Label:Emotions Electric
Cat-No:EE0012
Release-Date:01.03.2024
Genre:Techno
Configuration:12"
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Genre:Techno
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1
Bright Raven - Blackpoold
2
Bright Raven - Bright Raven 002
3
Bright Raven - Bright Raven 003
Repress!
Emotions Electric proudly presents a brand new new artist from Detroit! Bright Raven delivers a high quality EP of the finest Detroit Techno, Big TIP! More
Emotions Electric proudly presents a brand new new artist from Detroit! Bright Raven delivers a high quality EP of the finest Detroit Techno, Big TIP! More
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Label:Emotions Electric
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Release-Date:20.12.2024
Genre:House / Techno
Configuration:12"
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Label:Emotions Electric
Cat-No:EE0014
Release-Date:20.12.2024
Genre:House / Techno
Configuration:12"
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Böhm - Data Quality
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Böhm - Daydreaming
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Böhm - Night Falls
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Böhm - Floating In Space
Well crafted futuristic electro and early Detroit inspired techno from Jeroen, for fans of early Anthony Rother, B12, Djax-Up-Beats, Warp, Eevolute etc..
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Label:Emotions Electric
Cat-No:EE0013
Release-Date:30.08.2024
Genre:House / Techno
Configuration:12"
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1
Tom Carruthers - Flashback
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Tom Carruthers - Modem
3
Tom Carruthers - Liquid City
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Tom Carruthers - Sector 1
With 3 previous albums on L.I.E.S. we welcome Tom Carruthers to Emotions Electric! Taking inspiration from the golden era of early 90s house & techno he has proven himself to be a new artist mastering that old-skool sound we all love. For fans of early Nu Groove, Transmat etc.. TIP!
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Label:Emotions Electric
Cat-No:EE0010
Release-Date:11.11.2022
Genre:Electro
Configuration:12"
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Genre:Electro
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Gilbert - Fractals
2
Sound Synthesis - Science Of Gratitude
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iNF0 - Remember
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Strong forces from the Outerworld are coming! Sound Synthesis, Gilbert, ReKaB and iNF0 will protect earth with their electronic sounds. Compiled by JDSK from Under The Radar, limited copies..
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Label:Emotions Electric
Cat-No:EE0011
Release-Date:11.11.2022
Genre:Detroit Techno
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1
Indio - Antero
2
Indio - Antero (Convextion Remix)
3
Indio - Antero (E.R.P. Remix)
John Beltran aka Indio is back with a follow up to the great Detroit Dancer release earlier this year. Here with a even more Detroit sounding prodcuction that makes us think of early Detroit / Transmat releases..
On the remix duty we have 2 absolutely stunning remixes from Convextion / E.R.P. More
On the remix duty we have 2 absolutely stunning remixes from Convextion / E.R.P. More
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Cat-No:GR-12111
Release-Date:01.11.2024
Genre:House
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Hollis P. Monroe - I'm Lonely (Original Mix)
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Hollis P. Monroe - I'm Lonely (Wamdue Remix)
OFFICIAL 2024 REMASTERED REISSUE
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Label:The Very Polish Cut Outs
Cat-No:TVPCLP007
Release-Date:25.08.2023
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1
ETNOBOTANIKA - Najstarsze Drzewo Swiata
2
ETNOBOTANIKA - Wil
3
ETNOBOTANIKA - Na Polanie
4
ETNOBOTANIKA - Knieje
5
ETNOBOTANIKA - Czarownice
6
ETNOBOTANIKA - Bagna
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ETNOBOTANIKA - Swietliki
8
ETNOBOTANIKA - Deszcz Deszcz
9
ETNOBOTANIKA - Tajemnice
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ETNOBOTANIKA - Beboki
11
ETNOBOTANIKA - Sladami Wilka
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ETNOBOTANIKA - Nowa Sciezka
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ETNOBOTANIKA - Spiew Znad Rzeki
14
ETNOBOTANIKA - Chocholy
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ETNOBOTANIKA - Planeta Las
16
ETNOBOTANIKA - Wszystkie Swity
17
ETNOBOTANIKA - Lesny Ambient
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ETNOBOTANIKA - Piochy
Approximately 3 years after the release of their debut album, ETNOBOTANIKA are back. Lesne Duchy is yet another joint release from the Silesian duo, coming out on the collaborative efforts of Superkasety Records and The Very Polish Cut Outs. These are still the sounds of a dusty old cassette, however this time the digging didn't take place in the allotment gardens, but rather somewhere in the woods, within a thick layer of moss. Hauntology and nostalgia still play important roles yet they are no longer in the foreground. Certain associations with primordial magic, wild backwoods and unspeakable mysteries come to the fore. The ambience encapsulated in these tropes is the key to understanding this album. One can, of course, mention that sonically the producers are once again flirting with dubtechno, ambient and sampled collages, but all these genre clichés are only tools resulting from the individual inspirations and experiences of Alergeek and Uwdar (i.e. the two halves of ETNOBOTANIKA), and are meant to build the right mood, not to put Le?ne Duchy into the tight framework of, say, club music or trip-hop. If this album is to be pinned down to anything, it is probably library music.
The 80 minutes of music spanning two vinyl records and a chunk of cassette tape make for quite a long record, ETNOBOTANIKA however make sure there is absolutely no dullness, precisely thanks to the variety of moods. At times it leads us playfully out into the woods, other times it haunts us a little, but eventually all ends well, and we don't even get the chance to realise that we've been wandering around the green backwoods for over an hour... and we want to go back there again and again.
Second album by ETNOBOTANIKA
2LP - 80 Minutes of Music
A1 Najstarsze Drzewo Swiata
A2 Wil
A3 Na Polanie
A4 Knieje
A5 Czarownice
B1 Bagna
B2 Swietliki
B3 Deszcz Deszcz
B4 Tajemnice
B5 Beboki
C1 Sladami Wilka
C2 Nowa Sciezka
C3 Spiew Znad Rzeki
C4 Chocholy
D1 Planeta Las
D2 Wszystkie Swity
D3 Lesny Ambient
D4 Piochy
More
The 80 minutes of music spanning two vinyl records and a chunk of cassette tape make for quite a long record, ETNOBOTANIKA however make sure there is absolutely no dullness, precisely thanks to the variety of moods. At times it leads us playfully out into the woods, other times it haunts us a little, but eventually all ends well, and we don't even get the chance to realise that we've been wandering around the green backwoods for over an hour... and we want to go back there again and again.
Second album by ETNOBOTANIKA
2LP - 80 Minutes of Music
A1 Najstarsze Drzewo Swiata
A2 Wil
A3 Na Polanie
A4 Knieje
A5 Czarownice
B1 Bagna
B2 Swietliki
B3 Deszcz Deszcz
B4 Tajemnice
B5 Beboki
C1 Sladami Wilka
C2 Nowa Sciezka
C3 Spiew Znad Rzeki
C4 Chocholy
D1 Planeta Las
D2 Wszystkie Swity
D3 Lesny Ambient
D4 Piochy
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Label:Mexican Summer
Cat-No:MEX3261
Release-Date:14.07.2023
Configuration:LP
Barcode:184923132618
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LP
Electronic
Tracklist:
SIDE A
1. Fallen Angel - DJ Python
2. Sword - Ana Roxanne
3. III - Ana Roxanne
4. The Veil I - Natural Wonder Beauty Concept
5. Natural Wonder Beauty Concept - Natural Wonder Beauty Concept
SIDE B
1. The Veil II - DJ Python
2. Young Adult Fiction - Ana Roxanne
3. Driving - Natural Wonder Beauty Concept
4. Clear - Natural Wonder Beauty Concept
5. World Freehand Circle Drawing - DJ Python
The life of the solo electronic artist is equal parts privilege and loneliness. You hurtle across
the sky to spend a few hours in a dark club, behind the decks or on stage at the microphone.
A brief grasp at transcendence, then the lights are on. Afterwards, you chat with friends you
made last month, last year, or an hour ago. Back on the train, the plane. A couple weeks of
this, then home. Repeat. It was against this backdrop that Ana Roxanne and DJ Python (Brian
Piñeyro) struck up a singular friendship and collaboration, culminating in the shared musical
language of their new project, Natural Wonder Beauty Concept.
Brian and Ana met in New York City in the winter of 2020. They’d respectively put out
critically acclaimed albums but due to extenuating global circumstances, the real-world
implications of those records were yet to be seen. Ana’s debut LP, Because of a Flower,
released in fall 2020, trades in both ethereality and directness, stretching timeless pop and
R&B forms into shimmering ambient magic. When the Bay Area-born, Mills-trained artist
sings, on record or live, time slows down and we enter a languorous yet ecstatic present.
The second album from Queens-based deep reggaeton innovator DJ Python, Mas Amable,
also subverts easy temporality. Released in spring 2020, Mas Amable floats in liminal space
—not quite a dance record, a downtempo record, nor an ambient record—unfurling at a
wistful pace, naturally suited for a strange period when each day felt the same yet wildly
different.
Well-loved albums aside, no one was playing shows, and a general listlessness and
disconnection prevailed. Roxanne had recently moved to New York, and while the pair had
previously interacted online and expressed admiration with each others’ work, they were
now able to meet in person for the first time. A quiet understanding developed between the
two artists on their initial hangs – they drove around the outskirts of NYC, listening to
Telegram by Björk, HTRK, Portishead, all manner of melancholy acoustic indie songs. They
pulled over in Filipino neighborhoods to eat. Periods of volubility were punctuated by
silence, laughter interspersed with wide-eyed pondering. For Brian and Ana, studio
experimentation was the instinctive extension of a friendship finding its feet.
The duo’s preternatural communication was present from the start. In early, open-ended
sessions at Gary’s Electric Studio in Greenpoint, they arrived on a moody, novel sound
encompassing trip-hop, synth-pop, brittle IDM drums, and samples of classical music.
Piñeyro threw out ideas at a breakneck pace. Ana impacted the sound with subtle,
monumental chord shapes and textures, eventually singing over strange and beautiful beats.
“There was lots of time to make music during the first year we worked on the project,” they
remember. “The winter in New York felt quite vacuous, so we spent a lot of time reflecting
on feeling too much and feeling nothing at all.”
Then, after a heady start on a prospective album, the world reopened. Roxanne and Piñeyro
parted ways for most of 2021. Ana embarked upon her first headlining tours across Europe,
North America, and Australia, quietly commanding large rooms. Python was a fixture in the
sleepless European electronic club circuit. Ana moved away from NYC and back to the Bay
Area. Alone again, they experienced the exhilaration and fatigue of the road. Their lives, and
the project, were in flux.
