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Label:Ostinato Records
Cat-No:OSTLP018
Release-Date:20.09.2024
Configuration:2LP
Barcode:827565063062
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Cat-No:OSTLP018
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Barcode:827565063062
1
Nasiba Abdullaeva - - Aarezoo Gom Kardam (I Lost My Dream)
2
Angelina Petrosova - - Tantsuyushchiy Ostrov (Dancing Island)
3
Original - - Bu Nima Bu (What's This) [Janto Koité Edit] [Live]
4
Original - - Sen Qaidan Bilasan (How Do You Know)
5
Khurmo Shirinova - - Paidot Kardam (Found a Sweetheart)
6
Natalia Nurumkhamedova - - Nashi Ssori (Our Quarrels)
7
Bolalar - - Lola
8
Yashlik - - Radost (Joy)
9
Minarets of Nessef - - Instrumental
10
Makhfirat Khamrakulova - - Ya Zdala Tebya (I Waited For You)
11
Makhfirat Khamrakulova & Gulshan - - Rezaboron (Rain)
12
Efsane - - Meyhane
13
Original - - Bu Nima Bu (Studio)
14
Ariran - - Pomni Menya (Remember Me)
15
Ismail Jalilov & Synthesis - - Guzal
Compiled from ultra-rare dead stock pressed at a Soviet-era vinyl plant in Tashkent, Uzbekistan, this first-of-its-kind fully licensed album features a supreme selection of Uzbek disco, Tajik electronic folk, Uyghur guitar licks, Crimean Tatar jazz, Korean brass, and genre-defying styles from Soviet Central Asia. Drop the needle, and you're not just hearing rare Soviet dance music. You're journeying along the Silk Roads, revisiting raucous USSR disco nights, and immersing in grooves that inspired Soviet youth to envision a different future, ultimately unraveling the Iron Curtain from within. A comprehensive historical package presented in a double LP trifold complete with rare 1970s & 80s photos from the Soviet Union, Uzbekistan, and elsewhere in Central Asia.
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Label:Ostinato Records
Cat-No:OSTLP015
Release-Date:10.11.2023
Genre:Soul/Funk
Configuration:LP
Barcode:827565062997
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Release-Date:10.11.2023
Genre:Soul/Funk
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Barcode:827565062997
1
Diepkloof United Voice - Too Late for Mama
2
Diepkloof United Voice - Baninzi
3
Diepkloof United Voice - Round & Round
4
Diepkloof United Voice - Sipo
5
Diepkloof United Voice - Who Knows
6
Diepkloof United Voice - Nomalizo
7
Diepkloof United Voice - My Brother
In apartheid-era South Africa, gospel music provided solace and served as a tool for covert communication to circumvent the censorship of the settler regime. By the 2010s, South African gospel, deeply ingrained in the soul of Soweto, assumed a new role—as a heartfelt cry against persistent failures and shortcomings, a cry mourning a South Africa that never materialized. A new South Africa needed a new gospel sound. In 2016, nine young men from different parts of Diepkloof, a celebrated neighbourhood brimming with talent within Soweto's sprawling township, came together to form the sound of a new South Africa under the name Diepkloof United Voice. Diepkloof United Voice's music has gone viral multiple times on TikTok, YouTube, and Facebook, garnering between 60,000 to 2 million views. The comments section displays flag emojis from Brazil to India, showcasing the global reach of their music. This album was recorded on site in Soweto, in an abandoned classroom of Lebowa Elementary School in Diepkloof Zone 3, where the choir rehearsed for years. Amid rolling blackouts, Diepkloof United Voice poured their heart, soul, and vocal chords into their debut record, combining classic South Africa gospel, Soweto's own kasi soul, American blues, and Zulu flavor, to present the contemporary gospel sound of a changing South Africa. The promise of a new South Africa might finally be realized, as Diepkloof United Voice guarantees the country's future is guided by the truth, uttered with each gasp of breath from their inimitable voices.
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Label:Ostinato Records
Cat-No:OSTLP015C
Release-Date:10.11.2023
Genre:Soul/Funk
Configuration:LP
Barcode:827565063000
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Genre:Soul/Funk
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In apartheid-era South Africa, gospel music provided solace and served as a tool for covert communication to circumvent the censorship of the settler regime. By the 2010s, South African gospel, deeply ingrained in the soul of Soweto, assumed a new role—as a heartfelt cry against persistent failures and shortcomings, a cry mourning a South Africa that never materialized. A new South Africa needed a new gospel sound. In 2016, nine young men from different parts of Diepkloof, a celebrated neighbourhood brimming with talent within Soweto's sprawling township, came together to form the sound of a new South Africa under the name Diepkloof United Voice. Diepkloof United Voice's music has gone viral multiple times on TikTok, YouTube, and Facebook, garnering between 60,000 to 2 million views. The comments section displays flag emojis from Brazil to India, showcasing the global reach of their music. This album was recorded on site in Soweto, in an abandoned classroom of Lebowa Elementary School in Diepkloof Zone 3, where the choir rehearsed for years. Amid rolling blackouts, Diepkloof United Voice poured their heart, soul, and vocal chords into their debut record, combining classic South Africa gospel, Soweto's own kasi soul, American blues, and Zulu flavor, to present the contemporary gospel sound of a changing South Africa. The promise of a new South Africa might finally be realized, as Diepkloof United Voice guarantees the country's future is guided by the truth, uttered with each gasp of breath from their inimitable voices.
