtered hits. The closing track, ‘Even Rome Wasn’t Built in a Day’, wraps up the Definition’ EP neatly with a light but driving tone punctuated with yet more anthemic string sections.
Having released on Laurent Garnier’s COD3QR, Innvervisions, Drumpoet, and Dyinamic, Tal Fussman has already established himself as an artist to watch, but this memorable love letter to Detroit and debut for Radio Slave’s evergreen Rekids label sees him take things to the next level.
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On ’The Royal’, Survival Tactics label-boss Fussman runs with the expansive sound design and power percussion that feature across the whole ‘Definition’ EP but delves into Techno-influences with a soaring set of staccato strings and stabs. ‘Pace’ builds on ’The Royal’s Techno references but contrasts the captivating leads with a tunnelling, heads-down vibe created by rhythmic filtered hits. The closing track, ‘Even Rome Wasn’t Built in a Day’, wraps up the Definition’ EP neatly with a light but driving tone punctuated with yet more anthemic string sections.
Having released on Laurent Garnier’s COD3QR, Innvervisions, Drumpoet, and Dyinamic, Tal Fussman has already established himself as an artist to watch, but this memorable love letter to Detroit and debut for Radio Slave’s evergreen Rekids label sees him take things to the next level.
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DE - 22113 Hamburg
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Label:Survival Tactics
Cat-No:ST004LP
Release-Date:24.11.2023
Genre:House / Techno
Configuration:2LP Excl
Label:Survival Tactics
Cat-No:ST004LP
Release-Date:24.11.2023
Genre:House / Techno
Configuration:2LP Excl
1
Tal Fussman - No Return (Intro)
2
Tal Fussman - The Fine Line in Between
3
Tal Fussman - A Subtle Change
4
Tal Fussman - Move Your Hips
5
Tal Fussman - Get By
6
Tal Fussman - Talk to Me
7
Tal Fussman - Back Up
8
Tal Fussman - Cycler
9
Tal Fussman - Funktown
10
Tal Fussman - Unconditional
11
Tal Fussman - I Will
12
Tal Fussman - The Chamber (Outro)
RELEASE FORMATS: [ 2x12” LP] incl. 12 Tracks for download
GENRE/S: House / Techno
TRACKLISTS:
Vinyl:
A1 No Return (Intro)
A2 The Fine Line in Between
A3 A Subtle Change
B1 Move Your Hips
B2 Get By
B3 Talk to Me
C1 Back Up
C2 Cycler
C3 Funktown
D1 Unconditional
D2 I Will
D3 The Chamber (Outro)
Download:
1. No Return (Intro)
2. The Fine Line in Between
3. A Subtle Change
4. Move Your Hips
5. Get By
6. Talk to Me
7. Back Up
8. Cycler
9. Funktown
10. Unconditional
11. I Will
12. The Chamber (Outro)
SHORT INFO:
Fresh off a few top-of-the-range hors d'oeuvres to whet our appetite, Tal Fussman resurfaces on his dedicated imprint Survival Tactics with his longed-for debut album, 'The Fine Line In Between'. Right on the brink of even bigger things, as attested by the inclusion of his track 'It Was Misunderstood' on Dixon's seminal Innervisions mixing series, 'Secret Weapons 14', a contribution to the label's compilation 'Secret Weapons Part 15' a few months ago, and making it into Frankey & Sandrino's BBC 1 Essential Mix back in 2022, it's safe to say the Tel-Aviv-born, Berlin-based producer has been on a roll as of late, and 'The Fine Line In Between' is the fruit of all these years spent honing his skills and vision through some of the finest labels and stages out there. Kit up for a fascinating ride across Fussman's hypnotic headspace, the ideal liaison between hi-NRG floor potential and proper funky mischief.
Collated from beats recorded about a year ago, the idea for 'The Fine Line In Between' was, in Fussman's own words, to unfold as a "rollercoaster of emotions, happy, sad, angry, hopeful". Soaked in the Prophet 6's extra-terrestrial envelopes, the opening track 'No Return' is a highly cinematic escape from our earthly here and now, and a most meditation-compatible asset at that. Injecting some breaksy rhythm into its mechanisms, the title-track serves up a masterly built and deployed piece of floor-ready abstraction, suited for either after-daydreaming in the backroom or soundtracking your next sunset whirl on the autobahn. Back to a more hip-swaying, Latin-infused techno vibe, 'A Subtle Change' blends in the suave funk of dubbed-out Chicagoan classics with that of a samba-like chugging tempo, easing us into its warm and sensuous world in the most languid fashion. Making dazzling use of the Moog Sub Phatty's analogue grit and all-around incisiveness, 'Move Your Hips' draws a flock of oh-so-buoyant Rhodes stabs and has them flinging in all directions as a hi-intensity jack ensures maximal traction from the dancers. Hard-boiled boogie, set to no-surrender mode.
Lacking no oomph nor swing, 'Get By' goes from deep the dub techno spectrum's lower end, up sample-heavy disco house's most exhilarating heights, perfect for when the DJ needs that energetic offload but also requires some fiery syncopations to ignite the dance floor. More in the Moroder-esque vein of EBM you'd see being played over images of Ryan Gosling going pedal to the metal in Drive, 'Talk To Me' fires off an avalanche of sizzling arpeggios and menacing vocals, cooking the crowd up until a midway drop that shall obliterate any remnants of inhibition amongst the ravers. Birdsongs and tribal drums are on the menu of 'Back Up', a proper smashing bit of Afro-funk assault, flush with the blazing conga lines, chopped-up vox and that unrelenting bassy earworm going wild. A cannibal rite turned electrokinetic Rave-God worshipping. Thunderous and built for big-room get down, 'Cycler' finds Fussman at his most corrosive and combative, whereas 'Funktown' explores the more squelchy, unabashedly acid-friendly facet of the Israeli producer's all-embracing approach. Note, that second half of the track is bespoke gym workout material. Stretch your body and feel the gain.
A compelling mix of faux-organic lushness and surgical whoosh-step, 'Unconditional' melds high-voltage UK bass and garage alongside near-abstract electronica escapology, beautifully mingling the potent nature of intricate drum programming and ethereal flights of its endless textured pads. Pure peak-time business, 'I Will' is atomic energy stacked in a marble-sized core, highly volatile and bound to devastate any outdoor rave or club basement it may come into contact with. 'The Chamber (Outro)' rounds off the journey as it started, moving upstream onto the path of serenity, like the calm after and before the storm. Glimmering harps and warped chords entangle in a moving symphony of sorts, melancholic yet evocative of a spaciousness and freedom Fussman holds onto as its magnetic North.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S: House / Techno
TRACKLISTS:
Vinyl:
A1 No Return (Intro)
A2 The Fine Line in Between
A3 A Subtle Change
B1 Move Your Hips
B2 Get By
B3 Talk to Me
C1 Back Up
C2 Cycler
C3 Funktown
D1 Unconditional
D2 I Will
D3 The Chamber (Outro)
Download:
1. No Return (Intro)
2. The Fine Line in Between
3. A Subtle Change
4. Move Your Hips
5. Get By
6. Talk to Me
7. Back Up
8. Cycler
9. Funktown
10. Unconditional
11. I Will
12. The Chamber (Outro)
SHORT INFO:
Fresh off a few top-of-the-range hors d'oeuvres to whet our appetite, Tal Fussman resurfaces on his dedicated imprint Survival Tactics with his longed-for debut album, 'The Fine Line In Between'. Right on the brink of even bigger things, as attested by the inclusion of his track 'It Was Misunderstood' on Dixon's seminal Innervisions mixing series, 'Secret Weapons 14', a contribution to the label's compilation 'Secret Weapons Part 15' a few months ago, and making it into Frankey & Sandrino's BBC 1 Essential Mix back in 2022, it's safe to say the Tel-Aviv-born, Berlin-based producer has been on a roll as of late, and 'The Fine Line In Between' is the fruit of all these years spent honing his skills and vision through some of the finest labels and stages out there. Kit up for a fascinating ride across Fussman's hypnotic headspace, the ideal liaison between hi-NRG floor potential and proper funky mischief.
