Label:Atjazz Record Company
Cat-No:ARC260ADV
Release-Date:28.03.2025
Genre:Deephouse
Configuration:LP
Barcode:5060202599509
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Label:Atjazz Record Company
Cat-No:ARC260ADV
Release-Date:28.03.2025
Genre:Deephouse
Configuration:LP
Barcode:5060202599509
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1
Alexander Flood - Life Is A Rhythm (feat. Cazeaux O.S.L.O.)
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2
Alexander Flood - Don't Wait 4 Me (feat. Kara Manansala)
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Alexander Flood - Artifact
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Alexander Flood - Sidestep (feat. Erica Tucceri)
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Alexander Flood - Can't Get Enough (feat. Vivian Sessoms)
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Alexander Flood - Cinnamon & Clove
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Alexander Flood - Simulation
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Alexander Flood - Vibracao
Steeped in classic dancefloor rhythms and sounds, ARTIFACTUAL RHYTHM presents a re-interpretation of club and DJ music through the lens of a live band with a jazz edge. Tapping into sounds of the 90s and 2000’s while keeping his foot very firmly in the now and beyond, Flood’s new body of work is both for the dancefloor and the listener.
Dubbed 'nu-jazz', 'jazztronica' and 'jazz house music', at its core Alex’s sound takes influence from house, UK garage, drum n’ bass, and broken beat. 'Artifactual' can be defined as 'made by human hands', and that’s exactly what Alex explores with this record; taking sounds and styles that are inherently electronic and giving them new life through the rawness of a live band underpinned by jazz and improvisational explorations. Music made by human hands.
Recorded live in a studio in Naarm / Melbourne and engineered, mixed, and co-produced by Lewis Moody (Energy Exchange Records), the album features a list of some of the finest players 'Down Under' including Erica Tucceri (flute), Finn Rees (keyboards), Dylan Paul (bass), as well as guest vocal features from the lyrical legend Cazeaux O.S.L.O on LIFE IS A RHYTHM, Kara Manasala on UK garage cut DON’T WAIT 4 ME, and New York soul queen Vivian Sessoms heating up some classic house energy on CAN’T GET ENOUGH.
Alexander Flood is one of Australia’s commanding beat-masters, possessing a unique and finessed arsenal of groove, power, and expertise on the drums. Leading his own band from the drum chair, Alex’s music pushes a fresh rhythmic and dynamic realm of live dance music leaning on nu-jazz, deep-house, broken beat, DnB, funk, and experimental sounds. The band has recently featured at Wellington Jazz Festival, Melbourne International Jazz Festival, SXSW Sydney, WOMADelaide, JazzMontez Frankfurt and various clubs across Europe and Australia.
Winning Australia’s Best Up and Coming Drummer Competition in 2016 was just the beginning of Flood’s accelerating trajectory in music. After graduating top of his University jazz degree in 2017, Alex signed with US label Stretch Music to release his debut album HEARTBEAT, followed by his sophomore release The Space Between in 2022. Later that year Alex toured Europe with heavyweight 6x GRAMMY nominee Christian Scott aTunde Adjuah’s band. While in Berlin Flood recorded his third album 'Oscillate' with an all-star lineup including Horatio Luna and Abase, releasing via Jakarta Records in May 2023. In 2023 Alexander was also the recipient of the highly prestigious Young Achiever Award at the Ruby Awards, as well as receiving the Robert Stigwood Fellowship (Government of South Australia).
2024 sees Alex join forces with Atjazz Record Company to release new music from his forthcoming album ARTIFACTUAL RHYTHM, as well as touring his band across Australia, New Zealand, Europe and the UK.
Some notable collaborators of Alex’s include Chief Christian Scott aTunde Adjuah, Abase, Horatio Luna, Atjazz, Vivian Sessoms, Cazeaux O.S.L.O, Nelson Dialect, the ASO, WASO, QSO, as well as working with brands including Red Bull Music and Istanbul Cymbals.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Dubbed 'nu-jazz', 'jazztronica' and 'jazz house music', at its core Alex’s sound takes influence from house, UK garage, drum n’ bass, and broken beat. 'Artifactual' can be defined as 'made by human hands', and that’s exactly what Alex explores with this record; taking sounds and styles that are inherently electronic and giving them new life through the rawness of a live band underpinned by jazz and improvisational explorations. Music made by human hands.
Recorded live in a studio in Naarm / Melbourne and engineered, mixed, and co-produced by Lewis Moody (Energy Exchange Records), the album features a list of some of the finest players 'Down Under' including Erica Tucceri (flute), Finn Rees (keyboards), Dylan Paul (bass), as well as guest vocal features from the lyrical legend Cazeaux O.S.L.O on LIFE IS A RHYTHM, Kara Manasala on UK garage cut DON’T WAIT 4 ME, and New York soul queen Vivian Sessoms heating up some classic house energy on CAN’T GET ENOUGH.
Alexander Flood is one of Australia’s commanding beat-masters, possessing a unique and finessed arsenal of groove, power, and expertise on the drums. Leading his own band from the drum chair, Alex’s music pushes a fresh rhythmic and dynamic realm of live dance music leaning on nu-jazz, deep-house, broken beat, DnB, funk, and experimental sounds. The band has recently featured at Wellington Jazz Festival, Melbourne International Jazz Festival, SXSW Sydney, WOMADelaide, JazzMontez Frankfurt and various clubs across Europe and Australia.
Winning Australia’s Best Up and Coming Drummer Competition in 2016 was just the beginning of Flood’s accelerating trajectory in music. After graduating top of his University jazz degree in 2017, Alex signed with US label Stretch Music to release his debut album HEARTBEAT, followed by his sophomore release The Space Between in 2022. Later that year Alex toured Europe with heavyweight 6x GRAMMY nominee Christian Scott aTunde Adjuah’s band. While in Berlin Flood recorded his third album 'Oscillate' with an all-star lineup including Horatio Luna and Abase, releasing via Jakarta Records in May 2023. In 2023 Alexander was also the recipient of the highly prestigious Young Achiever Award at the Ruby Awards, as well as receiving the Robert Stigwood Fellowship (Government of South Australia).
2024 sees Alex join forces with Atjazz Record Company to release new music from his forthcoming album ARTIFACTUAL RHYTHM, as well as touring his band across Australia, New Zealand, Europe and the UK.
Some notable collaborators of Alex’s include Chief Christian Scott aTunde Adjuah, Abase, Horatio Luna, Atjazz, Vivian Sessoms, Cazeaux O.S.L.O, Nelson Dialect, the ASO, WASO, QSO, as well as working with brands including Red Bull Music and Istanbul Cymbals.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Atjazz Record Company
Label:Atjazz Record Company
Cat-No:ARC113VB
Release-Date:04.07.2025
Genre:House
Configuration:12"
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Label:Atjazz Record Company
Cat-No:ARC113VB
Release-Date:04.07.2025
Genre:House
Configuration:12"
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1
Karizma - Original Mix
2
Karizma - Atjazz Remix
3
Karizma - Yoruba Soul Mix
The highly sought after 'Tech This Out Pt. 1' by Karizma is back again on Atjazz Record Company. This limited blue vinyl edition will give people a chance who weren’t fortunate enough the first-time round, to now have a copy for themselves. With the first pressing selling for £50 on the second-hand market, this new version will not be around for long. As always, buy or cry.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Atjazz Record Company
Cat-No:ARC250ADS3V
Release-Date:06.09.2024
Genre:House
Configuration:12"
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Last in:10.09.2024
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Label:Atjazz Record Company
Cat-No:ARC250ADS3V
Release-Date:06.09.2024
Genre:House
Configuration:12"
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1
Abel feat Brutha Basil - Original Mix
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Abel feat Brutha Basil - Peacey Remix
3
Abel feat Brutha Basil - Rocco Rodamaal Raw Dub
4
Abel feat Brutha Basil - South Beach Recycling Remix
A slick techy dance-floor banger featuring the sultry tones of US Vocalist ‘Brutha Basil’.
Hand Made has been a go-to number from Abel’s well-received ‘Cosmic Law’ album. Taking a deeper and much more techy approach to sound design, Abel and Atjazz enlisted the brilliant ‘Brutha Basil’ to lay down some truth about ‘doing this music thing for the right reasons’. With some incredible remixes from Peacey who swipes things up to a new energy level, Rocco Rodamaal whose punchy re-work takes us way back to NYC’s early days of house music, and South Beach Recycling’s Chicago and Detroit-inspired late-night groover. This is one of those releases that will stay on target for a long time, no doubt!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Hand Made has been a go-to number from Abel’s well-received ‘Cosmic Law’ album. Taking a deeper and much more techy approach to sound design, Abel and Atjazz enlisted the brilliant ‘Brutha Basil’ to lay down some truth about ‘doing this music thing for the right reasons’. With some incredible remixes from Peacey who swipes things up to a new energy level, Rocco Rodamaal whose punchy re-work takes us way back to NYC’s early days of house music, and South Beach Recycling’s Chicago and Detroit-inspired late-night groover. This is one of those releases that will stay on target for a long time, no doubt!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
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Label:Atjazz Record Company
Cat-No:ARC230SD2V
Release-Date:01.12.2023
Genre:House
Configuration:12"
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Label:Atjazz Record Company
Cat-No:ARC230SD2V
Release-Date:01.12.2023
Genre:House
Configuration:12"
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1
Peacey - Original Mix
2
Peacey - Atjazz Remix
3
Peacey - Yoruba Soul Mix
It might be his debut album, yet Peacey’s “Play It By Ear” is a body of work crafted as though by a scholar. And where better for this work to emerge from than Derby, UK’s Atjazz Record Company, a label with a rich heritage and many strings to its bow?
This eclectic sonic journal catalogues the evolution of Peacey, documenting his interactions with, and influences from, some of dance music’s notable players. It’s an album that will attract discerning ears and open minds; minds attuned to a multitude of genres as it visits Hip Hop, R&B, House, Garage and Fusion.
'Culture Bandit' is the 2nd single taken from this colossal album, and gives us a great understanding that Peacey really knows where to hit it! It’s a deep banger of course, with a hint of tech-house, deep-house and even the more percussive side of afro-latin house, but with the electrifying vocals of Vanessa Hidary atop, this will go down in history as “One of those tunes”. To say this song has life is an understatement. So we’ve covered that, did we mention that Osunlade & Atjazz have also remixed this killer slice? Ah, well they have, and they join Peacey on this pristine release to give alternative angles on this wild, spoken and edgy outing.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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This eclectic sonic journal catalogues the evolution of Peacey, documenting his interactions with, and influences from, some of dance music’s notable players. It’s an album that will attract discerning ears and open minds; minds attuned to a multitude of genres as it visits Hip Hop, R&B, House, Garage and Fusion.
'Culture Bandit' is the 2nd single taken from this colossal album, and gives us a great understanding that Peacey really knows where to hit it! It’s a deep banger of course, with a hint of tech-house, deep-house and even the more percussive side of afro-latin house, but with the electrifying vocals of Vanessa Hidary atop, this will go down in history as “One of those tunes”. To say this song has life is an understatement. So we’ve covered that, did we mention that Osunlade & Atjazz have also remixed this killer slice? Ah, well they have, and they join Peacey on this pristine release to give alternative angles on this wild, spoken and edgy outing.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Atjazz Record Company
Cat-No:ARC196V
Release-Date:02.04.2021
Genre:House
Configuration:LP
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Last in:27.04.2021
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Label:Atjazz Record Company
Cat-No:ARC196V
Release-Date:02.04.2021
Genre:House
Configuration:LP
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1
Inkswel - Trippin' (feat. Oliver Night)
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Inkswel - Say You Love Me (feat. Ruru.432)
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Inkswel - Don't Say (feat. Colonal Red & Baba Israel)
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Inkswel - Yourself (Cool Cut) (feat. Stan Smith & Planetself)
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Inkswel - Timeless (feat. Baba Israel & Grace Gaju)
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Inkswel - Why Don't You Listen (feat. Eliza Dickson & Pugs Atomz)
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Inkswel - Eachother (Fallin) (feat. Andrew Ashong)
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Inkswel - Be The Change (feat. Marietta Smith)
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Inkswel - Astral Love (feat. Dwight Trible, Planet Self & Michele Manzo)
Being one of the finest exports Australia has to offer, Jules ‘Inkswel’ Habib has become very well respected the world over for his excellent musical output and undying dedication to his art.
Countless Inkswel recordings, remixes, and collaborations circulate the airwaves and internet as project after project surges through with an unstoppable force. Inkswel is a prolific artist, known for his superb album trio on BBE Records, his relentless cooperative EPs & collaborations on Rush Hour, Boogie Angst, Wolf Music & Oye, and recent output with Pugz Atoms on Jazzanova’s own Sonar Kollketiv imprint. Jules reaches even further as he launches “Inner Tribe”, his own labels boasting artists such as Ahu, Planetself with his amazing wife and vocalist Charli Umami, Kid Sublime, Stan Smith & Colonel Red to name only a few. knowing himself that working with great talent makes great music.
His latest album offering Astral Love on ARCo. is an outstanding 9 song Long-player featuring a plethora of brilliant artist backing up his bouncy-rough-cuts. Naming only a few, you will find maestros such as Dwight Trible, Stan Smith & Andrew Ashong among many others who elevate this album to great heights.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Countless Inkswel recordings, remixes, and collaborations circulate the airwaves and internet as project after project surges through with an unstoppable force. Inkswel is a prolific artist, known for his superb album trio on BBE Records, his relentless cooperative EPs & collaborations on Rush Hour, Boogie Angst, Wolf Music & Oye, and recent output with Pugz Atoms on Jazzanova’s own Sonar Kollketiv imprint. Jules reaches even further as he launches “Inner Tribe”, his own labels boasting artists such as Ahu, Planetself with his amazing wife and vocalist Charli Umami, Kid Sublime, Stan Smith & Colonel Red to name only a few. knowing himself that working with great talent makes great music.
His latest album offering Astral Love on ARCo. is an outstanding 9 song Long-player featuring a plethora of brilliant artist backing up his bouncy-rough-cuts. Naming only a few, you will find maestros such as Dwight Trible, Stan Smith & Andrew Ashong among many others who elevate this album to great heights.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:Atjazz Record Company
Cat-No:arc182v
Release-Date:08.01.2021
Genre:House
Configuration:12"
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Label:Atjazz Record Company
Cat-No:arc182v
Release-Date:08.01.2021
Genre:House
Configuration:12"
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1
Fred Everything - No Title
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Fred Everything - No Title
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Fred Everything - No Title
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Fred Everything - No Title
A1 - Alone (Together)
A2 – Phoenix
B1 - Alone (Together) [po-lar-i-ty Remix]
B2 - Alone (Together) [Tool]
Fred Everything isn’t a name one tends to throw around willy-nilly. Fred’s contributions to the world of dance music can’t be measured and his ability to continually roll out quality music is unmatched in his field. A dear label brother to us here at ARCo. We’re always overjoyed to have the rare opportunity to release his solo creations to the world.
'Alone (Together)' is electronic but rather organic and reflects the origins of Fred’s work. Sounding super-classic Fred weaves his arrangements in and out and throws drop after drop into the mix. 'Phoenix' is a little flipped in style, although still retaining the classic sound Fred has become known for, the beautiful cascading chord sequence takes you away and makes for a gorgeous listening experience.
Things just got real, po-lar-i-ty stepped in for remix detail! Yes, Osunlade & Burlie Mac in their newly found togetherness have flipped the script completely here, as they inject even more class to this already gleaming release. Their version bounces freely around a vocal loop, glissando harp flourishes, and swept lush chords.
Really classy deep-house gear to get your ears around
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A2 – Phoenix
B1 - Alone (Together) [po-lar-i-ty Remix]
B2 - Alone (Together) [Tool]
Fred Everything isn’t a name one tends to throw around willy-nilly. Fred’s contributions to the world of dance music can’t be measured and his ability to continually roll out quality music is unmatched in his field. A dear label brother to us here at ARCo. We’re always overjoyed to have the rare opportunity to release his solo creations to the world.
'Alone (Together)' is electronic but rather organic and reflects the origins of Fred’s work. Sounding super-classic Fred weaves his arrangements in and out and throws drop after drop into the mix. 'Phoenix' is a little flipped in style, although still retaining the classic sound Fred has become known for, the beautiful cascading chord sequence takes you away and makes for a gorgeous listening experience.
Things just got real, po-lar-i-ty stepped in for remix detail! Yes, Osunlade & Burlie Mac in their newly found togetherness have flipped the script completely here, as they inject even more class to this already gleaming release. Their version bounces freely around a vocal loop, glissando harp flourishes, and swept lush chords.
Really classy deep-house gear to get your ears around
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Atjazz Record Company
Cat-No:arc147v
Release-Date:25.06.2020
Genre:House
Configuration:12"
Barcode:
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Last in:15.07.2020
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Last in:15.07.2020
Label:Atjazz Record Company
Cat-No:arc147v
Release-Date:25.06.2020
Genre:House
Configuration:12"
Barcode:
1
Jullian Gomes - No Title
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Jullian Gomes - No Title
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Jullian Gomes - No Title
4
Jullian Gomes - No Title
A1 - Original Mix
A2 - Yoruba Soul Remix
B1 - Fred Everything Vox Dub
B2 - DJ Spinna Galactic Soul Remix
Jullian Gomes returns with the second single from his 'Slow Poison' album and this time he brings in the heavy weights of house!
‘Stay’ which features the incredible voice of ZAKI IBRAHIM is a smooth cut but don't let that fool you as this also works perfectly mid set. Usual bumpy grooves & lush backing delivers the original Jullian's unique touch.
Remix team... OSUNLADE / FRED EVERYTHING / DJ SPINNA. Yep, all three of them on one slice of plastic makes for a 12" you can keep in your box for all occasions. Top drawer work from all three remixers as you would expect.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A2 - Yoruba Soul Remix
B1 - Fred Everything Vox Dub
B2 - DJ Spinna Galactic Soul Remix
Jullian Gomes returns with the second single from his 'Slow Poison' album and this time he brings in the heavy weights of house!
‘Stay’ which features the incredible voice of ZAKI IBRAHIM is a smooth cut but don't let that fool you as this also works perfectly mid set. Usual bumpy grooves & lush backing delivers the original Jullian's unique touch.
Remix team... OSUNLADE / FRED EVERYTHING / DJ SPINNA. Yep, all three of them on one slice of plastic makes for a 12" you can keep in your box for all occasions. Top drawer work from all three remixers as you would expect.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Atjazz Record Company
Cat-No:arc125v
Release-Date:10.04.2020
Genre:Soul/Funk
Configuration:2LP
Barcode:5060202594153
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Last in:30.09.2021
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Label:Atjazz Record Company
Cat-No:arc125v
Release-Date:10.04.2020
Genre:Soul/Funk
Configuration:2LP
Barcode:5060202594153
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RAH Band - No Title
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RAH Band - No Title
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RAH Band - No Title
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RAH Band - No Title
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RAH Band - No Title
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RAH Band - No Title
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RAH Band - No Title
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RAH Band - No Title
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RAH Band - No Title
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RAH Band - No Title
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RAH Band - No Title
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RAH Band - No Title
Remastered tracks from original tapes carefully selected from various RAH Band albums and presented over a double vinyl with printed sleeve from the seminal 70's/80's British Studio Project masterminded by Richard A Hewson. Clouds Across The Moon, Messages From The Stars and many, many more delights.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
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Label:Atjazz Record Company
Cat-No:arc144v
Release-Date:07.11.2019
Genre:House
Configuration:12"
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Last in:16.12.2019
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Label:Atjazz Record Company
Cat-No:arc144v
Release-Date:07.11.2019
Genre:House
Configuration:12"
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1
Clyde - No Title
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Clyde - No Title
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Clyde - No Title
Soul-infused broken beat from Clyde via Atjazz Record Company that captures the spark of the early Bruk scene and gives it a magnetising new interpretation. Vibing keys that dance around plucked bass notes, impassioned, expressive vocals that worm their way through your brain and down into your body, ‘Roll Of The Beast’ lights up a collective spirit that is sure to make this a future classic.
Atjazz takes to the Rhodes for his remix, laying down an infectious melody mirrored by the bass that’s put on top of a fresh set of drums. Combined it gives a distinct edge to the track, keeping all the energy of the original but reworking it through the eyes and ears of label head, Atjazz. An instrumental version of his remix that lets the music do the talking rounds off the release.
Vinyl only – be quick!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Atjazz takes to the Rhodes for his remix, laying down an infectious melody mirrored by the bass that’s put on top of a fresh set of drums. Combined it gives a distinct edge to the track, keeping all the energy of the original but reworking it through the eyes and ears of label head, Atjazz. An instrumental version of his remix that lets the music do the talking rounds off the release.
Vinyl only – be quick!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:Atjazz Record Company
Cat-No:arc128v
Release-Date:16.05.2019
Genre:House
Configuration:12"
Barcode:
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Label:Atjazz Record Company
Cat-No:arc128v
Release-Date:16.05.2019
Genre:House
Configuration:12"
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1
Atjazz & Jullian Gomes - No Title
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Atjazz & Jullian Gomes - No Title
Following up the release of Atjazz & Jullian Gomes’ warmly received album ‘Big Bad Crazy’, the guys brought in House Music’s remix hero ‘Karizma’ to re-imagine one of the favoured album cuts ‘Love Me’.