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Label:Ostinato Records
Cat-No:OSTLP015D
Release-Date:10.11.2023
Genre:Soul/Funk
Configuration:LP
Barcode:827565063017
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Genre:Soul/Funk
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In apartheid-era South Africa, gospel music provided solace and served as a tool for covert communication to circumvent the censorship of the settler regime. By the 2010s, South African gospel, deeply ingrained in the soul of Soweto, assumed a new role—as a heartfelt cry against persistent failures and shortcomings, a cry mourning a South Africa that never materialized. A new South Africa needed a new gospel sound. In 2016, nine young men from different parts of Diepkloof, a celebrated neighbourhood brimming with talent within Soweto's sprawling township, came together to form the sound of a new South Africa under the name Diepkloof United Voice. Diepkloof United Voice's music has gone viral multiple times on TikTok, YouTube, and Facebook, garnering between 60,000 to 2 million views. The comments section displays flag emojis from Brazil to India, showcasing the global reach of their music. This album was recorded on site in Soweto, in an abandoned classroom of Lebowa Elementary School in Diepkloof Zone 3, where the choir rehearsed for years. Amid rolling blackouts, Diepkloof United Voice poured their heart, soul, and vocal chords into their debut record, combining classic South Africa gospel, Soweto's own kasi soul, American blues, and Zulu flavor, to present the contemporary gospel sound of a changing South Africa. The promise of a new South Africa might finally be realized, as Diepkloof United Voice guarantees the country's future is guided by the truth, uttered with each gasp of breath from their inimitable voices.
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Label:Ostinato Records
Cat-No:OSTLP013
Release-Date:09.12.2022
Genre:Afrobeat
Configuration:2LP
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Genre:Afrobeat
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1
Iftin Band - Aaway Axdigii aynu isku Ogeyn? (Where is our Promise?)
2
Iftin Band - War Wayneey (Great News)
3
Iftin Band - Umaayey iyo Abo (Mother & Father)
4
Iftin Band - Deriskaagi waa kugu Jahowareeray (Your Neighbor is Confused About You)
5
Iftin Band - Hobolada Hooyibo
6
Iftin Band - Xiriirkaagii aan kusoo Xarakeeyee (Lets Celebrate our Relationship)
7
Iftin Band - Wiilkii aan ku Waashee (The Boy who Drives Me Crazy)
8
Iftin Band - Ruuney
9
Iftin Band - Haba Ley Habaaree (Let Me Be Cursed)
10
Iftin Band - Shaydan Buulow (Dancing Devil)
11
Iftin Band - Sig Sig Nima (Come Closer)
12
Iftin Band - Iisoo Buub (Give it to Me)
13
Iftin Band - Kurbo Jaceyl (Love & Pain)
14
Iftin Band - Imtaxaanka Dunida (The Test of Life)
The official retrospective on one of Somalia's most famous and beloved private bands, Iftin, and a companion compilation to our Grammy-nominated "Sweet As Broken Dates". Digitized from cassettes recorded between 1982 and 1987 at the legendary Al-Uruba hotel's secret studio and the jams for the masses performed in the basement of Somalia's national theater. Banaadiri rhythms from Somalia's south, Mogadishu's finest vocalists, Dhaanto reggae-like guitar licks, and smoldering brass blend seamlessly with the sounds of Asia, the Middle East, and Africa to form one of rawest, most cosmopolitan eras of music anywhere. Iftin's Mogadishu is where the world's sounds begin and end.
