Tracklisting
A1 SHXCXCHCXSH - QQQQ
A2 SHXCXCHCXSH - QQQE
B1 SHXCXCHCXSH - QQQA
B2 SHXCXCHCXSH - QQQI

Sales Note
as the shadows assume
shapes
we fight the slow
retreat

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After a few years' hiatus, SHXCXCHCXSH are now opening up their label Rosten again with the EP "DO". Four tracks that resume their sound and approach to techno and club music.

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OUFOUFOF represents the beginning of a new turn for SHXCXCHCXSH, one born out of a fresh conceptual approach to rhythm. Having concentrated in recent years on music for more experimental scenes, SHXCXCHCXSH wanted to create music for the club, but not with the usual 4/4 approach. "...the main focus being our relationship with the dancers' minds and how we do our best to fuck with them". Stylistically, the project began with a discussion about rhythm, about what is interesting and what is not. The result is a conceptualized approach, one in which multiple sounds in each track are based around a single rhythmic pattern. This concept has been extended holistically, to track names and artwork. Ultimately, what began life as a series of records has evolved into an eight-track LP of twisted, polyrhythmic studies in pattern and texture. Fresh off the back of SHULULULU EP for Avian, OUFOUFOF, is the fourth studio long-player from the Swedish duo and will be released on their own label Rosten, November 5th.

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A year after their much-praised debut album STRGTHS, Avian's cryptic Swedish duo SHXCXCHCXSH are ready to present their second album, Linear S Decoded, this August. From the elegiac opener Entering The S-Cloud, the intensity of tracks such as Elocution and Rudimental Retreat, to the disorienting beauty of Wading Guise and aptly-titled closer Monolithic Conclusion, the LP deftly broadens the scope of SHXCXCHCXSH's singular aesthetic. Keeping their mystic aura has always been important to SHXCXCHCXSH - so important they didn’t want to take part in what they deemed 'the language game' until now. Their previous strict use of fragmented track titles illustrated an ideal of communication purely through music, to service the focus on sound via complete abstraction. Breaking the habit with Linear S Decoded doesn’t necessarily indicate a complete break with their approach, but an adjustment to the direction they have travelled since they first emerged two years ago. As Resident Advisor identified in a perceptive review of the previous LP, among SHXCXCHCXSH's key strengths is the imbuing of their productions with a narrative sense, a sonic progression that moves beyond techno's standard repetition - it's an element of their work that's heightened further on Linear S Decoded, pulling focus from the more grinding, brutalist elements of their distinct sound to reveal the more melodic, almost optimistic, elements that had previously remained in the shadows of the productions until now. The track titles themselves are evocative about the new record whilst revealing few specifics: no less intriguing than the clustered consonants of the prior release titles, hinting at deeper underlying narratives at play, possibly historically informed, or a fiction of the duo's own making. Either way, definitive answers will not be forthcoming: the mysteries that lay beneath SHXCXCHCXSH's approach to music making have long been an intrinsic part of their appeal. Linear S Decoded presents the opportunity for newcomers and those already au fait with the duo to employ their deciphering abilities, whilst simultaneously offering an expanded and ever more richly detailed landscape to traverse...



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Avian’s first release in 2014 comes from the enigmatic Swedish duo SHXCXCHCXSH. Following their highly acclaimed debut LP STRGTHS, released last summer, the duo now returns with their fourth release for the label. The EP collects three staggering techno workouts with fragmented track titles in familiar manner. The A-side starts off straightforward with VVVLLLLVVV’s stabbing kick drum alongside an eerie melody that works its way through to the flip site. MRRRWRRRDS first embraces the listener with a warm, murky bass before falling into the fluttering beat that drives the track forward. Closer MRRRCHNNNN brings no ease with a restless pounding defining the tone for Avian in 2014...


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ASMR for Suicidal Thoughts' marks Varg2™ back in collaboration with Chatline, an enigmatic figure long in orbit of Northern Electronics.
Recorded live to tape, the record resists comfort. Contained within are two harrowing demonstrations that drag on emptiness, anxiety, and abject pleasure. And though terse and severe, that very void becomes the vessel for its mottled meaning.
Unopen to exploration, 'ASMR for Suicidal Thoughts' locks the listener into its own saturated atmosphere. Stripped back and unchanging, and suffocatingly cold at the best of times, funereal melodies pepper cyclical noise so brittle it can barely repeat itself.
Disturbingly intimate glints of memories are passed over out of reach, yet with the alarming immediacy of déjà vu. The sensation amounts to no more than this
.
Recorded live to tape in Västra Skogen, Sweden 2023
–
2024
Mastered by Giuseppe Tillieci at
EnissLab, Rome

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The strange, carbonated eventide of Evigt Mörker's cosmos takes new dizzy routes in his latest EP, 'Ett Vilt Ljus'.

With the spectre of their more recent and stoic ambient works casting a shadow through the operational tics of this latest collection of tracks, the choppy psychedelia teases frenzied abandon with each bristling manoeuvre yet pitches us into the night again whenever light threatens to break.

'Hemliga eldar', 'Huggormen som vilar', and 'Det blåser en vind genom världen, och det har det alltid gjort' model three rudiments in polyrhythm, each curiously stabilised with choral-like backdrops, while the most flustered pieces can be found cut between.

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Live experiments recorded by Varg in Hebbershålet 2012-2013
Remastered from tape by Giuseppe Tillieci at EnissLab, Rome
Artwork by Arvid Wretman
Originally released on Periferin in 2013


Sincere dysphoria is a disarming tonic, and 'Skaeliptom' is steeped in it, if not fortified by it. Quietly appearing on the Periferin label in 2013, Varg's debut recording presents with grave intent filtered through a pacifying melancholic haze. A remastered version now arrives on Northern Electronics.

Originally disclosed on cassette with a ziplocked excerpt of a cindered church, 'Skaeliptom' is a depressive tour of Varg's early experiments. As if bleached unconscious by northern winters, his touch is delicate and remote. Each track is gently struck into motion by a cadaverous reverb that prefigures the bare ensemble of instruments Varg employs. Militantly dejected, the short tether of melody to be found on 'Skaeliptom' is a brilliant funerary bloom that undoes corporeal restraints and authorises us to withdraw.

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Written and Recorded by Sonja Tofik in Stockholm and Paris 2023 Visual by Viktor Fordell?Mastered by Giuseppe Tillieci at EnissLab, Rome
With 'Respire', Stockholm's Sonja Tofik presents a collection of works that cluster around themes of disunion and contemplation. In two halves, tiers of synthetic materials are layered into sullen reveries with organic components and concrète treatments, and as the obscurity of their genesis reaches a crescendo, these delicate and foreboding compositions find further means of communication the more they blister and bloom.


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The oblique and annihilating transmissions emanating from the workshop of Polar Inertia have been issued intently and surely over the last decade and more. Environment Control grants access to the biggest consignment to date, with eight tracks of mesmeric play that are fraught with clinical impulsiveness and astringent rushes.

Opening with a didactic panegyric to transmutation, Polar Inertia swiftly counter our recoil with an ominous display of pressure on 'Smothering Dreams'. The intensity is sustained-as if to suggest that there's now no way back-until the menace relents on 'Artic Horizon', its shimmering gravitational pull amounting to an idealism after the unease that delivered us here.

Credits:
Recorded by Polar Inertia between Montfort and Ivry 2022-2023
Mastered by Giuseppe Tillieci at EnissLab, Rome
Drawing by Jonas Rönnberg
Photography by Marcel Engdahl
northernelectronics.se


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Matti Bye, a renewed film music composer responsible for many of recent years most intriguing Swedish movie soundtracks presents his latest outing. Previously only featuring on NE trough the many collaborations with Varg2(TM), Between Darkness and White Snow is Bye's first solo LP on the Stockholm label. Melancholic tones for a dark winter landscape.

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Recorded by Anthony Linell & Jonas Rönnberg in Muskö, Sweden 2021 Mastered by Giuseppe Tillieci at EnissLab, Rome
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“The collaborative project of Northern Electronics' founders, Anthony Linell and Jonas Rönnberg, has never ceased to confront with their coupling of industrious delirium and pensive austerity. By now we know that only adrenaline can make sense of the toxic ensemble of purposes at the heart of Ulwhednar. Meditating on higher flights of thrill and disorder than their previous record, and with an acknowledgement of their Stockholm roots, 'Area 08' induces fever and anticipation with every gesture.

The opening tracks make a raucous yet resolute introduction to proceedings, eventually issuing one of the album's most exquisite moments of reprieve with 'Akalla/Broken Swords'. However, it is the second half of 'Area 08' that formally admits their latest work has crossed a threshold yet unexplored by the pair. A suite of villainously propulsive tracks spit embers of caustic balms as they careen out of reach with the engorged march of 'Commuter Madness'. Cunning in as many ways as it is earnest and audacious, 'Area 08' is a welcome alarm from the nucleus of the mission.”

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For her second release on Northern Electronics, Vallmo (appellation of Melina Akerman Kvie) strengthens her proficiency towards an electronic elevation with each and every track being a crevice offering kaleidoscopic gleams into a poetic narrative extracted from the slightly autotuned yet softly metallic voice. What Virgil is to Dante, the piano is to the listener: a fragmented leitmotif and a guiding cicerone into the nimbus that is "Othem". Dual in nature, the album comprises seamless transitions between divergent idioms, figuratively as well as literally. A false dichotomy conveying the opposing pairs tender and bold, distinct but evading and with a direction every so often forward as inward. "Othem" is an opus in equal parts melancholy, magic and mimesis.

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Anthony Linell puts a steely force at the foreground of his latest EP, Sheltering Skies. Blunt force tension builds, layer upon layer, as an anatomy of mechanistic torsion is worked in across an opening pair of tracks. Linell holds out the respite and oxygen for the EP's closer, undercut by aching feedback that just threatens to go again.

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Marking his second for Northern Electronics, Rune Bagge's new album, Grab a Star, narrates a melancholic thread through a brilliantly luminous astral-electro scene. Carving an achingly delicate relief through six tracks, there's a neon hinge to the emotive mechanisms at work, offsetting the meditative armature with sheer torque and a blustered spirit.

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Ecstatic Northern techno from Evigt Morker! Restless with giddy excitement and fidgeting through candescent swells, Evigt Morker's latest EP deploys a familiar, playful edge to degrees that were only hinted at in previous excursions. Ecstatic polyrhythms compound the wealth of fizzy details into prudent club missions with a bright yet rugged edge. Quality stuff!

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Repress!

Beautiful soundscapes and deep techno previously only released on cassette, 'Outlines (Repurposed) 2013-2019' is a compendium of Anthony Linell's sketches and supports from a seven-year period. Capturing an incongruous assignment together, these liminal works frame moments of transport between process and material that are otherwise private and archived.

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A buoyant expedition into the abyssal depths of aesthetic shock-outs and scorched techno rhythms by E-Saggila on his latest release for Northern Electronics named Blaze. Treading lightly through a range of tempos and atmospheres, each track deftly leans into measured bouts of whiplash and recoil with affective consequence. Nothern Electronic going into the depths, but never forgets about the raw dancefloor energy!

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Throttling his focus into a number of studious and reflective releases in the last years, Anthony Linell's new EP breaks for a chaotic descent into a sinuous and muscular syntax to reveal some of his most refined yet ravenous works. Seamlessly arranged, each track finds a unique way of balancing syncopation to kindle unease at the peaks.

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Repress!

Some serious hot tracks on this fourth instalment of the Scandinavian Swords series. It breaks with its predecessors' forms. Deviating from the austere brevity that marks Northern Electronics out, Scandinavian Swords IIII: Atlas of Visions completes a survey of the label's confidants and components in the same breath as it introduces a swarm of new artists and genre-collisions. With the swell of the last 12 months behind them, Anthony Linell and Jonas Ronnberg have forged the compilation with a paradoxical formula: Atlas of Visions stakes itself as a milestone release that retains the sure-footed programming of its proprietors yet cuts a new silhouette for what the platform of a Northern Electronics release consists of. Presented across two volumes, Atlas of Visions courses through the hyper-pigmented and infectious fallout zone between club-focused works and the abstract territories of experimental modes. The release compiles egression and intensification into a pandemoniac whole, a refracting design for fractured times. Recommended!!!

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Repress!
A cunningly scattered and frenzied EP marks Rune Bagge's return to Northern Electronics. First appearing in 2018 with his gripping album 'Pink Dreams,' and closely following his contribution to Scandinavian Swords IIII, 'Closure' tears through a vial of wistful timbres and acute blisses for 5 smouldering and hypnotic signals.

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For their first collaboration on an original audio-visual artefact, Ali M. Demirel and Anthony Linell have developed a stunning and unsettling work that studies the Icelandic landscape as a motor of mythology, a snare that binds us in contradiction. Far from being an acoustic summation of the collaboration, this release is a snapshot of Linell's musical contribution at a moment of reflection in the project's evolution.

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An intricate lattice of runaway storms are tailored into E-Saggila's latest EP, 'Anima Bulldozer.' Careering off the edge from its own furious torque at some intersections, E-Saggila resolves the heady gains of the commotion with some of her most soothing composition to date by the EP's close.

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The strange, carbonated eventide of Evigt Mörker's cosmos takes new dizzy routes in his latest EP, 'Ett Vilt Ljus'.

With the spectre of their more recent and stoic ambient works casting a shadow through the operational tics of this latest collection of tracks, the choppy psychedelia teases frenzied abandon with each bristling manoeuvre yet pitches us into the night again whenever light threatens to break.

'Hemliga eldar', 'Huggormen som vilar', and 'Det blåser en vind genom världen, och det har det alltid gjort' model three rudiments in polyrhythm, each curiously stabilised with choral-like backdrops, while the most flustered pieces can be found cut between.

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Holy Tongue (Valentina Magaletti, Al Wootton & Susumu Mukai) follow up their critically acclaimed album with a two track 7” on Trule. On the A Side ‘Ambulance Dub’ creeps in like John Carpenter at Firehouse. The B Side ‘The Bigger Tutti’ goes full on Steppers punk. They are all snakes now.

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Manchester via ten years in Berlin and now residing near the city of Porto in Portugal - prolific house DJ and producer SY joins the Slump Recordings family for the eighth escapade; a trip through progressive, groovy house music - two tracks that encompass the core ethos, cheekiness and nostalgia of the label. Bolstered with a stunning, balearic twist, Baldo reworks the A-side with a percussive pulse and hypnotic groove. B-side ‘Perceptions’ receives a London-centric remix from the label’s owner Baby Rollén - switching the flow of metric beats with syncopated breakbeats and wriggly acid leads!

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green trax vol. 2 is the second collection on trip of classic material from steve o'sullivan's green label, originally recorded between 1996 and 2005.

these tracks capture steve's unique approach to minimal techno, heavily influenced by the innovative sounds of robert hood, jeff mills, and terrence dixon.

recorded live in one take directly from the machines, this collection embodies raw, unpolished energy - a tribute to the spontaneity of studio experimentation. several of the tracks included were previously released on green and recontextualised for trip.

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It‘s all about a balanced brekky. Release your release.

