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Last in:25.06.2024
Label:Rosten
Cat-No:Rosten10
Release-Date:21.06.2024
Genre:Techno
Configuration:12"
Barcode:8578632345438
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SHXCXCHCXSH - 01
2
SHXCXCHCXSH - 02
3
SHXCXCHCXSH - 03
4
SHXCXCHCXSH - 04
After a few years' hiatus, SHXCXCHCXSH are now opening up their label Rosten again with the EP "DO". Four tracks that resume their sound and approach to techno and club music.
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Last in:23.01.2020
Label:rosten
Cat-No:rosten6
Release-Date:09.11.2018
Genre:Techno
Configuration:2LP
Barcode:
OUFOUFOF represents the beginning of a new turn for SHXCXCHCXSH, one born out of a fresh conceptual approach to rhythm. Having concentrated in recent years on music for more experimental scenes, SHXCXCHCXSH wanted to create music for the club, but not with the usual 4/4 approach. "...the main focus being our relationship with the dancers' minds and how we do our best to fuck with them". Stylistically, the project began with a discussion about rhythm, about what is interesting and what is not. The result is a conceptualized approach, one in which multiple sounds in each track are based around a single rhythmic pattern. This concept has been extended holistically, to track names and artwork. Ultimately, what began life as a series of records has evolved into an eight-track LP of twisted, polyrhythmic studies in pattern and texture. Fresh off the back of SHULULULU EP for Avian, OUFOUFOF, is the fourth studio long-player from the Swedish duo and will be released on their own label Rosten, November 5th.
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Last in:07.09.2015
Label:avian
Cat-No:avnlp002
Release-Date:19.09.2014
Genre:Techno
Configuration:2LP
Barcode:
A year after their much-praised debut album STRGTHS, Avian's cryptic Swedish duo SHXCXCHCXSH are ready to present their second album, Linear S Decoded, this August. From the elegiac opener Entering The S-Cloud, the intensity of tracks such as Elocution and Rudimental Retreat, to the disorienting beauty of Wading Guise and aptly-titled closer Monolithic Conclusion, the LP deftly broadens the scope of SHXCXCHCXSH's singular aesthetic. Keeping their mystic aura has always been important to SHXCXCHCXSH - so important they didn’t want to take part in what they deemed 'the language game' until now. Their previous strict use of fragmented track titles illustrated an ideal of communication purely through music, to service the focus on sound via complete abstraction. Breaking the habit with Linear S Decoded doesn’t necessarily indicate a complete break with their approach, but an adjustment to the direction they have travelled since they first emerged two years ago. As Resident Advisor identified in a perceptive review of the previous LP, among SHXCXCHCXSH's key strengths is the imbuing of their productions with a narrative sense, a sonic progression that moves beyond techno's standard repetition - it's an element of their work that's heightened further on Linear S Decoded, pulling focus from the more grinding, brutalist elements of their distinct sound to reveal the more melodic, almost optimistic, elements that had previously remained in the shadows of the productions until now. The track titles themselves are evocative about the new record whilst revealing few specifics: no less intriguing than the clustered consonants of the prior release titles, hinting at deeper underlying narratives at play, possibly historically informed, or a fiction of the duo's own making. Either way, definitive answers will not be forthcoming: the mysteries that lay beneath SHXCXCHCXSH's approach to music making have long been an intrinsic part of their appeal. Linear S Decoded presents the opportunity for newcomers and those already au fait with the duo to employ their deciphering abilities, whilst simultaneously offering an expanded and ever more richly detailed landscape to traverse...
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Last in:02.12.2014
Label:avian
Cat-No:avn013
Release-Date:06.03.2014
Genre:Techno
Configuration:12"
Barcode:
Avian’s first release in 2014 comes from the enigmatic Swedish duo SHXCXCHCXSH. Following their highly acclaimed debut LP STRGTHS, released last summer, the duo now returns with their fourth release for the label. The EP collects three staggering techno workouts with fragmented track titles in familiar manner. The A-side starts off straightforward with VVVLLLLVVV’s stabbing kick drum alongside an eerie melody that works its way through to the flip site. MRRRWRRRDS first embraces the listener with a warm, murky bass before falling into the fluttering beat that drives the track forward. Closer MRRRCHNNNN brings no ease with a restless pounding defining the tone for Avian in 2014...
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Last in:09.01.2020
Label:Rosten
Cat-No:rosten9
Release-Date:29.11.2019
Genre:Techno
Configuration:LP
Barcode:
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HSXCHCXCXHS - No Title
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HSXCHCXCXHS - No Title
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HSXCHCXCXHS - No Title
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HSXCHCXCXHS - No Title
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HSXCHCXCXHS - No Title
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HSXCHCXCXHS - No Title
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HSXCHCXCXHS - No Title
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HSXCHCXCXHS - No Title
AAA (pronounced something like AOE) is the first release from SHXCXCHCXSH under the new moniker HSXCHCXCXHS. It's a single LP, delivered in 80 bpm and presented with visuals from Pedro Maia.
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Last in:24.06.2019
Label:rosten
Cat-No:rosten8.3
Release-Date:07.06.2019
Genre:Techno
Configuration:12"
Barcode:
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SSTROM - Drenched 9
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SSTROM - Drenched 10
3
SSTROM - Drenched 11
4
SSTROM - Drenched 12
Following last year's 'Vitriol' EP and 'Otider' album, SSTROM is back on Rosten with 'Drenched', 12 tracks for the floor, divided on 3 EPs, each to be released three weeks apart. SSTROM is the project of Hannes Stenstrom, once part of Swedish band Slagsmalsklubben, and one half of enigmatic techno duo SHXCXCHCXSH (SHX). SSTROM's output is explicitly immersive, relying on tense immediacy and spontaneity. The subtle 4x4 pulsations frame vivid narratives, rich layers of texture with lush harmonies surfacing from the warm and alien flow. On his 'Otider' LP SSTROM manifested a sonic diversity relating to his personal experiences and incorporated a diversity of genres and elements ranging from '90s rave to hints of minimal synth or outsider house melodic sensibility, yet everything carefully merged into a coherent whole. On 'Drenched' SSTROM concretizes his ideas even further. The EP's came to life after he broke his computer by spilling a drink on it. It forced him to try out different techniques of composing and recording. With limited ways of working, a more minimalistic form of expression emerged, based on very short but mind-bending harmonic structures and layered pulsations. The process proved to be very creative and resulted in these twelve tracks whose magic will work best on EP format and for the floor.
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Last in:02.09.2019
Label:rosten
Cat-No:rosten8.2
Release-Date:10.05.2019
Genre:Techno
Configuration:12"
Barcode:
Following last year's 'Vitriol' EP and 'Otider' album, SSTROM is back on Rosten with 'Drenched', 12 tracks for the floor, divided on 3 EPs, each to be released three weeks apart. SSTROM is the project of Hannes Stenstrom, once part of Swedish band Slagsmalsklubben, and one half of enigmatic techno duo SHXCXCHCXSH (SHX). SSTROM's output is explicitly immersive, relying on tense immediacy and spontaneity. The subtle 4x4 pulsations frame vivid narratives, rich layers of texture with lush harmonies surfacing from the warm and alien flow. On his 'Otider' LP SSTROM manifested a sonic diversity relating to his personal experiences and incorporated a diversity of genres and elements ranging from '90s rave to hints of minimal synth or outsider house melodic sensibility, yet everything carefully merged into a coherent whole. On 'Drenched' SSTROM concretizes his ideas even further. The EP's came to life after he broke his computer by spilling a drink on it. It forced him to try out different techniques of composing and recording. With limited ways of working, a more minimalistic form of expression emerged, based on very short but mind-bending harmonic structures and layered pulsations. The process proved to be very creative and resulted in these twelve tracks whose magic will work best on EP format and for the floor.
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Last in:29.04.2019
Label:rosten
Cat-No:rosten8.1
Release-Date:18.04.2019
Genre:Techno
Configuration:12"
Barcode:
1
SSTROM - No Title
2
SSTROM - No Title
3
SSTROM - No Title
4
SSTROM - No Title
Following last year's 'Vitriol' EP and 'Otider' album, SSTROM is back on Rosten with 'Drenched', 12 tracks for the floor, divided on 3 EPs, each to be released three weeks apart. SSTROM is the project of Hannes Stenstrom, once part of Swedish band Slagsmalsklubben, and one half of enigmatic techno duo SHXCXCHCXSH (SHX). SSTROM's output is explicitly immersive, relying on tense immediacy and spontaneity. The subtle 4x4 pulsations frame vivid narratives, rich layers of texture with lush harmonies surfacing from the warm and alien flow. On his 'Otider' LP SSTROM manifested a sonic diversity relating to his personal experiences and incorporated a diversity of genres and elements ranging from '90s rave to hints of minimal synth or outsider house melodic sensibility, yet everything carefully merged into a coherent whole. On 'Drenched' SSTROM concretizes his ideas even further. The EP's came to life after he broke his computer by spilling a drink on it. It forced him to try out different techniques of composing and recording. With limited ways of working, a more minimalistic form of expression emerged, based on very short but mind-bending harmonic structures and layered pulsations. The process proved to be very creative and resulted in these twelve tracks whose magic will work best on EP format and for the floor.
More
+ Show full info- Close
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Last in:23.01.2020
Label:rosten
Cat-No:rosten6
Release-Date:09.11.2018
Genre:Techno
Configuration:2LP
Barcode:
OUFOUFOF represents the beginning of a new turn for SHXCXCHCXSH, one born out of a fresh conceptual approach to rhythm. Having concentrated in recent years on music for more experimental scenes, SHXCXCHCXSH wanted to create music for the club, but not with the usual 4/4 approach. "...the main focus being our relationship with the dancers' minds and how we do our best to fuck with them". Stylistically, the project began with a discussion about rhythm, about what is interesting and what is not. The result is a conceptualized approach, one in which multiple sounds in each track are based around a single rhythmic pattern. This concept has been extended holistically, to track names and artwork. Ultimately, what began life as a series of records has evolved into an eight-track LP of twisted, polyrhythmic studies in pattern and texture. Fresh off the back of SHULULULU EP for Avian, OUFOUFOF, is the fourth studio long-player from the Swedish duo and will be released on their own label Rosten, November 5th.
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1
The Space Lady - All Shook Up
2
The Space Lady - Slapback Boomerang
3
The Space Lady - Puttin’ On The Ritz
4
The Space Lady - Radar Love
5
The Space Lady - 20th Century Fox
6
The Space Lady - Shakin’ All Over
Mini LP, LTD 500 , Clear Vinyl - RSD 2024, No sales to UK,USA,FR, Benelux
1. All Shook Up
2. Slapback Boomerang
3. Puttin’ On The Ritz
4. Radar Love
5. 20th Century Fox
6. Shakin’ All Over
Since her re-discovery in 2013 via cult favourite The Space Lady’s Greatest Hits, The Space Lady’s mission of galactic
peace and celestial harmony has grown into a world-wide underground phenomenon. Recorded in 1990, The Space
Lady’s original repertoire is a parallel universe greatest hits: songs familiar are transmogrified into shimmering bliss
while new compositions amplify the message. The Space Lady’s Other Hits, released on April 20th for Record Store Day
2024, constitutes the songs recorded by Susan “The Space Lady” Dietrich Schneider as part of that repertoire that
never made the original Greatest Hits, save for a limited bonus CD on the first CD pressing. Remastered by Mikey Love
for vinyl, The Space Lady’s Other Hits completes the picture.
The Space Lady began her odyssey on the streets of Boston in the late 70s, then San Francisco ten years later, playing
versions of contemporary pop music with an accordion and dressed flamboyantly. Following the theft and destruction of her
accordion , The Space Lady invested in a then-new Casio keyboard, complete with a phase shifter, delay pedal and headset
mic, birthing an otherworldly new dimension to popular song that has captured the imaginations of the underground and its
leading exponents ever since.
The Space Lady’s Other Hits were recorded as they were played on the street, live, one-take, with Schneider playing, singing
and simultaneously manipulating the various effects. Beginning with Elvis Presley’s iconic All Shook Up, the walking bassline
underpinning the vocal, phasing in and out of this dimension, providing a fragile, extraterrestrial shadow to Presley’s original
lust-driven performance. Slapback Boomerang is an original composition, written by Schneider’s then-husband Joel Dunsany
a Rock ’n’ Roll pounder that could have been performed by The Cramps, its tale of relationship turmoil changed into a
meditation on the nature of echo and feedback. There are moments where Schneider performs vocal caesuras, swimming in
delay and phase for the pleasure of it, a pantomime drama performance that rings out. Closing Side B, Puttin’ On The Ritz is
Irving Berlin’s 20s smash hit manipulated into a sombre ballad with its latent class struggle narrative brought to the fore.
A staple of The Space Lady’s performances to this day, Golden Earring’s 70s global hit Radar Love retains something of the
original’s driving gallop but in The Space Lady’s telling it is shorn of the tight-trousered, taut machismo. The Space Lady coos
and reaches up into the heavens away from the road, the phaser waves drenching the composition with transcendence.
Schneider’s falsetto performances in the choruses do nothing but lift the spirits ever-arching upwards. Next, The Space Lady
emasculated Jim Morrison’s performance in The Doors’ 20th Century Fox. Faithfully playing Ray Manzarek’s keyboard parts on
her Casio, Schneider disintegrates Morrison’s lust into waves of echo and delay, creating a Dubbed out version of the song,
sounding eroded and decayed in all its ghostly glory. Pioneering Rock ’n’ Roll outfit Pete & The Pirates’ 1960 hot Shakin’ All
Over, something of a response to Elvis’ All Shook Up, is blown out in warm fuzz and the celestial hug of The Space Lady’s
spirit.
The Space Lady’s Other Hits is released on April 20th 2024 on clear vinyl 12”, limited to 500. More
1. All Shook Up
2. Slapback Boomerang
3. Puttin’ On The Ritz
4. Radar Love
5. 20th Century Fox
6. Shakin’ All Over
Since her re-discovery in 2013 via cult favourite The Space Lady’s Greatest Hits, The Space Lady’s mission of galactic
peace and celestial harmony has grown into a world-wide underground phenomenon. Recorded in 1990, The Space
Lady’s original repertoire is a parallel universe greatest hits: songs familiar are transmogrified into shimmering bliss
while new compositions amplify the message. The Space Lady’s Other Hits, released on April 20th for Record Store Day
2024, constitutes the songs recorded by Susan “The Space Lady” Dietrich Schneider as part of that repertoire that
never made the original Greatest Hits, save for a limited bonus CD on the first CD pressing. Remastered by Mikey Love
for vinyl, The Space Lady’s Other Hits completes the picture.
The Space Lady began her odyssey on the streets of Boston in the late 70s, then San Francisco ten years later, playing
versions of contemporary pop music with an accordion and dressed flamboyantly. Following the theft and destruction of her
accordion , The Space Lady invested in a then-new Casio keyboard, complete with a phase shifter, delay pedal and headset
mic, birthing an otherworldly new dimension to popular song that has captured the imaginations of the underground and its
leading exponents ever since.
The Space Lady’s Other Hits were recorded as they were played on the street, live, one-take, with Schneider playing, singing
and simultaneously manipulating the various effects. Beginning with Elvis Presley’s iconic All Shook Up, the walking bassline
underpinning the vocal, phasing in and out of this dimension, providing a fragile, extraterrestrial shadow to Presley’s original
lust-driven performance. Slapback Boomerang is an original composition, written by Schneider’s then-husband Joel Dunsany
a Rock ’n’ Roll pounder that could have been performed by The Cramps, its tale of relationship turmoil changed into a
meditation on the nature of echo and feedback. There are moments where Schneider performs vocal caesuras, swimming in
delay and phase for the pleasure of it, a pantomime drama performance that rings out. Closing Side B, Puttin’ On The Ritz is
Irving Berlin’s 20s smash hit manipulated into a sombre ballad with its latent class struggle narrative brought to the fore.
A staple of The Space Lady’s performances to this day, Golden Earring’s 70s global hit Radar Love retains something of the
original’s driving gallop but in The Space Lady’s telling it is shorn of the tight-trousered, taut machismo. The Space Lady coos
and reaches up into the heavens away from the road, the phaser waves drenching the composition with transcendence.
Schneider’s falsetto performances in the choruses do nothing but lift the spirits ever-arching upwards. Next, The Space Lady
emasculated Jim Morrison’s performance in The Doors’ 20th Century Fox. Faithfully playing Ray Manzarek’s keyboard parts on
her Casio, Schneider disintegrates Morrison’s lust into waves of echo and delay, creating a Dubbed out version of the song,
sounding eroded and decayed in all its ghostly glory. Pioneering Rock ’n’ Roll outfit Pete & The Pirates’ 1960 hot Shakin’ All
Over, something of a response to Elvis’ All Shook Up, is blown out in warm fuzz and the celestial hug of The Space Lady’s
spirit.
The Space Lady’s Other Hits is released on April 20th 2024 on clear vinyl 12”, limited to 500. More