Tracklisting
A1 Unknown - Insomniak
B1 Unknown - I Knew Atlantic

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Remastered and Re-cut

This sought-after release is finally available again after two years.

Featuring a massive edit personally approved by Ricardo Villalobos – a true seal of quality.

One-sided 12-inch white label, hand-stamped look for that underground collector’s touch.

Pure vibes.

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Tracklisting
A1 Unknown - 93 Till infinity
A2 Unknown - On & On
B1 Unknown - Miss Fat Booty
B2 Unknown - Big Poppa

Sales Note
- 2025 repress -

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EEE is back with another unstoppable house banger to keep the party going all night!

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From the Devine to the downright deranged...

This record has something for all the daring DJs out there!



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deep dubtechno for contemplative explorations

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Digwah is back, expertly placing samples where they belong to craft cutting-edge tech house grooves designed for the modern dance floor.

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Straight Outta Belpaese, MORE disco – exotica – balearic- Italo-funk for the demanding digger!!!

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Experience the groove of RESPECT with their latest white-label release. Two fantastic edits packed with rhythm and energy! It's a sure hit on any dancefloor.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Remastered and Re-cut

This sought-after release is finally available again after two years.

Featuring a massive edit personally approved by Ricardo Villalobos – a true seal of quality.

One-sided 12-inch white label, hand-stamped look for that underground collector’s touch.

Pure vibes.

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DE - 22113 Hamburg
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EEE is back with another unstoppable house banger to keep the party going all night!

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EEE work it with another sample heavy house hitter to get the party started!


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EEE cook up another three-course serving of sample heavy heaters, doused in spice and loaded with a serious punch.

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Steppin up, steppin in, EEE serve up another sample twisting, house heavy hitter to get the party rockin!

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Takin it back to the old school, EEE return sampling another great from days gone by, working it into a house leaning warper.

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Cheeky little edit of a stone cold classic for the dancefloor……..

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Repress!
EEE are back at it again, taking a 2000's RnB vocal you thought you knew, but you ain’t never heard in this context. Bumping synth heavy roller territory made all the more seductive with that naughty RnB flex.

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Repress!
Just one look at you…and I know it's gonna be….a lovely day!"

EEE supplying a certified slice of summer sun with a raucous roller sure to get any party going. A marriage you never thought would happen like this but ticks all the right boxes with a swag in the step.

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EEE are back with another instant head turner, coupling a minimal, sub bass roller with a sampled ‘60s vocal that works oh so well with a shuffling beat behind it. The hype is already at boiling point on this one, so be quick on the trigger when it lands.

12 inch, one sided white label, handstamped and pressed on 180G vinyl.

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You know the score by now, a ridiculously weighty minimal house beat married with a head turner of a vocal sample to get those lockdown minds melting. That combo has been nailed once again, with another melting pot of sub bass goodness and a classic vocal you never thought you’d hear in this way.

12 inch, one sided white label, handstamped and pressed on 180G vinyl.

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A1 – Unknown

The EEE crew are back with another headspinner that is destined to do the business. Sweeping minimal rhythms, deep pads and heavyweight bass coupled with an ethereal vocal in signature EEE style, buy on sight!

12 inch one sided white label, handstamped and pressed on 180G vinyl

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Repress!
Ain’t no rest for the wicked! EEE show no signs of letting up with another masterful melding of styles, taking a jazz classic and flipping it into one of their trademark sub heavy rollers. Sure to turn heads the world over.
As always – one-sided, 180g, hand-stamped gear.

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The mysterious EEE crew a back with another late-night techy roller, full of that sub bass and crisp percussion alongside a perfectly placed vocal sample you never thought could work this way. Every EEE release so far has done the business quick time – don’t sleep!
Early support from East End Dubs & Enzo Siragusa
As always – one-sided, 180g, hand-stamped gear!


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Glitched out, sub bass roller from the masterfully mysterious EEE camp with a warped noughties vocal for good measure. The previous four releases have flown out of the racks – don’t sleep!
Heavy support already from the likes of Raresh, East End Dubs, Barac and Priku.
As always – one-sided, 180g, hand-stamped gear!


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Fourth in this EEE series, following three outrageously good and well received records to date, sees another one-sided, hand-stamped bomb. The artist behind it, as always, is being kept under wraps but there's no hiding the fact that this is some seriously heavyweight club ready business.


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Chances are you've already heard this track being played by Zip or Riccardo; It's been causing some damage on the dancefloor for almost a year now. And now it's finally available on wax. One sided 180g vinyl with a hand stamped label.


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All killer, no filler type biz as Naarm hardware donny Furious Frank makes his Oyster Cult return.

Strictly dancefloor wreckers from beginning to end. Girder-strength rhythm and driving, direct torque on the menu as Frank opts in favour of club-ready ordnance. Those with a taste for the rough n’ ready have never been in safer hands.

He’s bringing the heft like it's going out of style while keeping true to sci-fi and hallucinatory tendencies. Future-proofed forays into acid and trance backed with some of the toughest breakneck groove you’re likely to hear this summer. Darting synths, flourishes of 303; all the good stuff.

Dealing damage from the controls of his drum machine, urgent basslines and lacerating percussion are primed for maximum impact. Quintessentially Furious."

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Jerome Hill returns with his 5th full EP on the label to warm you up for winter and it’s maybe stylistically, his widest offering yet.

A joyous mash of influences collide and Hill spits them out of the blender with some typically unexpected curveballs.

From the strikingly moody break beat acid of The Warning, to the 8 minute long extended Disco workout of ‘Harlseden Shuffle’. Then on the flip side, a reliably gnarly wedge of Technoey Acid House in ‘Combustion Zone’ and the EP culminates with a tip of the hat to mid nineties House with the rumbling bass and catchy percussion of ‘House Thing’.

Its obvious Jerome’s having fun with this EP and hopefully you will too !

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Risk/Reward is the brainchild of New York based, London-born underground music scene veteran and Archivio Records owner Daniel Dutts. The label fuses leading contemporary artists, with iconic 90s producers to create a playful yet sophisticated sound, firmly focused on creating dance floor magic! The first EP showcases rising Philadelphia talents Post Play (Sweater & John Raffaele), whose previous excursion on Small Moves became a much sought after cult classic. Danger is what’s commonly known by DJs as a “sure thing”, guaranteed to get the most stubborn of crowds moving. A cheeky bass groove, quirky stabs, hip hop breaks and scratched vocals, create a vibe best described as “if DJ Premier made a track for Wiggle in the late 90s” Go blends vintage Nu Groove style NYC house with progressive and techy elements to create a unique dancefloor monster. warping speed garage style sub bass combines with punchy stabs, lush pads, trippy synth leads and skippy, swinging drums, creating an atmospheric but driving track, that keeps you guessing til the very end. Bushwacka! channels his Plank-era heyday to create a remix of Danger that delivers multiple “what the f#%k was that?” moments, as he takes you on a breakbeat voyage with crisp percussion, devastating low end, hypnotic ragga vocals and a didgeridoo no less! A reminder of the man’s genius and genre-defining sound. What I Meant To Tell You merges warm, J Dilla style sampled chords, with punchy 808s, a deep and warm bassline, dreamy pads and enchanting male/female call and response vocals. Perfect for a warm up or deep in the afters. With heavy support from the likes of Dyed Soundorom, Tini, Harry McCanna and more, the Post Play boys are ready to add another buy on sight record to their growing discography.

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_NRV is back with some fresh, off-kilter rhythms from newcomer Me&MyDog, delivering a deep and hypnotic take on breakbeats and groove-driven experimentation. With _NRV005, Me&MyDog fuses rolling low-end, skittering drum patterns, and atmospheric textures—built for late-night sessions and deep selectors. The record moves seamlessly between breakbeat-driven movement and rhythmically rich explorations, keeping things raw and understated while bringing a fresh, groove-heavy approach to the _NRV catalog.

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More Rice Co-Founder DOTT returns with his first solo EP on More Rice since MR002.

One the A-side Semitone Revolution brings a groovy repetitive bassline with an unpredictable transparent rhythm with a combination of different sounds and a quirky sequence that makes it a dancefloor track for many occasions. One Foot Forward, not a typical Tech-House track that uses detailed sounds and interesting swing. The original track is accompanied by a remix from groove addict Sweely, adding that Sweely touch, making it playable at almost any time.

On the flip side, About Quality Time, DOTT shows off his signature bassline with his interpretation of House music with his groovy rhythm, a track that truly combines after hours and peak time. About Quality Time comes equipped with a remix from Mr_Barcode or Jay Tripwire, putting a super trippy spin on the original track.Sleep deprivation is the secret sauce to his sound.

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‘Ice Cream Dream Boy’ serves as a celebratory anthem, an ode to manifesting dreams into reality, and a testament to Shanti's knack for creating infectious and uplifting dance music as she explains: “I wanted to make a happy and uplifting vocal summer tune and I just so happened to be in the peak honeymoon romance period with my now partner (The Ice Cream Dream Boy). He had discovered my love for soft plush toys and decided to buy me a cute little fluffy Jellycat Ice Cream so when I made the instrumental I felt insecure and unsure about what lyrics to write, so I just decided to sing about what I was currently experiencing in my life. I had been a fan of Shivum Sharma for a while and I had just done a remix for his amazing song '7am', so after establishing a cute lil connection I thought I’d ask him to help me write the song as I was very new to writing lyrics!”

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Sharam Jey pres. Stressmann – House The Party © 1996 Friends
Cle Acklin – No Need To See (Main Mix) © 2003 Soundproof Music

2 tracks.
45 RPM.
It’s a steal!

Compiled by Rey Colino.
Mastered and Cut by Marco Pellegrino.
Design by AJAM.

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Collectors Edition, Clear Vinyl!

After two years in the making, the long anticipated Per Hammar album on Sushitech is finally here!

Presented as a beautifully crafted triple vinyl LP, the album is a deep journey into Per Hammar's refined dub techno sound, seamlessly blending classic Sushitech aesthetics with a modern, elegant touch.

This record perfectly embodies the label's signature balance between immersive club music and deep, textured home listening, delivering a rich sonic experience full of depth. The production is warm, expansive and hypnotic, merging intricate sound design with
flowing organic tech driven grooves.

A stone-cold classic in the making and a fitting way to launch the label's 20th anniversary celebrations.

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After a long break in April 2024, two old friends returned to their studio in Helsinki, Finland. The emerging music appeared to be quite different from the duo's previous work, so they felt a need to have a new name for the project. That's how General Electrix was born. During the next months, a series of meaningful coincidences occurred. As a result four tracks found home on a new record label Secret Order.

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"After a first appearance on the "Various 1" EP, Oshana now makes her full release debut on Altered Circuits. The "Origins EP" is, in the artist's words, a collection of old-meets-new four-to-the-floor club flavours. Originating from her live set practice, it's a proper representation of where she's currently at: making a push for the bigger and bolder. Her obvious talent for meticulously stacking textures doesn't stop her from shifting to the stripped-back and straightforward when needed. The constant throughout is a sensibility for the dancefloor, which never lets anything get in the way of groove and rhythm. "Above We Soar" drops right into the action with a menacing bassline and equally gloomy synthesizer layering. The cut's gothic-black palette works a charm merging palpable tension with restraint. It builds for 4 minutes towards a drop - and then a slamming acid line succeeds in cranking the energy even up another notch. "Space And Time Dimensions" is a loopy roller which, by the sound of its reverb levels and ambient noises, might have been recorded at a missile silo. The stretched vocal samples and ever-evolving drums propel it forward in a vintage, Chicago house type way. There's a moment of calm when those briefly fall away; one of its quirky basslines subsequently makes room for a slick little polyrhythm sine, and everything clicks even more. On the other side, "Girls In The Front" doesn't loosen the reins either, as hefty kicks and another sturdy bassline immediately set the tone. The air appears charged with static electricity, and Oshana's way of niftily adding and subtracting seamlessly draws the listener into a groovy trip. 5 minutes fly by, and then the lead still has to emerge. The one that eventually comes in is huge and hypnotic. Topped off with a selection of vocals that burst with impatience, the track hints at the anthemic. Closer "Origins" taps into a more progressive and trance side with its modulated formant bassline, jittery arpeggiator lead and heavily flanged flourishes. A gust of electronic flutes and sleek chords take a turn for the - almost - idyllic. Not for long: not uncharacteristically, it switches back to the main beat and back into more ambiguous yet familiar territory."

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