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Tracklisting
A1 RQZ - Sunset Strip
A2 RQZ - MK Ultra
B1 RQZ - The Rhythm

Sales Note
We are happy to present you with the music of another amazing artist from Romania, RQZ. His 3-track EP (no remixes this time) is a powerful blend of deep and well-crafted sounds with precisely organized rhythm structures. Such a mixture will make you find pleasure both on the dance floor, and beyond the club space, stimulating your mind and discovering small details with your headset on. Enjoy!

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‘’OF is a word that can be used as a preposition to express the relationship between a part and a whole. It is an unfinished tone, a broken sentence, a start and a whole. It is sustainable, full of potentials and longings.’’

London based performance and sound artist Li Yilei shared an experience familiar to many migrants during the past year of COVID-19 chaos. With their UK visa set to expire, and family back in China, Li made a last-minute dash to return to their nation of birth. Able to board one of the last few flights to China during the initial turmoil of the coronavirus outbreak, Li made it back to Shanghai for a two-week stint in a quarantine hotel.

Though Li had already begun creating OF, the reality of the pandemic began to seep into the recordings. Each of the 12 tracks is a study in horology, using metaphorical sound transcriptions and atmospheric extractions to focus on the temporal relationship between experience and surroundings. Li’s awareness of their own understanding of time became increasingly heightened during quarantine and the emotional involvement found within these new realities informed many of the sounds created.

‘’I tried to portray each song as a short, scattered poem - a moment that I captured to represent each hour.’’

Composed using analogue synthesisers, vocal samples, field recordings and string instruments such as the violin and guqin, Li indulges in moments of grief, panic, healing, cessation, melancholy, vastness, hope, joy and emptiness as they explore the acoustic relations between humans and the many forces of nature.

The art of the Song Dynasty, with its ancient traditions of poetry and timekeeping, were also great sources of inspiration for the album - whilst paintings from the period, specifically those of flowers and birds, are common themes throughout the tracks. Indeed, it is within the vastness of time that the album artwork comes to relevance. The eighth emperor of the Song Dynasty, Huizong, was a revered artist and a scene from his work ‘Finches and Bamboo’ adorns the album cover.

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2025 Repress!

Tracklisting
A1 Another Channel feat. Prince Morella - Nameless Woman
B1 Another Channel feat. Marina P - Find a Way
B2 Another Channel - Version of Love

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Tracklisting
A1 Fabrizio Lapiana - Deep 4
B1 Fabrizio Lapiana - Ritmo Ossessivo
B2 Fabrizio Lapiana - Repetition

Sales Note
Label owner Fabrizio Lapiana returns on Attic Music with "Ritmo Ossessivo", a three tracks techno EP that showcases again his mesmerising sound.

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“Growing up has always been a solitary journey, marked by forward-looking anticipation, anxiety, unripe potential, aspirations, and closures.”

London based Chinese composer and multi-instrumentalist Li Yilei returns to Métron Records with NONAGE, their second full length release following 2021’s OF. An introspective reflection on the journey through childhood, this new work brings together samples from old Chinese TV shows, mechanical children’s toys and an array of acoustic and electronic instruments - some of which were designed and built by Li themselves.

The Chinese title for "NONAGE" is "??", which translates to “childhood” or “disheveled hair”, and refers to the carefree phase of life when children let their hair down, both figuratively and literally. For Li, nonage is a place that they always revisit - to learn about fear and fearlessness, love and despair, grief and glee, curiosity and mistakes.

“I remember pressing piano keys like touching flowers, reading scores like looking at paintings, writing like how I would talk to myself, greeting death like how I would greet life.”

Initially conceived as an archiving project, the record retraces and reimagines fractions of Li’s childhood memories through smell, location and colour, and brings to life the lingering feelings that remain into adulthood.

Compositions are built around a variety of unusual sources: damaged instruments such as a toy piano, a hand cranked music box, bird whistles, a broken accordion and anything else Li could find that evoked nascent recollections. Interspersed throughout are samples from Li’s childhood piano jams, moments of contemplative transmigration where previous incarnations of self and memory meet the present.

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