Collated from beats recorded about a year ago, the idea for 'The Fine Line In Between' was, in Fussman's own words, to unfold as a "rollercoaster of emotions, happy, sad, angry, hopeful". Soaked in the Prophet 6's extra-terrestrial envelopes, the opening track 'No Return' is a highly cinematic escape from our earthly here and now, and a most meditation-compatible asset at that. Injecting some breaksy rhythm into its mechanisms, the title-track serves up a masterly built and deployed piece of floor-ready abstraction, suited for either after-daydreaming in the backroom or soundtracking your next sunset whirl on the autobahn. Back to a more hip-swaying, Latin-infused techno vibe, 'A Subtle Change' blends in the suave funk of dubbed-out Chicagoan classics with that of a samba-like chugging tempo, easing us into its warm and sensuous world in the most languid fashion. Making dazzling use of the Moog Sub Phatty's analogue grit and all-around incisiveness, 'Move Your Hips' draws a flock of oh-so-buoyant Rhodes stabs and has them flinging in all directions as a hi-intensity jack ensures maximal traction from the dancers. Hard-boiled boogie, set to no-surrender mode.
Lacking no oomph nor swing, 'Get By' goes from deep the dub techno spectrum's lower end, up sample-heavy disco house's most exhilarating heights, perfect for when the DJ needs that energetic offload but also requires some fiery syncopations to ignite the dance floor. More in the Moroder-esque vein of EBM you'd see being played over images of Ryan Gosling going pedal to the metal in Drive, 'Talk To Me' fires off an avalanche of sizzling arpeggios and menacing vocals, cooking the crowd up until a midway drop that shall obliterate any remnants of inhibition amongst the ravers. Birdsongs and tribal drums are on the menu of 'Back Up', a proper smashing bit of Afro-funk assault, flush with the blazing conga lines, chopped-up vox and that unrelenting bassy earworm going wild. A cannibal rite turned electrokinetic Rave-God worshipping. Thunderous and built for big-room get down, 'Cycler' finds Fussman at his most corrosive and combative, whereas 'Funktown' explores the more squelchy, unabashedly acid-friendly facet of the Israeli producer's all-embracing approach. Note, that second half of the track is bespoke gym workout material. Stretch your body and feel the gain.
A compelling mix of faux-organic lushness and surgical whoosh-step, 'Unconditional' melds high-voltage UK bass and garage alongside near-abstract electronica escapology, beautifully mingling the potent nature of intricate drum programming and ethereal flights of its endless textured pads. Pure peak-time business, 'I Will' is atomic energy stacked in a marble-sized core, highly volatile and bound to devastate any outdoor rave or club basement it may come into contact with. 'The Chamber (Outro)' rounds off the journey as it started, moving upstream onto the path of serenity, like the calm after and before the storm. Glimmering harps and warped chords entangle in a moving symphony of sorts, melancholic yet evocative of a spaciousness and freedom Fussman holds onto as its magnetic North.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Rekids
1
Radio Slave ft. Kameelah Waheed - All Rize (DJ Minx Remix)
2
Radio Slave ft. Kameelah Waheed - All Rize (Boogie Vice & N-You-Up Olympico Dub)
3
Radio Slave ft. Kameelah Waheed - All Rize (The People in The Fog Remix)
4
Radio Slave ft. Kameelah Waheed - All Rize (Jabes Remix)
Radio Slave presents the second remix EP for ‘All Rize’, releasing 19th December 2025, a follow-up to his May collaboration with Kameelah Waheed, enlisting DJ Minx, Boogie Vice & N-You-Up, DJ Sodeyama’s The People in Fog alias, and Jabes to reimagine the track. It follows the ?rst remix package, featuring Harry Romero and Samaran in October, which won support from Laurent Garnier, Chloé Caillet, Saoirse, Honey Dijon, and many more. Detroit’s First Lady of Wax, DJ Minx, follows her appearance at Rekids’ Panorama Bar takeover in August and steps up ?rst. Her remix is a raw, club-ready workout built around a relentless groove and Kameelah Waheed’s commanding vocal mantra, as bleeps and whistles dance across the mix. Linking Cape Town and Southern France, Boogie Vice & N-You-Up follow their 2025 EP on REK’D and deliver a deep cut that slowly builds tension, its organic percussion and warm bassline leading toward a strobe-lit, tripped-out drop. On the ?ip of the second ‘All Rize’ remix EP, Japan’s DJ Sodeyama, under his The People in Fog alias, drifts into more hypnotic territory. Lush pads wash over a low-slung beat and bassline, trading the club for the walk to the after-hours by carrying Waheed’s vocal into something surreal and dreamlike. Completing this left-of-centre B-side, Timedance and Kindergarten’s Jabes twists the original into a warped, textural trip with scratching layers and distorted vocal fragments that pierce through a dense atmosphere. If Sodeyama’s version is the dream, Jabes’ is the chaotic counterpart that follows.
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1
Dino Lenny - Not About The Volume
2
Dino Lenny - Not About The Volume (Tiger Stripes Remix)
Dino Lenny debuts on Rekids with the ‘Not About The Volume’ single. The bona fide legend arrives backed with a remix from Rekids regular Tiger Stripes. Dino Lenny debuts on Radio Slave’s Rekids with ‘Not About The Volume’ on 5th December 2025 alongside a remix from label regular Tiger Stripes. Active for over three decades, Italian/UK DJ, producer, singer, and Fine Human Records label owner Dino Lenny has released on R&S, Diynamic, Innervisions, and Bedrock, while working with artists such as Underworld, Missy Elliott, Wu-Tang Clan, and Madonna on remixes and collaborations. Since 2021, he’s hosted Tomorrowland’s Core, the festival’s alternative electronic stage's radio show, which has featured Nina Kraviz, Ellen Allien, DJ Tennis, and more. Lenny’s ‘Not About The Volume’ boasts a loopy groove that forms the base for impactful, jazz-infl ected hits, and at the centre, a quirky, party-starting vocal that’s sure to cement itself in the minds of the dancefl oor. Tiger Stripes reworks ‘Not About The Volume’ with a fresh new bassline, quicker drums, and amplifi ed synth elements for a more hypnotic take on yet another Rekids anthem.
