1
Byrne & Barnes Robert Byrne - Love You Out Of My Mind
2
Byrne & Barnes Robert Byrne - Do You Wanna Make Some Love (Unreleased)
8 years after the official reissue of the LP “An Eye For An Eye” by Byrne & Barnes, Favorite Recordings proudly presents this new single release.
The 7inch first includes the classic “Love You Out Of Your Mind”, extracted from the WestCoast classic LP, which was a one-stop collaboration between Robert Byrne and Brendan Barnes, however both display incredible music career and went on to produce for famous artists such as Pointer Sisters, Patti Austin, Earth Wind & Fire, or Phil Collins to name just a few. The song parades all the elements of the AOR style: a jazzy sometimes fusion approach, with modern soul and groove flavors.
The other side features an exclusive and unreleased track by Robert Byrne, dug by the original executive producer up in his archives for our great pleasure. “Do You Wanna Make Some Love” is also nurtured with Westcoast and AOR vibes, while leering to Boogie and Disco influences. We have no doubt it will delight all the Byrne & Barnes music lovers and many more.
A - Love You Out Of My Mind
B - Do You Wanna Make Some Love (Unreleased) More
The 7inch first includes the classic “Love You Out Of Your Mind”, extracted from the WestCoast classic LP, which was a one-stop collaboration between Robert Byrne and Brendan Barnes, however both display incredible music career and went on to produce for famous artists such as Pointer Sisters, Patti Austin, Earth Wind & Fire, or Phil Collins to name just a few. The song parades all the elements of the AOR style: a jazzy sometimes fusion approach, with modern soul and groove flavors.
The other side features an exclusive and unreleased track by Robert Byrne, dug by the original executive producer up in his archives for our great pleasure. “Do You Wanna Make Some Love” is also nurtured with Westcoast and AOR vibes, while leering to Boogie and Disco influences. We have no doubt it will delight all the Byrne & Barnes music lovers and many more.
A - Love You Out Of My Mind
B - Do You Wanna Make Some Love (Unreleased) More
More records from Favorite Recordings
1
Jeff Silna - It's Always Something Wit
2
Jonathon Hansen - What Its Meant To Me
3
Jonathon Hansen Jeff Silna - What Its Meant To Me
Favorite Recordings proudly presents this new 7inch single release, filled with 2 beautiful tracks previously compiled on the famous and now almost sold-out, AOR Global Sounds series.
First comes “What Its Meant to Me” by Jonathon Hansen. Self-produced and self-released in 1978 by Jonathon, this is another perfect recipe of AOR soulful style. Jonathon Hansen told us a bit about its story: “’What Its' Meant To Me’ was a song I wrote about the breakup of a band. As with a lot of my songs, I always write them to be about more than one thing. Primarily relationships. The song was recorded in Costa Mesa, CA at Sunwood Sound Studios. It was recorded with fellow bandmates and other musician friends.”
Another top track from the series comes next, with “It’s Always Something With You” by Jeff Silna. Originally only released on a promotional radio compilation, it was reissued by Favorite Recordings in 2017 on the 3rd edition of the AOR Global Sounds series and is still now in high demand. Here again Jeff Silna reminds: “This track was recorded at TK Studios, credited with the inception of disco music and pumping out what were considered the first Disco hits. TK created what’s known as the Miami sound. I was fortunate to work with some amazing musicians like guitarist Sheldon Stauber and players from the U of M Jazz Band, which was tops in the country at the time. My influences were funk and soul bands like Earth Wind & Fire and Average White Band.”
A Jonathon Hansen - What Its Meant To Me
B Jeff Silna - It's Always Something Wit More
First comes “What Its Meant to Me” by Jonathon Hansen. Self-produced and self-released in 1978 by Jonathon, this is another perfect recipe of AOR soulful style. Jonathon Hansen told us a bit about its story: “’What Its' Meant To Me’ was a song I wrote about the breakup of a band. As with a lot of my songs, I always write them to be about more than one thing. Primarily relationships. The song was recorded in Costa Mesa, CA at Sunwood Sound Studios. It was recorded with fellow bandmates and other musician friends.”
Another top track from the series comes next, with “It’s Always Something With You” by Jeff Silna. Originally only released on a promotional radio compilation, it was reissued by Favorite Recordings in 2017 on the 3rd edition of the AOR Global Sounds series and is still now in high demand. Here again Jeff Silna reminds: “This track was recorded at TK Studios, credited with the inception of disco music and pumping out what were considered the first Disco hits. TK created what’s known as the Miami sound. I was fortunate to work with some amazing musicians like guitarist Sheldon Stauber and players from the U of M Jazz Band, which was tops in the country at the time. My influences were funk and soul bands like Earth Wind & Fire and Average White Band.”
A Jonathon Hansen - What Its Meant To Me
B Jeff Silna - It's Always Something Wit More
1
Voilaaa - L'Intro
2
Voilaaa - System System (ft. Lass)
3
Voilaaa - Love and Death (ft. Joao Selva)
4
Voilaaa - Trouble Travel (ft. Nai-Jah)
5
Voilaaa - Anna est partie (ft. Pat Kalla & Ayuune Sule)
6
Voilaaa - Too Young To Die (ft. Olivya)
7
Voilaaa - Mtae Rock
8
Voilaaa - Sane Kunda (ft. Lass)
9
Voilaaa - Jolie Sarah (ft. Pat Kalla)
10
Voilaaa - Les temps ont changé (ft. Fouley Badiaga)
11
Voilaaa - Faché (ft. Pat Kalla)
12
Voilaaa - Tu nous fatigues (ft. Fouley Badiaga)
13
Voilaaa - C'est la danse
14
Voilaaa - Life
For almost 10 years and with 3 albums on the clock, Voilaaa has established itself with a unique style, reviving African rhythms and atmospheres in the colors of Disco dancefloors and Funky arrangements, all often accompanied by lyrics and vocals tinged with humor and commitment.
As a result, the Afro-Tropical adventure launched by producer Bruno “Patchworks” Hovart today leaves behind a host of hits (“On te l’avait dit”, “Spies Are Watching Me”, “Ben Bene La”, …), as well as trips around the globe and as many gigs and festivals, but also and above all numerous and lasting collaborations with singers like Lass, Pat Kalla, Sir Jean, Ayuune Sule, Rama Traore, or Fouley Badiaga, the latter which also marks its great return on two tracks of the album.
With C'est tout, Voilaaa returns to us without revisiting this unstoppable recipe, while seasoning things with a more Latin and Caribbean inspiration, brought back in Bruno Hovart's suitcases after several stays in South America in recent years. Introduced last spring with the release of a first maxi single, this new opus once again delivers hit after hit.
As on the already famous “Faché” alongside Pat Kalla, which displays all the classic assets of Voilaaa’s sound: punchy Afrobeat horns, woozy chords and crunchy clavinet licks rising above a low-slung, hypnotic, dub disco-meets-Afro-boogie groove. The rest of the album is not to be outdone with a total of 14 wild tracks entirely composed by an unstoppable Bruno Hovart.
Two exceptions confirm the rule, a beautiful interpretation of the song "Love and Death" by Ebo Taylor, where Voilaaa's Afro skills perfectly melt with Angolan and Brazilian vapors, beamed by Joao Selva's lovely vocals; as well as a magical cover of “Too Young to Die”, transporting Jamiroquai to the crossroads of Africa and the Antilles, carried by the superb vocal performance of singer Olivya (Dowdelin) for a first collaboration.
Well, Voilaaa is back as its best, “that’s all” (C’est tout).
A1 - L'Intro
A2 - System System (ft. Lass)
A3 - Love and Death (ft. Joao Selva)
B1 - Trouble Travel (ft. Nai-Jah)
B2 - Anna est partie (ft. Pat Kalla & Ayuune Sule)
B3 - Too Young To Die (ft. Olivya)
C1 - Mtae Rock
C2 - Sane Kunda (ft. Lass)
C3 - Jolie Sarah (ft. Pat Kalla)
C4 - Les temps ont changé (ft. Fouley Badiaga)
D1 - Faché (ft. Pat Kalla)
D2 - Tu nous fatigues (ft. Fouley Badiaga)
D3 - C'est la danse
D4 - Life More
As a result, the Afro-Tropical adventure launched by producer Bruno “Patchworks” Hovart today leaves behind a host of hits (“On te l’avait dit”, “Spies Are Watching Me”, “Ben Bene La”, …), as well as trips around the globe and as many gigs and festivals, but also and above all numerous and lasting collaborations with singers like Lass, Pat Kalla, Sir Jean, Ayuune Sule, Rama Traore, or Fouley Badiaga, the latter which also marks its great return on two tracks of the album.
With C'est tout, Voilaaa returns to us without revisiting this unstoppable recipe, while seasoning things with a more Latin and Caribbean inspiration, brought back in Bruno Hovart's suitcases after several stays in South America in recent years. Introduced last spring with the release of a first maxi single, this new opus once again delivers hit after hit.
As on the already famous “Faché” alongside Pat Kalla, which displays all the classic assets of Voilaaa’s sound: punchy Afrobeat horns, woozy chords and crunchy clavinet licks rising above a low-slung, hypnotic, dub disco-meets-Afro-boogie groove. The rest of the album is not to be outdone with a total of 14 wild tracks entirely composed by an unstoppable Bruno Hovart.
Two exceptions confirm the rule, a beautiful interpretation of the song "Love and Death" by Ebo Taylor, where Voilaaa's Afro skills perfectly melt with Angolan and Brazilian vapors, beamed by Joao Selva's lovely vocals; as well as a magical cover of “Too Young to Die”, transporting Jamiroquai to the crossroads of Africa and the Antilles, carried by the superb vocal performance of singer Olivya (Dowdelin) for a first collaboration.
Well, Voilaaa is back as its best, “that’s all” (C’est tout).
A1 - L'Intro
A2 - System System (ft. Lass)
A3 - Love and Death (ft. Joao Selva)
B1 - Trouble Travel (ft. Nai-Jah)
B2 - Anna est partie (ft. Pat Kalla & Ayuune Sule)
B3 - Too Young To Die (ft. Olivya)
C1 - Mtae Rock
C2 - Sane Kunda (ft. Lass)
C3 - Jolie Sarah (ft. Pat Kalla)
C4 - Les temps ont changé (ft. Fouley Badiaga)
D1 - Faché (ft. Pat Kalla)
D2 - Tu nous fatigues (ft. Fouley Badiaga)
D3 - C'est la danse
D4 - Life More
1
Painel De Controle - Relax (Extended Waxist Version)
2
Rabo De Saia - Ripa Na Xulipa (Extended Version)
3
Os Famks - Labirinto (Extended Nick The Record Edit)
Brazilian Disco Boogie Sound is a compilation that brings together nine of the most important and obscure hits of the Brazilian Funk-Boogie-Disco scene during the years of 1978 to 1982.
Following its acclaimed release in late 2014, Favorite Recordings now present a great additional 12inch single package, including exclusive extended versions by Nick The Record, Waxist and Charles Maurice.
The 3 DJs provide new exclusive extended versions of Painel De Controle, Rabo De Saia, and Famks’ killing originals tracks. More
Following its acclaimed release in late 2014, Favorite Recordings now present a great additional 12inch single package, including exclusive extended versions by Nick The Record, Waxist and Charles Maurice.
The 3 DJs provide new exclusive extended versions of Painel De Controle, Rabo De Saia, and Famks’ killing originals tracks. More
1
voilaaa - On te l’avait dit (Dimitri From Paris Super Disco Blend)
2
voilaaa - Spies Are Watching Me (Africaine 808 Remix)
3
voilaaa - On te l’avait dit (Dimitri From Paris Super Disco
Voilaaa is one of the many projects led and produced by Bruno “Patchworks” Hovart, who’s proven over the past 15 years, his place amongst the finest producers of groove music in all genres. This time exploring the wide spectrum of the African and Tropical Disco scene, he received a massive international support for Voilaaa’s first album, On te l’avait dit, released last year on Favorite Recordings.
With a second effort already planned for spring 2017, Voilaaa has not finished to feed international dancefloors with heavy Afro-Disco vibes. If any would doubt that, here comes a hot remixes single package, which should end any debate about it, with Dimitri From Paris and Africaine 808 at the control! More
With a second effort already planned for spring 2017, Voilaaa has not finished to feed international dancefloors with heavy Afro-Disco vibes. If any would doubt that, here comes a hot remixes single package, which should end any debate about it, with Dimitri From Paris and Africaine 808 at the control! More
1
di melo - A.e.i.o.u
2
di melo - A.e.i.o.u. (Dub Version)
New single by legendary Brazilian singer DI MELO, 40 years after his classic self-titled Samba-Soul LP. Performed and produced by French brilliant combo COTONETE, this single and collaboration will be followed by a full album early 2019.
More
More
1
Lamar Thomas - Feels So Good Inside (Extended Version)
2
Lamar Thomas - Feels So Good Inside
3
Lamar Thomas - Take Me To (New York City) (Original Mix)
1
Voilaaa - Faché (feat. Pat Kalla)
2
Voilaaa - Faché (Dub)
3
Voilaaa - Trouble Travel (Garage version) [feat. Nai-Jah]
4
Voilaaa - Too Young to Die (feat. Olivya)
5
Voilaaa - Trop jeune pour ça
Favorite Recordings presents Faché, a new long awaited EP by Voilaaa, including 3 brand new tracks from the Afro-Disco maestro, and tasty exclusive versions. This is also a first taste of the upcoming 4th album, which is planned to be released in September this year.
The EP opens with “Faché”, and it includes all the elements of Voilaaa’s famous style and skills: killer Afro-Disco production with heavy bass, hot percussions and playful horns and keyboards, coming with French spicy vocals by longtime partner Pat Kalla. A dub version is provided then.
Next track is “Trouble Travel”, which is displayed in a “Garage Version” fully exclusive to this release and perfectly tailored to kill any dancefloor. It features upraising singer Nai-Jah collaborating for the first time with Voilaaa.
On the B-side, you’ll find a surprising and blowing version of Jamiroquai’s “Too Young to Die”. The classic hit taking a new life in a Tropical perfect suit, with stunning Creole vocals by Olivya (Dowdelin).
Voilaaa is back and ready to delight your summer!!
A1 - Faché (feat. Pat Kalla)
A2 - Faché (Dub)
A3 - Trouble Travel (Garage version) [feat. Nai-Jah]
B1 - Too Young to Die (feat. Olivya)
B2 - Trop jeune pour ça More
The EP opens with “Faché”, and it includes all the elements of Voilaaa’s famous style and skills: killer Afro-Disco production with heavy bass, hot percussions and playful horns and keyboards, coming with French spicy vocals by longtime partner Pat Kalla. A dub version is provided then.
Next track is “Trouble Travel”, which is displayed in a “Garage Version” fully exclusive to this release and perfectly tailored to kill any dancefloor. It features upraising singer Nai-Jah collaborating for the first time with Voilaaa.
On the B-side, you’ll find a surprising and blowing version of Jamiroquai’s “Too Young to Die”. The classic hit taking a new life in a Tropical perfect suit, with stunning Creole vocals by Olivya (Dowdelin).
Voilaaa is back and ready to delight your summer!!
A1 - Faché (feat. Pat Kalla)
A2 - Faché (Dub)
A3 - Trouble Travel (Garage version) [feat. Nai-Jah]
B1 - Too Young to Die (feat. Olivya)
B2 - Trop jeune pour ça More
1
Lucas Arruda - Intro
2
Lucas Arruda - The Bravest Heart
3
Lucas Arruda - Novos Planos
4
Lucas Arruda - Outras Dimensoes
5
Lucas Arruda - Abraco Pro Ed
6
Lucas Arruda - 4:28 Am
7
Lucas Arruda - The Mountain
8
Lucas Arruda - Ominira
9
Lucas Arruda - Projecoes
5 years after his last and 3rd album, Lucas Arruda finally presents his long awaited new LP, Ominira.
Since the release of his first album on Favorite Recordings (Sambadi / 2013), Lucas Arruda has clearly established himself as one of the most talented contemporary artist and composer from Brazil. His music is filled with fusion style, mixing influences and elements from his Latin musical background, with his genuine admiration for Jazz, Soul, Pop and Funk music.
During these 10 years of collaboration with label honcho Pascal Rioux, Lucas Arruda’ music has always received great supports and feedbacks from international media and tastemakers, each album perfecting the level of composition and production. With Onda Nova (2019), Lucas dived willingly into Robson Jorge & Lincoln Olivetti influences, aiming to capture the true essence of Brazilian Funk and AOR tradition. Now a father and family man, he turned more deeply into his native influences when composing this new beautiful album. Fully composed and produced by Lucas, Ominira also features appearances from friends local musicians and artists such as Italo Vinicius (Drums), Thiago Arruda (guitars), Roger Rocha (sax), or Flavia K and Andre Motta on vocals.
"Ominira is about freedom, art and music. It's also about honoring my ancestors and my musical influences. I delved a little deeper into my African roots, in addition to Brazilian music and rhythms, and my longtime passion for Soul/Funk. After a long production process I feel like I made my best album. So, I present to you OMINIRA, a new chapter in my career. Have a nice trip!"
A1 - Intro
A2 - The Bravest Heart
A3 - Novos Planos
A4 - Outras Dimensoes
A5 - Abraco Pro Ed
B1 - 4:28 Am
B2 - The Mountain
B3 - Ominira
B4 - Projecoes More
Since the release of his first album on Favorite Recordings (Sambadi / 2013), Lucas Arruda has clearly established himself as one of the most talented contemporary artist and composer from Brazil. His music is filled with fusion style, mixing influences and elements from his Latin musical background, with his genuine admiration for Jazz, Soul, Pop and Funk music.
During these 10 years of collaboration with label honcho Pascal Rioux, Lucas Arruda’ music has always received great supports and feedbacks from international media and tastemakers, each album perfecting the level of composition and production. With Onda Nova (2019), Lucas dived willingly into Robson Jorge & Lincoln Olivetti influences, aiming to capture the true essence of Brazilian Funk and AOR tradition. Now a father and family man, he turned more deeply into his native influences when composing this new beautiful album. Fully composed and produced by Lucas, Ominira also features appearances from friends local musicians and artists such as Italo Vinicius (Drums), Thiago Arruda (guitars), Roger Rocha (sax), or Flavia K and Andre Motta on vocals.
"Ominira is about freedom, art and music. It's also about honoring my ancestors and my musical influences. I delved a little deeper into my African roots, in addition to Brazilian music and rhythms, and my longtime passion for Soul/Funk. After a long production process I feel like I made my best album. So, I present to you OMINIRA, a new chapter in my career. Have a nice trip!"
A1 - Intro
A2 - The Bravest Heart
A3 - Novos Planos
A4 - Outras Dimensoes
A5 - Abraco Pro Ed
B1 - 4:28 Am
B2 - The Mountain
B3 - Ominira
B4 - Projecoes More
1
Kerri "Kaoz 6:23" Chandler - Be There (Kerri's Club Mix)
2
Slowhouse 2 - Untitled
3
Truth - Emotional
4
Passion Dance Orchestra - Inner Dance
5
Abacus - Blax Thanxs
6
Transient feat Sherman Benton - Higher (Club Mix)
7
Pure Science - Ekeyz
8
N'Dambi - Can't Change Me (Ron Trent Remix)
Favorite recordings and Lea Lisa presents Many Shades of House, a personal selection of House music tracks that have a very special place in Lea Lisa's heart and in her record box.
Amongst this selection, Many Shades Of House is including many very rare and hard to find titles, mostly never reissued on vinyl until now.
Lea Lisa (Phonica Records, Wolf Music…) is a DJ, producer & vinyl addict who never stops digging and hasn’t since she first started in 1995. House music is so rich and varied that she naturally felt the desire to show and share this diversity. “Through this compilation I wanted to present artists and records that have greatly influenced me throughout my career. Whether through the strong messages they convey or through the emotions I felt discovering each of these vinyl.” said Lea Lisa.
Carefully packed with long-forgotten US house gems (Transient's groove keeper "Higher" and a 1997 NYC House tune from Kerri Chandler in his garage house days), iconic early house/techno treasure (Mark Goddard's "Truth"), intensive journeys (Passion Dance Orchestra) to atmospheric soundscapes (Pure Science), soulful grooves (Ron Trent's boogie infused "Can't Change Me") and timeless deep house gems (Slowhouse, Abacus).
Created in 2005, Favorite Recordings presents a rich catalogue combining the productions of new artists with reissues of forgotten masterpieces all along the wide groove music spectrum, from Soul/Funk, Jazz, Disco, to Reggae, Hip-Hop, House or Electronic genres. Before launching Favorite. Pascal Rioux, founder and label honcho, started in the mid-90s with the House music label Rotax Disques. In 2014, following his meeting and affinity with French House DJ Jeremy Underground, they quickly collaborated on a series of compilations (My Love Is Underground) curated by Jeremy and reissuing some of his finest Underground House music hidden gems. Today the story starts again with Lea Lisa with this finest compilation for House Music Lovers…
A1 - Kerri "Kaoz 6:23" Chandler - Be There (Kerri's Club Mix)
A2 - Slowhouse 2 – Untitled
B1 - Truth – Emotional
B2 - Passion Dance Orchestra - Inner Dance
C1 - Abacus - Blax Thanxs
C2 - Transient feat Sherman Benton - Higher (Club Mix)
D1 - Pure Science – Ekeyz
D2 - N'Dambi - Can't Change Me (Ron Trent Remix) More
Amongst this selection, Many Shades Of House is including many very rare and hard to find titles, mostly never reissued on vinyl until now.
Lea Lisa (Phonica Records, Wolf Music…) is a DJ, producer & vinyl addict who never stops digging and hasn’t since she first started in 1995. House music is so rich and varied that she naturally felt the desire to show and share this diversity. “Through this compilation I wanted to present artists and records that have greatly influenced me throughout my career. Whether through the strong messages they convey or through the emotions I felt discovering each of these vinyl.” said Lea Lisa.
Carefully packed with long-forgotten US house gems (Transient's groove keeper "Higher" and a 1997 NYC House tune from Kerri Chandler in his garage house days), iconic early house/techno treasure (Mark Goddard's "Truth"), intensive journeys (Passion Dance Orchestra) to atmospheric soundscapes (Pure Science), soulful grooves (Ron Trent's boogie infused "Can't Change Me") and timeless deep house gems (Slowhouse, Abacus).
Created in 2005, Favorite Recordings presents a rich catalogue combining the productions of new artists with reissues of forgotten masterpieces all along the wide groove music spectrum, from Soul/Funk, Jazz, Disco, to Reggae, Hip-Hop, House or Electronic genres. Before launching Favorite. Pascal Rioux, founder and label honcho, started in the mid-90s with the House music label Rotax Disques. In 2014, following his meeting and affinity with French House DJ Jeremy Underground, they quickly collaborated on a series of compilations (My Love Is Underground) curated by Jeremy and reissuing some of his finest Underground House music hidden gems. Today the story starts again with Lea Lisa with this finest compilation for House Music Lovers…
A1 - Kerri "Kaoz 6:23" Chandler - Be There (Kerri's Club Mix)
A2 - Slowhouse 2 – Untitled
B1 - Truth – Emotional
B2 - Passion Dance Orchestra - Inner Dance
C1 - Abacus - Blax Thanxs
C2 - Transient feat Sherman Benton - Higher (Club Mix)
D1 - Pure Science – Ekeyz
D2 - N'Dambi - Can't Change Me (Ron Trent Remix) More
1
Lerma dela Cruz - Free
2
Nivaldo Ornelas - Cactus
3
Krystyna Pronìko - Oto Przyczyna
4
Bobby Martinez - Pendulum
5
Tom Grant - Mystified
6
Nivaldo Ornelas - Los Angeles
7
Carlos Mendes - Oamoreìomar
8
Dana Kaproff - Brownstones
Favorite Recordings comes back with the 2nd edition of its compilation series: Fusion Global
Sounds. 8 rare and hidden tracks produced between 1976 and 1984 in various parts of the world.
As a fine collector of Jazz-Funk and Fusion for many years, Charles Maurice cooked another fine
selection of forgotten Fusion Jazz productions, this time driven by a common Brazilian influence.
On this 2nd edition, recordings come from Brazil, Philippines, Netherlands, Poland, and US, all
again from underrated artists mostly unknown from the masses. You'll find here the best elements of
the Fusion genre: fine vocal arrangements, catchy Fender Rhodes and synthesizers, irresistible
basslines, and classy horns section, altogether bringing a unique groove infused with Brazilian
flavors.
The compilation starts with Lerma dela Cruz, a quite occult songstress from Philippines. “Free” was
part of a very rare compilation titled “Tropical Jazz Fusion”, released in 1983 on A&W Horizon label
(also home of Boy Katindig). With its blowing Samba / Jazz-Funk vibes, it was an obvious match to
open this collection. The following song could only enhance this ambience, since that of Brazilian
saxophonist, Nivaldo Ornelas, present on this opus with 2 titles taken from his album A Tarde
(1983). On “Cactus”, Nivaldo is supported on keyboards by his friend Marcos Resende, both also
known for their album on the MPBC series released by Phonogram-Polygram between 1978 and
1981, which has clearly been an inspiration for Charles Maurice in building this second edition.
We could continue telling stories and details about the others great tracks included in Fusion Global
Sounds Vol.2, but we believe that the best way is to listen to it and pursue your trip through Fusion
Jazz combined with Brazilian styles, including surprising stopover in Poland, or Netherlands.
A1. Lerma dela Cruz - Free
A2. Nivaldo Ornelas - Cactus
A3. Krystyna Pronìko - Oto Przyczyna
A4. Bobby Martinez - Pendulum
B1. Tom Grant - Mystified
B2. Nivaldo Ornelas - Los Angeles
B3. Carlos Mendes - Oamoreìomar
B4. Dana Kaproff - Brownstones More
Sounds. 8 rare and hidden tracks produced between 1976 and 1984 in various parts of the world.
As a fine collector of Jazz-Funk and Fusion for many years, Charles Maurice cooked another fine
selection of forgotten Fusion Jazz productions, this time driven by a common Brazilian influence.
On this 2nd edition, recordings come from Brazil, Philippines, Netherlands, Poland, and US, all
again from underrated artists mostly unknown from the masses. You'll find here the best elements of
the Fusion genre: fine vocal arrangements, catchy Fender Rhodes and synthesizers, irresistible
basslines, and classy horns section, altogether bringing a unique groove infused with Brazilian
flavors.
The compilation starts with Lerma dela Cruz, a quite occult songstress from Philippines. “Free” was
part of a very rare compilation titled “Tropical Jazz Fusion”, released in 1983 on A&W Horizon label
(also home of Boy Katindig). With its blowing Samba / Jazz-Funk vibes, it was an obvious match to
open this collection. The following song could only enhance this ambience, since that of Brazilian
saxophonist, Nivaldo Ornelas, present on this opus with 2 titles taken from his album A Tarde
(1983). On “Cactus”, Nivaldo is supported on keyboards by his friend Marcos Resende, both also
known for their album on the MPBC series released by Phonogram-Polygram between 1978 and
1981, which has clearly been an inspiration for Charles Maurice in building this second edition.
We could continue telling stories and details about the others great tracks included in Fusion Global
Sounds Vol.2, but we believe that the best way is to listen to it and pursue your trip through Fusion
Jazz combined with Brazilian styles, including surprising stopover in Poland, or Netherlands.
A1. Lerma dela Cruz - Free
A2. Nivaldo Ornelas - Cactus
A3. Krystyna Pronìko - Oto Przyczyna
A4. Bobby Martinez - Pendulum
B1. Tom Grant - Mystified
B2. Nivaldo Ornelas - Los Angeles
B3. Carlos Mendes - Oamoreìomar
B4. Dana Kaproff - Brownstones More
1
Magic Source - Saturn Moon Dive
2
Magic Source - Superglider
3
Magic Source - Spead Boat To Atlantis
4
Magic Source - Dreaming Of You
5
Magic Source - Pyramide
6
Magic Source - Genius Of Love
7
Magic Source - Rainy Afternoon In Paris
8
Magic Source - Space Of Mind
Magic Source invites you to a journey to the obscure side of disco music.
Led by producer & notorious tape operator Björn Wagner (of Mighty Mocambos, Bacao Rhythm & Steel Band and Mocambo Records), the group follows up on their rootsy cosmic debut LP Earthrising and last year's EP Riviera Drive, whose stunning flute jazz cover of “Genius of Love” is also featured on this longplayer.
Further exploring the more unusual facets of disco in its otherworldly and international stylings, Voyage Spectral travels through a wide musical scope, ranging from “lost” tropical grooves, Mediterranean funk, outernational boogie, to cosmic sci-fi soundtracks. All 100% organic - created by real musicians with real vintage instruments, captured on 16-track analog tape.
An all-star cast of musicians invites you to a fantasy trip where angelic voices blend with spaced-out synths, ethnic string instruments interplay with sharp horn lines while the rhythm section is holding down a polyrhythmic puzzle of guitars, clavinets, B-3, drums and percussions.
TRACKLIST:
A1. Saturn Moon Dive
A2. Superglider
A3. Spead Boat To Atlantis
A4. Dreaming Of You
B1. Pyramide
B2. Genius Of Love
B3. Rainy Afternoon In Paris
B4. Space Of Mind More
Led by producer & notorious tape operator Björn Wagner (of Mighty Mocambos, Bacao Rhythm & Steel Band and Mocambo Records), the group follows up on their rootsy cosmic debut LP Earthrising and last year's EP Riviera Drive, whose stunning flute jazz cover of “Genius of Love” is also featured on this longplayer.
Further exploring the more unusual facets of disco in its otherworldly and international stylings, Voyage Spectral travels through a wide musical scope, ranging from “lost” tropical grooves, Mediterranean funk, outernational boogie, to cosmic sci-fi soundtracks. All 100% organic - created by real musicians with real vintage instruments, captured on 16-track analog tape.
An all-star cast of musicians invites you to a fantasy trip where angelic voices blend with spaced-out synths, ethnic string instruments interplay with sharp horn lines while the rhythm section is holding down a polyrhythmic puzzle of guitars, clavinets, B-3, drums and percussions.
TRACKLIST:
A1. Saturn Moon Dive
A2. Superglider
A3. Spead Boat To Atlantis
A4. Dreaming Of You
B1. Pyramide
B2. Genius Of Love
B3. Rainy Afternoon In Paris
B4. Space Of Mind More
1
Charms - Givin’ It Up
2
France Lise - Pour moi ça va
Favorite Recordings proudly presents its new series of 7" reissues with the following concept: each side dedicated to one Funky French track coming with its original artwork. You just have to flip it!
On the first side comes "Givin’ It Up" by Belgian funk band Charms. Compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original vinyl 7inch was released in 1982 on famous Biram label and is now a very hard to find gem for reasonable prices. Not really surprising considering the immediate power of this Disco track, filled catchy synths lines, sweet vocals and fateful chorus.
On the other side comes another French Disco underground hit with “Pour moi ça va” by France-Lise. It takes only a few seconds to get driven on the dancefloor by the heavily funky guitar and bassline and the immediate energy of this song. Also compiled by Charles Maurice on French Disco Boogie Sounds Vol. 1, this is also a quite hard to find OG. With its charming French vocals and bouncing percussions, it should delight any Disco player.
A. Charms – Givin’ It Up
B. France Lise – Pour moi ça va More
On the first side comes "Givin’ It Up" by Belgian funk band Charms. Compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original vinyl 7inch was released in 1982 on famous Biram label and is now a very hard to find gem for reasonable prices. Not really surprising considering the immediate power of this Disco track, filled catchy synths lines, sweet vocals and fateful chorus.
On the other side comes another French Disco underground hit with “Pour moi ça va” by France-Lise. It takes only a few seconds to get driven on the dancefloor by the heavily funky guitar and bassline and the immediate energy of this song. Also compiled by Charles Maurice on French Disco Boogie Sounds Vol. 1, this is also a quite hard to find OG. With its charming French vocals and bouncing percussions, it should delight any Disco player.
A. Charms – Givin’ It Up
B. France Lise – Pour moi ça va More
1
Crystal - Funky Biguine
2
J.E.K.Y.S - Looking For You
Favorite Recordings proudly present its new series of 7" reissues with the following concept: each side
dedicated to one Funky French track coming with its original artwork. You just have to flip it!
On the first side, you'll get the amazing track "Funky Biguine" by West Indies band Crystal. Originally
compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original eponymous album still goes
for crazy prices. And there's a reason for that: "Funky Biguine" will bring the heat on the dancefloor with its
enchanting synth bassline, its West Indies influences and melodious Funk arrangement. Don't miss the synth
solo in the end!
On the other side, you'll find a reissue of "Looking For You" by J.E.K.Y.S from the island of Réunion. The
song has just started and you're already overwhelmed by the strong bassline and the sirens of this French boogie
anthem - despite this one has English lyrics. Originally, you'll find it compiled by Charles Maurice on French Disco
Boogie Sounds Vol. 3. Expect lovely harmonic progressions and perhaps a more spacey groove, as in these
beautiful bridges leading to chorus where the lyrics blend perfectly with the synthesisers line and Fender Rhodes.
TRACKLIST:
A. Crystal – Funky Biguine
B. J.E.K.Y.S – Looking For You More
dedicated to one Funky French track coming with its original artwork. You just have to flip it!
On the first side, you'll get the amazing track "Funky Biguine" by West Indies band Crystal. Originally
compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original eponymous album still goes
for crazy prices. And there's a reason for that: "Funky Biguine" will bring the heat on the dancefloor with its
enchanting synth bassline, its West Indies influences and melodious Funk arrangement. Don't miss the synth
solo in the end!
On the other side, you'll find a reissue of "Looking For You" by J.E.K.Y.S from the island of Réunion. The
song has just started and you're already overwhelmed by the strong bassline and the sirens of this French boogie
anthem - despite this one has English lyrics. Originally, you'll find it compiled by Charles Maurice on French Disco
Boogie Sounds Vol. 3. Expect lovely harmonic progressions and perhaps a more spacey groove, as in these
beautiful bridges leading to chorus where the lyrics blend perfectly with the synthesisers line and Fender Rhodes.
TRACKLIST:
A. Crystal – Funky Biguine
B. J.E.K.Y.S – Looking For You More
1
Paul Fathy - Funky Baby Love
2
Corail' - Karukera C'est Comme Ça
Favorite Recordings proudly present a new series of 7" reissues with a simple concept: each side dedicated to one French funky track coming with its original artwork. You just have to flip it!
Starting with "Funky Baby Love" by Paul Fathy, it could not get funkier! The French boogie track originally compiled by Charles Maurice on French Disco Boogie Sounds Vol. 3, is your perfect tool for the dancefloor. It brings together all the ingredients of a great production with irresistible disco strings, a catchy chorus supported by beautiful backing vocals and its final climax will bring the dancers to a point of no return.
On the other side, you get an exclusive reissue of West-Indies band Corail', with their song "Karukera C'est Comme Ça" taken from their eponymous album. This under-the-radar, zouky and funky track will surprise every listener with its appealing arrangement and lyrics: "Ça va danser / Sur l'île aux oiseaux". Soon, you won't be able to get it out of your head. The bass is groovin', the rhythmic guitar is infectious and digital keyboards are on point: we're pretty much sure this one will become sooner or later a banger of its own.
TRACKLIST:
A. Paul Fathy – Funky Baby Love
B. Corail' – Karukera C'est Comme Ça More
Starting with "Funky Baby Love" by Paul Fathy, it could not get funkier! The French boogie track originally compiled by Charles Maurice on French Disco Boogie Sounds Vol. 3, is your perfect tool for the dancefloor. It brings together all the ingredients of a great production with irresistible disco strings, a catchy chorus supported by beautiful backing vocals and its final climax will bring the dancers to a point of no return.
On the other side, you get an exclusive reissue of West-Indies band Corail', with their song "Karukera C'est Comme Ça" taken from their eponymous album. This under-the-radar, zouky and funky track will surprise every listener with its appealing arrangement and lyrics: "Ça va danser / Sur l'île aux oiseaux". Soon, you won't be able to get it out of your head. The bass is groovin', the rhythmic guitar is infectious and digital keyboards are on point: we're pretty much sure this one will become sooner or later a banger of its own.
TRACKLIST:
A. Paul Fathy – Funky Baby Love
B. Corail' – Karukera C'est Comme Ça More
1
Lucas Arruda - Tamba Part 1
2
Lucas Arruda - Batuque
3
Lucas Arruda - Who’s That Lady
4
Lucas Arruda - Rio Afternoon
5
Lucas Arruda - Na Feira
6
Lucas Arruda - Sambadi
7
Lucas Arruda - Carnival
8
Lucas Arruda - Alma Nova
9
Lucas Arruda - Tamba Part 2
Lucas Arruda’s born in 1983, in a Brazilian state called Espírito Santo, near Rio de Janeiro. Coming from
a musical family (his dad and older brother are musicians) he started playing and listening to music very
young. At the age of 13, he was also playing professionally already.
After studying electric guitar and playing in various bands, Lucas passion quickly turned into Rhodes and
keyboards, expanding his musical range of skills. At the same time he started a project called Du Black,
with his older brother Thiago, quickly receiving various local support from people like Ed Motta, William
Magalhães (Banda Black Rio), Robert Lamm (Chicago) or Hyldon (Brazilian soul legend).
From the growing notoriety obtained, the band began to work with various other artists and singers such
as Tamy Macedo, or Bossa Nova’s legend, Leila Pinheiro, leading Lucas to build a recording studio with
Thiago in 2011. Now 2 years after he launched this home-studio, here comes “Sambadi”, first solo album
by Lucas Arruda!
On this recording he also started to team up with Fabricio di Monaco (Modo Solar), who clearly became
a fundamental piece, as Lucas relates: “Fabricio introduced me to Pascal Rioux at Favorite Recordings,
as they released his EP few years ago. He’s a brilliant musician and a great human being.”
In Lucas’ words, Sambadi is highly inspired by Rio de Janeiro. As for the musical side, the album almost
sounds like a tribute to his longtime heroes like Stevie Wonder, Curtis Mayfield, Marcos Valle, Azymuth,
or Robson Jorge & Lincoln Olivetti. And Lucas also humbly concludes: “I really hope to honor all the
guys who influenced me.”
TRACKLIST:
A1. Physis
A2. Tamba Part 1
A3. Batuque
A4. Who’s That Lady
A5. Rio Afternoon
B1. Na Feira
B2. Sambadi
B3. Carnival
B4. Alma Nova
B5. Tamba Part 2 More
a musical family (his dad and older brother are musicians) he started playing and listening to music very
young. At the age of 13, he was also playing professionally already.
After studying electric guitar and playing in various bands, Lucas passion quickly turned into Rhodes and
keyboards, expanding his musical range of skills. At the same time he started a project called Du Black,
with his older brother Thiago, quickly receiving various local support from people like Ed Motta, William
Magalhães (Banda Black Rio), Robert Lamm (Chicago) or Hyldon (Brazilian soul legend).
From the growing notoriety obtained, the band began to work with various other artists and singers such
as Tamy Macedo, or Bossa Nova’s legend, Leila Pinheiro, leading Lucas to build a recording studio with
Thiago in 2011. Now 2 years after he launched this home-studio, here comes “Sambadi”, first solo album
by Lucas Arruda!
On this recording he also started to team up with Fabricio di Monaco (Modo Solar), who clearly became
a fundamental piece, as Lucas relates: “Fabricio introduced me to Pascal Rioux at Favorite Recordings,
as they released his EP few years ago. He’s a brilliant musician and a great human being.”
In Lucas’ words, Sambadi is highly inspired by Rio de Janeiro. As for the musical side, the album almost
sounds like a tribute to his longtime heroes like Stevie Wonder, Curtis Mayfield, Marcos Valle, Azymuth,
or Robson Jorge & Lincoln Olivetti. And Lucas also humbly concludes: “I really hope to honor all the
guys who influenced me.”
TRACKLIST:
A1. Physis
A2. Tamba Part 1
A3. Batuque
A4. Who’s That Lady
A5. Rio Afternoon
B1. Na Feira
B2. Sambadi
B3. Carnival
B4. Alma Nova
B5. Tamba Part 2 More
1
Sundance - Buster
2
Renato Anselmi - Hello Mr. Acuvis
3
Zane Cronje - Tropical Island
4
The 1860 Band - Keep That Same Old Feeling
5
Otroshakers - Siempre Tu
6
Daniel Bechet - Astral Dance
7
Renato Anselmi - Quiet Fire
8
Pedro Ruy-Blas - Despertar
Favorite Recordings and Charles Maurice proudly present a brand new compilation series: Fusion Global Sounds. 9 rare and
hidden tracks produced between 1970 and 1983 in various parts of the world. As a fine collector of Jazz-Funk and Fusion for many years,
Charles Maurice selected some of his favorite forgotten productions, as he previously did for the AOR Global Sounds, French and
Brazilian Disco Boogie Sounds compilations series.
This time, recordings come from Sweden, Switzerland, South Africa, New Zealand, Uruguay, Spain and France, from artists and
bands mostly known in their local scenes. You'll hear here the best elements of the Fusion and Jazz-Funk genre: breezy vocal
arrangements reminding Flora Purim in Return To Forever or George Duke's albums, sweet and virtuosic Fender Rhodes (kind of common
thread of the comp), melodic spiral-shaped fuzzy synthesizers leads, or irresistible basslines, altogether bringing a unique groove to life.
"Buster" is taken from the first and only album of the Swedish band, Sundance. The band from Gothenburg was formed around US
trumpet player Stephen Frankevich (notably playing with Mahavishnu Orchestra) after he moved to Sweden. Cosmic, with razor-sharp
rhythms, it naturally brings you to the second title, "Hello Mr. Ancuvis" by Renato Anselmi. One of the key players of the Swiss Jazz
scene during the sixties and the seventies, Renato also had the chance to play with Harvey Mason or Alphonso Johnson. Funky, jazzy but
still a bit breezy, here again sweet vocals nicely blend with uptempo Rhodes part. Also included is another title from Renato Anselmi,
"Quiet Fire", a mellow Rhodes-driven ballad with funky accents, wide strings and guitar arrangements.
"Tropical Island" by Zane Cronje, a South-African composer and arranger, was initially a track from a music library catalogue:
dreamy, soaked in thorough synthesizers, we're only attached to the earth by the Guiro groove. You'll also hear this cosmic vibe in "Astral
Dance" by French-American drummer and Jazz musician/composer Daniel Bechet, taken from Songs To My Father LP, dedicated to his
father the famous Sax/Clarinet player Sydney Bechet. In this 4 minutes dope jam, keys, guitar and percussion will elevate your mind to
another level of consciousness: deep!
The 1860 Band was hailing from Wellington, New Zealand, playing mostly in bars, cafes and pubs - their name is taken from a tavern
where they had an extended afternoon residency keeping the clients entertained. Their sole LP, now rare and sought-after, was a nice mix
of Jazz-Funk and Disco grooves. Their amazing and groovy cover of "Keep That Same Old Feeling" by The Crusaders, brings the best of
their playing.
Otroshakers was formed around Hugo and Osvaldo Fattoruso, as a tribute project to their former band Los Shakers, some sort of
copycat band of The Beatles with great success in Latin America. Listening to "Siempre Tu", you can almost hear The Beatles'
psychedelic vocal of Sgt. Pepper's Lonely Hearts Club Band. Later joining Ringo Thielmann in the US, they formed the band OPA together,
after having recorded for Airto's seminal album Fingers. Blending Jazz, South-American musical elements and Funk, their fusion quickly
gained the respect of the NY musical scene.
"Despertar" by Spanish drummer, singer and actor Pedro Ruy-Blas, is taken from Luna Llena, his great first Jazz-Funk album. The
track is a funky piece with wah-wah expressive Rhodes, ending with a beautiful flute solo. "Prologue" by Dutch-French pianist Majoie
Hajary (sometimes called the "Hindu pianist"), can be found on La Passion Selon Judas, a very unique religious album blending her own
style with Psych, Funk and Jazz elements.
Surely we could continue detailing stories of all these gems, but we guess that the best way to learn more about them, is to listen
to Fusion Global Sounds, fully remastered from originals and whether your preference is for vinyl or CD formats.
TRACKLIST:
A1. Sundance – Buster
A2. Renato Anselmi – Hello Mr. Acuvis
A3. Zane Cronje – Tropical Island
A4. The 1860 Band – Keep That Same Old Feeling
B1. Otroshakers – Siempre Tu
B2. Daniel Bechet – Astral Dance
B3. Renato Anselmi – Quiet Fire
B4. Pedro Ruy-Blas – Despertar
B5. Majoie Hajary – Prologue More
hidden tracks produced between 1970 and 1983 in various parts of the world. As a fine collector of Jazz-Funk and Fusion for many years,
Charles Maurice selected some of his favorite forgotten productions, as he previously did for the AOR Global Sounds, French and
Brazilian Disco Boogie Sounds compilations series.
This time, recordings come from Sweden, Switzerland, South Africa, New Zealand, Uruguay, Spain and France, from artists and
bands mostly known in their local scenes. You'll hear here the best elements of the Fusion and Jazz-Funk genre: breezy vocal
arrangements reminding Flora Purim in Return To Forever or George Duke's albums, sweet and virtuosic Fender Rhodes (kind of common
thread of the comp), melodic spiral-shaped fuzzy synthesizers leads, or irresistible basslines, altogether bringing a unique groove to life.
"Buster" is taken from the first and only album of the Swedish band, Sundance. The band from Gothenburg was formed around US
trumpet player Stephen Frankevich (notably playing with Mahavishnu Orchestra) after he moved to Sweden. Cosmic, with razor-sharp
rhythms, it naturally brings you to the second title, "Hello Mr. Ancuvis" by Renato Anselmi. One of the key players of the Swiss Jazz
scene during the sixties and the seventies, Renato also had the chance to play with Harvey Mason or Alphonso Johnson. Funky, jazzy but
still a bit breezy, here again sweet vocals nicely blend with uptempo Rhodes part. Also included is another title from Renato Anselmi,
"Quiet Fire", a mellow Rhodes-driven ballad with funky accents, wide strings and guitar arrangements.
"Tropical Island" by Zane Cronje, a South-African composer and arranger, was initially a track from a music library catalogue:
dreamy, soaked in thorough synthesizers, we're only attached to the earth by the Guiro groove. You'll also hear this cosmic vibe in "Astral
Dance" by French-American drummer and Jazz musician/composer Daniel Bechet, taken from Songs To My Father LP, dedicated to his
father the famous Sax/Clarinet player Sydney Bechet. In this 4 minutes dope jam, keys, guitar and percussion will elevate your mind to
another level of consciousness: deep!
The 1860 Band was hailing from Wellington, New Zealand, playing mostly in bars, cafes and pubs - their name is taken from a tavern
where they had an extended afternoon residency keeping the clients entertained. Their sole LP, now rare and sought-after, was a nice mix
of Jazz-Funk and Disco grooves. Their amazing and groovy cover of "Keep That Same Old Feeling" by The Crusaders, brings the best of
their playing.
Otroshakers was formed around Hugo and Osvaldo Fattoruso, as a tribute project to their former band Los Shakers, some sort of
copycat band of The Beatles with great success in Latin America. Listening to "Siempre Tu", you can almost hear The Beatles'
psychedelic vocal of Sgt. Pepper's Lonely Hearts Club Band. Later joining Ringo Thielmann in the US, they formed the band OPA together,
after having recorded for Airto's seminal album Fingers. Blending Jazz, South-American musical elements and Funk, their fusion quickly
gained the respect of the NY musical scene.
"Despertar" by Spanish drummer, singer and actor Pedro Ruy-Blas, is taken from Luna Llena, his great first Jazz-Funk album. The
track is a funky piece with wah-wah expressive Rhodes, ending with a beautiful flute solo. "Prologue" by Dutch-French pianist Majoie
Hajary (sometimes called the "Hindu pianist"), can be found on La Passion Selon Judas, a very unique religious album blending her own
style with Psych, Funk and Jazz elements.
Surely we could continue detailing stories of all these gems, but we guess that the best way to learn more about them, is to listen
to Fusion Global Sounds, fully remastered from originals and whether your preference is for vinyl or CD formats.
TRACKLIST:
A1. Sundance – Buster
A2. Renato Anselmi – Hello Mr. Acuvis
A3. Zane Cronje – Tropical Island
A4. The 1860 Band – Keep That Same Old Feeling
B1. Otroshakers – Siempre Tu
B2. Daniel Bechet – Astral Dance
B3. Renato Anselmi – Quiet Fire
B4. Pedro Ruy-Blas – Despertar
B5. Majoie Hajary – Prologue More
1
VOILAAA - Ku La Foon feat. Lass (JKriv Remix)
2
VOILAAA - Ben Bene La feat. Lass (Patchworks Remix)
3
VOILAAA - Spies Are Watching Me feat. Sir Jean (Patchworks Remix)
4
VOILAAA - Tu Mens Devant Moi feat. Ramatou Traore (Voilaaa Remix)
Favorite Recordings presents Remixes by Voilaaa, a new EP built with exclusive versions of
some of its biggest hits. Known for its Afro-Disco sound and strong dancefloor-friendly festive
bangers, these new mixes bring another light to the successful project of Bruno "Patchworks"
Hovart.
On A Side, Voilaaa asked famous Brooklyn-based producer and remixer JKriv (Razor-N-Tape) to
provide even more club energy to "Ku La Foon (feat. Lass)”, originally released on Voilaaa's third
and last album. The result is a powerful bomb that won't give any rest to the crowd.
The tracklist goes on with "Ben Bene La (feat. Lass)” reworked by Patchworks himself in a very
Latin way, taking inspiration from the NY scene and its dancers, "Spanish Harlem" and Mongo
Santamaria. You've got to play it loud and we're pretty sure you'll see some special moves on the
dancefloor.
On B side, you'll hear another Patchworks remix, this time with probably one of Voilaaa's biggest
hits, "Spies Are Watching Me (feat Sir Jean)”. In the footsteps of Moodymann, Masters At Work or
the UK Garage scene, Patchworks delivers here some of his classic house music energy. You may
know he started his career with house music: he transformed this anthem into a proper deep house
cut with the same passion!
Finally, Voilaaa remixed himself! Working on "Tu Mens Devant Moi (feat. Ramatou Traore)”,
Voilaaa carries the arrangement closer to the Angolese and Cape Verdean sound, reminding also the
sound of Super Mama Djombo from Guinea Bissau. A tropical cut that will bring more and more
sunshine to the club.
TRACKLIST:
A1. Ku La Foon feat. Lass (JKriv Remix)
A2. Ben Bene La feat. Lass (Patchworks Remix)
B1. Spies Are Watching Me feat. Sir Jean (Patchworks Remix)
B2. Tu Mens Devant Moi feat. Ramatou Traore (Voilaaa Remix) More
some of its biggest hits. Known for its Afro-Disco sound and strong dancefloor-friendly festive
bangers, these new mixes bring another light to the successful project of Bruno "Patchworks"
Hovart.
On A Side, Voilaaa asked famous Brooklyn-based producer and remixer JKriv (Razor-N-Tape) to
provide even more club energy to "Ku La Foon (feat. Lass)”, originally released on Voilaaa's third
and last album. The result is a powerful bomb that won't give any rest to the crowd.
The tracklist goes on with "Ben Bene La (feat. Lass)” reworked by Patchworks himself in a very
Latin way, taking inspiration from the NY scene and its dancers, "Spanish Harlem" and Mongo
Santamaria. You've got to play it loud and we're pretty sure you'll see some special moves on the
dancefloor.
On B side, you'll hear another Patchworks remix, this time with probably one of Voilaaa's biggest
hits, "Spies Are Watching Me (feat Sir Jean)”. In the footsteps of Moodymann, Masters At Work or
the UK Garage scene, Patchworks delivers here some of his classic house music energy. You may
know he started his career with house music: he transformed this anthem into a proper deep house
cut with the same passion!
Finally, Voilaaa remixed himself! Working on "Tu Mens Devant Moi (feat. Ramatou Traore)”,
Voilaaa carries the arrangement closer to the Angolese and Cape Verdean sound, reminding also the
sound of Super Mama Djombo from Guinea Bissau. A tropical cut that will bring more and more
sunshine to the club.
TRACKLIST:
A1. Ku La Foon feat. Lass (JKriv Remix)
A2. Ben Bene La feat. Lass (Patchworks Remix)
B1. Spies Are Watching Me feat. Sir Jean (Patchworks Remix)
B2. Tu Mens Devant Moi feat. Ramatou Traore (Voilaaa Remix) More
1
Alan Shearer - The Flea Age
2
Alan Shearer - The Heart Patrol
3
Alan Shearer - Dark Is The Color
4
Alan Shearer - Generation V
5
Alan Shearer - Chronomaster
6
Alan Shearer - Nocturnal March
7
Alan Shearer - Tropical Terminal
8
Alan Shearer - Only For One Girl
9
Alan Shearer - Blackstone
10
Alan Shearer - Down Town
11
Alan Shearer - Sons Of The Snake
Favorite Recordings presents Dark Is The Color, the first LP by Alan Shearer reissued on vinyl for the first time. Despite being initially composed and produced for the French library label PSI, this rare and obscure in-demand gem from 1985 sounds retrospectively like a proper album with great coherence and sophistication all along. Indeed, these 11 tracks will delight synthesizers addicts. Expect deeply emotive instrumental compositions, with ingenious analogue sequencing on stimulating chord progressions. The result is a highly retrofuturistic album, sometimes almost anticipating 90's videogames scores. Just imagine Wally Badarou in a bunker with Talking Heads watching New York 1997 from John Carpenter.
Composed mostly step by step on a Sequential Pro-One synthesizer, Dark Is The Color is the product of the exciting state of mind from the 80's era with new sounds, new tools and new trends on the music spectrum. Influenced by bands like Talking Head or Japan, the sirens of the new wave scene strongly resonate here with Alan Shearer's familiarity and craftmanship with synthesizers.
Back in the days, Alan Shearer aka Frédéric Viger was working for his father’s music label, “Musique Pour L'image”, and their sublabel “PSI”. He started with Marathon Life under his real name before taking the Alan Shearer monitor. These records were produced for radio, TV and cinema industries but as well for companies’ internal communication. They represented a real investment from the label and these catalogues are usually full of amazing music from great artists such as Martial Solal, Vladimir Cosma, Joël Fajerman, Harlem Pop Trotters and even Manu Dibango.
About his musical illustration process, Alan Shearer tells: "Soundtracks are indeed my biggest influences and I'm a real fan of American composers as Jerry Goldsmith or Elmer Bernstein. I've always considered soundtracks as the new classical music or classical music of our century. There is a real state of mind producing music for illustration: you have to stick to the video. You should not tell what the image is saying but accompany what it is saying. You have to find a unique link, people always told me music should not be noticed for itself in a movie, that's what makes it good.”
A1 - The Flea Age
A2 - The Heart Patrol
A3 - Dark Is The Color
A4 - Generation V
A5 - Chronomaster
A6 - Nocturnal March
B1 - Tropical Terminal
B2 - Only For One Girl
B3 - Blackstone
B4 - Down Town
B5 - Sons Of The Snake More
Composed mostly step by step on a Sequential Pro-One synthesizer, Dark Is The Color is the product of the exciting state of mind from the 80's era with new sounds, new tools and new trends on the music spectrum. Influenced by bands like Talking Head or Japan, the sirens of the new wave scene strongly resonate here with Alan Shearer's familiarity and craftmanship with synthesizers.
Back in the days, Alan Shearer aka Frédéric Viger was working for his father’s music label, “Musique Pour L'image”, and their sublabel “PSI”. He started with Marathon Life under his real name before taking the Alan Shearer monitor. These records were produced for radio, TV and cinema industries but as well for companies’ internal communication. They represented a real investment from the label and these catalogues are usually full of amazing music from great artists such as Martial Solal, Vladimir Cosma, Joël Fajerman, Harlem Pop Trotters and even Manu Dibango.
About his musical illustration process, Alan Shearer tells: "Soundtracks are indeed my biggest influences and I'm a real fan of American composers as Jerry Goldsmith or Elmer Bernstein. I've always considered soundtracks as the new classical music or classical music of our century. There is a real state of mind producing music for illustration: you have to stick to the video. You should not tell what the image is saying but accompany what it is saying. You have to find a unique link, people always told me music should not be noticed for itself in a movie, that's what makes it good.”
A1 - The Flea Age
A2 - The Heart Patrol
A3 - Dark Is The Color
A4 - Generation V
A5 - Chronomaster
A6 - Nocturnal March
B1 - Tropical Terminal
B2 - Only For One Girl
B3 - Blackstone
B4 - Down Town
B5 - Sons Of The Snake More
Customers who bought this also bought this
1
Llopis - Lobster Tan
2
Llopis - Stimulation
3
Llopis - Back In The Days
AGT Records are back for number 008 and the smoke machine is on full blast.
Christian Llopis put out a handful of releases in the early 2000’s, each capturing the progressive machine-groove of the time, but with his own signature twist and turn that made his sound stand apart from his contemporaries. The Lobster Tan EP, first released in 2005 on Play. Out. Right. Now. Recordings, shows off his unique style perfectly.
Each track has its own distinct personality while maintaining a relentless momentum that throws each kick drum into the next. The title track ‘Lobster Tan’ has an almost elastic groove in the low end, balanced deftly with swirling samples and melody lines. ‘Simulation’ is a more heady offering, perfect for those late night/early morning moments where the heads are down and the lights are low. The mood is sinister, and its growling bassline and vocal samples barrel the tune forwards. Pick of the bunch is ‘Back in the Day’, a tribal roller that combines organic melody lines and pads with an ever-evolving bassline that will refresh any discerning dance floor back into life.
Llopis is an expert at keeping things subtle while moving the gears, and this release is a prime example of prog done right. We are happy to have this one back on the shelves, all in good time. More
Christian Llopis put out a handful of releases in the early 2000’s, each capturing the progressive machine-groove of the time, but with his own signature twist and turn that made his sound stand apart from his contemporaries. The Lobster Tan EP, first released in 2005 on Play. Out. Right. Now. Recordings, shows off his unique style perfectly.
Each track has its own distinct personality while maintaining a relentless momentum that throws each kick drum into the next. The title track ‘Lobster Tan’ has an almost elastic groove in the low end, balanced deftly with swirling samples and melody lines. ‘Simulation’ is a more heady offering, perfect for those late night/early morning moments where the heads are down and the lights are low. The mood is sinister, and its growling bassline and vocal samples barrel the tune forwards. Pick of the bunch is ‘Back in the Day’, a tribal roller that combines organic melody lines and pads with an ever-evolving bassline that will refresh any discerning dance floor back into life.
Llopis is an expert at keeping things subtle while moving the gears, and this release is a prime example of prog done right. We are happy to have this one back on the shelves, all in good time. More
1
Coe - D-I-WHY
2
Coe - Skooma
Take Coe's hand and experience grafted waft like you never have before. Hammer to nail. Drill to screw. Sound to ear. Paloma tested.
More
1
Three Men - Inside
2
Three Men - Inside (Korkut Elbay Edit)
3
Three Men - Inside (Peaking Lights Rework)
The 1980 space disco hit you probably never heard of. Now officially remastered including new stunning edits by Peaking Lights and Korkut Elbay. Picture sleeve with an outstanding painting by Antonia Freisburger.
'Inside' with loads of synths and some vocoder on top is a wild jam that is propelling more and more into a frenzy during its course.
Following the orginal is a dancefloor-edit by Korkut Elbay which puts the vocal part into focus. Korkut Elbay, part of the Cómeme camp and an integral part of Cologne's electronic music scene for over 20 years, crafted an edit in its purest form.
On the flipside Aaron Coyes of the California-based duo Peaking Lights stretches out the original and reaches higher grounds with his stomping rework. He gently adds some more keys and puts you into a trance with his soothing melodies. Now dance!
But what's the story behind this unearthed gem stone? In the late 1970s a marketing company owner faced an increasing competitve market and wanted to work indepently from the professional studios which were charging high rates for commercials back then. The solution was to build his own sound studio. So he set one up in the basement of his company in Saarbrücken, Germany. He hired a studio operator and a composer that got quite a reputation in the local scence back then and besides daily job routines 'Inside' was created. More
'Inside' with loads of synths and some vocoder on top is a wild jam that is propelling more and more into a frenzy during its course.
Following the orginal is a dancefloor-edit by Korkut Elbay which puts the vocal part into focus. Korkut Elbay, part of the Cómeme camp and an integral part of Cologne's electronic music scene for over 20 years, crafted an edit in its purest form.
On the flipside Aaron Coyes of the California-based duo Peaking Lights stretches out the original and reaches higher grounds with his stomping rework. He gently adds some more keys and puts you into a trance with his soothing melodies. Now dance!
But what's the story behind this unearthed gem stone? In the late 1970s a marketing company owner faced an increasing competitve market and wanted to work indepently from the professional studios which were charging high rates for commercials back then. The solution was to build his own sound studio. So he set one up in the basement of his company in Saarbrücken, Germany. He hired a studio operator and a composer that got quite a reputation in the local scence back then and besides daily job routines 'Inside' was created. More
1
U-Bert - "Got To Make Sure" (Pablo mix)
2
U-Bert - "Got To Make Sure" (remix)
3
U-Bert - "Got To Make Sure" (Minister mix)
“In my opinion, the greatest UK street soul tune ever made! It’s all about the message of unity” - Delasy StudioEight.
Penned during the summer of 1991, 'Got To Make Sure' was recorded at H.Q. Studios in Manchester and released in October of the same year on a limited white label for Raggas Records. "H.Q. had just opened its doors, I think it was one of our first-ever sessions", says founder and sound engineer Michael Vindice: "Basically, it was Hughie and friends in the studio tinkering about until something stuck". The record has remained the most coveted of street soul white labels. Not only because of its rarity and not just because it epitomises the genre with bass-heavy independent production, but also because it emerged from Manchester's early 90s underground club scene that embraced street soul like no other; U-Bert's message made vocal for all his homegrown listeners and beyond. More
Penned during the summer of 1991, 'Got To Make Sure' was recorded at H.Q. Studios in Manchester and released in October of the same year on a limited white label for Raggas Records. "H.Q. had just opened its doors, I think it was one of our first-ever sessions", says founder and sound engineer Michael Vindice: "Basically, it was Hughie and friends in the studio tinkering about until something stuck". The record has remained the most coveted of street soul white labels. Not only because of its rarity and not just because it epitomises the genre with bass-heavy independent production, but also because it emerged from Manchester's early 90s underground club scene that embraced street soul like no other; U-Bert's message made vocal for all his homegrown listeners and beyond. More
1
The Movers - Soweto Disco (Voodoocuts Edit)
2
The Movers - Shanana (Voodoocuts Edit)
Longtime label friend and supplier of numerous edits, "Voodoocuts", teams up with "Matasuna Records" again for a new officially licensed 45. This time he puts his hands on two disco gems by the South African band "The Movers", one of the most important South African bands that shaped the country's music scene from the late 1960s to the early 1980s. The songs "Soweto Disco" and "Shanana" from the late seventies get the Voodoocuts treatment with his typical precision and attention to musical detail. The fusion of South African music with international influences such as jazz, funk and disco is an explosive mix and a secret weapon for every record bag.
Voodoocuts kicks off the single with his stunning edit of "Soweto Disco". The original is already extremely infectious and energetic, with a grooving bass, opulent horn sections, wild organ parts and a relaxed reggae vibe. But Voodoocut manages to give the song an extra kick with his skillful rearrangement, drumming and the addition of loops, filters, effects and samples. The edit effortlessly takes the song into the present to deliver a killer cut for the dancefloor.
On the flip side, "Shanana" is another delicacy from the band's later creative period. Although the mood is more relaxed, it's a wonderful song with its distinctive bass and guitar lines, as well as the great organs that are always present. Voodoocuts Edit builds up the song slowly to give the instruments enough space to unfold. A wonderful jazz-funk tune with a disco touch, enhanced by the Voodoocuts treatment.
Artist info:
The story begins in the turbulent townships of South Africa in the 1960s, when unknown musicians and brothers "Norman" and "Opa Hlongwane" approached "Kenneth Siphayi", a wealthy businessman, with the idea of supplying them with musical instruments in exchange for a share of live performances and record sales. Siphayi agreed and even became their manager, providing them with a rehearsal space and an organist. This was the beginning of the band "The Movers", whose name was also given by Siphayi.
The Movers developed a unique sound that combined traditional South African rhythms and melodies with influences from American soul, jazz and funk. Their sound was both danceable and emotionally profound. Inspired by the challenges and hopes of everyday life in the townships, their music took listeners' hearts by storm. Their energetic performances and catchy melodies quickly made them one of the most popular bands in the country. This was reflected in the sales of their first album, "Crying Guitar", which sold over half a million copies in the first few months after its release.
But their music was more than entertainment; it was an expression of the hope and resistance of an entire generation. Despite their immense popularity, The Movers, like many other black artists in apartheid South Africa, faced many challenges: Segregation, censorship, and limited opportunities to bring their music to a wider audience. However, they overcame these challenges. Their song "Soweto Inn" even became the soundtrack for the student revolts of the mid-1970s.
However, the band also experienced repeated upheavals due to a change of band members and the dismissal of their manager in 1976. The gap was filled by the producer, who took a more active role in the band's musical direction. By the end of the 1970s, none of the original members were still active and the musical landscape in South Africa began to change. The emergence of new musical styles and political pressure from the apartheid government presented challenges to the band. Despite these adversities, The Movers remained active, recording new music and proving their adaptability and creativity.
Even after their active time, the legacy of The Movers has remained alive. Their music is still listened to and appreciated today, and they are considered trailblazers for many musicians in South Africa. More than just a band, The Movers were a voice of hope and cultural expression in a difficult time. Their music remains an enduring symbol of the strength and spirit of South Africa. More
Voodoocuts kicks off the single with his stunning edit of "Soweto Disco". The original is already extremely infectious and energetic, with a grooving bass, opulent horn sections, wild organ parts and a relaxed reggae vibe. But Voodoocut manages to give the song an extra kick with his skillful rearrangement, drumming and the addition of loops, filters, effects and samples. The edit effortlessly takes the song into the present to deliver a killer cut for the dancefloor.
On the flip side, "Shanana" is another delicacy from the band's later creative period. Although the mood is more relaxed, it's a wonderful song with its distinctive bass and guitar lines, as well as the great organs that are always present. Voodoocuts Edit builds up the song slowly to give the instruments enough space to unfold. A wonderful jazz-funk tune with a disco touch, enhanced by the Voodoocuts treatment.
Artist info:
The story begins in the turbulent townships of South Africa in the 1960s, when unknown musicians and brothers "Norman" and "Opa Hlongwane" approached "Kenneth Siphayi", a wealthy businessman, with the idea of supplying them with musical instruments in exchange for a share of live performances and record sales. Siphayi agreed and even became their manager, providing them with a rehearsal space and an organist. This was the beginning of the band "The Movers", whose name was also given by Siphayi.
The Movers developed a unique sound that combined traditional South African rhythms and melodies with influences from American soul, jazz and funk. Their sound was both danceable and emotionally profound. Inspired by the challenges and hopes of everyday life in the townships, their music took listeners' hearts by storm. Their energetic performances and catchy melodies quickly made them one of the most popular bands in the country. This was reflected in the sales of their first album, "Crying Guitar", which sold over half a million copies in the first few months after its release.
But their music was more than entertainment; it was an expression of the hope and resistance of an entire generation. Despite their immense popularity, The Movers, like many other black artists in apartheid South Africa, faced many challenges: Segregation, censorship, and limited opportunities to bring their music to a wider audience. However, they overcame these challenges. Their song "Soweto Inn" even became the soundtrack for the student revolts of the mid-1970s.
However, the band also experienced repeated upheavals due to a change of band members and the dismissal of their manager in 1976. The gap was filled by the producer, who took a more active role in the band's musical direction. By the end of the 1970s, none of the original members were still active and the musical landscape in South Africa began to change. The emergence of new musical styles and political pressure from the apartheid government presented challenges to the band. Despite these adversities, The Movers remained active, recording new music and proving their adaptability and creativity.
Even after their active time, the legacy of The Movers has remained alive. Their music is still listened to and appreciated today, and they are considered trailblazers for many musicians in South Africa. More than just a band, The Movers were a voice of hope and cultural expression in a difficult time. Their music remains an enduring symbol of the strength and spirit of South Africa. More
1
F.lli Paradiso - La Danza della Giungla
2
F.lli Paradiso - Quella è una Bambola
Maledetta Discoteca proudly announces the birth of their first daughter LA SIRENETTA (*The mermaid) and the release of her first record!
An hommage to the Italian Afro scene of the late 80s, La Sirenetta is a sub-label born to take World Music to the next level for the contemporary Dancing Club Scene.
We aim at digging, selecting and editing obscure bangers from our analogue record collections, travelling from Martinique to Ivory Coast, from Nigeria to Haiti, and giving them back to deejays and dancefloors in high-quality, highly collectable, 12” releases.
PS : This is the first release of a series that will delight collectors of Afro and World Music…we won’t stop, we just started!
A - La Danza della Giungla
B - Quella è una Bambola More
An hommage to the Italian Afro scene of the late 80s, La Sirenetta is a sub-label born to take World Music to the next level for the contemporary Dancing Club Scene.
We aim at digging, selecting and editing obscure bangers from our analogue record collections, travelling from Martinique to Ivory Coast, from Nigeria to Haiti, and giving them back to deejays and dancefloors in high-quality, highly collectable, 12” releases.
PS : This is the first release of a series that will delight collectors of Afro and World Music…we won’t stop, we just started!
A - La Danza della Giungla
B - Quella è una Bambola More
Label:We Release Jazz
Cat-No:WRJ010LTD
Release-Date:16.07.2021
Genre:Jazz / Nu Jazz
Configuration:LP Excl
Label:We Release Jazz
Cat-No:WRJ010LTD
Release-Date:16.07.2021
Genre:Jazz / Nu Jazz
Configuration:LP Excl
1
Hiroshi Suzuki - A1. Shrimp Dance
2
Hiroshi Suzuki - A2. Kuro To Shiro
3
Hiroshi Suzuki - B1. Walk Tall
4
Hiroshi Suzuki - B2. Cat
5
Hiroshi Suzuki - B3. Romance
No sales to Japan!
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
More
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
More
Label:Forever Living Originals
Cat-No:FLO00018LP
Release-Date:08.11.2024
Genre:Soul/Funk
Configuration:LP
Label:Forever Living Originals
Cat-No:FLO00018LP
Release-Date:08.11.2024
Genre:Soul/Funk
Configuration:LP
Cleo Sol's arrival in the past few years has been one of the best things to happen to UK soul music in a long time, and she's gifted us two of her outstanding albums in the past 12 months. While ears are reeling from the wonder of Heaven, we're now treated to Gold and it's hard to fathom how so many incredible songs can spill out from one person. There's a dusky, understated quality to this album which makes it so easy to sink into and even in the most stripped down arrangements you can sense the guiding hand of dub giving the music a womb-like intimacy. The playing has a raw, in-the-room immediacy and it flows so naturally it wouldn't be a surprise to learn it was recorded in one take.
More
Label:Forever Living Originals
Cat-No:FLO0004LP
Release-Date:08.11.2024
Genre:Soul/Funk
Configuration:LP
Label:Forever Living Originals
Cat-No:FLO0004LP
Release-Date:08.11.2024
Genre:Soul/Funk
Configuration:LP
When she started her career just over a decade ago, Cleopatra Nikolic AKA Cleo Sol was considered a singer-for-hire within the international deep house community. Now, with the assistance of beat-maker Inflo, she's decided to strike out on her own via a quietly impressive solo debut that re-casts her as a genuinely fresh and exciting soul talent. Beginning with the layered acapella vocals and deep, jazzy grooves of stunning opener "One Love", the album sees her brilliantly deliver heartfelt and thoughtful lyrics over hazy backing tracks that brilliantly join the dots between jazz, neo-soul and R&B. While she's undoubtedly the star of the show, Inflo's stripped-back, partially acoustic and largely soft-focus production is also worthy of high praise.
More
Label:Forever Living Originals
Cat-No:FLO0007LP
Release-Date:08.11.2024
Genre:Soul/Funk
Configuration:LP
Label:Forever Living Originals
Cat-No:FLO0007LP
Release-Date:08.11.2024
Genre:Soul/Funk
Configuration:LP
We'll jump at the chance to talk about anyone affiliated with the mysterious SAULT collective. One of their most prominent voices, Cleo Sol, has here teamed up with her longtime producer friend Inflo for her second album, 'Mother'. This 12-track LP spans neo-soul, jazz and folk, and chronicles Sol's turbulent transition into motherhood. Across solitary ballads like 'Sunshine' and radiant folk dirges like 'Know That You Are Loved' and 'Promises', this album sounds purer in contrast to her debut 'Rose In The Dark'
More
non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
More
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
More