Right now, right this second and of course right this moment while you listening to it or even while reading this line of text may be witnessed the real royalty of the underground of Thailand - DOTT. Pakarapol, the mastermind behind this release has made his name in concrete actions towards the development of the local and international scene whether it’s to play sweaty basements or grand festivals, releasing quality music or being one of the driving forces behind the record store called “More Rice” which is located in the heart of the capital city - Bangkok. On the title track of the release there has been intensive remix work done by the Uruguay’s own diamond level producer Luis Malon. Luis has brought his view and vision of how things are done and has flawlessly executed this doing so. With this Thai - Uruguayan connection the release is born for our ears and souls to indulge in and of course without any doubt to raise that dust from the floors, roofs or any given surfaces once the low ends of the record starting to give off its vibrations.

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Tracklisting
A1 DOTT - Small Talks, Big Action
A2 DOTT - Small Talks, Big Action (Jamahr remix)
B1 DOTT - Helper On Holidays
B2 DOTT - Laidback Spacing

Sales Note
Captea opens the door to the asian wizard DOTT.
Highly respected artist in the oriental electronic scene, even here in Europe, his name has been echoing in many of the most famous spots such Houghton festival, Vbx and many other top parties.
He will be the first artist to release an EP on the label:
consisting of three tracks ranging from minimal to quality tech house, and for the occasion the rmx of the label owner Jamahr.
Don't miss catalogue number six of the Captea series.

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An EP packed with slicing hats and dynamic basslines, Sense of Tension is a perfect collection of dancefloor grooves from Thai producer DOTT.

Opening track ‘Sense of Tension’ combines moody basslines with floaty driven chords whilst flaring hi-hats cut seamlessly throughout. The title track moulds between minor dreamy chords and high cut synths creating a divine level of contrast which sets any dancer's pulse raising. On A2 ‘Among the Lines’ sees DOTT take the tempo down a pitch, bringing a cerebral quality to his music as detuned synths float alongside driven claps and tranquil vocal samples. On the flip side DOTT opens with ‘Detuning Your Mind’, adding a minimal influence to the music with complex driven kick patterns and dynamic jazz samples wash throughout. B2 brings in Boulderhead, a Bristol based producer who adds a funky flip to ‘Detuning Your Mind’. Boulderhead who has a string of well received releases on labels such as Craigie Knowes and Rhythm Section holds nothing back on the remix - delivering a grooving base and euphoric set of synth lines to the track, sure to make any dancefloor move.

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More Rice returns with its ninth release and second vinyl drop of the year, delivering a heavy-hitting EP from label co-founder Sarayu. The Don. Mueang. marks his first full solo release on the label since 2021, reaffirming his distinct voice in Asia’s underground dance scene.

The A side features two peak-time weapons: no nonsense, bass-driven influenced techno rollers built with the dancefloor firmly in mind and straight to the point.

On the flip, trusted More Rice regulars step in on remix duties. O-Wells reimagines Don Vito Bingus with a warm, rolling take that leans into house and tech house territory, giving the track a smoother, hypnotic swing. Mogwaa closes out the EP with his Fiesta Mix — an electrified, rhythm-forward version that does exactly what it says on the tin: it bangs.

As always, all tracks made for the dancefloor.

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More Rice is back with their 7th release, “Double-O-Seven”, the first split EP between More Rice head honchos DOTT and Sarayu. The Ep showcases the artists’ own way of interpreting the acid bassline.

The A-side Bullets On The Floor is built on DOTT’s signature basslines on a 303 with a moving atmospheric background texture throughout the track, combined with haunting noises and melodies from his trusty Prophet 6. Pricey Drive Down was made with the same foundations and instruments, with the idea of creating something different with the same timeframe.

On the B-side, Sarayu’s 4am Sci-Fi features a prominent arpeggiator throughout the track together with a rhythm created from a sequencer. A surprise on the second drop included, one for the dance floor. On B2, a trancier track of the EP, comes with rolling acid basslines with drums that keeps the tracks moving.

Made for club use!

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More Rice returns with their first release of 2022, after a busy year of opening their Record Store with Thai artist Chalo. Remaining true to his engineering background Chalo weaves between a realm of atmospheres in this latest release, Anemoia EP. Comprised of distorted snares, emotional roaring basslines and rolling breaks. Release comes equipped with a remix from Planet Euphorique’s D. Tiffany.

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More Rice returns with their fifth release, this time with Doildoshi AKA Go-Dam a producer hailing from South Korea known for his versatility and diverse sounds. "Invisible Threat" offers four heavy hitters for the dancefloor, including a remix from Klasse Recordings' Luca Lozano.

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_NRV is back with some fresh, off-kilter rhythms from newcomer Me&MyDog, delivering a deep and hypnotic take on breakbeats and groove-driven experimentation. With _NRV005, Me&MyDog fuses rolling low-end, skittering drum patterns, and atmospheric textures—built for late-night sessions and deep selectors. The record moves seamlessly between breakbeat-driven movement and rhythmically rich explorations, keeping things raw and understated while bringing a fresh, groove-heavy approach to the _NRV catalog.

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Take a seat aboard Venetia's spaceship and begin your electronic journey with his debut EP.

The ride begins with 'Camel' and its purring bass that, for the more attentive, may remind you of an old tune. It continues with “Jet” and its bewitching melody and sweet acid notes.

For the second stop on the voyage, there's 'The Mind', a powerful track blending vocoder and aggrandizing bass. The journey comes to a close with 'Shangri-La Disco', a startling and disconcerting track that can easily put everyone on the same wavelength on a dancefloor.

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Manchester via ten years in Berlin and now residing near the city of Porto in Portugal - prolific house DJ and producer SY joins the Slump Recordings family for the eighth escapade; a trip through progressive, groovy house music - two tracks that encompass the core ethos, cheekiness and nostalgia of the label. Bolstered with a stunning, balearic twist, Baldo reworks the A-side with a percussive pulse and hypnotic groove. B-side ‘Perceptions’ receives a London-centric remix from the label’s owner Baby Rollén - switching the flow of metric beats with syncopated breakbeats and wriggly acid leads!

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2025 kicks off a new year with a new artist for Klasse Wrecks, it is with great pleasure we welcome Glasgow based DJ and producer Stevie Cox to our ranks. Stevie's second full length release is one of deep cerebral breaks and evolving technicoloured techno, 4 tracks that surprisingly weave an already defined and recognisable sound from the young artist. Dont expect over-thought and over-cooked musings though, Ms. Cox keeps it fresh, to the point and relevant with most tracks clocking in around 5 minutes. There is enough playfulness to keep the gurners smiling and enough well-thought out drumwork to keep the feet moving, this tight selection will most likely find its way into a variety of record bags during its lifespan.

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Tracklisting
A1 S.O.N - Angel’s Whisper
A2 S.O.N - Limitless
B1 S.O.N - What About Now
B2 S.O.N - What About Now (Techu remix)

Sales Note
The new Memoria Recordings is from S.O.N with a kick-ass remix from Techu.

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"After a first appearance on the "Various 1" EP, Oshana now makes her full release debut on Altered Circuits. The "Origins EP" is, in the artist's words, a collection of old-meets-new four-to-the-floor club flavours. Originating from her live set practice, it's a proper representation of where she's currently at: making a push for the bigger and bolder. Her obvious talent for meticulously stacking textures doesn't stop her from shifting to the stripped-back and straightforward when needed. The constant throughout is a sensibility for the dancefloor, which never lets anything get in the way of groove and rhythm. "Above We Soar" drops right into the action with a menacing bassline and equally gloomy synthesizer layering. The cut's gothic-black palette works a charm merging palpable tension with restraint. It builds for 4 minutes towards a drop - and then a slamming acid line succeeds in cranking the energy even up another notch. "Space And Time Dimensions" is a loopy roller which, by the sound of its reverb levels and ambient noises, might have been recorded at a missile silo. The stretched vocal samples and ever-evolving drums propel it forward in a vintage, Chicago house type way. There's a moment of calm when those briefly fall away; one of its quirky basslines subsequently makes room for a slick little polyrhythm sine, and everything clicks even more. On the other side, "Girls In The Front" doesn't loosen the reins either, as hefty kicks and another sturdy bassline immediately set the tone. The air appears charged with static electricity, and Oshana's way of niftily adding and subtracting seamlessly draws the listener into a groovy trip. 5 minutes fly by, and then the lead still has to emerge. The one that eventually comes in is huge and hypnotic. Topped off with a selection of vocals that burst with impatience, the track hints at the anthemic. Closer "Origins" taps into a more progressive and trance side with its modulated formant bassline, jittery arpeggiator lead and heavily flanged flourishes. A gust of electronic flutes and sleek chords take a turn for the - almost - idyllic. Not for long: not uncharacteristically, it switches back to the main beat and back into more ambiguous yet familiar territory."

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R.A.N.D. Muzik Recordings welcomes Leipzig based, Eira Haul to the label for an EP of diverse tech house cuts.

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4 Killer Cuts. First time on Vinyl and in Stereo. Keep it real !

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Bristol-based, vinyl-only imprint Sex Tapes From Mars continues its voyage through the cosmos of underground electronic music with Suburbia head-honcho, Cam Stockman.

His latest EP, “All Juiced Out”, is a raw, hypnotic four-tracker, and deep-dive into the world of vintage analogue synthesis, acid-drenched basslines, and sensual vocal hooks - a bold statement from an artist unafraid to push boundaries.

Opening with “Dreams In The RS,” Stockman sets a sharp, pacey, retro-futuristic oxymoron tone, blending dreamy swirling pads and bells, with driving, squelchy rhythms.

The momentum builds and bellows with “Chicktikka,” a frenetic fusion of skittering percussion patterns, infectious bass grooves, and sexy vocal cuts.

The evocative “Useless” offers peak time energy, with its shadowy atmospheres and bubbling synth tinkers, before the EP culminates in “The Acceptance Speech” a euphoric and deeply layered finale that encapsulates the full space-age emotional spectrum of the release.

“All Juiced Out” is a testament to Stockman’s mastery of analogue textures and his ability to channel rousing emotion into the diverse language of techno. Dropping now on heavyweight vinyl, it’s a must-listen for fans of punchy rollers and Bristol’s ever-evolving sonic underground. To summarise simply, each track here presents an uncompromised dance floor bomb - not to be missed!

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Club Dream is an exclusive Daydream sideproject dedicated to pumpy uplifting house. The first volume has been crafted by a long time friend and member of the crew, Mbius. The Leipzig based producer delivers three timeless cuts full of energy in a progressive synth laden vibe. The whole is completed by a solid rolling remix from the great Christopher Ledger.

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