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1
Oliver Dollar & Nils Ohrmann - The New Is Here feat. APROPOS
2
Oliver Dollar - Downtown feat. Phil WzK
3
Oliver Dollar& Hazmat Live - Ought to be Love ft. Billy Love
4
Oliver Dollar - What Cha' gonna do? ft.APROPOS & Boog Brown
5
Oliver Dollar& ADMN - Before you ft. APROPOS
6
Oliver Dollar & Seven Davis Jr. - Speaker's Bleed
7
Oliver Dollar & Austin Ato - Portamento Track
8
Oliver Dollar & Brillstein - Pill Popper
9
Oliver Dollar & Harvard BAss - Funky Brewster
10
Oliver Dollar, Ben Silver & Boogs - Cosmic Weapon
11
Oliver Dollar - Funked Up
German House artist Oliver Dollar announces his ‘Contemporary’ LP on Rekids, arriving 21st November 2025. Since 2024, he has released four EPs on Radio Slave’s label, featuring collaborations with over a dozen artists and singer-songwriters, supported by the likes of Dam Swindle, Louie Vega, Honey Dijon, Hunee, Kai Alce, and more.Since 2011, Industry Standard label boss Oliver Dollar has become a trusted name in House music, he was one of the leading proponents of its Fidget subgenre in Berlin at the height of its popularity, propelling him towards releases on labels such as Snatch!, Classic Music Company, and Defected, alongside a reputation as a formidable collaborator that’s worked with the likes of Crazy P, Mousse T, and Todd Edwards. For the ‘Contemporary’ LP, he doubles down on this spirit of partnership, bringing together a transatlantic cast of friends and peers, linking Berlin and Detroit through a shared House vision. The album begins with ‘The New Is Here’, where Oliver Dollar teams up with Nils Ohrman for a soulful sermon that sets the tone with warmth and gravity, which was previously reimagined into a club-focused dub for ‘Contemporary Part Four’. From there, the mood shifts into ‘Downtown’ with Phil WZK, a deep, Jazz-in?ected groove underpinned by a spoken monologue that feels both intimate and eternal Vocalists like APROPOS, Boog Brown, and Billy Love then bring soul and gospel ?re, while producers including ADMN, Seven Davis Jr., Harvard Bass, Brillstein, and Austin Ato shape grooves that range from Disco-tinged uplift to deep, dubby hypnotism. Rather than a showcase of features, the album ?ows as one uni?ed statement, a celebration of community, connection, and the timeless energy of House music. Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Hilit Kolet, Tal Fussman, Frankey & Sandrino, Mathias Kaden, Huxley, and many more. Oliver Dollar’s ‘Contemporary’ LP on Rekids is a genuine team e?ort, bringing together some of the brightest voices and producers for a masterpiece that seamlessly blends modern and classic House, Dub, and Disco.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Tal Fussman - Crystallized
2
Tal Fussman - Who's Who
3
Tal Fussman - Walking on Mars
4
Tal Fussman - Knowledge > Machine
Berlin’s Tal Fussman returns to Rekids with the ‘Walking on Mars’ EP, releasing 7th November 2025. It follows the Survival Tactics boss’ recent album on Binh’s Time Passages, as well as his ‘De?nition’ (2024) and ‘I Feel’ (2025) EPs on Rekids, with Fussman’s fresh spin on classic House and Techno winning support from the likes of Raresh, Cromby, DVS1, Saoirse, Carista, Honey Dijon, and many more. The ‘Walking on Mars’ EP opens with ‘Crystallized’, a cavernous cut exclusive to 12”, where Tal Fussman pares back his signature percussive style in favour of a rolling groove set against a deep, atmospheric backdrop. ‘Who’s Who?’ follows, its wild sequences and skewed drumlines colliding in restless motion. The title track, ‘Walking on Mars’, drives forward on hard-hitting drums that gradually unfold into a soulful house melody, setting the stage for ‘Knowledge < Machine’, a razor-sharp electro ?nale of snaking synths and an apt robotic vocal. Fussman’s versatility shines throughout, with the EP already winning support from Antal, Rene Wise, Marcel Dettmann, and Fred P. Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Hilit Kolet, Frankey & Sandrino, Mathias Kaden, Huxley, and many more.
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Radio Slave ft. Kameelah Waheed - All Rize (Harry Romero Remix)
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Radio Slave ft. Kameelah Waheed - All Rize (Harry Romero Remix Dub)
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Radio Slave ft. Kameelah Waheed - All Rize (Samaran Remix)
Harry Romero and Samaran remix Radio Slave and Kameelah Waheed’s ‘All Rize’ on Rekids It follows the release of the original single in May 2025, arriving this October. NYC House legend Harry Romero and respected Paris DJ, producer, and sound designer Samaran step up to remix Radio Slave and Kameelah Waheed’s ‘All Rize’, arriving via the label 24th October 2025. Originally released in May ‘25, ‘All Rize’ was dubbed a ‘perfect moment’ tune by Mano Le Tough, with support from the likes of Bradley Zero, Call Super, Sean Johnston, and more. “Glad to be working a lot closer with Radio Slave on his label and projects. It’s just one of those brands that put out quality. So before I even heard what I was asked to remix for Matt, my answer was yes. My idea was to put a completely di?erent twist on the original and make a new version that was peak time. So glad I took a chance!” - Harry Romero. “I wanted to create a darker club vibe for All Rize, adding another bassline, just keeping the vocal elements that have a strong character and some percussion to keep some organic groove to it. The idea was to keepa minimal idea as the original and make it Rize for darker clubs.” – Samaran
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CASSIMM - I'll Take You There (Original)
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CASSIMM - I'll Take You There (Club Mix)
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CASSIMM - I'll Take You There (Club Instrumental Mix)
London artist CASSIMM returns to Rekids with ‘I’ll Take You There’, landing 26th September 2025. It follows his recent remixes for label boss Radio Slave and his 2024 ‘House of Moves’ EP on the imprint, which won support from the likes of Paul Woolford, Dam Swindle, Hannah Holland, and Laurent Garnier. CASSIMM’s 'I’ll Take You There' is a chunky House cut with powerful bass and rolling drums, joined by ?lters which build the vibe while a diva vocal rings out with raw emotion. It's a perfect mix of gritty production and infectious rhythm that lights up the ?oor with pure underground credentials, while the club mix of ‘I’ll Take You There’ hypnotises with a loopy feel and toughed-up groove. Over the last decade, CASSIMM has amassed a massive following via a slew of chart-topping releases on labels like Defected, King Street, and Rekids. His best-selling, party-ready, and radio-friendly music earns consistent support across the globe, backed by BBC Radio 1 and artists like Honey Dijon, Nic Fanciulli, and many more.
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Frankey & Sandrino - Please
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Frankey & Sandrino - Genie
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Frankey & Sandrino - Please (Echonomist Remix)
Frankey & Sandrino come back to Rekids with the ‘Please’ EP, landing 10th October 2025 alongside a remix from Echonomist. They follow their 2022 ‘Brainscan’ EP on Radio Slave’s label, as well as a remix for Denney in 2023. With an irresistible bassline, smooth melody, and a nostalgia-fuelled vocal, ‘Please’ is the kind of track you hear as you walk into a busy tent at a festival, hands in the air, energy abundant. Frankey & Sandrino are masters at crafting emotional dance?oor bangers, going a little deeper on the progressive ‘Genie’, building up to busy stabs and mind-melting, futuristic sound design. Completing the EP, the pair call in Greek DJ and producer Echonomist to remix ‘Please’. The Innervisions and Exit Strategy artist strips the original back, transforming it into a dark, hypnotic groover built for smoke-lit dance ?oors. Frankey & Sandrino are a German duo that has been shaping dance ?oors since 2009 with their distinct, trend-defying sound. With releases on Kompakt, Diynamic, and their own Sum Over Histories, and regular appearances at clubs like fabric and Stereo, they now return to Rekids with the ‘Please’ EP.Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Harry Romero, Tal Fussman, Tiger Striipes, William Kiss, Oliver Dollar, The Hacker, and more.
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Oliver Dollar & Seven Davis Jr. - - Speaker's Bleed
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Oliver Dollar & Nils Ohrmann - - The New Is Here ft. APROPOS (Hallelujah Dub)
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Oliver Dollar & Brillstein - - Pill Popper (La Boix Dubb)
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Oliver Dollar & ADMN - - Before You ft. APROPOS (Sev's Joyful Dub)
Oliver Dollar presents part four of his Contemporary series on Rekids. The EP precedes his upcoming album on the label, enlisting Seven ‘Sev’ Davis Jr. and Nils Ohrmann, alongside dub reinterpretations by La Boix and Sev. Germany’s Oliver Dollar returns to Radio Slave’s Rekids with Contemporary Part Four, Parts one through three featured collaborations with Austin Ato, Brillstein, Harvard Bass, Hazmat Live, Boogs, and many more, winning support from the likes of Nightmares on Wax, Anja Schneider, Laurent Garnier, Carista, Jennifer Cardini, Dam Swindle, and others. For this next chapter of Oliver Dollar’s ‘Contemporary’, elements of Dub serve as the unifying thread, opening part four with ‘Speakers Bleed’, a jazz-in?ected House cut from Oliver and Classic Music Company and Ninja Tune artist Seven ‘Sev’ Davis Jr. Hypnotic vocals swirl through deep, groove-laden rhythms, setting the tone for the EP’s ?uid, atmospheric feel before Oliver reunites with Golden Gate club resident and long-time collaborator Nils Ohrmann for the Hallelujah Dub of ‘The New Is Here’. The track features the soulful voice of Detroit songwriter and Contemporary series regular APROPOS while gospel-tinged background vocals and rich textures sit over an infectious percussive rhythm. On the ?ip, Oliver Dollar & Brillstein’s ‘Pill Popper’ from Contemporary Part Two is reworked by La Boix, the duo of LA”s Thee Mike B (aka Brillstein) and producer Salva, whose credits include work with RL Grime, Kurupt, E-40, and the Grammy-nominated album of ScHoolboy Q, as well as remixes for Rihanna, Boys Noize and Nelly Furtado. Their version is a late-night, low-slung trip, with echoing keys and vocals drifting through deep basslines. Closing the EP, Seven Davis Jr. returns for a dub of ‘Before You’, Oliver’s collaboration with ADMN from Contemporary Part One. Retaining APROPOS’ heartfelt vocal from the original, Sev layers bright, soul-drenched synths over rolling drums, delivering an irresistible, feel-good ?nale.
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Hilit Kolet & The Illustrious Blacks - Transatlantic Kiki
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Hilit Kolet & The Illustrious Blacks - Transatlantic Kiki (First Class Mix)
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Hilit Kolet & The Illustrious Blacks - Transatlantic Kiki (Floorplan Remix)
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Hilit Kolet & The Illustrious Blacks - Transatlantic Kiki (Floorplan Instrumental Remix)
Hilit Kolet and The Illustrious Blacks team up for the ‘Transatlantic Kiki’ EP. Dropping on Rekids late August, the package is remixed by Floorplan. London-based artist Hilit Kolet returns to Rekids, collaborating with New York’s The Illustrous Blacks, the project formed by Manchildblack and Monstah Black, for the ‘Transatlantic Kiki’ EP, landing 29th August 2025 via Radio Slave’s Rekids. Legendary father-daughter duo Floorplan remix the single, with the release following up Kolet’s 2024 ‘Snap Talk’ EP, which won support from artists like Dam Swindle, Chloé Caillet, Bradley Zero, and more. With lyrics that connect London and New York, ‘Transatlantic Kiki’ is a tough, funk-fueled roller true to Hilit Kolet’s signature production style, infused with an unmatchable personality via The Illustrous Blacks’ playful, vogue-like vocals. It’s hypnotic, bold, and irresistible, with the pair supplying a loopy ‘First Class’ mix that introduces vocal elements not featured in the original, amplifying the track’s qualities to hit even harder, and works the dancefloor into a sweat. Robert and Lyric Hood, known together as Floorplan, remix Hilit Kolet & The Illustrous Blacks’ ‘Transatlantic Kiki’. Equally infectious as the original, they transform its rhythm into a drummy late-night cut. Stabs and vocal chops ride the groove, culminating in a proper lose-yourself-in-the-dance House cut that also comes with an instrumental version. London’s Hilit Kolet came up through the former Soho Black Market Records shop, and has since become synonymous with the city’s House scene via releases on Defected, Snatch!, Domino, and Rekids, with a #1 debut on Music Week’s Upfront Club Chart and support from BBC Radio 1, Jamie Jones, HAAi, Skream, and more. NYC duo The Illustrious Blacks, comprising Manchildblack and Monstah Black, blend Afro-Electro, Funk, Disco, and House across releases on Soul Clap, Classic Music Company, and Defected, as well as collaborations with artists such as Osunlade, DJ Minx, Seven Davis Jr., and David Morales.
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Huxley - M%ND
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Huxley - CLUB SH%T
3
Huxley - FEAR N%THING
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Huxley - ANY1
Huxley debuts on Rekids with the ‘MIND G%MES’ EP. UK DJ, producer, and Dumb Safari label head Huxley joins Radio Slave’s Rekids for the first time with the ‘MIND G%MES’ EP, dropping 25th July 2025. The first track, ‘M%ND’, kicks off with woozy and alluring pads swirling round a cuddly but kicking Deep House groove. Soulful vocals and delicate, cosmic melodies rise out of the mix to bring it to a close in style. 'CLUB SH%T' ups the ante with zippy synths injecting some texture to slamming drums that straddle the House and Techno divide, while wispy stabs and warm daubs of sound dance around the cowbells to make this an evaluated late-night tool. 'FEAR N%THING' is a new school cut, with fi ltered loops, sugary chords, and pent-up energy all surging through the dance fl oor. Last but not least is 'ANY1', a sleazy House pumper featuring moody spoken word, a big, rubbery bassline, and slinky, Garage-infl uenced percussion. Active in the underground music scene for two decades, former Rinse resident and sometime Aus, Shall Not Fade and Unknown To The Unknown artist has had one hell of a career. From huge breakthrough tracks like ‘Let it Go’ on Hypercolour and ‘Box Clever’ on 20:20 Vision to his 2014 ‘Blurred’ LP on Aus, he’s seen universal critical acclaim as well as massive support from DJs and dancefloors globally. In recent years, his Dumb Safari label, the online community R Trybe (co-founded by Ramin Rezaie/BAKKIS) and collaborations with Steve Bug are just a handful of his projects, while his ‘MIND G%MES’ EP for Rekids is already feeding the fi re with support from Jen Cardini, Cromby, I.Jordan, Jennifer Loveless and big room dons, Michael Bibi and Solomun.
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Nathalie Duchene & Radio Slave - We Are Youth
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Nathalie Duchene & Radio Slave - We Are Youth (Instrumental)
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Nathalie Duchene & Radio Slave - We Are Youth (CASSIMM Remix)
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Nathalie Duchene & Radio Slave - We Are Youth (CASSIMM Remix Dub)
Nathalie Duchene & Radio Slave team up for summer anthem ‘We Are Youth’. CASSIMM remixes the track. The Belgium-born, Paris-based Nathalie Duchene joins Radio Slave’s Rekids via a collaboration with the label boss himself. ‘We Are Youth’ lands 11th July 2025 and includes a remix from CASSIMM. Embodying the spirit of summer with glistening piano keys, vibrant strings, and a snazzy bassline, Nathalie Duchene & Radio Slave's ‘We Are Youth’ brims with feeling. The vocal, sung by Radio Slave’s daughter, adds a layer of innocent nostalgia that clings to joyful memories. Rekids regular CASSIMM steps in for a remix, upping the tempo and flipping the track into a disco infused House cut. Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Tiger Stripes, Tal Fussman, Oliver Dollar, The Hacker, and more.
