Green Colored LTD Vinyl!

It’s been 12 years since Karizma’s last album, and in that time the world has changed beyond recognition.
What has remained constant is Karizma’s commitment to constantly pushing the boundaries of his sound and defying categorization, effortlessly moving from down-tempo soul, hip-hop, house and electronic dance, and connecting it all with his emotive production and his ear for moving a dance- floor.
“Can’t Call !t” is a double album that sees Karizma craft 17 tracks to take his music in ever new directions. As always, he pours his heart into every cut, always with a message and purpose of intent.
Like all of us, Karizma’s wondering what comes next, which way things will go. Can you call it?

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A classic Karizma cut complete with brand new reworks brings the heat on Atjazz’s effervescent ARC label. Originally released on Hustle back in 2006, new interpretations from Atjazz himself & Osunlade add a whole new vibe to the track – set to wow fans of the original & newcomers alike.

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Steeped in classic dancefloor rhythms and sounds, ARTIFACTUAL RHYTHM presents a re-interpretation of club and DJ music through the lens of a live band with a jazz edge. Tapping into sounds of the 90s and 2000’s while keeping his foot very firmly in the now and beyond, Flood’s new body of work is both for the dancefloor and the listener.

Dubbed 'nu-jazz', 'jazztronica' and 'jazz house music', at its core Alex’s sound takes influence from house, UK garage, drum n’ bass, and broken beat. 'Artifactual' can be defined as 'made by human hands', and that’s exactly what Alex explores with this record; taking sounds and styles that are inherently electronic and giving them new life through the rawness of a live band underpinned by jazz and improvisational explorations. Music made by human hands.

Recorded live in a studio in Naarm / Melbourne and engineered, mixed, and co-produced by Lewis Moody (Energy Exchange Records), the album features a list of some of the finest players 'Down Under' including Erica Tucceri (flute), Finn Rees (keyboards), Dylan Paul (bass), as well as guest vocal features from the lyrical legend Cazeaux O.S.L.O on LIFE IS A RHYTHM, Kara Manasala on UK garage cut DON’T WAIT 4 ME, and New York soul queen Vivian Sessoms heating up some classic house energy on CAN’T GET ENOUGH.

Alexander Flood is one of Australia’s commanding beat-masters, possessing a unique and finessed arsenal of groove, power, and expertise on the drums. Leading his own band from the drum chair, Alex’s music pushes a fresh rhythmic and dynamic realm of live dance music leaning on nu-jazz, deep-house, broken beat, DnB, funk, and experimental sounds. The band has recently featured at Wellington Jazz Festival, Melbourne International Jazz Festival, SXSW Sydney, WOMADelaide, JazzMontez Frankfurt and various clubs across Europe and Australia.

Winning Australia’s Best Up and Coming Drummer Competition in 2016 was just the beginning of Flood’s accelerating trajectory in music. After graduating top of his University jazz degree in 2017, Alex signed with US label Stretch Music to release his debut album HEARTBEAT, followed by his sophomore release The Space Between in 2022. Later that year Alex toured Europe with heavyweight 6x GRAMMY nominee Christian Scott aTunde Adjuah’s band. While in Berlin Flood recorded his third album 'Oscillate' with an all-star lineup including Horatio Luna and Abase, releasing via Jakarta Records in May 2023. In 2023 Alexander was also the recipient of the highly prestigious Young Achiever Award at the Ruby Awards, as well as receiving the Robert Stigwood Fellowship (Government of South Australia).

2024 sees Alex join forces with Atjazz Record Company to release new music from his forthcoming album ARTIFACTUAL RHYTHM, as well as touring his band across Australia, New Zealand, Europe and the UK.

Some notable collaborators of Alex’s include Chief Christian Scott aTunde Adjuah, Abase, Horatio Luna, Atjazz, Vivian Sessoms, Cazeaux O.S.L.O, Nelson Dialect, the ASO, WASO, QSO, as well as working with brands including Red Bull Music and Istanbul Cymbals.

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A slick techy dance-floor banger featuring the sultry tones of US Vocalist ‘Brutha Basil’.

Hand Made has been a go-to number from Abel’s well-received ‘Cosmic Law’ album. Taking a deeper and much more techy approach to sound design, Abel and Atjazz enlisted the brilliant ‘Brutha Basil’ to lay down some truth about ‘doing this music thing for the right reasons’. With some incredible remixes from Peacey who swipes things up to a new energy level, Rocco Rodamaal whose punchy re-work takes us way back to NYC’s early days of house music, and South Beach Recycling’s Chicago and Detroit-inspired late-night groover. This is one of those releases that will stay on target for a long time, no doubt!

