2024 Repress!

Heavy zouk 12", doublesider! Both tracks taken from Daniel Dimbas' 1985 ''La Diferencia" album. Palms Trax & Antal on edit duties.. TIP!

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First ever 12” edition of Ahmad Albar’s spacey 1981 Indonesian disco rarity, including an additional extended edit. Produced by Fariz RM. Tip!

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2 tracks taken from the "Sweetie" LP by South-African group, The Headquarters. Originally released in 1977 and very hard to come by in it's original form. The album tracks are loudly pressed on one side each in it's original length.
"Real solid deep disco for the heads!"

Mastered by The Carvery.

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Two edits of tracks taken from Patience Africa's rare 'Let's Groove Tonight' LP. On the A-side Antal extends 'Isilingo Sendoda' with one cut - it's so nice but just too short. On the B-side Bonnefooi works his edit skills on ''Let's Groove Tonight'', changing the song structure to his liking. South African nuggets from 1980, Officially licensed via Gallo and now available again in edited form on a expertly remastered 12''

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WAS - Word and Sound Medien GmbH
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Kamazu's certified floorbanger gets the dope edit treatment from veteran producer, Dimitri from Paris. On the flipside you'll find the kwaito gem 'Mjukeit' taken from Kamazu's 1997 CD.

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WOLF Music welcome Toronto Hustle & Sean Roman to the label with their The Symington Avenue EP for the 77th release on the label. Having previously released of Freerange, the Canadians don’t disappoint with two killer original tracks.

Certified legend, Kai Alce steps up to remix Not Now, Not Ever and it’s just as good as you’d imagine it to be!

Abacus a regular on both Prescription and Guidance Recordings labels in the mid-90’s adds his midas touch to Could This Be, with a tasteful edit to round off the EP.

Real House fans rejoice!

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CD 1 - 'House Odyssey' Mix

CD 2 - 'Rhythmic Resonance' Mix

CD 3 - 'Into the Low-End' Mix

CD 4 - 'On The Way Home' Mix

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Time to Play is pleased to introduce the fifth chapter of its catalog, titled Midnight Love, created by the young Japanese talent DJ Dreamboy. The main track, which shares its name with the EP, serves as a true manifesto of Japanese deep house: minimal, intense, balanced, and dreamy. It’s no coincidence that this track was chosen by Brazilian producer Zopelar for a tough and driving remix.
The B-side opens with “Vibe,” which starts with a minute of suspended ambience before unleashing a burst of kicks and acid arpeggios that ignite a contagious euphoria. “Dream Town” follows in a similar vein, maintaining a softer profile akin to Midnight Love. The EP closes with “My House Style,” a high-speed journey through nocturnal Tokyo, featuring deep basslines, dreamy atmospheres, a relentless rhythm, and an irresistible desire for the experience to never end.

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After a short hiatus LNTG is back with Vol 4 of his Soul Cut series, adding his magic touch to 3 classic cuts. A must have!

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Mona Lee aka Lissa Callens and WPH label man Red D go a long way back. Red D always knew it was a matter of time before Mona Lee would come up with some music he could not refuse. A gig together and the first notes of ‘The Reason’ and that was that.

Classic house that would make Kerri Chandler proud is the order of the title track. A bright piano melody, a good vocal hook and rough and ready beats in a crisp production that will shake up any dancefloor. Red D himself delivers a dub that focuses on the hooks and makes them shine even more on top of a killer funky bass line. For good U.S. house measure Atlanta’s finest Stefan Ringer steps up to deliver his trademark dusty twist on things. As a bonus you get ‘Spaces & Places’, a delicate organic deep house beauty with Mona Lee scatting ever so subtly to make you go out of your home and out of your head.

It’s house, it’s good and it will make you dance and sing.

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Our favourite Colombian of all time is by far Felipe Gordon. His individual (and jazzy) take on house music and beyond has given him a big following within the underground dance community. We reached out to Felipe and asked him if he wanted to do a release on GAMM with only one request..."do whatever you want".

The music we got sent back is a beautiful four-track EP that delivers all aspects of Felipe Gordon's unique take on dance music.

The main track 'Self Love' is a warm and intimate jazz excursion that also plays around with some quirky electronic ideas...feel good with a twist. The second jam 'The Punk Automata' got a more bumpy and driving rhythm and has a slightly stronger club play appeal.
On the third track 'Your Feelings' we go darker with a proper late-hours deep house jam...proper!
On the final track, Felipe teams up with Bob The Egoist (great name) for a deep and musical vocal jam entitled 'Please Don't Go'.

Don't forget about the amazing artwork supplied by our favourite Scotsman, Mr Al Kent. This man truly has the magic feel when it comes to creating authentic vinyl designs.

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The EP is a natural evolution of Siragusa’s sound, one that continues to command respect across the underground scene. Known for his ability to channel a range of UK rave influences while remaining firmly forward-thinking, Siragusa’s work is consistently pushing the boundaries of what modern house music can achieve. In support of the release, Siragusa will be returning to fabric with Enzo Siragusa Invites, where he’ll take control of the decks alongside a curated selection of top-tier talent. The event is set to be a fitting celebration of the new EP and promises to be an essential date in the London clubbing calendar. The Odyssey EP will be available on all platforms via fabric Originals on Novmber 1st, cementing Enzo Siragusa's long-standing relationship with one of the most iconic institutions in dance music.

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MJ getting the krewcial remix treatment. Mixed from the original multi-tracks, with love and respect for the original. Side A sets off with an alternate version of 'Get On The Floor', completely built on the various afrobeat inspired elements within the original multitracks. The result is a hard hitting and intense +7 minutes dancefloor workout. 'Baby' takes us from Off The Wall to Thriller, with classic 80’s MJ on one of his more underrated midtempo tunes, updated for today’s dancefloor.

On the Flip Krewcial presents a 9 minute never-ending version of 'Get On The Floor', true to the spirit of the album version. Limited Vinyl Only Release

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Established in 2016, Little Giant Records is the Brooklyn-born label founded by Anna Cavazos that specializes in the kind of deep house sounds that belong in the dark and sweaty basements of underground clubs. Anna is a DJ, producer, and vocalist who has played out across the globe for over 15 years mixing and blending the deep house sounds of Chicago, New York, and Berlin. . Her discography includes original compositions, remixes, and collaborations with the likes of Satoshi Tomiie and Eli Escobar.

The EP kicks off with the original of ‘Love Interlude’ - melancholic and piano-heavy with an ultra-deep baseline embellished with warm pads and soulful drums. Anna’s soulful vocal floats above the melody creating an emotional and moving interlude. Next up Matthias Vogt delivers a deep-house masterpiece adding extra keys, drum accents, and a well-placed baseline that is weaved neatly into the vocal hook while Vogt delivers the warm, jazz-flecked vibrations he is well known for.

Up next Rick Wade weighs in with some ever so classy house laced with flashes from the Motor City of Detroit. Warm electro piano, glowing synths, and vocal parts contrast with the deep sub baseline. Closing out this EP Rissa Garcia draws heavily on her New York house inspirations. Organ riffs and a funk-inspired bass line lead the charge dropping in and out between vocal harmonies and subtle synth work. Percussive accents bring it all home making this closing cut one dancefloor destroying, peak-time bomb.

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Kerri Chandler joins forces with Nae (SA) for new single ‘Caged Bird’, accompanied by remixes from the widely beloved Atjazz, and Moplen.

Leading the release is the ‘Full Vocal Media Mix’ of ‘Caged Bird’, which sees Kerri Chandler lay down emotive piano melodies, organic drums and atmospheric strings alongside soulful vocal stylings from South Africa’s Nae.

Up next is Italy’s Moplen, producer for the likes of G.A.M.M. and Lumberjacks In Hell delivers his twist on ‘Caged Bird’, shifting gears into more classic house realms, infusing drifting keys, weighty lowend tones and heavily swung drums and violin melodies with the original’s smooth house aesthetic.

On the flip side is the first ‘Atjazz Remix’ of ‘Caged Bird’, a nine minute cinematic excursion from the British composer, embracing the soulful fragments of the original and twisting them into a slow burning, subtly evolving nine minutes delicately detailed with sweeping echoes, reversed reverberations, crisp percussion and choppy stab sequences. An ‘Atjazz Remix Instrumental’ follows, as the name would suggest stripping away the vocals.

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Rush release! Modern funksters SILVER SKYLARKS get the remix treatment with deep house remixes from Chicago's RON TRENT and Atlanta's KAI ALCE of "MOVE YA". Afro flavored and funky AF. On the B-side DOLFIN RECORDS head BEN HIXON drops swingin' house remixes of "C'EST GOODNIGHT" and "JUST CAN'T GET IT RIGHT"

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Almost exactly 30 years ago in 1994 Jamie Odell released his Loxodrome EP on legendary London label Jumpin & Pumpin, a release that has since gone onto receive a lot of love and attention and got reissued by Craigie Knowes sub label Wormhole Wisdom back in 2020. Fast forward three decades and Jamie aka Jimpster has decided to dust off his Loxodrome cap, and now we’re happy to present you with the fruits of his studio sessions in the form of The Drop Out EP.

The title track treads a much darker, more minimal path than we’re used to hearing on his Jimpster or Franc Spangler releases. Aimed fairly and squarely at the dance floor, Drop Out goes heavy on squelching, modular synth sequences which build around a stripped back jacking drum groove. Jamie’s trusty Juno 106 gets dusted off to provide the chunky bassline and ominous pads which are interjected with a trippy vocal sample and white noise fills.

Emberfall follows in fine style with saturated 808 drums and 303 acid line taking centre stage. Overall, an optimistic and uplifting atmosphere emits from the speakers, heightened by the Juno string chords, taking inspiration from classic 90’s Italian Dream House.

Flipping over we have a dub version of Emberfall which loses the pads and stabs in favour of dub delays and extra snare fills for a more impactful and minimal acidic club workout.

Closing out the EP things get lush as Jamie heads into deep, late night electro territory on Fornax A. Memories of Black dog and B12 are channeled through the layers of filtering synths and glitchy breakbeats and are inspired by his production approach and Atari ST running C-Lab Creator and Akai S900 - the tools at his disposal when producing his debut Loxodrome EP all those years ago.

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