Under his ‘Kaytronik’ moniker, Baltimore’s beat-master loads up a rather subby floor workout with his iconic signature production style. As the first kick drops, it's unmistakably Kaytronik at the controls as he dubs out this intricate number to create something of wonder, producing a large & well polished USA sonic with incredible edge & bite.
This limited 12” contains 2 massive versions and should not be missed.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Under his ‘Kaytronik’ moniker, Baltimore’s beat-master loads up a rather subby floor workout with his iconic signature production style. As the first kick drops, it's unmistakably Kaytronik at the controls as he dubs out this intricate number to create something of wonder, producing a large & well polished USA sonic with incredible edge & bite.
This limited 12” contains 2 massive versions and should not be missed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Atjazz Record Company
Cat-No:ARC124V
Release-Date:01.03.2019
Genre:House
Configuration:12"
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Original, Peacey & Soulfuledge Remixes - pressed on coloured vinyl
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Germany
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12"
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Label:Atjazz Record Company
Cat-No:ARC008V2
Release-Date:19.10.2018
Genre:House
Configuration:12"
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Cat-No:ARC008V2
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1
atjazz & julian gomes - No Title
2
atjazz & julian gomes - No Title
3
atjazz & julian gomes - No Title
4
atjazz & julian gomes - No Title
Repress!
Following on 5 years after their exceptional debut collaboration “The Gift The Curse”, Atjazz & Jullian Gomes hit a home run with this incredible collection of audio artwork.
Their new album “Big Bad Crazy” points out the broken state of our world, and on the flipside the ongoing struggle to make it through the pain. A truly inspirational & original work from these well respected creative’s.
Part two of this two-part album sampler kicks off with ‘Decoded’ layering a dynamic and deep synth melody with echoing arps and blissed out guitar samples. ‘Don Esquire’ follows up twisting and turning vocal refrains amongst an emotionally charged concoction of synth stabs and cosmic bleeps.
On the flip side, ‘Love Me’ delves into more techno territory, resonating and reverberating elements round the depths of the mind, to induce a hypnotic state of awe. The final track ‘Empty Paradise’ evokes distant memories from the past, combining dusty drum samples, hazy piano melodies and those dreamlike vocals that echo off into the ether.
Here’s to hoping that it’s not another 5 years before Atjazz & Jullian Gomes choose to collaborate once more.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Following on 5 years after their exceptional debut collaboration “The Gift The Curse”, Atjazz & Jullian Gomes hit a home run with this incredible collection of audio artwork.
Their new album “Big Bad Crazy” points out the broken state of our world, and on the flipside the ongoing struggle to make it through the pain. A truly inspirational & original work from these well respected creative’s.
Part two of this two-part album sampler kicks off with ‘Decoded’ layering a dynamic and deep synth melody with echoing arps and blissed out guitar samples. ‘Don Esquire’ follows up twisting and turning vocal refrains amongst an emotionally charged concoction of synth stabs and cosmic bleeps.
On the flip side, ‘Love Me’ delves into more techno territory, resonating and reverberating elements round the depths of the mind, to induce a hypnotic state of awe. The final track ‘Empty Paradise’ evokes distant memories from the past, combining dusty drum samples, hazy piano melodies and those dreamlike vocals that echo off into the ether.
Here’s to hoping that it’s not another 5 years before Atjazz & Jullian Gomes choose to collaborate once more.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:Atjazz record company
Cat-No:arc008v1
Release-Date:19.10.2018
Genre:House
Configuration:12"
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Label:Atjazz record company
Cat-No:arc008v1
Release-Date:19.10.2018
Genre:House
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1
atjazz & julian gomes - No Title
2
atjazz & julian gomes - No Title
3
atjazz & julian gomes - No Title
4
atjazz & julian gomes - No Title
Following on 5 years after their exceptional debut collaboration “The Gift The Curse”, Atjazz & Jullian Gomes hit a home run with this incredible collection of audio artwork.
Their new album “Big Bad Crazy” points out the broken state of our world, and on the flipside the ongoing struggle to make it through the pain. A truly inspirational & original work from these well respected creative’s.
Part one of this two-part album sampler opens with the brooding synthesiser soundscapes of ‘Daggers Drawn’ before leading into a bumping vocal house groover in the form of ‘It’s My Time’. On the flip side ‘Blow by Blow’ brings an introspective late-night feel to proceedings, setting up ‘The Persuit’ to close out the e.p. intertwining African chants behind a punchy rhythmic synth-laden track.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Their new album “Big Bad Crazy” points out the broken state of our world, and on the flipside the ongoing struggle to make it through the pain. A truly inspirational & original work from these well respected creative’s.
Part one of this two-part album sampler opens with the brooding synthesiser soundscapes of ‘Daggers Drawn’ before leading into a bumping vocal house groover in the form of ‘It’s My Time’. On the flip side ‘Blow by Blow’ brings an introspective late-night feel to proceedings, setting up ‘The Persuit’ to close out the e.p. intertwining African chants behind a punchy rhythmic synth-laden track.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:atjazz record company
Cat-No:arc100v
Release-Date:27.04.2017
Genre:House
Configuration:12"
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Label:atjazz record company
Cat-No:arc100v
Release-Date:27.04.2017
Genre:House
Configuration:12"
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1
atjazz - Slide It In
2
atjazz - Slide It In (Charles Webster Remix)
3
atjazz - Dark Slide
4
atjazz - Ghost Space
After a storming 2016 celebrating Twenty Years of Atjazz, where the master musician himself has spent the year jetting all over the globe performing shows to both loyal fans and new converts alike, Atjazz Record Company is very excited to crown this hugely successful year with a release like no other. Please allow us to present: That Something Else!. A special Vinyl Sampler taken from the CD especially for RSD.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:atjazz record company
Cat-No:arc092v
Release-Date:04.02.2016
Genre:House
Configuration:12"
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Label:atjazz record company
Cat-No:arc092v
Release-Date:04.02.2016
Genre:House
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Atjazz Record Company is pleased to welcome back prolific artist and dapper gent Fred Everything. From Canada to the UK, this skillful and ever-present producer brings over 20 years of talent and experience to bear on this exciting new release. We delve into the offering firstly with the titular track: O. A soft and muted start slowly builds up into a fizzy melodic vibe that is undercut with a tasty bass riff. As the track drives on, the harmonies continue to build until they crescendo with a dreamy high-end hook juxtaposed with stippled sour characters. Then Mr ARCo. himself, Atjazz, enters the fray with the Galaxy Aart Remix. Staccato rhythms and active bass notes combine with engaging pops of synth to further illustrate Atjazz's mastering of his craft. We follow this with Her, a meaty beats and bass orgy that effortlessly builds into a shimmering and crystalline cut. This track perfectly showcases Fred's commitment to quality legitimate music and you will not be disappointed! We conclude with the shorter and sharper Devil In The Dub remix where only the lightest of tweaks and touches is applied, but this brings a fresh and compelling sound to an already impressive track.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:atjazz record company
Cat-No:arc12015
Release-Date:18.06.2015
Genre:House
Configuration:12"
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Label:atjazz record company
Cat-No:arc12015
Release-Date:18.06.2015
Genre:House
Configuration:12"
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Germany
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12"
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Label:atjazz record company
Cat-No:arc039
Release-Date:31.05.2013
Genre:House
Configuration:12"
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Label:atjazz record company
Cat-No:arc039
Release-Date:31.05.2013
Genre:House
Configuration:12"
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Label:atjazz record company
Cat-No:arc038
Release-Date:10.05.2012
Genre:House
Configuration:12"
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Label:atjazz record company
Cat-No:arc038
Release-Date:10.05.2012
Genre:House
Configuration:12"
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Dark Entries
Cat-No:DE-335
Release-Date:30.05.2025
Configuration:2LP
Barcode:794811515883
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Label:Dark Entries
Cat-No:DE-335
Release-Date:30.05.2025
Configuration:2LP
Barcode:794811515883
1
Gina X - No G.D.M.