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Tiger Stripes - Time For Peace
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Tiger Stripes - Rockin'
3
Tiger Stripes - The Street
4
Tiger Stripes - A Dance
Sweden’s Tiger Stripes returns to Rekids with the ‘Dance For Peace’ EP, following on from February’s ‘All Night Long’ and 2024’s ‘I Heard It Through The Bassline’ EPs. Across four warm and funk-fuelled cuts, he delivers another essential selection of House grooves primed for peak-time moments and deep, late-night sessions alike, already supported by Oliver Dollar, Riva Starr, Anja Schneider, and more. The opening track, ‘Time For Peace,’ is a brilliantly loopy roller, featuring bouncy drums, muted synth motifs, and a vocal swirl of soulful cries that ramp up the energy. It’s a stylish tension-builder, paving the way for ‘Rockin’, a chunky jam with funky melodic riffs buried in the beat and wordless ad libs teasing out the soul. ‘The Street’ keeps the vibe flowing with swinging drums, knotted guitar licks, and subtly filtered vocals worked into a steamy, party-starting groove. Closing things out is ‘A Dance’, a deeper cut drenched in lush chords and hazy vocals—perfect for blissed-out dancefloor moments. Founder of the Strange Idols label, Tiger Stripes has spent over two decades forging his own path with standout releases on Hot Creations, Get Physical, Kwench Records, and Rekids. After stepping back to focus on his indie-rock project Little Lies, he made a full return in 2024 and quickly recaptured the form that’s made him an international favourite.
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Wh0 - The Girls & Boys
2
Wh0 - The Girls & Boys (Catz 'n Dogz Dub Mix)
Wh0 arrives on Rekids with ‘Girls & Boys’. The Grammy-nominated producer’s next single comes with a remix from Catz ‘n Dogz.Wh0 lands on Radio Slave’s Rekids with new single, 'Girls & Boys', out 13th June 2025. A full-throttle piano jam, the track distils a range of House styles into one expressive, infectious, modern-day classic. Powered by a raw, rolling bassline and loopy chords, it brings unrelenting energy built to raise hands in the air all summer long.Polish duo Catz ‘n Dogz step up on remix duties with a chunky dub mix. Stripping things back, they reimagine the original into a thudding Techno cut, complete with eerie vocal chops and a deliciously deep, driving groove.Formerly a member of legendary House duo The Rhythm Masters, Wh0 has since made his mark as a solo act with sold-out shows at places like Printworks, XOYO and Fabric. The Wh0 Plays and Wh0 Worx label boss boasts production credits for artists like Ten City, Royksopp and Idris Elba and collaborations with the likes of David Penn, David Morales and Nile Rodgers, with his work often topping digital charts and his Spotify clocking up more than a million streams a month.Radio Slave’s Rekids was founded in 2006 and has since spawned successful off shoots with the Techno-focused Rekids Special Projects in 2017 and its newest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been crucial in developing early artist careers and has become a haven for established acts operating in House and adjacent genres, having recently featured the likes of Harry Romero, Tal Fussman, Spencer Parker, The Hacker, and many more.
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Radio Slave ft. Kameelah Waheed - All Rize (Extended Mix)
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Radio Slave ft. Kameelah Waheed - All Rize (Beats)
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Radio Slave ft. Kameelah Waheed - All Rize (Revolution Mix)
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Radio Slave ft. Kameelah Waheed - All Rize (Revolution Acapella)
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Radio Slave ft. Kameelah Waheed - All Rize (Rize Fx)
Radio Slave teams up with Kameelah Waheed for ‘All Rize’ It’s Matt Edwards’ first single on his Rekids label this year, and comes with an additional Revolution Mix. Radio Slave returns to his seminal Rekids imprint with ‘All Rize’, his first single for the label in 2025, landing in May and featuring a vocal from Kameelah Waheed. The track, which continues Matt Edwards’ tendency to favour longer runtimes, builds the pressure through its excellently looping and evolving elements. Waheed, a returning featured artist on Rekids with credits on tracks for Terry Farley and Wade Teo, as well as Hilit Kolet, provides an anchor for the journey, leading the dancefloor through a series of instructions with her inimitable voice. Edwards’ Revolution Mix of ‘All Rise’ then takes a more soulful approach with jazz-inflected guitar riffs and impassioned bass, completing another must-have package from the unstoppable Radio Slave. Radio Slave’s Rekids was founded in 2006 and has since spawned successful offshoots with the Techno-focused Rekids Special Projects in 2017 and its newest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been crucial in developing early artist careers and has become a haven for established acts operating in House and adjacent genres, having recently featured the likes of Harry Romero, Tal Fussman, Tiger Stripes, Spencer Parker, The Hacker, and many more
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Danny Howells - Throb
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Danny Howells - Thrunk
Danny Howells debuts on Rekids with the ‘Throb’ EP. The legendary DJ’s DJ first EP for Radio Slave’s imprint sees him pair with keyboard player Elliott Herrington. Howells, a quietly revered figure in house music since the mid ‘90s, delves deep across the ‘Throb’ EP, which celebrates subtle drum programming, otherworldly keys and soundscapes throughout. The cossetting warmth of ‘Throb’, a track which tips the smallest of nods to Danny’s role in the heyday of progressive house, was born out of a late-night studio session - long forgotten about and then rediscovered, re-appraised, as so many great tracks are. ‘Thrunk’, another supremely heady cut, follows and sees keys slide around the mix, modulated and tweaked just enough to create a constant feeling of movement without losing balance, firmly rooted by a bassline that Howells, contrary to his usual practice, wrote first. Danny Howells is a darling of British dance music. Emerging in the late 1990s with the likes of the era-defining Jackpot Records, his journey in dance music has always been about music, which has seen him eschew frantic touring and production schedules in favour of doing what he loves. Famous, for those in the know, as Cassy’s favourite DJ, Howell’s deft touch and subtlety as a DJ and Producer are evident in spades on ‘Throb’
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Kiko Navarro & Pere Navarro - Byrd's Groove
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Kiko Navarro & Pere Navarro - Keep On Loving Me
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Kiko Navarro & Pere Navarro - Blown Flow
Kiko Navarro & Pere Navarro land on Radio Slave’s Rekids with their ?rst-ever EP, ‘Les Cousins’. Their debut release counts three tracks, merging infectious House grooves with Pere’s Jazz-in?ected trumpet solos for a stylish EP rooted in classic sounds, yet with a distinct modern edge to it. Both hailing from the Balearic Islands, Kiko, a seasoned DJ and producer from Mallorca with music on King Street Sounds, Pacha Recordings, Shall Not Fade and more, and Pere, a multi-instrumentalist, composer and producer from Ibiza. Despite sharing a last name, the pair are not related, meeting for the ?rst time at a private party where Pere spontaneously joined Kiko’s DJ set on trumpet, after which their partnership continued when Kiko invited Pere to record a trumpet solo for a Louie Vega remix, leading up to the creation of their debut ‘Les Cousins’ EP, landing on Rekids this May.
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Matias Aguayo - El Internet
2
Matias Aguayo - El Internet (Instrumental)
3
Matias Aguayo - El Internet (Acapella)
Matias Aguayo drops debut single on Rekids‘El Internet’ is a prelude to the Coméme founder’ upcoming album on the label. Chile’s Matias Aguayo debuts on Rekids with ‘El Internet’, the ?rst single of his upcoming album on Radio Slave’s acclaimed label. Coméme co-founder Aguayo’s ‘El Internet’ is a dance?oor-tested, pumping and uptempo track with personal, intimate vocals phoning in. “El Internet” tells about walking through the city in hot summer nights looking for the perfect dance?oor and about moments in life where you feel (musical) freedom and change, revolutions in music and dreams in community, about YouTube, MySpace, Fotolog and about people who dance in their houses, yards and on the streets to primitive, raw, and direct music (like the rhythm of the track itself).” - Matias Aguayo . Chilean-born musician and DJ Matias Aguayo has been active for three decades, co-founding the Cómeme label in 2009 and releasing work on the likes of Kompakt, Pschent, Hard Fist, and Permanent Vacation. Beyond music, he has organised underground parties and led social projects, including a theatre production at Le Châtelet in Paris.