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It might be his debut album, yet Peacey’s “Play It By Ear” is a body of work crafted as though by a scholar. And where better for this work to emerge from than Derby, UK’s Atjazz Record Company, a label with a rich heritage and many strings to its bow?

This eclectic sonic journal catalogues the evolution of Peacey, documenting his interactions with, and influences from, some of dance music’s notable players. It’s an album that will attract discerning ears and open minds; minds attuned to a multitude of genres as it visits Hip Hop, R&B, House, Garage and Fusion.

'Culture Bandit' is the 2nd single taken from this colossal album, and gives us a great understanding that Peacey really knows where to hit it! It’s a deep banger of course, with a hint of tech-house, deep-house and even the more percussive side of afro-latin house, but with the electrifying vocals of Vanessa Hidary atop, this will go down in history as “One of those tunes”. To say this song has life is an understatement. So we’ve covered that, did we mention that Osunlade & Atjazz have also remixed this killer slice? Ah, well they have, and they join Peacey on this pristine release to give alternative angles on this wild, spoken and edgy outing.

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Being one of the finest exports Australia has to offer, Jules ‘Inkswel’ Habib has become very well respected the world over for his excellent musical output and undying dedication to his art.

Countless Inkswel recordings, remixes, and collaborations circulate the airwaves and internet as project after project surges through with an unstoppable force. Inkswel is a prolific artist, known for his superb album trio on BBE Records, his relentless cooperative EPs & collaborations on Rush Hour, Boogie Angst, Wolf Music & Oye, and recent output with Pugz Atoms on Jazzanova’s own Sonar Kollketiv imprint. Jules reaches even further as he launches “Inner Tribe”, his own labels boasting artists such as Ahu, Planetself with his amazing wife and vocalist Charli Umami, Kid Sublime, Stan Smith & Colonel Red to name only a few. knowing himself that working with great talent makes great music.

His latest album offering Astral Love on ARCo. is an outstanding 9 song Long-player featuring a plethora of brilliant artist backing up his bouncy-rough-cuts. Naming only a few, you will find maestros such as Dwight Trible, Stan Smith & Andrew Ashong among many others who elevate this album to great heights.

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A1 - Alone (Together)
A2 – Phoenix
B1 - Alone (Together) [po-lar-i-ty Remix]
B2 - Alone (Together) [Tool]

Fred Everything isn’t a name one tends to throw around willy-nilly. Fred’s contributions to the world of dance music can’t be measured and his ability to continually roll out quality music is unmatched in his field. A dear label brother to us here at ARCo. We’re always overjoyed to have the rare opportunity to release his solo creations to the world.

'Alone (Together)' is electronic but rather organic and reflects the origins of Fred’s work. Sounding super-classic Fred weaves his arrangements in and out and throws drop after drop into the mix. 'Phoenix' is a little flipped in style, although still retaining the classic sound Fred has become known for, the beautiful cascading chord sequence takes you away and makes for a gorgeous listening experience.

Things just got real, po-lar-i-ty stepped in for remix detail! Yes, Osunlade & Burlie Mac in their newly found togetherness have flipped the script completely here, as they inject even more class to this already gleaming release. Their version bounces freely around a vocal loop, glissando harp flourishes, and swept lush chords.

Really classy deep-house gear to get your ears around

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Remastered tracks from original tapes carefully selected from various RAH Band albums and presented over a double vinyl with printed sleeve from the seminal 70's/80's British Studio Project masterminded by Richard A Hewson. Clouds Across The Moon, Messages From The Stars and many, many more delights.

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Soul-infused broken beat from Clyde via Atjazz Record Company that captures the spark of the early Bruk scene and gives it a magnetising new interpretation. Vibing keys that dance around plucked bass notes, impassioned, expressive vocals that worm their way through your brain and down into your body, ‘Roll Of The Beast’ lights up a collective spirit that is sure to make this a future classic.
Atjazz takes to the Rhodes for his remix, laying down an infectious melody mirrored by the bass that’s put on top of a fresh set of drums. Combined it gives a distinct edge to the track, keeping all the energy of the original but reworking it through the eyes and ears of label head, Atjazz. An instrumental version of his remix that lets the music do the talking rounds off the release.
Vinyl only – be quick!


