Transparent Neon Orange Vinyl

Over the summer of 2024 Adam F has been releasing a series of reboots on 181 Recordings - the label founded with vocalist and partner Kirsty Hawkshaw. As a precursor to his forthcoming album he follows up 'Brand New Funk Revisited Reboots' and 'Music In My Mind Revisited / Reboots' with painstakingly re-recorded and rebooted versions of his seminal track 'Circles', with a Reboot by Adam F, as well as the first official release of the Pola & Bryson & Adam F reboot - which has been causing a storm on DnB dancefloors worldwide.

"'Circles' is one of the first tracks where I could express my influences with no boundaries. The music became known as Drum n' Bass but started off as hard core Rave and Jungle. One of the greatest things about it for me was that I could express myself through that medium using all my influences; funk, soul, reggae and jazz - freely and unrestricted." says Adam F on the release.

"Circles has evolved over time with very solid and rich roots. Behind the hooks, basslines and such there are great textures. Saxophone, trumpet, Keyboards and synthesisers contributing to a free flowing arrangement drawing on my love of jazz musicians indulging my own personal imaginative dreamscape of sound. Ultimately I want it to be crafted into something of a listener's story and journey that people can hang their hats on as well as their hearts."


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You’re NEXUS 21, central to the dizzy zeitgeist of the 1991 adrenaline rammed UK House Music juggernaut, and you have just recorded a masterpiece of an album MIND MACHINES. DON’T DO IT LIKE THAT - somehow even though your record label love the album it does not get released. DO IT LIKE THIS - it finally gets issued now. When Mark Archer and Chris Peat flew back from a seminal recording session at Kevin Saunderson’s KMS Studio in Detroit there was a palpable feel of excitement. Instead of merely paying homage to their Techno forerunners, they were now creating their own just as innovative waveforms. In the can was a gem - DON’T DO IT LIKE THIS, DO IT LIKE THAT. Motor City songstress Donna Black had unconsciously seemed to add Ma to the start of her name and her recorded in the dark vocals helped conjure up an almost Madonna and a drum machine meets Techno hybrid. This it was agreed could be a huge breakthrough single which - preceded by strategically released set up tracks - would build up Nexus 21’s surely inevitable rise to glory. And the release of the MIND MACHINES album. But it never happened. Instead one day Mark and Chris burst into Network’s Birmingham office excitedly brandishing no less than 8 new recordings infused with a propulsive Rave energy flash compared to their more cerebral Nexus 21 work. The label agreed that the new tracks should be released under a new artist name and an initial suggestion. Alien 8 replaced by Altern 8. What was planned as temporary dalliance became a long term relationship. You all know the score - Altern 8 became surf riders supreme on the rave tsunami, not just music makers but myth creators. The plan has been to run Nexus 21 and Altern 8 parallel, a kind of schizophrenic experiment by two men, a drum machine and a mad for it record company. History shows that Altern 8 became too DOMIN 8 and the lovingly recorded Nexus 21 album was left on the proverbial shelf (actually a box in Birmingham) So now MIND MACHINES finally meets the World. First thing that screams out that it hasn’t half aged well. Obviously it is a wet dream for the anoraks of electronica, that goes without saying. But above and beyond the history lesson of how 2 young UK techno mad kids got the dots from Detroit and deconstructed them to create something very British the music they created, sometimes naive but frequently knowledgeable, sounds .. well just great. The four Detroit recordings - NEXODUS, TOGETHER, DON’T DO IT LIKE THAT, DO IT LIKE THIS and EVERYTHING (NO STATUES) - variously feature contributions from Motor City luminaries Marc Kinchen and Anthony Shakir. Only two of the twelve recordings were properly released in 1990/1991 with two more making it on a withdrawn white label 12 inch at the time. Three of the tracks, including a live recording at London’s Brain Club that has been retrieved from a DAT that was thought to have disappeared, are previously unreleased. And as well as two previously unreleased much altered versions of Nexus 21 gems there is the legendary much tougher mix of the duo’s signature techno treasure Self Hypnosis. More

Research Records teams up with organist and synthesist E. Bobby G. to release his sophomore album, Bobby Business. Once again, the album is primarily centered around the 1982 Kawai DX900, but it masterfully explores more genres than his debut, Giving You M.O.R.E.Bobby Business was recorded in 2022 after E. Bobby G. received an eviction notice from his beloved sharehouse of 12 years. After moving out, he stored the organ at his workplace, Bakehouse Studios, where his boss let him use the space overnight to record until the early hours. The remainder of the album was recorded in his old studio space, NGBE. The first track, "Ha-Ha," is as meditative as it is glittery, with floating sustained chords. "Big Boy" and "Disco Shift" bring back a slightly more polished E. Bobby G. sound—lo-fi library music with bright tones that will appeal to fans of proto-electronic icons like Brian Bennett. Tracks like "Lucky Strike" and "Tropical Dino Ride" are video game music dreams, featuring West Coast lead lines and strutting percussion. The second half of the album explores spaced-out '90s downtempo and dub elements, with a distinctive refinement that hides the fact it was created primarily using the Kawai DX900. Bobby Business closes with "Lillian," a sonic dedication to the artist's Grandmother, with a more traditional song structure that hints at what Bobby has planned next. More

Valuable vinyl reissue for this historic four-handed work by Gigi Masin and Giuseppe Caprioli. The concept of multitude combined with the figure/symbol of the labyrinth suggests orders of thought relating to the multiple states of being that inhabit the dark labyrinths of the soul, the hidden regions of the human psyche. All in Multitude In Labyrinth leads us to look for keys to understanding the ultimate meaning of a test as enigmatic as it is powerful. A congeries of paramusical phenomena in continuous evolution, expression of an internal feeling strongly concentrated on itself, disguised in the plastic flow of sound events that evolve on the gravitational maps of low-frequency drones, of the changing waveforms and of the elliptical-circular loops warped with scientific skill in the electronic workshop used for this purpose. A cinematic symphony in nine movements that direct the listening towards the frontiers of unexplored parallel worlds, ready to recreate the infinite maze of aural multitudes that materialize, dissolve and regenerate impulse after impulse for the duration of the work. Music whose remote echo makes us think of the harmony of the spheres that governs the mechanics of the cosmos and of being. More

The next instalment in the Disco Pogo Tribute series is the legendary electronic artist Aphex Twin. This follows the hugely successful Disco Pogo Tribute to Daft Punk. Like Daft Punk, the people behind Disco Pogo have had a long-standing relationship with Richard D. James for over 30 years via their 90s magazine Jockey Slut.The book is edited by Disco Pogo editor Jim Butler and features interviews, essays and features from the best music journalists working today.The book features an iconic cover portrait of Aphex by seminal photographer Wolfgang Tillmans, plus a huge amount of great photography of Richard since the very beginning from some of the best music photographers in the world.Thanks also to the designer of Aphex's logo Paul Nicholson who has opened up his archives to us and also the assistance and support from the label homes of Aphex - Warp, R&S and Rephlex. Thanks also to the people behind Aphex fan website Lanner Chronicle. The book is hardback, 250 plus pages and is beautifully designed and printed of course. More

A long-lost vinyl album is back in stock: for the last 20 years, Kosmischer Pitch by Jan Jelinek, originally released in 2005 on ~scape, existed only as a digital download. Right on time for the 20th anniversary the remastered album is available again on vinyl. The digital version includes two previously unreleased pieces from that period.

What the press said about Kosmischer Pitch back in 2005:

“For Kosmischer Pitch, Jelinek draws from the obsessed-over rock produced by his German countrymen in the 1970s. (…) Trance-inducing repetition is constantly modulated by variations that hover on the threshold of audibility. (…) one of the more remarkable bodies of work in electronic music.” - Pitchfork

„Like the cosmic compositions it delicately references, Kosmischer Pitch is proof that the higher and lower pleasures can triumphantly combine.” - The Wire Magazine

“ The old Jelinek approach can also be heard on the new album - not least the “Pitch” in the title, which, as Martin Büsser explains in the info sheet, refers specifically to Wild Pitch House, generally to manipulation/exploitation of the sense of time - but there are striking differences: clear vintage synth, guitar and drum sounds, very subtle club references.” - Groove

“t's impossible to know how many layers of sound Jelinek has stacked up on any of these eight tracks, but each one seems to take on a shadowy, ghost-like life of its own as it morphs across time and space. Minimalist, yes, in a way, but thick as a wool rug.” - AllAboutJazz More

RTR puts a jungle cartridge in this EP, as he did for the Xor album, but this time without compromise and with less restraint: he draws with excellence as his great masters taught him! More

UK Dub pioneers Alpha & Omega finally return to ZamZam with “The Jungle Trembles,” an absolute anthem of a tune, a heartical call to action voiced by Steppas Records’ stalwart Nai-Jah. “Money-making has filled our minds with disease / you keep on raping, yet some still can’t find food to eat.” The lyrics demand empathy and overstanding atop a heaving bassline, magisterial melodica, sparkling keys and synths and jungle sounds that transport us to the very heart of the struggle. “The Dubplate Trembles” extends the vibes in classic A&O fashion, reminding us once again of why the duo have such a storied place in the history of this music we love.

Inspired in large part by the immortal Jah Shaka, A&O were amongst the very first artists to make dub music outside of Jamaica, key in the soundsystem culture and bass music expansion from JA via the UK to the world. Formed in the 1980’s and with over 30 studio albums to their name, we couldn’t be more proud to work with them once again. Nai-Jah graced the ZamZam stage at Outlook festival alongside Dub Dynasty back in 2017, so finally having him on a release completes another circle. An instant classic, “The Jungle Trembles” is a call to hear and heed the cry of the planetary systems and indigenous wisdom that sustain us before it’s too late.
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The fourth instalment in Pev's Pulse series finds him further widening the scope of his sound as he touches on the distinct energies which inform his unique strain of soundsystem techno.

'Pulse XIII' deals in stark, tweaked-out acid lines cutting through a taut drum machine backbone, balanced out with a sci-fi pad which lets you know its Pev at the controls. 'Pulse XIV' finds him dialling up his jungle roots once more for a dreamy excursion into diced up breaks, cascading synths and dislocated piano chord chops. There's a deeper dub techno spirit to 'Pulse XV' and 'Pulse XVI' deals in the raw, bleep-informed jack tracks that have started to creep into Pev's sound as the Pulse series has evolved.

Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
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Declassified Records is back with its 6th release - 2 more tracks crafted by the label owner himself SP:MC. Staying true to the original ideology of his imprint, SP:MC once again aims to fuse & contort his influences from the Drum & Bass & Dubstep scenes into the 2-step / UKG framework. The A side ‘XL Bully’ is definitely the more up front & hard hitting of the two tracks - drawing inspiration from the palette of Digital & Spirit, Total Science & Rufige Kru’s previous works. The flipside ‘Core Memories’ is a deeper cut leaning towards a more Detroit feel - you can undoubtably hear a nod to the late great Marcus Intalex & ST Files here. Declassified continues the forge its own path forwards, already becoming recognised as a ‘buy on sight’ label for UK bass music fans. More