12" - One Sided - Transparent Vinyl

GENRE/S:
Techno

TRACKLIST:
A Emmanuel Top - Turkish Bazar (Chris Liebing Remake)


SHORT INFO:

Chris Liebing remakes Emmanuel Top's iconic 'Turkish Bazar'. A new version of the 1994 acid rave hit lands on Liebing's CLR.

Chris Liebing's long-awaited remake of Emmanuel Top's 1994 classic 'Turkish Bazar' arrives on CLR this December. Initially released via the Le Petit Prince label, 'Turkish Bazar' is an evergreen club hit, now painstakingly rebuilt by Techno powerhouse Chris Liebing, with each musical element reforged to create an essential new version.

Liebing's version of 'Turkish Bazar' features the instantly recognisable spoken word vocal of the original, while he ups its unmistakable 303 with an additional dose of acid. Raw, unfiltered licks are in tandem with pounding drums as airy pads and dainty sequences aim to soothe dancefloor madness. Extensively road-tested by Chris Liebing and blessed by Emmanuel Top for release via CLR, this is a mammoth revisit that lives up to the original's timeless appeal.

Founded by influential techno lynchpin Chris Liebing in 1999 and reemerging in 2021 after a five-year hiatus, Create Learn Repeat (CLR) has hosted a range of artists like Shlomi Aber, Dubfire, Flug, Bjarki, DJ Dextro and more while also focusing on developing newer acts in the scene such as Risa Taniguchi, The Southern, and Klint.



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2025 REPRESS….

Waveform Transmission Vol.3 initially came out in 1994 on Tresor Records.
The eight titles on the album marked a turning point for Jeff Mills. It indicates a transition from the straightforward sound he had created through the early 1990's, into the different facets and sound pallet he will develop through the remainder of the decade. It is a significant piece within Jeff Mills' masterwork.

TRACKLIST: A1. The Extremist 04:13 A2. Solid Sleep 03:49 B1. Life Cycle 03:52 B2. Workers 03:15 C1. Wrath Of The Punisher 03:46 C2. DNA 03:40 D1. Condor to Mallorca 5:37 D2. Basic Human Design 5:53

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2 LP

2xLP Tracklist
1 - Life Motif 5:27
2 – Touch 7:20
3 – Magenta 7:25
4 – Reflections 4:58
5 – Desiderium 2:59
6- Footsteps (Fluxion rework) 8:42
7 – Berlin 5:46
8 - What Tomorrow Brings 8:32
9 – Nexus 5:37
10 - Open Moves 3:28

Since his early days at Chain Reaction, K. Soublis (Fluxion) has carved his own unique style, combining elements of dub, ambient, techno, score, textural, and even jazz elements, all glued together with his distinct production aesthetic.
Haze is a broad selection of pieces that was recorded between 2023-2024. The music is moving from more slow cyclic compositional pieces on Life Motif, Nexus, Desiderium, to ambient dub pieces, on Magenta and Touch, on to more euphoric and uplifting ones on Footsteps, Berlin and What Tommorow Brings, reflecting on artist's need to tell stories.
As a whole Haze showcases the artist's versatility on moving and combining different genders with his own distinct crafted sound, bringing a bold always fresh unique view, making the album an indulging and intriguing listening experience as a whole.
Fluxion has managed to constantly adding to his sound through the years always evolving and Haze is a testament of his restless nature and the artist's need to move towards more uncharted territories without alienating the listener.

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DE - 22113 Hamburg
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CD

CD Tracklist
1 - Life Motif 5:27
2 – Touch 7:20
3 – Magenta 7:25
4 – Reflections 4:58
5 - Footsteps (Fluxion rework) 8:42
6 – Berlin 5:46
7 – Nexus 5:37
8 - Open Moves 3:28
9 - What Tomorrow Brings
10 – Desiderium 2:59

Since his early days at Chain Reaction, K. Soublis (Fluxion) has carved his
own unique style, combining elements of dub, ambient, techno, score, textural,
and even jazz elements, all glued together with his distinct production
aesthetic.
Haze is a broad selection of pieces that was recorded between 2023-2024.
The music is moving from more slow cyclic compositional pieces on Life Motif,
Nexus, Desiderium, to ambient dub pieces, on Magenta and Touch, on to
more euphoric and uplifting ones on Footsteps, Berlin and What Tommorow
Brings, reflecting on artist's need to tell stories.
As a whole Haze showcases the artist's versatility on moving and combining
different genders with his own distinct crafted sound, bringing a bold always
fresh unique view, making the album an indulging and intriguing listening
experience as a whole.
Fluxion has managed to constantly adding to his sound through the years
always evolving and Haze is a testament of his restless nature and the artist's
need to move towards more uncharted territories without alienating the
listener.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

2LP

A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II

B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit

C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada

D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope



NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.

For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.

Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.

Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.

The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”

Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”

The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.

“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”

Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.

Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.

Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.






















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Artwork and Typography by Stefan Marx

Joe Davies aka DJ Assam makes a welcome return to Smallville following his ‘Shields In Full Sunlight’ LP with the ‘Pardon My Late Response’ EP.

The past decade has seen DJ Assam releasing material for the likes of (his own imprint) Lehult, that he runs with a few friends, KANN Records, Super Tuff and Smallville Records sub-label Down by the Lake, as well as Djing regularly at hotspots across Europe and beyond.

Last year he made his debut on Smallville appearing under his own name- Joe Davies with a long player project. Here he returns with more of his distinctive deep and hypnotic style on a new EP for Smallville.

Up first on the package is ‘Errol Dub’, a six minute journey traversing through bouncy bass tones, airy chords, crisp shuffled percussion and modulating synth lines before ‘Unknown’ dives deeper via a reduced rhythm section, acid synth bleeps, soft bell tones and subtly naunced atmospherics. Opening the flip-side ‘1234 Love’ captures a more raw aesthetic with saturated drums at its core while an amalgamation of modulating synth licks and ethereal pads ebb and flow throughout. The Frankfurt Mix of ‘Hi Life’, known from Joe's mesmerizing Smallville album, rounds out the release, journeying into dub territory courtesy of spiralling echoes and slowly unfurling chords underpinned by a bumpy off-kilter drum groove.

Tracklist:

A1 Errol Dub
A2 Unknown
B1 1234 Love
B2 Hi Life (Frankfurt Mix)


All tracks written, produced and mixed by Joe Davies, additional production on B2 by Ossia, Vocals on B2 by Ocker
Mastering by Helmut Erler, Vinyl Cut by Lathesville

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Format: 12” vinyl, printed labels, printed inner sleeve, dl code

Tracklist:
01 / A Parallel Shift 04:39
02 / B Earth 05:39
03 / DX Earth - Edit (Digital Bonus) 05:08

Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds.
Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.”
R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system.
Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis.
The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering.
He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception.
The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch…
— The Rhythmanalyst aka DeForrest Brown, Jr.

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Territory: WW-UK/EIRE & USA,Canada

2024 repress

Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping


To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.

Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.

Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."

This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.

Available on double bio vinyl.

TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore