Label:ilian tape
Cat-No:ITLP04
Release-Date:30.04.2021
Genre:Techno
Configuration:2LP
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Label:ilian tape
Cat-No:ITLP04
Release-Date:30.04.2021
Genre:Techno
Configuration:2LP
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Skee Mask - Cerroverb
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Skee Mask - Session Add
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Skee Mask - Rev8617
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Skee Mask - 50 Euro To Break Boost
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Skee Mask - Via Sub Mids
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Skee Mask - Soundboy Ext.
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Skee Mask - Dial 274
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Skee Mask - VLI
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Skee Mask - Flyby VFR
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Skee Mask - Muk FM
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Skee Mask - Kozmic Flush
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Skee Mask - Calimance (Delay Mix)
Repress coming soon!
Skee Mask’s endless search and fascination for fresh music, weed and burgers channeled into his own vision of sound. Enjoy the ride through his second album, a detailed experimental universe of a young dedicated hustler.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Skee Mask’s endless search and fascination for fresh music, weed and burgers channeled into his own vision of sound. Enjoy the ride through his second album, a detailed experimental universe of a young dedicated hustler.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Skee Mask
Label:Ilian Tape
Cat-No:ITLP19
Release-Date:02.07.2024
Genre:Electronic
Configuration:2LP
Barcode:
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Label:Ilian Tape
Cat-No:ITLP19
Release-Date:02.07.2024
Genre:Electronic
Configuration:2LP
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Skee Mask - Hedwig Transformation Group
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Skee Mask - Nostaglitch
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Skee Mask - Reminiscrmx
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Skee Mask - Element
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Skee Mask - Waldmeister
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Skee Mask - Daytime Gamer
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Skee Mask - Schneiders Paradox
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Skee Mask - BB Care
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Skee Mask - Terminal Z
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Skee Mask - Hölzl Was A Dancer
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Skee Mask - 7AM At The Rodeo
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Skee Mask - Vitamin 313
Repress coming beginning of February.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Ilian Skee Series
Cat-No:ISS010
Release-Date:12.04.2024
Genre:Techno
Configuration:2LP
Barcode:
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Label:Ilian Skee Series
Cat-No:ISS010
Release-Date:12.04.2024
Genre:Techno
Configuration:2LP
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Skee Mask - Dub Schneider
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Skee Mask - Dachtekker
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Skee Mask - Matchpoint
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Skee Mask - Double Standard
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Skee Mask - The Bill
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Skee Mask - Stomp
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Skee Mask - Small Stone S700
Sold on preorder - repress coming in 4 weeks!
.....
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Ilian Skee Series
Cat-No:ISS008
Release-Date:27.04.2022
Genre:Techno
Configuration:12"
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Label:Ilian Skee Series
Cat-No:ISS008
Release-Date:27.04.2022
Genre:Techno
Configuration:12"
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Skee Mask - "A14 Vs CB"
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Skee Mask - "Stoat"
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Skee Mask - "Type Beat 6"
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Skee Mask - "Wiz"
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Ilian Skee Series
Cat-No:ISS007
Release-Date:27.04.2022
Genre:Techno
Configuration:12"
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Label:Ilian Skee Series
Cat-No:ISS007
Release-Date:27.04.2022
Genre:Techno
Configuration:12"
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Skee Mask - "Daytime Gamer" (version)
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Skee Mask - "MDP93"
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Skee Mask - "Farm"
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Skee Mask - "Past Present"
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Skee Mask - "Hachures"
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Skee Mask - "Verdigris"
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Skee Mask - "Untitled 2014"
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Skee Mask - "Space Drill Dub"
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Ilian Tape
Cat-No:ITLP09
Release-Date:07.05.2021
Genre:Techno
Configuration:3LP
Barcode:
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Label:Ilian Tape
Cat-No:ITLP09
Release-Date:07.05.2021
Genre:Techno
Configuration:3LP
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Skee Mask - Nvivo
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Skee Mask - Stone Cold 369
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Skee Mask - LFO
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Skee Mask - Rdvnedub
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Skee Mask - CZ3000 Dub
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Skee Mask - DJ Camo Bro
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Skee Mask - Collapse Casual
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Skee Mask - Breathing Method
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Skee Mask - Ozone
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Skee Mask - Rio Dub
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Skee Mask - Testo BC Mashup
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Skee Mask - Dolan Tours
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Skee Mask - Absence
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14
Skee Mask - 60681z
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Skee Mask - Crosssection
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Skee Mask - Harrison Ford
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Skee Mask - Pepper Boys
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Skee Mask - Fourth
Repress should land soon!
Just a continuation of things that have been done before and that will be done in the future. The plan is that there is no plan and the story goes on! 18 tracks about distinct moods, patterns and the pure joy of creation itself.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Just a continuation of things that have been done before and that will be done in the future. The plan is that there is no plan and the story goes on! 18 tracks about distinct moods, patterns and the pure joy of creation itself.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:ilian tape
Cat-No:ITLP02
Release-Date:30.04.2021
Genre:Techno
Configuration:2LP
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Label:ilian tape
Cat-No:ITLP02
Release-Date:30.04.2021
Genre:Techno
Configuration:2LP
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Skee Mask - Everest
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Skee Mask - HAI Conv.
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Skee Mask - Autotuned
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Skee Mask - Shred 08
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Skee Mask - Backcountry
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Skee Mask - Melczop 2
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Skee Mask - Zenker Haze Trak
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Skee Mask - Reshape
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Skee Mask - Japan Air
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Skee Mask - Shady Jibbin'
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Skee Mask - Panorama
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Skee Mask - South Mathematikz
REPRESS!
The second album on Ilian Tape comes again out of Munich city. Skee Mask doesn’t spend a
day without making music and the dedication, attention to detail and architectural approach
really make this album an absolute trip to listen to. It’s the sound of a peaceful and energetic
place. It’s smoky and cosy. It’s where Skee Mask spends most of his time. He lives for the
music and we are really happy that this freak became a core member
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The second album on Ilian Tape comes again out of Munich city. Skee Mask doesn’t spend a
day without making music and the dedication, attention to detail and architectural approach
really make this album an absolute trip to listen to. It’s the sound of a peaceful and energetic
place. It’s smoky and cosy. It’s where Skee Mask spends most of his time. He lives for the
music and we are really happy that this freak became a core member
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from ilian tape
Label:Ilian Tape
Cat-No:IT069
Release-Date:14.02.2025
Genre:Techno
Configuration:12"
Barcode:
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Label:Ilian Tape
Cat-No:IT069
Release-Date:14.02.2025
Genre:Techno
Configuration:12"
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Operator - Mall To Beach '80
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Operator - Deliberate
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Operator - Wanderer
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Operator - Sector Seven
Fully Equipped Beach Wanderers
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Ilian Tape
Cat-No:IT068
Release-Date:06.12.2024
Genre:Techno
Configuration:12"
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Label:Ilian Tape
Cat-No:IT068
Release-Date:06.12.2024
Genre:Techno
Configuration:12"
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Dario Zenker - Wuando
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Dario Zenker - Simple Days
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Dario Zenker - Vitalizer
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Dario Zenker - The Edit
Vitalizing Vaporizing E-Bike Travelers
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
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Label:Ilian Tape
Cat-No:ITX035
Release-Date:15.11.2024
Genre:Electronic
Configuration:12"
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Label:Ilian Tape
Cat-No:ITX035
Release-Date:15.11.2024
Genre:Electronic
Configuration:12"
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MPU101 - klubTG33
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MPU101 - creamyPORTAL-Xa
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MPU101 - siemensC25teen
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MPU101 - APEX CA 91352
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MPU101 - sequoia10
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MPU101 - POL1000
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MPU101 - LEE
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MPU101 - junelake smokes
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MPU101 - 72 ARP
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MPU101 - JAN24onNE375
Meticulously Serviced Liminal Portal
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Label:Ilian Tape
Cat-No:IT067
Release-Date:08.11.2024
Genre:Techno
Configuration:12"
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Label:Ilian Tape
Cat-No:IT067
Release-Date:08.11.2024
Genre:Techno
Configuration:12"
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Shed - EMCZ
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Shed - TLSQ
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Shed - UFO2
Distinctive Merciless Grinning Killers
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Label:Ilian Tape
Cat-No:ITDP004
Release-Date:01.11.2024
Genre:Techno
Configuration:12"
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Cat-No:ITDP004
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Genre:Techno
Configuration:12"
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Stenny - Hazy Grove
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Stenny - Dirge
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Stenny - Fatal Flora
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Stenny - Assegai
Limited one time pressing fast paced dancefloor mechanics on 180g vinyl.
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Liebigstrasse 2-20
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Label:Ilian Tape
Cat-No:IT066
Release-Date:25.10.2024
Genre:House / Techno
Configuration:12"
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Label:Ilian Tape
Cat-No:IT066
Release-Date:25.10.2024
Genre:House / Techno
Configuration:12"
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Fireground - Glare
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Fireground - Stand
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Fireground - Spin
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Fireground - Red Night
Delectable Crafty Explosive Headspins
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Label:Ilian Tape
Cat-No:ITX034
Release-Date:25.10.2024
Genre:Breaks
Configuration:12"
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Label:Ilian Tape
Cat-No:ITX034
Release-Date:25.10.2024
Genre:Breaks
Configuration:12"
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Etch - Liz's Track
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Etch - Asami
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Etch - Jacks Design
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Etch - Clockwork Romance
Unbridled introvert scooter crushers
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Label:Ilian Tape
Cat-No:ITLP20
Release-Date:27.09.2024
Genre:Electronic
Configuration:2LP
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Label:Ilian Tape
Cat-No:ITLP20
Release-Date:27.09.2024
Genre:Electronic
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Jichael Mackson - Intro
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Jichael Mackson - Welcome
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Jichael Mackson - Frdm
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Jichael Mackson - Shangri La
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Jichael Mackson - Spring Break
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Jichael Mackson - Banana Jazz (Quartett)
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Jichael Mackson - A Jichalicious Something
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Jichael Mackson - Good Marning Sunshine
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Jichael Mackson - Xmas Giftcard
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Jichael Mackson - 5onit
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Jichael Mackson - Chillinger
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Jichael Mackson - Happy Ending
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Jichael Mackson - Outro
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:Ilian Tape
Cat-No:IT065
Release-Date:06.09.2024
Genre:Techno
Configuration:12"
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Label:Ilian Tape
Cat-No:IT065
Release-Date:06.09.2024
Genre:Techno
Configuration:12"
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Zenker Brothers - Two Paths
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Zenker Brothers - Power Supply
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Zenker Brothers - Workhorse
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Zenker Brothers - Hold On
Wild Workhorse Power Supply
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Label:Ilian Tape
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Label:Ilian Tape
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MPU101 - Block-1_Dv190
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Laksa - Enjoyment
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Atrice - Multiplex
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Label:Ilian Tape
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Fields Of Mist - Sunrise On Mos Landin Platform
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Fields Of Mist - Orbital Mist
Sunrise Beams Through Orbital Mist
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Label:Ilian Tape
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Mia Koden - Après Vous
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Label:All Nice Records
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Legowelt - Explendor Nothingness
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Legowelt - Smooth On The Edge
Renowned producer Danny Wolfers, better known as Legowelt, brings his legendary sound to the still-emerging Portuguese label, All Nice Records, launched in early 2024. Following their initial Chicago House-inspired releases, the label now shifts its focus to the vibrant Dutch West Coast scene. ‘Netherworld Sonomosis’ is a captivating and melodic electro EP that showcases Danny’s passion for his craft and his unique production style. This versatile four-track release is perfect for spinning at any hour of the night, inviting listeners to immerse themselves in its dreamy soundscapes.
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Label:Fokuz Recorddings
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Archangel - Ten Steps
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Archangel - U & I
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Archangel - Slow Down
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Archangel - Darkside
Tracklisting
A1 Archangel - Ten Steps
A2 Archangel - U & I
B1 Archangel - Slow Down
B2 Archangel - Darkside
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A1 Archangel - Ten Steps
A2 Archangel - U & I
B1 Archangel - Slow Down
B2 Archangel - Darkside
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Label:Incienso
Cat-No:INC-027
Release-Date:02.08.2024
Genre:Techno
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Loidis - A1. Tell Me
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Loidis - B1. Tequa
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Loidis - D2. Why Do
Format: 2LP
Tracklist
A1. Tell Me
A2. Wait & See
B1. Tequa
B2. Love's Lineaments
C1. Sugar Snot
C2. Dollarama
D1. All Of Em
D2. Why Do
Six years after the release of the "A Parade, In The Place I Sit, The Floating World (& All Its Pleasures)" EP on anno Records, Brian Leeds, aka Huerco S., returns to the Loidis project with his debut album "One Day" on Incienso.
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Tracklist
A1. Tell Me
A2. Wait & See
B1. Tequa
B2. Love's Lineaments
C1. Sugar Snot
C2. Dollarama
D1. All Of Em
D2. Why Do
Six years after the release of the "A Parade, In The Place I Sit, The Floating World (& All Its Pleasures)" EP on anno Records, Brian Leeds, aka Huerco S., returns to the Loidis project with his debut album "One Day" on Incienso.
