RAWAX proudly presents the 4th episode of Gerald Mitchell's own series!
Another outstanding masterpiece made in Motor City. Detroit sound at it's best - from one of the best!

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Repress!

With this Ep for Mother Tongue Gerald Mitchell really shows what Soul is all about. The first Los Hermanos Ep on vinyl in over a decade brings it back to Church and then some! From the Gospel tones of the dancefloor smasher 'Another Day', to the electric techno-jazz of 'Binary Funk Infusion' featuring Bob Rogue think of Herbie's Dedication meeting Axis and finally closing and melting with 'Let Lot Live' featuring the incredible voice of Billy Love...it was definitely worth the wait.

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Generic Cover Repress!

Gerald Mitchell is back on Mother Tongue after the now classic "Another Day" with a new Los Hermanos EP, this time bringing it back to the origins with the Detroit Techno opus "Family". Recorded in Tokyo with Ian O'Brien, this special extended version has "Anthem" written all over it. Also included is the futuristic tech funk of "Paradigm 4th Shifter" and the intergalactic beatless space jam "Far Beyond Sight".
Another classic in the making...

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RAWAX proudly presents the 3rd release by Gerald Mitchell
on his own RAWAX MOTOR CITY - series.
This time we have the honor to present him under his Los Hermanos alias! "Remember Detroit" is a beautiful piece of Music which makes you feel the pulse of this City.

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2026 repress, incl. full-tone printed outer & inner sleeve, incl. download

Deaf Center member Otto A Totland’s 2014 debut LP, an intricate work for solo piano.

Otto A Totland's modern compositional elements are most widely recognized as half of the Norwegian duo Deaf Center, where his melancholic, intricate piano work provides haunting relief to the beds of noise and deep strings from Erik K Skodvin. Pinô is the first full-length release by Totland, though his solo work has been released once, as the 5-minute A-side of Sonic Pieces 7inch Harmony From the Past. Otto's previously brief vignettes are now expanded into a fully personal realization of his own style.

Initial track Open fills itself with heavy, knowing pauses that quickly become overwhelmed with the desire to understand what's to come. Each silence leads into quick flutters of keys, preparing the listener for a vast terrain of giddy beauty, bleak depths, and true contentedness. Pinô quickly recalls deep winter; in front of a fireplace for days on end, you lose how far along you've ventured into the 18 tracks without any idea how far is left to go. The experience feels inevitable, with no other option but to curl up somewhere cozy and appreciate the sense of timelessness that Totland has created. His album is a haunting modern compositional treasure, expressed through instrumentals completely unique to Totland and captured masterfully by Nils Frahm at Durton Studios.

With Pinô, Otto A Totland appears out of the Norwegian landscape, sharing an achievement that will provide a relief during the brooding winter darkness. Though a highly personal endeavor, the recognizable continuation of Totland’s compositions will attract fans of Deaf Center, and the cinematic and classical components of his solo work will hold sway for those familiar with Harold Budd or Dustin O’Halloran.

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A delirious cult concept album disguised as pop, first released in 1971, where psychedelic grooves, funk and global rhythms meet phonetic pseudo-Japanese chants, judo-master ritual cries and a children's choir. Sampled by Erykah Badu, Madlib and DopeLemon, and the unlikely spark behind Bananarama's debut. This can only be the fabulous world of Yamasuki.
In the spring of 1971, somewhere between Brussels, Paris and a collective pop fever dream, Le Monde Fabuleux Des Yamasuki landed on vinyl. It sounded like nothing else then and it still does not today. More than half a century later, Sdban Records proudly presents a reissue of this singular cult album, available from April 3, 2026 on vinyl.
The album was produced by Jean Kluger and written both by Jean and Daniel Vangarde (aka Bangalter, later the father of Thomas Bangalter of Daft Punk), who were already well ahead of their time, long before electronic music rewrote the rules of pop culture.
This new reissue of Le Monde Fabuleux Des Yamasuki proves the renewed interest and respect for this cult album, faithful to the original spirit while finally giving it back the physical presence it deserves. In an era obsessed with genres and algorithmic neatness, Yamasuki still laughs, dances and karate-kicks its way past definitions. It reminds us that pop music can be playful without being disposable, strange without being cynical and joyful without explanation. The world of Yamasuki was always fabulous, we are just lucky it found its way back to us!

Tracklist

A1. Yamasuki - Yamasuki
A2. Yamasuki - Aisere I Love You
A3. Yamasuki - Kono Samourai
A4. Yamasuki - Yamamoto Kakapote
A5. Yamasuki - Okawa
A6. Yamasuki - Aieaoa
B1. Yamasuki - Abana Bakana
B2. Yamasuki - Seyu Sayonara
B3. Yamasuki - Yama Yama
B4. Yamasuki - Fudji Yama
B5. Yamasuki - Yokomo
B6. Yamasuki - Kashi Kofima



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Found Songs gehört zu den ungewöhnlichsten und zugleich berührendsten Projekten in Olafur Arnalds" Werk. Innerhalb einer einzigen Woche komponierte, nahm und veröffentlichte der isländische Komponist jeden Tag einen neuen Song - unmittelbar und ohne Umwege. Das Ergebnis ist ein faszinierendes musikalisches Tagebuch: fragile Piano-Motive, zarte Streicher und dezente elektronische Texturen verbinden sich zu einer intimen Klangwelt zwischen Neoklassik und moderner Pop-Ästhetik. Die Einbindung der Fans - die das Artwork gestalteten - macht dieses Projekt zudem zu einem frühen Beispiel digitaler Kollaboration. Found Songs zeigt Arnalds auf dem Weg zu seiner unverwechselbaren Handschrift: reduziert, emotional und von stiller Intensität.

Tracklist:
1.1Erla's Waltz
1.2Raein
1.3Romance
1.4Allt vard hljott
1.5Lost Song
1.6Faun
1.7Ljosid

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On their debut LP “Pome”, Liai has given us a stunning work of expertly crafted rhythmic ambience, inspired by the intimacy and solitude of the midwestern countryside. Having grown up in rural Missouri, Liai channels the mixed feelings that can accompany solo contemplation in nature - expansiveness, sentimentality, vulnerability and eeriness. This deeply personal set of tracks took 3 years to make, revealed in the precision of sound design and use of space. The work feels at once familiar and organic, yet technical and futuristic, almost alien - a product of digital melodies, granular processing and frequent sampling of their own previous works.

Bio:
By way of rural Missouri to Chicago to New York, Liai melds sonic elements of each city from pastoral, expansive drones to Chicago experimentalism and the rhythmic ambient that’s arriving on both coasts of the US. With two albums forthcoming, their work marks the meeting point of experimental sound design with emotional pop-like melodies.

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Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.

TRACKLIST:

A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi

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Sin Hilo celebrates its 10th anniversary with a special compilation featuring some of the label’s most defining artists.

From melodic and immersive IDM to electro, glitch hop and downtempo, the release captures the essence and evolution of the label through a cohesive yet eclectic journey.

Featuring Imtech, Promising Youngster, Sölna, Jailed Jamie, Lost Twin, Burdeos, SKYGAZE, Strucweird, Atico Corp and Not On Earth.

Ten tracks that celebrate a decade of sound and confirm the strength of Sin Hilo and the electronic scene.

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FUTURE SOUNDS OF JAZZ VOL. 14 - Compiled by Permanent Vacation Benjamin Fröhlich & Tom Bioly!
28 Tracks by Move D, Roman Flügel, Slowdive, Isolée, Cobblestone Jazz, Luke Abbott, remixes by Avalon Emerson, Russ Gabriel, Kassem Mosse, I:Cube a.m.o. including 3 EXCLUSIVE AND PREVIOUSLY UNRELEASED
Wow, a new chapter of this legendary series. This and the very first time it’s not compiled by Michael Reinboth, rather by Benjamin Fröhlich and Tom Bioly, the founders and masterminds behind Permanent Vacation.
Why? Simply because they both are very close friends of the Compost famlee, with an amazing musical and DJ-like tastefulness, with the knowledge-based trust of music in the vein of vibrant, jazzy electronica hybrids. And they are from Compost Records’ hometown Munich, too.
Maybe Volume 14 differs slightly to what the previous 13 brought up music-wise, but that’s the score, idea and open mindedness of this series, as it was by the compilers, and last but not least a great time for a change, too. So we welcome this, we very much appreciate and like their selection. We are sure, this will convince you.
28 tracks, 3 exclusive tracks. Enjoy!

LP 1 & 2 (compiled by Benjamin Fröhlich)

A1: Basil Hardhaus – Breezin’
A2: JTC – Gallup
A3: The Abstract Eye - I Feel It In My Forehead
A4: Jex Opolis - Mt. Belzoni

B1: Tee Mango - Into The Wild
B2: Claude Rodap – Hiwa
B3: Jose Padilla - Lollipop (I:Cube Casiotone Reprise Mix)

C1: Herzel – Devoid
C2: David Goldberg - Part Bells (Benjamin Fröhlich Remix)
C3: Marvin Horsch – Pace

D1: Matt O'Brien – Flourish
D2: Aubrey – Dot 3 (Russ Gabriel Remix)
D3: Marcellus Pittman - A Mix

LP 3 & 4 (compiled by Tom Bioly)

E1: Move D – Beyond The Machine
E2: Pierre Bastien – Snide Dins
E3: Vanishing Twin – Under The Water
E4: Yussef Kamaal – Ayla
E5: Roman Flügel – Song With Blue
E6: Luke Abbott – Dumb

F1: Machine Woman – I Can Mend Your Broken Heart (Kassem Mosse Remix)
F2: New Jackson – Let The Freak Come Out At Night
F3: Albinos – Palazzo

G1: The Stowaway – A Suspicious Passenger
G2: Isolée – In Our Country
G3: TB – Unskinny Dub

H1: Slowdive – Sugar For The Pill (Avalon Emerson’s Gilded Escalation)
H2: Cobblestone Jazz – Midnight Sun
H3: Sirconical – Jambon Mama

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REPRESS!!!

Gatefold Double Vinyl
LP Tracklisting;
A1 School, A2 Baby, A3 Harpsichord, A4 Teenage Birdsong, A5 Romantics
B1 Love Salad, B2 Insect Near Piha Beach, B3 Hi Hello, B4 ISTM, B5 Something In The Sadness
C1 1993 Band Practice, C2 Green, C3 Bubbles At Overlook 25th March 2019, C4 4T Recordings,
C5 This Is For You, C6 Mama Teaches Sanskrit


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Repress coming soon!
Skee Mask’s endless search and fascination for fresh music, weed and burgers channeled into his own vision of sound. Enjoy the ride through his second album, a detailed experimental universe of a young dedicated hustler.


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Side 1
01 I Saw You 02 Secret 03 Radio 04 Follow 05 Enough 06 Pause
Side 2
01 Safety 02 Cmon 03 Trying 04 Chest 05 Come On Home

Produced by Brian Eno and Fred Gibson
4th April 2020 - 23rd December 2022
Mastered by Kieran Hebden
Lacquer cut by Bernie Grundman
Artwork by loose
Gatefold photograph by Brian Eno


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