Ecstatic Northern techno from Evigt Morker! Restless with giddy excitement and fidgeting through candescent swells, Evigt Morker's latest EP deploys a familiar, playful edge to degrees that were only hinted at in previous excursions. Ecstatic polyrhythms compound the wealth of fizzy details into prudent club missions with a bright yet rugged edge. Quality stuff!

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Repress!
'Enande mane' is Evigt Morker's first release for Northern Electronics since his artful debut album, 'Krona.' The fizzy bliss of melancholia's brutal truths have rarely been explored this thoroughly by Evigt Morker until now. Though often riding the torque of his caustic moments with a playful, ebbing refrain, these four tracks lead with the elation.

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Total makt' is the molten new EP from Evigt Morker. There's plenty to be charmed by as the collection of tracks open out and tame our senses. Once the flirting fades, we are quite casually led down bumpy, aqueous routes into something, and slowly we are funnelled into Evigt

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Live experiments recorded by Varg in Hebbershålet 2012-2013
Remastered from tape by Giuseppe Tillieci at EnissLab, Rome
Artwork by Arvid Wretman
Originally released on Periferin in 2013


Sincere dysphoria is a disarming tonic, and 'Skaeliptom' is steeped in it, if not fortified by it. Quietly appearing on the Periferin label in 2013, Varg's debut recording presents with grave intent filtered through a pacifying melancholic haze. A remastered version now arrives on Northern Electronics.

Originally disclosed on cassette with a ziplocked excerpt of a cindered church, 'Skaeliptom' is a depressive tour of Varg's early experiments. As if bleached unconscious by northern winters, his touch is delicate and remote. Each track is gently struck into motion by a cadaverous reverb that prefigures the bare ensemble of instruments Varg employs. Militantly dejected, the short tether of melody to be found on 'Skaeliptom' is a brilliant funerary bloom that undoes corporeal restraints and authorises us to withdraw.

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“Sonically, the Swedish duo SHXCXCHCXSH distort the club context they work from by rendering functionality with an exceptionally refined and idiosyncratic palette. As logophiles, they contort the little descriptive context they afford audiences by imploding language into splintered and barely comprehensible character sequences. The impression is that each is the result of mutual process-driven experiments.
This is all true of '......t', their new album and debut recording for Northern Electronics. However, working at this scale, SHXCXCHCXSH play with wider parameters and explore broader functions to produce their most comprehensive and focused work to date.
Across fifteen tracks, their bespoke dark matter is stacked with drone pyrotechnics, shredded vocals, and oblique, snatched sounds that eddy into frantic melodic storms. Sublime intensity is spiked with effervescent yet brooding intermissions throughout, staking '......t' as the most crucial volume of their catalogue as it gestures toward new references.”

Written and produced by SHXCXCHCXSH
Artwork by Klara Granstrand.
Stochastics by Jonas Bard. Mastered by Giuseppe Tillieci at EnissLab, Rome
northernelectronics.se

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Written and Recorded by Sonja Tofik in Stockholm and Paris 2023 Visual by Viktor Fordell?Mastered by Giuseppe Tillieci at EnissLab, Rome
With 'Respire', Stockholm's Sonja Tofik presents a collection of works that cluster around themes of disunion and contemplation. In two halves, tiers of synthetic materials are layered into sullen reveries with organic components and concrète treatments, and as the obscurity of their genesis reaches a crescendo, these delicate and foreboding compositions find further means of communication the more they blister and bloom.


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The oblique and annihilating transmissions emanating from the workshop of Polar Inertia have been issued intently and surely over the last decade and more. Environment Control grants access to the biggest consignment to date, with eight tracks of mesmeric play that are fraught with clinical impulsiveness and astringent rushes.

Opening with a didactic panegyric to transmutation, Polar Inertia swiftly counter our recoil with an ominous display of pressure on 'Smothering Dreams'. The intensity is sustained-as if to suggest that there's now no way back-until the menace relents on 'Artic Horizon', its shimmering gravitational pull amounting to an idealism after the unease that delivered us here.

Credits:
Recorded by Polar Inertia between Montfort and Ivry 2022-2023
Mastered by Giuseppe Tillieci at EnissLab, Rome
Drawing by Jonas Rönnberg
Photography by Marcel Engdahl
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Matti Bye, a renewed film music composer responsible for many of recent years most intriguing Swedish movie soundtracks presents his latest outing. Previously only featuring on NE trough the many collaborations with Varg2(TM), Between Darkness and White Snow is Bye's first solo LP on the Stockholm label. Melancholic tones for a dark winter landscape.

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Recorded by Anthony Linell & Jonas Rönnberg in Muskö, Sweden 2021 Mastered by Giuseppe Tillieci at EnissLab, Rome
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“The collaborative project of Northern Electronics' founders, Anthony Linell and Jonas Rönnberg, has never ceased to confront with their coupling of industrious delirium and pensive austerity. By now we know that only adrenaline can make sense of the toxic ensemble of purposes at the heart of Ulwhednar. Meditating on higher flights of thrill and disorder than their previous record, and with an acknowledgement of their Stockholm roots, 'Area 08' induces fever and anticipation with every gesture.

The opening tracks make a raucous yet resolute introduction to proceedings, eventually issuing one of the album's most exquisite moments of reprieve with 'Akalla/Broken Swords'. However, it is the second half of 'Area 08' that formally admits their latest work has crossed a threshold yet unexplored by the pair. A suite of villainously propulsive tracks spit embers of caustic balms as they careen out of reach with the engorged march of 'Commuter Madness'. Cunning in as many ways as it is earnest and audacious, 'Area 08' is a welcome alarm from the nucleus of the mission.”

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For her second release on Northern Electronics, Vallmo (appellation of Melina Akerman Kvie) strengthens her proficiency towards an electronic elevation with each and every track being a crevice offering kaleidoscopic gleams into a poetic narrative extracted from the slightly autotuned yet softly metallic voice. What Virgil is to Dante, the piano is to the listener: a fragmented leitmotif and a guiding cicerone into the nimbus that is "Othem". Dual in nature, the album comprises seamless transitions between divergent idioms, figuratively as well as literally. A false dichotomy conveying the opposing pairs tender and bold, distinct but evading and with a direction every so often forward as inward. "Othem" is an opus in equal parts melancholy, magic and mimesis.

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Anthony Linell puts a steely force at the foreground of his latest EP, Sheltering Skies. Blunt force tension builds, layer upon layer, as an anatomy of mechanistic torsion is worked in across an opening pair of tracks. Linell holds out the respite and oxygen for the EP's closer, undercut by aching feedback that just threatens to go again.

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Marking his second for Northern Electronics, Rune Bagge's new album, Grab a Star, narrates a melancholic thread through a brilliantly luminous astral-electro scene. Carving an achingly delicate relief through six tracks, there's a neon hinge to the emotive mechanisms at work, offsetting the meditative armature with sheer torque and a blustered spirit.

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Ecstatic Northern techno from Evigt Morker! Restless with giddy excitement and fidgeting through candescent swells, Evigt Morker's latest EP deploys a familiar, playful edge to degrees that were only hinted at in previous excursions. Ecstatic polyrhythms compound the wealth of fizzy details into prudent club missions with a bright yet rugged edge. Quality stuff!

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Beautiful soundscapes and deep techno previously only released on cassette, 'Outlines (Repurposed) 2013-2019' is a compendium of Anthony Linell's sketches and supports from a seven-year period. Capturing an incongruous assignment together, these liminal works frame moments of transport between process and material that are otherwise private and archived.

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A buoyant expedition into the abyssal depths of aesthetic shock-outs and scorched techno rhythms by E-Saggila on his latest release for Northern Electronics named Blaze. Treading lightly through a range of tempos and atmospheres, each track deftly leans into measured bouts of whiplash and recoil with affective consequence. Nothern Electronic going into the depths, but never forgets about the raw dancefloor energy!

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Throttling his focus into a number of studious and reflective releases in the last years, Anthony Linell's new EP breaks for a chaotic descent into a sinuous and muscular syntax to reveal some of his most refined yet ravenous works. Seamlessly arranged, each track finds a unique way of balancing syncopation to kindle unease at the peaks.

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Some serious hot tracks on this fourth instalment of the Scandinavian Swords series. It breaks with its predecessors' forms. Deviating from the austere brevity that marks Northern Electronics out, Scandinavian Swords IIII: Atlas of Visions completes a survey of the label's confidants and components in the same breath as it introduces a swarm of new artists and genre-collisions. With the swell of the last 12 months behind them, Anthony Linell and Jonas Ronnberg have forged the compilation with a paradoxical formula: Atlas of Visions stakes itself as a milestone release that retains the sure-footed programming of its proprietors yet cuts a new silhouette for what the platform of a Northern Electronics release consists of. Presented across two volumes, Atlas of Visions courses through the hyper-pigmented and infectious fallout zone between club-focused works and the abstract territories of experimental modes. The release compiles egression and intensification into a pandemoniac whole, a refracting design for fractured times. Recommended!!!

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Repress!
A cunningly scattered and frenzied EP marks Rune Bagge's return to Northern Electronics. First appearing in 2018 with his gripping album 'Pink Dreams,' and closely following his contribution to Scandinavian Swords IIII, 'Closure' tears through a vial of wistful timbres and acute blisses for 5 smouldering and hypnotic signals.

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For their first collaboration on an original audio-visual artefact, Ali M. Demirel and Anthony Linell have developed a stunning and unsettling work that studies the Icelandic landscape as a motor of mythology, a snare that binds us in contradiction. Far from being an acoustic summation of the collaboration, this release is a snapshot of Linell's musical contribution at a moment of reflection in the project's evolution.

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An intricate lattice of runaway storms are tailored into E-Saggila's latest EP, 'Anima Bulldozer.' Careering off the edge from its own furious torque at some intersections, E-Saggila resolves the heady gains of the commotion with some of her most soothing composition to date by the EP's close.

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The wicked intensity of Toronto's E-Saggila takes on novel limits for her new album for Northern Electronics. Constructed out of her live works, there's a lack of restraint on 'My World My Way' that could only be forged in the moment. Following on from last year's album for BANK Records NYC, E-Saggila has put together something that addresses the club and the headphones in equal measure. Taking the approach of a documentarian of our virtual landscape, there's a deep motive that underpins the heavy digital signal processing. With plenty of storming mechanical rhythms that embark from gabber's chaotic neighborhood, the samples of voices, conversations, and phone calls, all wind the listener around the desperation that's embedded in the digital world's seamless mediation of our lives. Owing as much to power violence and industrial as to Rotterdam, E-Saggila's affinity for the extremes is as conceptually critical as it is stylistically present. Riding the BPMs high, and binding this all together with ambient music's sensibilities, 'My World My Way' moves in sharp strides between a political statement and a dancefloor assault.

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180g black vinyl
LP booklet included
mastered by Noel Summerville
original artwork by Theo Ellsworth.

Italian sound artist Marco Shuttle debuts on Astral Industries with AI-39. Alluring and evocative, 'Sonidos y Modulaciones de la Selva' is a journey deep into the Amazon rainforest, seeking to capture its power and vastness, but also a rumination on the problem of its impending destruction.

In this album Shuttle sees the continuation and further ripening of an ongoing creative process, utilising both audio and visual documentations as source material. On this occasion most of the field recordings were taken in the Tupana Arü Ü nature reserve in the Amazonas region of Columbia, between Leticia and Puerto Nariño.

For the compositional process Shuttle employs a distinctly minimalist approach, achieving highly rich and articulate soundscapes with relatively little. Painting with an almost impressionistic stroke, the depth of imagery is underpinned by a strong experimental leaning and a sophisticated musical language.

Within its wild freeform, the seamless interplay between nature and the machines sees them merge into a mysterious dance - a liquifying sequence of scenes that shimmer with flora, fauna and the unmistakable aliveness of the jungle. A procession of sputtering and cavernous pulsations, sprawling biologies and hidden mysteries, the jungle as an entity, a spirit, begins to emerge. With all its peculiarities and strangeness, it reveals a world of seeming chaos, yet underneath it all a thread of something innately conscious.

Although it could be considered a form of sound diary, the scope spans much further than a standalone creative work. Within its intoxicating montage of shifting forms, 'Sonidos y Modulaciones de la Selva' stands as a sonic ethnography, and a contemplation on time, space, and our evolving relationship with nature.

Ongoing large-scale logging, agriculture and infrastructure projects are leading to significant deforestation in the Amazon, and continues to threaten biodiversity, the global environment and the livelihoods of indigenous communities. Part of the proceedings from this release will be donated to Amazon Watch (amazonwatch.org), a nonprofit organisation that works to protect the rainforest and advance the rights of indigenous peoples in the Amazon Basin.

"Special thanks goes to Marco Cruz from Amazon Jungle Trips and to Aberlardo and Manuel (who is also the narrator of the story at the end of Part 2), the indigenous guides who took me deep into the forest and made me experience its overwhelmingly powerful beauty. This record is dedicated to Colombia and all the fantastic people I met in this wonderful country" - Marco Shuttle


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2025 Repress!

Donato Dozzy and Milanese veteran Stefano Ghittoni mint a new series on Dozzy's Yaga Circe Musica imprint, channeling Daniele Baldelli's cosmic disco manifesto and exploring screwed rhythms, psychedelic electronix and blunted dub atmospheres. So good - imagine a half-speed Shinichi Atobe or Rrose spliced with GRM-damaged concréte FX and percussion courtesy of Konono No.1.

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Tracklisting
A1 Dold - Grainy
B1 Dold - Surface
B2 Dold - Blush

Sales Note
Swedish talent Dold drops nuanced techno cuts on 10" via SHDW's Mutual Rytm X.

Stockholm-based Patrik Eriksson, aka Dold, is a cultured producer known for crafting hypnotic loops with a minimalist, emotive touch-bridging underground dancefloors and introspective listening.

As a DJ, producer, and co-founder of Arsenik, Dold has championed raw, unembellished techno since 2015. His releases on Key and Fuse blend Detroit techno's legacy with IDM's intricacy and ambient's ethereal tones, creating a style that is both timeless and forward-thinking. Whether it's crafting tapestry's recorded via hardware in the studio or performing live, Dold continues to innovate, honouring techno's roots while exploring its future, and his talent is on full display across his label debut on Mutual Rytm X.

'Grainy' opens the EP and showcases Dold's ability to craft deep and loopy techno with a stripped-back, emotive
edge. It's deft but enthralling, with innovative synths rising and falling through the minimal drums. 'Surface' is another compelling deep cut with hurried drum funk and subtle synth pulses, adding a futuristic edge to the groove. The fantastic 'Blush' brings smears of warm synth and machine soul to a dynamic dub techno rhythm that bends the
past with the present. Digital bonus cuts 'Dub at Heart (Club Version)' and 'Dub at Heart (Sofa Version)' offer
contrasting perspectives of the same track, with the first aiming directly for peak-time sessions, while the latter closes the package on a laid-back tip.

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Live experiments recorded by Varg in Hebbershålet 2012-2013
Remastered from tape by Giuseppe Tillieci at EnissLab, Rome
Artwork by Arvid Wretman
Originally released on Periferin in 2013


Sincere dysphoria is a disarming tonic, and 'Skaeliptom' is steeped in it, if not fortified by it. Quietly appearing on the Periferin label in 2013, Varg's debut recording presents with grave intent filtered through a pacifying melancholic haze. A remastered version now arrives on Northern Electronics.

Originally disclosed on cassette with a ziplocked excerpt of a cindered church, 'Skaeliptom' is a depressive tour of Varg's early experiments. As if bleached unconscious by northern winters, his touch is delicate and remote. Each track is gently struck into motion by a cadaverous reverb that prefigures the bare ensemble of instruments Varg employs. Militantly dejected, the short tether of melody to be found on 'Skaeliptom' is a brilliant funerary bloom that undoes corporeal restraints and authorises us to withdraw.

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Quiet Voices is a collaborative musical and sound art project, mixing ambient & electronic music, cinematic atmospheres & spoken word, founded by Jean-Yves Leloup, featuring musical pieces he composed with Hélène Vogelsinger, Villeneuve & Morando, Wild Anima, François-Eudes Chanfrault and Maxence Cyrin. Most of the composers involved in this project are all working in the field of cinema. Jean-Yves Leloup is a Paris-based french sound artist/DJ, curator and music writer. He is the curator of various music exhibitions (Electro at Paris Philharmonie, London Design Museum and Düsseldorf Kunst Palast) and the author of various books such as " Digital Magma ", " Global Techno ", " Techno 100 ", " Music Non-Stop " and t " Ambient Music : avant-garde, new age, chill-out & cinema " (2021). He teaches sound in cinema at Paris Esra cinema School, and has released four albums with the RadioMentale duo.

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The infamous and elusive DEETROIT gives another view into the deep unknown with 6 untitled pieces of textured chords, swinging rhythms and dubbed out bliss reminiscent of a vibe somewhere between BASIC CHANNEL, MIKE HUCKABY & RICK WADE whilst staying true to the OG sound we love.

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VICK LAVENDER returns with a super ltd white label featuring the magical "A SPACE OF MY OWN" (tribute to DEXTER WANSEL). A deeper jazzy jam paired with an african disco dub entitled "MR. SPORTY" along with the "DRUMS & LIFE mix". This three track EP is on limited colored vinyl.

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In his own words:

"Traffic Jams are really coagulation and inflammation in the body.
Mental stresses are Traffic Jams.
Moments where there is no flow are all due to Traffic Jams.
Within the Mind Fear and Doubt are Traffic Jams."

The first song of the EP, " Positive Mental Attitude Solves All,"is a tribute to the eternal elder and stalwart, Amp Fiddler.

"Hey, we got that P.M.A.!"
- Bad Brains in "Attitude"

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