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Gina X - Exhibitionism
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Gina X - Be a Boy
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Gina X - Tropical Comic Strip
5
Gina X - Nice Mover
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Gina X - Cologne Intime
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Gina X - Opposite Numbers
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Gina X - Vendor's Box
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Gina X - Strip Tease
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Gina X - I.C. Code
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Gina X - Kaddish
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Gina X - Hypnosis/Hypnose
13
Gina X - Babylon Generation
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Gina X - Die Kunst des Liebens (The Art of Loving)
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Gina X - Kanal Banal
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Gina X - French Lift
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Gina X - Waiting
Gina X makes her way to Dark Entries for Greatest Fits, a compilation of gems and jams from the eccentric New Wave icon. Gina X Performance was formed in Cologne in 1978 when art history student and chanteuse Gina Kikoine teamed up with synth wizard Zeus B. Held. Inspired by Patti Smith and Lou Reed, Kikoine aimed to create "the absolute union of music, poetry and travesty," a lofty goal that she most certainly would achieve. 1979 saw the release of the classic first LP, Nice Mover, which put Held’s lush electronic production in dialogue with Gina X’s deadpan delivery. Songs explore androgyny, decadence, and avant-garde art in a fashion that is stylish, sexy, and more than a touch transgressive. Nice Mover quickly became a cult favorite thanks to tracks like the euphoric “Nice Mover” and the dancefloor bomb “No G.D.M.”, dedicated to queer icon Quentin Crisp. Three more LPs followed in the coming years: X-Traordinaire in 1980; Voyeur in 1981; and Yinglish in 1984. The duo continued their genre deviance throughout, exploring uptempo space disco on “Strip Tease,” punk-laced New Wave on “Babylon Generation,” and icy electro-pop on “French Lift.” Greatest Fits is the first-ever double LP compilation of Gina X material. The 17 tracks on Greatest Fits were selected by Kikoine and Held, reflecting the duo’s most cherished moments from their wide-ranging catalog. The record comes housed in a gatefold sleeve designed by Eloise Shir-Juen Leigh featuring press clippings and photographs, and includes an insert with lyrics and memories about each song from Kikoine and Held.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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Label:Time Capsule
Cat-No:TIME017
Release-Date:09.02.2024
Configuration:LP
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Cat-No:TIME017
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1
Hiroki Tamaki - River
2
Happy End - Kaze Wo Atsumete
3
Takashi Nishioka - Manin no ki
4
Ken Narita - Gingatetsudo No Noru
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Hiroki Tamaki - Beautiful Song
6
Niningashi - Hitoribotch
7
Tokedashita Garasubako - Anmari Fukasugite
8
Akaitori - Hotaru
A counterculture movement united by an expansive, experimental and deeply soulful sensibility, Japan’s rebel protest music challenged the status quo and changed the country’s music industry in the process.
The birth of Japan’s nascent acid folk scene was rooted in the messy and invigorating political climate of the late 1960s. It is a story of Dadaists, communists, pharmacists and cult leaders, led by a young generation of upstart students, artists and dreamers hellbent on turning their world upside down.
Born on the campuses of Tokyo, Kyoto and Osaka, and centred around newly formed independent label and left-wing stronghold URC, this uniquely Japanese form of folk expression provided an outlet for musicians who were tired of aping Western sounds and instead found ways to sing in Japanese and integrate traditional forms in new ways.
At the forefront of this movement was Yellow Magic Orchestra’s Haroumi Hosono, a polymath innovator whose band Happy End released the first Japanese language rock album, and whose influence would go on to be felt across Japanese music for decades. Alongside, and informed by the Kansai scene’s Takashi Nishioka and Happy End collaborator Ken Narita, they experimented with cadences and accents of the Japanese language to open the door for others to experiment with their own forms of psychedelic folk too.
Some, like Nishioka, were more inspired by Dadaism than drugs, while others, like Kazuhisa Okubo, would ultimately find work as a chemist, having founded two further folk groups that flirted with varying levels of success. Obstinately uncommercial, relentlessly creative, the music featured on Time Capsule’s Nippon Acid Folk represents a broad church of influences.
Perhaps the wildest addition to this congregation however was Hiroki Tamaki, a classically-trained violinist and committed iconoclast, whose synth-prog odysseys hinted at his obsession with the divine. Subsumed by the teachings of Bhagwan Shree Rajneesh, he penned an album in praise of the infamous religious leader of which two superbly mind-bending tracks are featured on this compilation.
Charting the decade from 1970 to 1980 as the dreams of political and spiritual liberation seeded in the ‘60s turned to dust, Nippon Acid Folk surveys a little explored corner of Japanese music history, but one which ultimately laid the foundations for an independent music industry, launching the careers of Hosono and others in the process.
Nippon Acid Folk 1970-1980 is pressed on 12” vinyl and represents the start of Time Capsule’s deep dive into Japan’s rich history of folk and psychedelic soul music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The birth of Japan’s nascent acid folk scene was rooted in the messy and invigorating political climate of the late 1960s. It is a story of Dadaists, communists, pharmacists and cult leaders, led by a young generation of upstart students, artists and dreamers hellbent on turning their world upside down.
Born on the campuses of Tokyo, Kyoto and Osaka, and centred around newly formed independent label and left-wing stronghold URC, this uniquely Japanese form of folk expression provided an outlet for musicians who were tired of aping Western sounds and instead found ways to sing in Japanese and integrate traditional forms in new ways.
At the forefront of this movement was Yellow Magic Orchestra’s Haroumi Hosono, a polymath innovator whose band Happy End released the first Japanese language rock album, and whose influence would go on to be felt across Japanese music for decades. Alongside, and informed by the Kansai scene’s Takashi Nishioka and Happy End collaborator Ken Narita, they experimented with cadences and accents of the Japanese language to open the door for others to experiment with their own forms of psychedelic folk too.
Some, like Nishioka, were more inspired by Dadaism than drugs, while others, like Kazuhisa Okubo, would ultimately find work as a chemist, having founded two further folk groups that flirted with varying levels of success. Obstinately uncommercial, relentlessly creative, the music featured on Time Capsule’s Nippon Acid Folk represents a broad church of influences.
Perhaps the wildest addition to this congregation however was Hiroki Tamaki, a classically-trained violinist and committed iconoclast, whose synth-prog odysseys hinted at his obsession with the divine. Subsumed by the teachings of Bhagwan Shree Rajneesh, he penned an album in praise of the infamous religious leader of which two superbly mind-bending tracks are featured on this compilation.
Charting the decade from 1970 to 1980 as the dreams of political and spiritual liberation seeded in the ‘60s turned to dust, Nippon Acid Folk surveys a little explored corner of Japanese music history, but one which ultimately laid the foundations for an independent music industry, launching the careers of Hosono and others in the process.
Nippon Acid Folk 1970-1980 is pressed on 12” vinyl and represents the start of Time Capsule’s deep dive into Japan’s rich history of folk and psychedelic soul music.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Dark Entries
Cat-No:DE-338
Release-Date:06.06.2025
Genre:Electronic, Electronica
Configuration:12"
Barcode:794811515913
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Label:Dark Entries
Cat-No:DE-338
Release-Date:06.06.2025
Genre:Electronic, Electronica
Configuration:12"
Barcode:794811515913
1
Hackney Electronica - H.E. Nuestro Circuito
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Hackney Electronica - Efecto Perfecto
3
Hackney Electronica - The One
4
Hackney Electronica - Whispers from the Depths
5
Hackney Electronica - Nueva Ola
Hackney Electronica come to Dark Entries with the Synaptic Shadows EP, featuring 5 cuts of acidic rave-inflected wave. Quinn Whalley (Paranoid London), Unai Trotti (Cartulis Music), and Margo Broom (Hermitage Working Studios) formed Hackney Electronica during COVID era. Trotti and Whalley were spending countless hours digging through records and making music during lockdown. As their sound took shape - heavy and hypnotic - they invited Broom to join, cementing the motley trio. The five pieces on Synaptic Shadows explore themes of altered states, late-night cityscapes, and the fine line between pleasure and paranoia. Each track pulses like a memory from the backstreets of Hackney, where the night transforms the city into an electrified maze of fleeting highs and inevitable crashes. The anxious grooves on “H.E. Nuestro Circuito” and “Whispers from the Depths” channel 1980s DIY electronics onto the contemporary dancefloor, while “Efecto Perfecto,” “The One”, and “Nueva Ola” offer breakbeat-laced electro that will keep you dancing until dawn. Housed in a sleeve designed by German Bardo, Synaptic Shadows is more than just a debut release, it’s a journey through the flickering alleys of the mind, where tension and transcendence intertwine.
ps. all customers who got a copy of the misspress will receive a new copy, wihtout cover, automatically.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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ps. all customers who got a copy of the misspress will receive a new copy, wihtout cover, automatically.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Studio Barnhus
Cat-No:barn108
Release-Date:07.02.2025
Genre:Drum + Bass
Configuration:LP Excl
Barcode:198704234194
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Last in:10.01.2025
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Last in:10.01.2025
Label:Studio Barnhus
Cat-No:barn108
Release-Date:07.02.2025
Genre:Drum + Bass
Configuration:LP Excl
Barcode:198704234194
1
Phatness - Fillerkiller
2
Phatness - Diplomatico Dub
3
Phatness - Brahbrah Dub
4
Phatness - Snkt Erik Jamboree
5
Phatness - Black Palm Tree
6
Phatness - Drifting
7
Phatness - Do That Again
8
Phatness - Olearies Dub
9
Phatness - Tuna Style
10
Phatness - Black Palm Dub
GENRE/S: Bass, Jungle, Experimental Beats
LP:
A1 Fillerkiller
A2 Diplomatico Dub
A3 Brahbrah Dub
A4 Snkt Erik Jamboree
A5 Black Palm Tree
B1 Drifting
B2 Do That Again
B3 Olearies Dub
B4 Tuna Style
B5 Black Palm Dub
Short Info:
A beautiful strange beast suddenly spawning at the centre of the Studio Barnhus universe: Here comes
Phatness, the mysterious side project of two Stockholm producers with connections to Trensum Tribe, Soft
Pace, Otonos and other more or less shadowy institutions of Swedish soundsystem culture.
On their joint debut Fillerkiller, true-school junglist rhythmics scatter around in a glorious haze of sounds
sourced from the most unexpected places. Fillerkiller arrives on 12’’ vinyl in early 2025, set to increase the
momentum of any pre-, main or after parties in the near and far future.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP:
A1 Fillerkiller
A2 Diplomatico Dub
A3 Brahbrah Dub
A4 Snkt Erik Jamboree
A5 Black Palm Tree
B1 Drifting
B2 Do That Again
B3 Olearies Dub
B4 Tuna Style
B5 Black Palm Dub
Short Info:
A beautiful strange beast suddenly spawning at the centre of the Studio Barnhus universe: Here comes
Phatness, the mysterious side project of two Stockholm producers with connections to Trensum Tribe, Soft
Pace, Otonos and other more or less shadowy institutions of Swedish soundsystem culture.
On their joint debut Fillerkiller, true-school junglist rhythmics scatter around in a glorious haze of sounds
sourced from the most unexpected places. Fillerkiller arrives on 12’’ vinyl in early 2025, set to increase the
momentum of any pre-, main or after parties in the near and far future.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Africa Seven
Cat-No:ASVN076
Release-Date:23.05.2025
Genre:Afrobeat
Configuration:2LP
Barcode:5055373561714
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Label:Africa Seven
Cat-No:ASVN076
Release-Date:23.05.2025
Genre:Afrobeat
Configuration:2LP
Barcode:5055373561714
1
Francis Bebey - Forest Nativity (Extended Version)
2
Francis Bebey - Le Grand Soleil De Dieu
3
Francis Bebey - La Condition Masculine (English Version)
4
Francis Bebey - Quand Le Soleil Est La (Alternate Drum Machine Version)
5
Francis Bebey - Ganvie
6
Francis Bebey - Kikadi Gromo
7
Francis Bebey - Immigration Amoureuse
8
Francis Bebey - Where Are You? I Love You
9
Francis Bebey - Dash, Baksheesh & Matabish
10
Francis Bebey - Je Vous Aime Zaime Zaime (Drum Machine Version)
11
Francis Bebey - Agatha (Alternate Version)
12
Francis Bebey - L'apos; Amour Malade Petit Francais
13
Francis Bebey - Ndolo
14
Francis Bebey - Chant D'apos;Amour Pygmee
15
Francis Bebey - Funky Maringa
16
Francis Bebey - Crocodile - Crocodile - Crocodile
17
Francis Bebey - L'apos;Ile De Djerba
18
Francis Bebey - Kitibanga
19
Francis Bebey - Asma (Alternative Instrumental Version)
20
Francis Bebey - Savannah Georgia (Alternative Version)
Francis Bebey is the kind of artist whose legacy feels infinite. Tresor Magnetique, this compilation of unreleased tracks, archival recordings, and neglected gems from Bebey's vault, feels like a grand reveal in an ongoing narrative - a story that spans continents and generations. The compilation's name (translated as "Magnetic Treasure") sets the stage perfectly. Not only does it reference the fragile tapes discovered in the home of Bebey's son, Patrick, but it also hints at the almost gravitational pull of Bebey's art. Meticulously digitized at Abbey Road Studios, these tracks radiate clarity and urgency that defy the decades separating them from contemporary ears. One listen to Tresor Magnetique, and it's as if you're opening a letter from another era, only to find that its contents speak to you more vividly than today's headlines. In an era when African artists were sometimes stuffed into marketing categories like "world music" or "folk," Bebey adamantly mixed and matched instrumentation that had seemingly no business coexisting. A pygmy flute might flutter against the metronomic pulse of a drum machine, or a classic guitar riff might coil around a looped synthetic soundscape. In hearing these recordings, you get the sense of a mind in constant motion, rarely content to finalize a piece and move on. Tresor Magnetique feels less like a dusty retrospective and more like a living, breathing dialogue with the present. For newcomers, it offers a doorway into a vast discography that moves fluidly between danceable afro-funk, folkloric chanting, politically charged commentary, and shimmering electronic explorations. For longtime fans, it unearths new corners of a beloved catalog, revealing how Bebey's restless spirit never quite let a song rest in one configuration for too long. Francis Bebey wasn't merely "ahead of his time"- he operated on his own timeline entirely. In a century that often demanded conformity or neat categorization, he insisted on an expansiveness that belongs just as much to the future as it did to the mid-1900s. And that is why, as we immerse ourselves in Tresor Magnetique, it feels like we're not just discovering lost artifacts-we're confronting ideas that remain radical and relevant right now. Francis Bebey was not just ahead of his time-he made his own time. And now, we finally have the chance to catch up.
