The already legendary italian imprint with a new release

TRACKLIST
A1: Umberto Edit
B1: Fuckthegovernment Riviera Mix

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Limited Pressing - 180gr VINYL ONLY, 300 copies NO REPRESS!!!
Tracks list:
A1 (I 'VE SEEN ) LOVE FROM TOKYO
[ Boo's UnderWorld Remix ]
B1 (I 'VE SEEN ) LOVE FROM TOKYO
[ Fuckthegovernment long version mix + tools ]
THEN....FUCKTHEGOVERNMENT!

Fuckthegovernment.Ltd is a label and is artist duo ran by F.T.G (Alfredo Trastulli) and Music Box head honcho, Marco Riff, two Italians with a deep love of analogue-inspired house music and chicago sound. The label’s latest once more arrives at us from the label owners, who combine witH aplomb on the quite expertly named
“(I’ve Seen) Love From Tokyo”. For the first time ever, Fuckthegovernment.Ltd call on
a remixer to give the package an extra sheen. In a move that’s befitting of the standing
for which the label is held, the guys have only gone and nabbed Chi-town legend Boo
Williams for remix duties. A killer DJ tool that takes the listener on a proverbial
journey of sound, his effort – not a million miles away from classic Williams
productions a la “Mortal Trance” – is sure to win plaudits from discerning house jocks
aplenty.
The original is an Intricate and deep number that’s laced with clever cowbells, warm
pads and a sporadic vocal that really brings the heat. With such adept producers
on show, it’s perhaps no surprise that Fuckthegovernment’s latest serves up a
masterclass in beautiful house music.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Territory: World excl. US

Tracklist
A. Melbourne Bolero
B. Madhouse Dub Feat Kristian Harborg


Info Text:
In 2019 we released the Discodrums 12'' on our own newfound The Night Land Records. With its screen-printed cover and limited edition it was a tribute to a format and culture dear to our hearts: Vinyl. Our intention was to keep releasing records in this style, with songs already mixed, mastered and ready to fly. Had we known it would take three years to get the next EPs out we would probably have reconsidered everything. Series of strange incidents, accidents and negligence made us think this project was cursed but the music felt too important to us to let it go. We kept working to get it out and now we finally arrive with two ”new” EPs: Melbourne Bolero and Bosco/Bosca. This is classic Talaboman; Chuggy, hypnotic, dub flavoured Latin-Scando house music, released on vinyl with beautiful screen-printed covers designed by DR.ME in Manchester. Three years too late but a hundred years too soon? Dance is timeless, thanks for listening.




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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 Chant des Oiseaux (Feat. BeBelle)
A2 Skelp Tune
B1 Cop Show
B2 Henri Rousseau (Feat. BeBelle)

Release Info:

Stepping up for his fourth release on Heist, we’ve got sample wizard Nebraska coming in with some lovely chops and a giant curveball of an
a-side that has summer anthem written all over it. Curious? Dive into this massive 4 track EP by the London native who keeps on bringing the goods.

The Chant des Oiseaux EP is built around a collaboration between Nebraska and BeBelle. Anyone who’s picked up Nebraska’s 2021 release on his own Friends & Relations label will have already heard a glimpse of what happens when these 2 get into the studio. They have a mutual love for French vocals and we can’t blame them; everything BeBelle says, whispers and chants just sounds syrupy sweet.

This might be most evident on the title track of this single, where modulated Rhodes chords, distant chirping and fluttering of birds and a minimal beat form the foundation for BeBelle’s mesmerizing vocal. The dreamy and contemplative vibe of this track makes you long for those endless days of summer. We’re not sure if it’s a 70’s summer we’re longing back for, or 2022’s summer to look forward to, but with music like this, it doesn’t really matter, does it?

If you were still hovering mid-air on the vibe of the A1, ‘Skelp Tune’ – the second A track – will take you back to the ground and straight into the club. Skelp tune is a Detroit inspired house track (Nebraska sent us a ‘note to self’ saying ‘you are not Moodymann’ along with the first demo of this one). He doesn’t have to be; this track has all the clever sampling and disco energy of a classic Nebraska track, nicely tucked into one hell of a groove.

The flip starts with ‘Cop Show’: A no frills disco house track with a life affirming string section, guitar licks all over and a bottom end to freak out your neighbour’s neighbours.

We round up the EP with another collaboration with BeBelle, with the track ‘Henri Rousseau’. The track is built on a groove that almost gallops along, with strings, outer-worldly vocals and howling soundscapes that turn this track into a covert disco burner on the more experimental side of house music.

On the Chant des Oiseaux EP, Nebraska effortlessly shows off his impressive sampling skills, electronic fiddling, and powerful drum programming, reminding us that he’s not lost an inch of talent over the years and manages to surprise us with his music. Knowing him, this is simply because he’s simply exploring new ways to keep surprising himself.

Yours sincerely,

Maarten & Lars




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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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File Under: City Pop / Daydream Dub

Growing Bin say sayonara to summer with these bittersweet Balearic gems from Japan's Nuback. Emotional pop and daydream dub to make you feel younger than yesterday.

While the Discogs hipsters hastily hunt down the last, lost street soul OGs, Growing Bin choose instead to indulge in a little Nuback swing. Enlisting the talents of Tokyo's Dai Nakamura, Hamburg's home for sensitive sounds provide a much needed vinyl release for the misty-eyed 'When The Party Is Over' and 'Heartbeat Summer'.

Largely operating through his own Too Young Records, Nuback trades in textured soul, sympathetic synthesis and forlorn funk - a master at making you move while breaking your heart. Back in 2013, he waved 'Goodbye To Summer, Again', giving a digital release to these two tracks, which lurked a little low for the radar until Dai and Basso met somewhere beyond the algorithm, soon bringing this release to bloom.

Opening with a fanfare of featherlight pads and full bodied bass, 'When The Party Is Over' is pure sonic seduction, holding both Balearic boogie and City Pop in a tender embrace. Delicate guitar and sparkling sequences tug the heartstrings with nostalgic beauty, and Dai's smooth vocals are made to make you swoon. Emotional pop at its finest folks.

On the B-side, 'Heartbeat Summer' drops the tempo and soaks up the sun, losing its cares in a haze of loved up dub. As soulful keys sink into spring reverb and steam kettle synths ride a rolling bassline, this downbeat delight lays back in the long grass, making shapes from the clouds and sipping a cool koshu. For summer lovers everywhere;
A facemask ruins a first kiss, so start your romance right with Nuback.
Patrick Ryder

Tracklist:

A When The Party Is Over 4:25
B Heartbeat Summer 3:18


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[2x12”]

GENRE/S: Minimal, Electronic, Ambient, Downtempo

TRACKLISTS:
1_Body Of Lies 2_Scapegoat Principle 3_Forth Density 4_The Banality Of Evil
5_Talking to Nature Spirits 6_Resurrection — Total playing time: 50:04

SHORT INFO:
Samuel Rohrer - drums, percussion, electronics, keys, modular synths
Music produced, recorded and mixed by Samuel Rohrer
Samuel Rohrer’s newest solo album, Codes of Nature, shows the artist making yet more refinements and
additions to an already rich catalog of musical ideas. Though he has excelled in collaborative projects with Ambiq,
Ricardo Villalobos, Max Loderbauer, Tobias Freund, Dark Star Safari, Nils Petter Molvaer, Oren Ambarchi and
many others, it is fascinating to experience him also working in a field completely his own, yet managing to still give
the impression of being fully integrated or connected with a larger musical universe.
A strange, intriguing ambiguity between the specific and the universal is indeed what makes Rohrer’s music
worth playing on a loop – the cool, downtempo, yet energized constructions on Codes are powered by subtle
atmospheric and tonal changes, and work like a camouflage adaptable to any environment.
This is a record whose strength derives from its versatility. It’s clear that this versatility of sounds has been
inspired by a commitment to positive differentiation that is not just a musical one, and that’s where this work will
inspire others in turn.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More