Tracklisting
A1 Unknown Artist - Paid In Full
A2 Unknown Artist - Raw
B1 Unknown Artist - So Whatca Sayin'
B2 Unknown Artist - Cold Gettin' Dumb

Sales Note
Classy & well executed Techno twists on these legendary Hip Hop tracks. In high demand on Bandcamp & now on limited edition vinyl

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Jazzy, Soul, Funk, trippy mental 7 inch, from Loftsoul head. A must-have.

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Hostom strikes again for it’s 8th installment.

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Tracklisting
A1 Unknown Artist - Dilemma
A2 Unknown Artist - Night and Day
B1 Unknown Artist - One More Chance
B2 Unknown Artist - Say Yes

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Tracklisting
A1 Unknown Artist - It's A Party
A2 Unknown Artist - Freaky Like Me
B1 Unknown Artist - Back By Dope Demand
B2 Unknown Artist - Flower Bombin'

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Tracklisting
A1 Unknown Artist - Love You More
A2 Unknown Artist - Unfittest
B1 Unknown Artist - Gabrielle
B2 Unknown Artist - NxWorries

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Tracklisting
A1 Unknown Artist - Brain Storm
A2 Unknown Artist - Cool Down
B1 Unknown Artist - Amigo
B2 Unknown Artist - Vulkaan

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A1 Unknown Artist - Good Feelin'
B1 Unknown Artist - Heart Break

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DJ Support: Samuel Deep, Enzo Siragusa, ADMNTi, PBR Streetgang, Paolo Mosca, Raresh, LVCA, Josh Cheon, Massimiliano Pagliara

More edits label by N-Gynn and Thoma Bulwer.

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Dark Entries has raided the bathhouse to bring us Deep Entries: Gay Electronic Excursions 1979-1985, 10 tracks of obscure queer synth bliss. One of Dark Entries' most important missions has been illuminating neglected facets of gay musical history, with crucial archival works by legends like Patrick Cowley, Sylvester, and Man Parrish. On Deep Entries, the label spans 6 years of gay electronics - from sultry to angsty to camp, these songs are overflowing with snappy 808 snares and sinewy analog synth leads. The '80s were a difficult period for many in the gay community as they grappled with the horrors of the HIV/AIDS crisis. The 10 tracks on Deep Entries, varied in genre and vibe, are united in their portraiture of 1980s gay life, and the hope for love or fleeting romance. Previously unreleased cruising soundtracks come courtesy of Patrick Cowley’s “Love Me Hot” featuring vocalist Paul Parker and Boytronic’s “Tonight (Alternate Mix)” set on Hamburg’s famous “Mile of Sin.” Brisbane-based Megamen deliver the proto-electroclash number “Designed for Living,” which prefigures Madonna’s Marlene Dietrich rap in “Vogue.” Trans vocalist Paula "Ula" Villagrá declares, “Everyone is gay!” on Muzak’s “Happy Song,” a skittering tecnopop anthem. Dereck Higgins' “This Was Something” rings like a lost Joy Division cut draped in bizarre effects, and Polar Praxis’ “(I Want) To Be Different” is a seething ode to alterity. Nightmoves’ “Nightdrive,” is best known as the brooding instrumental B-side to their epochal “Transdance.” Transistor Jet’s “Master Of The Universe (BW's f-w)”, Maxx Mann’s “Just Like a Razor” and Bachelor’s Anonymous’ “A Stranger’s Bed” are mood music for the pleasures of BDSM and one-night stands. The record comes housed in a retro bathhouse fantasy sleeve designed by Gwenaël Rattke and includes a double-sided poster with photographs and lyrics. Deep Entries arrives on December 1st in honor of World AIDS day, and proceeds will go to the San Francisco AIDS Foundation.

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Back in stock due to popular demand, the 12th release in our signature Brazil 45’s series saw a reissue of two certified classics from Brazil’s rich musical tapestry.

On the A side, Brazilian Samba luminary Elza Soares, covers Jorge Ben’s classic ‘Mas Que Nada’. Originally featured on her brilliant 1970 Sambas & Mais Sambas LP on Odeon, it’s tougher drums, punchy piano and Elza’s stunning vocal tones make this a perfect dancefloor heater. With over 34 albums to her name in a career that spanned 60 years, Elza is a certified legend of Brazilian music.

Little is known about the artist responsible for the B side track, Elizabeth. Nicknamed ‘Gatinha do Mato’ (loosely translated as ‘Jungle Cat’) she was involved in the Jovem Guarda movement that fused rock n roll and youth culture with Brazilian styles in the ‘60s.

‘Vou Falar-Lhe Francamente’ is a majestic, horn-infused number laced with emotion, that we originally found at one of our favourite, now defunct, spots ‘Tony’s Hits’ in Sao Paulo. The record was originally released on 7” on RGE in 1970.

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Back in stock due to popular demand, the 19th release in our signature Brazil 45’s series shone a light on Wilson das Neves’ brilliant cover of Average White Band’s ‘Pick Up The Pieces’ and an all-time Mr Bongo Brazilian funk favourite in the form of Som Três – Tanga.

Wilson das Neves was a legendary Brazilian percussionist most well known for being part of Os Ipanemas. The A side of this 7” houses his cover of Average White Band’s ‘Pick Up The Pieces’ recorded with his ‘conjunto’ ensemble. It takes the track into funky samba territory, laden with percussion and horns. Originally released on the Som Quente É O Das Neves LP in 1969.

On the flip side, a Mr Bongo all-time Brazilian funk favourite. Blistering drums, feverish vocals and peaking piano packed into just over 2 minutes. Som Três were a trio formed by prolific pianist, arranger and producer Cesar Camargo Mariano. ‘Tanga’ originally appeared on the Um É Pouco, Dois É Bom, Este Som Três É Demais LP on Odeon Brazil in 1970.

Both of these Brazilian beauties were previously unreleased on 7”.

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Well crafted futuristic electro and early Detroit inspired techno from Jeroen, for fans of early Anthony Rother, B12, Djax-Up-Beats, Warp, Eevolute etc..

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DJ Support: Alex Kassian, DJ Cosmo, Lovefingers, Sean Johnston, Laurent Garnier, Massimiliano Pagliara, Moxie, Colleen 'Cosmo' Murphy

Following Alex Kassian’s massive ‘E2–E4’, he reunites with Hiroaki Oba as Opal Sunn. Opal Sunn have played live at some of the worlds finest clubs and festivals and are tipped by many as the ones to watch. This EP is the first in a trilogy of releases. ‘Elastic’ runs from deep electronic trance inspired dancefloor driven House on the A side, to reggae-tinged dub groover and a beautiful ambient version on the B side; both with more than a nod to Kassian’s Sound and Garden of Eden tracks. Yet again, you need this in your life. Buy or cry.

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B-STOCK WITH LIGHT CORNERBUMPS: PLS SEE PICS

Reduced Price


A Mountain of One have been on an ever-evolving creative mission since they originally formed back in 2006.
Spearheaded by Mo Morris and Zeben Jameson, the collaboration has taken them around the world with
different band members, releasing multiple albums and EP’s, and crucially given them a platform to play,
explore and hone a definable sound that deftly pairs acoustics with electronics through dream-like songs.
Following their 2008 LP ‘Collected Works’ and 2010 LP ‘Institute of Joy’, the pair reunited in the studio to
release their much-admired ‘Stars Planets Dust Me’ LP in 2022, that was championed by Lauren Laverne and
Tracklisting
1. Star (Ricardo Villalobos Master)
2. Custard Last Stand / AMO1 Ambient Version (Ricardo Villalobos Master)
3. Make My Love Grow (Ricardo Villalobos Mix Down)
4. Black Apple Pink Apple (Ricardo Villalobos Remix)
5. Make My Love Grow (Ricardo Villalobos Make My Love Groove Remix)
6. Softlanding (Ricardo Villalobos Remix)
7. Dealer (Ricardo Villalobos Remix)
Tom Ravenscroft at 6music amongst others. And now, in true AMO1 creative fashion they are presenting an
off-shoot release of that album, one completely reimagined by the man, the myth: Ricardo Villalobos.
Much has been written and talked about when it comes to producer/DJ Ricardo Villalobos over the years.
The mercurial Chilean-German artist has consistently redefined the boundaries of techno and electronica
over the past 30-years as a producer, whilst also traversing the world and expanding minds as a DJ who can
equally delight as he does challenge.Like a great jazz drummer (he was a percussionist before discovering mixing records), Villalobos has not so
much as broken “the rules” of structure as just created his own unique approach. One that is often surprising,
ever open-minded, and clearly lead by whatever happens to be inspiring him at any given moment. Watching
him work or hearing him play music always feels live and free. He’s an artist. And that is exactly how this
(perhaps unlikely) collaborative album has come to light – but then this is Ricardo, so maybe we should all
know by now that anything is possible.
Villalobos explains, “In my scientific search for some electroacoustic musical landscapes, the offer of
remixing ‘Black Apple Pink Apple’ was just perfect for me… In general, the song writing is so very good and
particular, with all the instruments played into a sequencer, so it was very inspiring to strip down these pop
songs into my dubby extensions, taking only the drums, bass, and vocals of the song.” Expanding further,
“After delivering the first remix, Mo and myself came up with the idea of reimagining the whole album in a new
way, mixed simple with other ears and my inspirations, with a new and different point of view of what
instruments are important to hold the song to bare itself.”
It says a lot, and somehow captures the essence of Ricardo’s approach to music (and life), that one remix
soon evolved into a whole plethora of reimagined works, driven by a creative slipstream and a clear
connection to the songs created by A Mountain of One.
Mo Morris provides more insight into his own connection with Villalobos, “I lived in Berlin back in 2002-04 and
used to religiously go to dance to Rici at the after (after) hours parties: little, tiny events. And he just used to
blow my mind, I hadn’t heard anything like it before (or since). Ultra-modern and forward thinking.”
Mo continues, “A good friend connected to Ibiza happenings introduced me to Ricardo as it transpired that he
was a fan of our early material, so I sent him some demo’s when we were in the studio creating ‘Stars Planets
Dust Me’ and he loved ‘Black Apple Pink Apple’. The relationship and collaboration grew from there really, and
I hope that this release is still at the start of what we can all create together.”
Focussing in on the album at hand – ‘Ricardo Villalobos reimagines: Stars Planets Dust Me’ – we are treated to
a concept listen that guides us from dreamy daytime Balearic pop – staying very true to the original songs – all
the way through to completely original deep dubby techno excursions. And to Villalobos fans, it will perhaps
surprise (and hopefully delight) how light a touch he has provided to the opening tracks, focussing more on
enhancing the sonics, and allowing the originals to shine brighter through remastering and mixing down. It’s in
these moments that we see Ricardo as a pure music fan, needing not overly change or alter what’s already
been created, but simply doing what he can to maximise what’s already there.
What will certainly delight Ricardo fans are the four full ‘klub’ remixes provided of ‘Black Apple Pink Apple’,
‘Make My Love Grow’, ‘Softlanding’ and ‘Dealer’ that each boldly explore the outer regions of the dancefloor in
a way that only Villalobos can.
Mo rounds off, “From an electronic and sonics standpoint he’s kind of out there on his own. It’s such a unique
sound. Weatherall also had this, and Harvey has that unique flavour, and also people like Nils Frahm and Max
Richter have this gift. It’s not an easy thing to produce. Ricardo has his own personal cosmic trademark.”
Indeed he does. Take a trip with him around the stars and planets and see for yourself.

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Meticulously Serviced Liminal Portal

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Repress coming mid/end of march!

Donato Dozzy presents his next studio album entitled 'Magda'. An emotional homage to family and the Adriatic Sea. Throughout six tracks he explores colorful emotions and sounds connecting to his deepest inner feelings. Speaking through music and showing gratitude to his auntie, one of the strongest women in Donato's life and a real-life teacher.

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