After a smattering of sessions on the rare occasions they found themselves in the same city,
Brian and Ana converged on Kranky label manager Brian Foote’s home studio in Los
Angeles in the summer of 2022. The songs were taking shape. Dreamy, densely layered
drum programming and atmosphere, redolent of Seefeel and Boards Of Canada, washed against jungle and oddball ambient landscapes. They listened to tracks-in-progress while
driving through the hills at night, lights flickering out in the expanse. The writing process was
entirely collaborative. Ana sang, Brian sang. They dashed off lyrics together, reflecting an
increasingly shared mental state. “You me you / falling in deeper blue / running through a
circle that surrounds you / mango jelly flowers all around you.”
Later that fall, the duo traveled back to Brooklyn for a last round of sessions with engineer
and producer Al Carlson (Oneohtrix Point Never, Jessica Pratt). Their longtime friend CZ
Wang (Parquet Courts, Huerco S.) mixed and finalized the songs in early 2023, and then a
name for the project materialized. Natural Wonder Beauty Concept was “something Ana saw
in the universe.” The self-titled album does not resemble the previous work of either artist –
Ana’s celebrated ~~~ EP and album; Piñeyro’s various releases as DJ Python and DJ Wey or
his recent EP with Ela Minus. Instead, it’s a sui generis work built block by block over two
years. It’s the longest DJ Python has ever worked on a record, and the shortest period of
time Ana has ever dedicated to a project.
Early on in Natural Wonder Beauty Concept, we hear Python singing for the first time, over a
woozy, Actress-influenced beat. He’s a portrait of alienation. “Isn’t it strange that I kind of feel
nothing at all,” he muses. Ana responds to Python’s call: “Wouldn’t you say that I’m a person…
giving you the time…” By the song’s conclusion, Roxanne’s vocals are an enveloping force
over a lilting street bass. “The project gave us a creative license of freedom,” the pair say. “It
was an opportunity to try anything out, whatever we happened to be feeling or influenced
by.” Python and Ana are both known for bittersweet, contemplative electronic music that
feels like a companion in quiet times. With their new project, the two artists have found their
natural, if unexpected, counterparts. Natural Wonder Beauty Concept is the sound of two
brilliant artists learning to be alone, together More
Electronic
Tracklist:
SIDE A
1. Fallen Angel - DJ Python
2. Sword - Ana Roxanne
3. III - Ana Roxanne
4. The Veil I - Natural Wonder Beauty Concept
5. Natural Wonder Beauty Concept - Natural Wonder Beauty Concept
SIDE B
1. The Veil II - DJ Python
2. Young Adult Fiction - Ana Roxanne
3. Driving - Natural Wonder Beauty Concept
4. Clear - Natural Wonder Beauty Concept
5. World Freehand Circle Drawing - DJ Python
The life of the solo electronic artist is equal parts privilege and loneliness. You hurtle across
the sky to spend a few hours in a dark club, behind the decks or on stage at the microphone.
A brief grasp at transcendence, then the lights are on. Afterwards, you chat with friends you
made last month, last year, or an hour ago. Back on the train, the plane. A couple weeks of
this, then home. Repeat. It was against this backdrop that Ana Roxanne and DJ Python (Brian
Piñeyro) struck up a singular friendship and collaboration, culminating in the shared musical
language of their new project, Natural Wonder Beauty Concept.
Brian and Ana met in New York City in the winter of 2020. They’d respectively put out
critically acclaimed albums but due to extenuating global circumstances, the real-world
implications of those records were yet to be seen. Ana’s debut LP, Because of a Flower,
released in fall 2020, trades in both ethereality and directness, stretching timeless pop and
R&B forms into shimmering ambient magic. When the Bay Area-born, Mills-trained artist
sings, on record or live, time slows down and we enter a languorous yet ecstatic present.
The second album from Queens-based deep reggaeton innovator DJ Python, Mas Amable,
also subverts easy temporality. Released in spring 2020, Mas Amable floats in liminal space
—not quite a dance record, a downtempo record, nor an ambient record—unfurling at a
wistful pace, naturally suited for a strange period when each day felt the same yet wildly
different.
Well-loved albums aside, no one was playing shows, and a general listlessness and
disconnection prevailed. Roxanne had recently moved to New York, and while the pair had
previously interacted online and expressed admiration with each others’ work, they were
now able to meet in person for the first time. A quiet understanding developed between the
two artists on their initial hangs – they drove around the outskirts of NYC, listening to
Telegram by Björk, HTRK, Portishead, all manner of melancholy acoustic indie songs. They
pulled over in Filipino neighborhoods to eat. Periods of volubility were punctuated by
silence, laughter interspersed with wide-eyed pondering. For Brian and Ana, studio
experimentation was the instinctive extension of a friendship finding its feet.
The duo’s preternatural communication was present from the start. In early, open-ended
sessions at Gary’s Electric Studio in Greenpoint, they arrived on a moody, novel sound
encompassing trip-hop, synth-pop, brittle IDM drums, and samples of classical music.
Piñeyro threw out ideas at a breakneck pace. Ana impacted the sound with subtle,
monumental chord shapes and textures, eventually singing over strange and beautiful beats.
“There was lots of time to make music during the first year we worked on the project,” they
remember. “The winter in New York felt quite vacuous, so we spent a lot of time reflecting
on feeling too much and feeling nothing at all.”
Then, after a heady start on a prospective album, the world reopened. Roxanne and Piñeyro
parted ways for most of 2021. Ana embarked upon her first headlining tours across Europe,
North America, and Australia, quietly commanding large rooms. Python was a fixture in the
sleepless European electronic club circuit. Ana moved away from NYC and back to the Bay
Area. Alone again, they experienced the exhilaration and fatigue of the road. Their lives, and
the project, were in flux.
After a smattering of sessions on the rare occasions they found themselves in the same city,
Brian and Ana converged on Kranky label manager Brian Foote’s home studio in Los
Angeles in the summer of 2022. The songs were taking shape. Dreamy, densely layered
drum programming and atmosphere, redolent of Seefeel and Boards Of Canada, washed against jungle and oddball ambient landscapes. They listened to tracks-in-progress while
driving through the hills at night, lights flickering out in the expanse. The writing process was
entirely collaborative. Ana sang, Brian sang. They dashed off lyrics together, reflecting an
increasingly shared mental state. “You me you / falling in deeper blue / running through a
circle that surrounds you / mango jelly flowers all around you.”
Later that fall, the duo traveled back to Brooklyn for a last round of sessions with engineer
and producer Al Carlson (Oneohtrix Point Never, Jessica Pratt). Their longtime friend CZ
Wang (Parquet Courts, Huerco S.) mixed and finalized the songs in early 2023, and then a
name for the project materialized. Natural Wonder Beauty Concept was “something Ana saw
in the universe.” The self-titled album does not resemble the previous work of either artist –
Ana’s celebrated ~~~ EP and album; Piñeyro’s various releases as DJ Python and DJ Wey or
his recent EP with Ela Minus. Instead, it’s a sui generis work built block by block over two
years. It’s the longest DJ Python has ever worked on a record, and the shortest period of
time Ana has ever dedicated to a project.
Early on in Natural Wonder Beauty Concept, we hear Python singing for the first time, over a
woozy, Actress-influenced beat. He’s a portrait of alienation. “Isn’t it strange that I kind of feel
nothing at all,” he muses. Ana responds to Python’s call: “Wouldn’t you say that I’m a person…
giving you the time…” By the song’s conclusion, Roxanne’s vocals are an enveloping force
over a lilting street bass. “The project gave us a creative license of freedom,” the pair say. “It
was an opportunity to try anything out, whatever we happened to be feeling or influenced
by.” Python and Ana are both known for bittersweet, contemplative electronic music that
feels like a companion in quiet times. With their new project, the two artists have found their
natural, if unexpected, counterparts. Natural Wonder Beauty Concept is the sound of two
brilliant artists learning to be alone, together More
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Last in:17.01.2024
Label:Beatbude
Cat-No:BB022
Release-Date:19.01.2024
Genre:Soul/Funk
Configuration:7"
Barcode:
1
Walls & Birds - Wearing A Dress
2
Walls & Birds - Heads & Tales
Walls & Birds‘ debut on the Berlin label Beatbude! Recorded with the aid of “The Whitest Boy Alive” keyboarder Daniel Nentwig at the local Butterama Recording Center, the vinyl is accompanied by a fold-out poster and a digital bonus track.
Much like their previous releases, “Less than a kilometer away” is Walls & Birds’ new take on popular music today. The first song “Wearing a Dress” touches on the theme of modern clothing habits, while questioning relationship patterns still widespread in popular music lyrics. The surprising element of new found love is also one of the themes of the B-side “Heads & Tales”, telling the story of a late night after work taxi ride with the chorus contemplating about the eternal either or question, plainly answered with: love. The cheerful upbeat digital bonus track “Summer 2002” is as meaningless as most nice pop songs these days. More
Much like their previous releases, “Less than a kilometer away” is Walls & Birds’ new take on popular music today. The first song “Wearing a Dress” touches on the theme of modern clothing habits, while questioning relationship patterns still widespread in popular music lyrics. The surprising element of new found love is also one of the themes of the B-side “Heads & Tales”, telling the story of a late night after work taxi ride with the chorus contemplating about the eternal either or question, plainly answered with: love. The cheerful upbeat digital bonus track “Summer 2002” is as meaningless as most nice pop songs these days. More
Label:Mad Habitat
Cat-No:MADHAB06
Release-Date:04.08.2023
Configuration:LP
Barcode:
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Last in:22.08.2023
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Label:Mad Habitat
Cat-No:MADHAB06
Release-Date:04.08.2023
Configuration:LP
Barcode:
1
Santilli - Frames
2
Santilli - Colours
3
Santilli - Hollow
4
Santilli - Waterline
5
Santilli - Waiting
6
Santilli - Channels
7
Santilli - Fern Gully
8
Santilli - Mirrors
9
Santilli - Wandering, Confused
Santilli returns to Mad Habitat after a European sojourn on Growing Bin! The Eora-based multi-instrumentalist is one half of Angophora, but his solo work exists in the lineage of electro-acoustic visionaries like Steve Tibbetts. With each subsequent release, Santilli strikes the balance between mining his well-defined personal aesthetic and expanding his vision.
The instrumental palette of this record is centered around guitar and synthesizer, bolstered by an incredible array of idiophones and membranophones. There is no shortage of spellbinding moments, like the glacial synths that pan across “Mirrors”, the cascading beauty of “Colours” or the woodland symphony of “Hollow” - the latter even recalls the environmentally-focused work of Waak Waak Djungi’s Peter Mumme.
There’s a common thread across this album in the way it evokes the expanse of nature that Santilli spends much of his time in. All 9 tracks feel like a glimpse into an exquisitely realized scene and across all of them, Santilli's music is suffused with an unhurried sense of ease. The music here feels immersive and panoramic as a result, and we’re grateful to share a glimpse into the worlds Santilli captures. More
The instrumental palette of this record is centered around guitar and synthesizer, bolstered by an incredible array of idiophones and membranophones. There is no shortage of spellbinding moments, like the glacial synths that pan across “Mirrors”, the cascading beauty of “Colours” or the woodland symphony of “Hollow” - the latter even recalls the environmentally-focused work of Waak Waak Djungi’s Peter Mumme.
There’s a common thread across this album in the way it evokes the expanse of nature that Santilli spends much of his time in. All 9 tracks feel like a glimpse into an exquisitely realized scene and across all of them, Santilli's music is suffused with an unhurried sense of ease. The music here feels immersive and panoramic as a result, and we’re grateful to share a glimpse into the worlds Santilli captures. More
2LP
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Label:Amazing!
Cat-No:A001
Release-Date:27.10.2023
Genre:House / Techno
Configuration:2LP
Barcode:8720246794687
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Last in:30.11.2023
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Last in:30.11.2023
Label:Amazing!
Cat-No:A001
Release-Date:27.10.2023
Genre:House / Techno
Configuration:2LP
Barcode:8720246794687
1
Marvo Genetic - The Reprise
2
Space Trax - Aura
3
Rachmad Project - Summer Breeze
4
Land Of Fantasy Tales And Myths - And They Lived Happily Ever After
5
E.C. Groove Society - A Fish
6
Quadripart - La Musique Des Enfants Joyeux
7
Faceless Techno Bastards - Go Mellow
8
Marionette - No Strings Attached Freedom Of The Soul Work
9
Ramon Theo - A Quest Of Thousands
10
The R - Higher
11
Dream Company - Space Page
12
Boom Generation - Flageo
Through 35 hedonistic highlights stretched across three volumes, Music For The Radical Xenomaniac delivers the first ever deep dive into The Netherlands’ colourful house sound of the 90s and the under-celebrated producers and record labels whose music soundtracked a countrywide cultural movement.
Plenty of books and documentaries have celebrated the riotous raves, legendary clubs, high profile DJs and promoters who shaped The Netherlands’ hedonistic house scene throughout the 90s. Music For The Radical Xenomaniac dares to challenge these narratives by shining a light, for the first time, on those who created the scene’s kaleidoscopic, game-changing and globally influential soundtrack.
Leading the charge were a disparate group of key creators who not only forged links with their counterparts in Detroit, Chicago, New York, Belgium, Germany and the United Kingdom, but also became celebrated figures on the worldwide electronic underground (Eric Nouhan, Aad De Mooy, Orlando Voorn, Stefan Robbers and Steve Rachmad). Alongside key underground imprints (Stealth Records, Basic Energy, ESP, Prime and Outland Records included) and lesser-known producers, these pioneers gave flavour to a radical musical movement via open-mindedness, unheard-of creativity and a genuinely futuristic ethos. All of these artists and labels are represented throughout the series.
So, what defined this hedonistic house sound from The Netherlands? Stylistically, it was varied – as the series so emphatically proves – but was defined by a set of distinctive sonic characteristics: emotive musical motifs, high-frequency synth sounds, mellow basslines, pulsating rhythms and more than a touch of hallucinatory intent.
Volume 1 boasts a wealth of notable tracks and slept-on gems. There’s ‘No Strings Attached (Freedom of the Soul Work)’ by Marionette, a magical spell of percussion-rich fairy-tale house from 1991 courtesy of R.o.X.Y Amsterdam resident DJ Dimitri and mellow pioneer Eric Nouhan, and the sole single by Eindhoven techno producer MAX404 as Faceless Techno Bastards, the rushing excellence of ‘Go Mellow’.
Other highlights include Rachmad Project’s ‘Summer Breeze’, a chirpy house masterpiece from foundational producer Steve Rachmad that first appeared on Outland Records offshoot Spiritual Records, a genuine oddball obscurity from John Krengiëlczak as Land of Fantasy, Tales And Myths (‘And They Lived Happily Ever After’), and a seriously sought-after cut from Rotterdam duo Space Trax, 1992’s ‘Aura’.
Packed full of forward-thinking 90s gems remastered for today’s dance floors by Alden Tyrell, Music For The Radical Xenomaniac Volume 1 is a life-affirming celebration of a distinctly Dutch musical movement, whose rich textures and melodies are still inspiring new generations of DJs and dancers today. More
Plenty of books and documentaries have celebrated the riotous raves, legendary clubs, high profile DJs and promoters who shaped The Netherlands’ hedonistic house scene throughout the 90s. Music For The Radical Xenomaniac dares to challenge these narratives by shining a light, for the first time, on those who created the scene’s kaleidoscopic, game-changing and globally influential soundtrack.
Leading the charge were a disparate group of key creators who not only forged links with their counterparts in Detroit, Chicago, New York, Belgium, Germany and the United Kingdom, but also became celebrated figures on the worldwide electronic underground (Eric Nouhan, Aad De Mooy, Orlando Voorn, Stefan Robbers and Steve Rachmad). Alongside key underground imprints (Stealth Records, Basic Energy, ESP, Prime and Outland Records included) and lesser-known producers, these pioneers gave flavour to a radical musical movement via open-mindedness, unheard-of creativity and a genuinely futuristic ethos. All of these artists and labels are represented throughout the series.
So, what defined this hedonistic house sound from The Netherlands? Stylistically, it was varied – as the series so emphatically proves – but was defined by a set of distinctive sonic characteristics: emotive musical motifs, high-frequency synth sounds, mellow basslines, pulsating rhythms and more than a touch of hallucinatory intent.
Volume 1 boasts a wealth of notable tracks and slept-on gems. There’s ‘No Strings Attached (Freedom of the Soul Work)’ by Marionette, a magical spell of percussion-rich fairy-tale house from 1991 courtesy of R.o.X.Y Amsterdam resident DJ Dimitri and mellow pioneer Eric Nouhan, and the sole single by Eindhoven techno producer MAX404 as Faceless Techno Bastards, the rushing excellence of ‘Go Mellow’.
Other highlights include Rachmad Project’s ‘Summer Breeze’, a chirpy house masterpiece from foundational producer Steve Rachmad that first appeared on Outland Records offshoot Spiritual Records, a genuine oddball obscurity from John Krengiëlczak as Land of Fantasy, Tales And Myths (‘And They Lived Happily Ever After’), and a seriously sought-after cut from Rotterdam duo Space Trax, 1992’s ‘Aura’.
Packed full of forward-thinking 90s gems remastered for today’s dance floors by Alden Tyrell, Music For The Radical Xenomaniac Volume 1 is a life-affirming celebration of a distinctly Dutch musical movement, whose rich textures and melodies are still inspiring new generations of DJs and dancers today. More
12" Excl
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Label:Tresor Records
Cat-No:tresor252
Release-Date:15.09.2023
Genre:Techno
Configuration:12" Excl
Barcode:666017252063
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Label:Tresor Records
Cat-No:tresor252
Release-Date:15.09.2023
Genre:Techno
Configuration:12" Excl
Barcode:666017252063
1
Mike Huckaby - The Tresor Track 06:24
2
Mike Huckaby - Basement Trax 05:36
3
Mike Huckaby - The Upstairs Lounge 06:01
Territories: WORLD minus UK and US
2023 Repress
FORMAT 12", dl card
TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01
Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More
2023 Repress
FORMAT 12", dl card
TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01
Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More
Label:Silverlining Dubs
Cat-No:SvD012
Release-Date:27.10.2023
Genre:House / Techno
Configuration:12"
Barcode:
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Last in:01.11.2023
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Last in:01.11.2023
Label:Silverlining Dubs
Cat-No:SvD012
Release-Date:27.10.2023
Genre:House / Techno
Configuration:12"
Barcode:
1
Silverlining - Comares
2
Silverlining - Downtime
London's Silverlining returns to his solo-only home, Silverlining Dubs, for this two-tracker that sees him exploring previously unexplored sonic territories for him. ‘Comares’, written in the rolling hills of Andalusia, draws influences equally from the rhythms of UK breaks from the past decade, as it does the blissed-out melodies of early nineties halcyon rave. ‘Downtime’ heads straight for that centre right spot of the dancefloor, right in front of the booth, where the heads congregate. Its snappy 909 drums, heady bassline, tearing acid line, and cut-up vocals blend perfectly as one hearty underground broth. This is the first original release to be produced and mixed in Silverlining’s new Cabin Studio in South London. We'll spare you the list of names but this has had early support from some of the industry's finest!
More
LP Excl
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Label:The Very Polish Cut Outs
Cat-No:TVPCRE004
Release-Date:25.08.2023
Genre:House
Configuration:LP Excl
Barcode:4251804143332
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Last in:07.08.2023
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Label:The Very Polish Cut Outs
Cat-No:TVPCRE004
Release-Date:25.08.2023
Genre:House
Configuration:LP Excl
Barcode:4251804143332
1
MODFUNK - Souler
2
MODFUNK - The Wav
3
MODFUNK - Funksalad
4
MODFUNK - Love
5
MODFUNK - Juice
6
MODFUNK - Wishes
7
MODFUNK - Possibiity For Significant Other
8
MODFUNK - Tex Mex
9
MODFUNK - Through The Sound
10
MODFUNK - Just…
Zambon from The Very Polish Cut-Outs have once again sought out forgotten and somewhat obscure artists whose music is in need of a revival. This time, they have chosen the duo MODFUNK, who were active in the Polish electronic music scene from 1999 to 2009. Piotr Jarecki and Martin Tigermann, two Varsovians who shared a love for the "french touch" genre that dominated dancefloors worldwide at the time, showcasing Daft Punk, Cassius, Stardust, and Bob Sinclar, were the brains behind the project.
The compilation comprises a subjective and cross-sectional selection of the ten best tracks from Modfunk's entire discography. While their music evolved over the years, they never abandoned their French-inspired sound, which is why the compilation includes tracks like "Souler" and "The Wav," which draw inspiration from Daft Punk. It also features "Love," a track sung in Polish that echoes Romanthony's work, as well as "Texmex" and "Wishes," two electropop tracks that could have been released on Ed Banger Records
Includes printed insert with the history of the group Modfunk
A1 Souler
A2 The Wav
A3 Funksalad
A4 Love
A5 Juice
B1 Wishes
B2 Possibiity For Significant Other
B3 Tex Mex
B4 Through The Sound
B5 Just…
More
The compilation comprises a subjective and cross-sectional selection of the ten best tracks from Modfunk's entire discography. While their music evolved over the years, they never abandoned their French-inspired sound, which is why the compilation includes tracks like "Souler" and "The Wav," which draw inspiration from Daft Punk. It also features "Love," a track sung in Polish that echoes Romanthony's work, as well as "Texmex" and "Wishes," two electropop tracks that could have been released on Ed Banger Records
Includes printed insert with the history of the group Modfunk
A1 Souler
A2 The Wav
A3 Funksalad
A4 Love
A5 Juice
B1 Wishes
B2 Possibiity For Significant Other
B3 Tex Mex
B4 Through The Sound
B5 Just…
More
Label:Big Crown Records
Cat-No:BCRLPC2138
Release-Date:11.08.2023
Genre:Soul/Funk
Configuration:LP
Barcode:0349223013856
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Label:Big Crown Records
Cat-No:BCRLPC2138
Release-Date:11.08.2023
Genre:Soul/Funk
Configuration:LP
Barcode:0349223013856
Lucid Blue Vinyl!
Tracklist:
1.I'll Never Leave
2.Falling Away - https://www.youtube.com/watch?v=XxDMgENSanQ
3.Chess
4.Still Here - https://www.youtube.com/watch?v=4MO6Pf9E46g
5.If I 03:06 - https://www.youtube.com/watch?v=evrcLpXHqEE
6.It's Over
7.Love & Flowers - https://www.youtube.com/watch?v=XY5mQ3tcXM4
8.You
9.Our Love
10.Next To Me
11.Thousand Clouds
12.Muse
Big Crown Records is proud to present the debut full length offering from Les Imprimés, Rêverie. The stirring and ethereal sounds of Les Imprimés have been making fans of anyone who hears them since their first 7” single hit the speakers. Morten Martens is the man behind the band. Born, raised, and working in Kristiansand, Norway, he keeps a low profile while making his heartfelt, highly infectious, and unique music. This album is a long time coming for Martens and it is sure to make him a name to be reckoned with.
The first thing you notice listening to Les Imprimés is the high level of musicianship. Martens plays nearly every instrument on the recordings and handles the production and arranging. He has been making records for decades, winning a Spellemann Award (aka, the Norwegian Grammy) in 2006 for producing a Hip Hop album as well as getting nominations across three other genres. While awards and accolades speak to the level of his talent, this new album really shows who he is as an artist on his own terms.
Moving away from being a hired gun on the touring scene naturally led him to start doing more studio work. Slowly collecting gear and getting more experience behind the boards he built his own studio on the island of Odderøya and was making a living playing with and recording other people's music. As the story goes, after those sessions would end he would work on his own project into the wee hours of the night. From these late night sessions, Les Imprimés was born and Rêverie began to take shape.
However, "it wasn't until COVID, when things locked down, that I was really able to find the time to focus on Les Imprimés" Morten says about creating and leading his own solo project. "It was a scary time. But I knew I had to do something with it." He took the sum of his influences, combined them with his own vibe and got busy writing the music, playing the instruments, and singing the songs. "It's soul music, but I don't exactly have the soul voice," Morten explains humbly. "But I do it my own way, in a way that's mine."
It is his sound, his fingerprint, his sensibility, that makes his music hard to categorize. He has crafted an album of songs with different energies that all fit together to make one gorgeous record. The lead single “Falling Away” starts with a raw drum break and turns into a lushly arranged tune that paints the picture of love when it slips away. On “Still Here” he professes his resilience through life’s twists and turns over a thundering track that puts a new spin on the B side ballad genre. Songs like “You” and “Our Love” mix tones from 60s and 70s Soul with arrangement nods to Doo Wop records while Martens’ lyrics and delivery leave you singing the melodies long after they finish. “Love & Flowers” finds Martens in a moment of clarity with a song that fits the niche sub genre of happy break up tunes, the four on the floor track will move the dancefloor while the message will resonate with anyone who put too much effort into the wrong situation in their lives. However, it is songs like “Muse” and “Chess” that really encapsulate the uniqueness of Les Imprimés as they push the boundaries of genre, one a profession of love for music and the other a cover of an electronic record respectively. Martens’ lyrics, emotion, and delivery truly make the whole thing come together and stand out from any of his peers. There’s an infectiousness and a pop sensibility in the writing that is done with the utmost class and taste giving Les Imprimés the rare quality of immediate attraction that only deepens the more you listen. More
Tracklist:
1.I'll Never Leave
2.Falling Away - https://www.youtube.com/watch?v=XxDMgENSanQ
3.Chess
4.Still Here - https://www.youtube.com/watch?v=4MO6Pf9E46g
5.If I 03:06 - https://www.youtube.com/watch?v=evrcLpXHqEE
6.It's Over
7.Love & Flowers - https://www.youtube.com/watch?v=XY5mQ3tcXM4
8.You
9.Our Love
10.Next To Me
11.Thousand Clouds
12.Muse
Big Crown Records is proud to present the debut full length offering from Les Imprimés, Rêverie. The stirring and ethereal sounds of Les Imprimés have been making fans of anyone who hears them since their first 7” single hit the speakers. Morten Martens is the man behind the band. Born, raised, and working in Kristiansand, Norway, he keeps a low profile while making his heartfelt, highly infectious, and unique music. This album is a long time coming for Martens and it is sure to make him a name to be reckoned with.
The first thing you notice listening to Les Imprimés is the high level of musicianship. Martens plays nearly every instrument on the recordings and handles the production and arranging. He has been making records for decades, winning a Spellemann Award (aka, the Norwegian Grammy) in 2006 for producing a Hip Hop album as well as getting nominations across three other genres. While awards and accolades speak to the level of his talent, this new album really shows who he is as an artist on his own terms.
Moving away from being a hired gun on the touring scene naturally led him to start doing more studio work. Slowly collecting gear and getting more experience behind the boards he built his own studio on the island of Odderøya and was making a living playing with and recording other people's music. As the story goes, after those sessions would end he would work on his own project into the wee hours of the night. From these late night sessions, Les Imprimés was born and Rêverie began to take shape.
However, "it wasn't until COVID, when things locked down, that I was really able to find the time to focus on Les Imprimés" Morten says about creating and leading his own solo project. "It was a scary time. But I knew I had to do something with it." He took the sum of his influences, combined them with his own vibe and got busy writing the music, playing the instruments, and singing the songs. "It's soul music, but I don't exactly have the soul voice," Morten explains humbly. "But I do it my own way, in a way that's mine."
It is his sound, his fingerprint, his sensibility, that makes his music hard to categorize. He has crafted an album of songs with different energies that all fit together to make one gorgeous record. The lead single “Falling Away” starts with a raw drum break and turns into a lushly arranged tune that paints the picture of love when it slips away. On “Still Here” he professes his resilience through life’s twists and turns over a thundering track that puts a new spin on the B side ballad genre. Songs like “You” and “Our Love” mix tones from 60s and 70s Soul with arrangement nods to Doo Wop records while Martens’ lyrics and delivery leave you singing the melodies long after they finish. “Love & Flowers” finds Martens in a moment of clarity with a song that fits the niche sub genre of happy break up tunes, the four on the floor track will move the dancefloor while the message will resonate with anyone who put too much effort into the wrong situation in their lives. However, it is songs like “Muse” and “Chess” that really encapsulate the uniqueness of Les Imprimés as they push the boundaries of genre, one a profession of love for music and the other a cover of an electronic record respectively. Martens’ lyrics, emotion, and delivery truly make the whole thing come together and stand out from any of his peers. There’s an infectiousness and a pop sensibility in the writing that is done with the utmost class and taste giving Les Imprimés the rare quality of immediate attraction that only deepens the more you listen. More
Label:Red Motorbike
Cat-No:BIKE023
Release-Date:21.07.2023
Configuration:7"
Barcode:
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Label:Red Motorbike
Cat-No:BIKE023
Release-Date:21.07.2023
Configuration:7"
Barcode:
1
Eddie C - D8 With The Rane
2
Eddie C - Sweet Honey
Hot-on-the-heels of instant sellout BIKE022, Eddie C revs up the RED MOTORBIKE again with another BIG sound on a small format...
This time we're treated to a golden-era style slice 'n splice of an absolute monster cut from '76.
On the flip, we're in tried & tested Eddie territory with a beautifully breezy jam, skilfully stretched into a dynamite dancefloor moment.
Another essential, then. One hand-stamped press. More
This time we're treated to a golden-era style slice 'n splice of an absolute monster cut from '76.
On the flip, we're in tried & tested Eddie territory with a beautifully breezy jam, skilfully stretched into a dynamite dancefloor moment.
Another essential, then. One hand-stamped press. More
12"
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Label:Micky Finn Recordings
Cat-No:MF001
Release-Date:21.07.2023
Genre:Breaks
Configuration:12"
Barcode:
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Label:Micky Finn Recordings
Cat-No:MF001
Release-Date:21.07.2023
Genre:Breaks
Configuration:12"
Barcode:
1
Micky Finn Presents Bitin’ Back - She's Breaking Up
2
Micky Finn Presents Bitin’ Back - Boom Box
Bitin’ Back is Micky Finn’s debut release. Originally written in 1989, it wasn’t released until 1991 on Fokus Recordings. Heavily played in the warehouse parties, illegal parties and pirate radio stations at the time, these are two breakbeat tracks that are made to make you move.
The record is presented in a full colour housebag designed by Micky himself, which includes the opening lines of the Six Million Dollar Man printed on the bag, the source of the vocal sample on ‘She’s Breaking Up’. More
The record is presented in a full colour housebag designed by Micky himself, which includes the opening lines of the Six Million Dollar Man printed on the bag, the source of the vocal sample on ‘She’s Breaking Up’. More