more info soon.

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It got away! The hounds are back on the leash for another session, as Montel makes a bid for better days with this all-out charm offensive of serenades, blissed up patter and emotional blackmail, Palmer-style.

The result is 12 tracks steeped in mind games, romance power plays and neurotoxin rollercoasters, with additional bonus strategies to dissociate with minimum dignity.
Big up Kiwi’s Kiosk..



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Devon Rexi return with Mini-LP “Biya Ba Man”, a new and improved take on the no wave steppers and post punk grooves of their debut “Tambal EP”.

The five track Mini-LP sees the band expand to a quintet, with originators Nic Mauskovic (drums and vocals) and Nushin Naini (bass and vocals) joined by Tobias Jansen on turntables, Lyckle de Jong on synths and effects and Goya van der Heyden on percussion.

The extra players collaborate to send Devon Rexi’s sound in new directions, amplifying the already extra-dimensional vibe. Synths and vinyl manipulation render a trip hop vibe to the post punk brew, reminding of zoned-out jams like Maxinquaye, or those heady early Mo’Wax.

Opening track “Sjikamo” sets the tone at a deconstructed hip hop tempo, samples spliced up like a classic Celluloid album. “Fargh Nimikoone” ups the pace with a funky 135 bpm lean, and Nushin’s harmonized vocal sounding ever more alien over the conga rhythm. “Marde Pir” closes the first side at another beatdown tempo, the drums flexing like factory pistons.

The B side fires up with “Biya Ba Man Biya” - a proper steppers bounce, Nushin’s farsi singalong chorus is as catchy as it’s ever been. The Mini-LP concludes with “Koja Raftan” bringing plenty of Bomb Squad energy, crescendoing in fine maximal percussive style.

It’s no wave, but not as we know it. With new members bringing effects and collage elements to the spacious minimal wave core, there’s plenty of avenues for future formations of Devon Rexi to explore.

- Liner Notes by Fizzy Veins

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Maria is a trio from Holland and the Czech Republic, who have been producing their own unique post-religious cabaret since 2016. Lyckle, Katerina and Bjorn have amassed seven albums of outsider pop and improvised mayhem over the years. This collection of tracks were mostly made on a farm over a two year period and you can tell the fresh air had a conducive effect on their collective songwriting. A classic sound of drum machines, synth bass, and keyboards holds up Katerina and Lyckle’s vocal interplay alongside Bjorn’s guitars. When the three find their sweet spot, they can conjure up fine slices of whimsical, bleary-eyed pop music that isn’t afraid to smile once in a while and dream big.

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*2023 Repress**

Self recorded in 1984 to 4 track tape. Rhythmical patterns meet well balanced distortion, shaping the music into a mirror of his character, creating a unique blend of lo fi blue eyed soul jazz. TIP!!

Ronald was part of several Dutch Latin and Jazz bands, including Cascada and Ritmo Natural. With the latter he performed at Holland’s North Sea Jazz Festival. At this point Ronald is 78 years old, playing music every day.

Instruments: Acoustic Piano, Fender Rhodes Piano, Farfisa Organ, String Ensemble, Tenor Sax, Alt Sax, Soprano Sax, Clarinet, Alt Clarinet, Organ Bass, Micro Moog, Drums, Longa & Voices.

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*2023 Repress**

A stunning follow-up to his late 2018 release. Mostly recorded live at the Apollo Hotel Amsterdam in 1991. This is a compilation of the ''Apollo Hotel CD box'', that Ronald made himself, for family and friends.. BIG tip!

Some words from the label:

From 1986 until 1992, Ronald had a residency in the lounge of Amsterdam’s Apollo Hotel. He would play there 5 days a week, for 5 hours a day. In 1991, throughout several sessions, he recorded himself on a cassette recorder. The recordings were ranging from re-interpreted cover versions to multiple own compositions.

The Apollo was particularly known for its sophisticated and elegant crowd. Guests would come to meet in the lounge to talk business, or end the day with a drink at the bar - dancing was never an option.

Listening to the album, one must wonder how some of this music would go hand in hand with a place like that. It seems Ronald gets lost in music and returns in unequally balanced patterns. Lounge sounds meet drum computer rhythms, punchy baselines, distorted space noises, reoccurring clarinet interludes and improvised piano solos.

Back then, just as now, Ronald never liked to be the center of attention. He simply tried to interact with the surrounding as a provider of the mood - as he explains himself.

