2023 VINYL REPRESS.
TRACK LISTING
1. Gong (3:15) 2. Parallel Jalebi (3:54) 3. Our Navigation (3:54) 4. Ba Teaches Yoga (3:20)
5. Kool FM (5:09) 6. Crush (2:26) 7. Buchla (4:12) 8. Aerial (5:57) 9. Ever Never (0:32)
10. Unicorn (3:31) 11. Your Body Feels (4:04)


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Side A
A1. Human Voice - 06:36
Side B
B1. T246 130ish Electribe Plaits - 08:30


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2026 Repress
Written and produced by Kieran Hebden.
Photography by Jason Evans.
Design by Jason Evans and Matthew Cooper.
P+C Text Records 2024
01 Loved 4:03 02 Gliding Through Everything 4:08 03 Storm Crystals 6:40 04 Daydream Repeat 6:09 05 Skater 4:16 06 31 Bloom 5:52 07 So Blue 5:30 08 Three Drums 8:16


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VINYL REPRESS
01 Alap 02 Two Thousand and Seventeen 03 LA Trance 04 Tremper 05 Lush 06 Scientists
07 Falls 2 08 You Are Loved 09 SW9 9SL 10 10 Midi 11 Memories 12 Daughter 13 Gentle Soul
14 Planet

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3LP BOX SET.
Limited hand numbered edition of 2000. Non-Returnable.
Booklet featuring photos from the show and technical details.
140g black vinyl.
Rice paper inner sleeves.
Lacquer cut by Matt Colton at Metropolis.

Side 1: School Green Romantics (24:43)
Side 2: 4T Two Thousand (11:15)
Side 3: Baby Plastic Salad (24:53)
Side 4: Angel Feedback Mango (18:59)
Side 5: Lush FM Trance Fingers (22:21)
Side 6: Three Birdsong (15:16)


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Written and produced by Kieran Hebden.
Photography by Jason Evans.
Design by Jason Evans and Matthew Cooper.
P+C Text Records 2024
01 Loved 4:03 02 Gliding Through Everything 4:08 03 Storm Crystals 6:40 04 Daydream Repeat 6:09 05 Skater 4:16 06 31 Bloom 5:52 07 So Blue 5:30 08 Three Drums 8:16


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2023 REPRESS.

TRACKLIST:
A1 Locked 8:30
A2 Lion 9:04
B1 Jupiters 5:48
B2 Ocoras 5:24
C1 128 Harps 4:52
C2 Pyramid 8:27
D1 Peace For Earth 11:23
D2 Pinnacles 8:21


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CD Tracklisting;

01 School, 02 Baby, 03 Harpsichord, 04 Teenage Birdsong, 05 Romantics, 06 Love Salad, 07 Insect Near Piha Beach, 08 Hi Hello, 09 ISTM, 10 Something In The Sadness, 11 1993 Band Practice, 12 Green, 13 Bubbles At Overlook 25th March 2019, 14 4T Recordings, 15 This Is For You, 16 Mama Teaches Sanskrit



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Tracks & Durations:
A1 Teenage Birdsong (3.25)
A2 Teenage Birdsong (Avalon Emerson Scrub Jay remix) (5.28)
B1 Teenage Birdsong (Overmono remix) (4.38)
B2 Dreamer (3.22)


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WAS - Word and Sound Medien GmbH
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2023 VINYL REPRESS.
TRACK LISTING
1. Gong (3:15) 2. Parallel Jalebi (3:54) 3. Our Navigation (3:54) 4. Ba Teaches Yoga (3:20)
5. Kool FM (5:09) 6. Crush (2:26) 7. Buchla (4:12) 8. Aerial (5:57) 9. Ever Never (0:32)
10. Unicorn (3:31) 11. Your Body Feels (4:04)


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WAS - Word and Sound Medien GmbH
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Germany
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VINYL REPRESS
01 Alap 02 Two Thousand and Seventeen 03 LA Trance 04 Tremper 05 Lush 06 Scientists
07 Falls 2 08 You Are Loved 09 SW9 9SL 10 10 Midi 11 Memories 12 Daughter 13 Gentle Soul
14 Planet

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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2023 REPRESS.

TRACKLIST:
A1 Locked 8:30
A2 Lion 9:04
B1 Jupiters 5:48
B2 Ocoras 5:24
C1 128 Harps 4:52
C2 Pyramid 8:27
D1 Peace For Earth 11:23
D2 Pinnacles 8:21


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Kieran Hebden's Text Records is proud to announce Bolts, the debut album from British-Armenian producer Hagop Tchaparian, set for release in autumn 2022.
"Can I say, my friends call me Hagop? I don't want people to struggle with my long name. I always liked that Eminem introduced himself and said "hi, my name is…." I think I want to be called Hagop so people find it easy to connect."
Hagop's debut album Bolts features ten tracks of hyper-personal rhythm music that mixes techno with field recordings of his travels through Armenian and Mediterranean culture. Early DJ support has come from Four Tet, Gilles Peterson and Nikki Nair. The artwork for Bolts was curated by skateboard, music and sports photography legend Atiba Jefferson.
"As a teenager I would make the pilgrimage to Slam City skateboard shop - I couldn't really afford to buy anything other than Thrasher magazine. I would see Atiba's photos and get super inspired and want to push across the bridge and go skate Southbank. Downstairs was Rough Trade Records where I would be able to find the music from the music section in Thrasher and music i heard in the background of skate videos that I couldn't really seem to find anywhere else. Atiba was photographing loads of these bands too so it's absolutely a crazy dream to be able to work with someone who provided so much of the inspiration throughout my life."

