1
Cuddling Monsters - Dark REM
2
Cuddling Monsters - Monster Talk
3
Cuddling Monsters - Event Horizon
4
Cuddling Monsters - Temporal Aura
Genres: Dub Techno, Techno, House
ZentaSkai and Laura Merino Allue return to Mask Records as Cuddling Monsters with volume two of their vinyl-only house and techno series
Tracklist:
A1 Dark REM
A2 Monster Talk
B1 Event Horizon
B2 Temporal Aura
Arriving on a limited 200-copy translucent orange vinyl, 'Dark REM' on Cuddling Monsters’ second release on Mask Records is a hunched-over and direct dub techno cut with forceful drums and deft percussion, adding texture next to warm, sustained pads.
There's a real sense of urgency in this most frictionless groove, which means it cannot fail to cast a spell on the dance floor. The fantastic 'Event Horizon' is then infused with the aura of deep space - sustained chords with a cosmic edge add vast scale to the well-programmed deep techno drums. 'Monster Talk' is a mid-tempo dub track with underlapping drums and rattling, rusted chords that disappear to infinity. It's cavernous and evocative, with myriad little details occupying the mind. 'Temporal Aura' is another standout sound that blends deep techno, dub, and minimal into a serene soundtrack that encourages inward reflection while driving onwards through the cosmos.
Mask Records founder ZentaSkai and his creative partner Laura Merino Allue are Berlin mainstays helping shape the underground. Cuddling Monsters is a new project that debuted on the label in March. It is all about crafting music with analogue instruments, which they believe "offer distinctive sonic qualities, creative constraints, and genuine sound reproduction”. They explore Detroit-infused house, dub techno and minimal soundscapes with raw edges and a great sense of atmosphere. Cuddling Monsters' 'Cuddling Monsters_CM Vol. 02' releases via Mask Records on 6th December 2024.
More
ZentaSkai and Laura Merino Allue return to Mask Records as Cuddling Monsters with volume two of their vinyl-only house and techno series
Tracklist:
A1 Dark REM
A2 Monster Talk
B1 Event Horizon
B2 Temporal Aura
Arriving on a limited 200-copy translucent orange vinyl, 'Dark REM' on Cuddling Monsters’ second release on Mask Records is a hunched-over and direct dub techno cut with forceful drums and deft percussion, adding texture next to warm, sustained pads.
There's a real sense of urgency in this most frictionless groove, which means it cannot fail to cast a spell on the dance floor. The fantastic 'Event Horizon' is then infused with the aura of deep space - sustained chords with a cosmic edge add vast scale to the well-programmed deep techno drums. 'Monster Talk' is a mid-tempo dub track with underlapping drums and rattling, rusted chords that disappear to infinity. It's cavernous and evocative, with myriad little details occupying the mind. 'Temporal Aura' is another standout sound that blends deep techno, dub, and minimal into a serene soundtrack that encourages inward reflection while driving onwards through the cosmos.
Mask Records founder ZentaSkai and his creative partner Laura Merino Allue are Berlin mainstays helping shape the underground. Cuddling Monsters is a new project that debuted on the label in March. It is all about crafting music with analogue instruments, which they believe "offer distinctive sonic qualities, creative constraints, and genuine sound reproduction”. They explore Detroit-infused house, dub techno and minimal soundscapes with raw edges and a great sense of atmosphere. Cuddling Monsters' 'Cuddling Monsters_CM Vol. 02' releases via Mask Records on 6th December 2024.
More
More records from mask
1
ZentaSkai - Bob (6:16)
2
ZentaSkai - Bob (6:52)
3
ZentaSkai & Sebastian Klenk - Bob (11:41)
Genres: Dub Techno, Romanian, Techno
Vinyl only
Tracklist
A1. ZentaSkai - Bob (6:16)
A2. ZentaSkai - Bob (6:52)
B1. ZentaSkai & Sebastian Klenk - Bob (11:41)
Release Date:
Following a ten-part series of unannounced artist records and a spectacular high-concept album on Mask Records, label head ZentaSkai returns to the imprint for his next solo vinyl-only release, ‘Bob’.
The A1 sees the Berlin-based ZentaSkai combine a dusty, taped white noise feel with subtle, swirling dub chords as its high-end propels the track forward. It’s a stunning and evocative piece before the A2 continues with minimal drums and electric acid bleeps, a smooth organ lead completing its gorgeous soundscape.
On the B-side of the ‘Bob’ EP, ZentaSkai joins forces with long-time collaborator Sebastian Klenk. It follows their
‘Apeiron’ track on ZentaSkai’s 2023 ‘Architecture Of The Mind’ LP, among other joint work, and sees them deliver a near-twelve-minute track that is a true masterpiece. The track takes listeners through found-sound texture samples, intricate drum patterns, crunchy breakbeats, and more beautiful dub melodics.
‘Bob’ is another fantastic listening experience on Mask Records, already supported by Satoshi Tomiie, Raresh and Laurent Garnier.
More
Vinyl only
Tracklist
A1. ZentaSkai - Bob (6:16)
A2. ZentaSkai - Bob (6:52)
B1. ZentaSkai & Sebastian Klenk - Bob (11:41)
Release Date:
Following a ten-part series of unannounced artist records and a spectacular high-concept album on Mask Records, label head ZentaSkai returns to the imprint for his next solo vinyl-only release, ‘Bob’.
The A1 sees the Berlin-based ZentaSkai combine a dusty, taped white noise feel with subtle, swirling dub chords as its high-end propels the track forward. It’s a stunning and evocative piece before the A2 continues with minimal drums and electric acid bleeps, a smooth organ lead completing its gorgeous soundscape.
On the B-side of the ‘Bob’ EP, ZentaSkai joins forces with long-time collaborator Sebastian Klenk. It follows their
‘Apeiron’ track on ZentaSkai’s 2023 ‘Architecture Of The Mind’ LP, among other joint work, and sees them deliver a near-twelve-minute track that is a true masterpiece. The track takes listeners through found-sound texture samples, intricate drum patterns, crunchy breakbeats, and more beautiful dub melodics.
‘Bob’ is another fantastic listening experience on Mask Records, already supported by Satoshi Tomiie, Raresh and Laurent Garnier.
More
1
Cuddling Monsters - Lucky Star
2
Cuddling Monsters - Crystal Growing
3
Cuddling Monsters - Floating Tank
4
Cuddling Monsters - Analog Dreams
Tracklist:
01 Lucky Star
02 Crystal Growing
03 Floating Tank
04 Analog Dreams
MASK’s ZentaSkai & Laura Merino Allue announce vinyl-only underground house and techno series as
Cuddling Monsters.
Cuddling Monsters serve up the first vinyl-only volume of a new self-titled series on Berlin-based Mask Records. All
four cuts explore deep and classy techno, dub and house soundscapes with the aim of rediscovering the soul of
electronic music and forming new bonds between human creativity and technological innovations.
Cuddling Monsters is the coming together of creative partners ZentaSkai and Laura Merino Allue. ZentaSkai is the
MASK founder recognised for his immersive, hypnotic groove, and Allue is a fashion and graphic designer. They are
newly assembled under this alias but have a long-time love of vinyl and analogue machines, which shows in their sounds.
"Crafting music with analogue instruments holds profound importance in the contemporary musical landscape. Despite
the omnipresence of digital technology, analogue instruments maintain a pivotal role, offering distinctive sonic qualities,
creative constraints, and genuine sound reproduction. The tactile, hands-on connection." - Cuddling Monsters
The superbly deep and atmospheric 'Lucky Star' is a dubby minimal cut with a deft rhythm and warm pads that are
perfect for cosy back rooms. The absorbing 'Crystal Growing' is another stripped-back techno roller with rubbery drums
and pensive chords that lock you into a state of meditation. Up next is the powerful 'Floating Tank' which pairs gorgeous
ambient synths with driving drums. It's a great coming together of the physical and the emotional that will take dance
floors to the next level. 'Analog Dreams' shuts down with more perfectly smoky pads and grainy lo-fi atmospheres as
slick but driving drums power onwards.
Cuddling Monsters ‘Cuddling Monsters_CM Vol. 01’ releases via MASK 29th March 2024.
More
01 Lucky Star
02 Crystal Growing
03 Floating Tank
04 Analog Dreams
MASK’s ZentaSkai & Laura Merino Allue announce vinyl-only underground house and techno series as
Cuddling Monsters.
Cuddling Monsters serve up the first vinyl-only volume of a new self-titled series on Berlin-based Mask Records. All
four cuts explore deep and classy techno, dub and house soundscapes with the aim of rediscovering the soul of
electronic music and forming new bonds between human creativity and technological innovations.
Cuddling Monsters is the coming together of creative partners ZentaSkai and Laura Merino Allue. ZentaSkai is the
MASK founder recognised for his immersive, hypnotic groove, and Allue is a fashion and graphic designer. They are
newly assembled under this alias but have a long-time love of vinyl and analogue machines, which shows in their sounds.
"Crafting music with analogue instruments holds profound importance in the contemporary musical landscape. Despite
the omnipresence of digital technology, analogue instruments maintain a pivotal role, offering distinctive sonic qualities,
creative constraints, and genuine sound reproduction. The tactile, hands-on connection." - Cuddling Monsters
The superbly deep and atmospheric 'Lucky Star' is a dubby minimal cut with a deft rhythm and warm pads that are
perfect for cosy back rooms. The absorbing 'Crystal Growing' is another stripped-back techno roller with rubbery drums
and pensive chords that lock you into a state of meditation. Up next is the powerful 'Floating Tank' which pairs gorgeous
ambient synths with driving drums. It's a great coming together of the physical and the emotional that will take dance
floors to the next level. 'Analog Dreams' shuts down with more perfectly smoky pads and grainy lo-fi atmospheres as
slick but driving drums power onwards.
Cuddling Monsters ‘Cuddling Monsters_CM Vol. 01’ releases via MASK 29th March 2024.
More
1
ZentaSkai - Mind Mapping
2
ZentaSkai - 030
3
ZentaSkai - Fügung (feat. Laura Merino)
4
ZentaSkai - Flow Dreaming
5
ZentaSkai - Structural Understanding
6
ZentaSkai - Quiet Reflection
7
ZentaSkai - Geruda Dub
8
ZentaSkai - Boiling Range
9
ZentaSkai - Interlude
10
ZentaSkai & Jeremy Reinhard - Karl-Marx-Allee
11
ZentaSkai vs. Palawan - Dynamic System
12
ZentaSkai & Sebastian Klenk - Apeiron
13
ZentaSkai & Apoena - Parallel 30 (feat. Yucuma)
3LP, triple gatefold
Tracklist:
Side A
01 Mind Mapping
02 030
SIDE B
03 Fügung (feat. Laura Merino)
04 Flow Dreaming
SIDE C
05 Structural Understanding
06 Quiet Reflection
SIDE D
07 Geruda Dub
08 Boiling Range
09 Interlude
SIDE E
10 Karl-Marx-Allee (ZentaSkai & Jeremy Reinhard)
11 Dynamic System (ZentaSkai vs. Palawan)
SIDE F
12 Apeiron (ZentaSkai & Sebastian Klenk)
13 Parallel 30 (ZentaSkai & Apoena feat. Yucuma)
Release Info:
ZentaSkai unveils stunning, high-concept house album on Mask Records.
ZentaSkai undertook a period of research into the underlying structure and organisation of the human brain
before writing ‘The Architecture Of The Mind’. The Berlin-based artist then took what had been learned and
kept it in mind when writing the music that marks Mask's first album release. It comes with extensive
background notes on each track, and an operational manual of sorts - notes from the artists as to the effects
each piece will have on those who hear them.
"The message conveyed by this album is that life itself is filled with music, but our egos often prevent us from
being in harmony with this symphony. Inner chaos and silence can be challenging to bear, leading us to seek
solace in external noise. We have constructed a barrier between our inner and outer worlds, causing us to
lose touch with the rhythm of harmony. However, by embracing the illusion of separation and dancing to good
music, we can rediscover harmony with ourselves and our environment. To fully experience the essence of
the album, it should be played loudly on a proper sound system or high-quality headphones. By immersing
themselves in the music, individuals can engage with its transformative power and potentially find a deeper
connection with their own minds and surroundings." - ZentaSkai
The gorgeous 'Mind Mapping' opens up with deep and dubby drums and lush harmonies that soothe you to
your core, '030' then has more raw, heavy drums with many layers of glowing synths, glassy melodies and
organic found sounds. 'Fügung' keeps the deep and introspective moods coming before the crisp tech of
'Flow Dreaming' ups the ante with more drive and layers of vocal whispers, hi-hats and smeared dub chords.
Elsewhere the likes of 'Quiet Reflection' lean into the groove with swirling pads and one-word vocal sounds
drifting through the air over propulsive drum loops, and 'Boiling Range' suspends you in deft synth loops
amongst the stars over a prickly house beat.
The superb synth craft and well-designed grooves continue through the dusty deep house of
'Karl-Marx-Allee' and minimal dub of 'Dynamic System' before the elegant melodic techno of 'Apeiron' and
dreamy synthscapes of 'Parallel 30' close the album in a reflective fashion.
This is a deeply evocative album with a fully realised concept that is as thought-provoking as it is immersive.
More
Tracklist:
Side A
01 Mind Mapping
02 030
SIDE B
03 Fügung (feat. Laura Merino)
04 Flow Dreaming
SIDE C
05 Structural Understanding
06 Quiet Reflection
SIDE D
07 Geruda Dub
08 Boiling Range
09 Interlude
SIDE E
10 Karl-Marx-Allee (ZentaSkai & Jeremy Reinhard)
11 Dynamic System (ZentaSkai vs. Palawan)
SIDE F
12 Apeiron (ZentaSkai & Sebastian Klenk)
13 Parallel 30 (ZentaSkai & Apoena feat. Yucuma)
Release Info:
ZentaSkai unveils stunning, high-concept house album on Mask Records.
ZentaSkai undertook a period of research into the underlying structure and organisation of the human brain
before writing ‘The Architecture Of The Mind’. The Berlin-based artist then took what had been learned and
kept it in mind when writing the music that marks Mask's first album release. It comes with extensive
background notes on each track, and an operational manual of sorts - notes from the artists as to the effects
each piece will have on those who hear them.
"The message conveyed by this album is that life itself is filled with music, but our egos often prevent us from
being in harmony with this symphony. Inner chaos and silence can be challenging to bear, leading us to seek
solace in external noise. We have constructed a barrier between our inner and outer worlds, causing us to
lose touch with the rhythm of harmony. However, by embracing the illusion of separation and dancing to good
music, we can rediscover harmony with ourselves and our environment. To fully experience the essence of
the album, it should be played loudly on a proper sound system or high-quality headphones. By immersing
themselves in the music, individuals can engage with its transformative power and potentially find a deeper
connection with their own minds and surroundings." - ZentaSkai
The gorgeous 'Mind Mapping' opens up with deep and dubby drums and lush harmonies that soothe you to
your core, '030' then has more raw, heavy drums with many layers of glowing synths, glassy melodies and
organic found sounds. 'Fügung' keeps the deep and introspective moods coming before the crisp tech of
'Flow Dreaming' ups the ante with more drive and layers of vocal whispers, hi-hats and smeared dub chords.
Elsewhere the likes of 'Quiet Reflection' lean into the groove with swirling pads and one-word vocal sounds
drifting through the air over propulsive drum loops, and 'Boiling Range' suspends you in deft synth loops
amongst the stars over a prickly house beat.
The superb synth craft and well-designed grooves continue through the dusty deep house of
'Karl-Marx-Allee' and minimal dub of 'Dynamic System' before the elegant melodic techno of 'Apeiron' and
dreamy synthscapes of 'Parallel 30' close the album in a reflective fashion.
This is a deeply evocative album with a fully realised concept that is as thought-provoking as it is immersive.
More
1
Unknown - A1
2
Unknown - A2
3
Unknown - A3
4
Unknown - B1
5
Unknown - B2
6
Unknown - B3
Format: Vinyl Only (Limited 250 copies)
Tracklist:
01 A1
02 A2
03 A3
04 B1
05 B2
06 B3
Release Info:
MASK unveil the final entry in its untitled release series.
Berlin-based label MASK records has become known for releasing a string of vinyl-only EP’s by unnamed
producers which have seen the support of respected artists such as Jimpster, DJ Bone, Ben Sims,
Santiago Salazar, Laurent Garnier, Ryan Elliot, Marcel Dettmann, and the Blessed Madonna amongst
others. Now, the tenth and final instalment of the series consists of an eclectic collection of techno and house
cuts, all recorded on tape during an analog live session in the artist’s studio.
The A1 eases you into the record through glitchy textures, swelling synths and broken beats before the A2
gets you into a rapturous tracky groove offset by lo-fi vocals and dreamy pads. The A3 takes a darker turn
through hypnotic drums and a droning bass, readying the listener for the B-Side which continues this raw
energy.
The B1 picks up the pace with energetic drums and clean ride cymbals while the B2 incorporates floaty arps
and a tantalising repeating vocal. ‘B3’ closes out the release with a retro 80s synth feel, putting a wrap on yet
another incredible vinyl EP by this exciting underground label.
Unknown Artist’s ‘SENNIN’ vinyl-only release drops via MASK Records mid-september.
More
Tracklist:
01 A1
02 A2
03 A3
04 B1
05 B2
06 B3
Release Info:
MASK unveil the final entry in its untitled release series.
Berlin-based label MASK records has become known for releasing a string of vinyl-only EP’s by unnamed
producers which have seen the support of respected artists such as Jimpster, DJ Bone, Ben Sims,
Santiago Salazar, Laurent Garnier, Ryan Elliot, Marcel Dettmann, and the Blessed Madonna amongst
others. Now, the tenth and final instalment of the series consists of an eclectic collection of techno and house
cuts, all recorded on tape during an analog live session in the artist’s studio.
The A1 eases you into the record through glitchy textures, swelling synths and broken beats before the A2
gets you into a rapturous tracky groove offset by lo-fi vocals and dreamy pads. The A3 takes a darker turn
through hypnotic drums and a droning bass, readying the listener for the B-Side which continues this raw
energy.
The B1 picks up the pace with energetic drums and clean ride cymbals while the B2 incorporates floaty arps
and a tantalising repeating vocal. ‘B3’ closes out the release with a retro 80s synth feel, putting a wrap on yet
another incredible vinyl EP by this exciting underground label.
Unknown Artist’s ‘SENNIN’ vinyl-only release drops via MASK Records mid-september.
More
1
Unknown - 01) A1
2
Unknown - 02) A2
3
Unknown - 03) A3
4
Unknown - 04) B1
5
Unknown - 05) B2
6
Unknown - 06) B3
Format: Vinyl Only (Limited 250 copies)
Tracklist:
01) A1
02) A2
03) A3
04) B1
05) B2
06) B3
Release Info:
Independent label MASK returns with another untitled release featuring six innovative interpretations.
Blossoming Berlin-based imprint MASK continues to invite anonymous artists to the label, delivering quality
cuts produced using analogue gear across the imprint’s trademark style of raw house, techno and ambient
territories. With support from the likes of ItaloJohnson, Truncate, DJ Bone and Ryan Elliott, DATE welcomes
the arrival of six fresh, immersive cuts as they enlist yet another unknown artist to join the series.
The widely appealing package opens via the filtered loops, layered sonics and low humming frequencies of
‘A1’, whilst ‘A2’ reveals a deeper, darker cut with sharp boom bap drums, distorted tones and warped effects.
Next, ‘A3’ has an ethereal edge and explores a plethora of robust sounds, dubby chords and heady, pulsating
rhythms.
On the flip, the richly euphoric ‘B1’ leads with seductive drum programming, chopped-up vocal snippets and
scintillating keys that take listeners to another level. Penultimate offering ‘B2’ reveals a driving, feel-good
affair before rounding out proceedings with the off-kilter, jazz-leaning and undoubtedly enrapturing
soundscapes of the low-slung ‘B3’.
More
Tracklist:
01) A1
02) A2
03) A3
04) B1
05) B2
06) B3
Release Info:
Independent label MASK returns with another untitled release featuring six innovative interpretations.
Blossoming Berlin-based imprint MASK continues to invite anonymous artists to the label, delivering quality
cuts produced using analogue gear across the imprint’s trademark style of raw house, techno and ambient
territories. With support from the likes of ItaloJohnson, Truncate, DJ Bone and Ryan Elliott, DATE welcomes
the arrival of six fresh, immersive cuts as they enlist yet another unknown artist to join the series.
The widely appealing package opens via the filtered loops, layered sonics and low humming frequencies of
‘A1’, whilst ‘A2’ reveals a deeper, darker cut with sharp boom bap drums, distorted tones and warped effects.
Next, ‘A3’ has an ethereal edge and explores a plethora of robust sounds, dubby chords and heady, pulsating
rhythms.
On the flip, the richly euphoric ‘B1’ leads with seductive drum programming, chopped-up vocal snippets and
scintillating keys that take listeners to another level. Penultimate offering ‘B2’ reveals a driving, feel-good
affair before rounding out proceedings with the off-kilter, jazz-leaning and undoubtedly enrapturing
soundscapes of the low-slung ‘B3’.
More
1
Unknown - 1. A1
2
Unknown - 2. A2
3
Unknown - 3. A3
4
Unknown - 4. B1
5
Unknown - 5. B2
6
Unknown - 6. B3
Vinyl Only (Limited 150 copies)
Tracklist:
1. A1
2. A2
3. A3
4. B1
5. B2
6. B3
Release Info:
German imprint MASK return in 2021 with yet another inviting anonymous release featuring six
raw original cuts.
The MASK imprint continue to impress with their signature aesthetic which places focus on intricate,
modular based house, techno and ambient cuts and everything in between. Their previous releases have
garnered strong support from various artists including the likes of Laurent Garnier, DJ Bone, Photonz,
Anastasia Kristensen, Marcel Dettmann and many more, and ‘Knef’ sees the esoteric German imprint
deliver yet another impressive collection of tracks to kick start 2021.
The ‘A1’ gets the EP rolling with muffled drums and enticing moods that sit delicately underneath the
soulful, samples and sweeping synths before ‘A2’ offers up resounding kicks that balance delightfully with
the reverberating modulations and powerful yet interesting fx. The A3 lays focus on an aquatic house roller
with bubbly melodies and dreamy pads with magnetising emotions brimming to the surface.
On the flip, the ‘B1’ is an engaging cut with breezy resonance and ethereal leads which lure you in from the
start whilst the dubby drums, solemn ambience and laid-back moods take focus in the ‘B2’. Rounding
things off in experimental fashion, the ‘B3’ is an eccentric meditative, cut with leftfield oscillations and
beatless vibrations which blend together with stunning effect.
Unknown ‘Knef’ drops on MASK in early Spring 2021.
More
Tracklist:
1. A1
2. A2
3. A3
4. B1
5. B2
6. B3
Release Info:
German imprint MASK return in 2021 with yet another inviting anonymous release featuring six
raw original cuts.
The MASK imprint continue to impress with their signature aesthetic which places focus on intricate,
modular based house, techno and ambient cuts and everything in between. Their previous releases have
garnered strong support from various artists including the likes of Laurent Garnier, DJ Bone, Photonz,
Anastasia Kristensen, Marcel Dettmann and many more, and ‘Knef’ sees the esoteric German imprint
deliver yet another impressive collection of tracks to kick start 2021.
The ‘A1’ gets the EP rolling with muffled drums and enticing moods that sit delicately underneath the
soulful, samples and sweeping synths before ‘A2’ offers up resounding kicks that balance delightfully with
the reverberating modulations and powerful yet interesting fx. The A3 lays focus on an aquatic house roller
with bubbly melodies and dreamy pads with magnetising emotions brimming to the surface.
On the flip, the ‘B1’ is an engaging cut with breezy resonance and ethereal leads which lure you in from the
start whilst the dubby drums, solemn ambience and laid-back moods take focus in the ‘B2’. Rounding
things off in experimental fashion, the ‘B3’ is an eccentric meditative, cut with leftfield oscillations and
beatless vibrations which blend together with stunning effect.
Unknown ‘Knef’ drops on MASK in early Spring 2021.
More
1
Unknown - 1. A1
2
Unknown - 2. A2
3
Unknown - 3. A3
4
Unknown - 4. B1
5
Unknown - 5. B2
6
Unknown - 6. B3
Vinyl Only, Limited to 200 copies
Tracklist:
1. A1
2. A2
3. A3
4. B1
5. B2
6. B3
Release Info:
Esoteric German imprint MASK are back with another untitled release featuring six modulated
cuts.
The MASK imprint have steadily built themselves a reputation within the electronic music world honing a
sharp production style which lays focus on effervescent, live jams on hardware gear. The previous six
releases on the imprint have garnered an array of support from some of the scene’s most respected names
including the likes of Laurent Garnier, Danny Daze, Dan Curtin, Machine Woman, DJ Deep and more
names, with MASK continually delivering the goods.
The ‘A1’ kicks thing off with warm pads sitting gracefully underneath the sweeping percussive groove whilst
‘A2’ focuses on resounding kicks, otherworldly undertones and enlightening leads in the distance. ‘A3’ is
breaks-tinged cut featuring spiralling chords, syncopated rhythms and luscious melodies floating above the
spacious yet swinging flow.
On the flip, the ‘B1’ offers up dreamy pads, shimmering synths that bounce delightfully off the vibrant hihats in this late night, deep house gem. Low-slung electro drums, ethereal melodic keys, scintillating bass
whirls makes up the inspiriting cut that is ‘B2’ before the ‘B3’ delightfully rounds off the release with gentle
soundscapes underneath the pensive ambience and German vocals.
Unknown ‘Amy drops on MASK in October 2020.
More
Tracklist:
1. A1
2. A2
3. A3
4. B1
5. B2
6. B3
Release Info:
Esoteric German imprint MASK are back with another untitled release featuring six modulated
cuts.
The MASK imprint have steadily built themselves a reputation within the electronic music world honing a
sharp production style which lays focus on effervescent, live jams on hardware gear. The previous six
releases on the imprint have garnered an array of support from some of the scene’s most respected names
including the likes of Laurent Garnier, Danny Daze, Dan Curtin, Machine Woman, DJ Deep and more
names, with MASK continually delivering the goods.
The ‘A1’ kicks thing off with warm pads sitting gracefully underneath the sweeping percussive groove whilst
‘A2’ focuses on resounding kicks, otherworldly undertones and enlightening leads in the distance. ‘A3’ is
breaks-tinged cut featuring spiralling chords, syncopated rhythms and luscious melodies floating above the
spacious yet swinging flow.
On the flip, the ‘B1’ offers up dreamy pads, shimmering synths that bounce delightfully off the vibrant hihats in this late night, deep house gem. Low-slung electro drums, ethereal melodic keys, scintillating bass
whirls makes up the inspiriting cut that is ‘B2’ before the ‘B3’ delightfully rounds off the release with gentle
soundscapes underneath the pensive ambience and German vocals.
Unknown ‘Amy drops on MASK in October 2020.
More
1
Unknown - A
2
Unknown - B
Vinyl Only, Limited to 150 copies
Tracklist:
1. A
2. B
Release Info:
Mysterious Berlin label MASK return in 2020 with a vinyl only release consisting of a pair of raw
cuts entitled ‘Marilyn’.
MASK preserve their esoteric philosophy of delivering well-crafted, modulated house and techno cuts
produced on hardware equipment and ‘Marilyn’ certainly follows suit. MASK releases are the result of
anonymous artists live jamming together in unison with the first five releases picking up support from the
likes of Laurent Garnier, Marcel Dettmann, Elena Colombi, Machine Woman and many more.
The A side is 13-minute voyage featuring fluttering, resonant drums, lo-fi synth stabs and growling
oscillations that take the focus in the later stages while on the B side sweeping pads, spacey undertones
and squelchy, acid soaked sci-fi elements keep the sonical experience obscure yet fascinating throughout.
Unknown ‘Marilyn’ drops on MASK in February 2020.
More
Tracklist:
1. A
2. B
Release Info:
Mysterious Berlin label MASK return in 2020 with a vinyl only release consisting of a pair of raw
cuts entitled ‘Marilyn’.
MASK preserve their esoteric philosophy of delivering well-crafted, modulated house and techno cuts
produced on hardware equipment and ‘Marilyn’ certainly follows suit. MASK releases are the result of
anonymous artists live jamming together in unison with the first five releases picking up support from the
likes of Laurent Garnier, Marcel Dettmann, Elena Colombi, Machine Woman and many more.
The A side is 13-minute voyage featuring fluttering, resonant drums, lo-fi synth stabs and growling
oscillations that take the focus in the later stages while on the B side sweeping pads, spacey undertones
and squelchy, acid soaked sci-fi elements keep the sonical experience obscure yet fascinating throughout.
Unknown ‘Marilyn’ drops on MASK in February 2020.
More
1
Unknown - untitled
2
Unknown - untitled
3
Unknown - untitled
4
Unknown - untitled
12" Vinyl only 150 Ltd
Tracklist 12":
A1 Unknown – untitled
A2 Unknown – untitled
B1 Unknown – untitled
B2 Unknown – untitled
Release Info:
The elusive Berlin label MASK are back with another anonymous release featuring four
analogue driven tracks entitled ‘Cliff’.
Known for being purveyors of mysterious yet exquisite hardware induced tracks, MASK continue to
hold up their reputation following on from ‘Hunter’ that picked up support from the likes of Laurent
Garnier, Elena Colombi, Machine Woman, Anastasia Kristensen and DJ Deep. ‘Cliff’ involves four
people live jamming on analogue equipment in a Berlin based studio.
A1 begins with crunchy drums fused with revolving, modulated synths and obscure elements that are
soaked in acid flavours before the A2 focuses on an electro-tinged sequence in harmony with ominous
atmospherics and eccentric oscillations.
On the flip, sweeping pads balanced with intense kicks and washing synths take the focus on the B1
until the B2 rounds off this magical EP with wavering compositions, hard-hitting percussion and
unsettling sound design keeping the atmosphere intense yet truly absorbing. More
Tracklist 12":
A1 Unknown – untitled
A2 Unknown – untitled
B1 Unknown – untitled
B2 Unknown – untitled
Release Info:
The elusive Berlin label MASK are back with another anonymous release featuring four
analogue driven tracks entitled ‘Cliff’.
Known for being purveyors of mysterious yet exquisite hardware induced tracks, MASK continue to
hold up their reputation following on from ‘Hunter’ that picked up support from the likes of Laurent
Garnier, Elena Colombi, Machine Woman, Anastasia Kristensen and DJ Deep. ‘Cliff’ involves four
people live jamming on analogue equipment in a Berlin based studio.
A1 begins with crunchy drums fused with revolving, modulated synths and obscure elements that are
soaked in acid flavours before the A2 focuses on an electro-tinged sequence in harmony with ominous
atmospherics and eccentric oscillations.
On the flip, sweeping pads balanced with intense kicks and washing synths take the focus on the B1
until the B2 rounds off this magical EP with wavering compositions, hard-hitting percussion and
unsettling sound design keeping the atmosphere intense yet truly absorbing. More
1
unknown - Untitled
2
unknown - Untitled
3
unknown - Untitled
4
unknown - Untitled
Vinyl Only, LTD 200 copies
Tracklist:
A1 – Untitled
A2 – Untitled
B1 – Untitled
B2 – Untitled
Release Info:
Enigmatic Berlin label MASK return in 2019 with a vinyl only release consisting of four eccentric
cuts entitled ‘Hunter’.
The mysterious German label maintains its reputation of providing quality, esoteric music by anonymous
artists with a focus on analogue sound design and modulated oddities. ‘Hunter’ is the result of the first take
of a live recording coming from a duo who have been playing together for over a decade.
The A1 kicks off with lo-fi drum programming, emphatic leads and stabbing bass shoots before the A2
throws down sharp 303 bleeps, angelic pads and resonating kicks creating a euphoric ambience
throughout.
On the flip uplifting synth work, shuffling percussion and crunchy oscillations take the focus until chugged
out experimentation becomes ever present in the final track as it harmoniously balances sweeping
elements, growling tones and sonic obscurities.
Unknown ‘Hunter’ drops on MASK in February 2019. More
Tracklist:
A1 – Untitled
A2 – Untitled
B1 – Untitled
B2 – Untitled
Release Info:
Enigmatic Berlin label MASK return in 2019 with a vinyl only release consisting of four eccentric
cuts entitled ‘Hunter’.
The mysterious German label maintains its reputation of providing quality, esoteric music by anonymous
artists with a focus on analogue sound design and modulated oddities. ‘Hunter’ is the result of the first take
of a live recording coming from a duo who have been playing together for over a decade.
The A1 kicks off with lo-fi drum programming, emphatic leads and stabbing bass shoots before the A2
throws down sharp 303 bleeps, angelic pads and resonating kicks creating a euphoric ambience
throughout.
On the flip uplifting synth work, shuffling percussion and crunchy oscillations take the focus until chugged
out experimentation becomes ever present in the final track as it harmoniously balances sweeping
elements, growling tones and sonic obscurities.
Unknown ‘Hunter’ drops on MASK in February 2019. More
1
unknown artist - A1 - No Titel
2
unknown artist - A2 - No Titel
3
unknown artist - B1 - No Titel
4
unknown artist - B2 - No Titel
June will see the return of the mysterious Berlin based label MASK with four raw and murky cuts entitled ‘Rellik’.
Tracklist
A1 - No Titel, A2 - No Titel
B1 - No Titel, B2 - No Titel
As with the previous two releases on the label, ‘Rellik’ was recorded live and on the first take using a
selection of analog synths, drum machines and sequencers, particularly the warm and dynamic sound
of the E-Mu SP 1200 as the lead.
“The ’Rellik” project is a mashup between Rock and Hip Hop elements using SP1200 classic drum kits,
filtered and distorted synths. We call this Krauttech” - MASK
Intense sirens set the tone of the A1 before introducing a thumping sub and delayed snares, making
way for harsh bass and dark effects in the A2 to generate an ominous atmosphere. On the flip, the B1
brings crunchy, modulated synths alongside an intense and thunderous kick whilst the B2 delivers a
thick, pulsating low-end with an assortment of metallic and heavy drones that round off this cryptic
package.
‘Rellik’ drops via MASK June 29, 2018 More
Tracklist
A1 - No Titel, A2 - No Titel
B1 - No Titel, B2 - No Titel
As with the previous two releases on the label, ‘Rellik’ was recorded live and on the first take using a
selection of analog synths, drum machines and sequencers, particularly the warm and dynamic sound
of the E-Mu SP 1200 as the lead.
“The ’Rellik” project is a mashup between Rock and Hip Hop elements using SP1200 classic drum kits,
filtered and distorted synths. We call this Krauttech” - MASK
Intense sirens set the tone of the A1 before introducing a thumping sub and delayed snares, making
way for harsh bass and dark effects in the A2 to generate an ominous atmosphere. On the flip, the B1
brings crunchy, modulated synths alongside an intense and thunderous kick whilst the B2 delivers a
thick, pulsating low-end with an assortment of metallic and heavy drones that round off this cryptic
package.
‘Rellik’ drops via MASK June 29, 2018 More
1
unknown artist - A1 - Untitled
2
unknown artist - A2 - Untitled
3
unknown artist - B1 - Untitled
4
unknown artist - B2 - Untitled
Mysterious Berlin imprint MASK preps its second release with four more untitled tracks this
March.
Continuing the theme of the first release, ‘Noah’ has been produced and recorded live in one take using
a selection of analogue gear, including an EMU SP 1200, Mutual Instruments Ambika, Nord Rack 2x,
Octatrack, Vermona Action Filter 4.
A soothing synth line sets the tone of the ‘A1' before implementing sporadic drums and squelchy notes,
making way for the melodic chords and a wall of sub bass in the mesmerising ‘A2’. Murky atmospherics
and a medley of percussive hits generate a dusty aesthetic in the ‘B1’ until the organic beat and
distorted robotic sounds of the ‘B2' provide an otherworldly conclusion to the enigmatic release.
Tracklist
1. A1 - Untitled
2. A2 - Untitled
3. B2 - Untitled
4. B2 - Untitled More
March.
Continuing the theme of the first release, ‘Noah’ has been produced and recorded live in one take using
a selection of analogue gear, including an EMU SP 1200, Mutual Instruments Ambika, Nord Rack 2x,
Octatrack, Vermona Action Filter 4.
A soothing synth line sets the tone of the ‘A1' before implementing sporadic drums and squelchy notes,
making way for the melodic chords and a wall of sub bass in the mesmerising ‘A2’. Murky atmospherics
and a medley of percussive hits generate a dusty aesthetic in the ‘B1’ until the organic beat and
distorted robotic sounds of the ‘B2' provide an otherworldly conclusion to the enigmatic release.
Tracklist
1. A1 - Untitled
2. A2 - Untitled
3. B2 - Untitled
4. B2 - Untitled More
1
unknown artist - untitled
2
unknown artist - untitled
3
unknown artist - untitled
4
unknown artist - untiteld
Mysterious Berlin based label MASK preps its debut release titled ‘LEMMY’ with four untitled cuts
this April.
A new series born out of an established German imprint, MASK’s enigmatic debut release was produced
using a selection of analogue gear including a Moog Slim Phatty, E-mu SP-1200 and Nord Rack 2X.
The A side begins with a track built around a tightly programmed drum loop which subtly builds, laced with
mix-slicing hats and sub-low kicks whilst stretched out chords dissipate around a crunchy synth lead. The
second production is twisted and dusty, using flanging and reverberated effects to lead towards a distorted
breakdown, driven from the depths by gusts of full bodied snares and a growling sub line.
On the flip, dulcet tones of a female vocalist join lush melodic chords to cleanse the palette, whilst working
within the confines of a subdued yet crisp drum machine groove. The final track then strips things back
even further, employing minimalist percussive hits and a warm bass lead, leaving space for its soothing
female vocals to do the talking.
Unknown Artist ‘LEMMY EP’ drops on MASK this 28th April 2017.
Tracklist:
A1 – Untitled
A2 – Untitled
B1 – Untitled
B2 – Untitled More
this April.
A new series born out of an established German imprint, MASK’s enigmatic debut release was produced
using a selection of analogue gear including a Moog Slim Phatty, E-mu SP-1200 and Nord Rack 2X.
The A side begins with a track built around a tightly programmed drum loop which subtly builds, laced with
mix-slicing hats and sub-low kicks whilst stretched out chords dissipate around a crunchy synth lead. The
second production is twisted and dusty, using flanging and reverberated effects to lead towards a distorted
breakdown, driven from the depths by gusts of full bodied snares and a growling sub line.
On the flip, dulcet tones of a female vocalist join lush melodic chords to cleanse the palette, whilst working
within the confines of a subdued yet crisp drum machine groove. The final track then strips things back
even further, employing minimalist percussive hits and a warm bass lead, leaving space for its soothing
female vocals to do the talking.
Unknown Artist ‘LEMMY EP’ drops on MASK this 28th April 2017.
Tracklist:
A1 – Untitled
A2 – Untitled
B1 – Untitled
B2 – Untitled More
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Federsen inaugurates his new imprint Alt Dub this May with a split EP comprised of original cuts from himself and Hidden Sequence and a remix of each by the opposing artist.
Over the past decade and a half San Francisco based artist Federsen has been making his mark on the dub infused techno and house sound, delivering his vintage tape delay and analogue gear driven sound via the likes of Silent Season, Greyscale, Lempuyang and Ohm Series among others. Here though, Federsen opens a new chapter with the launch of his own imprint, Alt Dub, which kicks off here with music from himself and Federsen / Hidden Sequence - Positive Charge EP
Köln, Germany duo Hidden Sequence, whose music has found a home on the likes of Mosaic, Lempuyang and more.
Hidden Sequence’s ‘Switch’ leads the release and sees the duo smoothly blending an amalgamation of airy chord sequences, swelling pads, spiralling dub echoes and bumpy bass grooves with a shuffled, stripped back rhythm. Federsen’s ‘Polarity’ follows and dives into darker realms via expansive dub chords, intricately intertwined percussive reverberations, cascading bass flutters and crisp, minimalistic drums.
Opening the flip-side, Federsen interprets Hidden Sequence’s ‘Switch’, shifting the original’s ethereal aesthetic into a haze of billowing atmospherics, delayed percussion and vacillating low-end pulsations. The Hidden Sequence remix of ‘Polarity’ then rounds things out, upping the energy levels with a more upfront, robust rhythmic drive being intertwined with fragments of the original’s haunting textures and subtly unfurling feel. More
Federsen inaugurates his new imprint Alt Dub this May with a split EP comprised of original cuts from himself and Hidden Sequence and a remix of each by the opposing artist.
Over the past decade and a half San Francisco based artist Federsen has been making his mark on the dub infused techno and house sound, delivering his vintage tape delay and analogue gear driven sound via the likes of Silent Season, Greyscale, Lempuyang and Ohm Series among others. Here though, Federsen opens a new chapter with the launch of his own imprint, Alt Dub, which kicks off here with music from himself and Federsen / Hidden Sequence - Positive Charge EP
Köln, Germany duo Hidden Sequence, whose music has found a home on the likes of Mosaic, Lempuyang and more.
Hidden Sequence’s ‘Switch’ leads the release and sees the duo smoothly blending an amalgamation of airy chord sequences, swelling pads, spiralling dub echoes and bumpy bass grooves with a shuffled, stripped back rhythm. Federsen’s ‘Polarity’ follows and dives into darker realms via expansive dub chords, intricately intertwined percussive reverberations, cascading bass flutters and crisp, minimalistic drums.
Opening the flip-side, Federsen interprets Hidden Sequence’s ‘Switch’, shifting the original’s ethereal aesthetic into a haze of billowing atmospherics, delayed percussion and vacillating low-end pulsations. The Hidden Sequence remix of ‘Polarity’ then rounds things out, upping the energy levels with a more upfront, robust rhythmic drive being intertwined with fragments of the original’s haunting textures and subtly unfurling feel. More
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Baby I’m serious! Frits Wentink’s Bobby Donny Ace Series welcomes the illusive Prince Palmer for his first vinyl release on the label. Frits himself steps up on remix duties alongside another Bobby Donny artist, Joy Jenkins to round off another killer release from the Bobby Donny camp!
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Label:Sugar Brain Records
Cat-No:SB001
Release-Date:06.12.2024
Genre:Jazz / Nu Jazz
Configuration:LP Excl
Label:Sugar Brain Records
Cat-No:SB001
Release-Date:06.12.2024
Genre:Jazz / Nu Jazz
Configuration:LP Excl
1
Knowsum - A1. The Phase
2
Knowsum - A2. Saturday Night
3
Knowsum - A3 Honey & Blood
4
Knowsum - A4 Cosmic Breeze
5
Knowsum - A5 Magic
6
Knowsum - A6 C'est La Vie (ft. Melissa Weikart & Magic Manfred)
7
Knowsum - B1 Take it Easy
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Knowsum - B2 Sugar Girl
9
Knowsum - B3 Your Touch is My Religion (ft. Noamle)
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Knowsum - B4 Love Will Follow (ft. Zara2stra & Grégoire Pignède)
11
Knowsum - B5 Her Name is Melody
12
Knowsum - B6 Catching the Sun
LP
- Knowsum's first Album on new label Sugar Brain
– second LP that's not instrumental (after Lush Space Daze)
– no use of Sampling, all self-written and -produced
2. GENRE/S:
- Indie, Jazz-Funk, Bossa-Nova, Nu-Disco
3. TRACKLISTS:
A1 The Phase
A2 Saturday Night
A3 Honey & Blood
A4 Cosmic Breeze
A5 Magic
A6 C'est La Vie (ft. Melissa Weikart & Magic Manfred)
B1 Take it Easy
B2 Sugar Girl
B3 Your Touch is My Religion (ft. Noamle)
B4 Love Will Follow (ft. Zara2stra & Grégoire Pignède)
B5 Her Name is Melody
B6 Catching the Sun
4. SHORT INFO:
Cosmic Breeze takes listeners on a neverending love trip through the cosmos, channeling the warmth of 70s funk
grooves, the lush textures of modern Indie-Rock, and Knowsum's signature experimental flair. With it's infectious
rhythms, raw synths, and psychedelic melodies, the album creates a soundscape that feels both nostalgic and futuristic.
More
- Knowsum's first Album on new label Sugar Brain
– second LP that's not instrumental (after Lush Space Daze)
– no use of Sampling, all self-written and -produced
2. GENRE/S:
- Indie, Jazz-Funk, Bossa-Nova, Nu-Disco
3. TRACKLISTS:
A1 The Phase
A2 Saturday Night
A3 Honey & Blood
A4 Cosmic Breeze
A5 Magic
A6 C'est La Vie (ft. Melissa Weikart & Magic Manfred)
B1 Take it Easy
B2 Sugar Girl
B3 Your Touch is My Religion (ft. Noamle)
B4 Love Will Follow (ft. Zara2stra & Grégoire Pignède)
B5 Her Name is Melody
B6 Catching the Sun
4. SHORT INFO:
Cosmic Breeze takes listeners on a neverending love trip through the cosmos, channeling the warmth of 70s funk
grooves, the lush textures of modern Indie-Rock, and Knowsum's signature experimental flair. With it's infectious
rhythms, raw synths, and psychedelic melodies, the album creates a soundscape that feels both nostalgic and futuristic.
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Label:Smallville Records
Cat-No:smallville62
Release-Date:17.05.2024
Genre:Deephouse
Configuration:12" Excl
Label:Smallville Records
Cat-No:smallville62
Release-Date:17.05.2024
Genre:Deephouse
Configuration:12" Excl
1
Lawrence - Gravity Hill
2
Lawrence - Beaver
3
Lawrence - The Swamp
4
Lawrence - Stargazer
2024 repress, full cover, same set up as before
Tracklist:
A1 Gravity Hill
A2 Beaver
B1 The Swamp
B2 Stargazer
Dial Records boss makes a welcome return to Smallville in March of 2024 with a fresh four-tracker EP ‘Gravity Hill’. Peter Kersten, better known to most as Lawrence, has been at the forefront of underground house and techno for decades now. His Dial imprint, co-founded alongside Carsten Jost, has grown to become a north star for many seeking out raw, emotive and understated electronic music and Lawrence’s own productions follow a similar path, finding a home on many beloved labels beyond Dial such as Kompakt, Mule Musiq, Ghostly
International, Giegling, Pampa and of course Smallville, that he co-founded together with Stella Plazonja and Julius Steinhoff in 2005.
Title-track ‘Gravity Hill’ opens the project and perfectly sets the tone with Lawrence’s distinct atmospheric haze of keys, chords and pads billowing atop swaying bass tones and crisp drums. ‘Beaver’ follows next and edges into dubbed out realms with expansive stab delays, rounded subs, modulating percussive flutters and a robust rhythmic drive.
‘The Swamp’ then leads the B-side, diving into a deeper territory via airy Rhodes melodies and subtly unfurling pads, intertwined with organic percussion and a jazz tinged bass line. ‘Stargazer’ then concludes the package and shifts back to a more straight, dance floor- oriented feel via a twitchy acid bass, circling resonant synth licks, hypnotic textures and a swinging drum groove.
Smallville 62 artwork by Stefan Marx as always and it's the first 12“ Smallville cover in full colour ever after 61 black/white releases.
All tracks written, produced and mixed by Peter M. Kersten
Mastering by Helmut Erler, vinyl Cut by Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound More
Tracklist:
A1 Gravity Hill
A2 Beaver
B1 The Swamp
B2 Stargazer
Dial Records boss makes a welcome return to Smallville in March of 2024 with a fresh four-tracker EP ‘Gravity Hill’. Peter Kersten, better known to most as Lawrence, has been at the forefront of underground house and techno for decades now. His Dial imprint, co-founded alongside Carsten Jost, has grown to become a north star for many seeking out raw, emotive and understated electronic music and Lawrence’s own productions follow a similar path, finding a home on many beloved labels beyond Dial such as Kompakt, Mule Musiq, Ghostly
International, Giegling, Pampa and of course Smallville, that he co-founded together with Stella Plazonja and Julius Steinhoff in 2005.
Title-track ‘Gravity Hill’ opens the project and perfectly sets the tone with Lawrence’s distinct atmospheric haze of keys, chords and pads billowing atop swaying bass tones and crisp drums. ‘Beaver’ follows next and edges into dubbed out realms with expansive stab delays, rounded subs, modulating percussive flutters and a robust rhythmic drive.
‘The Swamp’ then leads the B-side, diving into a deeper territory via airy Rhodes melodies and subtly unfurling pads, intertwined with organic percussion and a jazz tinged bass line. ‘Stargazer’ then concludes the package and shifts back to a more straight, dance floor- oriented feel via a twitchy acid bass, circling resonant synth licks, hypnotic textures and a swinging drum groove.
Smallville 62 artwork by Stefan Marx as always and it's the first 12“ Smallville cover in full colour ever after 61 black/white releases.
All tracks written, produced and mixed by Peter M. Kersten
Mastering by Helmut Erler, vinyl Cut by Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound More
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SL Jung's new Dub Techno imprint Skylarking starts with a double A side for mind traveling
And the floors. Mastering and Cut by Dubplates & Mastering.
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And the floors. Mastering and Cut by Dubplates & Mastering.
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1
NAP92 - Must Protect
2
NAP92 - Blue Superman
3
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4
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House, Techno
GENRE/S:
House, Techno
TRACKLIST:
A1. Must Protect
A2. Blue Superman
A3. -
B1. Laurent
B2. Body, Body
SHORT INFO:
Versatile, floor-focused house bangers.
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GENRE/S:
House, Techno
TRACKLIST:
A1. Must Protect
A2. Blue Superman
A3. -
B1. Laurent
B2. Body, Body
SHORT INFO:
Versatile, floor-focused house bangers.
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Ron & Roland - Nassaur Bassed Party
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3
Ron & Roland - Track Ball Treck
In the mid 90s, deep within London’s underground scene, Matt Hodgson (7th Voyage) and Laurant Webb (Housey Doingz) created an acid record that slowly became a cult favourite, highly sought after by DJs and vinyl collectors. A seamless fusion of raw acid techno energy and house infused groove.
These standout tracks are driven by sharp, meticulously programmed
drums and massive 303 basslines. Each track unfolds as a raw, evolving journey, balancing tension and release with hypnotic precision. It’s the raw signature sound of the time, still as exciting today
Recorded at Swag Studios Croydon in 1996 and initially released on
Surreal, this record quickly became a treasured rarity. Now, it’s back with a notable reissue as part of the Pariter collection. More
These standout tracks are driven by sharp, meticulously programmed
drums and massive 303 basslines. Each track unfolds as a raw, evolving journey, balancing tension and release with hypnotic precision. It’s the raw signature sound of the time, still as exciting today
Recorded at Swag Studios Croydon in 1996 and initially released on
Surreal, this record quickly became a treasured rarity. Now, it’s back with a notable reissue as part of the Pariter collection. More
1
DJ Koze - A. Wie schön du bist (feat. arnim & The Düsseldorf Düsterboys)
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DJ Koze - AA. Amor (feat. César Lacerda)
7"
DJ Koze - Wie schön du bist EP
Two sides, one message - love in its purest form, captured at 45 RPM
A. Wie schön du bist (feat. arnim & The Düsseldorf Düsterboys)
AA. Amor (feat. César Lacerda)
A
DJ Koze, Arnim Teutoburg-Weiß aka arnim, and the Düsseldorf Düsterboys enchant with a touching homage to Holger Biege - one of the legendary architects of East German soul. DJ Koze once again proves his unparalleled sense for the extraordinary. Around the line "Du hast erzählt, gelacht / Mir gezeigt, wie schön du bist" from Holger Biege's 1978 song "Bleib doch", Koze weaves a small masterpiece, infused equally with nostalgic depth and futuristic elements.
Arnim Teutoburg-Weiß aka arnim (frontman of the iconic Beatsteaks) opens our hearts with his heavenly radiant voice. With full sincerity - pure and straightforward - he sings the love declaration of a lifetime.
Floating on a cloud, the Düsseldorf Düsterboys sprinkle lyrical stardust with their brilliant harmonies - fluffy and bizarre at the same time. It feels as if this cosmic quartet boarded a time machine and returned to the present to plant the essence of days gone by into today's matrix.
"Wie schön du bist" is not just a tribute to Holger Biege's work, but a loving bow to his entire musical legacy. It is an anthem to the timeless magic of music and the enduring power of love that connects us all.
Koze, arnim and the Düsterboys have created something truly unique here: a gem-a homage, a time travel, and a love letter all in one. Music can indeed be something magical.
AA
"Amor," a dandelion of a song, was created in collaboration with Brazilian singer César Lacerda. It is an acoustic love letter in its purest form-warm, crackling, and everlasting.
On September 13, the two original Amiga albums "Wenn der Abend kommt" and "Circulus" by Holger Biege were re-released as a double album and are available here
https://konsum.buschfunk.com
More
DJ Koze - Wie schön du bist EP
Two sides, one message - love in its purest form, captured at 45 RPM
A. Wie schön du bist (feat. arnim & The Düsseldorf Düsterboys)
AA. Amor (feat. César Lacerda)
A
DJ Koze, Arnim Teutoburg-Weiß aka arnim, and the Düsseldorf Düsterboys enchant with a touching homage to Holger Biege - one of the legendary architects of East German soul. DJ Koze once again proves his unparalleled sense for the extraordinary. Around the line "Du hast erzählt, gelacht / Mir gezeigt, wie schön du bist" from Holger Biege's 1978 song "Bleib doch", Koze weaves a small masterpiece, infused equally with nostalgic depth and futuristic elements.
Arnim Teutoburg-Weiß aka arnim (frontman of the iconic Beatsteaks) opens our hearts with his heavenly radiant voice. With full sincerity - pure and straightforward - he sings the love declaration of a lifetime.
Floating on a cloud, the Düsseldorf Düsterboys sprinkle lyrical stardust with their brilliant harmonies - fluffy and bizarre at the same time. It feels as if this cosmic quartet boarded a time machine and returned to the present to plant the essence of days gone by into today's matrix.
"Wie schön du bist" is not just a tribute to Holger Biege's work, but a loving bow to his entire musical legacy. It is an anthem to the timeless magic of music and the enduring power of love that connects us all.
Koze, arnim and the Düsterboys have created something truly unique here: a gem-a homage, a time travel, and a love letter all in one. Music can indeed be something magical.
AA
"Amor," a dandelion of a song, was created in collaboration with Brazilian singer César Lacerda. It is an acoustic love letter in its purest form-warm, crackling, and everlasting.
On September 13, the two original Amiga albums "Wenn der Abend kommt" and "Circulus" by Holger Biege were re-released as a double album and are available here
https://konsum.buschfunk.com
More
Label:Smallville Records
Cat-No:smallville67
Release-Date:06.12.2024
Genre:Deephouse
Configuration:12" Excl
Label:Smallville Records
Cat-No:smallville67
Release-Date:06.12.2024
Genre:Deephouse
Configuration:12" Excl
1
Snad - Bubblescope
2
Snad - Lukewarm Lava
3
Snad - Tanni
Artwork and Typography by Stefan Marx
Snad is back on Smallville.
Shyam Anand is a long-term friend of Smallville and an MPC wizard with a wide-open heart. We are super happy to finally present a 12“ that is fully his own.
After an amazing contribution to Smallville 49 (check out Excerptz!), Snad aka Spandrel aka Shyam Anand presents a full 3-tracker on Smallville, packed with his irrisistible grooves, the usual unexpected twists and an overall magical atmosphere. Growing up near Philadelphia, then moving to Chicago and later exploring the global underground scenes of Berlin and Mexico City, among others, Snad is a busy man. He runs his own imprint Spandrel, co-runs We R The Aliens and has an impressive back-catalogue of contributions for several favourites like Running Back, Courtesy of Balance, Kimochi, Long Vehicle, 20:20 Vision, Phonica and many more.
On this 12" the A side belongs solely to Bubblescope - 14 and a half minutes of mesmerizing Ensoniq DP/4 Vocoder driven modular spheres, an endlessly deep bubbling piece of art that builds an intense feeling that could last for hours.
The B side sees Snad staying deep – Lukewarm Lava explores the broken beat world before taking you on a ride. The beloved B2-spot goes to Tanni - an integral part of Julius' warmup-sets since forever and thus a special one to finally put on wax.
Bubblescope comes with a Full Cover Artwork by Stefan Marx.
Tracklist:
A1 Bubblescope
B1 Lukewarm Lava
B2 Tanni
All tracks written & produced by Shyam Anand
Mastering and Vinyl cut by Helmut Erler at Lathesville More
Snad is back on Smallville.
Shyam Anand is a long-term friend of Smallville and an MPC wizard with a wide-open heart. We are super happy to finally present a 12“ that is fully his own.
After an amazing contribution to Smallville 49 (check out Excerptz!), Snad aka Spandrel aka Shyam Anand presents a full 3-tracker on Smallville, packed with his irrisistible grooves, the usual unexpected twists and an overall magical atmosphere. Growing up near Philadelphia, then moving to Chicago and later exploring the global underground scenes of Berlin and Mexico City, among others, Snad is a busy man. He runs his own imprint Spandrel, co-runs We R The Aliens and has an impressive back-catalogue of contributions for several favourites like Running Back, Courtesy of Balance, Kimochi, Long Vehicle, 20:20 Vision, Phonica and many more.
On this 12" the A side belongs solely to Bubblescope - 14 and a half minutes of mesmerizing Ensoniq DP/4 Vocoder driven modular spheres, an endlessly deep bubbling piece of art that builds an intense feeling that could last for hours.
The B side sees Snad staying deep – Lukewarm Lava explores the broken beat world before taking you on a ride. The beloved B2-spot goes to Tanni - an integral part of Julius' warmup-sets since forever and thus a special one to finally put on wax.
Bubblescope comes with a Full Cover Artwork by Stefan Marx.
Tracklist:
A1 Bubblescope
B1 Lukewarm Lava
B2 Tanni
All tracks written & produced by Shyam Anand
Mastering and Vinyl cut by Helmut Erler at Lathesville More
1
Deetron presents Soulmate - Path
2
Deetron presents Soulmate - Zoom
3
Deetron presents Soulmate - Screen
4
Deetron presents Soulmate - Blade
Cheerful Off Screen Path
More
1
The Mole - Sing a Storm
2
The Mole - Que Rico
3
The Mole - Heart of a Canary
4
The Mole - Deeper Filth
5
The Mole - Just Another Kid
6
The Mole - Arp on a Table
7
The Mole - Boulevard
8
The Mole - Vessel Plans
9
The Mole - JP Ate Culture
10
The Mole - Mountain Range
11
The Mole - nEw fAme
12
The Mole - That Old Fuck
13
The Mole - Burger Time
14
The Mole - Umpah Band
15
The Mole - Don’t Wake Me Up Bro
16
The Mole - Not Lost
17
The Mole - GoinF4er
Genre: Beats, Ambient, Electronica
Tracklist LP:
A1. Sing a Storm - A2. Que Rico - A3. Heart of a Canary - A4. Deeper Filth - A5. Just Another Kid - A6. Arp on a Table -
B1. Boulevard - B2. Vessel Plans - B3. JP Ate Culture - B4. Mountain Range - B5. nEw fAme - B6. That Old Fuck - B7. Burger Time - B8. Umpah Band - B9. Don’t Wake Me Up Bro - B10. Not Lost - B11. GoinF4er
Short Info:
High Hopes - New album from the Mole.
High Hopes is 17 songs across 40 minutes on one slice of wax that, as advertised, sounds nothing like last month’s Ep, High Dreams. Here, rather than the long form dance form, is a continuation of the
beat tape pacing from the last album, a collection of moments posing as ideas posing as a narrative stuffed with oddities and surprises that reward the close listen.
What’s heard on High Hopes is the Mole’s exploration of a love letter, from one person to a family, from the northern Pacific to the southern Atlantic, from a boy to a painted bird. Vancouver Island to
Manantiales. The songs range from ambient sound bath and hip hop sludge, up to micro boogie and almost House before tumbling back down and forth again. Bubbling synths, MPCs swung out, samples
chopped and chewed, bass and violins from Rick and Sophie, field recordings of birds and frogs and beaches, friends and family and fiestas. Did we mention the love ?! This album has got it all! Original
collages from Antonio Carrau envelope this wax: jacket, sleeve and cookie.
Antonio’s work is typified by playful combinations and bold statements about living in a embrace of analog and digital health. His collages marry the corporeal world with an updated, digitalized age of
reproduction, inducing feelings of gratitude for the simple everyday scenes we sometimes lose touch with when we forget to slow down. Good living, like breathing, requires inhaling as well as exhaling.
We can’t always produce content, make art, we must also pause, and listen. And enjoy. The Mole is joined by friends and colleagues on several songs included on High Hopes. Rick May plays bass on both Que Rico and album stand out GoinF4er. Sophie Trudeau (Godspeed You Black Emperor) plays and arranges violins on GoinF4er and Danuel Tate (Cobblestone Jazz) and Julz Chaz
(Wagon Repair) both play Vibes and Emaxx throughout the album. Working with these incredible talents not only enriched this album, but fulfilled a long standing goal of the Mole’s; to work again with
the musicians from whom he learned so much. People who helped inform the shape of Mole to come.
The Mole who was As High As The Sky. The Mole has been ‘recognized’ by the ‘global underground’ since his critically celebrated premiere album, As High As The Sky, but his earlier Eps (Wagon Repair, Philpot, Musique Risquee) got the attention of Top DJs, clubs, and festivals around the world first. His sound remains unique, fresh and deep: enjoying plays in a wide variety of spaces and places.
High Hopes is the Mole’s 5th solo album and his 2nd album for Circus Company (The River Widens) who have also proudly released two eps of Mole magic (Little Sunshine, High Dreams).
*Isn’t that too much time for one record? Short answer - No. Long answer - depends on the material. Due to the many quiet passages in the album, the groove spacing can be modulated and the needle
can slow it’s progress towards the center/end resulting in longer sides with continued high gain and low distortion. More
Tracklist LP:
A1. Sing a Storm - A2. Que Rico - A3. Heart of a Canary - A4. Deeper Filth - A5. Just Another Kid - A6. Arp on a Table -
B1. Boulevard - B2. Vessel Plans - B3. JP Ate Culture - B4. Mountain Range - B5. nEw fAme - B6. That Old Fuck - B7. Burger Time - B8. Umpah Band - B9. Don’t Wake Me Up Bro - B10. Not Lost - B11. GoinF4er
Short Info:
High Hopes - New album from the Mole.
High Hopes is 17 songs across 40 minutes on one slice of wax that, as advertised, sounds nothing like last month’s Ep, High Dreams. Here, rather than the long form dance form, is a continuation of the
beat tape pacing from the last album, a collection of moments posing as ideas posing as a narrative stuffed with oddities and surprises that reward the close listen.
What’s heard on High Hopes is the Mole’s exploration of a love letter, from one person to a family, from the northern Pacific to the southern Atlantic, from a boy to a painted bird. Vancouver Island to
Manantiales. The songs range from ambient sound bath and hip hop sludge, up to micro boogie and almost House before tumbling back down and forth again. Bubbling synths, MPCs swung out, samples
chopped and chewed, bass and violins from Rick and Sophie, field recordings of birds and frogs and beaches, friends and family and fiestas. Did we mention the love ?! This album has got it all! Original
collages from Antonio Carrau envelope this wax: jacket, sleeve and cookie.
Antonio’s work is typified by playful combinations and bold statements about living in a embrace of analog and digital health. His collages marry the corporeal world with an updated, digitalized age of
reproduction, inducing feelings of gratitude for the simple everyday scenes we sometimes lose touch with when we forget to slow down. Good living, like breathing, requires inhaling as well as exhaling.
We can’t always produce content, make art, we must also pause, and listen. And enjoy. The Mole is joined by friends and colleagues on several songs included on High Hopes. Rick May plays bass on both Que Rico and album stand out GoinF4er. Sophie Trudeau (Godspeed You Black Emperor) plays and arranges violins on GoinF4er and Danuel Tate (Cobblestone Jazz) and Julz Chaz
(Wagon Repair) both play Vibes and Emaxx throughout the album. Working with these incredible talents not only enriched this album, but fulfilled a long standing goal of the Mole’s; to work again with
the musicians from whom he learned so much. People who helped inform the shape of Mole to come.
The Mole who was As High As The Sky. The Mole has been ‘recognized’ by the ‘global underground’ since his critically celebrated premiere album, As High As The Sky, but his earlier Eps (Wagon Repair, Philpot, Musique Risquee) got the attention of Top DJs, clubs, and festivals around the world first. His sound remains unique, fresh and deep: enjoying plays in a wide variety of spaces and places.
High Hopes is the Mole’s 5th solo album and his 2nd album for Circus Company (The River Widens) who have also proudly released two eps of Mole magic (Little Sunshine, High Dreams).
*Isn’t that too much time for one record? Short answer - No. Long answer - depends on the material. Due to the many quiet passages in the album, the groove spacing can be modulated and the needle
can slow it’s progress towards the center/end resulting in longer sides with continued high gain and low distortion. More
1
Crackazat - In the Sky
2
Crackazat - Burnin’
3
Crackazat - Dark
Format : Vinyl 12” (180 gr., Limited Full Cover)
Track list:
A In the Sky
B1 Burnin’
B2 Dark
Release Info:
Crackazat seamlessly blends contemporary electronica with dancefloor euphoria on his new record “In the sky”
Crackazat has had quite the run of amazing releases on Heist since his first outing back in 2021. Alfa, 2022 follow up Demucha and his mini album ‘Senses’ released last year have shown that Heist is the perfect label for him to show off his keyboard wizardry and broad musical influences. Whether he’s doing his ‘Monday Jams’ from his home for his dedicated Bandcamp followers, or he’s on the road to South Africa where he has a huge following, Crackazat always brings something special with his music. ‘In the sky’ hits you right in the feels and sees the talented musician navigate from synth-happy dancefloor cuts to electronic & jazzy deep house.
What might stand out most on his new record is how Crackazat feels totally at ease with all these different styles and how he blends his voice seamlessly in the tracks to add depth, meaning, and energy. This might be most apparent on the title track, which is built around a syncopated ‘Alfa-esque’ key loop (Crackazat fans will know what we’re talking about here). There’s gorgeous vocal chops and warm arpeggiated synths in the background that give the track lots of texture, while the percussion shuffles along in perfect swing with the song’s energy. Add some lovely strings, leads, and a moody breakdown, and you’ve got yourself a fine piece of dancefloor magic.
On “Burnin’”, Crackazat channels his inner raver with 90s inspired percussion, a honky
piano loop, and some very catchy & quirky vocal chops. He freely sprinkles claps and snares around like it’s Christmas and the big breakdown has the kind of madness-inducing energy that gets every clubber going!
EP closer ‘Dark’ is Crackazat in his most contemplative mode; a vibe he always loves to explore on his Heist outings. The bass is deep, the kick heavy, and the synth licks are mellow but powerful. His voice and effects give this track a beautiful extra dimension that would even make Fred Again jealous. The stripped-back percussion has clear influences from contemporary African dance music, which adds yet another layer to Crackazat’s broad sonic landscape. All in all, Dark is a track that makes you want to close your eyes and just sway into oblivion.
Crackazat once again manages to take us on a deep trip into his sonic world and showcases a level of craftsmanship that most of us can only dream of. ‘In the sky’ is a lovely end to our 2024 releases and we hope you enjoy the music.
As always, play it loud and dance, dance, dance!
Maarten & Lars More
Track list:
A In the Sky
B1 Burnin’
B2 Dark
Release Info:
Crackazat seamlessly blends contemporary electronica with dancefloor euphoria on his new record “In the sky”
Crackazat has had quite the run of amazing releases on Heist since his first outing back in 2021. Alfa, 2022 follow up Demucha and his mini album ‘Senses’ released last year have shown that Heist is the perfect label for him to show off his keyboard wizardry and broad musical influences. Whether he’s doing his ‘Monday Jams’ from his home for his dedicated Bandcamp followers, or he’s on the road to South Africa where he has a huge following, Crackazat always brings something special with his music. ‘In the sky’ hits you right in the feels and sees the talented musician navigate from synth-happy dancefloor cuts to electronic & jazzy deep house.
What might stand out most on his new record is how Crackazat feels totally at ease with all these different styles and how he blends his voice seamlessly in the tracks to add depth, meaning, and energy. This might be most apparent on the title track, which is built around a syncopated ‘Alfa-esque’ key loop (Crackazat fans will know what we’re talking about here). There’s gorgeous vocal chops and warm arpeggiated synths in the background that give the track lots of texture, while the percussion shuffles along in perfect swing with the song’s energy. Add some lovely strings, leads, and a moody breakdown, and you’ve got yourself a fine piece of dancefloor magic.
On “Burnin’”, Crackazat channels his inner raver with 90s inspired percussion, a honky
piano loop, and some very catchy & quirky vocal chops. He freely sprinkles claps and snares around like it’s Christmas and the big breakdown has the kind of madness-inducing energy that gets every clubber going!
EP closer ‘Dark’ is Crackazat in his most contemplative mode; a vibe he always loves to explore on his Heist outings. The bass is deep, the kick heavy, and the synth licks are mellow but powerful. His voice and effects give this track a beautiful extra dimension that would even make Fred Again jealous. The stripped-back percussion has clear influences from contemporary African dance music, which adds yet another layer to Crackazat’s broad sonic landscape. All in all, Dark is a track that makes you want to close your eyes and just sway into oblivion.
Crackazat once again manages to take us on a deep trip into his sonic world and showcases a level of craftsmanship that most of us can only dream of. ‘In the sky’ is a lovely end to our 2024 releases and we hope you enjoy the music.
As always, play it loud and dance, dance, dance!
Maarten & Lars More