1
Voilaaa - Faché (feat. Pat Kalla)
2
Voilaaa - Faché (Dub)
3
Voilaaa - Trouble Travel (Garage version) [feat. Nai-Jah]
4
Voilaaa - Too Young to Die (feat. Olivya)
5
Voilaaa - Trop jeune pour ça
Favorite Recordings presents Faché, a new long awaited EP by Voilaaa, including 3 brand new tracks from the Afro-Disco maestro, and tasty exclusive versions. This is also a first taste of the upcoming 4th album, which is planned to be released in September this year.
The EP opens with “Faché”, and it includes all the elements of Voilaaa’s famous style and skills: killer Afro-Disco production with heavy bass, hot percussions and playful horns and keyboards, coming with French spicy vocals by longtime partner Pat Kalla. A dub version is provided then.
Next track is “Trouble Travel”, which is displayed in a “Garage Version” fully exclusive to this release and perfectly tailored to kill any dancefloor. It features upraising singer Nai-Jah collaborating for the first time with Voilaaa.
On the B-side, you’ll find a surprising and blowing version of Jamiroquai’s “Too Young to Die”. The classic hit taking a new life in a Tropical perfect suit, with stunning Creole vocals by Olivya (Dowdelin).
Voilaaa is back and ready to delight your summer!!
A1 - Faché (feat. Pat Kalla)
A2 - Faché (Dub)
A3 - Trouble Travel (Garage version) [feat. Nai-Jah]
B1 - Too Young to Die (feat. Olivya)
B2 - Trop jeune pour ça
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The EP opens with “Faché”, and it includes all the elements of Voilaaa’s famous style and skills: killer Afro-Disco production with heavy bass, hot percussions and playful horns and keyboards, coming with French spicy vocals by longtime partner Pat Kalla. A dub version is provided then.
Next track is “Trouble Travel”, which is displayed in a “Garage Version” fully exclusive to this release and perfectly tailored to kill any dancefloor. It features upraising singer Nai-Jah collaborating for the first time with Voilaaa.
On the B-side, you’ll find a surprising and blowing version of Jamiroquai’s “Too Young to Die”. The classic hit taking a new life in a Tropical perfect suit, with stunning Creole vocals by Olivya (Dowdelin).
Voilaaa is back and ready to delight your summer!!
A1 - Faché (feat. Pat Kalla)
A2 - Faché (Dub)
A3 - Trouble Travel (Garage version) [feat. Nai-Jah]
B1 - Too Young to Die (feat. Olivya)
B2 - Trop jeune pour ça
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Voilaaa
1
Voilaaa - L'Intro
2
Voilaaa - System System (ft. Lass)
3
Voilaaa - Love and Death (ft. Joao Selva)
4
Voilaaa - Trouble Travel (ft. Nai-Jah)
5
Voilaaa - Anna est partie (ft. Pat Kalla & Ayuune Sule)
6
Voilaaa - Too Young To Die (ft. Olivya)
7
Voilaaa - Mtae Rock
8
Voilaaa - Sane Kunda (ft. Lass)
9
Voilaaa - Jolie Sarah (ft. Pat Kalla)
10
Voilaaa - Les temps ont changé (ft. Fouley Badiaga)
11
Voilaaa - Faché (ft. Pat Kalla)
12
Voilaaa - Tu nous fatigues (ft. Fouley Badiaga)
13
Voilaaa - C'est la danse
14
Voilaaa - Life
For almost 10 years and with 3 albums on the clock, Voilaaa has established itself with a unique style, reviving African rhythms and atmospheres in the colors of Disco dancefloors and Funky arrangements, all often accompanied by lyrics and vocals tinged with humor and commitment.
As a result, the Afro-Tropical adventure launched by producer Bruno “Patchworks” Hovart today leaves behind a host of hits (“On te l’avait dit”, “Spies Are Watching Me”, “Ben Bene La”, …), as well as trips around the globe and as many gigs and festivals, but also and above all numerous and lasting collaborations with singers like Lass, Pat Kalla, Sir Jean, Ayuune Sule, Rama Traore, or Fouley Badiaga, the latter which also marks its great return on two tracks of the album.
With C'est tout, Voilaaa returns to us without revisiting this unstoppable recipe, while seasoning things with a more Latin and Caribbean inspiration, brought back in Bruno Hovart's suitcases after several stays in South America in recent years. Introduced last spring with the release of a first maxi single, this new opus once again delivers hit after hit.
As on the already famous “Faché” alongside Pat Kalla, which displays all the classic assets of Voilaaa’s sound: punchy Afrobeat horns, woozy chords and crunchy clavinet licks rising above a low-slung, hypnotic, dub disco-meets-Afro-boogie groove. The rest of the album is not to be outdone with a total of 14 wild tracks entirely composed by an unstoppable Bruno Hovart.
Two exceptions confirm the rule, a beautiful interpretation of the song "Love and Death" by Ebo Taylor, where Voilaaa's Afro skills perfectly melt with Angolan and Brazilian vapors, beamed by Joao Selva's lovely vocals; as well as a magical cover of “Too Young to Die”, transporting Jamiroquai to the crossroads of Africa and the Antilles, carried by the superb vocal performance of singer Olivya (Dowdelin) for a first collaboration.
Well, Voilaaa is back as its best, “that’s all” (C’est tout).
A1 - L'Intro
A2 - System System (ft. Lass)
A3 - Love and Death (ft. Joao Selva)
B1 - Trouble Travel (ft. Nai-Jah)
B2 - Anna est partie (ft. Pat Kalla & Ayuune Sule)
B3 - Too Young To Die (ft. Olivya)
C1 - Mtae Rock
C2 - Sane Kunda (ft. Lass)
C3 - Jolie Sarah (ft. Pat Kalla)
C4 - Les temps ont changé (ft. Fouley Badiaga)
D1 - Faché (ft. Pat Kalla)
D2 - Tu nous fatigues (ft. Fouley Badiaga)
D3 - C'est la danse
D4 - Life
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
As a result, the Afro-Tropical adventure launched by producer Bruno “Patchworks” Hovart today leaves behind a host of hits (“On te l’avait dit”, “Spies Are Watching Me”, “Ben Bene La”, …), as well as trips around the globe and as many gigs and festivals, but also and above all numerous and lasting collaborations with singers like Lass, Pat Kalla, Sir Jean, Ayuune Sule, Rama Traore, or Fouley Badiaga, the latter which also marks its great return on two tracks of the album.
With C'est tout, Voilaaa returns to us without revisiting this unstoppable recipe, while seasoning things with a more Latin and Caribbean inspiration, brought back in Bruno Hovart's suitcases after several stays in South America in recent years. Introduced last spring with the release of a first maxi single, this new opus once again delivers hit after hit.
As on the already famous “Faché” alongside Pat Kalla, which displays all the classic assets of Voilaaa’s sound: punchy Afrobeat horns, woozy chords and crunchy clavinet licks rising above a low-slung, hypnotic, dub disco-meets-Afro-boogie groove. The rest of the album is not to be outdone with a total of 14 wild tracks entirely composed by an unstoppable Bruno Hovart.
Two exceptions confirm the rule, a beautiful interpretation of the song "Love and Death" by Ebo Taylor, where Voilaaa's Afro skills perfectly melt with Angolan and Brazilian vapors, beamed by Joao Selva's lovely vocals; as well as a magical cover of “Too Young to Die”, transporting Jamiroquai to the crossroads of Africa and the Antilles, carried by the superb vocal performance of singer Olivya (Dowdelin) for a first collaboration.
Well, Voilaaa is back as its best, “that’s all” (C’est tout).
A1 - L'Intro
A2 - System System (ft. Lass)
A3 - Love and Death (ft. Joao Selva)
B1 - Trouble Travel (ft. Nai-Jah)
B2 - Anna est partie (ft. Pat Kalla & Ayuune Sule)
B3 - Too Young To Die (ft. Olivya)
C1 - Mtae Rock
C2 - Sane Kunda (ft. Lass)
C3 - Jolie Sarah (ft. Pat Kalla)
C4 - Les temps ont changé (ft. Fouley Badiaga)
D1 - Faché (ft. Pat Kalla)
D2 - Tu nous fatigues (ft. Fouley Badiaga)
D3 - C'est la danse
D4 - Life
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
voilaaa - On te l’avait dit (Dimitri From Paris Super Disco Blend)
2
voilaaa - Spies Are Watching Me (Africaine 808 Remix)
3
voilaaa - On te l’avait dit (Dimitri From Paris Super Disco
Voilaaa is one of the many projects led and produced by Bruno “Patchworks” Hovart, who’s proven over the past 15 years, his place amongst the finest producers of groove music in all genres. This time exploring the wide spectrum of the African and Tropical Disco scene, he received a massive international support for Voilaaa’s first album, On te l’avait dit, released last year on Favorite Recordings.
With a second effort already planned for spring 2017, Voilaaa has not finished to feed international dancefloors with heavy Afro-Disco vibes. If any would doubt that, here comes a hot remixes single package, which should end any debate about it, with Dimitri From Paris and Africaine 808 at the control!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
With a second effort already planned for spring 2017, Voilaaa has not finished to feed international dancefloors with heavy Afro-Disco vibes. If any would doubt that, here comes a hot remixes single package, which should end any debate about it, with Dimitri From Paris and Africaine 808 at the control!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
VOILAAA - Ku La Foon feat. Lass (JKriv Remix)
2
VOILAAA - Ben Bene La feat. Lass (Patchworks Remix)
3
VOILAAA - Spies Are Watching Me feat. Sir Jean (Patchworks Remix)
4
VOILAAA - Tu Mens Devant Moi feat. Ramatou Traore (Voilaaa Remix)
Favorite Recordings presents Remixes by Voilaaa, a new EP built with exclusive versions of
some of its biggest hits. Known for its Afro-Disco sound and strong dancefloor-friendly festive
bangers, these new mixes bring another light to the successful project of Bruno "Patchworks"
Hovart.
On A Side, Voilaaa asked famous Brooklyn-based producer and remixer JKriv (Razor-N-Tape) to
provide even more club energy to "Ku La Foon (feat. Lass)”, originally released on Voilaaa's third
and last album. The result is a powerful bomb that won't give any rest to the crowd.
The tracklist goes on with "Ben Bene La (feat. Lass)” reworked by Patchworks himself in a very
Latin way, taking inspiration from the NY scene and its dancers, "Spanish Harlem" and Mongo
Santamaria. You've got to play it loud and we're pretty sure you'll see some special moves on the
dancefloor.
On B side, you'll hear another Patchworks remix, this time with probably one of Voilaaa's biggest
hits, "Spies Are Watching Me (feat Sir Jean)”. In the footsteps of Moodymann, Masters At Work or
the UK Garage scene, Patchworks delivers here some of his classic house music energy. You may
know he started his career with house music: he transformed this anthem into a proper deep house
cut with the same passion!
Finally, Voilaaa remixed himself! Working on "Tu Mens Devant Moi (feat. Ramatou Traore)”,
Voilaaa carries the arrangement closer to the Angolese and Cape Verdean sound, reminding also the
sound of Super Mama Djombo from Guinea Bissau. A tropical cut that will bring more and more
sunshine to the club.
TRACKLIST:
A1. Ku La Foon feat. Lass (JKriv Remix)
A2. Ben Bene La feat. Lass (Patchworks Remix)
B1. Spies Are Watching Me feat. Sir Jean (Patchworks Remix)
B2. Tu Mens Devant Moi feat. Ramatou Traore (Voilaaa Remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
some of its biggest hits. Known for its Afro-Disco sound and strong dancefloor-friendly festive
bangers, these new mixes bring another light to the successful project of Bruno "Patchworks"
Hovart.
On A Side, Voilaaa asked famous Brooklyn-based producer and remixer JKriv (Razor-N-Tape) to
provide even more club energy to "Ku La Foon (feat. Lass)”, originally released on Voilaaa's third
and last album. The result is a powerful bomb that won't give any rest to the crowd.
The tracklist goes on with "Ben Bene La (feat. Lass)” reworked by Patchworks himself in a very
Latin way, taking inspiration from the NY scene and its dancers, "Spanish Harlem" and Mongo
Santamaria. You've got to play it loud and we're pretty sure you'll see some special moves on the
dancefloor.
On B side, you'll hear another Patchworks remix, this time with probably one of Voilaaa's biggest
hits, "Spies Are Watching Me (feat Sir Jean)”. In the footsteps of Moodymann, Masters At Work or
the UK Garage scene, Patchworks delivers here some of his classic house music energy. You may
know he started his career with house music: he transformed this anthem into a proper deep house
cut with the same passion!
Finally, Voilaaa remixed himself! Working on "Tu Mens Devant Moi (feat. Ramatou Traore)”,
Voilaaa carries the arrangement closer to the Angolese and Cape Verdean sound, reminding also the
sound of Super Mama Djombo from Guinea Bissau. A tropical cut that will bring more and more
sunshine to the club.
TRACKLIST:
A1. Ku La Foon feat. Lass (JKriv Remix)
A2. Ben Bene La feat. Lass (Patchworks Remix)
B1. Spies Are Watching Me feat. Sir Jean (Patchworks Remix)
B2. Tu Mens Devant Moi feat. Ramatou Traore (Voilaaa Remix)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Voilaaa - A1. Assia (feat. Pat Kalla)
2
Voilaaa - A2. Ben Bene La (feat. Lass)
3
Voilaaa - A3. Women Can Do (feat. Ayuune
4
Voilaaa - B1. Mbaal Mu Teer (feat. Lass)
5
Voilaaa - B2. Water No Get Enemy (feat. Pat
6
Voilaaa - B3. Tu Mens Devant Moi (feat. Rama
7
Voilaaa - B4. Faut Pas (Dub 2000)
8
Voilaaa - C1. Fighting Slowly (feat. Ayuune
9
Voilaaa - C2. Faut Pas Dire Des Choses
10
Voilaaa - C3. LYMYE-A (feat. David Walters,
11
Voilaaa - D1. Manu Écoute Ça (feat. Pat Kalla)
12
Voilaaa - D2. Ku La Foon (feat. Lass)
13
Voilaaa - D3. François Va Te Laver (feat. Pat
14
Voilaaa - D4. Tenor Jam For Manu (feat. Boris
Favorite Recordings proudly presents Voiciii, the 3rd and new album by Voilaaa, an immersive dip into its Afro-Disco universe spread across 14 tracks. Needless to say you’ll find in this new LP all the ingredients that made him famous: strong dancefloor-friendly festive bangers, irresistible funky arrangements and an undeniable sense of humor and irony.
Bruno “Patchworks” Hovart, behind Voilaaa, is as often surrounded by amazing vocal featurings from previous LP’s regulars (Pat Kalla, Lass) but also new voices you may already have heard on its recent EPs (David Walters, Rama Traore, Ayuune Suule), as well as the saxophonist Boris Pokora. The LP is also an occasion to pay tributes to major artists of the African sound, such as Fela Kuti (on “Water No Get Enemy”), or Manu Dibango (“Manu Écoute Ça” and “Tenor Jam For Manu”).
Since the release of Voilaaa’s previous LP’s Des Promesses and On Te L’Avait Dit and their massive international support, the Voilaaa Soundsystem did travel through the world to deliver its message of infectious joy and groove, from Equator to Thailand, from Kazakhstan to the infamous French “Fête de l’Huma”. Now you know: Voilaaa is everywhere and Voiciii (“here it is”) their new album.
TRACKLIST:
A1. Assia (feat. Pat Kalla)
A2. Ben Bene La (feat. Lass)
A3. Women Can Do (feat. Ayuune
Sule)
B1. Mbaal Mu Teer (feat. Lass)
B2. Water No Get Enemy (feat. Pat
Kalla)
B3. Tu Mens Devant Moi (feat. Rama
Traore)
B4. Faut Pas (Dub 2000)
C1. Fighting Slowly (feat. Ayuune
Sule)
C2. Faut Pas Dire Des Choses
Comme Ça (feat. Pat Kalla)
C3. LYMYE-A (feat. David Walters,
Pat Kalla & Lass)
D1. Manu Écoute Ça (feat. Pat Kalla)
D2. Ku La Foon (feat. Lass)
D3. François Va Te Laver (feat. Pat
Kalla)
D4. Tenor Jam For Manu (feat. Boris
Pokora)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Bruno “Patchworks” Hovart, behind Voilaaa, is as often surrounded by amazing vocal featurings from previous LP’s regulars (Pat Kalla, Lass) but also new voices you may already have heard on its recent EPs (David Walters, Rama Traore, Ayuune Suule), as well as the saxophonist Boris Pokora. The LP is also an occasion to pay tributes to major artists of the African sound, such as Fela Kuti (on “Water No Get Enemy”), or Manu Dibango (“Manu Écoute Ça” and “Tenor Jam For Manu”).
Since the release of Voilaaa’s previous LP’s Des Promesses and On Te L’Avait Dit and their massive international support, the Voilaaa Soundsystem did travel through the world to deliver its message of infectious joy and groove, from Equator to Thailand, from Kazakhstan to the infamous French “Fête de l’Huma”. Now you know: Voilaaa is everywhere and Voiciii (“here it is”) their new album.
TRACKLIST:
A1. Assia (feat. Pat Kalla)
A2. Ben Bene La (feat. Lass)
A3. Women Can Do (feat. Ayuune
Sule)
B1. Mbaal Mu Teer (feat. Lass)
B2. Water No Get Enemy (feat. Pat
Kalla)
B3. Tu Mens Devant Moi (feat. Rama
Traore)
B4. Faut Pas (Dub 2000)
C1. Fighting Slowly (feat. Ayuune
Sule)
C2. Faut Pas Dire Des Choses
Comme Ça (feat. Pat Kalla)
C3. LYMYE-A (feat. David Walters,
Pat Kalla & Lass)
D1. Manu Écoute Ça (feat. Pat Kalla)
D2. Ku La Foon (feat. Lass)
D3. François Va Te Laver (feat. Pat
Kalla)
D4. Tenor Jam For Manu (feat. Boris
Pokora)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Favorite Recordings
1
Magic Source - Voodoo Ray
2
Magic Source - Interplanetary Bounce
Magic Source is back with an exclusive 2 tracks single filled with their special rootsy cosmic funky touch.
Led by producer & notorious tape operator Björn Wagner (of Mighty Mocambos, Bacao Rhythm & Steel Band and Mocambo Records), the group follows up to the release of their 2nd LP last year, Voyage Spectral. This time again, the German band dives into the Tropical and international aspects of Disco and Funk music, always using 100% organic production and recordings material.
On this 2 tracks single, you’ll first find a blazing and unexpected covers of “Voodoo Ray” the classic acid-house track by A Guy Called Gerald, with special vocals by Mounam & Gizelle Smith. Following up to this already dancefloor classic, comes “Interplanetary Bounce”, a new and exclusive composition from the band also tailored to make you move, with its Boogie touch and heavy breaks.
A - Voodoo Ray
B - Interplanetary Bounce
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Led by producer & notorious tape operator Björn Wagner (of Mighty Mocambos, Bacao Rhythm & Steel Band and Mocambo Records), the group follows up to the release of their 2nd LP last year, Voyage Spectral. This time again, the German band dives into the Tropical and international aspects of Disco and Funk music, always using 100% organic production and recordings material.
On this 2 tracks single, you’ll first find a blazing and unexpected covers of “Voodoo Ray” the classic acid-house track by A Guy Called Gerald, with special vocals by Mounam & Gizelle Smith. Following up to this already dancefloor classic, comes “Interplanetary Bounce”, a new and exclusive composition from the band also tailored to make you move, with its Boogie touch and heavy breaks.
A - Voodoo Ray
B - Interplanetary Bounce
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jeff Silna - It's Always Something Wit
2
Jonathon Hansen - What Its Meant To Me
3
Jonathon Hansen Jeff Silna - What Its Meant To Me
Favorite Recordings proudly presents this new 7inch single release, filled with 2 beautiful tracks previously compiled on the famous and now almost sold-out, AOR Global Sounds series.
First comes “What Its Meant to Me” by Jonathon Hansen. Self-produced and self-released in 1978 by Jonathon, this is another perfect recipe of AOR soulful style. Jonathon Hansen told us a bit about its story: “’What Its' Meant To Me’ was a song I wrote about the breakup of a band. As with a lot of my songs, I always write them to be about more than one thing. Primarily relationships. The song was recorded in Costa Mesa, CA at Sunwood Sound Studios. It was recorded with fellow bandmates and other musician friends.”
Another top track from the series comes next, with “It’s Always Something With You” by Jeff Silna. Originally only released on a promotional radio compilation, it was reissued by Favorite Recordings in 2017 on the 3rd edition of the AOR Global Sounds series and is still now in high demand. Here again Jeff Silna reminds: “This track was recorded at TK Studios, credited with the inception of disco music and pumping out what were considered the first Disco hits. TK created what’s known as the Miami sound. I was fortunate to work with some amazing musicians like guitarist Sheldon Stauber and players from the U of M Jazz Band, which was tops in the country at the time. My influences were funk and soul bands like Earth Wind & Fire and Average White Band.”
A Jonathon Hansen - What Its Meant To Me
B Jeff Silna - It's Always Something Wit
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DE - 22113 Hamburg
Germany
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First comes “What Its Meant to Me” by Jonathon Hansen. Self-produced and self-released in 1978 by Jonathon, this is another perfect recipe of AOR soulful style. Jonathon Hansen told us a bit about its story: “’What Its' Meant To Me’ was a song I wrote about the breakup of a band. As with a lot of my songs, I always write them to be about more than one thing. Primarily relationships. The song was recorded in Costa Mesa, CA at Sunwood Sound Studios. It was recorded with fellow bandmates and other musician friends.”
Another top track from the series comes next, with “It’s Always Something With You” by Jeff Silna. Originally only released on a promotional radio compilation, it was reissued by Favorite Recordings in 2017 on the 3rd edition of the AOR Global Sounds series and is still now in high demand. Here again Jeff Silna reminds: “This track was recorded at TK Studios, credited with the inception of disco music and pumping out what were considered the first Disco hits. TK created what’s known as the Miami sound. I was fortunate to work with some amazing musicians like guitarist Sheldon Stauber and players from the U of M Jazz Band, which was tops in the country at the time. My influences were funk and soul bands like Earth Wind & Fire and Average White Band.”
A Jonathon Hansen - What Its Meant To Me
B Jeff Silna - It's Always Something Wit
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Byrne & Barnes Robert Byrne - Love You Out Of My Mind
2
Byrne & Barnes Robert Byrne - Do You Wanna Make Some Love (Unreleased)
8 years after the official reissue of the LP “An Eye For An Eye” by Byrne & Barnes, Favorite Recordings proudly presents this new single release.
The 7inch first includes the classic “Love You Out Of Your Mind”, extracted from the WestCoast classic LP, which was a one-stop collaboration between Robert Byrne and Brendan Barnes, however both display incredible music career and went on to produce for famous artists such as Pointer Sisters, Patti Austin, Earth Wind & Fire, or Phil Collins to name just a few. The song parades all the elements of the AOR style: a jazzy sometimes fusion approach, with modern soul and groove flavors.
The other side features an exclusive and unreleased track by Robert Byrne, dug by the original executive producer up in his archives for our great pleasure. “Do You Wanna Make Some Love” is also nurtured with Westcoast and AOR vibes, while leering to Boogie and Disco influences. We have no doubt it will delight all the Byrne & Barnes music lovers and many more.
A - Love You Out Of My Mind
B - Do You Wanna Make Some Love (Unreleased)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The 7inch first includes the classic “Love You Out Of Your Mind”, extracted from the WestCoast classic LP, which was a one-stop collaboration between Robert Byrne and Brendan Barnes, however both display incredible music career and went on to produce for famous artists such as Pointer Sisters, Patti Austin, Earth Wind & Fire, or Phil Collins to name just a few. The song parades all the elements of the AOR style: a jazzy sometimes fusion approach, with modern soul and groove flavors.
The other side features an exclusive and unreleased track by Robert Byrne, dug by the original executive producer up in his archives for our great pleasure. “Do You Wanna Make Some Love” is also nurtured with Westcoast and AOR vibes, while leering to Boogie and Disco influences. We have no doubt it will delight all the Byrne & Barnes music lovers and many more.
A - Love You Out Of My Mind
B - Do You Wanna Make Some Love (Unreleased)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Voilaaa - L'Intro
2
Voilaaa - System System (ft. Lass)
3
Voilaaa - Love and Death (ft. Joao Selva)
4
Voilaaa - Trouble Travel (ft. Nai-Jah)
5
Voilaaa - Anna est partie (ft. Pat Kalla & Ayuune Sule)
6
Voilaaa - Too Young To Die (ft. Olivya)
7
Voilaaa - Mtae Rock
8
Voilaaa - Sane Kunda (ft. Lass)
9
Voilaaa - Jolie Sarah (ft. Pat Kalla)
10
Voilaaa - Les temps ont changé (ft. Fouley Badiaga)
11
Voilaaa - Faché (ft. Pat Kalla)
12
Voilaaa - Tu nous fatigues (ft. Fouley Badiaga)
13
Voilaaa - C'est la danse
14
Voilaaa - Life
For almost 10 years and with 3 albums on the clock, Voilaaa has established itself with a unique style, reviving African rhythms and atmospheres in the colors of Disco dancefloors and Funky arrangements, all often accompanied by lyrics and vocals tinged with humor and commitment.
As a result, the Afro-Tropical adventure launched by producer Bruno “Patchworks” Hovart today leaves behind a host of hits (“On te l’avait dit”, “Spies Are Watching Me”, “Ben Bene La”, …), as well as trips around the globe and as many gigs and festivals, but also and above all numerous and lasting collaborations with singers like Lass, Pat Kalla, Sir Jean, Ayuune Sule, Rama Traore, or Fouley Badiaga, the latter which also marks its great return on two tracks of the album.
With C'est tout, Voilaaa returns to us without revisiting this unstoppable recipe, while seasoning things with a more Latin and Caribbean inspiration, brought back in Bruno Hovart's suitcases after several stays in South America in recent years. Introduced last spring with the release of a first maxi single, this new opus once again delivers hit after hit.
As on the already famous “Faché” alongside Pat Kalla, which displays all the classic assets of Voilaaa’s sound: punchy Afrobeat horns, woozy chords and crunchy clavinet licks rising above a low-slung, hypnotic, dub disco-meets-Afro-boogie groove. The rest of the album is not to be outdone with a total of 14 wild tracks entirely composed by an unstoppable Bruno Hovart.
Two exceptions confirm the rule, a beautiful interpretation of the song "Love and Death" by Ebo Taylor, where Voilaaa's Afro skills perfectly melt with Angolan and Brazilian vapors, beamed by Joao Selva's lovely vocals; as well as a magical cover of “Too Young to Die”, transporting Jamiroquai to the crossroads of Africa and the Antilles, carried by the superb vocal performance of singer Olivya (Dowdelin) for a first collaboration.
Well, Voilaaa is back as its best, “that’s all” (C’est tout).
A1 - L'Intro
A2 - System System (ft. Lass)
A3 - Love and Death (ft. Joao Selva)
B1 - Trouble Travel (ft. Nai-Jah)
B2 - Anna est partie (ft. Pat Kalla & Ayuune Sule)
B3 - Too Young To Die (ft. Olivya)
C1 - Mtae Rock
C2 - Sane Kunda (ft. Lass)
C3 - Jolie Sarah (ft. Pat Kalla)
C4 - Les temps ont changé (ft. Fouley Badiaga)
D1 - Faché (ft. Pat Kalla)
D2 - Tu nous fatigues (ft. Fouley Badiaga)
D3 - C'est la danse
D4 - Life
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As a result, the Afro-Tropical adventure launched by producer Bruno “Patchworks” Hovart today leaves behind a host of hits (“On te l’avait dit”, “Spies Are Watching Me”, “Ben Bene La”, …), as well as trips around the globe and as many gigs and festivals, but also and above all numerous and lasting collaborations with singers like Lass, Pat Kalla, Sir Jean, Ayuune Sule, Rama Traore, or Fouley Badiaga, the latter which also marks its great return on two tracks of the album.
With C'est tout, Voilaaa returns to us without revisiting this unstoppable recipe, while seasoning things with a more Latin and Caribbean inspiration, brought back in Bruno Hovart's suitcases after several stays in South America in recent years. Introduced last spring with the release of a first maxi single, this new opus once again delivers hit after hit.
As on the already famous “Faché” alongside Pat Kalla, which displays all the classic assets of Voilaaa’s sound: punchy Afrobeat horns, woozy chords and crunchy clavinet licks rising above a low-slung, hypnotic, dub disco-meets-Afro-boogie groove. The rest of the album is not to be outdone with a total of 14 wild tracks entirely composed by an unstoppable Bruno Hovart.
Two exceptions confirm the rule, a beautiful interpretation of the song "Love and Death" by Ebo Taylor, where Voilaaa's Afro skills perfectly melt with Angolan and Brazilian vapors, beamed by Joao Selva's lovely vocals; as well as a magical cover of “Too Young to Die”, transporting Jamiroquai to the crossroads of Africa and the Antilles, carried by the superb vocal performance of singer Olivya (Dowdelin) for a first collaboration.
Well, Voilaaa is back as its best, “that’s all” (C’est tout).
A1 - L'Intro
A2 - System System (ft. Lass)
A3 - Love and Death (ft. Joao Selva)
B1 - Trouble Travel (ft. Nai-Jah)
B2 - Anna est partie (ft. Pat Kalla & Ayuune Sule)
B3 - Too Young To Die (ft. Olivya)
C1 - Mtae Rock
C2 - Sane Kunda (ft. Lass)
C3 - Jolie Sarah (ft. Pat Kalla)
C4 - Les temps ont changé (ft. Fouley Badiaga)
D1 - Faché (ft. Pat Kalla)
D2 - Tu nous fatigues (ft. Fouley Badiaga)
D3 - C'est la danse
D4 - Life
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1
Painel De Controle - Relax (Extended Waxist Version)
2
Rabo De Saia - Ripa Na Xulipa (Extended Version)
3
Os Famks - Labirinto (Extended Nick The Record Edit)
Brazilian Disco Boogie Sound is a compilation that brings together nine of the most important and obscure hits of the Brazilian Funk-Boogie-Disco scene during the years of 1978 to 1982.
Following its acclaimed release in late 2014, Favorite Recordings now present a great additional 12inch single package, including exclusive extended versions by Nick The Record, Waxist and Charles Maurice.
The 3 DJs provide new exclusive extended versions of Painel De Controle, Rabo De Saia, and Famks’ killing originals tracks.
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Following its acclaimed release in late 2014, Favorite Recordings now present a great additional 12inch single package, including exclusive extended versions by Nick The Record, Waxist and Charles Maurice.
The 3 DJs provide new exclusive extended versions of Painel De Controle, Rabo De Saia, and Famks’ killing originals tracks.
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1
voilaaa - On te l’avait dit (Dimitri From Paris Super Disco Blend)
2
voilaaa - Spies Are Watching Me (Africaine 808 Remix)
3
voilaaa - On te l’avait dit (Dimitri From Paris Super Disco
Voilaaa is one of the many projects led and produced by Bruno “Patchworks” Hovart, who’s proven over the past 15 years, his place amongst the finest producers of groove music in all genres. This time exploring the wide spectrum of the African and Tropical Disco scene, he received a massive international support for Voilaaa’s first album, On te l’avait dit, released last year on Favorite Recordings.
With a second effort already planned for spring 2017, Voilaaa has not finished to feed international dancefloors with heavy Afro-Disco vibes. If any would doubt that, here comes a hot remixes single package, which should end any debate about it, with Dimitri From Paris and Africaine 808 at the control!
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With a second effort already planned for spring 2017, Voilaaa has not finished to feed international dancefloors with heavy Afro-Disco vibes. If any would doubt that, here comes a hot remixes single package, which should end any debate about it, with Dimitri From Paris and Africaine 808 at the control!
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1
di melo - A.e.i.o.u
2
di melo - A.e.i.o.u. (Dub Version)
New single by legendary Brazilian singer DI MELO, 40 years after his classic self-titled Samba-Soul LP. Performed and produced by French brilliant combo COTONETE, this single and collaboration will be followed by a full album early 2019.
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1
Lamar Thomas - Feels So Good Inside (Extended Version)
2
Lamar Thomas - Feels So Good Inside
3
Lamar Thomas - Take Me To (New York City) (Original Mix)
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1
Lucas Arruda - Intro
2
Lucas Arruda - The Bravest Heart
3
Lucas Arruda - Novos Planos
4
Lucas Arruda - Outras Dimensoes
5
Lucas Arruda - Abraco Pro Ed
6
Lucas Arruda - 4:28 Am
7
Lucas Arruda - The Mountain
8
Lucas Arruda - Ominira
9
Lucas Arruda - Projecoes
5 years after his last and 3rd album, Lucas Arruda finally presents his long awaited new LP, Ominira.
Since the release of his first album on Favorite Recordings (Sambadi / 2013), Lucas Arruda has clearly established himself as one of the most talented contemporary artist and composer from Brazil. His music is filled with fusion style, mixing influences and elements from his Latin musical background, with his genuine admiration for Jazz, Soul, Pop and Funk music.
During these 10 years of collaboration with label honcho Pascal Rioux, Lucas Arruda’ music has always received great supports and feedbacks from international media and tastemakers, each album perfecting the level of composition and production. With Onda Nova (2019), Lucas dived willingly into Robson Jorge & Lincoln Olivetti influences, aiming to capture the true essence of Brazilian Funk and AOR tradition. Now a father and family man, he turned more deeply into his native influences when composing this new beautiful album. Fully composed and produced by Lucas, Ominira also features appearances from friends local musicians and artists such as Italo Vinicius (Drums), Thiago Arruda (guitars), Roger Rocha (sax), or Flavia K and Andre Motta on vocals.
"Ominira is about freedom, art and music. It's also about honoring my ancestors and my musical influences. I delved a little deeper into my African roots, in addition to Brazilian music and rhythms, and my longtime passion for Soul/Funk. After a long production process I feel like I made my best album. So, I present to you OMINIRA, a new chapter in my career. Have a nice trip!"
A1 - Intro
A2 - The Bravest Heart
A3 - Novos Planos
A4 - Outras Dimensoes
A5 - Abraco Pro Ed
B1 - 4:28 Am
B2 - The Mountain
B3 - Ominira
B4 - Projecoes
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Since the release of his first album on Favorite Recordings (Sambadi / 2013), Lucas Arruda has clearly established himself as one of the most talented contemporary artist and composer from Brazil. His music is filled with fusion style, mixing influences and elements from his Latin musical background, with his genuine admiration for Jazz, Soul, Pop and Funk music.
During these 10 years of collaboration with label honcho Pascal Rioux, Lucas Arruda’ music has always received great supports and feedbacks from international media and tastemakers, each album perfecting the level of composition and production. With Onda Nova (2019), Lucas dived willingly into Robson Jorge & Lincoln Olivetti influences, aiming to capture the true essence of Brazilian Funk and AOR tradition. Now a father and family man, he turned more deeply into his native influences when composing this new beautiful album. Fully composed and produced by Lucas, Ominira also features appearances from friends local musicians and artists such as Italo Vinicius (Drums), Thiago Arruda (guitars), Roger Rocha (sax), or Flavia K and Andre Motta on vocals.
"Ominira is about freedom, art and music. It's also about honoring my ancestors and my musical influences. I delved a little deeper into my African roots, in addition to Brazilian music and rhythms, and my longtime passion for Soul/Funk. After a long production process I feel like I made my best album. So, I present to you OMINIRA, a new chapter in my career. Have a nice trip!"
A1 - Intro
A2 - The Bravest Heart
A3 - Novos Planos
A4 - Outras Dimensoes
A5 - Abraco Pro Ed
B1 - 4:28 Am
B2 - The Mountain
B3 - Ominira
B4 - Projecoes
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1
Kerri "Kaoz 6:23" Chandler - Be There (Kerri's Club Mix)
2
Slowhouse 2 - Untitled
3
Truth - Emotional
4
Passion Dance Orchestra - Inner Dance
5
Abacus - Blax Thanxs
6
Transient feat Sherman Benton - Higher (Club Mix)
7
Pure Science - Ekeyz
8
N'Dambi - Can't Change Me (Ron Trent Remix)
Favorite recordings and Lea Lisa presents Many Shades of House, a personal selection of House music tracks that have a very special place in Lea Lisa's heart and in her record box.
Amongst this selection, Many Shades Of House is including many very rare and hard to find titles, mostly never reissued on vinyl until now.
Lea Lisa (Phonica Records, Wolf Music…) is a DJ, producer & vinyl addict who never stops digging and hasn’t since she first started in 1995. House music is so rich and varied that she naturally felt the desire to show and share this diversity. “Through this compilation I wanted to present artists and records that have greatly influenced me throughout my career. Whether through the strong messages they convey or through the emotions I felt discovering each of these vinyl.” said Lea Lisa.
Carefully packed with long-forgotten US house gems (Transient's groove keeper "Higher" and a 1997 NYC House tune from Kerri Chandler in his garage house days), iconic early house/techno treasure (Mark Goddard's "Truth"), intensive journeys (Passion Dance Orchestra) to atmospheric soundscapes (Pure Science), soulful grooves (Ron Trent's boogie infused "Can't Change Me") and timeless deep house gems (Slowhouse, Abacus).
Created in 2005, Favorite Recordings presents a rich catalogue combining the productions of new artists with reissues of forgotten masterpieces all along the wide groove music spectrum, from Soul/Funk, Jazz, Disco, to Reggae, Hip-Hop, House or Electronic genres. Before launching Favorite. Pascal Rioux, founder and label honcho, started in the mid-90s with the House music label Rotax Disques. In 2014, following his meeting and affinity with French House DJ Jeremy Underground, they quickly collaborated on a series of compilations (My Love Is Underground) curated by Jeremy and reissuing some of his finest Underground House music hidden gems. Today the story starts again with Lea Lisa with this finest compilation for House Music Lovers…
A1 - Kerri "Kaoz 6:23" Chandler - Be There (Kerri's Club Mix)
A2 - Slowhouse 2 – Untitled
B1 - Truth – Emotional
B2 - Passion Dance Orchestra - Inner Dance
C1 - Abacus - Blax Thanxs
C2 - Transient feat Sherman Benton - Higher (Club Mix)
D1 - Pure Science – Ekeyz
D2 - N'Dambi - Can't Change Me (Ron Trent Remix)
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Amongst this selection, Many Shades Of House is including many very rare and hard to find titles, mostly never reissued on vinyl until now.
Lea Lisa (Phonica Records, Wolf Music…) is a DJ, producer & vinyl addict who never stops digging and hasn’t since she first started in 1995. House music is so rich and varied that she naturally felt the desire to show and share this diversity. “Through this compilation I wanted to present artists and records that have greatly influenced me throughout my career. Whether through the strong messages they convey or through the emotions I felt discovering each of these vinyl.” said Lea Lisa.
Carefully packed with long-forgotten US house gems (Transient's groove keeper "Higher" and a 1997 NYC House tune from Kerri Chandler in his garage house days), iconic early house/techno treasure (Mark Goddard's "Truth"), intensive journeys (Passion Dance Orchestra) to atmospheric soundscapes (Pure Science), soulful grooves (Ron Trent's boogie infused "Can't Change Me") and timeless deep house gems (Slowhouse, Abacus).
Created in 2005, Favorite Recordings presents a rich catalogue combining the productions of new artists with reissues of forgotten masterpieces all along the wide groove music spectrum, from Soul/Funk, Jazz, Disco, to Reggae, Hip-Hop, House or Electronic genres. Before launching Favorite. Pascal Rioux, founder and label honcho, started in the mid-90s with the House music label Rotax Disques. In 2014, following his meeting and affinity with French House DJ Jeremy Underground, they quickly collaborated on a series of compilations (My Love Is Underground) curated by Jeremy and reissuing some of his finest Underground House music hidden gems. Today the story starts again with Lea Lisa with this finest compilation for House Music Lovers…
A1 - Kerri "Kaoz 6:23" Chandler - Be There (Kerri's Club Mix)
A2 - Slowhouse 2 – Untitled
B1 - Truth – Emotional
B2 - Passion Dance Orchestra - Inner Dance
C1 - Abacus - Blax Thanxs
C2 - Transient feat Sherman Benton - Higher (Club Mix)
D1 - Pure Science – Ekeyz
D2 - N'Dambi - Can't Change Me (Ron Trent Remix)
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1
Lerma dela Cruz - Free
2
Nivaldo Ornelas - Cactus
3
Krystyna Pronìko - Oto Przyczyna
4
Bobby Martinez - Pendulum
5
Tom Grant - Mystified
6
Nivaldo Ornelas - Los Angeles
7
Carlos Mendes - Oamoreìomar
8
Dana Kaproff - Brownstones
Favorite Recordings comes back with the 2nd edition of its compilation series: Fusion Global
Sounds. 8 rare and hidden tracks produced between 1976 and 1984 in various parts of the world.
As a fine collector of Jazz-Funk and Fusion for many years, Charles Maurice cooked another fine
selection of forgotten Fusion Jazz productions, this time driven by a common Brazilian influence.
On this 2nd edition, recordings come from Brazil, Philippines, Netherlands, Poland, and US, all
again from underrated artists mostly unknown from the masses. You'll find here the best elements of
the Fusion genre: fine vocal arrangements, catchy Fender Rhodes and synthesizers, irresistible
basslines, and classy horns section, altogether bringing a unique groove infused with Brazilian
flavors.
The compilation starts with Lerma dela Cruz, a quite occult songstress from Philippines. “Free” was
part of a very rare compilation titled “Tropical Jazz Fusion”, released in 1983 on A&W Horizon label
(also home of Boy Katindig). With its blowing Samba / Jazz-Funk vibes, it was an obvious match to
open this collection. The following song could only enhance this ambience, since that of Brazilian
saxophonist, Nivaldo Ornelas, present on this opus with 2 titles taken from his album A Tarde
(1983). On “Cactus”, Nivaldo is supported on keyboards by his friend Marcos Resende, both also
known for their album on the MPBC series released by Phonogram-Polygram between 1978 and
1981, which has clearly been an inspiration for Charles Maurice in building this second edition.
We could continue telling stories and details about the others great tracks included in Fusion Global
Sounds Vol.2, but we believe that the best way is to listen to it and pursue your trip through Fusion
Jazz combined with Brazilian styles, including surprising stopover in Poland, or Netherlands.
A1. Lerma dela Cruz - Free
A2. Nivaldo Ornelas - Cactus
A3. Krystyna Pronìko - Oto Przyczyna
A4. Bobby Martinez - Pendulum
B1. Tom Grant - Mystified
B2. Nivaldo Ornelas - Los Angeles
B3. Carlos Mendes - Oamoreìomar
B4. Dana Kaproff - Brownstones
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Sounds. 8 rare and hidden tracks produced between 1976 and 1984 in various parts of the world.
As a fine collector of Jazz-Funk and Fusion for many years, Charles Maurice cooked another fine
selection of forgotten Fusion Jazz productions, this time driven by a common Brazilian influence.
On this 2nd edition, recordings come from Brazil, Philippines, Netherlands, Poland, and US, all
again from underrated artists mostly unknown from the masses. You'll find here the best elements of
the Fusion genre: fine vocal arrangements, catchy Fender Rhodes and synthesizers, irresistible
basslines, and classy horns section, altogether bringing a unique groove infused with Brazilian
flavors.
The compilation starts with Lerma dela Cruz, a quite occult songstress from Philippines. “Free” was
part of a very rare compilation titled “Tropical Jazz Fusion”, released in 1983 on A&W Horizon label
(also home of Boy Katindig). With its blowing Samba / Jazz-Funk vibes, it was an obvious match to
open this collection. The following song could only enhance this ambience, since that of Brazilian
saxophonist, Nivaldo Ornelas, present on this opus with 2 titles taken from his album A Tarde
(1983). On “Cactus”, Nivaldo is supported on keyboards by his friend Marcos Resende, both also
known for their album on the MPBC series released by Phonogram-Polygram between 1978 and
1981, which has clearly been an inspiration for Charles Maurice in building this second edition.
We could continue telling stories and details about the others great tracks included in Fusion Global
Sounds Vol.2, but we believe that the best way is to listen to it and pursue your trip through Fusion
Jazz combined with Brazilian styles, including surprising stopover in Poland, or Netherlands.
A1. Lerma dela Cruz - Free
A2. Nivaldo Ornelas - Cactus
A3. Krystyna Pronìko - Oto Przyczyna
A4. Bobby Martinez - Pendulum
B1. Tom Grant - Mystified
B2. Nivaldo Ornelas - Los Angeles
B3. Carlos Mendes - Oamoreìomar
B4. Dana Kaproff - Brownstones
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1
Magic Source - Saturn Moon Dive
2
Magic Source - Superglider
3
Magic Source - Spead Boat To Atlantis
4
Magic Source - Dreaming Of You
5
Magic Source - Pyramide
6
Magic Source - Genius Of Love
7
Magic Source - Rainy Afternoon In Paris
8
Magic Source - Space Of Mind
Magic Source invites you to a journey to the obscure side of disco music.
Led by producer & notorious tape operator Björn Wagner (of Mighty Mocambos, Bacao Rhythm & Steel Band and Mocambo Records), the group follows up on their rootsy cosmic debut LP Earthrising and last year's EP Riviera Drive, whose stunning flute jazz cover of “Genius of Love” is also featured on this longplayer.
Further exploring the more unusual facets of disco in its otherworldly and international stylings, Voyage Spectral travels through a wide musical scope, ranging from “lost” tropical grooves, Mediterranean funk, outernational boogie, to cosmic sci-fi soundtracks. All 100% organic - created by real musicians with real vintage instruments, captured on 16-track analog tape.
An all-star cast of musicians invites you to a fantasy trip where angelic voices blend with spaced-out synths, ethnic string instruments interplay with sharp horn lines while the rhythm section is holding down a polyrhythmic puzzle of guitars, clavinets, B-3, drums and percussions.
TRACKLIST:
A1. Saturn Moon Dive
A2. Superglider
A3. Spead Boat To Atlantis
A4. Dreaming Of You
B1. Pyramide
B2. Genius Of Love
B3. Rainy Afternoon In Paris
B4. Space Of Mind
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Led by producer & notorious tape operator Björn Wagner (of Mighty Mocambos, Bacao Rhythm & Steel Band and Mocambo Records), the group follows up on their rootsy cosmic debut LP Earthrising and last year's EP Riviera Drive, whose stunning flute jazz cover of “Genius of Love” is also featured on this longplayer.
Further exploring the more unusual facets of disco in its otherworldly and international stylings, Voyage Spectral travels through a wide musical scope, ranging from “lost” tropical grooves, Mediterranean funk, outernational boogie, to cosmic sci-fi soundtracks. All 100% organic - created by real musicians with real vintage instruments, captured on 16-track analog tape.
An all-star cast of musicians invites you to a fantasy trip where angelic voices blend with spaced-out synths, ethnic string instruments interplay with sharp horn lines while the rhythm section is holding down a polyrhythmic puzzle of guitars, clavinets, B-3, drums and percussions.
TRACKLIST:
A1. Saturn Moon Dive
A2. Superglider
A3. Spead Boat To Atlantis
A4. Dreaming Of You
B1. Pyramide
B2. Genius Of Love
B3. Rainy Afternoon In Paris
B4. Space Of Mind
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1
Charms - Givin’ It Up
2
France Lise - Pour moi ça va
Favorite Recordings proudly presents its new series of 7" reissues with the following concept: each side dedicated to one Funky French track coming with its original artwork. You just have to flip it!
On the first side comes "Givin’ It Up" by Belgian funk band Charms. Compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original vinyl 7inch was released in 1982 on famous Biram label and is now a very hard to find gem for reasonable prices. Not really surprising considering the immediate power of this Disco track, filled catchy synths lines, sweet vocals and fateful chorus.
On the other side comes another French Disco underground hit with “Pour moi ça va” by France-Lise. It takes only a few seconds to get driven on the dancefloor by the heavily funky guitar and bassline and the immediate energy of this song. Also compiled by Charles Maurice on French Disco Boogie Sounds Vol. 1, this is also a quite hard to find OG. With its charming French vocals and bouncing percussions, it should delight any Disco player.
A. Charms – Givin’ It Up
B. France Lise – Pour moi ça va
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On the first side comes "Givin’ It Up" by Belgian funk band Charms. Compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original vinyl 7inch was released in 1982 on famous Biram label and is now a very hard to find gem for reasonable prices. Not really surprising considering the immediate power of this Disco track, filled catchy synths lines, sweet vocals and fateful chorus.
On the other side comes another French Disco underground hit with “Pour moi ça va” by France-Lise. It takes only a few seconds to get driven on the dancefloor by the heavily funky guitar and bassline and the immediate energy of this song. Also compiled by Charles Maurice on French Disco Boogie Sounds Vol. 1, this is also a quite hard to find OG. With its charming French vocals and bouncing percussions, it should delight any Disco player.
A. Charms – Givin’ It Up
B. France Lise – Pour moi ça va
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1
Crystal - Funky Biguine
2
J.E.K.Y.S - Looking For You
Favorite Recordings proudly present its new series of 7" reissues with the following concept: each side
dedicated to one Funky French track coming with its original artwork. You just have to flip it!
On the first side, you'll get the amazing track "Funky Biguine" by West Indies band Crystal. Originally
compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original eponymous album still goes
for crazy prices. And there's a reason for that: "Funky Biguine" will bring the heat on the dancefloor with its
enchanting synth bassline, its West Indies influences and melodious Funk arrangement. Don't miss the synth
solo in the end!
On the other side, you'll find a reissue of "Looking For You" by J.E.K.Y.S from the island of Réunion. The
song has just started and you're already overwhelmed by the strong bassline and the sirens of this French boogie
anthem - despite this one has English lyrics. Originally, you'll find it compiled by Charles Maurice on French Disco
Boogie Sounds Vol. 3. Expect lovely harmonic progressions and perhaps a more spacey groove, as in these
beautiful bridges leading to chorus where the lyrics blend perfectly with the synthesisers line and Fender Rhodes.
TRACKLIST:
A. Crystal – Funky Biguine
B. J.E.K.Y.S – Looking For You
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dedicated to one Funky French track coming with its original artwork. You just have to flip it!
On the first side, you'll get the amazing track "Funky Biguine" by West Indies band Crystal. Originally
compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original eponymous album still goes
for crazy prices. And there's a reason for that: "Funky Biguine" will bring the heat on the dancefloor with its
enchanting synth bassline, its West Indies influences and melodious Funk arrangement. Don't miss the synth
solo in the end!
On the other side, you'll find a reissue of "Looking For You" by J.E.K.Y.S from the island of Réunion. The
song has just started and you're already overwhelmed by the strong bassline and the sirens of this French boogie
anthem - despite this one has English lyrics. Originally, you'll find it compiled by Charles Maurice on French Disco
Boogie Sounds Vol. 3. Expect lovely harmonic progressions and perhaps a more spacey groove, as in these
beautiful bridges leading to chorus where the lyrics blend perfectly with the synthesisers line and Fender Rhodes.
TRACKLIST:
A. Crystal – Funky Biguine
B. J.E.K.Y.S – Looking For You
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1
Paul Fathy - Funky Baby Love
2
Corail' - Karukera C'est Comme Ça
Favorite Recordings proudly present a new series of 7" reissues with a simple concept: each side dedicated to one French funky track coming with its original artwork. You just have to flip it!
Starting with "Funky Baby Love" by Paul Fathy, it could not get funkier! The French boogie track originally compiled by Charles Maurice on French Disco Boogie Sounds Vol. 3, is your perfect tool for the dancefloor. It brings together all the ingredients of a great production with irresistible disco strings, a catchy chorus supported by beautiful backing vocals and its final climax will bring the dancers to a point of no return.
On the other side, you get an exclusive reissue of West-Indies band Corail', with their song "Karukera C'est Comme Ça" taken from their eponymous album. This under-the-radar, zouky and funky track will surprise every listener with its appealing arrangement and lyrics: "Ça va danser / Sur l'île aux oiseaux". Soon, you won't be able to get it out of your head. The bass is groovin', the rhythmic guitar is infectious and digital keyboards are on point: we're pretty much sure this one will become sooner or later a banger of its own.
TRACKLIST:
A. Paul Fathy – Funky Baby Love
B. Corail' – Karukera C'est Comme Ça
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Starting with "Funky Baby Love" by Paul Fathy, it could not get funkier! The French boogie track originally compiled by Charles Maurice on French Disco Boogie Sounds Vol. 3, is your perfect tool for the dancefloor. It brings together all the ingredients of a great production with irresistible disco strings, a catchy chorus supported by beautiful backing vocals and its final climax will bring the dancers to a point of no return.
On the other side, you get an exclusive reissue of West-Indies band Corail', with their song "Karukera C'est Comme Ça" taken from their eponymous album. This under-the-radar, zouky and funky track will surprise every listener with its appealing arrangement and lyrics: "Ça va danser / Sur l'île aux oiseaux". Soon, you won't be able to get it out of your head. The bass is groovin', the rhythmic guitar is infectious and digital keyboards are on point: we're pretty much sure this one will become sooner or later a banger of its own.
TRACKLIST:
A. Paul Fathy – Funky Baby Love
B. Corail' – Karukera C'est Comme Ça
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1
Lucas Arruda - Tamba Part 1
2
Lucas Arruda - Batuque
3
Lucas Arruda - Who’s That Lady
4
Lucas Arruda - Rio Afternoon
5
Lucas Arruda - Na Feira
6
Lucas Arruda - Sambadi
7
Lucas Arruda - Carnival
8
Lucas Arruda - Alma Nova
9
Lucas Arruda - Tamba Part 2
Lucas Arruda’s born in 1983, in a Brazilian state called Espírito Santo, near Rio de Janeiro. Coming from
a musical family (his dad and older brother are musicians) he started playing and listening to music very
young. At the age of 13, he was also playing professionally already.
After studying electric guitar and playing in various bands, Lucas passion quickly turned into Rhodes and
keyboards, expanding his musical range of skills. At the same time he started a project called Du Black,
with his older brother Thiago, quickly receiving various local support from people like Ed Motta, William
Magalhães (Banda Black Rio), Robert Lamm (Chicago) or Hyldon (Brazilian soul legend).
From the growing notoriety obtained, the band began to work with various other artists and singers such
as Tamy Macedo, or Bossa Nova’s legend, Leila Pinheiro, leading Lucas to build a recording studio with
Thiago in 2011. Now 2 years after he launched this home-studio, here comes “Sambadi”, first solo album
by Lucas Arruda!
On this recording he also started to team up with Fabricio di Monaco (Modo Solar), who clearly became
a fundamental piece, as Lucas relates: “Fabricio introduced me to Pascal Rioux at Favorite Recordings,
as they released his EP few years ago. He’s a brilliant musician and a great human being.”
In Lucas’ words, Sambadi is highly inspired by Rio de Janeiro. As for the musical side, the album almost
sounds like a tribute to his longtime heroes like Stevie Wonder, Curtis Mayfield, Marcos Valle, Azymuth,
or Robson Jorge & Lincoln Olivetti. And Lucas also humbly concludes: “I really hope to honor all the
guys who influenced me.”
TRACKLIST:
A1. Physis
A2. Tamba Part 1
A3. Batuque
A4. Who’s That Lady
A5. Rio Afternoon
B1. Na Feira
B2. Sambadi
B3. Carnival
B4. Alma Nova
B5. Tamba Part 2
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a musical family (his dad and older brother are musicians) he started playing and listening to music very
young. At the age of 13, he was also playing professionally already.
After studying electric guitar and playing in various bands, Lucas passion quickly turned into Rhodes and
keyboards, expanding his musical range of skills. At the same time he started a project called Du Black,
with his older brother Thiago, quickly receiving various local support from people like Ed Motta, William
Magalhães (Banda Black Rio), Robert Lamm (Chicago) or Hyldon (Brazilian soul legend).
From the growing notoriety obtained, the band began to work with various other artists and singers such
as Tamy Macedo, or Bossa Nova’s legend, Leila Pinheiro, leading Lucas to build a recording studio with
Thiago in 2011. Now 2 years after he launched this home-studio, here comes “Sambadi”, first solo album
by Lucas Arruda!
On this recording he also started to team up with Fabricio di Monaco (Modo Solar), who clearly became
a fundamental piece, as Lucas relates: “Fabricio introduced me to Pascal Rioux at Favorite Recordings,
as they released his EP few years ago. He’s a brilliant musician and a great human being.”
In Lucas’ words, Sambadi is highly inspired by Rio de Janeiro. As for the musical side, the album almost
sounds like a tribute to his longtime heroes like Stevie Wonder, Curtis Mayfield, Marcos Valle, Azymuth,
or Robson Jorge & Lincoln Olivetti. And Lucas also humbly concludes: “I really hope to honor all the
guys who influenced me.”
TRACKLIST:
A1. Physis
A2. Tamba Part 1
A3. Batuque
A4. Who’s That Lady
A5. Rio Afternoon
B1. Na Feira
B2. Sambadi
B3. Carnival
B4. Alma Nova
B5. Tamba Part 2
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1
Sundance - Buster
2
Renato Anselmi - Hello Mr. Acuvis
3
Zane Cronje - Tropical Island
4
The 1860 Band - Keep That Same Old Feeling
5
Otroshakers - Siempre Tu
6
Daniel Bechet - Astral Dance
7
Renato Anselmi - Quiet Fire
8
Pedro Ruy-Blas - Despertar
Favorite Recordings and Charles Maurice proudly present a brand new compilation series: Fusion Global Sounds. 9 rare and
hidden tracks produced between 1970 and 1983 in various parts of the world. As a fine collector of Jazz-Funk and Fusion for many years,
Charles Maurice selected some of his favorite forgotten productions, as he previously did for the AOR Global Sounds, French and
Brazilian Disco Boogie Sounds compilations series.
This time, recordings come from Sweden, Switzerland, South Africa, New Zealand, Uruguay, Spain and France, from artists and
bands mostly known in their local scenes. You'll hear here the best elements of the Fusion and Jazz-Funk genre: breezy vocal
arrangements reminding Flora Purim in Return To Forever or George Duke's albums, sweet and virtuosic Fender Rhodes (kind of common
thread of the comp), melodic spiral-shaped fuzzy synthesizers leads, or irresistible basslines, altogether bringing a unique groove to life.
"Buster" is taken from the first and only album of the Swedish band, Sundance. The band from Gothenburg was formed around US
trumpet player Stephen Frankevich (notably playing with Mahavishnu Orchestra) after he moved to Sweden. Cosmic, with razor-sharp
rhythms, it naturally brings you to the second title, "Hello Mr. Ancuvis" by Renato Anselmi. One of the key players of the Swiss Jazz
scene during the sixties and the seventies, Renato also had the chance to play with Harvey Mason or Alphonso Johnson. Funky, jazzy but
still a bit breezy, here again sweet vocals nicely blend with uptempo Rhodes part. Also included is another title from Renato Anselmi,
"Quiet Fire", a mellow Rhodes-driven ballad with funky accents, wide strings and guitar arrangements.
"Tropical Island" by Zane Cronje, a South-African composer and arranger, was initially a track from a music library catalogue:
dreamy, soaked in thorough synthesizers, we're only attached to the earth by the Guiro groove. You'll also hear this cosmic vibe in "Astral
Dance" by French-American drummer and Jazz musician/composer Daniel Bechet, taken from Songs To My Father LP, dedicated to his
father the famous Sax/Clarinet player Sydney Bechet. In this 4 minutes dope jam, keys, guitar and percussion will elevate your mind to
another level of consciousness: deep!
The 1860 Band was hailing from Wellington, New Zealand, playing mostly in bars, cafes and pubs - their name is taken from a tavern
where they had an extended afternoon residency keeping the clients entertained. Their sole LP, now rare and sought-after, was a nice mix
of Jazz-Funk and Disco grooves. Their amazing and groovy cover of "Keep That Same Old Feeling" by The Crusaders, brings the best of
their playing.
Otroshakers was formed around Hugo and Osvaldo Fattoruso, as a tribute project to their former band Los Shakers, some sort of
copycat band of The Beatles with great success in Latin America. Listening to "Siempre Tu", you can almost hear The Beatles'
psychedelic vocal of Sgt. Pepper's Lonely Hearts Club Band. Later joining Ringo Thielmann in the US, they formed the band OPA together,
after having recorded for Airto's seminal album Fingers. Blending Jazz, South-American musical elements and Funk, their fusion quickly
gained the respect of the NY musical scene.
"Despertar" by Spanish drummer, singer and actor Pedro Ruy-Blas, is taken from Luna Llena, his great first Jazz-Funk album. The
track is a funky piece with wah-wah expressive Rhodes, ending with a beautiful flute solo. "Prologue" by Dutch-French pianist Majoie
Hajary (sometimes called the "Hindu pianist"), can be found on La Passion Selon Judas, a very unique religious album blending her own
style with Psych, Funk and Jazz elements.
Surely we could continue detailing stories of all these gems, but we guess that the best way to learn more about them, is to listen
to Fusion Global Sounds, fully remastered from originals and whether your preference is for vinyl or CD formats.
TRACKLIST:
A1. Sundance – Buster
A2. Renato Anselmi – Hello Mr. Acuvis
A3. Zane Cronje – Tropical Island
A4. The 1860 Band – Keep That Same Old Feeling
B1. Otroshakers – Siempre Tu
B2. Daniel Bechet – Astral Dance
B3. Renato Anselmi – Quiet Fire
B4. Pedro Ruy-Blas – Despertar
B5. Majoie Hajary – Prologue
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hidden tracks produced between 1970 and 1983 in various parts of the world. As a fine collector of Jazz-Funk and Fusion for many years,
Charles Maurice selected some of his favorite forgotten productions, as he previously did for the AOR Global Sounds, French and
Brazilian Disco Boogie Sounds compilations series.
This time, recordings come from Sweden, Switzerland, South Africa, New Zealand, Uruguay, Spain and France, from artists and
bands mostly known in their local scenes. You'll hear here the best elements of the Fusion and Jazz-Funk genre: breezy vocal
arrangements reminding Flora Purim in Return To Forever or George Duke's albums, sweet and virtuosic Fender Rhodes (kind of common
thread of the comp), melodic spiral-shaped fuzzy synthesizers leads, or irresistible basslines, altogether bringing a unique groove to life.
"Buster" is taken from the first and only album of the Swedish band, Sundance. The band from Gothenburg was formed around US
trumpet player Stephen Frankevich (notably playing with Mahavishnu Orchestra) after he moved to Sweden. Cosmic, with razor-sharp
rhythms, it naturally brings you to the second title, "Hello Mr. Ancuvis" by Renato Anselmi. One of the key players of the Swiss Jazz
scene during the sixties and the seventies, Renato also had the chance to play with Harvey Mason or Alphonso Johnson. Funky, jazzy but
still a bit breezy, here again sweet vocals nicely blend with uptempo Rhodes part. Also included is another title from Renato Anselmi,
"Quiet Fire", a mellow Rhodes-driven ballad with funky accents, wide strings and guitar arrangements.
"Tropical Island" by Zane Cronje, a South-African composer and arranger, was initially a track from a music library catalogue:
dreamy, soaked in thorough synthesizers, we're only attached to the earth by the Guiro groove. You'll also hear this cosmic vibe in "Astral
Dance" by French-American drummer and Jazz musician/composer Daniel Bechet, taken from Songs To My Father LP, dedicated to his
father the famous Sax/Clarinet player Sydney Bechet. In this 4 minutes dope jam, keys, guitar and percussion will elevate your mind to
another level of consciousness: deep!
The 1860 Band was hailing from Wellington, New Zealand, playing mostly in bars, cafes and pubs - their name is taken from a tavern
where they had an extended afternoon residency keeping the clients entertained. Their sole LP, now rare and sought-after, was a nice mix
of Jazz-Funk and Disco grooves. Their amazing and groovy cover of "Keep That Same Old Feeling" by The Crusaders, brings the best of
their playing.
Otroshakers was formed around Hugo and Osvaldo Fattoruso, as a tribute project to their former band Los Shakers, some sort of
copycat band of The Beatles with great success in Latin America. Listening to "Siempre Tu", you can almost hear The Beatles'
psychedelic vocal of Sgt. Pepper's Lonely Hearts Club Band. Later joining Ringo Thielmann in the US, they formed the band OPA together,
after having recorded for Airto's seminal album Fingers. Blending Jazz, South-American musical elements and Funk, their fusion quickly
gained the respect of the NY musical scene.
"Despertar" by Spanish drummer, singer and actor Pedro Ruy-Blas, is taken from Luna Llena, his great first Jazz-Funk album. The
track is a funky piece with wah-wah expressive Rhodes, ending with a beautiful flute solo. "Prologue" by Dutch-French pianist Majoie
Hajary (sometimes called the "Hindu pianist"), can be found on La Passion Selon Judas, a very unique religious album blending her own
style with Psych, Funk and Jazz elements.
Surely we could continue detailing stories of all these gems, but we guess that the best way to learn more about them, is to listen
to Fusion Global Sounds, fully remastered from originals and whether your preference is for vinyl or CD formats.
TRACKLIST:
A1. Sundance – Buster
A2. Renato Anselmi – Hello Mr. Acuvis
A3. Zane Cronje – Tropical Island
A4. The 1860 Band – Keep That Same Old Feeling
B1. Otroshakers – Siempre Tu
B2. Daniel Bechet – Astral Dance
B3. Renato Anselmi – Quiet Fire
B4. Pedro Ruy-Blas – Despertar
B5. Majoie Hajary – Prologue
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1
VOILAAA - Ku La Foon feat. Lass (JKriv Remix)
2
VOILAAA - Ben Bene La feat. Lass (Patchworks Remix)
3
VOILAAA - Spies Are Watching Me feat. Sir Jean (Patchworks Remix)
4
VOILAAA - Tu Mens Devant Moi feat. Ramatou Traore (Voilaaa Remix)
Favorite Recordings presents Remixes by Voilaaa, a new EP built with exclusive versions of
some of its biggest hits. Known for its Afro-Disco sound and strong dancefloor-friendly festive
bangers, these new mixes bring another light to the successful project of Bruno "Patchworks"
Hovart.
On A Side, Voilaaa asked famous Brooklyn-based producer and remixer JKriv (Razor-N-Tape) to
provide even more club energy to "Ku La Foon (feat. Lass)”, originally released on Voilaaa's third
and last album. The result is a powerful bomb that won't give any rest to the crowd.
The tracklist goes on with "Ben Bene La (feat. Lass)” reworked by Patchworks himself in a very
Latin way, taking inspiration from the NY scene and its dancers, "Spanish Harlem" and Mongo
Santamaria. You've got to play it loud and we're pretty sure you'll see some special moves on the
dancefloor.
On B side, you'll hear another Patchworks remix, this time with probably one of Voilaaa's biggest
hits, "Spies Are Watching Me (feat Sir Jean)”. In the footsteps of Moodymann, Masters At Work or
the UK Garage scene, Patchworks delivers here some of his classic house music energy. You may
know he started his career with house music: he transformed this anthem into a proper deep house
cut with the same passion!
Finally, Voilaaa remixed himself! Working on "Tu Mens Devant Moi (feat. Ramatou Traore)”,
Voilaaa carries the arrangement closer to the Angolese and Cape Verdean sound, reminding also the
sound of Super Mama Djombo from Guinea Bissau. A tropical cut that will bring more and more
sunshine to the club.
TRACKLIST:
A1. Ku La Foon feat. Lass (JKriv Remix)
A2. Ben Bene La feat. Lass (Patchworks Remix)
B1. Spies Are Watching Me feat. Sir Jean (Patchworks Remix)
B2. Tu Mens Devant Moi feat. Ramatou Traore (Voilaaa Remix)
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some of its biggest hits. Known for its Afro-Disco sound and strong dancefloor-friendly festive
bangers, these new mixes bring another light to the successful project of Bruno "Patchworks"
Hovart.
On A Side, Voilaaa asked famous Brooklyn-based producer and remixer JKriv (Razor-N-Tape) to
provide even more club energy to "Ku La Foon (feat. Lass)”, originally released on Voilaaa's third
and last album. The result is a powerful bomb that won't give any rest to the crowd.
The tracklist goes on with "Ben Bene La (feat. Lass)” reworked by Patchworks himself in a very
Latin way, taking inspiration from the NY scene and its dancers, "Spanish Harlem" and Mongo
Santamaria. You've got to play it loud and we're pretty sure you'll see some special moves on the
dancefloor.
On B side, you'll hear another Patchworks remix, this time with probably one of Voilaaa's biggest
hits, "Spies Are Watching Me (feat Sir Jean)”. In the footsteps of Moodymann, Masters At Work or
the UK Garage scene, Patchworks delivers here some of his classic house music energy. You may
know he started his career with house music: he transformed this anthem into a proper deep house
cut with the same passion!
Finally, Voilaaa remixed himself! Working on "Tu Mens Devant Moi (feat. Ramatou Traore)”,
Voilaaa carries the arrangement closer to the Angolese and Cape Verdean sound, reminding also the
sound of Super Mama Djombo from Guinea Bissau. A tropical cut that will bring more and more
sunshine to the club.
TRACKLIST:
A1. Ku La Foon feat. Lass (JKriv Remix)
A2. Ben Bene La feat. Lass (Patchworks Remix)
B1. Spies Are Watching Me feat. Sir Jean (Patchworks Remix)
B2. Tu Mens Devant Moi feat. Ramatou Traore (Voilaaa Remix)
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Customers who bought this also bought this
(LP with obi strip) A magnificent concept album that will remain in the history of Japanese jazz
TRACKLIST
A1. By The Red Stream
A2. Warm, Honest And Love
B1. There Is Not Any War To End The War
B2. Something Over The War
INFO
The sound that swallows jazz rock, mode jazz, and free jazz is serious and profound.
A magnificent concept album that will remain in the history of Japanese jazz with the theme of global anti-war and peace
Hiromasa Suzuki, a rare pianist/composer/arranger who showed his skills in the groups of Terumasa Hino and Akira Ishikawa. Collaborating with Big Soul Media, led by Jiro Inagaki, one of the best jazz rock groups of our time, this work is unusual for a Japanese jazz work, and the concept is based on the theme of “global anti-war and peace.”
The sound that swallows jazz rock, mode jazz, and free jazz is serious and solid, but at the same time, it is full of overwhelming dynamism.
Suzuki’s ability to manage a big band and create a masterpiece sound is also splendid, and Big Soul Media, which listened to Suzuki’s intentions and responded to his request, is also splendid.
Both Suzuki and Inagaki’s activities in the jazz-rock era are at their peak, and this work is also important in that it captures the overlap.
text by Yusuke Ogawa (universounds/Deep Jazz Reality)
Composition/Arrangement/Conductor: Hiromasa Suzuki
Performed by Jiro Inagaki and Big Soul Media
Jiro Inagaki (S.Sax, T.Sax)
Shigeo Suzuki (A.Sax)
Tadayuki Harada (B.Sax)
Takehisa Suzuki (Trumpet)
Tetsuo Fushimi (Trumpet)
Takeshi Nomura (Trumpet)
Shigemichi Domoto (Trombone)
Tadataka Nakazawa (Trombone)
Kazuo Usui (Trombone)
Tsunehide Matsuki (Guitar)
Masaru Imada (Piano, Organ)
Hiromasa Suzuki (Piano, Organ)
Yasuo Arakawa (Bass) / Gen Ishimatsu (Drums)
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TRACKLIST
A1. By The Red Stream
A2. Warm, Honest And Love
B1. There Is Not Any War To End The War
B2. Something Over The War
INFO
The sound that swallows jazz rock, mode jazz, and free jazz is serious and profound.
A magnificent concept album that will remain in the history of Japanese jazz with the theme of global anti-war and peace
Hiromasa Suzuki, a rare pianist/composer/arranger who showed his skills in the groups of Terumasa Hino and Akira Ishikawa. Collaborating with Big Soul Media, led by Jiro Inagaki, one of the best jazz rock groups of our time, this work is unusual for a Japanese jazz work, and the concept is based on the theme of “global anti-war and peace.”
The sound that swallows jazz rock, mode jazz, and free jazz is serious and solid, but at the same time, it is full of overwhelming dynamism.
Suzuki’s ability to manage a big band and create a masterpiece sound is also splendid, and Big Soul Media, which listened to Suzuki’s intentions and responded to his request, is also splendid.
Both Suzuki and Inagaki’s activities in the jazz-rock era are at their peak, and this work is also important in that it captures the overlap.
text by Yusuke Ogawa (universounds/Deep Jazz Reality)
Composition/Arrangement/Conductor: Hiromasa Suzuki
Performed by Jiro Inagaki and Big Soul Media
Jiro Inagaki (S.Sax, T.Sax)
Shigeo Suzuki (A.Sax)
Tadayuki Harada (B.Sax)
Takehisa Suzuki (Trumpet)
Tetsuo Fushimi (Trumpet)
Takeshi Nomura (Trumpet)
Shigemichi Domoto (Trombone)
Tadataka Nakazawa (Trombone)
Kazuo Usui (Trombone)
Tsunehide Matsuki (Guitar)
Masaru Imada (Piano, Organ)
Hiromasa Suzuki (Piano, Organ)
Yasuo Arakawa (Bass) / Gen Ishimatsu (Drums)
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1
Betty Black - Gypsy Heart
2
Betty Black - Beauitful lies
Is proud to be release another OG banger from the wonderful Ms Betty Black "Gyspy Heart" is a driving dancer with sassiness and flair, just how Betty like it. Power vocals with a punching back beat, screaming for the dance floor. Betty goes back to the beginning when Rhythm met the Blues under the watchful eye of Gospel and the African-American Spiritual. It's mystical and cinematic but gutsy, and funky to boot! Roots Revival Soul with a sophisticated twist. On the flip "Beautiful Lies" Perfect song, uptempo dancer - which throws you staright into a story, where Ms Betty Black takes you into another world, but one that so many women, in particular, can relate to - another strong vocal mover, with a motown overtone. Summer fun.
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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Germany
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1
Ryo Fukui - A1. Sonora
2
Ryo Fukui - A2. Stella by Starlight
3
Ryo Fukui - A3. Speak Low
4
Ryo Fukui - A4. Nobody Knows The Trouble I’ve Seen
5
Ryo Fukui - B1. Old Country
6
Ryo Fukui - B2. Soultrane
7
Ryo Fukui - B3. Chasin’ The Bird
8
Ryo Fukui - B4. Be My Love
-NO SALES TO JAPAN-
LP: 180g vinyl, half speed mastered, heavy sleeve, obi
Tracklisting LP
A1. Sonora
A2. Stella by Starlight
A3. Speak Low
A4. Nobody Knows The Trouble I’ve Seen
B1. Old Country
B2. Soultrane
B3. Chasin’ The Bird
B4. Be My Love
Info:
We Release Jazz is delighted to announce the official reissue of Ryo Fukui’s final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Known for his miraculous albums Scenery (1976) and Mellow Dream (1977), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again and again, welcoming peers for unforgettable sessions, and perfecting the craft he lived for: jazz.
A Letter from Slowboat is a poetic, soulful, and honest love letter to Hokkaido, to Fukui’s jazz club, and to endless hours of practicing artistry in a place called home. Backed by longtime collaborators Takumi Awaya on bass, and Ittetsu Takemura on drums, Ryo Fukui flows through classics and originals with natural class, fluidity and absolute precision, expressing a smooth balance between skills and heart. Slowboat, full of breathtaking solos and exquisite moments of clarity, is another crucial piece in the career of one of the most fascinating jazzmen to ever grace the piano. It was released in 2016, sadly the year Ryo Fukui passed away, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still happens to this day.
This is reissued in conjunction with Ryo Fukui’s Ryo Fukui in New York (1999), also available via We Release Jazz.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, boats, Sapporo, Scenery, jazz clubs and very personal letters.
- Official reissue of the final album by legendary Hokkaido pianist Ryo Fukui.
- 8th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Pla-cebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP: 180g vinyl, half speed mastered, heavy sleeve, obi
Tracklisting LP
A1. Sonora
A2. Stella by Starlight
A3. Speak Low
A4. Nobody Knows The Trouble I’ve Seen
B1. Old Country
B2. Soultrane
B3. Chasin’ The Bird
B4. Be My Love
Info:
We Release Jazz is delighted to announce the official reissue of Ryo Fukui’s final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Known for his miraculous albums Scenery (1976) and Mellow Dream (1977), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again and again, welcoming peers for unforgettable sessions, and perfecting the craft he lived for: jazz.
A Letter from Slowboat is a poetic, soulful, and honest love letter to Hokkaido, to Fukui’s jazz club, and to endless hours of practicing artistry in a place called home. Backed by longtime collaborators Takumi Awaya on bass, and Ittetsu Takemura on drums, Ryo Fukui flows through classics and originals with natural class, fluidity and absolute precision, expressing a smooth balance between skills and heart. Slowboat, full of breathtaking solos and exquisite moments of clarity, is another crucial piece in the career of one of the most fascinating jazzmen to ever grace the piano. It was released in 2016, sadly the year Ryo Fukui passed away, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still happens to this day.
This is reissued in conjunction with Ryo Fukui’s Ryo Fukui in New York (1999), also available via We Release Jazz.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, boats, Sapporo, Scenery, jazz clubs and very personal letters.
- Official reissue of the final album by legendary Hokkaido pianist Ryo Fukui.
- 8th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Pla-cebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ryo Fukui - A1. Hot House (Charlie Parker)
2
Ryo Fukui - A2. All The Things Your Are (Jerome Kern)
3
Ryo Fukui - A3. Red Carpet (Duke Ellington)
4
Ryo Fukui - A4. Bouncing With Bud (Bud Powell)
5
Ryo Fukui - B1. Embraceable You (George Gershwin)
6
Ryo Fukui - B2. Just One of Those Things (Cole Porter)
7
Ryo Fukui - B3. Mellow Dream (Ryo Fukui)
-NO SALES TO JAPAN-
LP: 180g vinyl, half speed mastered, heavy sleeve, obi
Tracklisting LP
A1. Hot House (Charlie Parker)
A2. All The Things Your Are (Jerome Kern)
A3. Red Carpet (Duke Ellington)
A4. Bouncing With Bud (Bud Powell)
B1. Embraceable You (George Gershwin)
B2. Just One of Those Things (Cole Porter)
B3. Mellow Dream (Ryo Fukui)
Info
We Release Jazz is so happy to announce the official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams, the aptly titled album Ryo Fukui in New York, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Recorded in February 1999 at Avatar Recording Studios in New York and inspired by Ryo Fukui’s idol and mentor Barry Harris, the fourth album from the famed Sapporo pianist captures memorable ses-sions with seasoned American jazz musicians (and frequent Barry Harris collaborators) Lisle Arthur Atkinson on bass and Leroy Williams on drums.
Ryo Fukui in New York is pure bop heaven, glowing with poetic takes on classics by Charlie Parker, George Gershwin, Duke Ellington, Jerome Kern, Cole Porter, and Bud Powell, plus a supreme remake of Fukui’s very own "Mellow Dream". It’s expressive, soulful, and vibrating with a bouncing swing feel all the way through; every note falls exactly where it should, undeniable brilliance. Much like the other albums by the genius from Hokkaido, it’s got that "special something", hard to grasp, hard to describe, but 100% felt. Skills and heart, the Ryo Fukui way.
Following his New York adventures, Ryo Fukui headed back to Sapporo, and more precisely to his jazz club Slowboat, where his newly acquired experience inspired numerous jam sessions and a full dedication to perfecting his craft. He sadly passed away in 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still hap-pens to this day.
This is reissued in conjunction with Ryo Fukui’s A Letter from Slowboat (2016), also available via We Release Jazz.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Barry Harris, Scenery, jazz clubs and New York nights.
- Official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams.
- 9th release from We Release Jazz, following Ryo Fukui’s Scenery, Mellow Dream, and A Letter from Slowboat, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoer-ri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP: 180g vinyl, half speed mastered, heavy sleeve, obi
Tracklisting LP
A1. Hot House (Charlie Parker)
A2. All The Things Your Are (Jerome Kern)
A3. Red Carpet (Duke Ellington)
A4. Bouncing With Bud (Bud Powell)
B1. Embraceable You (George Gershwin)
B2. Just One of Those Things (Cole Porter)
B3. Mellow Dream (Ryo Fukui)
Info
We Release Jazz is so happy to announce the official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams, the aptly titled album Ryo Fukui in New York, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Recorded in February 1999 at Avatar Recording Studios in New York and inspired by Ryo Fukui’s idol and mentor Barry Harris, the fourth album from the famed Sapporo pianist captures memorable ses-sions with seasoned American jazz musicians (and frequent Barry Harris collaborators) Lisle Arthur Atkinson on bass and Leroy Williams on drums.
Ryo Fukui in New York is pure bop heaven, glowing with poetic takes on classics by Charlie Parker, George Gershwin, Duke Ellington, Jerome Kern, Cole Porter, and Bud Powell, plus a supreme remake of Fukui’s very own "Mellow Dream". It’s expressive, soulful, and vibrating with a bouncing swing feel all the way through; every note falls exactly where it should, undeniable brilliance. Much like the other albums by the genius from Hokkaido, it’s got that "special something", hard to grasp, hard to describe, but 100% felt. Skills and heart, the Ryo Fukui way.
Following his New York adventures, Ryo Fukui headed back to Sapporo, and more precisely to his jazz club Slowboat, where his newly acquired experience inspired numerous jam sessions and a full dedication to perfecting his craft. He sadly passed away in 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still hap-pens to this day.
This is reissued in conjunction with Ryo Fukui’s A Letter from Slowboat (2016), also available via We Release Jazz.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Barry Harris, Scenery, jazz clubs and New York nights.
- Official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams.
- 9th release from We Release Jazz, following Ryo Fukui’s Scenery, Mellow Dream, and A Letter from Slowboat, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoer-ri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 Something
A2 Tiny Golden Books
B1 Ether
B2 Paranoid Inlay
C1 An Emergency
C2 Where Are You?
C3 Batwings (A Limnal Hymn)
First vinyl reissue, available on LP for the first time in 20 years - Completely remastered audio and restored artwork - Side D lunar vinyl etching art // After leaving London in 1999 for the sleepy seaside retiree town of Weston-super-Mare, Coil co-founders John Balance and Peter "Sleazy" Christopherson set up shop in a palatial eight-bedroom estate to pursue the outer reaches of the group's heightening cabalistic chemistry. Among the staggering string of late-era masterpieces they produced is lunar opus Musick To Play In The Dark, widely hailed as an artistic zenith upon its release. The sessions that birthed it were in fact so fruitful that a second LP took shape during the creation of the first one. Aided by the recent addition of Welsh multi-instrumentalist engineer Thighpaulsandra, Coil mined further into the recesses of surrealist eldritch electronica Balance termed "moon music" - post-industrial spellcasting at the axis of narcotic and nocturnal energies. Musick To Play In The Dark² spans a full witching hour of bad acid sound design, synthesizer voyaging, opiated balladry, Luciferian glitch, and subliminal hymnals, alternately ominous, oracular, and absurd. Scottish gothic icon Rose McDowall guests on vocals for two tracks but otherwise the album is a hermetic affair, tapping into the group's limitless insular synergy. Opener "Something" is stark and incantational, a spoken word experiment for windswept voids. "Tiny Golden Books" unspools an aerial whirlpool of cosmic synth, both whispery and widescreen. "Ether" is an exercise in funeral procession piano and intoxicated wordplay ("It's either ether or the other"), while "Where Are You?" and "Batwings - A Liminal Hymn" lurk like liturgical murmurings heard on one's death bed, framed in granular FX and flickering candlelight. As a whole the collection skews more muted and remote than its predecessor, as if having grown accustomed to the nether regions of these darkening seances. But music box hallucination "Paranoid Inlay" captures the group's oblique comedic side, always glimmering beneath: over a warped, wobbly beat Balance intones an opaque narrative of serenity, Saint Peter, and suicidal vegetables, accompanied by spiraling harpsichord and stuttering squelches of electronics. "It seems concussion suits you," he repeats twice, like a macabre pickup line, before dictating a dear diary entry about risks and failures, finally concluding with as close to a self-portrait as Coil ever came: "On a clear day I can see forever / that the underworld is my oyster."
https://www.youtube.com/watch?v=XOrE4sI5LWQ
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Something
A2 Tiny Golden Books
B1 Ether
B2 Paranoid Inlay
C1 An Emergency
C2 Where Are You?
C3 Batwings (A Limnal Hymn)
First vinyl reissue, available on LP for the first time in 20 years - Completely remastered audio and restored artwork - Side D lunar vinyl etching art // After leaving London in 1999 for the sleepy seaside retiree town of Weston-super-Mare, Coil co-founders John Balance and Peter "Sleazy" Christopherson set up shop in a palatial eight-bedroom estate to pursue the outer reaches of the group's heightening cabalistic chemistry. Among the staggering string of late-era masterpieces they produced is lunar opus Musick To Play In The Dark, widely hailed as an artistic zenith upon its release. The sessions that birthed it were in fact so fruitful that a second LP took shape during the creation of the first one. Aided by the recent addition of Welsh multi-instrumentalist engineer Thighpaulsandra, Coil mined further into the recesses of surrealist eldritch electronica Balance termed "moon music" - post-industrial spellcasting at the axis of narcotic and nocturnal energies. Musick To Play In The Dark² spans a full witching hour of bad acid sound design, synthesizer voyaging, opiated balladry, Luciferian glitch, and subliminal hymnals, alternately ominous, oracular, and absurd. Scottish gothic icon Rose McDowall guests on vocals for two tracks but otherwise the album is a hermetic affair, tapping into the group's limitless insular synergy. Opener "Something" is stark and incantational, a spoken word experiment for windswept voids. "Tiny Golden Books" unspools an aerial whirlpool of cosmic synth, both whispery and widescreen. "Ether" is an exercise in funeral procession piano and intoxicated wordplay ("It's either ether or the other"), while "Where Are You?" and "Batwings - A Liminal Hymn" lurk like liturgical murmurings heard on one's death bed, framed in granular FX and flickering candlelight. As a whole the collection skews more muted and remote than its predecessor, as if having grown accustomed to the nether regions of these darkening seances. But music box hallucination "Paranoid Inlay" captures the group's oblique comedic side, always glimmering beneath: over a warped, wobbly beat Balance intones an opaque narrative of serenity, Saint Peter, and suicidal vegetables, accompanied by spiraling harpsichord and stuttering squelches of electronics. "It seems concussion suits you," he repeats twice, like a macabre pickup line, before dictating a dear diary entry about risks and failures, finally concluding with as close to a self-portrait as Coil ever came: "On a clear day I can see forever / that the underworld is my oyster."
https://www.youtube.com/watch?v=XOrE4sI5LWQ
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
JAYDEE - Plastic Dreams
Another legendary R&S classic repressed in very limited numbers only on a one-sided 12" vinyl. The original 1992 release from Dutch producer Jaydee was a 10 minute long Hammond organ workout - many remixes over the years but you cant surpass the original!!!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Harmony Cats - Harmony Cats’ Theme
2
Harmony Cats - Seja Como Nós (De Pé No Chão)
Brazil 45, number 93.
For number 93 in the Brazil45 series, we presented two favourites from the Harmony Cats. A female vocal quintet (who later became a trio) from São Paulo. They formed in 1976 and were most prolific in the disco period.
'Harmony Cats' Theme' from 1976 is probably the group’s best-known track outside of Brazil. Owing a lot to Rhythm Heritage's version of 'Barretta's Theme (Keep Your Eye On The Sparrow)’ its wonderfully spacey breakbeat and percussive production with lush, floaty vocals makes it a real crossover classic record.
'Seja Como Nos (De Pe No Chao)' is instantly recognisable. Tucked away on the B-side of their 1979 single 'Tem Dinheiro Nisso' on Young Records, it is a beast of a cover version of The Jacksons' classic ' Shake Your Body (Down To The Ground)'. Nothing subtle or sophisticated here. Just a song of pure disco joy, enhanced with awesome Brazilian production and the Cats' trademark vocal arrangements. A get-of-jail-free card for any DJ that finds themselves stuck with an empty dancefloor, but also one that will put smiles on the faces of the more discerning leftfield club crowds.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
For number 93 in the Brazil45 series, we presented two favourites from the Harmony Cats. A female vocal quintet (who later became a trio) from São Paulo. They formed in 1976 and were most prolific in the disco period.
'Harmony Cats' Theme' from 1976 is probably the group’s best-known track outside of Brazil. Owing a lot to Rhythm Heritage's version of 'Barretta's Theme (Keep Your Eye On The Sparrow)’ its wonderfully spacey breakbeat and percussive production with lush, floaty vocals makes it a real crossover classic record.
'Seja Como Nos (De Pe No Chao)' is instantly recognisable. Tucked away on the B-side of their 1979 single 'Tem Dinheiro Nisso' on Young Records, it is a beast of a cover version of The Jacksons' classic ' Shake Your Body (Down To The Ground)'. Nothing subtle or sophisticated here. Just a song of pure disco joy, enhanced with awesome Brazilian production and the Cats' trademark vocal arrangements. A get-of-jail-free card for any DJ that finds themselves stuck with an empty dancefloor, but also one that will put smiles on the faces of the more discerning leftfield club crowds.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:imbalance computer music
Cat-No:ML-036LP
Release-Date:20.09.2024
Genre:Electronic
Configuration:2LP Excl
Label:imbalance computer music
Cat-No:ML-036LP
Release-Date:20.09.2024
Genre:Electronic
Configuration:2LP Excl
1
Monolake - 01 The Elders Disagree
2
Monolake - 02 Thru Stalactites
3
Monolake - 03 Signals
4
Monolake - 04 Cute Little Aliens
5
Monolake - 05 Intermezzo
6
Monolake - 06 Global Transport
7
Monolake - 07 Stasis Field
8
Monolake - 08 Prime Lundy
9
Monolake - 09 Red Alphonso
10
Monolake - 10 Eclipse
2 x 12”, black vinyl, 4C gatefold
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024..
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024..
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:EMPIRE RECORDS
Cat-No:ERE655
Release-Date:03.12.2021
Genre:Dope Beat/Hip Hop
Configuration:LP Excl
Label:EMPIRE RECORDS
Cat-No:ERE655
Release-Date:03.12.2021
Genre:Dope Beat/Hip Hop
Configuration:LP Excl
LP
Translucent Orange Vinyl
About:
The San Francisco Legend, Larry June, returns with the aptly titled Orange Print, which maps out his own vision for success. With themes of health, wealth, numbers, and diversifying your income streams, Larry June flexes the philosophies that have helped him go from street hustler to made man. With production from heavyweight producers such as Jake One, Sndtrak, Cardo, & Sledgren, features include Money Man, Trae The Truth, & DeJ Loaf.
Key Selling/Marketing:
- In-person album release activation for release weekend
- Multiple music videos released with more planned
- RapCaviar has supported each single release and has made several mentions about the album
- The singles "Wait On Me" and "You Gotta" have combined for over 1M views on YouTube and over 500k streams on Spotify in 2 weeks
- Outdoor campaign planned
- Larry June has over 668k monthly listeners on Spotify
- Larry June has worked with countless notable producers in the space, including Harry Fraud, Jake One, Cookin Soul, Cardo, & Sledgren
Tracklist:
A1/1. From Uncle Herm, Pt. 3 (Intro) (feat. Herm Lewis)
A2/2. Tangible Assets
A3/3. Wait On Me
A4/4. 6am In Sausalito
A5/5. Intercepted (feat. Money Man)
A6/6. Organic Respect
A7/7. You Gotta
B1/8. Still Cookin
B2/9. Grand Nash Chronicles (feat. Trae Tha Truth)
B3./10. Say Less (feat. DeJ Loaf)
B4/11. Escrows And Orange Juice
B5/12. Iced Coffee
B6/13. 7 Mile Bike Ride (Outro)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Translucent Orange Vinyl
About:
The San Francisco Legend, Larry June, returns with the aptly titled Orange Print, which maps out his own vision for success. With themes of health, wealth, numbers, and diversifying your income streams, Larry June flexes the philosophies that have helped him go from street hustler to made man. With production from heavyweight producers such as Jake One, Sndtrak, Cardo, & Sledgren, features include Money Man, Trae The Truth, & DeJ Loaf.
Key Selling/Marketing:
- In-person album release activation for release weekend
- Multiple music videos released with more planned
- RapCaviar has supported each single release and has made several mentions about the album
- The singles "Wait On Me" and "You Gotta" have combined for over 1M views on YouTube and over 500k streams on Spotify in 2 weeks
- Outdoor campaign planned
- Larry June has over 668k monthly listeners on Spotify
- Larry June has worked with countless notable producers in the space, including Harry Fraud, Jake One, Cookin Soul, Cardo, & Sledgren
Tracklist:
A1/1. From Uncle Herm, Pt. 3 (Intro) (feat. Herm Lewis)
A2/2. Tangible Assets
A3/3. Wait On Me
A4/4. 6am In Sausalito
A5/5. Intercepted (feat. Money Man)
A6/6. Organic Respect
A7/7. You Gotta
B1/8. Still Cookin
B2/9. Grand Nash Chronicles (feat. Trae Tha Truth)
B3./10. Say Less (feat. DeJ Loaf)
B4/11. Escrows And Orange Juice
B5/12. Iced Coffee
B6/13. 7 Mile Bike Ride (Outro)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
James Brown - Never Can Say Goodbye
2
James Brown - You Took My Heart
Two great soul vibes from the master of funk, Mr James brown. First up from the There it is LP is one of favs "Never can say goodbye" i just love this groove and bass vibe. killer horn lines - S okin". on the flip is another soul class from the man. "You took my heart" from the getta up offa that thang lp. it has such a lovely swing to it, loads of movment!!! essenal
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jan Jelinek - Moiré (Piano & Organ)
2
Jan Jelinek - Rock In The Video Age
3
Jan Jelinek - They, Them
4
Jan Jelinek - Them, Their
5
Jan Jelinek - Tendency
6
Jan Jelinek - Moiré (Strings)
7
Jan Jelinek - Do Dekor
8
Jan Jelinek - Drift
9
Jan Jelinek - Moiré (Guitar & Horns)
10
Jan Jelinek - Poren
Repress!
In February 2021, Jan Jelinek's seminal album "Loop-Finding-Jazz-Records" turned 20. The anniversary repress, a double LP with two bonus tracks (B-sides from the Tendency EP, 2000), is a little late to the party.
What the press said about Loop-Finding-Jazz-Records:
“Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press)
“The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM)
“Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.” (RPM)
“Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn player’s hissing intake of breath – it would have been ‘jazz’ enough for his purposes.“ (The Wire)
“It’s a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.” (Pitchfork)
“All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations”. (NME)
“Listen carefully and you’ll hear textures slowly unfolding and mutating. Presuming you’ve not fallen asleep of course.” (iDJ)
“At times, it’s all a bit dripping tap Japanese water torture; so sedentary it drowns in its own motionlessness” (DJ)
“Loop Finding Jazz Records' is a genuine modern classic whose re-release is anything but a cynical mortgage repayment exercise. Consider this a second chance, then pretend you had it all along.” (Boomkat)
PS:
“I’ve been fortunate enough to see Jan Jelinek live once, at Tonic NYC (...). Wearing a black and white striped shirt, he looked like a nihilistic Charlie Brown.” (beachsloth)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
In February 2021, Jan Jelinek's seminal album "Loop-Finding-Jazz-Records" turned 20. The anniversary repress, a double LP with two bonus tracks (B-sides from the Tendency EP, 2000), is a little late to the party.
What the press said about Loop-Finding-Jazz-Records:
“Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press)
“The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM)
“Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.” (RPM)
“Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn player’s hissing intake of breath – it would have been ‘jazz’ enough for his purposes.“ (The Wire)
“It’s a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.” (Pitchfork)
“All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations”. (NME)
“Listen carefully and you’ll hear textures slowly unfolding and mutating. Presuming you’ve not fallen asleep of course.” (iDJ)
“At times, it’s all a bit dripping tap Japanese water torture; so sedentary it drowns in its own motionlessness” (DJ)
“Loop Finding Jazz Records' is a genuine modern classic whose re-release is anything but a cynical mortgage repayment exercise. Consider this a second chance, then pretend you had it all along.” (Boomkat)
PS:
“I’ve been fortunate enough to see Jan Jelinek live once, at Tonic NYC (...). Wearing a black and white striped shirt, he looked like a nihilistic Charlie Brown.” (beachsloth)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More