Feel the Magic, the latest EP from DJ Paradiso released under the Tranceatlantyk label, is a radiant tribute to the golden era of Eurodance and early ’90s rave culture. The five-track collection bursts with high-octane rhythms, euphoric synths, and infectious melodies that transport listeners straight to the heart of a neon-lit dancefloor. From the opening track “MYB to the Beat,” with its punchy tempo and catchy vocal snippets, to the blissful tones of “Feels Like Heaven,” DJ Paradiso crafts an atmosphere brimming with nostalgia and joy. Each track is a carefully constructed homage to the spirit of carefree rave nights, rich with shimmering pads and driving beats.

The second half of the EP ventures deeper into the dancefloor’s hypnotic side. “Magic Shine” offers luminous arpeggios paired with an upbeat pulse, while “Underground” dives into moodier territory, layering darker grooves beneath an entrancing rhythm. Altogether, Feel the Magic balances retro homage with modern clarity, offering a feel-good yet dynamic journey through sounds that once defined a generation of ravers—and now, through DJ Paradiso, feel excitingly alive again.


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TRANCE ATLANTYK is dropping some serious heat with the upcoming release of EARLY ZEROS, the latest EP from label founders PANKOFF & DJ VARIUS TRAX. After experimenting with some polish vocals on their “Sound of Poldon” debut EP, the duo serves us this time a modern high-energy tribute to the early 2000s—an era when progressive house and trance ruled the dance floors.

The EP kicks off with "Early Zeros," a track that’s pure nostalgia wrapped in a slick, modern package. Think of it as a sonic time machine, zooming you back to those legendary nights when the bass was thumping, and the vibe was electric. It’s got that uplifting, feel-good energy that’s impossible to resist.

Next up is "Schemes," a track that’s as deep as it is groovy. This one’s all about the journey, with layered beats and hypnotic rhythms that build and evolve, taking you on a ride through the trippy side of progressive house and early trance music. It’s got that classic, boundary-pushing vibe that’ll have you lost in the music.

On the B side the duo slows down the tempo with the track “We Can Rebuild Him” that pays homage to the 6 Million Dolar Man, one of Pankoffs favourite TV series. Piercing cascading synths, a driving bass line and some breakbeat percussion thrown into the mix make this one a great choice for the eclectic dj’a out there.

And just when you think it couldn’t get any better, Bliss inc steps in with a remix of "We Can Rebuild Him" that flips the script in all the right ways. This remix increases the tempo of the chuggy original and transfoms the track into a stomping peak time banger that some might label as furious progressive tech trance.

EARLY ZEROS isn’t just an EP—it’s a party, a flashback, and a forward leap all rolled into one

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"Synesthesia" by Erdmann marks the third release under the Trance Atlantyk label, a burgeoning entity emerging from the vibrant music scenes of Berlin and Warsaw, formed just last year. Hailing from Poland's dynamic electronic music landscape, Erdmann is swiftly making a name for himself with his innovative fusion of progressive house, proto trance, and techno. Renowned for his ability to craft immersive sonic experiences, the producer enthralls audiences with his ethereal melodies, pulsating rhythms, and evocative atmospheres. His debut vinyl release, the four-track EP "Synesthesia," offers a transcendental journey through both space and time.

Opening the EP is "Re-Experience," a hypnotic dance anthem boasting a pulsating bassline and ethereal melodies. This track cleverly utilizes familiar dance music motifs to deliver a pristine example of modern progressive house. "The Dolphin Track" plunges listeners into deeper waters, its slower tempo enveloping them in a sea of shimmering synths and entrancing rhythms reminiscent of trance's early days. Next, "Inside Your Mind" delves into the psyche's inner workings, navigating the labyrinth of the subconscious with haunting melodies and tantalizing vocal snippets. Its mesmerizing allure blurs the boundaries between reality and imagination, all while retaining its irresistible dancefloor appeal. Concluding the EP is the titular track "Synesthesia," a sonic odyssey seamlessly blending progressive house and proto trance elements to create a deep, enthralling peak-time anthem.

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Lukasz Seliga needs little introduction to anyone even roughly following Poland’s dance and electronic underground, as his contributions – as a live performer, producer, remixer or DJ – embellished the better part of its story. Between his solo endeavours under the slg moniker, and projects such as Casiopepe or Seltron 400, he has long traversed genres and sounds, aptly and joyfully, always staying true to his distinct musical vision rather than being prompted by periodic shifts of fancy.

On Sideways, his newest EP outing for Trance-Atlantyk, Lukasz appears under his own name – Seliga – for the first time, thus restating his identity and underlining the honesty of his craft. In a time when dance music tends to be driven increasingly by nostalgia, Seliga takes but a sip, ultimately eschewing it. As a result, the music we hear is more of a direct expression of his own abiding purpose – a lived, rather than re-lived experience, an auditory utopia, sung in a language the artist is deeply anchored in, but whose expressive qualities he seeks to enhance, and not simply exploit.

Across the EP’s four tracks we are treated to impeccable, entrancing house riddims – masterfully executed, with subtle, yet meaningful nods to dub and ambient, and echoing inspirations such as The Orb, Andrew Weatherall’s remix work and the early Warp catalogue. Driving and soothing, kinetic and cordial, refreshing and utterly danceable, these four tunes succeed in conveying a unique sense of the melanphoric – and this is precisely what makes for their delicious seligability.

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The legendary London based Get Fucked is set for highly anticipated reissue, bringing back two timeless classics and sought after tracks from the early 2000s. This special edition features a meticulously remastered version of the classic Charlie's Knickers, alongside a previously unheard take on Nils Hess' Alcohol Is My Favourite. Expertly restored and reimagined by the revered reissue series Endell Street, this is a pure gold collector's number.

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Techno legend Cari Lekebusch debuts on Mind Medizin with an 8-track double pack of underground Techno.Stockholm-based sound architect Cari Lekebusch has helped to shape the sound of the underground over the last two-plus decades. He has long been at the heart of his native scene alongside peers such as Adam Beyer and Joel Mull and heads up his own H. Productions label while also serving up his timeless sounds on cultured outlets such as Drumcode and Planet Rhythm. Opener 'Mind and Matter' opens with quick, compelling drum programming and trippy synth details peeling off thebeats. Muttered vocals bring a dark intensity as the percussion also adds layers of tension. The fantastic 'Freakout' isanother classically inclined and linear techno banger with thudding kicks and futuristic synth lines weaving in and outof the beats. There is no let-up in the pressure with the excellent 'Ninguno es Uno' keeping it deep, driving and late night, this time with squelchy acid lines adding character. 'Heritage' shuts down with a hypnotic blend of shimmering cosmic synth lines and pulsing deep techno drums that keep the mind and body fully locked in. This second half kicks off with 'Cause and Effect', a bustling blend of scuffed-up kicks and snares, glitchy hits and jangling synth sounds that bring great looseness to the driving grooves. The funky 'Handkante' delivers flailing percussive patterns and wisps of synths that spit out of the mix next to a drunken synth lead. 'Strulgubbe' keeps the pressure on with more muscular drums, this time underpinned by darker bass and unsettling synth twangs. The fantastic closer 'Tuli Taivaalla' offers up a serene sound that is backed with sustained chords and marbled with edgy vocals.

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Nothing but nice returns with the fifth slice in the series from co-head honcho James Andrew. Doing what he does best, the record showcases his distinct blend of house, tech house and garage with a bit of dubby deepness thrown in for good measure. Nicely!

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When DJ Life gives you lemons, press ‘em on vinyl. 4 zesty tech house nuggets bringing the swing and vitality in a big way.

Keeping it widescreen throughout and the percussion pulls focus. At times slick and sultry, at others more ominous and ill-tempered, we’re dishing out high-velocity dynamics across four distinct trax. Constantly nudging towards the peak-time, but with plenty of breathy sensuality and dappled melody as he flexes a detailed, sound-sensitive approach.

Drums, drums and more drums. You know the deal by now: direct torque in full effect as we traverse the rugged, funked-out and percussive. Plenty of trippy flourish for good measure too, from humid fusions of rainforest FX and hallucinatory detail to light trail synths punching through inky abyss.

It all recalls Terry Francis’ and his Housey Doingz project at the peak of their powers. Big stabs, big forward momentum. Think the golden era of their Wiggle parties circa 1999.

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The Dutch Electro Funk end boss is back. Starting of with the 2000 bombshell 'I Don't Care' in the deserved remaster on his own new imprint Dektreks.

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Vince Void lands on Haws with 'Mind Illusion' - four tracks that bend time, drifting between the haze of ‘90s progressive and a future still taking shape.

Gliding amid dreamy euphoria and shadowy introspection, the record moves with purpose but never in a hurry - warm chords dissolve into swirling pads, basslines pulse with quiet determination, and hypnotic rhythms stretch out like half-remembered dreams. A soundtrack for open skies and late-night reflections, built on the idea that the best things can’t be forced.

Good things take time - just let it unfold.

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Electronic, Techno, Acid

This reissue of ENV001 "Premise EP" is remastered from the original tapes and features the original artwork by Todd Sines. Featuring a remix from The Connection Machine, the 1995 EP was recorded in Ohio and originally mastered inDetroit by the legendary Ron Murphy. The release marked the end of four years of Geist living the midwest and his return to the metro area of New York City, a dramatic shift that would soon be reflected in Environ's sound.



In 1994, with only a single 12" in his discography, Morgan Geist decided to start his own record label. His debut on Dan Curtin's Metamorphic label was inspired by the sounds of Detroit techno and Chicago house. But Geist was equally fascinated by UK imports from labels like Warp, B12, and ART. He sought to combine these inspirations on the first release of his new label, Environ. Featuring a remix from The Connection Machine, whose unique "Bitflower" was released the year before on Carl Craig's Planet E, "Premise EP" (1995) was recorded in Ohio and mastered in Detroit by the legendary Ron Murphy. The release also marked the end of four years of Geist living the midwest and his return to the metro area of New York City, a dramatic shift that would soon be reflected in Environ's sound. This reissue of ENV001 "Premise EP" is remastered from the original tapes and features the original artwork by Todd Sines.



Tracklist

A1. Morgan Geist - Sands
A2. Morgan Geist - Airpour

B1. Morgan Geist - Smear
B2. Morgan Geist - Smear (The Connection Machine E-mix)

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green trax vol. 2 is the second collection on trip of classic material from steve o'sullivan's green label, originally recorded between 1996 and 2005.

these tracks capture steve's unique approach to minimal techno, heavily influenced by the innovative sounds of robert hood, jeff mills, and terrence dixon.

recorded live in one take directly from the machines, this collection embodies raw, unpolished energy - a tribute to the spontaneity of studio experimentation. several of the tracks included were previously released on green and recontextualised for trip.

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Boulderhead is back on TSOL with another instant classic. If 'Bread Butter Noodles Spice' didn't cement him as one of the most singular voices in house music, then 'Dancing Rain' surely will. It features another iconic vocal paired with far-out sounds and an arrangement that will always keep you guessing. The four other tracks are all equally well tuned, displaying his modular wizardry, and a unique dancefloor sensibility. It's an unmissable EP.

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