Distinctive Merciless Grinning Killers

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Deadly, unmistakable, multi-faceted Techno experience

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fully realised Shedism: wonderful, diverse, multi-dimensional, personalised take on Techno, 2023 reissue

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René Pawlowitz presents himself in many different forms; whether it's as Head High, EQD, Wax, WK7, The Traveller or more recently as Hoover - he consistently, and without any fuss or hype - produces some of the most effective, qual-ity techno you can find on the planet. The Shed alias is usually reserved for his best work.

With this in mind, it really is a special event to announce this amazing new EP from Shed on Tectonic, showcasing 3 distinctive and highly effective techno cuts.

'Try' takes a broken-beat techno rhythm for it's spine - reminiscent a little of the 2008/9 dubstep/techno crossover peri-od. Tension is set with dissonant elements pulsing around swooping subs until we are saved by the heroic pads that ease in, building ever upwards to a lush finale. Close your eyes and be transported back to the rave.

'Box' is a darker, more percussive affair - claustrophobic and industrial. 130bpm 4/4 distorted kicks set the stage as frantic drum machine hats and claps crash about heavily reverb'ed ghostly samples.

Lastly we come to 'Sweep', a hypnotic bleepy roller with a bass heavy presence. As the riff loops up and over, drums build and a dissonant synth part creeps in. The not-quite 4/4 kick drives you ever forward with a gentle stumble as rat-tling hi hats flair about over head. Great finish to a great EP.


Tracklist:
A1: Try
A2: Box


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"What binds you to places? To remembering them. Places you can feel, when you feel at home. Places that affirm your very existence. This place for me is the Oderbruch. This album is dedicated to it.” – R.P. The fifth studio album by Shed aka Rene Pawlowitz centers thematically on the Oderbruch region in former East Germany where the producer and DJ grew up and continues to split his time (when not in Berlin.) Both the album and track titles as well as the artwork by Arnim To¨lke [Ectoplasma (Oderbruch)] reflect Pawlowitz’s deeply personal associations with the borderland’s marshy landscape, as well as enormous political and historical changes the region underwent as the last Eastern front during World War II – and, later, following the dissolution of the GDR. Nevertheless, Oderbruch is not a concept album. Instead, it’s an ambivalent ode to the area in which Pawlowitz’s family has lived for generations. It’s a musical reflection on place and personal history: meeting up at the local gas station, a view to the water, techno rattling the closed windows of cars peeling out toward Berlin or the next local party, cruising along rural parkways flanked by trees with fruit ripe for picking, past weeping willows and abandoned factories where industry once thrived. Outside buzzes with the sounds of nature inextricably linked with childhood memories, but also a landscape defined by the bloody defeat of the Nazis at the Battle of Seelow, ushering in the fall of Berlin and with it, the entire fascist regime. The album’s nine tracks are inspired by the intertwined nature of the subjective and historical, which ring through Shed’s idiosyncratic take on breaks, bass, techno, symphonic ventures, ambient and hardcore. But unlike Shed’s previous records, Oderbruch incorporates broad pastoral landscapes – left behind and returned to. Both fit Shed, who under various aliases (Head High, Hoover, Wax, The Higher, WK7, Equalized, The Traveller) has long influenced a number of dance music scenes in Berlin and beyond.

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Shed's pure techno power is twisted into breaky sub-bass-loaded madness by his longtime friends Modeselektor, a pairing that hasn't shared the same 12” since the very first Modeselektion. Pawlowitz's Track combines a straightforward 4/4 beat with a chopped vocal that will hypnotize just about any dancefloor into a perfect Shed-Trance, which is chopped up even further on the Modeselektor remix. Mr Bronsert & Mr Szary also replaced the 4/4 kickdrum with a booming broken beat and big breaks, sure to be spun by every creative DJ. One for the Books!


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A new release by Rene Pawlowitz, regardless if it is as Head High, Wax, EQD, WK7, The Traveller, Shed or any of his other project names, is always big news. The Dirt / Fluid 67 is the first new Shed release since his fantastic third album The Killer on 50 Weapons, released in July 2012. The single unites 2 of the main elements of the Shed sound: dry and puristic functional techno on the A-Side and UK rave euphoria on the B-Side.



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Raw killer Techno

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Red hot Munich newcomers Zenker Brothers join forces with a German Techno staple, Marcel Dettmann, a combination that is both exciting and effective. It was Marcel's idea to have his "Activator", a dark, broken DJ Tool backed up by the "Bavarian Realkeepers", an idea we fully support. "Namuan" is another piece of 1990s rooted tool techno in fine Ilian Tape style with banging clap-grooves that has been going down a treat in the sets of Dario, Marco and Marcel.

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Our third to last release combines two driving forces of contemporary techno: Homegrown Benjamin Damage is joined by Truncate, a deadly combination for any DJ's bag. Ben Damage's "Battle" sees him layer his hyperactive grooves over a thumping kick with a small but effective acid line topping things off. Truncate's "86" is a massive track Dave Sumner aka Function previously used in his "Berghain 07" mix, obviously serving as one of the highlights in there. It's creeping synths build up to a climax in typical Truncate fashion, with huge, compressed kickdrums pounding the dance floor mercilessly.

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Two masters of Sound Design join forces for this split 12": Anstam and his wonderful "Dolores" and Monolake with his experimental techno track "VT-100", which is solely made on the Linn Drum. We are very excited to welcome Monolake to 50WEAPONS, as we have been following Robert Henke's work for a long time. Both tracks tap into the experimental side of 50WEAPONS, but this is obvious, considering the two names on this record.

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Shed's pure techno power is twisted into breaky sub-bass-loaded madness by his longtime friends Modeselektor, a pairing that hasn't shared the same 12” since the very first Modeselektion. Pawlowitz's Track combines a straightforward 4/4 beat with a chopped vocal that will hypnotize just about any dancefloor into a perfect Shed-Trance, which is chopped up even further on the Modeselektor remix. Mr Bronsert & Mr Szary also replaced the 4/4 kickdrum with a booming broken beat and big breaks, sure to be spun by every creative DJ. One for the Books!


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We tap the Franco-Polish Connection fo the fourth RIP single: A Bambounou / Margaret Dygas Split 12”! 50WEAPONS is very excited to welcome the renowned Perlon artist to our guest roster, and her track “Popular Religions” merges the minimal asthaetics of her sound with ours in a fantastic way! Bambounou bids farewell with the bubbly “See You Soon”, a perfect match to Margaret's track.


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The new 50WEAPONS messes with the straight jackets of its antecedent's techno vibes. But despite the jacked up juke of Addison Groove's signature sound, he delivers quite a 4/4 version of his sometimes more seriously broken beat. His 'Allaby' sounds like he simply needed an excuse to dance. And it sure is and will be for anybody - no matter what corner of electronic clubmusic you come from. Rattling juke claps, a bouncy kick and cut up shout outs will get you hyped right away. The rest is easy, given the fresh, lighthearted touch of the whole track, its precise arrangement and its superb feeling for the right timing. This is DJ-tool, highlight and energy refresher at the same time. A very variable track, DJ's and Clubkids will love to geth their hands on. So let's skip to Errorsmith: The man is a menace II the soundsystem. His intricate structures always come crowned with the crispest, finest, bestest and bassiest sound designs you can imagine. There's nothing Errorsmith cannot do. You want the baddest bass? He's got it. You want the meanest synth? He's got it. You want the hardest kickdrum? He's got it. This track certainly went through the school of hard knox, where it got kicked out for too much talent. Imagine a lurky, wobbly monster with no tags applied. And if you'd try to nail it, you'd fail. Errorsmith ain't dubstep, IDM, bass music or industrial he's just over the top - he's the man himself. Brace yourself and go buy that airbag before this tune is gonna roll you over.

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50WEAPONS #41 is the 2nd installment in the label's grand finale. It consists of a killer pairing of two tracks aiming to destroy any dancefloor. So be careful, this one is a weapon of mass destruction. Phon.o chose techno's first lady Paula Temple as his counterpart and they both set out on the same mission: To leave you locked in the club for hours. But don't worry: There's no escape. Phon.o's "Tw33tz" pays homage to the label's heritage with this sly techno track that goes from foggy darkness to 10 am euphoria. A gasping breath wreathing for air in the tight clutch of a distorted kickdrum and dubby percussions turns into a Moderat-esque bass-synth screaming hands up. The argument is overwhelming: shut up and dance. Same goes without saying for "Oscillate" Paula Temple's burning techno stomper. Here the atmosphere seems as compressed as astronaut ice cream. A gut wrenching sub bass introduced by the dryest kick heard on this label so far clears the space for an electro-acid synthline ready to sweep you of your feet. Club music at it's finest: this is psychological warfare.


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Bambi is back and as effective as ever! 50WEAPONS proudly presents two stripped back club tracks by Bambounou, our main man for dancefloor euphoria. Watch him drop both of the tracks in his Boiler Room set in Paris in September 2013 and you'll understand what we mean. YouTube commenters have since been all over these tracks. "Feel Like This" is built around a hypnotizing vocal sample with hi hats sharp enough to cut a hole right through your braincells to activate your dance-nerves. Leaving your synapses to the mercy of the pounding kick drum which is fat enough to get everyone in the room moving. "Onto This" sees Bambounou unleash his talents in a very NY-esque way, with those sharp skippy hats that are definitely drawing on UK garage and one of the grooviest organs we've heard since "Kaoz on King Street". Both tracks will definitely reap lots of support, from Panorama Bar to the beaches of Croatia and back to Paris.

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FJAAK are new to 50WEAPONS and they already have had a killer start. It is said that they actually sleep/live in their studio and one can easily imagin them listening to bassdrum samples for breakfast. Their rough techno tracks are driven by a fast and furious energy, that is pulsing with love for its genre. The A side is ruled by the outstandingly well carved noises of the Kick drum's reverb, brilliantly timed breaks and a windy flute pad that pairs perfectly with the distorted snare drum. A knack for expertly distorted drum sounds is one of FJAAK's most distinctive features. The B side explores the quest for finest distorted kick drum. "The Wind" pairs it with delayed synths and a noise-come-percussion heading into deeper territories while "Curious" on B2 sets a darker vibe with growling bass drones that sting like metallic insects and infect you with dancemania.

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Previously sold via Hardwax Record Store / Berlin (Sept. 2012), here's the chance to get one of the last copies of the #22 in the limited edtion series of the 50 WEAPONS label. A new Addison Groove record is always a spectacle. This new EP in particular is gonna me you go boom!

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Benjamin Damage is back. His new EP on 50weapons features 3 banging clubtracks, some made with his newly aquired analogue TB 303 like the stunning ravy 'Acid Bath'. It is a feast for techno lovers with its hommage to the bleepy sounds from the golden era of the 90ies. Far from being retro in any way, the kick-heavy but well rounded sounds are Dancefloor fillers meant for the club prime time. Following his celebrated remix of Alan Fitzpatricks 'Confessions of a wanted man' this E.P. has Benjamin head further into techno territory leaving his UK Bass past only dimly recognizable in the bouncing euophoria of the lead melody's arpeggio on 'UP' the first track on the record. Aside from this 'Up' is a straight techhouse hit that is guaranteed to bring the hands 'Up' (pun intended) on the floor. This EP is surely going to find it´s way into tons of record bags over summer as it is strong enough to speak to huge festival crowds.

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File Under: junglish-footwork flux by one of UK bass music's figureheads. Excellent sophomore album including collaborations with DJ Die, Sam Binga, MC DRS and Josefina.

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The 50WEAPONSRMX10 EP let's Bambounou's heady minimal original “Ignition“ shine in new glamour. Garnier, the pioneer of the French techno scene himself called Bambounou the official successor and now steps up to provide a lush dubby techhouse track that strictly aims at the big room to expand the accesibility of Bambounou's name to new territories. This track is a dancefloor guarantee for the clubs worldwide. Cleverly the Garnier remix is met by French Fries' version of “Ignition“, an austere stunner of the minimalist approach so typical for the new french sound, which he and his best buddie Bambounou have made so popular in the last 2 years. The French Fries remix is a modern day answer to the seriousness of techno as an undergound vehicle in the early days of its existence, which is exactly the point of time Garnier made his first tracks. The 2 remixes couldn't be more different and they couldn't fit together better, each on their own representing an important facette of the label's catalogue and 50WEAPONS' stunning ability to pair the sounds of now with the flavour of it's heritage.



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The compilation presents all nine 50 Weapons remix singles so far in chronological order. The tracklist contains some of the world's biggest producers of electronic music including Moderat, Shed, Marcel Dettmann, DJ Friction, Robert Hood, Chris Liebing, Legowelt, Miles, Truncate, Benjamin Damage, Lee Gamble, Anstam, Siriusmo, Tale Of Us, Modeselektor and many more.

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