As on their first EP "Mokili Na Poche" on Seismographic Records, ATELIER KAMIKAZI'S collaborative lyrics are dedicated to their spectrum of life as street kids. They struggle with the exhausting and dangerous beauty of life in Kinshasa by encouraging themselves and promising never to give up. Neither in the face of lying politics, nor in the face of a religion whose representative they call "Priest Cat's Heart", nor in the face of that great power to which they dedicate several songs, the drug called "Bomb", made from car catalyst deposits mixed with a wild cocktail of ingredients. They warn against using this drug to see "the nakedness of the turtle", because the only thing that could really be seen would be the ridiculousness of those consuming the drug. They counter that they are on a mission to conquer the future with their weapons: the weapons of speech, their knowledge and Loketo, the hip swing of dance.

Tracklist:

A1 - Nani Akosi Yo
A2 - Okomisi Yango Ngayi
A3 - Bombé
A4 - Luzingu
A5 - 9 Frontières
B1 - Bolumbu Ya Koba
B2 - Yaka To Bina
B3 - Yo Loyenge
B4 - Kinshasa La Belle (Studio Version)
B5 - Kinshasa La Belle (Acoustic Version)
B6 - Zonga Moto




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Vinyl Only Release lim. to 500 copies worldwide!

There are mysterious records. Records hiding and showing something at the same time. This is one of them. It is made from two records that were most probably released in the mid-1970s, most probably primarily by Turkish Roma.
It brings together what Anadolu pop music lovers always dream of: Anatolian geleneksel (traditional folk tunes), disco and funk, jazz and hard rock, psychedelic sounds, hard-hitting drums, Arabesk percussion, and hip-hop friendly breaks. Put together in a careful, smooth production with a warm, relaxed and dance-friendly vibe.
Here you get it: Roma-nized instrumental Turkish pop music in all its facets of the 1970s.

Track Titles:

A1 Yagmur Yagdi Kac
A2 Adana Ücayak

B1 Sis Kebabi
B2 Hint Geceleri

C1 Cilli
C2 Kalaycilar

D1 Fesuphanallah
D2 Zühtü
D3 Harmandali



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Official re-release, retrieved from original cassette tape (1988). First time on vinyl! Includes Turkish musicians like jazz & percussion star Okay Temiz.
Brought to you by the compiler of the Saz Beat series as well as the Bosporus Bridges series.

A Danish-Lebanese Afro-American who has learned Turkish and knows how to play the saz? Who entered the Anatolian Pop scene in Istanbul right in the heyday, the early 1970s? And who got so much musical credit that the renowned Turkish producer Nazmi Senel released a solo album with him in 1988, recorded in Istanbul and including musicians like Turkish percussion star Okay Temiz? Sounds pretty unlikely. Sometimes miracles happen and highly improbable music gets released. A person with a diverse heritage as Nyofu Tyson can be seen as a 'melting pot', as a 'synthesis'. Yet, he can be also seen as someone who is able to step out for new paths.
This is the case for TÜRK LOKUMU - TURKISH DELITE. Like nobody before, Tyson connects and opens up Anadolu Pop towards a whole range of styles: Synth-Pop, New Wave, Reggae, Hip Hop/Break, Latin, Disco Boogie… He shows us how vital, compatible and versatile one could think Anadolu Pop at the end of the 1980s. The compositions are basically all Türkü-s, traditional Anatolian folk songs, yet updated with a poly-cultural music practice, which involved a lot of the then current musical trends. So, this is Turkish folk music and it has at the same time all what you like about the late 1980s pop music: cold electronic drum sounds, crisp-flashy synths, crunchy bass - all in contrast with warm distorted saz tones, wooden Turkish wind instruments, and a disco-soul proven female choir. This is crazy music. This is a miracle. This is Anatolian-Synth.

Nyofu Tyson
Profil:
Born in Los Angeles of Danish-Lebanese-African-American heritage, Nyofu Tyson grew up in a musical home. His Dad was an amateur jazz pianist and avid listener of many styles of music.
Nyofu began music as a bassist, playing Jazz and Latin with local groups. He studied composition, classical bass, and North Indian classical music at California Institute of the Arts for two years. His interest in ethnic music led him to Turkey, where he began playing the long-necked lute, saz.
He then lived for many years in Sweden, where he worked with Zulfu Livaneli, Okay Temiz and Hadji Tekbilek, all major names in Turkish music. He toured all over Sweden and Europe with these artists, while having his own band and making radio concert and TV appearances in Sweden and Turkey.
Since returning to LA, he has collaborated with Omar Faruk Tekbilek, oudist John Bilezikian and Cuatro Caminos Flamenco among others.
Nyofu travels regularly to Turkey, where he has gained recognition for his interpretations of Turkish folk poets and his eclectic style of saz playing. He still continues both musical lines, Turkish folk poet music and Turkish flamenco fusion.

https://www.nyofutyson.com


Credits

Music arranged, directed and English lyrics by Nyofu Tyson.
Re-Producer: Martin Georgi and Holger Lund (known as compiler of the Saz Beat series as well as the Bosporus Bridges series).
Vinyl-Mastering by Calyx Berlin.
Design by Julia Raschke. Many thanks to Nazmi Senel and Nyofu Tyson, Markus Lindner and Norman Nitzsche.
Distribution by wordandsound.
Executive production by Seismographic Records in cooperation with fluctuating images
© 2023 SR 002; seismorecords.bandcamp.com & fluctuating-images.de

2. TRACKLISTS:

A1 - Turkish Delight
A2 - Midnight Rendezvous
A3 - Fiancé
A4 - Fidayda
A5 - If you wan my love
A6 - Emmoglu

B1 - Sunglasses Belly Dance
B2 - Eninem
B3 - Tabancamin Sapini
B4 - Cicek Dagi Oyun Havasi
B5 - Misty Mountain Melody






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Kinshasa, Democratic Republic of Congo - a group of street children gathered around the artist Lova Lova to form the Atelier Kamikazi and record the album "Mokili na poche" in cooperation with Oyo Projects. They are "shégués", sons of soldiers, orphans or accused of being "child sorcerers". They talk in a funny and provocative tone about the difficulties encountered in their daily lives, about rivalry, politics, sexuality, and survival. These kids know they are fucked - and they fuck back.

Special remarks: Comes with bilingual (English/French) printed info inner sleeve.

PR Infos:

- TV Interviews: ARTE TRACKS, France (TV), BBC Culture News, France (TV)
- Radio Interviews: BAYERN 2, BYTE FM, DEUTSCHLANDFUNK, RADIO SUPERFLY (Wien)
- Exhibition Acud Berlin, IFA (Institut für Auslandsbeziehungen) Stuttgart

About Seismographic Records:

Seismographic Records is a label for global hybrid music, run by Martin Georgi (Quiet Elegance Records). «Seismo» deals with connections of local and international sounds, of cultures and epochs far apart. It wants to break through the boundaries of Western music history and focus on the unheard. On currents that have so far been excluded from algorithms and streaming services due to their lack of market relevance. This is about the localization of new trend-setting centers in the Global South. In this way «Seismo» wants to make visible the potential of a decolonized music development. Music takes on the function of a seismograph. It is a sensitive instrument to register social transformations.

The focus of the label is on the production of vinyls and their distribution on the global market. The pressing makes the projects materially tangible. The productions are preceded by a close collaboration with artists, researchers, designers, and journalists in order to explore the cultural and historical contexts of musical trends and to make them audiovisually accessible. Texts, graphics, and videos are used to illustrate the background and contextualize the music. Seismographic Records also collaborates with cultural institutions in order to provide a platform for the projects in the form of exhibitions, concerts, radio broadcasts and to anchor them in cultural discourse.

TRACKLISTS:

A1 - KIMPALA
A2 - OYO PROJET
A3 - SANI YA MBELE
B1 - TU ME YIMBA
B2 - PARANO


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3LP non-returnable!

Collectors Edition - Marbled Vinyl!

Format: 3x12” (Gatefold 180g)

Tracklist:
A1 Change Feat. Ricardo
A2 Rhythm Spirit Feat. Ricardo
B1 Rosie And Hannah House
B2 Smiling And Smiling... Feat. Haris
C1 How Can Something...
C2 Move Your...
D1 Give It To Me (Mix 1) Feat. Gideon Jackson
D2 Give It To Me (Mix 2) Feat. Gideon Jackson
E1 Love Tiger
E2 Wobaza Feat. Haris
F1 Moving With Me Feat. Haris

Terry Francis stands as one of the original architects of acid tech house, a genuine pioneer whose influence shaped the sound and spirit of London’s underground scene in the 90s. From the seminal projects with Housey Doingz to his enduring tenure as a core resident at fabric, Terry has remained a constant and uncompromising force at the heart of the scene.

His contribution is impossible to overstate. Across three decades, Terry’s unmistakable sound, forward thinking approach and steadfast dedication have inspired artists across the globe. His work helped define an era and continues to resonate today.

Following a widely acclaimed run of reissues from the golden age of the early 2000s London underground, where the label was born, Sushitech Records now joins forces with Terry for a landmark moment, his first Sushitech LP, featuring various tracks from over the years alongside unreleased session recorded at Strange Weather Studios in 1999.

This special collection brings together eleven tracks, officially remastered from the original tapes and source material for the very first time. These are timeless productions, restored to reveal new depth, clarity and detail while preserving the raw energy that made them so vital and sought after, pressed on 180g vinyl. The release also features standout collaborations with Ricardo Afonso, Gideon Jackson and Haris, further cementing its status as an essential document of an era. A landmark collection, restored with precision and reintroduced in its fullest form.

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1x12“ BlackVinyl

Strictly limited to 500

GENRE/S: Melodic House & Techno

TRACKLISTS:
A1) Maxim Lany „Noise“
A2) Dimitri Andreas „Jungle circus“
B1) Robert Babicz „Soul traveler“
B2) Drumcomplex & Frank Sonic „Solar“

SHORT INFO:
Systematic Gent EP brings together four distinctive cuts from artists who each embody a different shade of the label’s sound. For this special various-artists release, Ghent-based Maxim Lany delivers the deep, driving, atmospheric and immersive “Noise”; Dimitri Andreas adds rhythmic drive and tribal energy with “Jungle Circus”; Robert Babicz contributes the hypnotic, progressive and emotive “Soul Traveler”; and Drumcomplex & Frank Sonic round out the EP with the powerful, forward-moving techno gem “Solar.”
Released on 12” vinyl, Systematic Gent EP arrives in perfect sync with the label’s showcase at Wintercircus in Gent on May 8, 2026, creating a direct link between the music on wax and the energy of the dancefloor. With a tracklist that balances atmosphere, groove and peak-time impact, the EP captures the essence of Systematic’s sonic identity while celebrating a special night in one of Belgium’s most exciting cultural spaces.


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Format: 2x12“LP

Tracklist:

A1 CATCHING LISBON
A2 DO IT AT YOUR FUNERAL
B1 LOCAL VAMPIRES
B2 VERSION YOU
C1 WITH DAZE
C2 ISN’T MEASURED ISN’T MANAGED
D1 BEST BEFORE BENJ
D2 ODE TO STREET HASSLE (FEATURING BENJAMIN FREENEY)
D3 SIMENON BRIEFLY

Info: New album by Bruno Pronsato / 2x12“ vinyl.

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LP

Special remarks: 180g

Tracklist:
A1) Intro / Sprouts 00:03:00
A2) Longitude 00:07:29
A3) Nacre 00:01:58
A4) Chives 00:06:22
B1) Bupi 00:02:05
B2) Slant 00:04:15
B3) Loops 00:01:51
B4) Tenki Ame (feat. Manami Kakudo) 00:04:35

Info:
Damian Dalla Torre returns with People Pleaser, a record shaped by movement, collaboration and an ever-deepening relationship with sound as environment.
The Leipzig-based multi-instrumentalist, composer and producer first found wide attention with his 2022 debut Happy Floating, and his subsequent album I Can Feel My Dreams was named the #1 Contemporary Album of 2024 by The Guardian, an accolade that broadened his audience and deepened confidence in his evolving voice. That second album, written between Europe and South America, opened unexpected doors and took Dalla Torre to stages across New York, Japan and Italy. “When you release music, it’s very intimate,” he reflects. “You show your emotions pretty raw. I was kind of scared. But getting so much positive feedback gave me a lot of self-confidence to try out more.”

People Pleaser begins in that quiet shift of confidence.

The title stayed with him for months before he committed to it. “It was a working title for a long time,” he says. “I didn’t actually think I would use it. But this term also felt somehow relevant in connection with the phase of self-negotiation during the development process. Some aspects are related to pressure, others are positive.” The ambiguity felt right. Rather than presenting it as a statement, Dalla Torre leaves it open, an invitation rather than a confession.
At the centre of People Pleaser is collaboration. Guitarist Bertram Burkert, whose playing stretches from classical delicacy to electric abstraction, joined Dalla Torre in the studio for an intensive three-day session, recording a wide palette of textures that would become the backbone of the album. Vocalist Laura Zöschg, a key live collaborator, harpist Babett Niclas, organist Felix Römer, tape experimentalist Markus Rom, marimba and vibraphonist Volker Heuken and Japanese artist Manami Kakudo also contribute, creating a sound that feels intimate yet expansive.



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Tracklist:
A Vronsky – Boucle01#
B1 Vronsky – Hospital08#
B2 Vronsky – Channel Basic

SHORT INFO:


BIO:

Benjamin Vigneron, also known as Vronsky, was born in 1991 in Aix-en-Provence,
France.
As a Teenager, drawn simultaneously to Visual Arts, Cinema and Music
production, he made his first contact with Techno by working for a local club
as a graphic designer.
During his 20s, while living between Montreal, Canada and Marseille, France,
it was revealed to Benjamin he suffered from a heavy bipolar disorder. As a
reaction, he started losing himself in free parties and increasingly dangerous
habits.
Gradually learning to love himself despite his flaws, he kicked his risk-taking
after he realized the love of music prevailed over anything else.
Equipped with a strong desire to share his vision despite not being able to
perform as a DJ, Benjamin started a youtube channel and a collective named
Listening Blue.


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