Double LP gatefold with a 12" x 12" poste More
Double LP gatefold with a 12" x 12" poste More
LP
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Label:Ostinato Records
Cat-No:OSTLP012
Release-Date:24.06.2022
Genre:Afrobeat
Configuration:LP
Barcode:827565062904
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Cat-No:OSTLP012
Release-Date:24.06.2022
Genre:Afrobeat
Configuration:LP
Barcode:827565062904
1
Noori & His Dorpa Band - Saagama
2
Noori & His Dorpa Band - Qwal
3
Noori & His Dorpa Band - Al Amal
4
Noori & His Dorpa Band - Jabana
5
Noori & His Dorpa Band - Wondeeb
6
Noori & His Dorpa Band - Daleb
A soundtrack of Sudan's revolution and the first ever international release of the Beja sound, performed by Noori and his Dorpa Band, an unheard outfit from Port Sudan, a city on the Red Sea coast in eastern Sudan and the heart of Beja culture. Beja Power! is a living archive of the finest, most heartfelt Beja songs—a six-track portal to another time and place, of melodies long forgotten and never before interpreted by an electric and brass-driven ensemble. Few older Beja recordings were produced. Even fewer, if any, remain. Electric soul, blues, jazz, rock, surf, even hints of country, speak fluently to styles and chords that could be Tuareg, Ethiopian, Peruvian or Thai—all grounded by hypnotic Sudanese grooves, Naji's impeccable, airy tenor sax, and of course, Noori's tambo-guitar, a self-made unique hybrid of an electric guitar and an electric tambour, a four-string instrument found across East Africa. A truly ancient community, Beja trace their ancestry back millennia. Some say they are among the living descendants of Ancient Egypt and the Kingdom of Kush. They are even depicted in the hieroglyphics. Beja melodies—nostalgic, hopeful and sweet, ambiguous and honest—are thousands of years old. Yet their sounds are also reminiscent of Dick Dale's 1963 "Misirlou" and jazz great Charlie Rouse's 1968 "Meci Bon Dieu". This album could be 6,000 years, 60 years, or 6 months old. Along with his Dorpa Band, formed in 2006, Noori's instrumental Beja music forms the latest link in an unbroken chain of an inherited, arresting sound that is local as it is global, a gift of a storied past and the exchanges of the well-traveled Red Sea. Ostinato Records is honored to bring the nearly forgotten Beja sound in all its nostalgia, sweetness, honesty, and power, recorded and mastered to maintain the warmth of Sudan's signature aesthetic, to your sound system.
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2LP
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Label:Ostinato Records
Cat-No:OSTLP011
Release-Date:25.02.2022
Genre:World Music
Configuration:2LP
Barcode:827565062898
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Cat-No:OSTLP011
Release-Date:25.02.2022
Genre:World Music
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Barcode:827565062898
1
The Ano Nobo Quartet - Intro
2
The Ano Nobo Quartet - Sociedad di Mocindadi
3
The Ano Nobo Quartet - Tio Bernar
4
The Ano Nobo Quartet - Badia di Fora
5
The Ano Nobo Quartet - Maria Cze Bu Tem
6
The Ano Nobo Quartet - Canta Ku Alma Magoado
7
The Ano Nobo Quartet - Interlúdio
8
The Ano Nobo Quartet - Elefantes
9
The Ano Nobo Quartet - Mie Fogo
10
The Ano Nobo Quartet - Mulatinha Vai
11
The Ano Nobo Quartet - Interlúdio do Mar
12
The Ano Nobo Quartet - Pascoal's Baixo
13
The Ano Nobo Quartet - Lolinha
14
The Ano Nobo Quartet - Interlúdio
15
The Ano Nobo Quartet - Tio Bernar (Alternativa)
In the small inland town of São Domingos on Cape Verde's Santiago Island, The Ano Nobo Quartet delivers a fresh take on Koladera, a guitar-driven, subtly rhythmic sound of a lighter spirit. Their sound tells a global story with Cape Verde at its center, a creole melting pot in the middle of the Atlantic attracting the best from four continents: hypnotic, haunting Koladera guitars inflected with twangs of Salsa Cubano, Spanish Flamenco, Brazilian Samba Canção, Jamaican Reggae, Argentine Tango, Mozambican Marrabenta, and finished with a dash of Black American Blues. It's all here. Absent percussion, the quartet's sound still drips with rhythm. Rich, raw acoustic music you can dance to. This album was recorded in three locations on Santiago Island: at homes, by the sea, and on the volcanic hills of Cape Verde. Each location used a mobile recording studio equipped with different mics placed near and far to capture both the Spanish and Chinese-made guitars and the natural environment that shapes the saudade, a melancholic longing, of Koladera. Each space has its own atmosphere heard in the interludes. A double LP pressed at 45 RPM for an even silkier listening experience and packaged in a luxurious matte-laminated gatefold with a high quality 12-page booklet along with a hardcover bookcase CD with a 24-page booklet.
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Label:Tessellate
Cat-No:TESS021
Release-Date:20.09.2024
Genre:House
Configuration:12"
Barcode:5050580831384
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Label:Tessellate
Cat-No:TESS021
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Genre:House
Configuration:12"
Barcode:5050580831384
1
The Trip - Love Struck
2
The Trip - I Need (Speed)
3
The Trip - Trip Life Xtra
4
The Trip - Foxy Dave
4 years into The Trip's music production journey, they release their fifth EP 'Uncovered' on their in-house label Tessellate. Taking inspiration from 90's and 00's house music, each track radiates nostalgia. 'Love Struck' offers the perfect mash up; an iconic hook, ravey vocals and the ultimate bouncy, house energy. 'I Need (Speed)', is the funky, speed garage tune reminiscent of your favourite summer festival classics. Side B brings you 'Trip Life Xtra', an instantly recognizable banger, followed by feel-good 'Foxy Dave'.
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7"
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Label:Matasuna Records
Cat-No:MSR042
Release-Date:20.09.2024
Configuration:7"
Barcode:5050580833883
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Cat-No:MSR042
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Barcode:5050580833883
1
The Movers - Soweto Disco (Voodoocuts Edit)
2
The Movers - Shanana (Voodoocuts Edit)
Longtime label friend and supplier of numerous edits, "Voodoocuts", teams up with "Matasuna Records" again for a new officially licensed 45. This time he puts his hands on two disco gems by the South African band "The Movers", one of the most important South African bands that shaped the country's music scene from the late 1960s to the early 1980s. The songs "Soweto Disco" and "Shanana" from the late seventies get the Voodoocuts treatment with his typical precision and attention to musical detail. The fusion of South African music with international influences such as jazz, funk and disco is an explosive mix and a secret weapon for every record bag.
Voodoocuts kicks off the single with his stunning edit of "Soweto Disco". The original is already extremely infectious and energetic, with a grooving bass, opulent horn sections, wild organ parts and a relaxed reggae vibe. But Voodoocut manages to give the song an extra kick with his skillful rearrangement, drumming and the addition of loops, filters, effects and samples. The edit effortlessly takes the song into the present to deliver a killer cut for the dancefloor.
On the flip side, "Shanana" is another delicacy from the band's later creative period. Although the mood is more relaxed, it's a wonderful song with its distinctive bass and guitar lines, as well as the great organs that are always present. Voodoocuts Edit builds up the song slowly to give the instruments enough space to unfold. A wonderful jazz-funk tune with a disco touch, enhanced by the Voodoocuts treatment.
Artist info:
The story begins in the turbulent townships of South Africa in the 1960s, when unknown musicians and brothers "Norman" and "Opa Hlongwane" approached "Kenneth Siphayi", a wealthy businessman, with the idea of supplying them with musical instruments in exchange for a share of live performances and record sales. Siphayi agreed and even became their manager, providing them with a rehearsal space and an organist. This was the beginning of the band "The Movers", whose name was also given by Siphayi.
The Movers developed a unique sound that combined traditional South African rhythms and melodies with influences from American soul, jazz and funk. Their sound was both danceable and emotionally profound. Inspired by the challenges and hopes of everyday life in the townships, their music took listeners' hearts by storm. Their energetic performances and catchy melodies quickly made them one of the most popular bands in the country. This was reflected in the sales of their first album, "Crying Guitar", which sold over half a million copies in the first few months after its release.
But their music was more than entertainment; it was an expression of the hope and resistance of an entire generation. Despite their immense popularity, The Movers, like many other black artists in apartheid South Africa, faced many challenges: Segregation, censorship, and limited opportunities to bring their music to a wider audience. However, they overcame these challenges. Their song "Soweto Inn" even became the soundtrack for the student revolts of the mid-1970s.
However, the band also experienced repeated upheavals due to a change of band members and the dismissal of their manager in 1976. The gap was filled by the producer, who took a more active role in the band's musical direction. By the end of the 1970s, none of the original members were still active and the musical landscape in South Africa began to change. The emergence of new musical styles and political pressure from the apartheid government presented challenges to the band. Despite these adversities, The Movers remained active, recording new music and proving their adaptability and creativity.
Even after their active time, the legacy of The Movers has remained alive. Their music is still listened to and appreciated today, and they are considered trailblazers for many musicians in South Africa. More than just a band, The Movers were a voice of hope and cultural expression in a difficult time. Their music remains an enduring symbol of the strength and spirit of South Africa. More
Voodoocuts kicks off the single with his stunning edit of "Soweto Disco". The original is already extremely infectious and energetic, with a grooving bass, opulent horn sections, wild organ parts and a relaxed reggae vibe. But Voodoocut manages to give the song an extra kick with his skillful rearrangement, drumming and the addition of loops, filters, effects and samples. The edit effortlessly takes the song into the present to deliver a killer cut for the dancefloor.
On the flip side, "Shanana" is another delicacy from the band's later creative period. Although the mood is more relaxed, it's a wonderful song with its distinctive bass and guitar lines, as well as the great organs that are always present. Voodoocuts Edit builds up the song slowly to give the instruments enough space to unfold. A wonderful jazz-funk tune with a disco touch, enhanced by the Voodoocuts treatment.
Artist info:
The story begins in the turbulent townships of South Africa in the 1960s, when unknown musicians and brothers "Norman" and "Opa Hlongwane" approached "Kenneth Siphayi", a wealthy businessman, with the idea of supplying them with musical instruments in exchange for a share of live performances and record sales. Siphayi agreed and even became their manager, providing them with a rehearsal space and an organist. This was the beginning of the band "The Movers", whose name was also given by Siphayi.
The Movers developed a unique sound that combined traditional South African rhythms and melodies with influences from American soul, jazz and funk. Their sound was both danceable and emotionally profound. Inspired by the challenges and hopes of everyday life in the townships, their music took listeners' hearts by storm. Their energetic performances and catchy melodies quickly made them one of the most popular bands in the country. This was reflected in the sales of their first album, "Crying Guitar", which sold over half a million copies in the first few months after its release.
But their music was more than entertainment; it was an expression of the hope and resistance of an entire generation. Despite their immense popularity, The Movers, like many other black artists in apartheid South Africa, faced many challenges: Segregation, censorship, and limited opportunities to bring their music to a wider audience. However, they overcame these challenges. Their song "Soweto Inn" even became the soundtrack for the student revolts of the mid-1970s.
However, the band also experienced repeated upheavals due to a change of band members and the dismissal of their manager in 1976. The gap was filled by the producer, who took a more active role in the band's musical direction. By the end of the 1970s, none of the original members were still active and the musical landscape in South Africa began to change. The emergence of new musical styles and political pressure from the apartheid government presented challenges to the band. Despite these adversities, The Movers remained active, recording new music and proving their adaptability and creativity.
Even after their active time, the legacy of The Movers has remained alive. Their music is still listened to and appreciated today, and they are considered trailblazers for many musicians in South Africa. More than just a band, The Movers were a voice of hope and cultural expression in a difficult time. Their music remains an enduring symbol of the strength and spirit of South Africa. More
Label:Kit Records
Cat-No:KR22V
Release-Date:20.09.2024
Configuration:LP
Barcode:5050580830257
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Label:Kit Records
Cat-No:KR22V
Release-Date:20.09.2024
Configuration:LP
Barcode:5050580830257
1
Roméo Poirier - Plage Arrière
2
Roméo Poirier - Plage Arrière
3
Roméo Poirier - Plage Arrière
4
Roméo Poirier - Plage Arrière
5
Roméo Poirier - Plage Arrière
6
Roméo Poirier - Plage Arrière
7
Roméo Poirier - Plage Arrière
8
Roméo Poirier - Plage Arrière
A much needed repress of French ambient composer and lifeguard Roméo Poirier's cult debut record, Plage Arrière. Released with updated artwork, by London imprint Kit Records. Plage Arrière is a deep sea meditation on a constellation of Greek beaches across three islands. Trumpets, echo-clicks and Harold Budd-esque shimmer piano whirl together on these sand-caked missives, tumbled and re-engineered by their surroundings like seaglass. Poirier evokes the sub-aqeaous ambitions of Jürgen Müller, or Jan Jelinek inspecting a coral reef.
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Label:Breakbeat Paradise
Cat-No:BBP231
Release-Date:20.09.2024
Genre:Funk
Configuration:7"
Barcode:5050580829442
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Label:Breakbeat Paradise
Cat-No:BBP231
Release-Date:20.09.2024
Genre:Funk
Configuration:7"
Barcode:5050580829442
1
Suckaside - Sometimes Bootyful
2
Suckaside - Sugar Face
This summer is all about the Toxic Funk jams over at Breaknbeat Paradise Recordings and for the 15th installment of the Toxic Funk series we have welcomed back the Suckaside team to produce 2 timeless funky joints.
Suckaside aka DJ B-Side and Sucka Timmy is always on point when putting their tasty funky mashups together and this time around they're keeping it fresh with some soulful funky twists on some catchy RnB jams.
This is the second time Suckaside is dropping a toxic funk 7"inch after their highly successful Vol. 7 from 2021.
Starting things off with the catchy Sometimes Bootyful that featuring some smooth RnB vocals on a funky organ riff with a steady rocking breakbeat.
On the b-side the smoothness continues on the highly addictive Sugar Face, that's take a big slow-rockin' groove and mashes it with some catchy RnB vocals that will leave you asking for more every time it's played.
Another timeless 45 that will be going quick so get it while you can and look out for more Toxic Funk coming very soon… More
Suckaside aka DJ B-Side and Sucka Timmy is always on point when putting their tasty funky mashups together and this time around they're keeping it fresh with some soulful funky twists on some catchy RnB jams.
This is the second time Suckaside is dropping a toxic funk 7"inch after their highly successful Vol. 7 from 2021.
Starting things off with the catchy Sometimes Bootyful that featuring some smooth RnB vocals on a funky organ riff with a steady rocking breakbeat.
On the b-side the smoothness continues on the highly addictive Sugar Face, that's take a big slow-rockin' groove and mashes it with some catchy RnB vocals that will leave you asking for more every time it's played.
Another timeless 45 that will be going quick so get it while you can and look out for more Toxic Funk coming very soon… More
Label:333
Cat-No:333020
Release-Date:20.09.2024
Genre:Dub/Reggae
Configuration:7"
Barcode:5050580831513
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Label:333
Cat-No:333020
Release-Date:20.09.2024
Genre:Dub/Reggae
Configuration:7"
Barcode:5050580831513
1
Gumbae Culture - Take It Easy
2
Gumbae Culture - Take It Easy Version
Death Is Not The End's 333 series continues with this killer slice of digi roots out of late 90s NY, also a big Jah Shaka selection at the time.
Take It Easy was produced by Ricky "Mad Man" Myrie - a reggae/dancehall producer active since the early 90s, and who was also providing writing and production on breakthrough albums for VP from Sean Paul, Capleton & others at this time. Featuring a sharp and poignant vocal from Gumbae Culture, it was recorded at the legendary Philip Smart's Long Island-based HC&F Studio, under the engineering guidance of Smart's brother-in-law and long time studio partner, Michel McDonald. The record's haunting xylophone licks, razor sharp snares and menacing subs perfectly combine throughout the vocal cut, and really come to the fore on the version for a raw and stripped back masterclass in digital dubwise. More
Take It Easy was produced by Ricky "Mad Man" Myrie - a reggae/dancehall producer active since the early 90s, and who was also providing writing and production on breakthrough albums for VP from Sean Paul, Capleton & others at this time. Featuring a sharp and poignant vocal from Gumbae Culture, it was recorded at the legendary Philip Smart's Long Island-based HC&F Studio, under the engineering guidance of Smart's brother-in-law and long time studio partner, Michel McDonald. The record's haunting xylophone licks, razor sharp snares and menacing subs perfectly combine throughout the vocal cut, and really come to the fore on the version for a raw and stripped back masterclass in digital dubwise. More
Label:Tramp Records
Cat-No:JTR5031
Release-Date:20.09.2024
Configuration:7"
Barcode:5050580831087
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Label:Tramp Records
Cat-No:JTR5031
Release-Date:20.09.2024
Configuration:7"
Barcode:5050580831087
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Frederic Rabold - Red Point (feat. Jazz Inspiration Orchestra)
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Frederic Rabold - Spring Feelings (feat. Gisela Hafner)
Tramp Records is extremely proud to collaborate with a true German jazz legend. FRÉDÉRIC RABOLD will celebrate his 80th birthday this year. To honor his musical legacy we will release a double-gatefold LP with compositions by him spanning more than 40 years. Additionally a 7" single will be released with a bonus track ("Red Point") which is available on vinyl for the first time. "Spring Feelings" is taken from the album "FREDERIC RABOLD - TIME MACHINE" (TRLP-9123).
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Label:Drowned By Locals
Cat-No:DBL19LP
Release-Date:20.09.2024
Genre:Electronic
Configuration:LP
Barcode:5050580830882
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Label:Drowned By Locals
Cat-No:DBL19LP
Release-Date:20.09.2024
Genre:Electronic
Configuration:LP
Barcode:5050580830882
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HULUBALANG - Piso
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HULUBALANG - Cerca
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HULUBALANG - Kemaut
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HULUBALANG - Malasa
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HULUBALANG - Sayat
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HULUBALANG - Liang
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HULUBALANG - Bucur
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HULUBALANG - Hitam
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HULUBALANG - Tungkai
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HULUBALANG - Budakkawan (feat. SaintMary)
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HULUBALANG - Gendang Ria
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HULUBALANG - Cakar
In Kasimyn's own words, the phrase "BUNYI BUNYI TUMBAL" signifies a "Synthetic Feeling for Anonymous Sacrifice," encompassing the emotions born out of a deep dive into the Indonesian war archives. These archives include a trove of photographs documenting the era of Dutch rule, captured through the lens of the colonizers themselves. It is from this point of departure that the project HULUBALANG was born. HULUBALANG's gaze is drawn to the peripheral figures populating these historical records. These secondary characters, devoid of individual significance, bear no names, receive no recognition, and serve as props in the broader narrative of history. Simultaneously, they become indispensable instruments in acquiring "lessons learned" from the perspectives of both the victors and the vanquished. Within this framework, the notion of TUMBAL, the non-belligerent "sacrifice," assumes a weight surpassing its translation. TUMBAL neither acts as a victim nor martyrs itself for its cause. It hauntingly reminds us of the systemic curse perpetually engendering disillusionment. BUNYI BUNYI TUMBAL is a personal act of catharsis stemming from a long lineage of anger. It stands as a tribute to a village whose ritualistic dance, one night, was disrupted by external forces, causing the tune to shatter and leaving the dance caught in a space between innocence and pain.
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Label:JAMDUNG
Cat-No:JD002
Release-Date:20.09.2024
Genre:Dub/Reggae
Configuration:LP
Barcode:8055323522076
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Last in:15.10.2024
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Label:JAMDUNG
Cat-No:JD002
Release-Date:20.09.2024
Genre:Dub/Reggae
Configuration:LP
Barcode:8055323522076
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Prince Jammy - Throne Of Blood
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Prince Jammy - Brothers Of The Blade
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Prince Jammy - Shoalin Temple
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Prince Jammy - Kamikazi
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Prince Jammy - Oragami Black Belt
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Prince Jammy - Fist Of Fury
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Prince Jammy - Opium Den
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Prince Jammy - Swords Of Vengeance
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Prince Jammy - Downtown Shanghai Rock
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Prince Jammy - Waterfront Gang War
"Kamikaze Dub" by Prince Jammy is undoubtedly one of the most beloved albums by dub music lovers and a record to have in every self-respecting record collection. An album for any time of the day, or season, that never bores and indeed has aged very well always amazes and stimulates. Re-released for JAMDUNG distributed exclusively by KUDOS in limited edition LP from the original master tapes is available again at an affordable price, but hurry! Jamaican Dub music first appeared in the mid-70s under the guidance of the creative master mind, King Tubby. By the late 70s, two of his top co-workers, Scientist and Prince Jammy were ready to branch out on their own, and they did. Jammy's record came out first and that's why "Kamikaze Dub" (1979) is often cited as the album that raised the bar for good. After its release, many Jamaican producers aspired to create the same swirling psychedelic minimal sound that Jammy presented on these near perfect tracks. The musicianship on here is outstanding as well, with other Dub stars taking part such as Sly and Robbie on drums and bass, Augustus Pablo on keyboards, 'Deadly' Headley Bennett and Bobby Ellis on horns, as well as many others. Stunning cover artwork, which, like the album title and songs, is inspired by 1970s Kung Fu Movie
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7"
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Label:4Bit Productions
Cat-No:4BITP013
Release-Date:20.09.2024
Configuration:7"
Barcode:5050580822016
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Last in:26.09.2024
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Label:4Bit Productions
Cat-No:4BITP013
Release-Date:20.09.2024
Configuration:7"
Barcode:5050580822016
"LATZFONSER KREUZ / FELTUNER HÜTTE scheduled for release on September 20th 2024 is the third single to be lifted from Ulrich Troyer's TRANSIT TRIBE due later this year. Mamadou Diabate, originally from Burkina-Faso and now resident in Vienna, who is also a world-famous virtuoso balaphon player, collaborates on "Latzfonser Kreuz" with fellow countryman Hamidou Koita to produce a remarkable percussion track, both singing and employing talking drum and djembe to come up with a sound that can only be described as dubbed-out Nyahbinghi-style electro-beats! The track references the little church at Latzfonser Kreuz, which is the highest pilgrimage spot in South Tyrol, one of the highest in Europe; every year in June, the Black Lord, a black carved Gothic wooden cross, is brought from the village church in Latzfons to thepilgrimage church, where it remains throughout the summer. On the flip for "Feltuner Hütte" Ulrich Troyer is joined by co-producer Osman Murat Ertel, founding member of the electro-psych-folk group Baba Zula from Istanbul, who has worked internationally for many years collaborating with the likes of Jaki Liebezeit, Fred Frith and Mad Professor. But here Murat takes us on a dub psych-out trip with his favoured electric saz, with wha wha FX, delay and echo, like Link Wray meeting King Tubby on the old streets of Istanbul."
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Label:G.A.M.M
Cat-No:GAMM184
Release-Date:27.09.2024
Configuration:12"
Barcode:
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Last in:07.10.2024
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Label:G.A.M.M
Cat-No:GAMM184
Release-Date:27.09.2024
Configuration:12"
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Delfonic - Will You Follow Me
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Delfonic - Lemme Change
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Delfonic - Come On And Dance
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Delfonic - Chillinger
One of Berlin's most prolific producers / DJs makes his second run on GAMM with part 2 of his successful "Berlin Reworks" series.
Just like in part one, Delfonic searched deep into his record collection and found four favourite jams to rework.
The common factor is classic black dance music that ranges from modern disco-soul, soulful disco, jazz-funk, and a proper jazz-dancer.
There is something for everyone in this truly beautiful vinyl package designed by our friend Al Kent. More
Just like in part one, Delfonic searched deep into his record collection and found four favourite jams to rework.
The common factor is classic black dance music that ranges from modern disco-soul, soulful disco, jazz-funk, and a proper jazz-dancer.
There is something for everyone in this truly beautiful vinyl package designed by our friend Al Kent. More
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Last in:06.09.2024
Label:Mr Bongo
Cat-No:MRBLP295
Release-Date:06.09.2024
Genre:Funk
Configuration:LP
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1
Juan Almeida - Preludio
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Juan Almeida - Este Camino Largo
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Juan Almeida - Decide Tu
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Juan Almeida - Interludio
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Juan Almeida - El Arriero
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Juan Almeida - Te Canta Mi Tambor
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Juan Almeida - Ritmo Abierto
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Juan Almeida - Postludio
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Juan Almeida - Final
The next album in our Cuban Classics series is a hard one to pigeonhole. It’s a real oddity, unique and not in keeping with the majority of Cuban albums we know, but it's all the better for this. Coming courtesy of Juan Almeida, the Fantasia LP is an eclectic and epic, instrumental ride through Latin jazz-funk, trippy electronics and orchestrated classical music. Sounding at points like a full-blown orchestrated score to a dusty animated film extravaganza, with phrases and passages repeating like the appearance of ghostly spectres throughout the recording. At others, it busts into exotic funk, psychedelic-trippiness and Afro-Cuban percussion.
As rich and varied as the record, so too was Juan Almeida's (Juan Almeida Bosque) life. A descendant of African slaves born in a poor neighbourhood in Havana in 1927, Almeida went from bricklayer to university law student, through which he would meet Fidel Castro. He played a key role in the Cuban revolution, becoming the only black commander and famously voicing “Aqui no se rinde nadie!” (“Nobody here surrenders!”) when outnumbered at the start of the offensive. Castro would later make him one of his vice presidents, but Almeida’s legacy does not stop there. He also became the composer of over 300 popular Cuban songs, many of them recounting his days as a guerrilla.
Produced, orchestrated and conducted by Rafael Somavilla, who worked on a vast array of Cuban recordings including Raúl Gómez's Instrumental which we also reissued on Mr Bongo. The feel of Fantasia is big, luscious, grand and pop-classical. It has become a highly sought-after, cult Cuban rarity amongst collectors and like many great albums, every repeat listen brings with it new elements previously unnoticed. Such is its richness and depth. A truly mesmerising, off-the-beaten-track instrumental record.
The vinyl release is presented with a Cuban Classic Series OBI Strip. More
As rich and varied as the record, so too was Juan Almeida's (Juan Almeida Bosque) life. A descendant of African slaves born in a poor neighbourhood in Havana in 1927, Almeida went from bricklayer to university law student, through which he would meet Fidel Castro. He played a key role in the Cuban revolution, becoming the only black commander and famously voicing “Aqui no se rinde nadie!” (“Nobody here surrenders!”) when outnumbered at the start of the offensive. Castro would later make him one of his vice presidents, but Almeida’s legacy does not stop there. He also became the composer of over 300 popular Cuban songs, many of them recounting his days as a guerrilla.
Produced, orchestrated and conducted by Rafael Somavilla, who worked on a vast array of Cuban recordings including Raúl Gómez's Instrumental which we also reissued on Mr Bongo. The feel of Fantasia is big, luscious, grand and pop-classical. It has become a highly sought-after, cult Cuban rarity amongst collectors and like many great albums, every repeat listen brings with it new elements previously unnoticed. Such is its richness and depth. A truly mesmerising, off-the-beaten-track instrumental record.
The vinyl release is presented with a Cuban Classic Series OBI Strip. More
Label:Pleasure Of Love
Cat-No:POLR013
Release-Date:16.08.2024
Configuration:12"
Barcode:
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Last in:18.09.2024
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Label:Pleasure Of Love
Cat-No:POLR013
Release-Date:16.08.2024
Configuration:12"
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Unknown - Bailando (Edit)
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Unknown - Sexie (Edit)
Dance floor in need of a little spark? Need some extra ammo in the record bag for this weekend’s set? Pleasure of Love has the key to your ignition with a new series of specialty re-edits from the vaults. "Covers Blown Vol. 1," features a pair of unlikely disco classics expertly done up in a smokin' tex-mex style
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