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VERY LIMITED 180GM VERSION OF THE MADLIB ALBUM ON TEXT WITH DIFFERENT ARTWORK.

SIDE A 1. There Is No Time (Prelude) 2. The Call 3. Theme De Crabtree 4. Road Of The Lonely Ones 5. Loose Goose 6. Dirtknock 7. Hopprock 8. Riddim Chant.

SIDE B 1. Sound Ancestors 2. One For Quartabê/Right Now 3. Hang Out (Phone Off) 4. Two for 2 - For Dilla 5. Latino Negro 6. The New Normal 7. Chino 8. Duumbiyay.


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CD Tracklisting;

01 School, 02 Baby, 03 Harpsichord, 04 Teenage Birdsong, 05 Romantics, 06 Love Salad, 07 Insect Near Piha Beach, 08 Hi Hello, 09 ISTM, 10 Something In The Sadness, 11 1993 Band Practice, 12 Green, 13 Bubbles At Overlook 25th March 2019, 14 4T Recordings, 15 This Is For You, 16 Mama Teaches Sanskrit



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Tracks & Durations:
A1 Teenage Birdsong (3.25)
A2 Teenage Birdsong (Avalon Emerson Scrub Jay remix) (5.28)
B1 Teenage Birdsong (Overmono remix) (4.38)
B2 Dreamer (3.22)


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Liebigstrasse 2-20
DE - 22113 Hamburg
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Contact: [email protected]More

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Contact: [email protected]More

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Contact: [email protected]More

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1. WHERE'S LEON? 2 TEXLER ACID 3 BART'S SANCTUARY 4 OPAL CLIFFS

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One-Sided White Label.

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One-Sided White Label.

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Four Tet's Kieran Hebden and legendary New York jazz drummer Steve Reid recorded two albums together in 2007 and 2008, and 'Live At The South Bank' posthumously following Reid's death in 2011. At some point they recorded a version of Rhythm Is Rhythm's Detroit techno classic 'Strings Of Life' as a live, freeform jazz epic. The cover was first heard on a Reid tribute podcast hosted by Gilles Peterson, and is now released as a limited vinyl pressing on Hebden's Text imprint (525 copies only). The 12" comes in comes in a hand made letter press sleeve designed and printed by Marta Dos Santos. All proceeds from the sale of the 12" will go to the Steve Reid Foundation.

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One-Sided White Label.

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VINYL REPRESS
01 Alap 02 Two Thousand and Seventeen 03 LA Trance 04 Tremper 05 Lush 06 Scientists
07 Falls 2 08 You Are Loved 09 SW9 9SL 10 10 Midi 11 Memories 12 Daughter 13 Gentle Soul
14 Planet

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Liebigstrasse 2-20
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2026 Repress
Written and produced by Kieran Hebden.
Photography by Jason Evans.
Design by Jason Evans and Matthew Cooper.
P+C Text Records 2024
01 Loved 4:03 02 Gliding Through Everything 4:08 03 Storm Crystals 6:40 04 Daydream Repeat 6:09 05 Skater 4:16 06 31 Bloom 5:52 07 So Blue 5:30 08 Three Drums 8:16


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Repress!

Diving deeper into the story of Japanese reggae pop, Tokyo Riddim Vol. 2 explores an electronic, new wave and often experimental sound unlike anything Japan or Jamaica had ever heard before.

The first time Ryuichi Sakamoto left Japan, he did not go to the United States or Europe - he went to Jamaica. It was 1978, YMO were about to release their debut album, but Sakamoto was in Kingston, invited to play synths for Japanese idol singer Teresa Noda at Dynamic Sound Studios in a band alongside Neville Hinds and none other than Rita Marley. It’s not a story many know, but one which would spark Sakamoto’s fascination with dub and mark a new chapter in the ongoing Japanese love affair with reggae.

The Teresa Noda tracks they cut - ‘Tropical Love’ and ‘Yellow Moon’ - bookend this second volume of Time Capsule’s Tokyo Riddim compilation, which tells the wider story of how a fascination with Jamrock swept Japan, adding a dash of lime to that sweet city pop sound, embracing a globalised musical palette and creating a whole new genre in the process.

For some, like Sakamoto, a diversion into reggae was part of broader fascination with new sounds and styles, tipped into the global disco of homage and appropriation that made Japanese music of the late ‘70s and early ‘80s some of the most creative and undefinable in the world.

You had iconic shape-shifter Yosui Inoue, who toyed with reggae, afro-beat and electro-Balearic, (and whose For Life Records released several tracks on this comp), and Kay Ishiguro, who enlisted J-reggae originator Pecker on the ambitious Stevie Wonder-esque ‘Red Drip’.

Then there were the Compass Point devotees - producers and musicians alike who were enthralled by the sound of the Bahamas studio and drew on the detached cool of Grace Jones - as heard in the music of Juicy Fruits, and the disco noir of Casablanca-signed femme fatale Yuki Nakayamate. Sometimes, as was the case with Risa Minami, the J-reggae influence said more about Japan than it did about Jamaica.

But where Tokyo Riddim Vol. 1 focused on the city pop sound, this compilation goes further, digging out the more experimental collaborations and hybrids exemplified by Tomoko Aran, who in working with Yusuaki Shimizu and Mariah emphasised just how far reggae had travelled to be recast into something entirely new on the other side of the world.

Perhaps more than anything, in connecting the dots between Tokyo and Kingston, between Jamaica and Japan, the Japanese reggae was building a musical language that existed outside of the paradigms of US and European cultural hegemony - an encounter shaped by commerce, capital and creativity that is now being recognised more broadly for the first time.

Compiled by Kay Suzuki
Artwork by Noncheleee
Liner notes by Anton Spice, Kay Suzuki & Ayana Honma
Coordinated by Ken Hidaka & Kay Suzuki
Mastered by Mike Hillier at Metropolis Studios, London, UK
Time Capsule | TIME021 | 1979-1986 -> 2024
UPC: 748322322256

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Repress!

The smooth and funky sound of prime-time Japanese reggae pop in the 1970s and ‘80s fired up an obsession with Jamaican music that persists to the present day.

If there is a year zero for the introduction of reggae music to Japan, you’d be forgiven for thinking it was 1979 when Bob Marley and the Wailers toured the country, trailed by an entourage of journalists, photographers and fans ready to spread the message of the music into all corners of Japanese society.

But the story of Japanese reggae is not a linear one, and the music that is collected on Tokyo Riddim 1976-1985 captures the moment J-reggae entered the broader public consciousness, merging commercial city pop style with an infectious backbeat, that has drawn comparisons with the emergence of Lovers Rock in the UK.

Rather than look directly to Jamaica, many producers and artists in Japan were inspired instead by the more approachable sounds of The Police and UB40, their reggae fix arriving pre-filtered through the lens of new wave pop from the UK. Playful and groovy, these album deep cuts have been overlooked for too long.

Among them are Miki Hirayama, the idol singer who borrowed the bassline from Bob Marley’s Natural Mystic on ‘Denshi Lenzi’, Chu Kosaka, who headed to Hawaii to cut the Jimmy Cliff-inspired ‘Music’ and Marlene, the Philippine songstress whose cover of Roberta Flack’s ‘Hittin’ Me Wear It Hurts’ owed much to her producer’s obsession with Sly & Robbie’s Compass Point sound.

Then there was Izumi “Mimi” Kobayashi, who enlisted the Babylon Warriors to perform on a dubbed-out version of her own track ‘Lazy Love’, the city pop-meets-new wave reggae sound of Miharu Koshi’s ‘Coffee Break’, Junko Yagami’s anti-apartheid deep cut ‘Johannesburg’ and Lily, whose ‘Tenki Ni Naare’ was produced by Ryuichi Sakamoto and closes out the compilation with a flourish.

While these stories may not always conform to neat narratives, they do provide a more accurate reflection of the indirect ways in which styles infiltrate one another and, in their naivety, have the potential to create something beautifully strange and entirely new. Previously only available in Japan, the tracks on this compilation are a testament to that curious alchemy.

Tokyo Riddim 1976-1985 is released on vinyl and as a full album download (no streaming), featuring original artwork by Japanese Fukuoka-based artist Noncheleee, whose cover pays homage to the iconic dancehall album art of Wilfred Limonious.

Released on 1st September, Tokyo Riddim 1976-1985 is a part of Time Capsule's Nippon Series, a loose series of compilations exploring different musical scenes from Japan between the 1960s and 2010s.

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Black Vinyl 2LP Gatefold

2LP TRACKLIST:
A1. Introit
A2. Prophecy At 1420 MHz
A3. Hydrogen Helium Lithium Leviathan
A4. Age Of Capricorn
A5. Father And Son
B1. Somewhere Right Now In The Future
B2. Naraka
B3. Acts Of Magic
B4. Memory Death
B5. The Word Becomes Flesh
C1. Into The Magic Land
C2. Blood In The Labyrinth
C3. Deep Time
C4. All Reason Departs
D1. Arena Americanada
D2. The Process
D3. You Retreat In Time And Space
D4. I Saw Through Platonia

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Repress!
Written, produced and recorded by Valentino Mora Produced by MLV Dublin. Mastering by Stuart Hawkes @ Metropolis, UK

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