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Following up the release of Atjazz & Jullian Gomes’ warmly received album ‘Big Bad Crazy’, the guys brought in House Music’s remix hero ‘Karizma’ to re-imagine one of the favoured album cuts ‘Love Me’.
Under his ‘Kaytronik’ moniker, Baltimore’s beat-master loads up a rather subby floor workout with his iconic signature production style. As the first kick drops, it's unmistakably Kaytronik at the controls as he dubs out this intricate number to create something of wonder, producing a large & well polished USA sonic with incredible edge & bite.
This limited 12” contains 2 massive versions and should not be missed.

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Original, Peacey & Soulfuledge Remixes - pressed on coloured vinyl


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Repress!

Following on 5 years after their exceptional debut collaboration “The Gift The Curse”, Atjazz & Jullian Gomes hit a home run with this incredible collection of audio artwork.
Their new album “Big Bad Crazy” points out the broken state of our world, and on the flipside the ongoing struggle to make it through the pain. A truly inspirational & original work from these well respected creative’s.
Part two of this two-part album sampler kicks off with ‘Decoded’ layering a dynamic and deep synth melody with echoing arps and blissed out guitar samples. ‘Don Esquire’ follows up twisting and turning vocal refrains amongst an emotionally charged concoction of synth stabs and cosmic bleeps.
On the flip side, ‘Love Me’ delves into more techno territory, resonating and reverberating elements round the depths of the mind, to induce a hypnotic state of awe. The final track ‘Empty Paradise’ evokes distant memories from the past, combining dusty drum samples, hazy piano melodies and those dreamlike vocals that echo off into the ether.
Here’s to hoping that it’s not another 5 years before Atjazz & Jullian Gomes choose to collaborate once more.


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Following on 5 years after their exceptional debut collaboration “The Gift The Curse”, Atjazz & Jullian Gomes hit a home run with this incredible collection of audio artwork.
Their new album “Big Bad Crazy” points out the broken state of our world, and on the flipside the ongoing struggle to make it through the pain. A truly inspirational & original work from these well respected creative’s.
Part one of this two-part album sampler opens with the brooding synthesiser soundscapes of ‘Daggers Drawn’ before leading into a bumping vocal house groover in the form of ‘It’s My Time’. On the flip side ‘Blow by Blow’ brings an introspective late-night feel to proceedings, setting up ‘The Persuit’ to close out the e.p. intertwining African chants behind a punchy rhythmic synth-laden track.


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After a storming 2016 celebrating Twenty Years of Atjazz, where the master musician himself has spent the year jetting all over the globe performing shows to both loyal fans and new converts alike, Atjazz Record Company is very excited to crown this hugely successful year with a release like no other. Please allow us to present: That Something Else!. A special Vinyl Sampler taken from the CD especially for RSD.



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Atjazz Record Company is pleased to welcome back prolific artist and dapper gent Fred Everything. From Canada to the UK, this skillful and ever-present producer brings over 20 years of talent and experience to bear on this exciting new release. We delve into the offering firstly with the titular track: O. A soft and muted start slowly builds up into a fizzy melodic vibe that is undercut with a tasty bass riff. As the track drives on, the harmonies continue to build until they crescendo with a dreamy high-end hook juxtaposed with stippled sour characters. Then Mr ARCo. himself, Atjazz, enters the fray with the Galaxy Aart Remix. Staccato rhythms and active bass notes combine with engaging pops of synth to further illustrate Atjazz's mastering of his craft. We follow this with Her, a meaty beats and bass orgy that effortlessly builds into a shimmering and crystalline cut. This track perfectly showcases Fred's commitment to quality legitimate music and you will not be disappointed! We conclude with the shorter and sharper Devil In The Dub remix where only the lightest of tweaks and touches is applied, but this brings a fresh and compelling sound to an already impressive track.

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Always unique in blending traditional elements (latin jazz, funk, soul) with modern sounds, since “Moving Ahead” in 2020 Gerardo Frisina, a leading name in the international jazz and electronic music scene, has introduced new ‘cosmic’ and ‘futuristic’ elements into his style. His evolution culminates today with “In Sight”, a double work conceived and produced in two separate volumes. “In Sight Vol. 1”, finally revealed in all its glory, is still oriented towards the clubbing context, with the exception of “O Soñho”, a slower-paced bossa nova with a cinematic atmosphere. The album also contains a previously unreleased instrumental version of “Samba Skindim” (title track from the 2009 10” EP), a ‘great classic’ and one of Frisina’s most appreciated compositions both by listeners and Gerardo himself.