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Liebigstrasse 2-20
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Germany
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Germany
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Label:Studio Barnhus
Cat-No:BARN112
Release-Date:14.03.2025
Genre:House
Configuration:LP Excl
Barcode:198704329456
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Release-Date:14.03.2025
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Barcode:198704329456
1
Jimi Tenor & Freestyle Man - Sinus Amoris
2
Jimi Tenor & Freestyle Man - Stockholm
3
Jimi Tenor & Freestyle Man - Who’s Gonna Blink
4
Jimi Tenor & Freestyle Man - Domus
5
Jimi Tenor & Freestyle Man - Schrödingers Love
6
Jimi Tenor & Freestyle Man - Little Flutist
7
Jimi Tenor & Freestyle Man - Party People
8
Jimi Tenor & Freestyle Man - Dactylic Theme
Genre/s: Jazz, Contemporary, Pop
Tracklist:
[Vinyl]
A1. Sinus Amoris / A2. Stockholm / A3. Who’s Gonna Blink /
A4. Domus
B1. Schrödingers Love / B2. Little Flutist / B3. Party People /
B4. Dactylic Theme
SHORT INFO:
Studio Barnhus proudly presents this debut full-length record from the Jimi Tenor & Freestyle Man project, the fruit of the joint labour of these two undisputed legends of electronic music. Building on their catalog of work for labels like Warp and Sähkö, these Finnish heroes have blessed
Stockholm imprint Studio Barnhus with regular releases since 2017, this LP being the finest example thus far of their classic yet always fresh sound.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
[Vinyl]
A1. Sinus Amoris / A2. Stockholm / A3. Who’s Gonna Blink /
A4. Domus
B1. Schrödingers Love / B2. Little Flutist / B3. Party People /
B4. Dactylic Theme
SHORT INFO:
Studio Barnhus proudly presents this debut full-length record from the Jimi Tenor & Freestyle Man project, the fruit of the joint labour of these two undisputed legends of electronic music. Building on their catalog of work for labels like Warp and Sähkö, these Finnish heroes have blessed
Stockholm imprint Studio Barnhus with regular releases since 2017, this LP being the finest example thus far of their classic yet always fresh sound.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP Excl
pre-sale
Label:Be With Records
Cat-No:bewith094LP
Release-Date:05.09.2025
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804123709
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Last in:29.11.2024
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Last in:29.11.2024
Label:Be With Records
Cat-No:bewith094LP
Release-Date:05.09.2025
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804123709
1
Jay Richford and Gary Stevan - A1 : Flying High (3:35)
2
Jay Richford and Gary Stevan - A2 : Going Home (2:46)
3
Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
4
Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
5
Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
6
Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
7
Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
8
Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
9
Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
10
Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2025 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Atjazz Record Company
Cat-No:ARC113VB
Release-Date:04.07.2025
Genre:House
Configuration:12"
Barcode:
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Label:Atjazz Record Company
Cat-No:ARC113VB
Release-Date:04.07.2025
Genre:House
Configuration:12"
Barcode:
1
Karizma - Original Mix
2
Karizma - Atjazz Remix
3
Karizma - Yoruba Soul Mix
The highly sought after 'Tech This Out Pt. 1' by Karizma is back again on Atjazz Record Company. This limited blue vinyl edition will give people a chance who weren’t fortunate enough the first-time round, to now have a copy for themselves. With the first pressing selling for £50 on the second-hand market, this new version will not be around for long. As always, buy or cry.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Arista
Cat-No:BMDH&O
Release-Date:06.06.2025
Genre:Dub/Reggae
Configuration:LP
Barcode:
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Last in:05.06.2025
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Last in:05.06.2025
Label:Arista
Cat-No:BMDH&O
Release-Date:06.06.2025
Genre:Dub/Reggae
Configuration:LP
Barcode:
Extended roots reggae & dub remixes of HALL & OATES classics, with "RICH GIRL", "PRIVATE EYES", "I CAN'T GO FOR THAT", "MANEATER" and "ONE ON ONE". Pressed loud for DJ play, last copies on pinkish red vinyl with 12" picture art housed in a clear sleeve.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Studio Barnhus
Cat-No:barn117
Release-Date:27.06.2025
Genre:House
Configuration:12" Excl
Barcode:198704521140
in stock
Last in:24.06.2025
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in stock
Last in:24.06.2025
Label:Studio Barnhus
Cat-No:barn117
Release-Date:27.06.2025
Genre:House
Configuration:12" Excl
Barcode:198704521140
1
Fennec - Jaunt
2
Fennec - Message to Earth
3
Fennec - Grilled Romaine
4
Fennec - 3AM in AUS
Special remarks: CD image is only part of the graphic layout of the back cover.
GENRE/S: House
TRACKLIST:
[Vinyl]
A1. Jaunt
A2. Message to Earth
B1. Grilled Romaine
B2. 3AM in AUS
High-value dance record business once again from Studio Barnhus, as Austin, TX-based label debutant Fennec jams onto one slab of vinyl four cuts of the sort of dancefloor-driving yet warmly welcoming house music the Stockholm label is not NOT known for.
Amassing a cult following from his bedroom studio over the past decade, Fennec channels the sampler titans of yore to craft club bangers for tomorrow, from the instantly captivating dancefloor call-to-arms "Jaunt" to the
frisky yet contemplative "Grilled Romaine."