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Oliver Dollar, Ben Silver & Boogs - - Cosmic Weapon
2
Oliver Dollar - What Cha' Gonna Do? ft. Apropos & Boog Brown
3
Oliver Dollar & Hazmat - - Ought To Be ft. Billy Love
Oliver Dollar presents Contemporary Part Three on Rekids The third instalment features collaborations with Ben Silver, Boogs, and Hazmat, and features Apropos and Boog Brown. Berlin’s Oliver Dollar unveils part three of his ‘Contemporary’ series, releasing on Radio Slave’s Rekids 4th April 2025 and following up last year’s parts one and two, which featured the likes of Harvard Bass, Brillstein, ADMN, and Austin Ato, and won support from the likes of Nightmares On Wax, Anja Schneider, Laurent Garnier, Carista, Jennifer Cardini, Dam Swindle, and more. Part three of Contemporary sees Oliver Dollar invite another cast of hotly tipped collaborators, kicking offthe EP with Melbourne DJ and producers Ben Silver and Boogs - both resident DJs at Revolver Upstairs - for ‘Cosmic Weapon’. Their track features lush, poignant chords underpinned by a rolling groove, with vocal samples warped, chopped, and sliced above for a mind-melting trip. Up next, ‘What Cha’ Gonna Do?’ sees Dollar team up with Apropos, whose inimitable voice previously featured on ‘Contemporary Part One’, and talented Detroit vocalist and Dilla’s Delights’ Boog Brown for a soulful duet. Last up is another Motor City link-up featuring Hazmat Live on production alongside Oliver Dollar for the infectious House energy of ‘Ought To Be Love’, joined by the earworm vocals of Members of the House front vocalist William Beaver, aka Billy Love, known for his work bringing Motown-style gospel vocals to Techno and House with notable Detroit artists like JeffMills, Theo Parrish, Moodymann, Kevin Saunderson, and many more. Closing out the ‘I Feel’ EP, Tal Fussman works with fellow producer 8-AN to drop the dream-like strings of ‘Life Itself’, another deep track that is as club-ready as it is introspective.
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DE - 22113 Hamburg
Germany
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Germany
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Mr. G - City Heat - G’s Underground Dub
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Mr. G - Serendipity
3
Mr. G - Work
Tracklist
A1. City Heat - G’s Underground Dub
B1. Serendipity
B2. Work
Info:
The special one! Mr. G’s productions are distinctive, deep, driving and, above all, a listen to behold. Like the man–machine interface between hypno house and roots techno, he manages to unite dance floors either through his High Mass–like live sets full of swing, grit and soul, or simply through other DJs playing his records.
Blessing Running Back for the second time, Mr. G’s Reconnection EP is the result of a serious dive into his vaults.
City Heat (G’s Underground Dub) is a picture-perfect example of his skill to groove without a doubt: raw, funky and fabulous. Serendipity and Work on the flip side complete this picture. Decades of record buying, music making and a love supreme for this culture rolled into one. Made yesterday, released today, and it will still sound great tomorrow. A personal gift from Mr. G’s archive to Running Back.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. City Heat - G’s Underground Dub
B1. Serendipity
B2. Work
Info:
The special one! Mr. G’s productions are distinctive, deep, driving and, above all, a listen to behold. Like the man–machine interface between hypno house and roots techno, he manages to unite dance floors either through his High Mass–like live sets full of swing, grit and soul, or simply through other DJs playing his records.
Blessing Running Back for the second time, Mr. G’s Reconnection EP is the result of a serious dive into his vaults.
City Heat (G’s Underground Dub) is a picture-perfect example of his skill to groove without a doubt: raw, funky and fabulous. Serendipity and Work on the flip side complete this picture. Decades of record buying, music making and a love supreme for this culture rolled into one. Made yesterday, released today, and it will still sound great tomorrow. A personal gift from Mr. G’s archive to Running Back.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Kevin Saunderson featuring Inner City - Future (Kenny Larkin Tension Mix)
2
Kevin Saunderson featuring Inner City - Future (MK AW Deep Dub)
3
Kevin Saunderson featuring Inner City - Future (C2 Edit)
In 2011 Kevin Saunderson, Ann Saunderson and Paris Grey, collectively known as the legendary band Inner City, released ‘Future’, their first entirely new material since taking a break in 1996, written and produced in collaboration with another Detroit legend, namely Kenny Larkin, and the very talented producer / remixer Orlando Voorn. The track marked a welcome return for a group that combined the tough, futuristic grooves of the Detroit scene with the vocal energy of R&B and gospel and helped to define the period in which house and techno moved from underground phenomena to top 10 material, paving the way for hundreds of dance hits to come. The Kenny Larkin remix devastated dancefloors at the time and continues to do so over 10 years since its release. Now fully reissued backed with the Carl Craig edit from the original pressing and the MK AW Deep Dub which had previously only seen a one-sided hand stamped white label vinyl outing.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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classic, ruff & jackin Glenn Underground take on a sleazy disco classic.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
BDK - I-Gotta
2
BDK - Swimming
3
BDK - That Sound
4
BDK - Attention
Tracklist:
A1 BDK - I-Gotta
A2 BDK - Swimming
B1 BDK – That Sound
B2 BDK - Attention
Shortinfo:
BDK lands on Footjob for his label debut, serving up a four-track EP of disco-laced dancefloor power. The Belfast producer delievers high-octane, funky-driven, floor-focused cuts packed with punchy drums. A guaranteed lift to any house/disco set.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 BDK - I-Gotta
A2 BDK - Swimming
B1 BDK – That Sound
B2 BDK - Attention
Shortinfo:
BDK lands on Footjob for his label debut, serving up a four-track EP of disco-laced dancefloor power. The Belfast producer delievers high-octane, funky-driven, floor-focused cuts packed with punchy drums. A guaranteed lift to any house/disco set.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Herbert - - Got To Be Movin'
2
Chris Nazuka - - Somewhere Between Distance And The Impossible
3
Blaze - - Lovelee Dae (Beloved Vocal Rmx)
4
Gemini - - In My Head (Freaks Move This Way Vocal Dubby)
5
Seven Davis Jr. - - The One (Live Edit)
6
Red Rack'em - - Wonky Bassline Disco Banger
7
Eli Escobar - - Happiness Pt. 2
8
Kenny Hawkes & Louise Carver - - Play The Game (Space Children Love Mix)
To mark three decades of Classic, this special edition double vinyl comes housed in a raw reverse board sleeve, calling back to the very first 'Season's' release on the label. The inner sleeves feature stunning orange and pink GMUND card stock, complete with embossed detailing-a tactile nod to Classic's design-led legacy and attention to craft. Volume 1 of the 3-part compilation series dives into Classic's most cherished moments-spanning both foundational tracks from the label's early years and key highlights from its post-2011 rebirth. Record One celebrates some of the first outings of Classic's original era.? It opens with Matthew Herbert's sought-after 1996 cut 'Got To Be Movin'-a raw, Chicago-inspired groover that captures the sound of Classic's roots. Also featured is the monumental 'Somewhere Between Distance and the Impossible' by Chris Nazuka (of Rednail Kidz with Derrick Carter), a 1997 masterpiece steeped in atmosphere and widely regarded as one of the label's most transcendental releases. Flip to Side B for Blaze's legendary 'Lovelee Dae', remixed into a club ready, ethereal dreamscape by Jon Marsh of The Beloved. To finish we have Gemini's hypnotic 'In My Head', transformed by prolific remixers on Classic - Freaks (Luke Solomon & Justin Harris) into a dubbed-out vocal trip that oozes character. Record Two picks up the story with Classic's reawakening in 2011. ?Seven Davis Jr's 'The One' (Live Edit) was the track that caught Luke Solomon's ear, paving the way for his Friends EP and long-standing connection with the label. Red Rack'em's infectious and eccentric 'Wonky Bassline Disco Banger' found its perfect home on Classic in 2016, quickly becoming one of the most talked-about records of the year. Then there's Eli Escobar's 'Happiness Pt. 2'-a rich, emotive standout from his Classic album work, showcasing his skill at blending deep grooves with raw soul. Rounding out the release is the iconic 'Play the Game' by Kenny Hawkes & Louise Carver. A pillar of UK house history, this essential track was reissued in 2019 with a powerful remix from his best buddy's The Space Children (Luke Solomon, Jonny Rock & Leon Oakey), honouring Kenny's lasting influence.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Home & Garden ft. Collette - - Sexuality...He's 2 Young (JT's Porno Beat Down Remix)
2
Brett Johnson - - Jiffy Pop
3
Tiefschwarz - - Acid Soul
4
Roy Davis Jr. - - About Love (Solid Groove Remix)
5
JT Donaldson ft. Liv.e - - Stay Inside
6
Dam Swindle - - Hey Mister
7
Luke Solomon & Amp Fiddler - - Come On Over
8
Honey Dijon ft. Dave Giles II, Cor.Ece & - Work
The third and final volume of Classic's 30th Anniversary vinyl series brings the party full circle - blending deep catalogue cuts, future-forward house, and tracks from the label's tight-knit family of collaborators. Like the volumes before it, this 2x12" release arrives in a raw reverse board outer sleeve, a nod to the aesthetic of Classic's earliest releases. Inside, bold yellow and red GMUND card stock inner sleeves with embossed detailing reflect the label's long-standing commitment to design, artistry, and collectability. Record One kicks off with a certified Classic family affair. Home & Garden's 'Sexuality...He's 2 Young' features the unmistakable voice of DJ Colette, a staple of Classic's early era. Included here is JT Donaldson's Porno Beat Down Remix-a stripped, low-slung rework with an irresistibly funky bass line and pure dance floor chemistry. Brett Johnson's 'Jiffy Pop', from his legendary Bounce! EP, follows up with a jittery, swaggering groove that epitomises Brett's playful, funk-laced production style. Infectious, weird, and entirely unforgettable. On the flip, Tiefschwarz's 'Acid Soul' delivers a moody, muscular roller. Originally released during their prolific run on Classic in the early 2000s, it fuses baritone sax stabs, a Berlin-borne bass line, and a sultry vocal into a deeply spiritual house cut. Roy Davis Jr. closes Side B with the propulsive 'About Love' (Solid Groove Remix)-a tough and driving interpretation by Dave Taylor that's long been a DJ favourite in the Classic vaults. Record Two showcases Classic's more recent sonic evolutions. JT Donaldson's return to the label in 2019 came with 'Stay Inside', a rich and breezy groove featuring the soulful voice of Liv.e. It's an elegant and understated slice of modern house with timeless appeal. Then comes Dam Swindle's funk-charged 'Hey Mister'. A punchy, bass-driven jam built around a 70s reggae-disco vocal sample. Raw and infectious, it's been lighting up dance floors worldwide since its release. Luke Solomon's catalogue on Classic is vast, but 'Come on Over', his collaboration with Amp Fiddler, earns its place here. Seeing vinyl release for the first time, this cut overflows with musicality. Amp's passionate vocal, free-time breakdowns, and deep funk grooves deliver pure emotional punch. And to close, a modern masterpiece: Honey Dijon's 'Work' (Extended Mix), taken from her 'Black Girl Magic' LP. Featuring Dave Giles II, Cor.Ece, and Mike Dunn, this powerhouse track brings together fierce vocal performances, live instrumentation, and top-tier production. It embodies everything Classic stands for: collaboration and innovation on the dance floor.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Asa Moto - Gillesgolo
2
Asa Moto - Slow Tongue, Fast Lips
3
Asa Moto - MJ Complex
4
Asa Moto - Twee Dikke Nekken
Asa Moto hail from Ghent, Belgium — a city where concrete collides with cathedrals. Their music obeys the same law: rhythm wired into noise, melody bent out of shape. No genres. No safe zones. They’ve taken this across Europe and beyond: festivals like Dour, Best Kept Secret, and Boiler Room Bangkok; clubs that shape the underground including Panorama Bar, Opium, Lux, XOYO. Sacred halls turned into dancefloors, basements stretched to capacity. Wherever they land, Asa Moto rewire the room. Resident Advisor and the BBC were listening from the start. Altin Gün brought Asa Moto in to produce the critically acclaimed Yol (2021) — the band’s first collaboration with outsiders. Remixes for Polo & Pan, Chloé Thévenin and others spread the same edge further out — each a glimpse of their method, a vision in motion. All signals run through Studio Martino in Ghent — their own control room for recordings, remixes, transmissions. The records surface on DEEWEE, the label founded by Stephen and David Dewaele of Soulwax/2manydjs — the only one reckless enough to carry them. The next, DEEWEE082 — Music For Disk Jockeys Pt. 1, continues the line — four tracks as proof that Asa Moto refuse limits, because the world refused them first.
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DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Dold - Second Reset (Original Mix)
2
Dold - Second Reset (DHÆUR Remix)
3
Dold - Pulse Light Focus (Original Mix)
4
Dold, DHÆUR - Borderline (Original Mix)
GENRE: Techno
TRACKLIST:
Dold - Second Reset (Original Mix)
Dold - Second Reset (DHÆUR Remix)
Dold - Pulse Light Focus (Original Mix)
Dold - Borderline (Original Mix)
SHORT INFO:
The seventh release on the BINÄR-Label is an EP consisting of an opening, peak time and closing track by Dold with a remix by DHÆUR. The focus was on the storytelling which includes deep dives over a bit more rough sounds ending with a warm hug. The tracks are mastered by Ricardo Esposito.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST:
Dold - Second Reset (Original Mix)
Dold - Second Reset (DHÆUR Remix)
Dold - Pulse Light Focus (Original Mix)
Dold - Borderline (Original Mix)
SHORT INFO:
The seventh release on the BINÄR-Label is an EP consisting of an opening, peak time and closing track by Dold with a remix by DHÆUR. The focus was on the storytelling which includes deep dives over a bit more rough sounds ending with a warm hug. The tracks are mastered by Ricardo Esposito.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Robag Wruhme - Nata Alma (Club Smash Hit Version) 08:40
2
Robag Wruhme - Venq Tolep (Hit Club Version) 06:24
2025 Repress
Tracklist:
A. Nata Alma (Club Smash Hit Version) 08:40
AA Venq Tolep (Hit Club Version) 06:24
Release Info:
Robag Wruhme, working on the material. On the very same piece. And performing two different movements. First, thinking in category Album: who will hear it where? also: mood, position, length. Second, thinking in category Maxisingle: a spinning-tool for the club – another form of another functionality: accelerating the rhythm, lowering the harmonicmelodious, still preserving the nature of the song. And each version should make you HOT for the other!
Nata Alma, a voice loses itself in the infinite, a car brakes, a horse whinnies, the sun scorches relentless. Further, further on, towards the flickering, stoically. Water, flames on the horizon, Fata Morgana, a mirage. »And you might say, we've got no place to go?« - okay? no notokay at all!: Shuffle!
Nata Alma, melancholic Eight-minute-forty. A love song, a wave good-bye: »And you might say, that you need me no more?« sings Sidsel Endresen alongside Bugge Wesseltoft's swells and ebb-aways – metal never sounded so longing; a buzzing swing, a siren call from afar.
Robag Wruhme takes a seat at the organ and plays minor bass notes. He gets up, leaves the room and lays down a dry rock of funk: wooden kick on wooden snare, tight-cut voices, driving hi-hats and shakers, gated synth danglers and percussion loops. Relentless, stoically. »And you might say, that it's over?« – relentless, maybe, but that's how he creates the Further: keep going! dance it off! a new day rising!
And right here. Flip it and keep on moving: Venq Tolep. A summer meadow, grass-stains, a gentle breeze, an early smell of hay. Venq Tolep. Endorphins tickle under the skin. A
percussive spectacle, dance of the insects. Hopping around in flat shoes, the beat is phat and reverberated by a cluster of trees. Stabs on the e-piano set in, picturing the euphoric moment when Loving-feelings walk hand-in-hand with a Hint of Melancholy.
Robag Wruhme, Nata Alma and Venq Tolep - music for dance floors, inside and outside, music for the summer, day and night, and for convertibles on the way there.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A. Nata Alma (Club Smash Hit Version) 08:40
AA Venq Tolep (Hit Club Version) 06:24
Release Info:
Robag Wruhme, working on the material. On the very same piece. And performing two different movements. First, thinking in category Album: who will hear it where? also: mood, position, length. Second, thinking in category Maxisingle: a spinning-tool for the club – another form of another functionality: accelerating the rhythm, lowering the harmonicmelodious, still preserving the nature of the song. And each version should make you HOT for the other!
Nata Alma, a voice loses itself in the infinite, a car brakes, a horse whinnies, the sun scorches relentless. Further, further on, towards the flickering, stoically. Water, flames on the horizon, Fata Morgana, a mirage. »And you might say, we've got no place to go?« - okay? no notokay at all!: Shuffle!
Nata Alma, melancholic Eight-minute-forty. A love song, a wave good-bye: »And you might say, that you need me no more?« sings Sidsel Endresen alongside Bugge Wesseltoft's swells and ebb-aways – metal never sounded so longing; a buzzing swing, a siren call from afar.
Robag Wruhme takes a seat at the organ and plays minor bass notes. He gets up, leaves the room and lays down a dry rock of funk: wooden kick on wooden snare, tight-cut voices, driving hi-hats and shakers, gated synth danglers and percussion loops. Relentless, stoically. »And you might say, that it's over?« – relentless, maybe, but that's how he creates the Further: keep going! dance it off! a new day rising!
And right here. Flip it and keep on moving: Venq Tolep. A summer meadow, grass-stains, a gentle breeze, an early smell of hay. Venq Tolep. Endorphins tickle under the skin. A
percussive spectacle, dance of the insects. Hopping around in flat shoes, the beat is phat and reverberated by a cluster of trees. Stabs on the e-piano set in, picturing the euphoric moment when Loving-feelings walk hand-in-hand with a Hint of Melancholy.
Robag Wruhme, Nata Alma and Venq Tolep - music for dance floors, inside and outside, music for the summer, day and night, and for convertibles on the way there.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Miss Kittin & The Hacker - Upstart
2
Miss Kittin & The Hacker - Love On 26
3
Miss Kittin & The Hacker - Snuff Movies
4
Miss Kittin & The Hacker - The Building
Repress!
Miss Kittin & The Hacker are the Electro duo of Caroline Hervé and Michel Amato from Grenoble, France. The pair met during the early 90s at a rave and soon after bought turntables and began DJing. In 1996, they started writing music heavily influenced by 1980s synthpop and post-punk bands like Fad Gadget, DAF, Liaisons Dangeuresues, and Yazoo, as well as Italo Disco. Bored by the techno scene at the time, they set out out to lighten the serious tone and bring a campy sexiness to the dour musical landscape. Upon hearing their demos DJ Hell signed them to his Munich-based International DJ Gigolo label and released their first 2 EPs in 1998 and 1999. Their debut album ”First Album" was released in 2001 followed by . in ?.
“Lost Tracks Vol. 2” contains 4 previously unreleased demos recorded between 1997 and 1999. The duo fused 80’s European New Wave/Italo Disco with 90’s Detroit Electro acts like Le Car and Dopplereffekt. By utilizing verse-chorus structures, they playfully shook up the loop based hard techno and electro that was popular at the time. Their studio set up at the time was a Korg MS-20, Roland SH-101, TR-606, TR-808, Siel DK80, and Boss DR-660 drum machine. The songs are direct, spontaneous, seemingly improvised in places. Miss Kittin sings about falling in love in the new millennium, snuff movies and controlling the unknown trip to death, all in her cheekily derisive French accent. All songs have been transferred from the original DAT tapes by the band and remastered for vinyl by George Horn at Fantasy Studios. The vinyl comes housed in a glossy jacket featuring a black and white photo of the duo taken in 1996. Each LP includes a postcard with liner notes from Miss Kittin and The Hacker designed by Eloise Leigh. As Miss Kittin says of these demos, “We were naive, innocent, adventurous and we didn’t expect anything in return”
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DE - 22113 Hamburg
Germany
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Miss Kittin & The Hacker are the Electro duo of Caroline Hervé and Michel Amato from Grenoble, France. The pair met during the early 90s at a rave and soon after bought turntables and began DJing. In 1996, they started writing music heavily influenced by 1980s synthpop and post-punk bands like Fad Gadget, DAF, Liaisons Dangeuresues, and Yazoo, as well as Italo Disco. Bored by the techno scene at the time, they set out out to lighten the serious tone and bring a campy sexiness to the dour musical landscape. Upon hearing their demos DJ Hell signed them to his Munich-based International DJ Gigolo label and released their first 2 EPs in 1998 and 1999. Their debut album ”First Album" was released in 2001 followed by . in ?.
“Lost Tracks Vol. 2” contains 4 previously unreleased demos recorded between 1997 and 1999. The duo fused 80’s European New Wave/Italo Disco with 90’s Detroit Electro acts like Le Car and Dopplereffekt. By utilizing verse-chorus structures, they playfully shook up the loop based hard techno and electro that was popular at the time. Their studio set up at the time was a Korg MS-20, Roland SH-101, TR-606, TR-808, Siel DK80, and Boss DR-660 drum machine. The songs are direct, spontaneous, seemingly improvised in places. Miss Kittin sings about falling in love in the new millennium, snuff movies and controlling the unknown trip to death, all in her cheekily derisive French accent. All songs have been transferred from the original DAT tapes by the band and remastered for vinyl by George Horn at Fantasy Studios. The vinyl comes housed in a glossy jacket featuring a black and white photo of the duo taken in 1996. Each LP includes a postcard with liner notes from Miss Kittin and The Hacker designed by Eloise Leigh. As Miss Kittin says of these demos, “We were naive, innocent, adventurous and we didn’t expect anything in return”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
nu yorican soul - Ballsy Mix
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nu yorican soul - Horny Mix
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nu yorican soul - Yellow Mix
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nu yorican soul - UN Mix
Truly seminal MAW release from 1993. All 4 mixes re mastered from the DAT's and repressed for 2014. Last repressed 14 years ago this is the perfect time to pick up this mint copy for your collection.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More