Waajeed’s 2022 long player, Memoirs of Hi-Tech Jazz, was an aural love letter to his hometown of Detroit; an amalgam of the city’s history, coalescing the personal, political and, of course, musical past. From the Motown soul assembly line to J Dilla’s musically dense Hip-Hop to The Stooges’ proto-Punk to the birth of Techno, the music of the Motor City has spread across the globe inspiring countless artists who in turn went on to create their own forms and genres. Emulating this movement and transmutation, the Memoirs of Hi-Tech Jazz Remixes 12” sees artists from three continents repurpose elements from across the LP, transforming them into productions stamped with their own trademark styles whilst retaining the spirit of each original: the UK’s Mark Broom loops sections of Right Now while speeding up the BPM for a classic UK-style techno remix; Ghana-born Yazzus takes on The Ballad of Robert O’Bryant adding a surprising number of twists and turns for a five-and-a-half-minute piece; Australians Jensen Interceptor and Assembler Code close the 12” out with their take on the album’s title and opening track neatly closing the loop, bringing us full circle to the start of the LP. More

Inspired by revolutionary efforts against oppressive hegemonies in Detroit, and in Black locales around the world, Memoirs of Hi-Tech Jazz is a sound score evocative of that resistance. It is also a reminder that although violence and injustice looms, it is not the only story: we are much more than what oppresses us. The album celebrates Black leisure and play; the mundane joys that persist in spite of the depleting realities of the world.

Movement, and the very mobility of the car specifically is integral to Memoirs of Hi Tech Jazz. Timed perfectly to match the duration of a round trip drive from Underground Music Academy in the North End, to Detroit’s island park, Belle Isle - the album is undoubtedly best experienced while driving.

That journey signifies the transition from labor to pleasure: from the neighborhood of the Techno Museum in North End to an outdoor park that has long been a destination for Black Detroiters to cookout, park their boats, play spades, and listen to local music.

Memoirs of Hi-Tech Jazz embodies the feeling this place engenders—a reprieve from the midwestern work ethic, and a reminder to ground in the pleasures of your body and the land. More

Heralding the release of Memoirs of Hi-Tech Jazz, the forthcoming album by Detroit-born-and-based artist, Waajeed, the 12” features further examinations of the track’s motifs by the vaunted Detroit collective, Underground Resistance, Zambian producer SHE Spells Doom, and a special reimagining by Waajeed himself featuring live drums. Alongside the LP version the three remixes further explore the links between Techno and Jazz, styles both founded on African traditions that make commentary on the present but are always oriented to potential hereafter. On the People Mover Remix, Waajeed enlists the talents of Zo!, Tall Black Guy, Michele Manzo, and more to explore one extreme of the track’s musical heritage. Syncopated drums, driven by a full and bright snare drum, firmly place this version in the sphere of contemporary Jazz emanating from Detroit and cities across the US. Coming from an album inspired by revolutionary efforts against oppression in Detroit and in Black locales around the world it is entirely fitting that Underground Resistance should provide their take on Motor City Madness. UR’s Mike Banks follows the lead of the original’s melange of genres. By thickening the bassline, peppering the mix with extra brass from the Mad Brass Horn Section, and adding strings courtesy of Six Mile Strings, UR further explore the dynamic intersection of music, history, and geography. SHE Spells Doom closes the remix package with his second release on Tresor after his contribution to 2021’s Tresor30 compilation. The Zambian artist trims Motor City Madness down to the bones of the brass section and infuses them with a gqom beat, simultaneously referring to Jazz and Techno’s deepest roots in Africa, as well as suggesting where they might be headed in the future. More

Repress!

Following on from a string of acclaimed EPs on Planet E and his own label, DIRT TECH RECK boss Waajeed presents his first solo studio album, From The Dirt, due November 9th. This LP will feature 3 pieces of vinyl, manufactured and pressed in his hometown Detroit.

In order to understand Waajeed’s artistic profile, it helps to look at the musical history which informs it. As a child of Detroit who grew up just as encapsulated by hip-hop and soul as he was techno and house, he is driven by a commitment to finding the sweet spot between these paradigms. In a city full of dualities, his productions are underpinned by an inherent awareness of both sides of the coin.

From co-founding seminal hip-hop act Slum Village alongside the late J Dilla and running two of his own labels - Bling47 and DIRT TECH RECK - to producing leftfield soul as the frontman of Platinum Pied Pipers, and releasing collaborative records with Theo Parrish and Mad Mike Banks, his career as an artist has been varied to say the least. This manifests itself gloriously on From The Dirt, in which funk, soul, house, and techno play equal parts across ten dancefloor constructions. Gritty basslines are offset with glistening melodies and heartfelt lyrics, whilst shuffling percussion drives steadily forward. Vocals play an important role throughout, ‘I Ain’t Safe ft. Ideeyah’, ‘Things About You ft. Asante & Zo!’, ‘Too Afraid ft. Lulu’ and the meditative power of first single ‘Strength ft. Ideeyah’. Drum patterns vary between angular, funky and hypnotic soulful house - all with carefully mapped out cycles brandishing an inimitable rhythmic flair with big basslines like his current single, "Power In Numbers".

‘Growing up in the D, I spent Monday thru Thursday in the studio with Slum Village. Friday and Saturday nights we partied all night to Techno and early Sunday morning I went to church with my pastor. This is what I sound like. This is the sound of Detroit. This is From the Dirt.’ More

Repress!

Waajeed is proud to present ‘Strength’, a cathartic EP on his own imprint, DIRT TECH RECK. For this four-track package he’s enrolled three Detroit natives to collaborate; Ideeyah provides soulful vocals whilst Jon Dixon and Jay Daniel offer two diverse remixes. A Detroit dream team, if you will.

The title track is a radiant, melodic groover that looks to the sky for inspiration. Ideeyah’s lyrics battle with self-doubt, searching for solace in the harmonies around them, yet her vocals exude pure power. For his own ‘String Mix’, Waajeed elevates the delicate sentiment of the original to a sun-drenched dose of uplifting house. More

A1 - Roddy Rod – Overbite
A2 - 14Kt – We Out Chea
B1 - D-Love Muzic – Celestrial (Club Mix)
B2 - Teflon Dons – Gonna Tell Me
C1 - LADYMONIX – WhoRU
C2 - DJ Rimarkable – I’m In Trouble
D1 - Matthew Law – Minimariddim
D2 - Damon Bell feat. Camille Safiya – Mermaid Blues
For the third instalment of Detroit Love’s acclaimed mix series, none other than Dirt Tech Reck label boss and Slum Village co-founder
Waajeed steps up for a 20-track mix paying tribute to the margins of Detroit and beyond More

01. 14Kt – We Out Chea
02. Black Loops – Higher
03. Tall Black Guy – Coffee Room
04. Patrice Scott – The Detroit Upright
05. Scott Diaz – We Reminisce
06. Rocco Rodamaal – Someday (Brian Tappert
Rework)
07. Doc Link – Jackin Jazzy
08. Ninetoes – Stand Up
09. Sergio Fernandez – Urano Beatz
10. D-Love Muzic – Celestrial (Club Mix)
11. Damon Bell feat. Camille Safiya – Mermaid Blues
12. Roddy Rod – Overbite
13. Matthew Law – Minimariddim
14. Joss Moog – 196
15. Teflon Dons – Gonna Tell Me
16. LADYMONIX – WhoRU
17. Harry Romero – Revolution (Deep In Jersey
Extended Mix)
18. DJ Rimarkable – I’m In Trouble
19. Lux Groove – Setup
20. Preslav & C.Scott – Achey Brakey
For the third instalment of Detroit Love’s acclaimed mix series, none other than Dirt Tech Reck label boss and Slum Village co-founder
Waajeed steps up for a 20-track mix paying tribute to the margins of Detroit and beyond More

Echoes of this summer’s ‘Shango’ still shimmer through systems as Detroit’s Waajeed continues to make good on his promise: to “put paint where it ain’t.” After years of soul, funk and hip-hop explorations as a founding member of the Platinum Pied Pipers (among many other innovative escapades) and, most recently, a soulful remix of Amp Fiddler on Kenny Dixon’s Mahogany Music, Waajeed is building on the fresh line of house grooves he commenced this summer. His first pedigree dancefloor tracks in almost 20 years, he taps directly into the source and builds with his own soulful bricks. It’s working, too; DJ-wise he’s playing alongside Moodyman, Mr. Scruff and Carl Craig this fall, while ‘Shango’ has enjoyed heavyweight support by The Black Madonna, Carl Craig, Jackmaster, Gilles Peterson and many notable selectors. More

For the Shango EP, producer Waajeed transitions from downbeat to upbeat on the latest release from his DIRT TECH RECK imprint with three choice cuts ranging from the millennial Blaxploitation vibes of the title track to the orgasmic, angular funk that is “Better Late Than Never” and “Winston’s Midnight Disco.” Merging the electro sounds of his native city with the pulsating drums of his native land, Waajeed taps into African roots in reclaiming the dance music that is his birthright as a son of Detroit. More

Michele Manzo's "Niños Del Mar" on DIRT TECH RECK is a vibrant fusion of Latin rhythms, soulful grooves, and deep house beats. The LP effortlessly blends organic instrumentation with electronic production, creating a rich sonic tapestry. Each track radiates warmth and energy, transporting listeners to sun-soaked, coastal landscapes More

Church Boy Lou was born from a dream in the summer of 2014. A captivating and enigmatic fi gure, created by the innovative, genre-bending, DIRT TECH RECK label head Waajeed. Recently crowned DJ Mag’s Underground Hero and just off the heals of his lead single with Defected’s Dames Brown, he continues to cultivate rhythms from the pews of the Baptist church.

This second offering from Church Boy Lou embodies the same spirit and uniqueness as his first release, Weep EP in 2015. "The Night Is Coming" brings you the first hand experience of a minister leading his church with the Word of God. These heartfelt lyrics warn of the dark times ahead of us. However, “Keep On Praying” brings a positive note and beckons us to the dance floor. “Push Em’ in the Face” skillfully integrates high energy Chicago Jack house and techno. Rolling snares and energetic beats fuse with powerful lyrics to face all challenges head on.

This well composed four track offering has an opener, closer and prime time options for all DJ’s across the board. With a sonic steeping of gospel samples and an authenticity that could only come from Detroit City. More

Repress!

Following on from a string of acclaimed EPs on Planet E and his own label, DIRT TECH RECK boss Waajeed presents his first solo studio album, From The Dirt, due November 9th. This LP will feature 3 pieces of vinyl, manufactured and pressed in his hometown Detroit.

In order to understand Waajeed’s artistic profile, it helps to look at the musical history which informs it. As a child of Detroit who grew up just as encapsulated by hip-hop and soul as he was techno and house, he is driven by a commitment to finding the sweet spot between these paradigms. In a city full of dualities, his productions are underpinned by an inherent awareness of both sides of the coin.

From co-founding seminal hip-hop act Slum Village alongside the late J Dilla and running two of his own labels - Bling47 and DIRT TECH RECK - to producing leftfield soul as the frontman of Platinum Pied Pipers, and releasing collaborative records with Theo Parrish and Mad Mike Banks, his career as an artist has been varied to say the least. This manifests itself gloriously on From The Dirt, in which funk, soul, house, and techno play equal parts across ten dancefloor constructions. Gritty basslines are offset with glistening melodies and heartfelt lyrics, whilst shuffling percussion drives steadily forward. Vocals play an important role throughout, ‘I Ain’t Safe ft. Ideeyah’, ‘Things About You ft. Asante & Zo!’, ‘Too Afraid ft. Lulu’ and the meditative power of first single ‘Strength ft. Ideeyah’. Drum patterns vary between angular, funky and hypnotic soulful house - all with carefully mapped out cycles brandishing an inimitable rhythmic flair with big basslines like his current single, "Power In Numbers".

‘Growing up in the D, I spent Monday thru Thursday in the studio with Slum Village. Friday and Saturday nights we partied all night to Techno and early Sunday morning I went to church with my pastor. This is what I sound like. This is the sound of Detroit. This is From the Dirt.’ More

Repress!

Waajeed is proud to present ‘Strength’, a cathartic EP on his own imprint, DIRT TECH RECK. For this four-track package he’s enrolled three Detroit natives to collaborate; Ideeyah provides soulful vocals whilst Jon Dixon and Jay Daniel offer two diverse remixes. A Detroit dream team, if you will.

The title track is a radiant, melodic groover that looks to the sky for inspiration. Ideeyah’s lyrics battle with self-doubt, searching for solace in the harmonies around them, yet her vocals exude pure power. For his own ‘String Mix’, Waajeed elevates the delicate sentiment of the original to a sun-drenched dose of uplifting house. More

This is a journey led by Jeedo's Electric Street Orchestra to his native land, Detroit City. The Natives: It was created in direct defense to the assault on Detroit City. The uprooting of it's original citizens is fastly becoming the norm, as the population has plunged by 25 percent over the last decade. The Natives is meant to celebrate all the pioneers,revolutionaries, Moms and Pops that somehow get last in the media's coverage of newly imported ''do gooders''. We celebrate those who have continuously fought to defend the honor and dignity of this great city. Serpents: According the Bible's Book of Genesis, the serpent is a symbol of evil who appears in the Garden of Eden to tempt Eve. The serpent is portrayed as a deceptive creature or trickster with ill intent. We've all encountered numerous snakes in life, however this metaphor can also be applied to the cities ongoing issue of land-grabbing by numerous corporations with empty promises to build farms. Reco nstruct: This is the quiet after the storm, cleansing the palette for rebirth. A new beginning, one with hope and great promise. It was used as a sonic bed for the theatrical trailer of the award winning documentary ''Detropia''. Once again Waajeed AKA Jeedo has assembled a cast of sonic masters under one of his many monikers, Electric Street Orchestra. Including UR's Mad Mike, DJ Skurge, Ray 7 and newcomers Tiny Hearts.

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For "Daughter of a Temple", ganavya invited over 30 artists from various disciplines to a ritual gathering in Houston. Consequently, the album features numerous contributors, including renowned musicians such as esperanza spalding, Vijay Iyer, Shabaka Hutchings, Immanuel Wilkins, and Peter Sellars. The results—an innovative and deeply moving blend of spiritual jazz and South Asian devotional music—were initially recorded by Ryan Renteria and then further edited and mixed by Nils Frahm at LEITER's studio in Berlin in 2024.

All music produced by Ganavya Doraiswamy. Additional production by esperanza spalding, Rajna Swaminathan, Ryan Renteria, Nils Frahm and Felix Grimm. Mixed by Ryan Renteria, additional mixing by esperanza spalding and Nils Frahm. Recorded by Ryan Renteria at Moore’s Opera House, Houston, Texas. Mastered by Zino Mikorey, vinyl cut by Andreas Kauffelt at Schnittstelle.

Tracks 1, 2, 6, 8, 9: Licensed courtesy of Jowcol Music / Universal Music Publishing. Tracks 2, 6 by Swamini Alice Coltrane Turiyasangitananda. Tracks 1, 8, 9 by John Coltrane. All other tracks published by Manners McDade Music Publishing Ltd. esperanza spalding appears courtesy of Concord Records. Shabaka Hutchings appears courtesy of Impulse! Immanuel Wilkins appears courtesy of Blue Note Records. More

London-based experimentalists Kinkajous have announced their new studio album, Nothing Will Disappear, set for release on October 18th via Nottingham's Running Circle label. Maximalism at its most subtle and tender – ambient music at its most rejuvenated. There are echoes of Sam Shepherd's collaborative work with Pharoah Sanders as Floating Points, and the subtle timbre shifts of Jon Hopkins and James Holden more so than their capital-"J" jazz contemporaries. A marked step-up from their previous work, which already holds critical acclaim by tastemakers from Gilles Peterson to the Vinyl Factory. Their debut album "Hidden Lines" (2019) and sophomore "Being Waves" (2021) both nestled into numerous end of year lists, praised for their blends of analogue, acoustic and orchestral instrumentation. Described by CLASH as "a key part of the British music landscape," Kinkajous draw inspiration from orchestral, instrumental, and electronic music, and are renowned for their captivating and cinematic sound. Led by drummer/producer Benoît Parmentier and saxophonist Adrien Cau, they boast a formidable lineup including keyboardist Jack Doherty and bassist Andres Castellanos. It comes good on the brave new spaces Kinkajous pushed into with sell-out headline shows at London's Jazz Café and King's Place, alongside a gargantuan collaboration last winter with the London Contemporary Orchestra at London's EartH Theatre, and performances at Bluedot and EFG London Jazz Festivals. More

In their first bout of new music since 2022’s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.

Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome

Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc More

Set for release at the height of the season it’s dedicated to, ‘Music For Autumn Lovers’ by Adam Scrimshire is an eight track album of lush, mostly acoustic based, minimal instrumentals eliciting a mixture of feelings for this special time of year.

Four tracks originally released on an EP in 2022 are joined by new compositions ‘Hawthorn’, ‘Hazel’, ‘Willow’ and ‘Blackthorn’. Gently finger-picked acoustic guitars cosy up alongside pianos, synthesisers, strings and horns; filtered through an autumnal hue of susurrous production and effects. In turns comforting, melancholic and evolutionary; it feels like an album that can be kept being made and remade forever, like a season in itself.

Both a relentless creator and inspiring champion of new music; South London based Scrimshire has been recording, producing and DJing since the mid 2000s. Amongst his credits, he was featured by the Guardian as one of three producers behind the new wave of UK soul, alongside Inflo (Michael Kiwanuka, Sault, Lil Simz) and Swindle (Joel Culpepper, Greentea Peng, Kojey Radical). His bold 2023 album ‘Paroxysm’ was a response to the absurdity of the breakdown in the UK government, picking up an Album of the Week award on Huey Morgan’s BBC 6 Music show, and 2021’s beautiful ‘Nothing Feels Like Everything’ received an Album of the Year nomination at the Gilles Peterson Worldwide Awards. Scrimshire also somehow finds the time to support a wealth of talent on his label Albert’s Favourites, formed with Dave Koor and Jonny Drop, where they have recently released albums by And Is Phi, Huw Marc Bennet, Inês Loubet, Irini Arabatzi, Jonny Drop & Andrew Ashong, and Qwalia.

Radio Support: Gilles Peterson (BBC Radio 6 Music), Tom Ravenscroft/Deb Grant – New Music Fix (BBC Radio 6 Music), Huey Morgan (BBC Radio 6 Music) Guy Garvey (BBC Radio 6 Music)

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London-based keyboardist and composer Greg Foat is back with his new album, 'The Rituals of Infinity'. Greg's first memory with the piano goes all the way back to his Aunt's house at aged 3 - where he fell off the piano stool. Since then, his relationship with the piano has evolved into a fulfilling, and successful career. He began taking an interest in composing at the age of 11, and truly ignited his love for Jazz after attending a workshop with Jeff Clyne, Olaf Vas, Trevor Tomkins and Nick Weldon at the age of 15. He then studied jazz at Middlesex University, followed by 6 months in Sweden on an Erasmus grant which lead to his first professional studio session there at 21. Greg has worked as a professional musician ever since, and has moulded a wonderfully multifaceted career within the Jazz music genre. Greg is planning a debut performance of 'The Rituals of Infinity' at Ronnie Scotts in January.'The Rituals of Infinity' album is inspired by many things. Some titles are named after iconic science fiction books such as The Rituals Of Infinity, A Private Cosmos, The Dark Labyrinth and The World of the Red Sun. Minerva's Owl, on the other hand, is about the Ancient Greek Legend. "The owl of Minerva takes flight only at dusk." so wrote G. W. F. Hegel, the nineteenth century's major philosopher of history. By that, he meant that any given phase of history can be understood only in retrospect — after it's over. A beautifully fitting closing of the album. The album features the legendary Art Themen on Soprano and Tenor Saxophones, and Trevor Walker on Trumpet and Flugel Horn in a fine supportive role harmonising with Katherine Farnden on Cor Anglais. Natcyet Wakili has such a fluid approach to the drums which really makes the album special, alongside Jasper Osbourne on Bass Guitar. Shawn Lee also stopped by the studio with his horror movie classic waterphone - adding some eery atmospheric finishing touches to the album. More