With full-colour artwork by Reidar Pritzel, Fennec's Momentary Pleasure EP arrives via Studio Barnhus on vinyl and digitally on June 27.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
GENRE/S: House
TRACKLIST:
[Vinyl]
A1. Jaunt
A2. Message to Earth
B1. Grilled Romaine
B2. 3AM in AUS
High-value dance record business once again from Studio Barnhus, as Austin, TX-based label debutant Fennec jams onto one slab of vinyl four cuts of the sort of dancefloor-driving yet warmly welcoming house music the Stockholm label is not NOT known for.
Amassing a cult following from his bedroom studio over the past decade, Fennec channels the sampler titans of yore to craft club bangers for tomorrow, from the instantly captivating dancefloor call-to-arms "Jaunt" to the
frisky yet contemplative "Grilled Romaine."
With full-colour artwork by Reidar Pritzel, Fennec's Momentary Pleasure EP arrives via Studio Barnhus on vinyl and digitally on June 27.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP
backorder
Label:International Anthem
Cat-No:IARC0098LPI
Release-Date:20.06.2025
Configuration:LP
Barcode:634457208360
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Last in:02.06.2025
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Last in:02.06.2025
Label:International Anthem
Cat-No:IARC0098LPI
Release-Date:20.06.2025
Configuration:LP
Barcode:634457208360
'Battiato Brick' (Red)
Different Rooms is the sophomore album by Jeremiah Chiu & Marta Sofia Honer. The followup to their critically acclaimed Recordings from the Åland Islands, this collection extends the path of pastiche forged by their debut: quietly multi-rhythmic, modular-trance-meets-processed-and-unprocessed-chamber strings, bewitching and bewildering field recordings—all knitted tightly, an LA patchwork.
Tracklist
1.1Mean Solar Time
1.2Long and Short Delays
1.3Side by Side
1.4One of Eight
1.5Before and After Signs
1.6Different Rooms
1.7Speaking in Parallel
1.8Side by Side (reflected)
1.9Mind by a Way
1.10Mean Solar Time (reflected)
https://listen.k7.com/b890fe16-6912-4b3a-934f-720fcabf4128
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Different Rooms is the sophomore album by Jeremiah Chiu & Marta Sofia Honer. The followup to their critically acclaimed Recordings from the Åland Islands, this collection extends the path of pastiche forged by their debut: quietly multi-rhythmic, modular-trance-meets-processed-and-unprocessed-chamber strings, bewitching and bewildering field recordings—all knitted tightly, an LA patchwork.
Tracklist
1.1Mean Solar Time
1.2Long and Short Delays
1.3Side by Side
1.4One of Eight
1.5Before and After Signs
1.6Different Rooms
1.7Speaking in Parallel
1.8Side by Side (reflected)
1.9Mind by a Way
1.10Mean Solar Time (reflected)
https://listen.k7.com/b890fe16-6912-4b3a-934f-720fcabf4128
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Strut Records
Cat-No:strut070lp
Release-Date:05.01.2018
Genre:Brazil, Bossa, Salsa
Configuration:2LP
Barcode:730003307010
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Last in:27.11.2020
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Label:Strut Records
Cat-No:strut070lp
Release-Date:05.01.2018
Genre:Brazil, Bossa, Salsa
Configuration:2LP
Barcode:730003307010
Comprising DJs Hugo Mendez and Frankie Francis alongside The Might Crime Minister, Sofrito has become one of the leading party collectives in the field of Afro, Caribbean and Latin music over the last
three years. From their legendary Tropical Warehouse parties in East London to the clubs and bars of Brooklyn, from beach parties in Greece to festivals and clubs across Europe including WOMAD and
the Big Chill, Sofrito has brought it’s own unique and accessible mix of styles to the world’s dancefloors. Previous guests include Manu Dibango, the Poets of Rhythm, the Souljazz Orchestra, Quantic,
Nickodemus and Nappy G (Turntables on the Hudson), Tropical Treats Soundsystem and Natural Self. With regular releases during the last two years, the Sofrito Specials label champions the Tropical Discotheque sound – mixing up raw Afro flavours with Disco and Latin rhythms. It’s less “world music”, more about some of the best dance music ever made. Their debut compilation for Strut mixes up amazing old and new sounds from cumbia and Congolese guitar grooves to highlife, calypso and descarga for a unique album - a deep selection but an immediate party soundtrack for the casual listener.
TRACKLISTING
VINYL TRACKLIST
A1. Banda Los Hijos de la Niña Luz - Quiero Amanaçer
A2. Les Ya Toupas du Zaire - Je Ne Bois Pas Beaucoup
A3. Victor Uwaifo – Ohue (Frankie Francis & Simbad Edit)
B1. Fair Nick Stars - Arrete Mal Parlé
B2. Adolfo Echeverria - Sabroso Bacalão
B3. El Timba - Descarga Bontempi
B4. Ti Céleste - Popilation Basse-Terrienne au Abois
C1. Mighty Shadow - Dat Soca Boat
C2. Kyerematen Stars - Maye Obi Den
C3. Dany Play - Fa’waka
C4. Frente Cumbiero – Pitchito
D1. Quantic y su Conjunto Los Míticos del Ritmo - Cumbia de Mochilla
D2. Roaring Lion - Carnival Long Ago
D3. Safohene Djeni - Mahu Wo Asie
D4. Gnonnas Pedro - Yiri Yiri Boum
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
three years. From their legendary Tropical Warehouse parties in East London to the clubs and bars of Brooklyn, from beach parties in Greece to festivals and clubs across Europe including WOMAD and
the Big Chill, Sofrito has brought it’s own unique and accessible mix of styles to the world’s dancefloors. Previous guests include Manu Dibango, the Poets of Rhythm, the Souljazz Orchestra, Quantic,
Nickodemus and Nappy G (Turntables on the Hudson), Tropical Treats Soundsystem and Natural Self. With regular releases during the last two years, the Sofrito Specials label champions the Tropical Discotheque sound – mixing up raw Afro flavours with Disco and Latin rhythms. It’s less “world music”, more about some of the best dance music ever made. Their debut compilation for Strut mixes up amazing old and new sounds from cumbia and Congolese guitar grooves to highlife, calypso and descarga for a unique album - a deep selection but an immediate party soundtrack for the casual listener.
TRACKLISTING
VINYL TRACKLIST
A1. Banda Los Hijos de la Niña Luz - Quiero Amanaçer
A2. Les Ya Toupas du Zaire - Je Ne Bois Pas Beaucoup
A3. Victor Uwaifo – Ohue (Frankie Francis & Simbad Edit)
B1. Fair Nick Stars - Arrete Mal Parlé
B2. Adolfo Echeverria - Sabroso Bacalão
B3. El Timba - Descarga Bontempi
B4. Ti Céleste - Popilation Basse-Terrienne au Abois
C1. Mighty Shadow - Dat Soca Boat
C2. Kyerematen Stars - Maye Obi Den
C3. Dany Play - Fa’waka
C4. Frente Cumbiero – Pitchito
D1. Quantic y su Conjunto Los Míticos del Ritmo - Cumbia de Mochilla
D2. Roaring Lion - Carnival Long Ago
D3. Safohene Djeni - Mahu Wo Asie
D4. Gnonnas Pedro - Yiri Yiri Boum
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore