More classic sounding early 90's housegrooves by B?hm on the follow up for Land of Lost.

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Third outing by Utrecht's Böhm on M>O>S Recordings! As always, a beautiful collection of warm, jacking, bleep-y, deep house. Reminiscing to good old times, 90's Chicago house, early 00's UK bleep techno, it all feels very much at home here on M>O>S.

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Classic sounding early 90's housegrooves by Bohm.



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Bo¨hm is no stranger to the electronic music scene as he has made quite a splash with his latest releases on Dolly, PARTOUT, M>O>S and Undersound Recordings. His newest outing on eudemonia acts as an ideal successor as he delivers a versatile EP with dreamy and old-school ravey moments resonating perfectly with each other.

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A spacial 4-tracker signed by Böhm for Partout’s Dutch series. Guaranteed 303 trip.

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Utrecht based producer Böhm is back with his second batch of heat on MOS Recordings. Right after two recent drops on Steffi's Dolly imprint and the London based EYA Records, Böhm delivers yet again a brilliant take on the deeper side of house music, smoothly blending the iconic MOS strings with drifting bass lines and a spark of idm bleep techno.

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As the first release for 2023, we are happy to welcome Böhm, part of the infamous 030303 label, to our discography with 4 tracks reminiscing of the golden days of UK techno. “Light Transmission” opens the EP at a slower pace, gently inviting the listener to the producer’s musical world. “Solar Limit” picks the pace up with intertwined portamento leads, bassline and pads.

On the flip-side, “Unsolved Origin” continues the artist’s melodic emotional journey. The last track closing the EP, “Monarch Monster”, sees a departure from the producer’s trademark style with EBM/new beat influenced drums.

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Dutch master of aethereal atmospheres Bohm is back on EYA’s sister label Lonewolf with the missing piece of his ‘Leaving Earth’ series. A1 ‘Stars and the Sun’ is a slow-break meditative number, while “Move over” is bleepy and playful.

B1 “Phasmofonia” is a spooky, haunting and nervous ready-for-dancefloor track. Closing the artist’s journey to vast galaxies is “Robot Heaven”, an emotional electro trip of the highest order.

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Böhm delivers pure dance floor action on Dolly with this solid 3 tracker. Solar cycle is serious UK rave, deep bleep and slamming breakbeat dance floor madness, As simple as that!!! :-)

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Next up on Lonewolf is Bohm!

This fresh collab will see the Dutch producer bringing two EPs “Leaving Earth Part.1 and 2” on EYA Records sister label this year.
Intricate rhythms,bleeps and bass, emotive melodies and acid lines.

The artist opens a portal to new dimensions, it’s a powerful journey into timeless music and deep space. 5,4,3,2,1.. ignition and take off. The dream is alive.

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Dutch 303 aficionado Böhm lets his arsenal of bleeps and breaks loose on GST19. Released in collaboration with Echocentric Records and in addition to ECR005.

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Four emotive cuts of Chicago flavoured, acidic deep house by Utrecht based producer and 030303 crew member Böhm.

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Huge Detroit re-issue from Emotions Electric! Motion EP was originally released on Richie Hawtin's Plus 8 label back in 1991, and is considered one of the milestones in techno history. Here we get all the 3 original tracks and also a very nice addition with the Gates Of Heaven track. All in all a must have essential release, BIG TIP!

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With 3 previous albums on L.I.E.S. we welcome Tom Carruthers to Emotions Electric! Taking inspiration from the golden era of early 90s house & techno he has proven himself to be a new artist mastering that old-skool sound we all love. For fans of early Nu Groove, Transmat etc.. TIP!

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Emotions Electric proudly presents a brand new new artist from Detroit! Bright Raven delivers a high quality EP of the finest Detroit Techno, Big TIP!

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Strong forces from the Outerworld are coming! Sound Synthesis, Gilbert, ReKaB and iNF0 will protect earth with their electronic sounds. Compiled by JDSK from Under The Radar, limited copies..

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John Beltran aka Indio is back with a follow up to the great Detroit Dancer release earlier this year. Here with a even more Detroit sounding prodcuction that makes us think of early Detroit / Transmat releases..

On the remix duty we have 2 absolutely stunning remixes from Convextion / E.R.P.

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DFR presents its fourth release, introducing London-based artist Thomas Wall aka ShadowScience.
This four-track release is a blend of futuristic breaks intertwined with deep atmospheres and mental soundscapes. Haunting textures meet precise, relentless rhythms. With powerful basslines and detailed production, this EP is crafted for the late-night hours and those who revel in dark, immersive spaces.

A standout debut for a promising artist.

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DJ Support: Alex Kassian, DJ Cosmo, Lovefingers, Sean Johnston, Laurent Garnier, Massimiliano Pagliara, Moxie, Colleen 'Cosmo' Murphy

Following Alex Kassian’s massive ‘E2–E4’, he reunites with Hiroaki Oba as Opal Sunn. Opal Sunn have played live at some of the worlds finest clubs and festivals and are tipped by many as the ones to watch. This EP is the first in a trilogy of releases. ‘Elastic’ runs from deep electronic trance inspired dancefloor driven House on the A side, to reggae-tinged dub groover and a beautiful ambient version on the B side; both with more than a nod to Kassian’s Sound and Garden of Eden tracks. Yet again, you need this in your life. Buy or cry.

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A Mountain of One have been on an ever-evolving creative mission since they originally formed back in 2006.
Spearheaded by Mo Morris and Zeben Jameson, the collaboration has taken them around the world with
different band members, releasing multiple albums and EP’s, and crucially given them a platform to play,
explore and hone a definable sound that deftly pairs acoustics with electronics through dream-like songs.
Following their 2008 LP ‘Collected Works’ and 2010 LP ‘Institute of Joy’, the pair reunited in the studio to
release their much-admired ‘Stars Planets Dust Me’ LP in 2022, that was championed by Lauren Laverne and
Tracklisting
1. Star (Ricardo Villalobos Master)
2. Custard Last Stand / AMO1 Ambient Version (Ricardo Villalobos Master)
3. Make My Love Grow (Ricardo Villalobos Mix Down)
4. Black Apple Pink Apple (Ricardo Villalobos Remix)
5. Make My Love Grow (Ricardo Villalobos Make My Love Groove Remix)
6. Softlanding (Ricardo Villalobos Remix)
7. Dealer (Ricardo Villalobos Remix)
Tom Ravenscroft at 6music amongst others. And now, in true AMO1 creative fashion they are presenting an
off-shoot release of that album, one completely reimagined by the man, the myth: Ricardo Villalobos.
Much has been written and talked about when it comes to producer/DJ Ricardo Villalobos over the years.
The mercurial Chilean-German artist has consistently redefined the boundaries of techno and electronica
over the past 30-years as a producer, whilst also traversing the world and expanding minds as a DJ who can
equally delight as he does challenge.Like a great jazz drummer (he was a percussionist before discovering mixing records), Villalobos has not so
much as broken “the rules” of structure as just created his own unique approach. One that is often surprising,
ever open-minded, and clearly lead by whatever happens to be inspiring him at any given moment. Watching
him work or hearing him play music always feels live and free. He’s an artist. And that is exactly how this
(perhaps unlikely) collaborative album has come to light – but then this is Ricardo, so maybe we should all
know by now that anything is possible.
Villalobos explains, “In my scientific search for some electroacoustic musical landscapes, the offer of
remixing ‘Black Apple Pink Apple’ was just perfect for me… In general, the song writing is so very good and
particular, with all the instruments played into a sequencer, so it was very inspiring to strip down these pop
songs into my dubby extensions, taking only the drums, bass, and vocals of the song.” Expanding further,
“After delivering the first remix, Mo and myself came up with the idea of reimagining the whole album in a new
way, mixed simple with other ears and my inspirations, with a new and different point of view of what
instruments are important to hold the song to bare itself.”
It says a lot, and somehow captures the essence of Ricardo’s approach to music (and life), that one remix
soon evolved into a whole plethora of reimagined works, driven by a creative slipstream and a clear
connection to the songs created by A Mountain of One.
Mo Morris provides more insight into his own connection with Villalobos, “I lived in Berlin back in 2002-04 and
used to religiously go to dance to Rici at the after (after) hours parties: little, tiny events. And he just used to
blow my mind, I hadn’t heard anything like it before (or since). Ultra-modern and forward thinking.”
Mo continues, “A good friend connected to Ibiza happenings introduced me to Ricardo as it transpired that he
was a fan of our early material, so I sent him some demo’s when we were in the studio creating ‘Stars Planets
Dust Me’ and he loved ‘Black Apple Pink Apple’. The relationship and collaboration grew from there really, and
I hope that this release is still at the start of what we can all create together.”
Focussing in on the album at hand – ‘Ricardo Villalobos reimagines: Stars Planets Dust Me’ – we are treated to
a concept listen that guides us from dreamy daytime Balearic pop – staying very true to the original songs – all
the way through to completely original deep dubby techno excursions. And to Villalobos fans, it will perhaps
surprise (and hopefully delight) how light a touch he has provided to the opening tracks, focussing more on
enhancing the sonics, and allowing the originals to shine brighter through remastering and mixing down. It’s in
these moments that we see Ricardo as a pure music fan, needing not overly change or alter what’s already
been created, but simply doing what he can to maximise what’s already there.
What will certainly delight Ricardo fans are the four full ‘klub’ remixes provided of ‘Black Apple Pink Apple’,
‘Make My Love Grow’, ‘Softlanding’ and ‘Dealer’ that each boldly explore the outer regions of the dancefloor in
a way that only Villalobos can.
Mo rounds off, “From an electronic and sonics standpoint he’s kind of out there on his own. It’s such a unique
sound. Weatherall also had this, and Harvey has that unique flavour, and also people like Nils Frahm and Max
Richter have this gift. It’s not an easy thing to produce. Ricardo has his own personal cosmic trademark.”
Indeed he does. Take a trip with him around the stars and planets and see for yourself.

