Label:É Soul Cultura
Cat-No:ESOUL12001
Release-Date:01.11.2024
Genre:House / Techno
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Genre:House / Techno
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Transmission Towers - Everything (Gone Crooked)
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Transmission Towers - My Shadow (Crooked Shade)
Taken from Crooked Man’s forthcoming, future-facing Transmission Towers remix album, Crooked Transmissions, two of the standout club cuts are given the punchy 12 inch pressing they deserve. Released on Luke Una’s É Soul Cultura label, in partnership with Mr Bongo, Crooked Man has remoulded, re-energised and completely reworked ‘Everything’ and ‘My Shadow’ from Transmission Towers’ critically acclaimed debut LP, Transmission One. The result is a double dose of transcendental, tripped-out productions utilising every ounce of Crooked Man’s experience and expertise.
A key figure in electronic dance music since the late ‘80s, Sheffield-born Crooked Man aka Richard Barratt released one of bleep techno’s defining records back in ‘89. Landing on Warp, it came under the alias Sweet Exorcist with the late great Richard H. Kirk. Since then, Barratt has put out a slew of exceptional productions under a variety of different monikers from Crooked Man and Parrot, to Earth Angel and Athletes of God. He has released on DFA, delivered countless remixes for Róisín Murphy and reimagined the likes of JIM and Joe Goddard.
For this release, Crooked Man first takes ‘Everything’ and contorts it from a post-punk guitar trip into a cybertronic, new beat heater, aptly titled ‘Everything (Gone Crooked)’. A percussive state of hypnosis leads the charge, building the tension for a rumbling kick drum and buzzing synth-line to twist their talons into your mind. Eleanor Mante’s vocals take on a new vivacity, feeling like your head has been sucked into a psychedelic swirl away from reality. Afrofuturist, arresting and perfectly equipped to electrify any waning dancefloor into action.
On the B side, ‘My Shadow (Crooked Shade)’ sees Crooked Man morph the original into a firestarter of galactic proportions. The crunched-up breakbeat drives the journey and flips what was once a hallucinatory machine soul number, into an intoxicating slice of club-focussed heat from another dimension. Spiralling pads and astral synths coil around Eleanor’s reverberating vocals, as your body is willed to move in a trancelike state of cosmic motion. -
Early support from: Optimo, Erol Alkan, Mr Scruff, Sean Johnston (ALFOS), Test Pressing, Lakuti and Paula Tape.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A key figure in electronic dance music since the late ‘80s, Sheffield-born Crooked Man aka Richard Barratt released one of bleep techno’s defining records back in ‘89. Landing on Warp, it came under the alias Sweet Exorcist with the late great Richard H. Kirk. Since then, Barratt has put out a slew of exceptional productions under a variety of different monikers from Crooked Man and Parrot, to Earth Angel and Athletes of God. He has released on DFA, delivered countless remixes for Róisín Murphy and reimagined the likes of JIM and Joe Goddard.
For this release, Crooked Man first takes ‘Everything’ and contorts it from a post-punk guitar trip into a cybertronic, new beat heater, aptly titled ‘Everything (Gone Crooked)’. A percussive state of hypnosis leads the charge, building the tension for a rumbling kick drum and buzzing synth-line to twist their talons into your mind. Eleanor Mante’s vocals take on a new vivacity, feeling like your head has been sucked into a psychedelic swirl away from reality. Afrofuturist, arresting and perfectly equipped to electrify any waning dancefloor into action.
On the B side, ‘My Shadow (Crooked Shade)’ sees Crooked Man morph the original into a firestarter of galactic proportions. The crunched-up breakbeat drives the journey and flips what was once a hallucinatory machine soul number, into an intoxicating slice of club-focussed heat from another dimension. Spiralling pads and astral synths coil around Eleanor’s reverberating vocals, as your body is willed to move in a trancelike state of cosmic motion. -
Early support from: Optimo, Erol Alkan, Mr Scruff, Sean Johnston (ALFOS), Test Pressing, Lakuti and Paula Tape.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Transmission Towers
Label:É Soul Cultura
Cat-No:ESOULLP01
Release-Date:10.05.2024
Configuration:LP
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1
Transmission Towers - Up
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2
Transmission Towers - Roller Skater 23
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3
Transmission Towers - Planetary Alignment
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Transmission Towers - Go Slow Heart
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Transmission Towers - Cosmic Trigger
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Transmission Towers - Mega
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Transmission Towers - Everything
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Transmission Towers - Sparse
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Transmission Towers - One
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Transmission Towers - Affirmation Of Love
Preview: https://www.youtube.com/watch?v=op0O2eD3iy8
Aerials live, dials tuned, Transmission Towers broadcasting. On either side of the river Mersey, transcendental communications are traded back and forth. Two late-night revellers, one firing messages filled with music, the other returning them laced with lyrics. The result, a dopamine hit of oddball machine soul, melded with a highlife, Afrofuturist touch. Wonky and murky yet deeply emotional, Transmission One, is a debut album that also marks the first release on Luke Una’s É Soul Cultura label, encompassing expertly the off-kilter atmosphere the label sets to orbit.
A synthesised landscape with a Northern charm, Transmission Towers marry the musical worlds of two artists that last collaborated over a decade ago. 10 years have passed, lives have been led, but a gravitational pull has placed Mark Kyriacou and Eleanor Mante back in each other’s spheres on opposite sides of the city of Liverpool. Energised with a newfound desire to strip it all back to the sounds that influenced their formative years in the late ‘80s and ‘90s - astral travelling, intoxicated on Motor City techno, Black Dog IDM and mystical Sun Ra.
Mark half Irish, half Greek Cypriot, Eleanor half Nigerian, half Ghanian, the music contained within is an alchemy of those roots and the pivotal acts that buried deep into their minds. A cosmic contrast, part machine-made, part distinctly human. Take the opener ‘UP’, an ESG-channelling, sci-fi punk beatdown or the polychromatic hyperspace anthem ‘Roller Skater 23’.
Transportive throughout, you ride the solar waves, pace and emotion ebbing and flowing. Tracks like ‘Go Slow Heart’ and ‘Cosmic Trigger’ step to a slower beat but hit with a punch. The former, a slo-mo blast of celestial tenderness, the latter an otherworldly, chugged-out lunar excursion, micro-dosing on whacked-out Wah Wah and Eleanor’s ethereal vocals. Beaming love letters to space and back, ‘Sparse’ marries the organic with the artificial, pianos and percussion circling around synth pads and broadcasting bleeps.
Elsewhere, vibrations move faster. ‘Mega’ strikes, fusing sonic tribalism with psychedelic swirls, as ‘Everything’ sweeps you up in its extra-terrestrial new wave grip. Synth stabs and basslines fizzing from every angle.
Demos of Transmission Towers music surfaced on Luke Una’s radar, making him stop in his tracks. Something magical was emerging, perfectly aligned with the E Soul guardian’s tastes. Guidance followed, quickly turning into conversations about Transmission One becoming the first release on Luke’s own label.
Escapist and futurist yet grounded and relatable. Transmission One is synthesis meets sentiment with a deep, spine-tingling soul at its core.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Aerials live, dials tuned, Transmission Towers broadcasting. On either side of the river Mersey, transcendental communications are traded back and forth. Two late-night revellers, one firing messages filled with music, the other returning them laced with lyrics. The result, a dopamine hit of oddball machine soul, melded with a highlife, Afrofuturist touch. Wonky and murky yet deeply emotional, Transmission One, is a debut album that also marks the first release on Luke Una’s É Soul Cultura label, encompassing expertly the off-kilter atmosphere the label sets to orbit.
A synthesised landscape with a Northern charm, Transmission Towers marry the musical worlds of two artists that last collaborated over a decade ago. 10 years have passed, lives have been led, but a gravitational pull has placed Mark Kyriacou and Eleanor Mante back in each other’s spheres on opposite sides of the city of Liverpool. Energised with a newfound desire to strip it all back to the sounds that influenced their formative years in the late ‘80s and ‘90s - astral travelling, intoxicated on Motor City techno, Black Dog IDM and mystical Sun Ra.
Mark half Irish, half Greek Cypriot, Eleanor half Nigerian, half Ghanian, the music contained within is an alchemy of those roots and the pivotal acts that buried deep into their minds. A cosmic contrast, part machine-made, part distinctly human. Take the opener ‘UP’, an ESG-channelling, sci-fi punk beatdown or the polychromatic hyperspace anthem ‘Roller Skater 23’.
Transportive throughout, you ride the solar waves, pace and emotion ebbing and flowing. Tracks like ‘Go Slow Heart’ and ‘Cosmic Trigger’ step to a slower beat but hit with a punch. The former, a slo-mo blast of celestial tenderness, the latter an otherworldly, chugged-out lunar excursion, micro-dosing on whacked-out Wah Wah and Eleanor’s ethereal vocals. Beaming love letters to space and back, ‘Sparse’ marries the organic with the artificial, pianos and percussion circling around synth pads and broadcasting bleeps.
Elsewhere, vibrations move faster. ‘Mega’ strikes, fusing sonic tribalism with psychedelic swirls, as ‘Everything’ sweeps you up in its extra-terrestrial new wave grip. Synth stabs and basslines fizzing from every angle.
Demos of Transmission Towers music surfaced on Luke Una’s radar, making him stop in his tracks. Something magical was emerging, perfectly aligned with the E Soul guardian’s tastes. Guidance followed, quickly turning into conversations about Transmission One becoming the first release on Luke’s own label.
Escapist and futurist yet grounded and relatable. Transmission One is synthesis meets sentiment with a deep, spine-tingling soul at its core.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from É Soul Cultura
Label:É Soul Cultura
Cat-No:ESOUL12003
Release-Date:09.05.2025
Configuration:12"
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1
Ella Andall - My Spirit Is Music (Luke Una's Machine Soul Tops Off Edit)
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Slick Mission - Times Up (Luke Una's 5am Shabeen Proto House Edit)
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Manu Dibango ft King Sunny Adé - Jingo (Luke Una's Dancing In Outer Space Edit)
Kicking off a new edit series on É Soul Cultura, head honcho Luke Una hands over the keys to three secret weapon edits of transcendental dancefloor tackle. Having spent a lifetime getting his hands dirty digging in crates, Luke’s collection of off-the-beaten-track gems is second to none. For this three-track É Soul edit release, Luke delivers a one-way ticket to the outer reaches of the universe soaking up sounds from Barbados, the UK and Cameroon along the way. Strap in for a triple threat of signature Luke Una edits reworking Ella Andall, Slick Mission and Manu Dibango for the modern dancefloor.
Up first, Luke twists and tweaks the Caribbean radiance of Ella Andall ‘My Spirit Is Music’, enriching this high-energy heater. Speaking about the track he said, “It’s a remarkable, ‘90s, swerve ball, machine soul, afrobeat groove from Barbados. Incredibly rare, but most importantly it’s a wonderful fusion of drum machine and this almost carnival-like feel to this afrobeat rhythm that just turns it into the outer cosmos.”
Following that, Luke gets suitably cosmic on the dub dials with his 5am Shabeen Proto House Edit of Slick Mission ‘Times Up’. Produced by Jerry Pike of Atmosfear / Elite Records fame, Luke recounts, “This is a very much missed slice of UK house pressure which has its foot firmly in a proto-house feel. Very DIY, rough and raw – it’s an absolute gem. This is one that has definitely escaped most eyes.”
Last but not least, it’s a stop in Cameroon shining a light on the legendary Manu Dibango and his cover of ‘Jingo’ featuring King Sunny Adé. “Their version of ‘Jingo’ takes the original classic into a whole new level of outer space, afro brilliance. It’s such a beautiful cover and really turns the track into something else. The musicianship and vibes just scream out. Oddly no one really seems to know it.”
Three certified winners from Luke’s underground arsenal, reworked, refined and ready to be deployed on any dancefloor when the feeling hits.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Up first, Luke twists and tweaks the Caribbean radiance of Ella Andall ‘My Spirit Is Music’, enriching this high-energy heater. Speaking about the track he said, “It’s a remarkable, ‘90s, swerve ball, machine soul, afrobeat groove from Barbados. Incredibly rare, but most importantly it’s a wonderful fusion of drum machine and this almost carnival-like feel to this afrobeat rhythm that just turns it into the outer cosmos.”
Following that, Luke gets suitably cosmic on the dub dials with his 5am Shabeen Proto House Edit of Slick Mission ‘Times Up’. Produced by Jerry Pike of Atmosfear / Elite Records fame, Luke recounts, “This is a very much missed slice of UK house pressure which has its foot firmly in a proto-house feel. Very DIY, rough and raw – it’s an absolute gem. This is one that has definitely escaped most eyes.”
Last but not least, it’s a stop in Cameroon shining a light on the legendary Manu Dibango and his cover of ‘Jingo’ featuring King Sunny Adé. “Their version of ‘Jingo’ takes the original classic into a whole new level of outer space, afro brilliance. It’s such a beautiful cover and really turns the track into something else. The musicianship and vibes just scream out. Oddly no one really seems to know it.”
Three certified winners from Luke’s underground arsenal, reworked, refined and ready to be deployed on any dancefloor when the feeling hits.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:É Soul Cultura
Cat-No:ESOUL12004
Release-Date:14.03.2025
Configuration:12"
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Mamacita Ft. Persona RS - Tu Amor (Your Love Spanish Version)
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Mamacita Ft. Persona RS - Tu Amor (Double Drop Luke É Soul Re-Edit)
When it comes to musical discovery, sometimes the stars just align. DJ and record collector, Steve KIW, put Mr Bongo onto this amazing Chilean cover version of Jamie Principle & Frankie Knuckles' all-time classic 'Your Love’. Despite being originally released 13 years ago, it had recently started to prick the ears of house and Balearic connoisseurs in the UK, further cemented by inclusions in the Idjut Boys epic sets. Steve heard them play it, tipped us off and it soon became a favourite at Mr Bongo HQ.
By pure chance when the Mr Bongo DJs joined Luke Una to play at La Paloma ballroom in Barcelona a few weeks later, Luke dropped this incredible interpretation at the peak of his set. A good friend of his, Michelle from Huddersfield, had also put him onto the track and he instantly fell in love. A serendipitous coming together, 'Tu Amor' seemed like the perfect next instalment in the É Soul Cultura discography.
The version in question was released in 2012 as part of a digital-only EP. It came courtesy of the Chilean DJ, producer and singer Mamacita (Carolina Vallejos) and producer Sebastian Roman, aka Persona RS. Meeting Sebastian while out partying in Santiago during a boom time for electronic music in Chile, their shared passion for making house music in Spanish and their admiration for Frankie Knuckles led to the creation of this raw and unique cover version.
Recorded on lo-fi equipment, including an old Windows laptop and a borrowed Neumann microphone, it nods to the DIY ethos of the early Chicago productions. The result is a stripped-back, quirky cosmic take on a stone-cold classic, full of squelching synthlines and Carolina’s stunning Spanish vocals, that became a club hit on Chile's underground circuit. However, aside from some Latin American and US DJs picking it up, it never got the international recognition it deserved.
Fast forward to 2025, and É Soul Cultura is proud to present the glorious 'Tu Amor' on vinyl for the first time, backed with a new, extended, club re-edit by É Soul Cultura captain Luke Una and Luke Solomon (Classic Music). On first hearing ‘Tu Amor’ Luke Una recalls, “There was a real charm to it, it was quite an unorthodox arrangement, a huge wonkiness and just sounded so DIY in a brilliant way. I was chatting to Luke (Solomon) about how much we loved it and we decided to re-edit it together. Accentuating the wonk of those crazy synths, we’ve extended it to make a fiercer underground club tool, without taking away that very charming cosmic feel”.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
By pure chance when the Mr Bongo DJs joined Luke Una to play at La Paloma ballroom in Barcelona a few weeks later, Luke dropped this incredible interpretation at the peak of his set. A good friend of his, Michelle from Huddersfield, had also put him onto the track and he instantly fell in love. A serendipitous coming together, 'Tu Amor' seemed like the perfect next instalment in the É Soul Cultura discography.
The version in question was released in 2012 as part of a digital-only EP. It came courtesy of the Chilean DJ, producer and singer Mamacita (Carolina Vallejos) and producer Sebastian Roman, aka Persona RS. Meeting Sebastian while out partying in Santiago during a boom time for electronic music in Chile, their shared passion for making house music in Spanish and their admiration for Frankie Knuckles led to the creation of this raw and unique cover version.
Recorded on lo-fi equipment, including an old Windows laptop and a borrowed Neumann microphone, it nods to the DIY ethos of the early Chicago productions. The result is a stripped-back, quirky cosmic take on a stone-cold classic, full of squelching synthlines and Carolina’s stunning Spanish vocals, that became a club hit on Chile's underground circuit. However, aside from some Latin American and US DJs picking it up, it never got the international recognition it deserved.
Fast forward to 2025, and É Soul Cultura is proud to present the glorious 'Tu Amor' on vinyl for the first time, backed with a new, extended, club re-edit by É Soul Cultura captain Luke Una and Luke Solomon (Classic Music). On first hearing ‘Tu Amor’ Luke Una recalls, “There was a real charm to it, it was quite an unorthodox arrangement, a huge wonkiness and just sounded so DIY in a brilliant way. I was chatting to Luke (Solomon) about how much we loved it and we decided to re-edit it together. Accentuating the wonk of those crazy synths, we’ve extended it to make a fiercer underground club tool, without taking away that very charming cosmic feel”.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:É Soul Cultura
Cat-No:ESOULLP01
Release-Date:10.05.2024
Configuration:LP
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Label:É Soul Cultura
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Release-Date:10.05.2024
Configuration:LP
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1
Transmission Towers - Up
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2
Transmission Towers - Roller Skater 23
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3
Transmission Towers - Planetary Alignment
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4
Transmission Towers - Go Slow Heart
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5
Transmission Towers - Cosmic Trigger
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Transmission Towers - Mega
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Transmission Towers - Everything
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Transmission Towers - Sparse
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9
Transmission Towers - One
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10
Transmission Towers - Affirmation Of Love
Preview: https://www.youtube.com/watch?v=op0O2eD3iy8
Aerials live, dials tuned, Transmission Towers broadcasting. On either side of the river Mersey, transcendental communications are traded back and forth. Two late-night revellers, one firing messages filled with music, the other returning them laced with lyrics. The result, a dopamine hit of oddball machine soul, melded with a highlife, Afrofuturist touch. Wonky and murky yet deeply emotional, Transmission One, is a debut album that also marks the first release on Luke Una’s É Soul Cultura label, encompassing expertly the off-kilter atmosphere the label sets to orbit.
A synthesised landscape with a Northern charm, Transmission Towers marry the musical worlds of two artists that last collaborated over a decade ago. 10 years have passed, lives have been led, but a gravitational pull has placed Mark Kyriacou and Eleanor Mante back in each other’s spheres on opposite sides of the city of Liverpool. Energised with a newfound desire to strip it all back to the sounds that influenced their formative years in the late ‘80s and ‘90s - astral travelling, intoxicated on Motor City techno, Black Dog IDM and mystical Sun Ra.
Mark half Irish, half Greek Cypriot, Eleanor half Nigerian, half Ghanian, the music contained within is an alchemy of those roots and the pivotal acts that buried deep into their minds. A cosmic contrast, part machine-made, part distinctly human. Take the opener ‘UP’, an ESG-channelling, sci-fi punk beatdown or the polychromatic hyperspace anthem ‘Roller Skater 23’.
Transportive throughout, you ride the solar waves, pace and emotion ebbing and flowing. Tracks like ‘Go Slow Heart’ and ‘Cosmic Trigger’ step to a slower beat but hit with a punch. The former, a slo-mo blast of celestial tenderness, the latter an otherworldly, chugged-out lunar excursion, micro-dosing on whacked-out Wah Wah and Eleanor’s ethereal vocals. Beaming love letters to space and back, ‘Sparse’ marries the organic with the artificial, pianos and percussion circling around synth pads and broadcasting bleeps.
Elsewhere, vibrations move faster. ‘Mega’ strikes, fusing sonic tribalism with psychedelic swirls, as ‘Everything’ sweeps you up in its extra-terrestrial new wave grip. Synth stabs and basslines fizzing from every angle.
Demos of Transmission Towers music surfaced on Luke Una’s radar, making him stop in his tracks. Something magical was emerging, perfectly aligned with the E Soul guardian’s tastes. Guidance followed, quickly turning into conversations about Transmission One becoming the first release on Luke’s own label.
Escapist and futurist yet grounded and relatable. Transmission One is synthesis meets sentiment with a deep, spine-tingling soul at its core.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Aerials live, dials tuned, Transmission Towers broadcasting. On either side of the river Mersey, transcendental communications are traded back and forth. Two late-night revellers, one firing messages filled with music, the other returning them laced with lyrics. The result, a dopamine hit of oddball machine soul, melded with a highlife, Afrofuturist touch. Wonky and murky yet deeply emotional, Transmission One, is a debut album that also marks the first release on Luke Una’s É Soul Cultura label, encompassing expertly the off-kilter atmosphere the label sets to orbit.
A synthesised landscape with a Northern charm, Transmission Towers marry the musical worlds of two artists that last collaborated over a decade ago. 10 years have passed, lives have been led, but a gravitational pull has placed Mark Kyriacou and Eleanor Mante back in each other’s spheres on opposite sides of the city of Liverpool. Energised with a newfound desire to strip it all back to the sounds that influenced their formative years in the late ‘80s and ‘90s - astral travelling, intoxicated on Motor City techno, Black Dog IDM and mystical Sun Ra.
Mark half Irish, half Greek Cypriot, Eleanor half Nigerian, half Ghanian, the music contained within is an alchemy of those roots and the pivotal acts that buried deep into their minds. A cosmic contrast, part machine-made, part distinctly human. Take the opener ‘UP’, an ESG-channelling, sci-fi punk beatdown or the polychromatic hyperspace anthem ‘Roller Skater 23’.
Transportive throughout, you ride the solar waves, pace and emotion ebbing and flowing. Tracks like ‘Go Slow Heart’ and ‘Cosmic Trigger’ step to a slower beat but hit with a punch. The former, a slo-mo blast of celestial tenderness, the latter an otherworldly, chugged-out lunar excursion, micro-dosing on whacked-out Wah Wah and Eleanor’s ethereal vocals. Beaming love letters to space and back, ‘Sparse’ marries the organic with the artificial, pianos and percussion circling around synth pads and broadcasting bleeps.
Elsewhere, vibrations move faster. ‘Mega’ strikes, fusing sonic tribalism with psychedelic swirls, as ‘Everything’ sweeps you up in its extra-terrestrial new wave grip. Synth stabs and basslines fizzing from every angle.
Demos of Transmission Towers music surfaced on Luke Una’s radar, making him stop in his tracks. Something magical was emerging, perfectly aligned with the E Soul guardian’s tastes. Guidance followed, quickly turning into conversations about Transmission One becoming the first release on Luke’s own label.
Escapist and futurist yet grounded and relatable. Transmission One is synthesis meets sentiment with a deep, spine-tingling soul at its core.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:É Soul Cultura
Cat-No:ESOUL12004
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Label:É Soul Cultura
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1
Mamacita Ft. Persona RS - Tu Amor (Your Love Spanish Version)
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Play all
2
Mamacita Ft. Persona RS - Tu Amor (Double Drop Luke É Soul Re-Edit)
When it comes to musical discovery, sometimes the stars just align. DJ and record collector, Steve KIW, put Mr Bongo onto this amazing Chilean cover version of Jamie Principle & Frankie Knuckles' all-time classic 'Your Love’. Despite being originally released 13 years ago, it had recently started to prick the ears of house and Balearic connoisseurs in the UK, further cemented by inclusions in the Idjut Boys epic sets. Steve heard them play it, tipped us off and it soon became a favourite at Mr Bongo HQ.
By pure chance when the Mr Bongo DJs joined Luke Una to play at La Paloma ballroom in Barcelona a few weeks later, Luke dropped this incredible interpretation at the peak of his set. A good friend of his, Michelle from Huddersfield, had also put him onto the track and he instantly fell in love. A serendipitous coming together, 'Tu Amor' seemed like the perfect next instalment in the É Soul Cultura discography.
The version in question was released in 2012 as part of a digital-only EP. It came courtesy of the Chilean DJ, producer and singer Mamacita (Carolina Vallejos) and producer Sebastian Roman, aka Persona RS. Meeting Sebastian while out partying in Santiago during a boom time for electronic music in Chile, their shared passion for making house music in Spanish and their admiration for Frankie Knuckles led to the creation of this raw and unique cover version.
Recorded on lo-fi equipment, including an old Windows laptop and a borrowed Neumann microphone, it nods to the DIY ethos of the early Chicago productions. The result is a stripped-back, quirky cosmic take on a stone-cold classic, full of squelching synthlines and Carolina’s stunning Spanish vocals, that became a club hit on Chile's underground circuit. However, aside from some Latin American and US DJs picking it up, it never got the international recognition it deserved.
Fast forward to 2025, and É Soul Cultura is proud to present the glorious 'Tu Amor' on vinyl for the first time, backed with a new, extended, club re-edit by É Soul Cultura captain Luke Una and Luke Solomon (Classic Music). On first hearing ‘Tu Amor’ Luke Una recalls, “There was a real charm to it, it was quite an unorthodox arrangement, a huge wonkiness and just sounded so DIY in a brilliant way. I was chatting to Luke (Solomon) about how much we loved it and we decided to re-edit it together. Accentuating the wonk of those crazy synths, we’ve extended it to make a fiercer underground club tool, without taking away that very charming cosmic feel”.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
By pure chance when the Mr Bongo DJs joined Luke Una to play at La Paloma ballroom in Barcelona a few weeks later, Luke dropped this incredible interpretation at the peak of his set. A good friend of his, Michelle from Huddersfield, had also put him onto the track and he instantly fell in love. A serendipitous coming together, 'Tu Amor' seemed like the perfect next instalment in the É Soul Cultura discography.
The version in question was released in 2012 as part of a digital-only EP. It came courtesy of the Chilean DJ, producer and singer Mamacita (Carolina Vallejos) and producer Sebastian Roman, aka Persona RS. Meeting Sebastian while out partying in Santiago during a boom time for electronic music in Chile, their shared passion for making house music in Spanish and their admiration for Frankie Knuckles led to the creation of this raw and unique cover version.
Recorded on lo-fi equipment, including an old Windows laptop and a borrowed Neumann microphone, it nods to the DIY ethos of the early Chicago productions. The result is a stripped-back, quirky cosmic take on a stone-cold classic, full of squelching synthlines and Carolina’s stunning Spanish vocals, that became a club hit on Chile's underground circuit. However, aside from some Latin American and US DJs picking it up, it never got the international recognition it deserved.
Fast forward to 2025, and É Soul Cultura is proud to present the glorious 'Tu Amor' on vinyl for the first time, backed with a new, extended, club re-edit by É Soul Cultura captain Luke Una and Luke Solomon (Classic Music). On first hearing ‘Tu Amor’ Luke Una recalls, “There was a real charm to it, it was quite an unorthodox arrangement, a huge wonkiness and just sounded so DIY in a brilliant way. I was chatting to Luke (Solomon) about how much we loved it and we decided to re-edit it together. Accentuating the wonk of those crazy synths, we’ve extended it to make a fiercer underground club tool, without taking away that very charming cosmic feel”.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Time Capsule
Cat-No:TIME021
Release-Date:01.11.2024
Genre:Soul/Funk
Configuration:LP
Barcode:748322322256
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Label:Time Capsule
Cat-No:TIME021
Release-Date:01.11.2024
Genre:Soul/Funk
Configuration:LP
Barcode:748322322256
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1
Teresa Noda - Tropical Love
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Yusui Inoue - Anata Wo Rikai
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Juicy Fruit - Oshiete Ageru
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Yuki Nakayamate - 3-Trois
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Risa Minami - Jamacian Blue
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Kay Ishiguro - Red Drip
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Tomoko Aran - Kanashiki Vaudevillian
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Teresa Noda - Yellow Moon
Diving deeper into the story of Japanese reggae pop, Tokyo Riddim Vol. 2 explores an electronic, new wave and often experimental sound unlike anything Japan or Jamaica had ever heard before.
The first time Ryuichi Sakamoto left Japan, he did not go to the United States or Europe - he went to Jamaica. It was 1978, YMO were about to release their debut album, but Sakamoto was in Kingston, invited to play synths for Japanese idol singer Teresa Noda at Dynamic Sound Studios in a band alongside Neville Hinds and none other than Rita Marley. It’s not a story many know, but one which would spark Sakamoto’s fascination with dub and mark a new chapter in the ongoing Japanese love affair with reggae.
The Teresa Noda tracks they cut - ‘Tropical Love’ and ‘Yellow Moon’ - bookend this second volume of Time Capsule’s Tokyo Riddim compilation, which tells the wider story of how a fascination with Jamrock swept Japan, adding a dash of lime to that sweet city pop sound, embracing a globalised musical palette and creating a whole new genre in the process.
For some, like Sakamoto, a diversion into reggae was part of broader fascination with new sounds and styles, tipped into the global disco of homage and appropriation that made Japanese music of the late ‘70s and early ‘80s some of the most creative and undefinable in the world.
You had iconic shape-shifter Yosui Inoue, who toyed with reggae, afro-beat and electro-Balearic, (and whose For Life Records released several tracks on this comp), and Kay Ishiguro, who enlisted J-reggae originator Pecker on the ambitious Stevie Wonder-esque ‘Red Drip’.
Then there were the Compass Point devotees - producers and musicians alike who were enthralled by the sound of the Bahamas studio and drew on the detached cool of Grace Jones - as heard in the music of Juicy Fruits, and the disco noir of Casablanca-signed femme fatale Yuki Nakayamate. Sometimes, as was the case with Risa Minami, the J-reggae influence said more about Japan than it did about Jamaica.
But where Tokyo Riddim Vol. 1 focused on the city pop sound, this compilation goes further, digging out the more experimental collaborations and hybrids exemplified by Tomoko Aran, who in working with Yusuaki Shimizu and Mariah emphasised just how far reggae had travelled to be recast into something entirely new on the other side of the world.
Perhaps more than anything, in connecting the dots between Tokyo and Kingston, between Jamaica and Japan, the Japanese reggae was building a musical language that existed outside of the paradigms of US and European cultural hegemony - an encounter shaped by commerce, capital and creativity that is now being recognised more broadly for the first time.
Compiled by Kay Suzuki
Artwork by Noncheleee
Liner notes by Anton Spice, Kay Suzuki & Ayana Honma
Coordinated by Ken Hidaka & Kay Suzuki
Mastered by Mike Hillier at Metropolis Studios, London, UK
Time Capsule | TIME021 | 1979-1986 -> 2024
UPC: 748322322256
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The first time Ryuichi Sakamoto left Japan, he did not go to the United States or Europe - he went to Jamaica. It was 1978, YMO were about to release their debut album, but Sakamoto was in Kingston, invited to play synths for Japanese idol singer Teresa Noda at Dynamic Sound Studios in a band alongside Neville Hinds and none other than Rita Marley. It’s not a story many know, but one which would spark Sakamoto’s fascination with dub and mark a new chapter in the ongoing Japanese love affair with reggae.
The Teresa Noda tracks they cut - ‘Tropical Love’ and ‘Yellow Moon’ - bookend this second volume of Time Capsule’s Tokyo Riddim compilation, which tells the wider story of how a fascination with Jamrock swept Japan, adding a dash of lime to that sweet city pop sound, embracing a globalised musical palette and creating a whole new genre in the process.
For some, like Sakamoto, a diversion into reggae was part of broader fascination with new sounds and styles, tipped into the global disco of homage and appropriation that made Japanese music of the late ‘70s and early ‘80s some of the most creative and undefinable in the world.
You had iconic shape-shifter Yosui Inoue, who toyed with reggae, afro-beat and electro-Balearic, (and whose For Life Records released several tracks on this comp), and Kay Ishiguro, who enlisted J-reggae originator Pecker on the ambitious Stevie Wonder-esque ‘Red Drip’.
Then there were the Compass Point devotees - producers and musicians alike who were enthralled by the sound of the Bahamas studio and drew on the detached cool of Grace Jones - as heard in the music of Juicy Fruits, and the disco noir of Casablanca-signed femme fatale Yuki Nakayamate. Sometimes, as was the case with Risa Minami, the J-reggae influence said more about Japan than it did about Jamaica.
But where Tokyo Riddim Vol. 1 focused on the city pop sound, this compilation goes further, digging out the more experimental collaborations and hybrids exemplified by Tomoko Aran, who in working with Yusuaki Shimizu and Mariah emphasised just how far reggae had travelled to be recast into something entirely new on the other side of the world.
Perhaps more than anything, in connecting the dots between Tokyo and Kingston, between Jamaica and Japan, the Japanese reggae was building a musical language that existed outside of the paradigms of US and European cultural hegemony - an encounter shaped by commerce, capital and creativity that is now being recognised more broadly for the first time.
Compiled by Kay Suzuki
Artwork by Noncheleee
Liner notes by Anton Spice, Kay Suzuki & Ayana Honma
Coordinated by Ken Hidaka & Kay Suzuki
Mastered by Mike Hillier at Metropolis Studios, London, UK
Time Capsule | TIME021 | 1979-1986 -> 2024
UPC: 748322322256
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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7" Excl
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Label:Too Slow To Disco
Cat-No:TSTDEDITS017
Release-Date:29.11.2024
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1
Monsieur Van Pratt - No Te Perdereì
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Monsieur Van Pratt - Believe
We here at TSTD are longtime fans of Mexican producer/musician MONSIEUR VAN PRATT. So it’s a great pleasure to finally work with the man. For this 7 inch he delivers two tracks:
Side A is a slow disco edit of a super rare Mexican late 70s cover version of Bobby Caldwell’s classic love song “What You Won’t Do for Love”.
Side B takes us into the church of Black Soul, a slow Gospel Soul track for your sunset disco beach bar dj sets.
Monsieur Van Pratt, founder of Super Spicy Records, is a prominent producer and DJ originally from Mexico City, whose influence on electronic music is widely recognized both nationally and internationally. With an impressive career that includes more than 100 releases in digital format.
Side A No Te Perdereì
Side B Believe
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Side A is a slow disco edit of a super rare Mexican late 70s cover version of Bobby Caldwell’s classic love song “What You Won’t Do for Love”.
Side B takes us into the church of Black Soul, a slow Gospel Soul track for your sunset disco beach bar dj sets.
Monsieur Van Pratt, founder of Super Spicy Records, is a prominent producer and DJ originally from Mexico City, whose influence on electronic music is widely recognized both nationally and internationally. With an impressive career that includes more than 100 releases in digital format.
Side A No Te Perdereì
Side B Believe
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Label:Ilian Tape
Cat-No:IT067
Release-Date:08.11.2024
Genre:Techno
Configuration:12"
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Label:Ilian Tape
Cat-No:IT067
Release-Date:08.11.2024
Genre:Techno
Configuration:12"
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1
Shed - EMCZ
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Shed - TLSQ
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Shed - UFO2
Distinctive Merciless Grinning Killers
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:The Outer Edge
Cat-No:TAC-010
Release-Date:14.10.2022
Configuration:LP Excl
Barcode:4251804139441
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Label:The Outer Edge
Cat-No:TAC-010
Release-Date:14.10.2022
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1
Upstairs - Wontcha Try
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Upstairs - You're Just Yourself
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Upstairs - It's Hard To Get In The Showbiz
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Upstairs - Happy Hooker
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Upstairs - Make Your Steps On Better Lines
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Upstairs - Time To Get Up
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Upstairs - Get On A Plane
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Upstairs - She's Back Again
Upstairs, a band from Frankfurt, Germany was active from 1977 to 1983. Though considering themselves mainly a rock group, the band incorporated elements of funk, jazz rock and disco into their music. On their rare and privately released debut album "It's Hard To Get In The Showbiz" from 1980 they created something that could be called Germany's definite answer to AOR, yet still with an edgy and unique krautrock flavor.
The album starts with "Wontcha Try," a track where core songwriter, guitarist and lead singer Helmer Sauer is telling the story about being dismissed from his job: "They tried to tell me in a fucking gentle way, that the time had come to kick me…". Sauer serves more personal, hard-edged lyrics on the album as well. On "Happy Hooker," for example, he tells the story of a working girl in the red light milieu: "The job is as hard that you really can never imagine, she serves for the money, degradin' herself in a way - if you'd know how she's feelin' you wouldn't laugh at all". An empathetic view on the subject of prostitution rarely heard at that time.
But aside from the profound lyrics and songwriting, the album has a lot to offer on the groovy side of things. With catchy bass lines, rhythm guitar, Fender Rhodes, Moog synthesizer, Clavinet and swift crisp drumming "It's Hard To Get In The Showbiz" is one of the best examples of late 70s flavored funky rock from Germany. Additional to the aforementioned "Wontcha Try" another DJ delight should be "Make Your Steps On Better Lines" which showcases a superb synth line and disco funk flavors. We also get the slick mellow latinesque AOR grooves of "Get On A Plane" as well as the now-classic "You're Just Yourself", which marks the most soulful track of the LP. As followers of our label are already well aware, "You're Just Yourself" was featured on the compilation, "Boogie On The Mainline - A Collection Of Rare Disco, Funk And Boogie From Germany 1980-1987" from 2018.
The band mainly performed locally and never really had ambitions to release their music on a bigger label. Too bad that Upstairs only released this one album. Of course, the highly sought-after original pressing is almost impossible to find nowadays. Therefore, we are proud to finally make this record available again after 40 years for a reasonable, regular LP price. Only 300 copies of the carefully re-mastered repress have been produced, and included is a printed lyrics insert identical to the original.
TRACKLISTS:
A1 Wontcha Try 3:18
A2 You're Just Yourself 4:13
A3 It's Hard To Get In The Showbiz 4:19
A4 Happy Hooker 3:36
B1 Make Your Steps On Better Lines 4:33
B2 Time To Get Up 3:05
B3 Get On A Plane 4:54
B4 She's Back Again 3:39
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The album starts with "Wontcha Try," a track where core songwriter, guitarist and lead singer Helmer Sauer is telling the story about being dismissed from his job: "They tried to tell me in a fucking gentle way, that the time had come to kick me…". Sauer serves more personal, hard-edged lyrics on the album as well. On "Happy Hooker," for example, he tells the story of a working girl in the red light milieu: "The job is as hard that you really can never imagine, she serves for the money, degradin' herself in a way - if you'd know how she's feelin' you wouldn't laugh at all". An empathetic view on the subject of prostitution rarely heard at that time.
But aside from the profound lyrics and songwriting, the album has a lot to offer on the groovy side of things. With catchy bass lines, rhythm guitar, Fender Rhodes, Moog synthesizer, Clavinet and swift crisp drumming "It's Hard To Get In The Showbiz" is one of the best examples of late 70s flavored funky rock from Germany. Additional to the aforementioned "Wontcha Try" another DJ delight should be "Make Your Steps On Better Lines" which showcases a superb synth line and disco funk flavors. We also get the slick mellow latinesque AOR grooves of "Get On A Plane" as well as the now-classic "You're Just Yourself", which marks the most soulful track of the LP. As followers of our label are already well aware, "You're Just Yourself" was featured on the compilation, "Boogie On The Mainline - A Collection Of Rare Disco, Funk And Boogie From Germany 1980-1987" from 2018.
The band mainly performed locally and never really had ambitions to release their music on a bigger label. Too bad that Upstairs only released this one album. Of course, the highly sought-after original pressing is almost impossible to find nowadays. Therefore, we are proud to finally make this record available again after 40 years for a reasonable, regular LP price. Only 300 copies of the carefully re-mastered repress have been produced, and included is a printed lyrics insert identical to the original.
TRACKLISTS:
A1 Wontcha Try 3:18
A2 You're Just Yourself 4:13
A3 It's Hard To Get In The Showbiz 4:19
A4 Happy Hooker 3:36
B1 Make Your Steps On Better Lines 4:33
B2 Time To Get Up 3:05
B3 Get On A Plane 4:54
B4 She's Back Again 3:39
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Analogical Force
Cat-No:AF059
Release-Date:11.11.2024
Genre:Electro
Configuration:12"
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Label:Analogical Force
Cat-No:AF059
Release-Date:11.11.2024
Genre:Electro
Configuration:12"
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1
MOY - A1 Binary System
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MOY - A2 Supermassive
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MOY - B1 Cyg X 1
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MOY - B2 Hypernova
It's a pleasure to see MOY back on AF. Sure, Jonny doesn't invent anything, but everything he does sounds incredible and his tracks have the ability to grab you and never let go. He seems to say: "I know what you're here for". The particular way he executes hyperactive beats, acid basslines and melodies, makes the material very emotive and timeless, walking his influences around and elevating the machine's rhythms to new emotional levels. Jonny Moy always delivers, in fact, the brilliantly titled 'Supermassive EP' is not just a title but a statement of intent. These four tracks will stick in your head for a long time, for the club, nightdriving or home. What are you waiting for? Go on!
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DE - 22113 Hamburg
Germany
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Label:Dubwax
Cat-No:DUBWAX009
Release-Date:15.11.2024
Genre:Techno
Configuration:12"
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1
Stoerung - Tuatapere
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Stoerung - Taupo
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Stoerung - Bluff
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Stoerung - Ohangai
RAWAX welcomes STOERUNG aka Alex Bau to the artist Family!
We are very happy to present you Alex under his new moniker with this deep dub monster!
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We are very happy to present you Alex under his new moniker with this deep dub monster!
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2LP Excl
in stock
Label:Glossy Mistakes
Cat-No:GLOSSY016
Release-Date:26.09.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4250101464881
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Last in:30.10.2024
Label:Glossy Mistakes
Cat-No:GLOSSY016
Release-Date:26.09.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4250101464881
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1
various - Atlantic Mavericks - A1. Fé de Sábio - Crepúsculo
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various - Atlantic Mavericks - A2. Nuno Rebelo - Vê-Se Das Nuvens
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various - Atlantic Mavericks - A3. Vítor Rúa - T
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various - Atlantic Mavericks - A4. Tó Neto - Daly
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various - Atlantic Mavericks - B1. Luis Cilia - Saxofonía
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various - Atlantic Mavericks - B2. SPQR - Flow
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various - Atlantic Mavericks - B3. Telectu - Untitled
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various - Atlantic Mavericks - B4. Pilar - Voz do Mar
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various - Atlantic Mavericks - Carlos María Trindade - Em Campo Aberto
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various - Atlantic Mavericks - C2 Balladium - Andrómeda
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various - Atlantic Mavericks - C3 Ban - Irreal Social
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12
various - Atlantic Mavericks - D1 Pop Dell'Arte - Querelle
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13
various - Atlantic Mavericks - D2 Santa Maria Gasolina Em Teu Ventre - Optical Sunday Without William Burroughs
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various - Atlantic Mavericks - D3 Croix Sainte - We Build Citie
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various - Atlantic Mavericks - D4 Linha Geral - Hino À Nossa Luta
2LP
- First compilation diving deep into the Portuguese experimental scene from 80-90s on a double LP special edition
- Iconic figures such as Telectu, Luís Cilia, Nuno Rebelo or Carlos Maria Trindade are featured on the compilation
- Previously unreleased material on vinyl
- Extensive liner notes on a serigraph artwork and hype sticker
2. GENRE/S: Experimental, Ambient, New Wave, Indie Rock, Abstract
3. TRACKLIST:
Side A:
1 Fé de Sábio - Crepúsculo
2 Nuno Rebelo - Vê-Se Das Nuvens
3 Vítor Rúa - T
4 Tó Neto - Daly
Side B:
B1 Luis Cilia - Saxofonía
B2 SPQR - Flow
B3 Telectu - Untitled
B4 Pilar - Voz do Mar
Side C:
C1 Carlos María Trindade - Em Campo Aberto
C2 Balladium - Andrómeda
C3 Ban - Irreal Social
Side D:
D1 Pop Dell'Arte - Querelle
D2 Santa Maria Gasolina Em Teu Ventre - Optical Sunday Without William Burroughs
D3 Croix Sainte - We Build Cities
D4 Linha Geral - Hino À Nossa Luta
4. SHORT INFO:
Unveiling an unheard scene: Glossy Mistakes presents "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993"
Glossy Mistakes is proud to announce the upcoming release of "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993," a groundbreaking double LP compilation that offers a unique glimpse into the vibrant landscape of Portuguese experimental music. Set to launch on June 10th, this monumental release showcases the evolution and innovation of the Portuguese music scene during a transformative decade marked by political upheaval and artistic experimentation.
Compiled by Glossy Mario and featuring liner notes by Rui Miguel Abreu, "Atlantic Mavericks" captures the essence of a generation of artists who dared to challenge conventions and push the boundaries of what was possible in music.
The compilation stands as a testament to the eclecticism of the Portuguese music scene during this period, featuring a diverse range of genres and styles. From ambient and new age to electro, rock, and synth-pop, "Atlantic Mavericks" offers something for every listener, inviting them to explore the rich tapestry of sounds that defined the era.
The 1980s in Portugal were a time of profound transformation, marked by the aftermath of a peaceful revolution and a burgeoning desire for artistic expression. As the country emerged from political turbulence, a new generation of musicians began to explore uncharted territories, paving the way for a wave of experimentation and innovation.
From the emergence of artists like Rui Veloso and bands like UHF, who ushered in a new era of Portuguese rock, to the founding of independent record labels like Fundação Atlântica and Ama Romanta, the 1980s saw a surge in creativity and a desire for independence within the music industry.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" offers a comprehensive overview of this dynamic period, featuring tracks that span the spectrum of experimental music. Each song tells a story of artistic evolution and creative risk-taking, reflecting the diverse influences and eclectic tastes of the Portuguese music scene during this transformative decade.
Spanning from 1982 to 1993, the compilation includes contributions from a wide range of artists, including SPQR, Croix Sainte, Linha Geral, Balladium, Ban, Santa Maria, Gasolina Em Teu Ventre!, Fé de Sábio, and Telectu, among others. With each track carefully curated to showcase the breadth and depth of Portuguese experimental music, "Atlantic Mavericks" promises to be a must-have for music enthusiasts and adventurous listeners alike.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" will be available on June 10th as a double LP release, offering listeners a chance to immerse themselves in the sonic landscapes of 1980s Portugal. Whether experienced on vinyl or through digital channels, this monumental compilation is sure to leave a lasting impression on all who encounter it.
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- First compilation diving deep into the Portuguese experimental scene from 80-90s on a double LP special edition
- Iconic figures such as Telectu, Luís Cilia, Nuno Rebelo or Carlos Maria Trindade are featured on the compilation
- Previously unreleased material on vinyl
- Extensive liner notes on a serigraph artwork and hype sticker
2. GENRE/S: Experimental, Ambient, New Wave, Indie Rock, Abstract
3. TRACKLIST:
Side A:
1 Fé de Sábio - Crepúsculo
2 Nuno Rebelo - Vê-Se Das Nuvens
3 Vítor Rúa - T
4 Tó Neto - Daly
Side B:
B1 Luis Cilia - Saxofonía
B2 SPQR - Flow
B3 Telectu - Untitled
B4 Pilar - Voz do Mar
Side C:
C1 Carlos María Trindade - Em Campo Aberto
C2 Balladium - Andrómeda
C3 Ban - Irreal Social
Side D:
D1 Pop Dell'Arte - Querelle
D2 Santa Maria Gasolina Em Teu Ventre - Optical Sunday Without William Burroughs
D3 Croix Sainte - We Build Cities
D4 Linha Geral - Hino À Nossa Luta
4. SHORT INFO:
Unveiling an unheard scene: Glossy Mistakes presents "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993"
Glossy Mistakes is proud to announce the upcoming release of "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993," a groundbreaking double LP compilation that offers a unique glimpse into the vibrant landscape of Portuguese experimental music. Set to launch on June 10th, this monumental release showcases the evolution and innovation of the Portuguese music scene during a transformative decade marked by political upheaval and artistic experimentation.
Compiled by Glossy Mario and featuring liner notes by Rui Miguel Abreu, "Atlantic Mavericks" captures the essence of a generation of artists who dared to challenge conventions and push the boundaries of what was possible in music.
The compilation stands as a testament to the eclecticism of the Portuguese music scene during this period, featuring a diverse range of genres and styles. From ambient and new age to electro, rock, and synth-pop, "Atlantic Mavericks" offers something for every listener, inviting them to explore the rich tapestry of sounds that defined the era.
The 1980s in Portugal were a time of profound transformation, marked by the aftermath of a peaceful revolution and a burgeoning desire for artistic expression. As the country emerged from political turbulence, a new generation of musicians began to explore uncharted territories, paving the way for a wave of experimentation and innovation.
From the emergence of artists like Rui Veloso and bands like UHF, who ushered in a new era of Portuguese rock, to the founding of independent record labels like Fundação Atlântica and Ama Romanta, the 1980s saw a surge in creativity and a desire for independence within the music industry.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" offers a comprehensive overview of this dynamic period, featuring tracks that span the spectrum of experimental music. Each song tells a story of artistic evolution and creative risk-taking, reflecting the diverse influences and eclectic tastes of the Portuguese music scene during this transformative decade.
Spanning from 1982 to 1993, the compilation includes contributions from a wide range of artists, including SPQR, Croix Sainte, Linha Geral, Balladium, Ban, Santa Maria, Gasolina Em Teu Ventre!, Fé de Sábio, and Telectu, among others. With each track carefully curated to showcase the breadth and depth of Portuguese experimental music, "Atlantic Mavericks" promises to be a must-have for music enthusiasts and adventurous listeners alike.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" will be available on June 10th as a double LP release, offering listeners a chance to immerse themselves in the sonic landscapes of 1980s Portugal. Whether experienced on vinyl or through digital channels, this monumental compilation is sure to leave a lasting impression on all who encounter it.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:Uppers and Downers
Cat-No:uppr002
Release-Date:15.11.2024
Genre:Techno
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1
Dr. Rubinstein - Extacid (Dave N.A. Remix)
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2
Dr. Rubinstein - Rubi's Acid Spa (Yazzus' Jacuzzi Remix)
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3
Dr. Rubinstein - Extacid (Blind Observatory's Mitsubishi Mix)
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4
Dr. Rubinstein - Ravey Intro 2 (DJ MELL G Remix)
Tracklisting
A1 Dr. Rubinstein - Extacid (Dave N.A. Remix)
A2 Dr. Rubinstein - Rubi's Acid Spa (Yazzus' Jacuzzi Remix)
B1 Dr. Rubinstein - Extacid (Blind Observatory's Mitsubishi Mix)
B2 Dr. Rubinstein - Ravey Intro 2 (DJ MELL G Remix)
Sales Note
Following the success of her debut EP Rubi's Acid Spa, Dr. Rubinstein is back with Rubi's Acid Spa: The Remixes, a carefully curated remix EP featuring an exciting line up of producers who each add their unique flair to Rubi's originals, expanding the sonic universe of the Uppers and Downers label. Featuring a jungle rave anthem by Dave N.A., a playful Detroit-influenced remix by Yazzus, a euphoric sunrise festival banger by Blind Observatory, and an electro-flecked techno roller by DJ MELL G, there's something here for every raver out there.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Dr. Rubinstein - Extacid (Dave N.A. Remix)
A2 Dr. Rubinstein - Rubi's Acid Spa (Yazzus' Jacuzzi Remix)
B1 Dr. Rubinstein - Extacid (Blind Observatory's Mitsubishi Mix)
B2 Dr. Rubinstein - Ravey Intro 2 (DJ MELL G Remix)
Sales Note
Following the success of her debut EP Rubi's Acid Spa, Dr. Rubinstein is back with Rubi's Acid Spa: The Remixes, a carefully curated remix EP featuring an exciting line up of producers who each add their unique flair to Rubi's originals, expanding the sonic universe of the Uppers and Downers label. Featuring a jungle rave anthem by Dave N.A., a playful Detroit-influenced remix by Yazzus, a euphoric sunrise festival banger by Blind Observatory, and an electro-flecked techno roller by DJ MELL G, there's something here for every raver out there.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Pampa
Cat-No:PAMPA042
Release-Date:06.12.2024
Genre:Electronic, Electronica
Configuration:7" Excl
Barcode:4251804183246
in stock
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Label:Pampa
Cat-No:PAMPA042
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Genre:Electronic, Electronica
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1
DJ Koze - A. Wie schön du bist (feat. arnim & The Düsseldorf Düsterboys)
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DJ Koze - AA. Amor (feat. César Lacerda)
7"
DJ Koze - Wie schön du bist EP
Two sides, one message - love in its purest form, captured at 45 RPM
A. Wie schön du bist (feat. arnim & The Düsseldorf Düsterboys)
AA. Amor (feat. César Lacerda)
A
DJ Koze, Arnim Teutoburg-Weiß aka arnim, and the Düsseldorf Düsterboys enchant with a touching homage to Holger Biege - one of the legendary architects of East German soul. DJ Koze once again proves his unparalleled sense for the extraordinary. Around the line "Du hast erzählt, gelacht / Mir gezeigt, wie schön du bist" from Holger Biege's 1978 song "Bleib doch", Koze weaves a small masterpiece, infused equally with nostalgic depth and futuristic elements.
Arnim Teutoburg-Weiß aka arnim (frontman of the iconic Beatsteaks) opens our hearts with his heavenly radiant voice. With full sincerity - pure and straightforward - he sings the love declaration of a lifetime.
Floating on a cloud, the Düsseldorf Düsterboys sprinkle lyrical stardust with their brilliant harmonies - fluffy and bizarre at the same time. It feels as if this cosmic quartet boarded a time machine and returned to the present to plant the essence of days gone by into today's matrix.
"Wie schön du bist" is not just a tribute to Holger Biege's work, but a loving bow to his entire musical legacy. It is an anthem to the timeless magic of music and the enduring power of love that connects us all.
Koze, arnim and the Düsterboys have created something truly unique here: a gem-a homage, a time travel, and a love letter all in one. Music can indeed be something magical.
AA
"Amor," a dandelion of a song, was created in collaboration with Brazilian singer César Lacerda. It is an acoustic love letter in its purest form-warm, crackling, and everlasting.
On September 13, the two original Amiga albums "Wenn der Abend kommt" and "Circulus" by Holger Biege were re-released as a double album and are available here
https://konsum.buschfunk.com
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
DJ Koze - Wie schön du bist EP
Two sides, one message - love in its purest form, captured at 45 RPM
A. Wie schön du bist (feat. arnim & The Düsseldorf Düsterboys)
AA. Amor (feat. César Lacerda)
A
DJ Koze, Arnim Teutoburg-Weiß aka arnim, and the Düsseldorf Düsterboys enchant with a touching homage to Holger Biege - one of the legendary architects of East German soul. DJ Koze once again proves his unparalleled sense for the extraordinary. Around the line "Du hast erzählt, gelacht / Mir gezeigt, wie schön du bist" from Holger Biege's 1978 song "Bleib doch", Koze weaves a small masterpiece, infused equally with nostalgic depth and futuristic elements.
Arnim Teutoburg-Weiß aka arnim (frontman of the iconic Beatsteaks) opens our hearts with his heavenly radiant voice. With full sincerity - pure and straightforward - he sings the love declaration of a lifetime.
Floating on a cloud, the Düsseldorf Düsterboys sprinkle lyrical stardust with their brilliant harmonies - fluffy and bizarre at the same time. It feels as if this cosmic quartet boarded a time machine and returned to the present to plant the essence of days gone by into today's matrix.
"Wie schön du bist" is not just a tribute to Holger Biege's work, but a loving bow to his entire musical legacy. It is an anthem to the timeless magic of music and the enduring power of love that connects us all.
Koze, arnim and the Düsterboys have created something truly unique here: a gem-a homage, a time travel, and a love letter all in one. Music can indeed be something magical.
AA
"Amor," a dandelion of a song, was created in collaboration with Brazilian singer César Lacerda. It is an acoustic love letter in its purest form-warm, crackling, and everlasting.
On September 13, the two original Amiga albums "Wenn der Abend kommt" and "Circulus" by Holger Biege were re-released as a double album and are available here
https://konsum.buschfunk.com
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
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Label:Poker Flat
Cat-No:pfrwax010
Release-Date:27.09.2019
Genre:House
Configuration:12" Excl
Barcode:4250382438984
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Genre:House
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1
Defaultman & Sapurra - Paperman
2
Defaultman & Sapurra - Groove Tutorial
3
Defaultman & Sapurra - Lessons Cost
vinyl only – colored splattered green & yellow vinyl in clear PVC bag
Tracklist 12":
A. Paperman
B1. Groove Tutorial
B2. Lessons Cost
Dreamteam pairing of Defaultman and Sapurra collaborate on this highly impressive 3 tracker for Poker Flat Wax. The two have collaborated frequently before, and with this vinyl only release, the juices are really flowing. 'Paperman' kicks things off - a slinky mid-tempo groover with an edge. The tight drums keep the rhythm ticking over while dub fx and a thick bassline add the drama and suspense. On the flip comes 'Groove Tutorial' - as fair a name as any when the programming is this good. The beat shuffles and chugs along, always staying fresh and interesting, while a minimal layer of other instrumentation adds depth. 'Lessons Cost' rounds off the EP, a full jazzy-house excursion that showcases the producers’ wide ranging talents and ear for rhythmic excellence.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist 12":
A. Paperman
B1. Groove Tutorial
B2. Lessons Cost
Dreamteam pairing of Defaultman and Sapurra collaborate on this highly impressive 3 tracker for Poker Flat Wax. The two have collaborated frequently before, and with this vinyl only release, the juices are really flowing. 'Paperman' kicks things off - a slinky mid-tempo groover with an edge. The tight drums keep the rhythm ticking over while dub fx and a thick bassline add the drama and suspense. On the flip comes 'Groove Tutorial' - as fair a name as any when the programming is this good. The beat shuffles and chugs along, always staying fresh and interesting, while a minimal layer of other instrumentation adds depth. 'Lessons Cost' rounds off the EP, a full jazzy-house excursion that showcases the producers’ wide ranging talents and ear for rhythmic excellence.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
in stock
Label:Readymade International
Cat-No:RMLP-0003
Release-Date:07.03.2025
Configuration:12" Excl
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Label:Readymade International
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1
Various - A1 Konishi Yasuharu*– The Spellbinder
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2
Various - A2 Konishi Yasuharu*– Floral Street Scene
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3
Various - B Sunaga T Experience– Istonichcoff-Variation
EP- Warehouse find /Original Year 2002 Pressing Mint and NOS Copies
by this label ditsributed by teh Long goen Japanese Companies Cisco and DMR (Dance Music Records)
WORLD IS WAITING FOR US
A collection of 3 split 12” vinyls from Japan’s most interesting artists!
Tracklist:
A1 Konishi Yasuharu*– The Spellbinder
A2 Konishi Yasuharu*– Floral Street Scene
B Sunaga T Experience– Istonichcoff-Variation
KONISHI yasuharu
Band leader, songwriter, arranger and producer of the now disbanded Pizzicato Five (1985-
2001). Although having 2 successful world tours and 5 international albums under his belt,
with fans ranging from London’s Karminsky Experience to Karl Lagerfeld, many of his
fans know him as a DJ, spinning in Tokyo’s hotspots such as Shibuya’s ‘Organ Bar’. He tours
regularly throughout Japan and abroad. In the Jackson 5 Remix Album, his remix ‘I want
you back (readymade 524 mix)’ received an extraordinary amount of national radio play.
The remix album itself has scored healthy rankings in major record stores. In 1998, his own
project ‘Punch the Monkey!’ (in which he remixes the theme tune of a popular Japanese
cartoon series ‘Lupin the Third’) sold over 700,000 records, and this, some say, began
Japan’s remix rush. His achievements truly invaded the mainstream when in 2000, he
produced the No.1 single ‘Oha-Rock’ which became a social phenomenon in itself. Most
recently, he set up his own record label, ‘readymade international inc.’ from he which
he plans to release new exciting solo works.
His talents also embrace film and photography and he is well known as a director in
promotional videos, shows and advertisements. T-shirts and original goods which Konishi
personally designed are sold in select shops such as BEAMS of Shibuya.
He is also a writer having regular columns in various magazines, and has also written several
books. A collection of his essays have been published under the title ‘Kore wa koi de wa
nai’ (’This is not love’)
SUNAGA tatsuo (sunaga t'experience)
DJ and Music Producer. Basing his activities around his own club ‘Shibuya Organ Bar’, holds
regular club nights throughout Japan. Apart from his own mix CDs such as the ‘Organ b.
SUITE’ which many say is in a class of its own, has produced remixes for the ‘Soul Source
2: Jackson 5 Remix’ and Yasuharu Konishi’s ‘Punch the Monkey’. He began his own label
‘AFTERS OR’ in 1998,acting both as artist and producer. Releasing records under the alias
of ‘Sunaga t experience’ on avex/cutting edge records, the ‘It’s you’ 12 inch made record
sales of 7,000 records, an incredibly large number in the vinyl market. His name is known
in Europe through such labels as IRMA and SCHEMA records, and has remained in the
forefront of the industry since the beginning of the Tokyo club scene.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
by this label ditsributed by teh Long goen Japanese Companies Cisco and DMR (Dance Music Records)
WORLD IS WAITING FOR US
A collection of 3 split 12” vinyls from Japan’s most interesting artists!
Tracklist:
A1 Konishi Yasuharu*– The Spellbinder
A2 Konishi Yasuharu*– Floral Street Scene
B Sunaga T Experience– Istonichcoff-Variation
KONISHI yasuharu
Band leader, songwriter, arranger and producer of the now disbanded Pizzicato Five (1985-
2001). Although having 2 successful world tours and 5 international albums under his belt,
with fans ranging from London’s Karminsky Experience to Karl Lagerfeld, many of his
fans know him as a DJ, spinning in Tokyo’s hotspots such as Shibuya’s ‘Organ Bar’. He tours
regularly throughout Japan and abroad. In the Jackson 5 Remix Album, his remix ‘I want
you back (readymade 524 mix)’ received an extraordinary amount of national radio play.
The remix album itself has scored healthy rankings in major record stores. In 1998, his own
project ‘Punch the Monkey!’ (in which he remixes the theme tune of a popular Japanese
cartoon series ‘Lupin the Third’) sold over 700,000 records, and this, some say, began
Japan’s remix rush. His achievements truly invaded the mainstream when in 2000, he
produced the No.1 single ‘Oha-Rock’ which became a social phenomenon in itself. Most
recently, he set up his own record label, ‘readymade international inc.’ from he which
he plans to release new exciting solo works.
His talents also embrace film and photography and he is well known as a director in
promotional videos, shows and advertisements. T-shirts and original goods which Konishi
personally designed are sold in select shops such as BEAMS of Shibuya.
He is also a writer having regular columns in various magazines, and has also written several
books. A collection of his essays have been published under the title ‘Kore wa koi de wa
nai’ (’This is not love’)
SUNAGA tatsuo (sunaga t'experience)
DJ and Music Producer. Basing his activities around his own club ‘Shibuya Organ Bar’, holds
regular club nights throughout Japan. Apart from his own mix CDs such as the ‘Organ b.
SUITE’ which many say is in a class of its own, has produced remixes for the ‘Soul Source
2: Jackson 5 Remix’ and Yasuharu Konishi’s ‘Punch the Monkey’. He began his own label
‘AFTERS OR’ in 1998,acting both as artist and producer. Releasing records under the alias
of ‘Sunaga t experience’ on avex/cutting edge records, the ‘It’s you’ 12 inch made record
sales of 7,000 records, an incredibly large number in the vinyl market. His name is known
in Europe through such labels as IRMA and SCHEMA records, and has remained in the
forefront of the industry since the beginning of the Tokyo club scene.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore