1
Unknown - A1
2
Unknown - A2
3
Unknown - A3
4
Unknown - B1
5
Unknown - B2
6
Unknown - B3
Format: Vinyl Only (Limited 250 copies)
Tracklist:
01 A1
02 A2
03 A3
04 B1
05 B2
06 B3
Release Info:
MASK unveil the final entry in its untitled release series.
Berlin-based label MASK records has become known for releasing a string of vinyl-only EP’s by unnamed
producers which have seen the support of respected artists such as Jimpster, DJ Bone, Ben Sims,
Santiago Salazar, Laurent Garnier, Ryan Elliot, Marcel Dettmann, and the Blessed Madonna amongst
others. Now, the tenth and final instalment of the series consists of an eclectic collection of techno and house
cuts, all recorded on tape during an analog live session in the artist’s studio.
The A1 eases you into the record through glitchy textures, swelling synths and broken beats before the A2
gets you into a rapturous tracky groove offset by lo-fi vocals and dreamy pads. The A3 takes a darker turn
through hypnotic drums and a droning bass, readying the listener for the B-Side which continues this raw
energy.
The B1 picks up the pace with energetic drums and clean ride cymbals while the B2 incorporates floaty arps
and a tantalising repeating vocal. ‘B3’ closes out the release with a retro 80s synth feel, putting a wrap on yet
another incredible vinyl EP by this exciting underground label.
Unknown Artist’s ‘SENNIN’ vinyl-only release drops via MASK Records mid-september.
More
Tracklist:
01 A1
02 A2
03 A3
04 B1
05 B2
06 B3
Release Info:
MASK unveil the final entry in its untitled release series.
Berlin-based label MASK records has become known for releasing a string of vinyl-only EP’s by unnamed
producers which have seen the support of respected artists such as Jimpster, DJ Bone, Ben Sims,
Santiago Salazar, Laurent Garnier, Ryan Elliot, Marcel Dettmann, and the Blessed Madonna amongst
others. Now, the tenth and final instalment of the series consists of an eclectic collection of techno and house
cuts, all recorded on tape during an analog live session in the artist’s studio.
The A1 eases you into the record through glitchy textures, swelling synths and broken beats before the A2
gets you into a rapturous tracky groove offset by lo-fi vocals and dreamy pads. The A3 takes a darker turn
through hypnotic drums and a droning bass, readying the listener for the B-Side which continues this raw
energy.
The B1 picks up the pace with energetic drums and clean ride cymbals while the B2 incorporates floaty arps
and a tantalising repeating vocal. ‘B3’ closes out the release with a retro 80s synth feel, putting a wrap on yet
another incredible vinyl EP by this exciting underground label.
Unknown Artist’s ‘SENNIN’ vinyl-only release drops via MASK Records mid-september.
More
More records from Unknown
1
Unknown - Un Colpo Al Cuore
2
Unknown - Inevitabile
Straight Outta Belpaese, MORE disco – exotica – balearic- Italo-funk for the demanding digger!!!
More
1
Unknown - Untitled (Vocal)
Moxy Edits' Ignite the dance floor once again. Turn up the volume and let the beats speak louder than words!
More
1
Unknown - Be Good To Me
2
Unknown - Let’s Get This
1
Unknown - Cindy
2
Unknown - Grindhouz (radio edit)
3
Unknown - Grindhouz
Tracklisting
A1 Unknown - Cindy
B1 Unknown - Grindhouz (radio edit)
B2 Unknown - Grindhouz
Sales Note
There is no in-between, neither is it only black or white - it is always, also, a question about
contrast.
This is the third edit release on the newly reborn Tech-nology label.
The first was played by Luca Bacchetti at Burning Man 2023 and by Michael Meyer in his
Soundcloud, radioshow - a big thanks.
The second is yet to be discovered, but mostly jazz and afro with a Minimal and Chicago touch.
The edit series is a mix between techno, which was initially the start of the label, so!
The edit series is not disco in the sense that is most popular or most accepted, this is a new way!
Making a techno approach to attack the original disco track.
Tech-nology!
This output is the third and not a secret track.
Here it is black, like the techno sound behind.
There is the basic well-known one-to-one production with extra techno breaks for your dancing
pleasure.
But the flipside, with 2 versions, is the big room killer.
There is always white noice More
A1 Unknown - Cindy
B1 Unknown - Grindhouz (radio edit)
B2 Unknown - Grindhouz
Sales Note
There is no in-between, neither is it only black or white - it is always, also, a question about
contrast.
This is the third edit release on the newly reborn Tech-nology label.
The first was played by Luca Bacchetti at Burning Man 2023 and by Michael Meyer in his
Soundcloud, radioshow - a big thanks.
The second is yet to be discovered, but mostly jazz and afro with a Minimal and Chicago touch.
The edit series is a mix between techno, which was initially the start of the label, so!
The edit series is not disco in the sense that is most popular or most accepted, this is a new way!
Making a techno approach to attack the original disco track.
Tech-nology!
This output is the third and not a secret track.
Here it is black, like the techno sound behind.
There is the basic well-known one-to-one production with extra techno breaks for your dancing
pleasure.
But the flipside, with 2 versions, is the big room killer.
There is always white noice More
1
Unknown - Cindy
2
Unknown - Grindhouz (radio edit)
3
Unknown - Grindhouz
Tracklisting
A1 Unknown - Cindy
B1 Unknown - Grindhouz (radio edit)
B2 Unknown - Grindhouz
Sales Note
There is no in-between, neither is it only black or white - it is always, also, a question about
contrast.
This is the third edit release on the newly reborn Tech-nology label.
The first was played by Luca Bacchetti at Burning Man 2023 and by Michael Meyer in his
Soundcloud, radioshow - a big thanks.
The second is yet to be discovered, but mostly jazz and afro with a Minimal and Chicago touch.
The edit series is a mix between techno, which was initially the start of the label, so!
The edit series is not disco in the sense that is most popular or most accepted, this is a new way!
Making a techno approach to attack the original disco track.
Tech-nology!
This output is the third and not a secret track.
Here it is black, like the techno sound behind.
There is the basic well-known one-to-one production with extra techno breaks for your dancing
pleasure.
But the flipside, with 2 versions, is the big room killer.
There is always white noice More
A1 Unknown - Cindy
B1 Unknown - Grindhouz (radio edit)
B2 Unknown - Grindhouz
Sales Note
There is no in-between, neither is it only black or white - it is always, also, a question about
contrast.
This is the third edit release on the newly reborn Tech-nology label.
The first was played by Luca Bacchetti at Burning Man 2023 and by Michael Meyer in his
Soundcloud, radioshow - a big thanks.
The second is yet to be discovered, but mostly jazz and afro with a Minimal and Chicago touch.
The edit series is a mix between techno, which was initially the start of the label, so!
The edit series is not disco in the sense that is most popular or most accepted, this is a new way!
Making a techno approach to attack the original disco track.
Tech-nology!
This output is the third and not a secret track.
Here it is black, like the techno sound behind.
There is the basic well-known one-to-one production with extra techno breaks for your dancing
pleasure.
But the flipside, with 2 versions, is the big room killer.
There is always white noice More
1
Unknown - Couldn't Hate You
2
Unknown - Open Ended
Digwah is back with yet another standout release, showcasing two new rollers that expertly fuse timeless late '80s vocals with an infectious tech house rhythm and pulsating synth lines.
More
1
Unknown - Lover To Lover
2
Unknown - So Gone
3
Unknown - Come Again
4
Unknown - Shifting Gears
Tracklisting
A1 Unknown Artist - Lover To Lover
A2 Unknown Artist - So Gone
B1 Unknown Artist - Come Again
B2 Unknown Artist - Shifting Gears More
A1 Unknown Artist - Lover To Lover
A2 Unknown Artist - So Gone
B1 Unknown Artist - Come Again
B2 Unknown Artist - Shifting Gears More
1
Unknown - Bad Kingdom
2
Unknown - Labrea
3
Unknown - Jelly Swim
4
Unknown - Selekta
Tracklisting
A1 Unknown - Bad Kingdom
A2 Unknown - Labrea
B1 Unknown - Jelly Swim
B2 Unknown - Selekta More
A1 Unknown - Bad Kingdom
A2 Unknown - Labrea
B1 Unknown - Jelly Swim
B2 Unknown - Selekta More
1
Unknown - Garnedd
2
Unknown - Ghetto Living
More records from mask
1
ZentaSkai - Bob (6:16)
2
ZentaSkai - Bob (6:52)
3
ZentaSkai & Sebastian Klenk - Bob (11:41)
Genres: Dub Techno, Romanian, Techno
Vinyl only
Tracklist
A1. ZentaSkai - Bob (6:16)
A2. ZentaSkai - Bob (6:52)
B1. ZentaSkai & Sebastian Klenk - Bob (11:41)
Release Date:
Following a ten-part series of unannounced artist records and a spectacular high-concept album on Mask Records, label head ZentaSkai returns to the imprint for his next solo vinyl-only release, ‘Bob’.
The A1 sees the Berlin-based ZentaSkai combine a dusty, taped white noise feel with subtle, swirling dub chords as its high-end propels the track forward. It’s a stunning and evocative piece before the A2 continues with minimal drums and electric acid bleeps, a smooth organ lead completing its gorgeous soundscape.
On the B-side of the ‘Bob’ EP, ZentaSkai joins forces with long-time collaborator Sebastian Klenk. It follows their
‘Apeiron’ track on ZentaSkai’s 2023 ‘Architecture Of The Mind’ LP, among other joint work, and sees them deliver a near-twelve-minute track that is a true masterpiece. The track takes listeners through found-sound texture samples, intricate drum patterns, crunchy breakbeats, and more beautiful dub melodics.
‘Bob’ is another fantastic listening experience on Mask Records, already supported by Satoshi Tomiie, Raresh and Laurent Garnier.
More
Vinyl only
Tracklist
A1. ZentaSkai - Bob (6:16)
A2. ZentaSkai - Bob (6:52)
B1. ZentaSkai & Sebastian Klenk - Bob (11:41)
Release Date:
Following a ten-part series of unannounced artist records and a spectacular high-concept album on Mask Records, label head ZentaSkai returns to the imprint for his next solo vinyl-only release, ‘Bob’.
The A1 sees the Berlin-based ZentaSkai combine a dusty, taped white noise feel with subtle, swirling dub chords as its high-end propels the track forward. It’s a stunning and evocative piece before the A2 continues with minimal drums and electric acid bleeps, a smooth organ lead completing its gorgeous soundscape.
On the B-side of the ‘Bob’ EP, ZentaSkai joins forces with long-time collaborator Sebastian Klenk. It follows their
‘Apeiron’ track on ZentaSkai’s 2023 ‘Architecture Of The Mind’ LP, among other joint work, and sees them deliver a near-twelve-minute track that is a true masterpiece. The track takes listeners through found-sound texture samples, intricate drum patterns, crunchy breakbeats, and more beautiful dub melodics.
‘Bob’ is another fantastic listening experience on Mask Records, already supported by Satoshi Tomiie, Raresh and Laurent Garnier.
More
1
Cuddling Monsters - Lucky Star
2
Cuddling Monsters - Crystal Growing
3
Cuddling Monsters - Floating Tank
4
Cuddling Monsters - Analog Dreams
Tracklist:
01 Lucky Star
02 Crystal Growing
03 Floating Tank
04 Analog Dreams
MASK’s ZentaSkai & Laura Merino Allue announce vinyl-only underground house and techno series as
Cuddling Monsters.
Cuddling Monsters serve up the first vinyl-only volume of a new self-titled series on Berlin-based Mask Records. All
four cuts explore deep and classy techno, dub and house soundscapes with the aim of rediscovering the soul of
electronic music and forming new bonds between human creativity and technological innovations.
Cuddling Monsters is the coming together of creative partners ZentaSkai and Laura Merino Allue. ZentaSkai is the
MASK founder recognised for his immersive, hypnotic groove, and Allue is a fashion and graphic designer. They are
newly assembled under this alias but have a long-time love of vinyl and analogue machines, which shows in their sounds.
"Crafting music with analogue instruments holds profound importance in the contemporary musical landscape. Despite
the omnipresence of digital technology, analogue instruments maintain a pivotal role, offering distinctive sonic qualities,
creative constraints, and genuine sound reproduction. The tactile, hands-on connection." - Cuddling Monsters
The superbly deep and atmospheric 'Lucky Star' is a dubby minimal cut with a deft rhythm and warm pads that are
perfect for cosy back rooms. The absorbing 'Crystal Growing' is another stripped-back techno roller with rubbery drums
and pensive chords that lock you into a state of meditation. Up next is the powerful 'Floating Tank' which pairs gorgeous
ambient synths with driving drums. It's a great coming together of the physical and the emotional that will take dance
floors to the next level. 'Analog Dreams' shuts down with more perfectly smoky pads and grainy lo-fi atmospheres as
slick but driving drums power onwards.
Cuddling Monsters ‘Cuddling Monsters_CM Vol. 01’ releases via MASK 29th March 2024.
More
01 Lucky Star
02 Crystal Growing
03 Floating Tank
04 Analog Dreams
MASK’s ZentaSkai & Laura Merino Allue announce vinyl-only underground house and techno series as
Cuddling Monsters.
Cuddling Monsters serve up the first vinyl-only volume of a new self-titled series on Berlin-based Mask Records. All
four cuts explore deep and classy techno, dub and house soundscapes with the aim of rediscovering the soul of
electronic music and forming new bonds between human creativity and technological innovations.
Cuddling Monsters is the coming together of creative partners ZentaSkai and Laura Merino Allue. ZentaSkai is the
MASK founder recognised for his immersive, hypnotic groove, and Allue is a fashion and graphic designer. They are
newly assembled under this alias but have a long-time love of vinyl and analogue machines, which shows in their sounds.
"Crafting music with analogue instruments holds profound importance in the contemporary musical landscape. Despite
the omnipresence of digital technology, analogue instruments maintain a pivotal role, offering distinctive sonic qualities,
creative constraints, and genuine sound reproduction. The tactile, hands-on connection." - Cuddling Monsters
The superbly deep and atmospheric 'Lucky Star' is a dubby minimal cut with a deft rhythm and warm pads that are
perfect for cosy back rooms. The absorbing 'Crystal Growing' is another stripped-back techno roller with rubbery drums
and pensive chords that lock you into a state of meditation. Up next is the powerful 'Floating Tank' which pairs gorgeous
ambient synths with driving drums. It's a great coming together of the physical and the emotional that will take dance
floors to the next level. 'Analog Dreams' shuts down with more perfectly smoky pads and grainy lo-fi atmospheres as
slick but driving drums power onwards.
Cuddling Monsters ‘Cuddling Monsters_CM Vol. 01’ releases via MASK 29th March 2024.
More
1
ZentaSkai - Mind Mapping
2
ZentaSkai - 030
3
ZentaSkai - Fügung (feat. Laura Merino)
4
ZentaSkai - Flow Dreaming
5
ZentaSkai - Structural Understanding
6
ZentaSkai - Quiet Reflection
7
ZentaSkai - Geruda Dub
8
ZentaSkai - Boiling Range
9
ZentaSkai - Interlude
10
ZentaSkai & Jeremy Reinhard - Karl-Marx-Allee
11
ZentaSkai vs. Palawan - Dynamic System
12
ZentaSkai & Sebastian Klenk - Apeiron
13
ZentaSkai & Apoena - Parallel 30 (feat. Yucuma)
3LP, triple gatefold
Tracklist:
Side A
01 Mind Mapping
02 030
SIDE B
03 Fügung (feat. Laura Merino)
04 Flow Dreaming
SIDE C
05 Structural Understanding
06 Quiet Reflection
SIDE D
07 Geruda Dub
08 Boiling Range
09 Interlude
SIDE E
10 Karl-Marx-Allee (ZentaSkai & Jeremy Reinhard)
11 Dynamic System (ZentaSkai vs. Palawan)
SIDE F
12 Apeiron (ZentaSkai & Sebastian Klenk)
13 Parallel 30 (ZentaSkai & Apoena feat. Yucuma)
Release Info:
ZentaSkai unveils stunning, high-concept house album on Mask Records.
ZentaSkai undertook a period of research into the underlying structure and organisation of the human brain
before writing ‘The Architecture Of The Mind’. The Berlin-based artist then took what had been learned and
kept it in mind when writing the music that marks Mask's first album release. It comes with extensive
background notes on each track, and an operational manual of sorts - notes from the artists as to the effects
each piece will have on those who hear them.
"The message conveyed by this album is that life itself is filled with music, but our egos often prevent us from
being in harmony with this symphony. Inner chaos and silence can be challenging to bear, leading us to seek
solace in external noise. We have constructed a barrier between our inner and outer worlds, causing us to
lose touch with the rhythm of harmony. However, by embracing the illusion of separation and dancing to good
music, we can rediscover harmony with ourselves and our environment. To fully experience the essence of
the album, it should be played loudly on a proper sound system or high-quality headphones. By immersing
themselves in the music, individuals can engage with its transformative power and potentially find a deeper
connection with their own minds and surroundings." - ZentaSkai
The gorgeous 'Mind Mapping' opens up with deep and dubby drums and lush harmonies that soothe you to
your core, '030' then has more raw, heavy drums with many layers of glowing synths, glassy melodies and
organic found sounds. 'Fügung' keeps the deep and introspective moods coming before the crisp tech of
'Flow Dreaming' ups the ante with more drive and layers of vocal whispers, hi-hats and smeared dub chords.
Elsewhere the likes of 'Quiet Reflection' lean into the groove with swirling pads and one-word vocal sounds
drifting through the air over propulsive drum loops, and 'Boiling Range' suspends you in deft synth loops
amongst the stars over a prickly house beat.
The superb synth craft and well-designed grooves continue through the dusty deep house of
'Karl-Marx-Allee' and minimal dub of 'Dynamic System' before the elegant melodic techno of 'Apeiron' and
dreamy synthscapes of 'Parallel 30' close the album in a reflective fashion.
This is a deeply evocative album with a fully realised concept that is as thought-provoking as it is immersive.
More
Tracklist:
Side A
01 Mind Mapping
02 030
SIDE B
03 Fügung (feat. Laura Merino)
04 Flow Dreaming
SIDE C
05 Structural Understanding
06 Quiet Reflection
SIDE D
07 Geruda Dub
08 Boiling Range
09 Interlude
SIDE E
10 Karl-Marx-Allee (ZentaSkai & Jeremy Reinhard)
11 Dynamic System (ZentaSkai vs. Palawan)
SIDE F
12 Apeiron (ZentaSkai & Sebastian Klenk)
13 Parallel 30 (ZentaSkai & Apoena feat. Yucuma)
Release Info:
ZentaSkai unveils stunning, high-concept house album on Mask Records.
ZentaSkai undertook a period of research into the underlying structure and organisation of the human brain
before writing ‘The Architecture Of The Mind’. The Berlin-based artist then took what had been learned and
kept it in mind when writing the music that marks Mask's first album release. It comes with extensive
background notes on each track, and an operational manual of sorts - notes from the artists as to the effects
each piece will have on those who hear them.
"The message conveyed by this album is that life itself is filled with music, but our egos often prevent us from
being in harmony with this symphony. Inner chaos and silence can be challenging to bear, leading us to seek
solace in external noise. We have constructed a barrier between our inner and outer worlds, causing us to
lose touch with the rhythm of harmony. However, by embracing the illusion of separation and dancing to good
music, we can rediscover harmony with ourselves and our environment. To fully experience the essence of
the album, it should be played loudly on a proper sound system or high-quality headphones. By immersing
themselves in the music, individuals can engage with its transformative power and potentially find a deeper
connection with their own minds and surroundings." - ZentaSkai
The gorgeous 'Mind Mapping' opens up with deep and dubby drums and lush harmonies that soothe you to
your core, '030' then has more raw, heavy drums with many layers of glowing synths, glassy melodies and
organic found sounds. 'Fügung' keeps the deep and introspective moods coming before the crisp tech of
'Flow Dreaming' ups the ante with more drive and layers of vocal whispers, hi-hats and smeared dub chords.
Elsewhere the likes of 'Quiet Reflection' lean into the groove with swirling pads and one-word vocal sounds
drifting through the air over propulsive drum loops, and 'Boiling Range' suspends you in deft synth loops
amongst the stars over a prickly house beat.
The superb synth craft and well-designed grooves continue through the dusty deep house of
'Karl-Marx-Allee' and minimal dub of 'Dynamic System' before the elegant melodic techno of 'Apeiron' and
dreamy synthscapes of 'Parallel 30' close the album in a reflective fashion.
This is a deeply evocative album with a fully realised concept that is as thought-provoking as it is immersive.
More
1
Unknown - 01) A1
2
Unknown - 02) A2
3
Unknown - 03) A3
4
Unknown - 04) B1
5
Unknown - 05) B2
6
Unknown - 06) B3
Format: Vinyl Only (Limited 250 copies)
Tracklist:
01) A1
02) A2
03) A3
04) B1
05) B2
06) B3
Release Info:
Independent label MASK returns with another untitled release featuring six innovative interpretations.
Blossoming Berlin-based imprint MASK continues to invite anonymous artists to the label, delivering quality
cuts produced using analogue gear across the imprint’s trademark style of raw house, techno and ambient
territories. With support from the likes of ItaloJohnson, Truncate, DJ Bone and Ryan Elliott, DATE welcomes
the arrival of six fresh, immersive cuts as they enlist yet another unknown artist to join the series.
The widely appealing package opens via the filtered loops, layered sonics and low humming frequencies of
‘A1’, whilst ‘A2’ reveals a deeper, darker cut with sharp boom bap drums, distorted tones and warped effects.
Next, ‘A3’ has an ethereal edge and explores a plethora of robust sounds, dubby chords and heady, pulsating
rhythms.
On the flip, the richly euphoric ‘B1’ leads with seductive drum programming, chopped-up vocal snippets and
scintillating keys that take listeners to another level. Penultimate offering ‘B2’ reveals a driving, feel-good
affair before rounding out proceedings with the off-kilter, jazz-leaning and undoubtedly enrapturing
soundscapes of the low-slung ‘B3’.
More
Tracklist:
01) A1
02) A2
03) A3
04) B1
05) B2
06) B3
Release Info:
Independent label MASK returns with another untitled release featuring six innovative interpretations.
Blossoming Berlin-based imprint MASK continues to invite anonymous artists to the label, delivering quality
cuts produced using analogue gear across the imprint’s trademark style of raw house, techno and ambient
territories. With support from the likes of ItaloJohnson, Truncate, DJ Bone and Ryan Elliott, DATE welcomes
the arrival of six fresh, immersive cuts as they enlist yet another unknown artist to join the series.
The widely appealing package opens via the filtered loops, layered sonics and low humming frequencies of
‘A1’, whilst ‘A2’ reveals a deeper, darker cut with sharp boom bap drums, distorted tones and warped effects.
Next, ‘A3’ has an ethereal edge and explores a plethora of robust sounds, dubby chords and heady, pulsating
rhythms.
On the flip, the richly euphoric ‘B1’ leads with seductive drum programming, chopped-up vocal snippets and
scintillating keys that take listeners to another level. Penultimate offering ‘B2’ reveals a driving, feel-good
affair before rounding out proceedings with the off-kilter, jazz-leaning and undoubtedly enrapturing
soundscapes of the low-slung ‘B3’.
More
1
Unknown - 1. A1
2
Unknown - 2. A2
3
Unknown - 3. A3
4
Unknown - 4. B1
5
Unknown - 5. B2
6
Unknown - 6. B3
Vinyl Only (Limited 150 copies)
Tracklist:
1. A1
2. A2
3. A3
4. B1
5. B2
6. B3
Release Info:
German imprint MASK return in 2021 with yet another inviting anonymous release featuring six
raw original cuts.
The MASK imprint continue to impress with their signature aesthetic which places focus on intricate,
modular based house, techno and ambient cuts and everything in between. Their previous releases have
garnered strong support from various artists including the likes of Laurent Garnier, DJ Bone, Photonz,
Anastasia Kristensen, Marcel Dettmann and many more, and ‘Knef’ sees the esoteric German imprint
deliver yet another impressive collection of tracks to kick start 2021.
The ‘A1’ gets the EP rolling with muffled drums and enticing moods that sit delicately underneath the
soulful, samples and sweeping synths before ‘A2’ offers up resounding kicks that balance delightfully with
the reverberating modulations and powerful yet interesting fx. The A3 lays focus on an aquatic house roller
with bubbly melodies and dreamy pads with magnetising emotions brimming to the surface.
On the flip, the ‘B1’ is an engaging cut with breezy resonance and ethereal leads which lure you in from the
start whilst the dubby drums, solemn ambience and laid-back moods take focus in the ‘B2’. Rounding
things off in experimental fashion, the ‘B3’ is an eccentric meditative, cut with leftfield oscillations and
beatless vibrations which blend together with stunning effect.
Unknown ‘Knef’ drops on MASK in early Spring 2021.
More
Tracklist:
1. A1
2. A2
3. A3
4. B1
5. B2
6. B3
Release Info:
German imprint MASK return in 2021 with yet another inviting anonymous release featuring six
raw original cuts.
The MASK imprint continue to impress with their signature aesthetic which places focus on intricate,
modular based house, techno and ambient cuts and everything in between. Their previous releases have
garnered strong support from various artists including the likes of Laurent Garnier, DJ Bone, Photonz,
Anastasia Kristensen, Marcel Dettmann and many more, and ‘Knef’ sees the esoteric German imprint
deliver yet another impressive collection of tracks to kick start 2021.
The ‘A1’ gets the EP rolling with muffled drums and enticing moods that sit delicately underneath the
soulful, samples and sweeping synths before ‘A2’ offers up resounding kicks that balance delightfully with
the reverberating modulations and powerful yet interesting fx. The A3 lays focus on an aquatic house roller
with bubbly melodies and dreamy pads with magnetising emotions brimming to the surface.
On the flip, the ‘B1’ is an engaging cut with breezy resonance and ethereal leads which lure you in from the
start whilst the dubby drums, solemn ambience and laid-back moods take focus in the ‘B2’. Rounding
things off in experimental fashion, the ‘B3’ is an eccentric meditative, cut with leftfield oscillations and
beatless vibrations which blend together with stunning effect.
Unknown ‘Knef’ drops on MASK in early Spring 2021.
More
1
Unknown - 1. A1
2
Unknown - 2. A2
3
Unknown - 3. A3
4
Unknown - 4. B1
5
Unknown - 5. B2
6
Unknown - 6. B3
Vinyl Only, Limited to 200 copies
Tracklist:
1. A1
2. A2
3. A3
4. B1
5. B2
6. B3
Release Info:
Esoteric German imprint MASK are back with another untitled release featuring six modulated
cuts.
The MASK imprint have steadily built themselves a reputation within the electronic music world honing a
sharp production style which lays focus on effervescent, live jams on hardware gear. The previous six
releases on the imprint have garnered an array of support from some of the scene’s most respected names
including the likes of Laurent Garnier, Danny Daze, Dan Curtin, Machine Woman, DJ Deep and more
names, with MASK continually delivering the goods.
The ‘A1’ kicks thing off with warm pads sitting gracefully underneath the sweeping percussive groove whilst
‘A2’ focuses on resounding kicks, otherworldly undertones and enlightening leads in the distance. ‘A3’ is
breaks-tinged cut featuring spiralling chords, syncopated rhythms and luscious melodies floating above the
spacious yet swinging flow.
On the flip, the ‘B1’ offers up dreamy pads, shimmering synths that bounce delightfully off the vibrant hihats in this late night, deep house gem. Low-slung electro drums, ethereal melodic keys, scintillating bass
whirls makes up the inspiriting cut that is ‘B2’ before the ‘B3’ delightfully rounds off the release with gentle
soundscapes underneath the pensive ambience and German vocals.
Unknown ‘Amy drops on MASK in October 2020.
More
Tracklist:
1. A1
2. A2
3. A3
4. B1
5. B2
6. B3
Release Info:
Esoteric German imprint MASK are back with another untitled release featuring six modulated
cuts.
The MASK imprint have steadily built themselves a reputation within the electronic music world honing a
sharp production style which lays focus on effervescent, live jams on hardware gear. The previous six
releases on the imprint have garnered an array of support from some of the scene’s most respected names
including the likes of Laurent Garnier, Danny Daze, Dan Curtin, Machine Woman, DJ Deep and more
names, with MASK continually delivering the goods.
The ‘A1’ kicks thing off with warm pads sitting gracefully underneath the sweeping percussive groove whilst
‘A2’ focuses on resounding kicks, otherworldly undertones and enlightening leads in the distance. ‘A3’ is
breaks-tinged cut featuring spiralling chords, syncopated rhythms and luscious melodies floating above the
spacious yet swinging flow.
On the flip, the ‘B1’ offers up dreamy pads, shimmering synths that bounce delightfully off the vibrant hihats in this late night, deep house gem. Low-slung electro drums, ethereal melodic keys, scintillating bass
whirls makes up the inspiriting cut that is ‘B2’ before the ‘B3’ delightfully rounds off the release with gentle
soundscapes underneath the pensive ambience and German vocals.
Unknown ‘Amy drops on MASK in October 2020.
More
1
Unknown - A
2
Unknown - B
Vinyl Only, Limited to 150 copies
Tracklist:
1. A
2. B
Release Info:
Mysterious Berlin label MASK return in 2020 with a vinyl only release consisting of a pair of raw
cuts entitled ‘Marilyn’.
MASK preserve their esoteric philosophy of delivering well-crafted, modulated house and techno cuts
produced on hardware equipment and ‘Marilyn’ certainly follows suit. MASK releases are the result of
anonymous artists live jamming together in unison with the first five releases picking up support from the
likes of Laurent Garnier, Marcel Dettmann, Elena Colombi, Machine Woman and many more.
The A side is 13-minute voyage featuring fluttering, resonant drums, lo-fi synth stabs and growling
oscillations that take the focus in the later stages while on the B side sweeping pads, spacey undertones
and squelchy, acid soaked sci-fi elements keep the sonical experience obscure yet fascinating throughout.
Unknown ‘Marilyn’ drops on MASK in February 2020.
More
Tracklist:
1. A
2. B
Release Info:
Mysterious Berlin label MASK return in 2020 with a vinyl only release consisting of a pair of raw
cuts entitled ‘Marilyn’.
MASK preserve their esoteric philosophy of delivering well-crafted, modulated house and techno cuts
produced on hardware equipment and ‘Marilyn’ certainly follows suit. MASK releases are the result of
anonymous artists live jamming together in unison with the first five releases picking up support from the
likes of Laurent Garnier, Marcel Dettmann, Elena Colombi, Machine Woman and many more.
The A side is 13-minute voyage featuring fluttering, resonant drums, lo-fi synth stabs and growling
oscillations that take the focus in the later stages while on the B side sweeping pads, spacey undertones
and squelchy, acid soaked sci-fi elements keep the sonical experience obscure yet fascinating throughout.
Unknown ‘Marilyn’ drops on MASK in February 2020.
More
1
Unknown - untitled
2
Unknown - untitled
3
Unknown - untitled
4
Unknown - untitled
12" Vinyl only 150 Ltd
Tracklist 12":
A1 Unknown – untitled
A2 Unknown – untitled
B1 Unknown – untitled
B2 Unknown – untitled
Release Info:
The elusive Berlin label MASK are back with another anonymous release featuring four
analogue driven tracks entitled ‘Cliff’.
Known for being purveyors of mysterious yet exquisite hardware induced tracks, MASK continue to
hold up their reputation following on from ‘Hunter’ that picked up support from the likes of Laurent
Garnier, Elena Colombi, Machine Woman, Anastasia Kristensen and DJ Deep. ‘Cliff’ involves four
people live jamming on analogue equipment in a Berlin based studio.
A1 begins with crunchy drums fused with revolving, modulated synths and obscure elements that are
soaked in acid flavours before the A2 focuses on an electro-tinged sequence in harmony with ominous
atmospherics and eccentric oscillations.
On the flip, sweeping pads balanced with intense kicks and washing synths take the focus on the B1
until the B2 rounds off this magical EP with wavering compositions, hard-hitting percussion and
unsettling sound design keeping the atmosphere intense yet truly absorbing. More
Tracklist 12":
A1 Unknown – untitled
A2 Unknown – untitled
B1 Unknown – untitled
B2 Unknown – untitled
Release Info:
The elusive Berlin label MASK are back with another anonymous release featuring four
analogue driven tracks entitled ‘Cliff’.
Known for being purveyors of mysterious yet exquisite hardware induced tracks, MASK continue to
hold up their reputation following on from ‘Hunter’ that picked up support from the likes of Laurent
Garnier, Elena Colombi, Machine Woman, Anastasia Kristensen and DJ Deep. ‘Cliff’ involves four
people live jamming on analogue equipment in a Berlin based studio.
A1 begins with crunchy drums fused with revolving, modulated synths and obscure elements that are
soaked in acid flavours before the A2 focuses on an electro-tinged sequence in harmony with ominous
atmospherics and eccentric oscillations.
On the flip, sweeping pads balanced with intense kicks and washing synths take the focus on the B1
until the B2 rounds off this magical EP with wavering compositions, hard-hitting percussion and
unsettling sound design keeping the atmosphere intense yet truly absorbing. More
1
unknown - Untitled
2
unknown - Untitled
3
unknown - Untitled
4
unknown - Untitled
Vinyl Only, LTD 200 copies
Tracklist:
A1 – Untitled
A2 – Untitled
B1 – Untitled
B2 – Untitled
Release Info:
Enigmatic Berlin label MASK return in 2019 with a vinyl only release consisting of four eccentric
cuts entitled ‘Hunter’.
The mysterious German label maintains its reputation of providing quality, esoteric music by anonymous
artists with a focus on analogue sound design and modulated oddities. ‘Hunter’ is the result of the first take
of a live recording coming from a duo who have been playing together for over a decade.
The A1 kicks off with lo-fi drum programming, emphatic leads and stabbing bass shoots before the A2
throws down sharp 303 bleeps, angelic pads and resonating kicks creating a euphoric ambience
throughout.
On the flip uplifting synth work, shuffling percussion and crunchy oscillations take the focus until chugged
out experimentation becomes ever present in the final track as it harmoniously balances sweeping
elements, growling tones and sonic obscurities.
Unknown ‘Hunter’ drops on MASK in February 2019. More
Tracklist:
A1 – Untitled
A2 – Untitled
B1 – Untitled
B2 – Untitled
Release Info:
Enigmatic Berlin label MASK return in 2019 with a vinyl only release consisting of four eccentric
cuts entitled ‘Hunter’.
The mysterious German label maintains its reputation of providing quality, esoteric music by anonymous
artists with a focus on analogue sound design and modulated oddities. ‘Hunter’ is the result of the first take
of a live recording coming from a duo who have been playing together for over a decade.
The A1 kicks off with lo-fi drum programming, emphatic leads and stabbing bass shoots before the A2
throws down sharp 303 bleeps, angelic pads and resonating kicks creating a euphoric ambience
throughout.
On the flip uplifting synth work, shuffling percussion and crunchy oscillations take the focus until chugged
out experimentation becomes ever present in the final track as it harmoniously balances sweeping
elements, growling tones and sonic obscurities.
Unknown ‘Hunter’ drops on MASK in February 2019. More
1
unknown artist - A1 - No Titel
2
unknown artist - A2 - No Titel
3
unknown artist - B1 - No Titel
4
unknown artist - B2 - No Titel
June will see the return of the mysterious Berlin based label MASK with four raw and murky cuts entitled ‘Rellik’.
Tracklist
A1 - No Titel, A2 - No Titel
B1 - No Titel, B2 - No Titel
As with the previous two releases on the label, ‘Rellik’ was recorded live and on the first take using a
selection of analog synths, drum machines and sequencers, particularly the warm and dynamic sound
of the E-Mu SP 1200 as the lead.
“The ’Rellik” project is a mashup between Rock and Hip Hop elements using SP1200 classic drum kits,
filtered and distorted synths. We call this Krauttech” - MASK
Intense sirens set the tone of the A1 before introducing a thumping sub and delayed snares, making
way for harsh bass and dark effects in the A2 to generate an ominous atmosphere. On the flip, the B1
brings crunchy, modulated synths alongside an intense and thunderous kick whilst the B2 delivers a
thick, pulsating low-end with an assortment of metallic and heavy drones that round off this cryptic
package.
‘Rellik’ drops via MASK June 29, 2018 More
Tracklist
A1 - No Titel, A2 - No Titel
B1 - No Titel, B2 - No Titel
As with the previous two releases on the label, ‘Rellik’ was recorded live and on the first take using a
selection of analog synths, drum machines and sequencers, particularly the warm and dynamic sound
of the E-Mu SP 1200 as the lead.
“The ’Rellik” project is a mashup between Rock and Hip Hop elements using SP1200 classic drum kits,
filtered and distorted synths. We call this Krauttech” - MASK
Intense sirens set the tone of the A1 before introducing a thumping sub and delayed snares, making
way for harsh bass and dark effects in the A2 to generate an ominous atmosphere. On the flip, the B1
brings crunchy, modulated synths alongside an intense and thunderous kick whilst the B2 delivers a
thick, pulsating low-end with an assortment of metallic and heavy drones that round off this cryptic
package.
‘Rellik’ drops via MASK June 29, 2018 More
1
unknown artist - A1 - Untitled
2
unknown artist - A2 - Untitled
3
unknown artist - B1 - Untitled
4
unknown artist - B2 - Untitled
Mysterious Berlin imprint MASK preps its second release with four more untitled tracks this
March.
Continuing the theme of the first release, ‘Noah’ has been produced and recorded live in one take using
a selection of analogue gear, including an EMU SP 1200, Mutual Instruments Ambika, Nord Rack 2x,
Octatrack, Vermona Action Filter 4.
A soothing synth line sets the tone of the ‘A1' before implementing sporadic drums and squelchy notes,
making way for the melodic chords and a wall of sub bass in the mesmerising ‘A2’. Murky atmospherics
and a medley of percussive hits generate a dusty aesthetic in the ‘B1’ until the organic beat and
distorted robotic sounds of the ‘B2' provide an otherworldly conclusion to the enigmatic release.
Tracklist
1. A1 - Untitled
2. A2 - Untitled
3. B2 - Untitled
4. B2 - Untitled More
March.
Continuing the theme of the first release, ‘Noah’ has been produced and recorded live in one take using
a selection of analogue gear, including an EMU SP 1200, Mutual Instruments Ambika, Nord Rack 2x,
Octatrack, Vermona Action Filter 4.
A soothing synth line sets the tone of the ‘A1' before implementing sporadic drums and squelchy notes,
making way for the melodic chords and a wall of sub bass in the mesmerising ‘A2’. Murky atmospherics
and a medley of percussive hits generate a dusty aesthetic in the ‘B1’ until the organic beat and
distorted robotic sounds of the ‘B2' provide an otherworldly conclusion to the enigmatic release.
Tracklist
1. A1 - Untitled
2. A2 - Untitled
3. B2 - Untitled
4. B2 - Untitled More
1
unknown artist - untitled
2
unknown artist - untitled
3
unknown artist - untitled
4
unknown artist - untiteld
Mysterious Berlin based label MASK preps its debut release titled ‘LEMMY’ with four untitled cuts
this April.
A new series born out of an established German imprint, MASK’s enigmatic debut release was produced
using a selection of analogue gear including a Moog Slim Phatty, E-mu SP-1200 and Nord Rack 2X.
The A side begins with a track built around a tightly programmed drum loop which subtly builds, laced with
mix-slicing hats and sub-low kicks whilst stretched out chords dissipate around a crunchy synth lead. The
second production is twisted and dusty, using flanging and reverberated effects to lead towards a distorted
breakdown, driven from the depths by gusts of full bodied snares and a growling sub line.
On the flip, dulcet tones of a female vocalist join lush melodic chords to cleanse the palette, whilst working
within the confines of a subdued yet crisp drum machine groove. The final track then strips things back
even further, employing minimalist percussive hits and a warm bass lead, leaving space for its soothing
female vocals to do the talking.
Unknown Artist ‘LEMMY EP’ drops on MASK this 28th April 2017.
Tracklist:
A1 – Untitled
A2 – Untitled
B1 – Untitled
B2 – Untitled More
this April.
A new series born out of an established German imprint, MASK’s enigmatic debut release was produced
using a selection of analogue gear including a Moog Slim Phatty, E-mu SP-1200 and Nord Rack 2X.
The A side begins with a track built around a tightly programmed drum loop which subtly builds, laced with
mix-slicing hats and sub-low kicks whilst stretched out chords dissipate around a crunchy synth lead. The
second production is twisted and dusty, using flanging and reverberated effects to lead towards a distorted
breakdown, driven from the depths by gusts of full bodied snares and a growling sub line.
On the flip, dulcet tones of a female vocalist join lush melodic chords to cleanse the palette, whilst working
within the confines of a subdued yet crisp drum machine groove. The final track then strips things back
even further, employing minimalist percussive hits and a warm bass lead, leaving space for its soothing
female vocals to do the talking.
Unknown Artist ‘LEMMY EP’ drops on MASK this 28th April 2017.
Tracklist:
A1 – Untitled
A2 – Untitled
B1 – Untitled
B2 – Untitled More
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Om Unit and TM404 have both been researching production and compositional elements in the crosshairs of dub and acid for the last few years - Om Unit most notably with his Acid Dub Studies 1 & 2, and TM404 with his Acidub album in particular.
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Rolling opener Motorway Acid sets the pace high and strong, conjuring both wide open spaces and fast-paced travel at the same time, with weightless pads, stroboscopic breaks and a mighty 303 riff that can teleport you to the middle of a foggy dancefloor. Microdose Mondays on the other hand, slows the tempo down and veers into cosmic territory, with perfectly dubbed drum rolls and burbling squelch. But it’s London Stock that kicks the album into hyperspace, finding its futuristic steppers groove somewhere in the answer to the hypothetical question ‘what if Shaka had produced Stingray?’
Speaking of underwater electronics, Meanwhile In The Smoking Area delves deep into submarine territory, delivering the kind of bass weight and sonar acid signals you’d need a diver’s suit for. It’s a vibe that’s continued on the tracks Thursday and Refracted, and speaks to the record's title - otherworldly, dreamy bass meditations that aren’t of this realm. The album closes out with Praha, a pacey yet ambient vista of warm wide synths, layers of 303, and dub echoes that sound like the machines are slowly coming to life.
It’s in this altered state that the album resides, somewhere between worlds and styles, emerging out of the space around the TB-303 that Om Unit and TM404 have created, with their open-minded approach to the music and to this collaboration. Free the 303!
More
Format: LP
Tracklist
A1. Motorway Acid
A2. Microdose Mondays
A3. London Stock
B1. Meanwhile… In The Smoking Area
B2. Thursday
B3. Retracted
B4. Praha
Release Info:
Two visionary explorers of the acid and dub intersection team up for a seven track LP In The Afterworld on Acid Test.
Om Unit and TM404 have both been researching production and compositional elements in the crosshairs of dub and acid for the last few years - Om Unit most notably with his Acid Dub Studies 1 & 2, and TM404 with his Acidub album in particular.
Om Unit has been a longtime fan of TM404’s use of the TB-303 and the deconstructed space he brings to the house and techno template. Meanwhile Om Unit’s own leaning towards breaks and reggae instrumentation has offered a different approach to the acid sound they both love so much. So an LP with Acid Test seemed the perfect opportunity to combine those approaches and see what kind of mutations could be discovered. The result is a primordial soup that is in parts acid, dub, breaks and ambient, full of spaced-out synths and psychedelic bass, where the pair enjoyed building tracks with a feel for where the music wanted to go, irrespective of stylistic constraints.
Rolling opener Motorway Acid sets the pace high and strong, conjuring both wide open spaces and fast-paced travel at the same time, with weightless pads, stroboscopic breaks and a mighty 303 riff that can teleport you to the middle of a foggy dancefloor. Microdose Mondays on the other hand, slows the tempo down and veers into cosmic territory, with perfectly dubbed drum rolls and burbling squelch. But it’s London Stock that kicks the album into hyperspace, finding its futuristic steppers groove somewhere in the answer to the hypothetical question ‘what if Shaka had produced Stingray?’
Speaking of underwater electronics, Meanwhile In The Smoking Area delves deep into submarine territory, delivering the kind of bass weight and sonar acid signals you’d need a diver’s suit for. It’s a vibe that’s continued on the tracks Thursday and Refracted, and speaks to the record's title - otherworldly, dreamy bass meditations that aren’t of this realm. The album closes out with Praha, a pacey yet ambient vista of warm wide synths, layers of 303, and dub echoes that sound like the machines are slowly coming to life.
It’s in this altered state that the album resides, somewhere between worlds and styles, emerging out of the space around the TB-303 that Om Unit and TM404 have created, with their open-minded approach to the music and to this collaboration. Free the 303!
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B2) Multitool 06:53 min
Short info:
Big Beat 2023! How does it sound? Bigger & better then ever! The prophet Eden Burns does not stop to share his beats with all you out there. Help him spread the message, the dance floors of the world will thank you for it. Beat moves feet, feet do dance, dance is joy, joy is life!
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A1) Free Your Mind 03:32 min
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B1) House Non Stop 06:21 min
B2) Multitool 06:53 min
Short info:
Big Beat 2023! How does it sound? Bigger & better then ever! The prophet Eden Burns does not stop to share his beats with all you out there. Help him spread the message, the dance floors of the world will thank you for it. Beat moves feet, feet do dance, dance is joy, joy is life!
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Tracklist 12":
A1 – 212 (Rico Puestel's Uber Dub) (10:02)
B1 – Friend (Rico Puestel's Aachen Dub) (10:02)
Info:
Rico Puestel steps up his Dub game and delicately reinterprets two songs from his forthcoming 2024 singer-songwriter double-album „Anthems For A Lost Generation“ as Rico Friebe, delivering 10 deep and immersive minutes of electronic music on each side.
While the original songs have never been designed for the dancefloor, both perfectly blend into the dry and groovy environment of Puestel's remakes and won't loose anything from their original message: Struggle, hope, friendship – things we desperately need in this world...
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Tracklist 12":
A1 – 212 (Rico Puestel's Uber Dub) (10:02)
B1 – Friend (Rico Puestel's Aachen Dub) (10:02)
Info:
Rico Puestel steps up his Dub game and delicately reinterprets two songs from his forthcoming 2024 singer-songwriter double-album „Anthems For A Lost Generation“ as Rico Friebe, delivering 10 deep and immersive minutes of electronic music on each side.
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Territories: World excl. UK + North America
FORMAT 2x12" 180g vinyl, full printed sleeve, dl card
TRACKLIST
1 / A1. Oak Bank 06:37
2 / A2. Second Magnitude Stars 06:41
3 / B1. Metal Pig 06:55
4 / B2. We laugh and clap at the circus 05:41
5 / C1. Leadership Contest 06:34
6 / C2. Masks & Archetypes 06:17
7 / D1. Subcultures 05:59
8 / D2. Hope Not Hate 05:57
Release Info:
In March 2023, Tresor Records will release "Crash Recoil", a new album by Surgeon. It marks Anthony Child's first techno LP in
five years, following a period in which he felt uncertainty in his role as a techno producer and found it tough to locate
inspiration. This new album encounters him drawing on spontaneous techniques to arrive at unchartered topographies.
"Crash Recoil" originates from Surgeon's recent live sets, where he experimented with constraints in performing and
embracing the twists, turns and paradoxes that arrive from this. Each fresh iteration on consistent MIDI sequences and
hardware reconfigured tracks into di erent constellations, creating an inspiring vortex of unpredicted events where ideas
could flourish. This new approach allowed him to capture the spontaneous energy of his live shows in a way he had never done
before. "This is not a live album, since it has not been recorded in one go during a live performance. In the same way that
bands tour songs before going into the studio to record an album, I was able to explore these songs and hone their
e ectiveness during my live performances before creating a studio version."
The result is eight tracks that emphasise a new techno sound for Surgeon, drawing in references from across the musical
spectrum. "I can hear Coil, King Tubby, Detroit Techno and The Cure all wrapped up with 30 years of DJing," Surgeon says of the
album. Melancholic hum-like ambiences smudge around unadorned, near-droning basslines, crunching rhythm and percolating
arpeggiations. The tracks carry unique and potent locomotion, with a low-slung grind through toughened terrains, breathing
with a free spirit, untethered by a studio-based perspective. We hear manifestations of the same raw material across the
album, like a textural motif, carving new variants and creating a cohesive work full of recollection.
More
FORMAT 2x12" 180g vinyl, full printed sleeve, dl card
TRACKLIST
1 / A1. Oak Bank 06:37
2 / A2. Second Magnitude Stars 06:41
3 / B1. Metal Pig 06:55
4 / B2. We laugh and clap at the circus 05:41
5 / C1. Leadership Contest 06:34
6 / C2. Masks & Archetypes 06:17
7 / D1. Subcultures 05:59
8 / D2. Hope Not Hate 05:57
Release Info:
In March 2023, Tresor Records will release "Crash Recoil", a new album by Surgeon. It marks Anthony Child's first techno LP in
five years, following a period in which he felt uncertainty in his role as a techno producer and found it tough to locate
inspiration. This new album encounters him drawing on spontaneous techniques to arrive at unchartered topographies.
"Crash Recoil" originates from Surgeon's recent live sets, where he experimented with constraints in performing and
embracing the twists, turns and paradoxes that arrive from this. Each fresh iteration on consistent MIDI sequences and
hardware reconfigured tracks into di erent constellations, creating an inspiring vortex of unpredicted events where ideas
could flourish. This new approach allowed him to capture the spontaneous energy of his live shows in a way he had never done
before. "This is not a live album, since it has not been recorded in one go during a live performance. In the same way that
bands tour songs before going into the studio to record an album, I was able to explore these songs and hone their
e ectiveness during my live performances before creating a studio version."
The result is eight tracks that emphasise a new techno sound for Surgeon, drawing in references from across the musical
spectrum. "I can hear Coil, King Tubby, Detroit Techno and The Cure all wrapped up with 30 years of DJing," Surgeon says of the
album. Melancholic hum-like ambiences smudge around unadorned, near-droning basslines, crunching rhythm and percolating
arpeggiations. The tracks carry unique and potent locomotion, with a low-slung grind through toughened terrains, breathing
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2023 Repress!
We complete 2019 with the "Sky, Horse and Catch EP" by label boss Noema himself. On his quest to "Bring the Jams", the world traveling DJ delivers two stunning tunes, streaked with percussions that he recorded on a trip to Sao Paulo. Last but not least, Noema's EP comes along with a mind-bending remix by our favorite Romanians Khidja.
The title track "Sky, Horse and Catch" translates a 90's Detroit House Groove to the present day and adds Cuica, Berimbau and several other Brazilian drums on top. Riding the complex groove, you encouter eccentric synths, mysterious soundscapes and of course the horse on this 11 minute long hack. Minhocão" trades the horse for a racing car and takes you on a cruise on the same-named elevated highway that leads through the city of Sao Paulo. Surrounded by driving beats, guitar single-notes, massive synthbass howls and a gritty Moog theme, this jam is a hell of a joyride!
Khidja strips down the original the title track to its core and creates a solely percussive version in a half-time groove. By adding a virtuos Qanon/Saz-like sound the tune develops an arabesque flavour with a dubby bass as the cherry on the top.
A1 - Sky, Horse and Catch
B1 - Minhocao
B2 - Sky, Horse and Catch (Khidja Rmx)
More
We complete 2019 with the "Sky, Horse and Catch EP" by label boss Noema himself. On his quest to "Bring the Jams", the world traveling DJ delivers two stunning tunes, streaked with percussions that he recorded on a trip to Sao Paulo. Last but not least, Noema's EP comes along with a mind-bending remix by our favorite Romanians Khidja.
The title track "Sky, Horse and Catch" translates a 90's Detroit House Groove to the present day and adds Cuica, Berimbau and several other Brazilian drums on top. Riding the complex groove, you encouter eccentric synths, mysterious soundscapes and of course the horse on this 11 minute long hack. Minhocão" trades the horse for a racing car and takes you on a cruise on the same-named elevated highway that leads through the city of Sao Paulo. Surrounded by driving beats, guitar single-notes, massive synthbass howls and a gritty Moog theme, this jam is a hell of a joyride!
Khidja strips down the original the title track to its core and creates a solely percussive version in a half-time groove. By adding a virtuos Qanon/Saz-like sound the tune develops an arabesque flavour with a dubby bass as the cherry on the top.
A1 - Sky, Horse and Catch
B1 - Minhocao
B2 - Sky, Horse and Catch (Khidja Rmx)
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1
Alva Noto - HYbr:ID Ectopia Environment
2
Alva Noto - HYbr:ID Ectopia Elastic 1
3
Alva Noto - HYbr:ID Ectopia Quarks Minus
4
Alva Noto - HYbr:ID Ectopia Removing Infinities
5
Alva Noto - HYbr:ID Ectopia Elastic 2
6
Alva Noto - HYbr:ID Ectopia Interacting
7
Alva Noto - HYbr:ID Ectopia Radiation Mechanics
8
Alva Noto - HYbr:ID Ectopia Field 1
9
Alva Noto - HYbr:ID Ectopia Singularity
10
Alva Noto - HYbr:ID Ectopia Gravitation
2LP, limited edition vinyl + booklet
Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1
B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2
C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics
D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
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Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1
B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2
C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics
D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
More
Label:Watergate Records
Cat-No:wgvinyl82
Release-Date:14.05.2021
Genre:House / Techno
Configuration:12" Excl
Label:Watergate Records
Cat-No:wgvinyl82
Release-Date:14.05.2021
Genre:House / Techno
Configuration:12" Excl
1
Extrawelt - 01) Extrawelt - Alpha & Oma
2
Extrawelt - 02) Extrawelt - Email auf Klinke
3
Extrawelt - 03) Extrawelt - Automatik Akrobatik
Tracklist:
01) Extrawelt - Alpha & Oma
02) Extrawelt - Email auf Klinke
03) Extrawelt - Automatik Akrobatik
Release Info:
New W-Agency signing Extrawelt deliver a trio of exhilarating “one-take” jams.
Since their inception in 2005, the Hamburg duo has commanded the loftiest respect throughout the industry
thanks to their thoughtful and emotive brand of house and techno. From ‘Soopertrack’ to ‘Dark Side of the
Room’, every raver worth their salt has had an Extrawelt dancefloor moment, their soaring chords touching
hearts and hips in equal doses.
Taking their intuitive approach to musical production to its next evolutionary phase, the ‘Automatik
Akrobatik EP’ sees them in free-flow form, gifting us with a triumvirate of superb studio jams that
encapsulate everything that’s special about their music. ‘Alpha & Oma’ is uplifting and throbbing, the kind of
visceral techno gem that would make even the most hardened punter a little weapy. ‘Email auf Klinke’ is
punchy and minimal, a solid roller to contrast its predecessor. The title track has the sonic arc of an epic
film score, building from a languid pace to a widescreen glistening wall of sound, inspiring and bad ass in
equal doses.
“These tracks are basically "one take" jams with very few edits afterwards. The computer was mostly acting
as a tape recorder while the arrange took place on the desk and machines. We feel that those tracks that
happen in a nice flow and without overthinking them too much often appear to deliver their energy in a more
raw and direct way but simultaneously also become rather homogenous instead of taking unnecessary
deflections.” - Extrawelt More
01) Extrawelt - Alpha & Oma
02) Extrawelt - Email auf Klinke
03) Extrawelt - Automatik Akrobatik
Release Info:
New W-Agency signing Extrawelt deliver a trio of exhilarating “one-take” jams.
Since their inception in 2005, the Hamburg duo has commanded the loftiest respect throughout the industry
thanks to their thoughtful and emotive brand of house and techno. From ‘Soopertrack’ to ‘Dark Side of the
Room’, every raver worth their salt has had an Extrawelt dancefloor moment, their soaring chords touching
hearts and hips in equal doses.
Taking their intuitive approach to musical production to its next evolutionary phase, the ‘Automatik
Akrobatik EP’ sees them in free-flow form, gifting us with a triumvirate of superb studio jams that
encapsulate everything that’s special about their music. ‘Alpha & Oma’ is uplifting and throbbing, the kind of
visceral techno gem that would make even the most hardened punter a little weapy. ‘Email auf Klinke’ is
punchy and minimal, a solid roller to contrast its predecessor. The title track has the sonic arc of an epic
film score, building from a languid pace to a widescreen glistening wall of sound, inspiring and bad ass in
equal doses.
“These tracks are basically "one take" jams with very few edits afterwards. The computer was mostly acting
as a tape recorder while the arrange took place on the desk and machines. We feel that those tracks that
happen in a nice flow and without overthinking them too much often appear to deliver their energy in a more
raw and direct way but simultaneously also become rather homogenous instead of taking unnecessary
deflections.” - Extrawelt More
1
Dennis Ferrer - - Hey Hey (Riva Starr Paradise Garage Club Mix)
2
Ferreck Dawn featuring Anthony Valadez - - By My Side (Extended Mix)
3
John Summit - - Deep End (Extended Mix)
4
OFFAIAH - - Play It By Ear (Club Mix)
Coming as the ninth edition of the series, ‘EP9’ stays true to committing Defected’s biggest digital releases to wax, delivering an upfront package of house heat previously unavailable on vinyl. Kicking off the A-Side with Riva Starr’s remix of Defected anthem ‘Hey Hey’ by Dennis Ferrer, a tribute to Giorgio Moroder’s pivotal sound and the Paradise Garage early house vibe and serious dancefloor weapon. Ferreck Dawn’s ‘By My Side’ follows, a refined house groover with melodic keys, a soft filtered vocal and undulating beat featuring Californian producer Anthony Valadez. The flip opens with John Summit’s ‘Deep End’, a captivating house cut from the rising star that achieved Beatport #1 weeks after its release. Closing out the EP is Defected regular OFFAIAH, a slick, dancefloor-ready cut with OFFAIAH’s signature grooving bassline and an irresistible melody. TRACK LISTING: A1. Dennis Ferrer - Hey Hey (Riva Starr Paradise Garage Club Mix), A2. Ferreck Dawn featuring Anthony Valadez - By My Side (Extended Mix), B1. John Summit - Deep End (Extended Mix), B2. OFFAIAH - Play It By Ear (Club Mix)
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Tracklist LP + Digital:
A1_ Barbir, Nicola Kazimir - AMBIENTSECONDLIFE A2_ Barbir, Nicola Kazimir - YELLOWBROCKIHILFIGERJACKETPIANOSTYLES A3_ Barbir, Nicola Kazimir - POSTZHICAGO B1_ Barbir, Nicola Kazimir - 4G IN SPACE THIRD EYE OPENER B2_ Barbir, Nicola Kazimir - 1000EONS B3_ Barbir, Nicola Kazimir - ANGRYMARXISTINHELL C1_ Barbir, Nicola Kazimir - KEEEEEEGELDSPOOKY2 C2_ Barbir, Nicola Kazimir - x: x = x, = ( ), LA LUNE C3_ Barbir, Nicola Kazimir - NŒ VØĪD LËFT 716 D1_ Barbir, Nicola Kazimir - DRONES FOR VIRTUAL DJ SETS D2_ Barbir, Nicola Kazimir - 2 GIRLS AND ONE IDM BLEEP VOL.3 D3_ Barbir, Nicola Kazimir - HAPPYORGANICGLUTANTS D4_ Barbir, Nicola Kazimir - HANIFASTBRÜELLETAKAIALMOSTCRIED : (
Short info:
We eroded pre-existent structures constructing an open heterotopic space, a horizontal and vertical thinking found its way through physical- and cyberspace, Here, nothing manifested instantly - flippancy left space for any kind of interaction and appropriation. Within (or well beyond) economic pressure points which diluted production, this was our opportunity to try out different potentials with no restrictions to the public, while simultaneously scrutinising the general framework of institutions and human behaviours. Subversive potential always was variable, always asking, deconstructing and reconfiguring itself allowing new states of aggregation within diffuse interspaces and futures
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A1_ Barbir, Nicola Kazimir - AMBIENTSECONDLIFE A2_ Barbir, Nicola Kazimir - YELLOWBROCKIHILFIGERJACKETPIANOSTYLES A3_ Barbir, Nicola Kazimir - POSTZHICAGO B1_ Barbir, Nicola Kazimir - 4G IN SPACE THIRD EYE OPENER B2_ Barbir, Nicola Kazimir - 1000EONS B3_ Barbir, Nicola Kazimir - ANGRYMARXISTINHELL C1_ Barbir, Nicola Kazimir - KEEEEEEGELDSPOOKY2 C2_ Barbir, Nicola Kazimir - x: x = x, = ( ), LA LUNE C3_ Barbir, Nicola Kazimir - NŒ VØĪD LËFT 716 D1_ Barbir, Nicola Kazimir - DRONES FOR VIRTUAL DJ SETS D2_ Barbir, Nicola Kazimir - 2 GIRLS AND ONE IDM BLEEP VOL.3 D3_ Barbir, Nicola Kazimir - HAPPYORGANICGLUTANTS D4_ Barbir, Nicola Kazimir - HANIFASTBRÜELLETAKAIALMOSTCRIED : (
Short info:
We eroded pre-existent structures constructing an open heterotopic space, a horizontal and vertical thinking found its way through physical- and cyberspace, Here, nothing manifested instantly - flippancy left space for any kind of interaction and appropriation. Within (or well beyond) economic pressure points which diluted production, this was our opportunity to try out different potentials with no restrictions to the public, while simultaneously scrutinising the general framework of institutions and human behaviours. Subversive potential always was variable, always asking, deconstructing and reconfiguring itself allowing new states of aggregation within diffuse interspaces and futures
More
Label:Intuitive Records
Cat-No:INT01G301LP
Release-Date:18.11.2022
Genre:Electronic
Configuration:LP Excl
Label:Intuitive Records
Cat-No:INT01G301LP
Release-Date:18.11.2022
Genre:Electronic
Configuration:LP Excl
Territory restrictions FR, BENELUX
Since his debut album "Transsiberian", Thylacine has developed a taste for composing through travel, an initiatory project that led him to compose during his journey on the Trans-Siberian Railway. A seminal album that allowed the young electro prodigy to make a name for himself on the electronic scene.
With the aim to combine music and image and to make us discover his world through travel, Thylacine has continued to climb the ladder and has racked up no less than 121 million streams. Whether it's "Anatolia", "Olatu", or "War Dance", Thylacine has made a name for himself by writing real hits.
Through "9 Pieces ", Thylacine wanted to pay tribute to some iconic tracks that are currently only released digitally and independently and to let us discover his new compositions, all of which are just as transporting and refreshing. His new opus "9 Pieces" will contain unreleased tracks from his latest travels and encounters, pieces to be assembled in order to reconstitute a puzzle and immerse oneself in the universe of Thylacine.
Like this object, each musical piece will find its place alongside his greatest hits. "9 Pieces" will be released the 21st of October on Intuitive Records.
A1. Polar
A2. Anatolia
A3. Duduk
A4. Olatu
B1. War Dance
B2. Pleyel
B3. Night Train
B4. Versailles
More
Since his debut album "Transsiberian", Thylacine has developed a taste for composing through travel, an initiatory project that led him to compose during his journey on the Trans-Siberian Railway. A seminal album that allowed the young electro prodigy to make a name for himself on the electronic scene.
With the aim to combine music and image and to make us discover his world through travel, Thylacine has continued to climb the ladder and has racked up no less than 121 million streams. Whether it's "Anatolia", "Olatu", or "War Dance", Thylacine has made a name for himself by writing real hits.
Through "9 Pieces ", Thylacine wanted to pay tribute to some iconic tracks that are currently only released digitally and independently and to let us discover his new compositions, all of which are just as transporting and refreshing. His new opus "9 Pieces" will contain unreleased tracks from his latest travels and encounters, pieces to be assembled in order to reconstitute a puzzle and immerse oneself in the universe of Thylacine.
Like this object, each musical piece will find its place alongside his greatest hits. "9 Pieces" will be released the 21st of October on Intuitive Records.
A1. Polar
A2. Anatolia
A3. Duduk
A4. Olatu
B1. War Dance
B2. Pleyel
B3. Night Train
B4. Versailles
More
1
Duval Timothy - A1. WhatsApp
2
Duval Timothy - A2. Whale
3
Duval Timothy - A3. Introvert
4
Duval Timothy - A4. Ball
5
Duval Timothy - A5. Language feat. Nicholas Mandolas
6
Duval Timothy - B1. No
7
Duval Timothy - B2. Wahala
8
Duval Timothy - B3. Nijo
9
Duval Timothy - B4. Dust
10
Duval Timothy - B5. Ibs
11
Duval Timothy - B6. Emmerson
Where We're Calling From
The Liminal Zone: Reflections on Duval Timothy’s Sen Am
Lamin Fofana
Sen Am is an enduring and tender album, rich and beguiling and generous in a quiet way. Over the last few years, I find myself returning to it, listening and absorbing, reflecting on the voices and working through the multiple layers of feelings and themes it announces with confidence and equanimity. Notions of care and contradiction, expressions of joy and desire and the underlying feeling of unease and turmoil; there is an urgent appeal to the listener for generosity, to strengthen our capacity to hear multiple voices simultaneously, to exist in multiple places at once.
Duval Timothy’s music was dropped into our world from another realm sometime in the spring of 2017. We received the call and we answered it. The rhythm and spirit was transmitted via London’s NTS Radio on the Do!! You!!! Breakfast Show with Charlie Bones and a short while later we were listening to the first vinyl edition of Sen Am in our living room in Berlin. The record got a lot of plays (at home and at some shows, before and after performances). It was like sunlight filtering through a cracked window and remaining there for a moment, dancing. Blue music emanating from a liminal zone, an in-between space, somewhere on the outskirts of Freetown, or rural Sierra Leone, or the outer edges of South London, or Bath, UK, or some undisclosed orbit, unfixed location. The music is soaked in diasporic experiences. It refuses to settle but still invites us to enter and stay awhile in that zone, where multiple forms exist (all) together with jazz, hip-hop, various strands of expressive electronics and experimental music all breathing together and moving around. It is a portal to a place of possibilities, a space for building and repairing possible and lost connections. But life in that liminal zone is precarious; it is life under duress; under pressure – not merely the pressure to produce a presentable, categorizable, and salable body of work, but the pressure that compels us to experiment and create new concepts and things that will help us imagine a different existence, a way out of the turbulence.
Freetown is a marvellous and sometimes sad place. It is one of those unmistakable locations inscribed diasporic memory; a place that touches you, a place that holds you and demands you bear witness: witness to pain, poverty, joy and desire. You remember the voices and the eyes of people even in momentary encounters. In Sen Am, you hear not only Duval’s recollections and sounds of Freetown, you hear family and friendship, people coming together and forming bonds, creating surrogate families. Forging community wherever you go is a practice, and community is at the core of this music. It’s in all the voices, from Emmerson and 6pac to Aminata and Aruna. It opens up a space for Black voices, for Sierra Leonean voices, and those voices extend through the succeeding projects, the 2 Sim EP and the album Help, and all that radiates from Duval’s Carrying Colour imprint.
Thank you for the invitation to write about the album Sen Am, on the occasion of its re-release which also coincides with the release of the exquisite double 7” Sm?l Sm?l with cktrl — a wonderful piece which calls on the listener to play both records at the same time to hear the music or play them separately and hear different versions. Duval is strengthening us, encouraging us to feel comfortable with discomfort, with incompleteness, with the hard-to-understand. This is a beautiful thing.
More
The Liminal Zone: Reflections on Duval Timothy’s Sen Am
Lamin Fofana
Sen Am is an enduring and tender album, rich and beguiling and generous in a quiet way. Over the last few years, I find myself returning to it, listening and absorbing, reflecting on the voices and working through the multiple layers of feelings and themes it announces with confidence and equanimity. Notions of care and contradiction, expressions of joy and desire and the underlying feeling of unease and turmoil; there is an urgent appeal to the listener for generosity, to strengthen our capacity to hear multiple voices simultaneously, to exist in multiple places at once.
Duval Timothy’s music was dropped into our world from another realm sometime in the spring of 2017. We received the call and we answered it. The rhythm and spirit was transmitted via London’s NTS Radio on the Do!! You!!! Breakfast Show with Charlie Bones and a short while later we were listening to the first vinyl edition of Sen Am in our living room in Berlin. The record got a lot of plays (at home and at some shows, before and after performances). It was like sunlight filtering through a cracked window and remaining there for a moment, dancing. Blue music emanating from a liminal zone, an in-between space, somewhere on the outskirts of Freetown, or rural Sierra Leone, or the outer edges of South London, or Bath, UK, or some undisclosed orbit, unfixed location. The music is soaked in diasporic experiences. It refuses to settle but still invites us to enter and stay awhile in that zone, where multiple forms exist (all) together with jazz, hip-hop, various strands of expressive electronics and experimental music all breathing together and moving around. It is a portal to a place of possibilities, a space for building and repairing possible and lost connections. But life in that liminal zone is precarious; it is life under duress; under pressure – not merely the pressure to produce a presentable, categorizable, and salable body of work, but the pressure that compels us to experiment and create new concepts and things that will help us imagine a different existence, a way out of the turbulence.
Freetown is a marvellous and sometimes sad place. It is one of those unmistakable locations inscribed diasporic memory; a place that touches you, a place that holds you and demands you bear witness: witness to pain, poverty, joy and desire. You remember the voices and the eyes of people even in momentary encounters. In Sen Am, you hear not only Duval’s recollections and sounds of Freetown, you hear family and friendship, people coming together and forming bonds, creating surrogate families. Forging community wherever you go is a practice, and community is at the core of this music. It’s in all the voices, from Emmerson and 6pac to Aminata and Aruna. It opens up a space for Black voices, for Sierra Leonean voices, and those voices extend through the succeeding projects, the 2 Sim EP and the album Help, and all that radiates from Duval’s Carrying Colour imprint.
Thank you for the invitation to write about the album Sen Am, on the occasion of its re-release which also coincides with the release of the exquisite double 7” Sm?l Sm?l with cktrl — a wonderful piece which calls on the listener to play both records at the same time to hear the music or play them separately and hear different versions. Duval is strengthening us, encouraging us to feel comfortable with discomfort, with incompleteness, with the hard-to-understand. This is a beautiful thing.
More