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1993 progressive acid house produced by the prolific and elusive Will Brunner. To date the only release from Shimmer records and almost impossible to find second hand. Features four diverse mixes which have been remastered by ManMade.

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DMX Krew returns to Hypercolour with a new long player. ‘Spiral Dance’ comes stuffed with wonky and futuristic synth jams.

Having honed a style that has endured over an illustrious career, DMX Krew continues to immerse his productions in luscious analogue electronica, touching on the many bases of electro, Detroit techno, synthpop and dreamwave.

With previous albums for Rephlex, Permanent Vacation and Balkan Vinyl, amongst others, ‘Spiral Dance’ becomes the fifth album for Hypercolour, following on from 2021’s ‘Loose Gears’.

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With an intrigue for a particular niche of old UK hardcore which takes cues from Sheffield bleep ambience, heady rave futurism and soft, almost new age synth pads, Blank Mind presents ‘Lost Paradise: Blissed Out Hardcore 91-94’. Though the records gathered for the compilation span a short three-year period and bridge the gap between scenes, the collection manages to find a sweet spot where the influence of Warp’s Artificial Intelligence, back room chill out sonics and the nascent jungle boom meet with elements of Italian piano house and slower breakbeat cuts.

Opting to focus on atmosphere to highlight shared connections; in this case the duality of often serene and calming soundscapes with frenzied breaks and bass (see Hedgehog Affair’s ‘Parameters’ and Luxury’s ‘Twirl’ respectively); Lost Paradise is a formidable collection of tracks plucked from a thriving time for British dance music experimentation. The general themes of ascension and escapism channelled through digital samplers are also inescapably linked to a turbulent time in politics, beginning in the post-Thatcher years and culminating in the year the harshest anti-rave Criminal Justice Act came into force.

Initially building the compilation around DJ Mayhem’s track ‘Inesse’, Blank Mind label founder Sam Purcell and Amsterdam based producer Tammo Hesselink began a process of swapping favourites and deep cuts to spread across this 2x12” doublepack. The compilation avoids any obvious centrepieces through masterful sequencing, allowing for moments of refrain and tempo changes in a way that helps add to their overall vision of what this music is and can be; “We wanted to frame hardcore in a different light, looking at this idea of ecstasy through the traditional meaning of the word and exploring that symbolism”. By drawing from what some might consider the softer edges of the movement, the pair offer a look into the relevance of these tracks in the contemporary era, where the past years have seen both an explosion in popularity of old ambient/new-age music and a certified jungle revival.

Additional notes:

All tracks licensed to Blank Mind by licence holders

All tracks remastered from original DATs, with the exception of Sleepwalker (A1) which has been professionally ripped and cleaned

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Suckerpunch Recordings are up off the stool for the second round of their Dance Floor Renovations series as Papa Nugs & the elusive Ho Gosh go head to head via a four track slobberknocker of sample heavy, 90s inspired club tackle; fast becoming synonymous with the sublabel.

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Dark Entries has raided the bathhouse to bring us Deep Entries: Gay Electronic Excursions 1979-1985, 10 tracks of obscure queer synth bliss. One of Dark Entries' most important missions has been illuminating neglected facets of gay musical history, with crucial archival works by legends like Patrick Cowley, Sylvester, and Man Parrish. On Deep Entries, the label spans 6 years of gay electronics - from sultry to angsty to camp, these songs are overflowing with snappy 808 snares and sinewy analog synth leads. The '80s were a difficult period for many in the gay community as they grappled with the horrors of the HIV/AIDS crisis. The 10 tracks on Deep Entries, varied in genre and vibe, are united in their portraiture of 1980s gay life, and the hope for love or fleeting romance. Previously unreleased cruising soundtracks come courtesy of Patrick Cowley’s “Love Me Hot” featuring vocalist Paul Parker and Boytronic’s “Tonight (Alternate Mix)” set on Hamburg’s famous “Mile of Sin.” Brisbane-based Megamen deliver the proto-electroclash number “Designed for Living,” which prefigures Madonna’s Marlene Dietrich rap in “Vogue.” Trans vocalist Paula "Ula" Villagrá declares, “Everyone is gay!” on Muzak’s “Happy Song,” a skittering tecnopop anthem. Dereck Higgins' “This Was Something” rings like a lost Joy Division cut draped in bizarre effects, and Polar Praxis’ “(I Want) To Be Different” is a seething ode to alterity. Nightmoves’ “Nightdrive,” is best known as the brooding instrumental B-side to their epochal “Transdance.” Transistor Jet’s “Master Of The Universe (BW's f-w)”, Maxx Mann’s “Just Like a Razor” and Bachelor’s Anonymous’ “A Stranger’s Bed” are mood music for the pleasures of BDSM and one-night stands. The record comes housed in a retro bathhouse fantasy sleeve designed by Gwenaël Rattke and includes a double-sided poster with photographs and lyrics. Deep Entries arrives on December 1st in honor of World AIDS day, and proceeds will go to the San Francisco AIDS Foundation.

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Meticulously Serviced Liminal Portal

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After a brief hiatus we’re back with the release of the 1993 debut EP of former Prodigy dancer and keyboardist Leeroy Thornhill. The first of two self-released 12”s during his time with the group, Lowrise EP was recorded in the frantically fruitful climate between the release of Experience and Music For A Jilted Generation dropped. Leeroy is still hard at it producing and DJing all over the world and has just published a book about his time in The Prodigy called Wildfire: My Ten Years Getting High In The Prodigy.

Available once again on 12" black vinyl and licensed with the full cooperation of Leeroy himself it has been faithfully remastered from the original source material with the lacquer cut by Beau Thomas.

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