Instruments
Live: Grand Piano, Yamaha QX1 Sequencer, 2x Yamaha TX7 Tone Generator, Drumtraks Sequential Circuits, Clarinet, Voice
Added at home: Yamaha DX7 Sounds, Roland R-8
Space Train: Kurzweil Piano, Yamaha DX7, Roland R-8, Soprano Sax, Voice

Recorded live at the Apollo Hotel Amsterdam in 1991, except 'Space train', which was recorded in Ronald’s living room.

All instruments played and arranged by Ronald Langestraat.
All tracks written an composed by Ronald Langestraat, except 'Lowdown' which was written by David Paich & Boz Scaggs, 'Give and take' which was written by Michael Shrieve, Tom Coster & Carlos Santana and 'Orpheus' which was written by David Sylvian.

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Between 2009 and 2013 Kim recorded a bunch of music; in the old tramtransfer at the Kinkerstraat in Amsterdam (now de Foodhallen), in Berlin living in a biodynamic living community in Lichtenberg & in an apartment on the Hoofdweg in Amsterdam, that doubled as a grow-house.

The title ‘Oostwestkruisbest’ is a combination of the sayings ‘oost west thuis best’ and ‘ieder huisje heeft zijn kruistje’. The first translates as ‘home sweet home’, where the second means every home has its own troubles.

‘Infinity hours remaining’ was made during a prolonged period of sleepless nights. ‘Kopievankopie’ features, amongst other things, a guitar Kim borrowed from his sister. It directly translates as ‘copy of copy’. ‘Die Trommel, der Trum’ was made using a Casiotone 701 with a drummer boy in mind. The title is German for ‘the drum, the dream’. ‘Ongecontroleerde Dagrestanten’ was made with an elastic band (a broad one, that in the Netherlands were used by mailmen) and a clarinet without a mouthpiece. ‘Oostwestkruisbest’ features pots and pans from Kim’s kitchen.

A1 - Infinity Hours Remaining 1:04 mins
A2 - Kopievankopie 10:03 mins
A3 - Die Trommel, Der Trum 4:03
B1 - Ongecontroleerde Dagrestanten 7:51 mins
B2 - Oostwestkruisbest 8:33 mins

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Montel Palmer jump out of the plane with only a HVW8 parachute for company and land squarely on Chlodwig roundabout. Nod to Roy Ayers, nod to secret ingredients, nod to all the auntys and uncles who know where to go when the sun goes down...and then comes back up again…

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Nicolini is back with the next installment of stripped-down drum workouts and sound system madness. Spread across seven tracks and as many tempos, the dutch multi-instrumentalist and producer veers effortlessly between looped-up sax riffs (with a Twin Peaks ambience), dubby wave, mutant dancehall, low-slung steppers and manic 180 bpm experiments. Along with guest appearances from Nushin Naini and Martha de Barros, Sopratutto is an adventure through bass cones above and beyond what Nicolini has laid down before. "

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Repress!

New material from the enegmatic Mr Langestraat. TIP!

"One afternoon a couple of years ago, an excited Ronald Langestraat could barely contain himself. “I’ve started dancing!” he exclaimed. “I never did it before - I’d always admired it in the past, but just wasn’t able to move like that!” But then, at the ripe old age of 81, Ronald was gripped by the urge to respond to the rhythm and express himself in this physical way.

For a man who’s dedicated his life to music, in particular Jazz with a funky Latin inflection, it feels like an especially sage realization - like the treasure at the end of a long quest, or the princess after the end-game boss. The prize is freedom, and the shapes we make on the dance floor are mirrored in that piano solo over the stanzas - a caravan that trips from smokey basement clubs all the way to Shiva’s Tandava on the edge of the universe.

The music on this album is inspired by this revelation. Although these songs were written many moons ago, their interpretation is modern, full of renewed energy, with young, yet well-worn players. While it slots neatly into the daily music practice that Ronald adheres to, it’s a new chapter in a story that is still being written - and an invitation to get in touch with your dancing self and try out some new moves."

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Repress!

Picture the scene if you can. It’s Sunday evening at the Meakusma Festival, 2019. A small audience (in varying states of inebriation and recovery) sit patiently on the floor, drenched in soft sunlight. Fizzy Veins is set up to play - his guitar resting on his knees while he stares into his laptop with an expression displaying amusement and fear in equal measure. He tentatively speaks into the microphone. There’s a lot of reverb. I don’t think anybody has the slightest idea what he’s saying. I assume he’s delivering a joke, but it’s very hard to tell. People laugh. After yet more tweaks to his gear he starts to play some loose, bendy phrases on the guitar, and we are all gently vaporised up Mount Effervescent. Our benevolent guru sits at the peak, speaking in tongues to the freshly formed congregation. The beats start to roll out and the sun begins to set in the evening sky. Fizzy transitions and he continues his long distance narration from deep inside his own reverb. It sounds like he’s in another room. On another planet, more like.

Witnessing the show, as I did, left me wondering how he even manages to boot-up his computer.. let alone produce an album as brilliantly formed and coherent as this!

Yours sincerely,
A. Fizzyfan

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4 chop-outs from the DE BOVENOVER BLUES beat tape . TIP!

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** CASSETTE RELEASE - very limited run - 30 minutes running time.

"Fry Ry delivers two sides of comatose, cone-shaking beats, low-slung and optimized for the whip. Blending the best bits of r’n’b slow jams, slapped bass licks, swampy guitars and soul snippets with a dash of Memphis rumble. De Bovenover Blues is a bittersweet road trip via the sanctified riffs of a bygone era.

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Nicolini is back! Delivering two slices of finest DIY post-punk digi (styles), woven together with bouncy basslines, punchy drum machines, and Casio melodies, as Nic’s voice beams in from beyond the ether.

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Sung in the language of the in-between-worlds, diasporic human snacks are vibrating their sonic manipulations in tribute to the lonely & oblivious Mr. Naster.

Pulses interpreted and expressed by Nushin Naini on fried farsi-like vocals & bass. Nicolini on drums, sax and miscellaneous objects.

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Sometimes it only takes a short getaway to the beach at the beginning of a new romance to open your heart to the wonders of the universe. On this record CV Vision taps into the ebb and flow of the sea, the cycle of coastal processes, and repositions the library sounds he’s mastered so well somewhere on the other side of the bay.

White noise washes like gentle waves up against analog synths and acoustic guitars, while the full spectrum of holiday possibilities are reflected: Surf’s Up (Let’s Trip) captures that roadtrip excitement, albeit with some psychedelic twist. But it’s not all sunshine - CV Vision makes sure to show the grey clouds too, with the sweet melancholy of Rainy Days.

Somewhere between dune rides and underwater dives, camp fires and sunsets, CV Vision captures a weekend at the beach in song. After a short moment of reflection (and some hallucinatory assistance), he wrote the lyrics and pieced the record together in the following weeks, to create what you see and hear now.

Instrumental interludes brush up against ballads and field recordings, to paint a wonderfully rich audio postcard from deep within CV Vision’s heart.

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"Oscillation associations

This album is titled Os. When I look at the shape of these two letters, O and S, I realize that they are a rotation and an oscillation.

Os is Dutch for Ox. An ox is a castrated male bull. The primary benefit of castrating bull calves is to temper their tempers, making it easier and cheaper for people to handle them. Os is also an abbreviation of oscillation, -cillation being castrated off. Oscillation means a movement back and forth in a regular rhythm, like breathing, push-ups, tides, swinging or sound. For this album Lyckle was not dealing with oxes or bulls, but with oscillations, guiding them through synths, handling their tempers. If I look at the etymology of oscillation, I learn that it stems from the term Oscilla, which were ancient disks depicting a face or animal on each side. Oscilla is a diminutive of os and means ‘little face’. They were hung in trees during religious feasts honoring various deities, as well as being thought of as purifying the air as they swung in the wind.

The wind chime with its little sunny face, smiling on the cover of this record was hanging in the windowsill of Lyckle’s studio, behind his back, where the wind would make it jingle, averting the Evil Eye according to apotropaic magic. In ancient Rome, wind chimes named Tintinnabulum were decorated with a phallus, which was also seen as a good luck charm. Phallic charm also appeared as objects of jewelry such as pendants and finger rings. It has been suggested that some types of phallic pendants were designed to point outwards in the direction of travel in order to face any potential danger or bad luck, nullifying it before it could affect the wearer.

When I take the record itself out of the sleeve, I see that there are two phalluses carved into the surface of the vinyl, like little ornaments. When you start playing the record, they start chasing each other, going round and round. They point in all directions of the room, but are never able to point at each other. Finally, I am told that it is recommended to listen to this record with the window open, allowing sounds from outside to blend in with the music. "

- Bernice Nauta

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Welcome to Nicolini’s wonderful world of surprise - Penni’s Palace. Here you will find zebra-chairs and matchbox countachs, colourful tv-screens and Penni the cat presiding over proceedings. You will also find Nicolini, hunched over his MPC or Casio keyboards, sweeping the EQs to make the sounds move, jamming out his songs in heavy microdoses. They are the sounds of machines and the city - Amsterdam centre to be precise - brought to life with volts of electricity.

These songs started out as a live show on the terrace of Garage Noord nightclub, and over the following months Nicolini tweaked and re-recorded them into the collection of tracks you have before you. Bristling with energy, these live jams have a loose, almost mystical feeling - you never know quite what’s around the corner. Sounds jump out of the speakers at you, from car engines to reverb crashes. Opposites face off against each other - the mechanical meets the organic, and the cold emptiness of the city contrasts with the warm timbres of tropical climes.

Nicolini is quite used to combining disparate elements, particularly as a member of the re-configured Zamrock band WITCH. As pioneers of some of the heaviest space fuzz back in the ‘70s, WITCH combined garage-psych guitars with Zambian dialects and culture to create a wildly unique sound. Nicolini joined the band during their resurgence over the last few years, as they toured far-flung corners of the world. It’s an experience that undoubtedly helped Nicolini hone one skill set in particular - combining unexpected sounds together in unusual ways - and it’s on full display across these nine tracks.

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Transparent Neon Orange Vinyl

Over the summer of 2024 Adam F has been releasing a series of reboots on 181 Recordings - the label founded with vocalist and partner Kirsty Hawkshaw. As a precursor to his forthcoming album he follows up 'Brand New Funk Revisited Reboots' and 'Music In My Mind Revisited / Reboots' with painstakingly re-recorded and rebooted versions of his seminal track 'Circles', with a Reboot by Adam F, as well as the first official release of the Pola & Bryson & Adam F reboot - which has been causing a storm on DnB dancefloors worldwide.

"'Circles' is one of the first tracks where I could express my influences with no boundaries. The music became known as Drum n' Bass but started off as hard core Rave and Jungle. One of the greatest things about it for me was that I could express myself through that medium using all my influences; funk, soul, reggae and jazz - freely and unrestricted." says Adam F on the release.

"Circles has evolved over time with very solid and rich roots. Behind the hooks, basslines and such there are great textures. Saxophone, trumpet, Keyboards and synthesisers contributing to a free flowing arrangement drawing on my love of jazz musicians indulging my own personal imaginative dreamscape of sound. Ultimately I want it to be crafted into something of a listener's story and journey that people can hang their hats on as well as their hearts."




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You’re NEXUS 21, central to the dizzy zeitgeist of the 1991 adrenaline rammed UK House Music juggernaut, and you have just recorded a masterpiece of an album MIND MACHINES. DON’T DO IT LIKE THAT - somehow even though your record label love the album it does not get released. DO IT LIKE THIS - it finally gets issued now. When Mark Archer and Chris Peat flew back from a seminal recording session at Kevin Saunderson’s KMS Studio in Detroit there was a palpable feel of excitement. Instead of merely paying homage to their Techno forerunners, they were now creating their own just as innovative waveforms. In the can was a gem - DON’T DO IT LIKE THIS, DO IT LIKE THAT. Motor City songstress Donna Black had unconsciously seemed to add Ma to the start of her name and her recorded in the dark vocals helped conjure up an almost Madonna and a drum machine meets Techno hybrid. This it was agreed could be a huge breakthrough single which - preceded by strategically released set up tracks - would build up Nexus 21’s surely inevitable rise to glory. And the release of the MIND MACHINES album. But it never happened. Instead one day Mark and Chris burst into Network’s Birmingham office excitedly brandishing no less than 8 new recordings infused with a propulsive Rave energy flash compared to their more cerebral Nexus 21 work. The label agreed that the new tracks should be released under a new artist name and an initial suggestion. Alien 8 replaced by Altern 8. What was planned as temporary dalliance became a long term relationship. You all know the score - Altern 8 became surf riders supreme on the rave tsunami, not just music makers but myth creators. The plan has been to run Nexus 21 and Altern 8 parallel, a kind of schizophrenic experiment by two men, a drum machine and a mad for it record company. History shows that Altern 8 became too DOMIN 8 and the lovingly recorded Nexus 21 album was left on the proverbial shelf (actually a box in Birmingham) So now MIND MACHINES finally meets the World. First thing that screams out that it hasn’t half aged well. Obviously it is a wet dream for the anoraks of electronica, that goes without saying. But above and beyond the history lesson of how 2 young UK techno mad kids got the dots from Detroit and deconstructed them to create something very British the music they created, sometimes naive but frequently knowledgeable, sounds .. well just great. The four Detroit recordings - NEXODUS, TOGETHER, DON’T DO IT LIKE THAT, DO IT LIKE THIS and EVERYTHING (NO STATUES) - variously feature contributions from Motor City luminaries Marc Kinchen and Anthony Shakir. Only two of the twelve recordings were properly released in 1990/1991 with two more making it on a withdrawn white label 12 inch at the time. Three of the tracks, including a live recording at London’s Brain Club that has been retrieved from a DAT that was thought to have disappeared, are previously unreleased. And as well as two previously unreleased much altered versions of Nexus 21 gems there is the legendary much tougher mix of the duo’s signature techno treasure Self Hypnosis.

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Tracklisting
A1 Nina Kraviz - Tarde
A2 Nina Kraviz - Tarde (Vladimir Dubyshkin remix)
B1 Nina Kraviz - Tarde (Mala remix)
B2 Nina Kraviz - Tarde [Rework] (U.rtrax remix)

Sales Note
For the remixes of her "tarde" single, nina kraviz enlisted an all star remixers team and worked on a psy version herself as well. Nina recorded "tarde" in her bedroom 3 years ago and wanted the song to keep the same intimate feeling as when she recorded it. The result is a dark love song about love so strong, it could almost break you.

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Research Records teams up with organist and synthesist E. Bobby G. to release his sophomore album, Bobby Business. Once again, the album is primarily centered around the 1982 Kawai DX900, but it masterfully explores more genres than his debut, Giving You M.O.R.E.Bobby Business was recorded in 2022 after E. Bobby G. received an eviction notice from his beloved sharehouse of 12 years. After moving out, he stored the organ at his workplace, Bakehouse Studios, where his boss let him use the space overnight to record until the early hours. The remainder of the album was recorded in his old studio space, NGBE. The first track, "Ha-Ha," is as meditative as it is glittery, with floating sustained chords. "Big Boy" and "Disco Shift" bring back a slightly more polished E. Bobby G. sound—lo-fi library music with bright tones that will appeal to fans of proto-electronic icons like Brian Bennett. Tracks like "Lucky Strike" and "Tropical Dino Ride" are video game music dreams, featuring West Coast lead lines and strutting percussion. The second half of the album explores spaced-out '90s downtempo and dub elements, with a distinctive refinement that hides the fact it was created primarily using the Kawai DX900. Bobby Business closes with "Lillian," a sonic dedication to the artist's Grandmother, with a more traditional song structure that hints at what Bobby has planned next.

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Valuable vinyl reissue for this historic four-handed work by Gigi Masin and Giuseppe Caprioli. The concept of multitude combined with the figure/symbol of the labyrinth suggests orders of thought relating to the multiple states of being that inhabit the dark labyrinths of the soul, the hidden regions of the human psyche. All in Multitude In Labyrinth leads us to look for keys to understanding the ultimate meaning of a test as enigmatic as it is powerful. A congeries of paramusical phenomena in continuous evolution, expression of an internal feeling strongly concentrated on itself, disguised in the plastic flow of sound events that evolve on the gravitational maps of low-frequency drones, of the changing waveforms and of the elliptical-circular loops warped with scientific skill in the electronic workshop used for this purpose. A cinematic symphony in nine movements that direct the listening towards the frontiers of unexplored parallel worlds, ready to recreate the infinite maze of aural multitudes that materialize, dissolve and regenerate impulse after impulse for the duration of the work. Music whose remote echo makes us think of the harmony of the spheres that governs the mechanics of the cosmos and of being.

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The next instalment in the Disco Pogo Tribute series is the legendary electronic artist Aphex Twin. This follows the hugely successful Disco Pogo Tribute to Daft Punk. Like Daft Punk, the people behind Disco Pogo have had a long-standing relationship with Richard D. James for over 30 years via their 90s magazine Jockey Slut.The book is edited by Disco Pogo editor Jim Butler and features interviews, essays and features from the best music journalists working today.The book features an iconic cover portrait of Aphex by seminal photographer Wolfgang Tillmans, plus a huge amount of great photography of Richard since the very beginning from some of the best music photographers in the world.Thanks also to the designer of Aphex's logo Paul Nicholson who has opened up his archives to us and also the assistance and support from the label homes of Aphex - Warp, R&S and Rephlex. Thanks also to the people behind Aphex fan website Lanner Chronicle. The book is hardback, 250 plus pages and is beautifully designed and printed of course.

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LP - Double Black BioVinyl LP, in Pantone printed reverse board sleeve, including a 12” 16-page photo booklet printed on art paper, all packed in a resealable protective sleeve – limited to 5000 LPs

On October 6th, 2023, Hania Rani performed a very special album release concert with a string ensemble in a Concert Studio at the Polish Radio in Warsaw. Beautifully mixed by Greg Freeman in Berlin the music takes on a new life as Hania’s ethereal vocals, beautiful playing and exhilarating compositions are brought fully to life by the beautiful sweeping strings of the expanded ensemble. The concert is included here in its entirety with the addition of one beautiful extra performance – the title track ‘Nostalgia’ a beautiful interpretation of a much-loved piece from the Ghosts album taken from her concert at the Roundhouse in London.

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UK Dub pioneers Alpha & Omega finally return to ZamZam with “The Jungle Trembles,” an absolute anthem of a tune, a heartical call to action voiced by Steppas Records’ stalwart Nai-Jah. “Money-making has filled our minds with disease / you keep on raping, yet some still can’t find food to eat.” The lyrics demand empathy and overstanding atop a heaving bassline, magisterial melodica, sparkling keys and synths and jungle sounds that transport us to the very heart of the struggle. “The Dubplate Trembles” extends the vibes in classic A&O fashion, reminding us once again of why the duo have such a storied place in the history of this music we love.

Inspired in large part by the immortal Jah Shaka, A&O were amongst the very first artists to make dub music outside of Jamaica, key in the soundsystem culture and bass music expansion from JA via the UK to the world. Formed in the 1980’s and with over 30 studio albums to their name, we couldn’t be more proud to work with them once again. Nai-Jah graced the ZamZam stage at Outlook festival alongside Dub Dynasty back in 2017, so finally having him on a release completes another circle. An instant classic, “The Jungle Trembles” is a call to hear and heed the cry of the planetary systems and indigenous wisdom that sustain us before it’s too late.


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Who's that finally wrestling tanum from the tyranical clutches of klaus? It's winsome. Coming in from the wilderness to deliver his first record since 2017, stepping off the path he's been trodding through lovers rock to explore new territories of rhythm, sound and sub bass pressure.

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Tracklisting
A1 Dom & Roland - Going Solar
A2 Eusebeia - Psychoid
B1 Presha - Ratcatcher
B2 Hoji - Umbra
C1 ASC - S100
C2 Reeko - Codex Gigas
D1 Sam KDC - Mutilate
D2 Torn - When The Light Was Born
E1 Brendon Moeller - Walking On Glass
E2 The Untouchables - Temporal Rift
E3 Mako - Get Away With It
F1 Ancestral Voices - Night Skies Of Eden
F2 Last Life - Edena

Sales Note
The medium is the message! Vinyl has always been our preferredmedium for releasing music and without this tactile form ofpresentation, Samurai Music would not continue in its current form.Vinyl is the ultimate personification of what the label wishes torepresent. Music always comes first, but the vinyl artefact is king forus.

Hyaku is the 100th Vinyl release on the Samurai Music label.Through the many twists and turns of the industry in our almost 17years of existence, the Samurai Music vinyl releases havemaintained their aspiration for quality, unique design that stands thetest of time. Praise and thanks always to our long time designerRyan Quinlivan and the many pressing plants we have worked withover the course of our labels lifespan.

To celebrate this milestone we have assembled a gang of producersthat best represent the Samurai Music sound of now to contributetracks that they feel best encapsulates their take on our sound. Hyaku is a mutable mix of vibrations that navigates from the searingambient drift of Ancestral Voices all the way through to the headsdown assault of Dom and Roland. Singular takes that capture theartistry of this impressive crew of creators at their glistening best.

Finally we'd like to thank everyone who has ever and continues tosupport our vinyl releases. We are forever grateful!

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

One of Canada's finest purveyor of breakbeats John Rolodex joins the Over/Shadow crew and delivers 4 tracks of ear blistering goodness.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More