IN SIGHT VOL. 1 (2025)
Firmly bound to Schema Records since the beginning (“Ad Lib”, 2001), in over twenty years of career Gerardo Frisina has released several records that have consolidated his status as a leading name in the international jazz and electronic music scene. Always unique in blending traditional elements (latin jazz, funk, soul) with modern sounds, since “Moving Ahead” (2020) in particular Gerardo has introduced new ‘cosmic’ and ‘futuristic’ elements into his style, in a constant evolution that culminates today with “In Sight”: this new double work, conceived and produced in two separate volumes - the first to be released on April 4th, 2025 - further refines a sound that can be clearly recognized from the first notes
of each track.
Anticipated by the two singles “Mindoro” and “Desejar”, “In Sight Vol. 1” is finally revealed in all its glory. The artist’s care to every single detail is manifest in all of the album seven tracks, as per tradition oriented towards the clubbing context, with the exception of “O Soñho”, a slower paced bossa nova with a cinematic atmosphere. The album also contains
a previously unreleased instrumental version of “Samba Skindim” (title track from the 2009 10” EP), a ‘great classic’ and one of Frisina’s most appreciated compositions both by listeners and Gerardo himself.

A1 - Mindoro
A2 - Desejar
A3 - Tarab
B1 - Coherente
B2 - Some Soul
B3 - O Sonho
B4 - Samba Skindim (Instrumental)

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Two iconic 80s Disco/Boogie anthems of the era are set for a re-release on 12-inch vinyl via RCA, with a fresh mix from Brooklyn-based producer, Mike Maurro.

Keni Burke - Risin' to the Top (A Mike Maurro Mix)

'’Risin’ to the Top’, originally released in 1982 on Burke’s third solo album, ‘Changes’, has become Burke’s most successful hit as a solo artist since departing from his former band, Five Stairsteppers. Countless producers have utilised the song as a choice sample for their own tracks with artists such as Mary J. Blige, LL Cool J, Madlib and more.

Maurro’s mix works the stems and gives the record some fresh guitar licks alongside new percussive elements, whilst maintaining a heavy lean into the sensual, laid-back swing of the original.'

Evelyn ‘Champagne’ King - I'm In Love (A Mike Maurro Mix)

'The flip side sees the release of Evelyn 'Champagne' King’s hit single ‘I’m In Love’, originally released in 1981 and taken from King’s fourth studio album of the same name. A feel-good, sing-a-long anthem, once again given a fresh feel thanks to Maurro’s new take on the record.

Both tracks serve as trump cards to whip up any dancefloor at the right time'

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Leroy Burgess had already left a huge mark on Black American music by the time the 80s rolled around thanks to his part in Black Ivory alongside Patrick Adams, but he was about to hit on a purple patch of productivity scattered with one-shot gems like Convertion. The project was a family affair featuring the likes of his adopted brother James Calloway on bass, his cousin Sonny T. Davenport on drums and his sisters Renee J.J. Burgess and Dorothy Terrell on backing vocals. The lead track they recorded, 'Let's Do It', is a prime slice from 1981, in the years of transition from disco to boogies and it sounds as great as it did back then. The original B-side of the split release, a mellow ballad by Four Flights entitled 'All I Want Is You', is present and correct on this reissue from Demon Singles Club too

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We travel back to the early days of proper Tech House during 2003. Picture the scene, in Online Studios, Croydon, London UK and Evasive label boss teams up with his friend Simon Copleston (Iteration X).

Following on from the success of Timecheck by Iteration X, Rob & Simon create this new collaboration to fuse their distinctive production sounds together as one unit under a new moniker 'Rob & Si'. They delivered their first record together with Roll One Up / Zebras which became the 9thEP in the Evasive Records story.

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ONLY ONE MUSIC presents ACME - Soul Of Life!
Originally released in 1998 on Delirium USA.

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Something that was in the pipeline for a while is finally happening: the first collaborative release between Mother Tongue and Neroli. And right in time to celebrate Neroli’s 25th anniversary. To make it even more exciting the two Verona based labels worked together to curate a full 4 track EP from Chicago’s very own Glenn Underground!
A very special selection of obscure and diverse gems from the deep vaults of the legendary producer touching the boogie, the jazzy and even the acid sounds, that will please the most demanding music lovers!

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Adam Pits bows down to the cosmos and bears witness across the super-technical 'Cosmic Confession' EP on his Craigie Knowes debut. A record for the DJs packed with sounds that work throughout the movement of the night.

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JB Edits is the edit project of UK & Australia based house DJ / producer Jerk Boy. Off the back of the success of his first four releases which have gained love and support from an array of taste makers and DJs around the globe along with multiple premiers on YouTube channels. The first four EP's sold out of its first press in weeks and now he's back with a new 3 x tracker... "EP Number Five"..... with loads of extra keys, drums and magic sprinkled for extra dancing juice.

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