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Ken Ishii - A1. Into The Inside (2024 Remaster)
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Ken Ishii - A2. Fading Sky (2024 Remaster)
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Ken Ishii - A3. Non Essential (2024 Remaster)
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Ken Ishii - B1. Finite Time (2024 Remaster)
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Ken Ishii - B2. Interjection (2024 Remaster)
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Ken Ishii - B3. Scene One (2024 Remaster)
LP 180g Heavyweight vinyl, Remastered, with original track-list available on vinyl for the first time
"Ken Ishii has risen to be one of techno's biggest names" Bandcamp Daily
"A pivotal moment in the history of techno, ambient and electronic music from Japan. An important milestone in a journey to explore the endless possibilities of music and a precious result of our passion and adventure at the time" Manabu Yamazaki (Sublime Records)
GENRE: Techno, Ambient
Tracklist:
1. Into The Inside (2024 Remaster)
2. Fading Sky (2024 Remaster)
3. Non Essential (2024 Remaster)
Side B
1. Finite Time (2024 Remaster)
2. Interjection (2024 Remaster)
3. Scene One (2024 Remaster)
New liner notes by Martyn Pepperell
The musician and DJ Ken Ishii sits right at the pinnacle of techno's most noteworthy, but although a game changer for the artist personally - and for Japanese electronic music in general - his 1994 album 'Reference to Difference' is something of an unsung gem today.
Now reissued and remastered, released to mark the 30th anniversary of Musicmine / Sublime Records, and available on vinyl with its original track-list for the first time, this stunning, lesser-known classic is ripe for rediscovery.
Born 1970 in Sapporo, Ishii was introduced to electronic music at a young age through arcade games, and Japanese and German pioneers like Yellow Magic Orchestra, Isao Tomita and Kraftwerk. During his teens, he absorbed new wave, synth-pop, EBM and industrial, before making a life-changing discovery of Detroit techno in the late 80s.
As the 1990s dawned, so did his introduction to Black Dog Productions and Warp Records' Artificial Intelligence compilations. Blown away by the emerging British and American IDM, braindance, and ambient techno movements, he quickly folded their influence into his still-developing but cultivated aesthetic.
A futuristic confluence of unplaceable ambient atmospheres, space age techno, IDM and minimalist composition, 'Reference To Difference' unfolds as an effortless series of exercises in pristine synth textures, robust man/machine rhythm and understated melodies. It teleports the listener back to a golden moment in the mid-1990s, when a dedicated generation rose out of Tokyo's storied clubs and took the innovation, energy, and creativity of Japan's unique techno culture to the world.
Opened in 1993, Maniac Love was a new nightclub where Manabu Yamazaki aka DJ Yama promoted the Sublime parties, which soon became a crucial hub within the burgeoning Tokyo underground. It was here where Yamazaki rubbed shoulders with peers including Ishii and Susumu Yokota, and the trio's future became intertwined.
Much like Ishii, the late Susumu Yokota began his musical career by reaching out to Europe. Not long before Ishii released his debut longplayer 'Garden On The Palm' through Belgium's R&S, Yokota released his debut LP 'The Frankfurt-Tokyo Connection' through Harthouse, the German label co-founded by Sven Väth. In the wake of both records' overseas success, Ishii and Yokota set a benchmark for techno in Japan.
By 1993, as they both became in-demand producers and DJs, it felt like their dreams were coming true. Through talking with Ishii and Yokota, Yamazaki became emboldened to transform Sublime into a record label.
Soon after, Yamazaki partnered with Hideoki Amano, who was on the verge of founding Musicmine, a now respected and longstanding independent Japanese music company. As Yamazaki tells it, Amano helped him turn his dream into a reality: Sublime Records.
For Musicmine and Sublime Records' inaugural album releases, Yamazaki and Amano approached both Ishii and Yokota, resulting in the simultaneous drop of 'Reference To Difference' and 'Acid Mt. Fuji' respectively, on June 29th 1994.
Yamazaki remembered 'Reference To Difference' being well received by DJs, listeners, record store buyers and journalists, stating "people were excited by this new wave of music coming out of Japan, and had high praise for its unique sound."
With the pair of LPs further stamping Japan on the contemporary musical globe, the scene was beginning to boom at home too. Specialist record stores, and club music magazines like Ele-King and Loud spread the word, and in the wake of Maniac Love's impact, new nightclubs like the legendary Liquid Room were opening up, bringing a steady stream of world-famous DJs to the Japanese capital.
"Without a doubt, I think the arrival of Ken Ishii was a major turning point for the Japanese music industry in the 1990s," Amano reflected. "Nowadays, the Western club music scene is rediscovering Japanese techno from the 1990s, and digging our music is a common sight, but before Ken Ishii, no Japanese DJ was in sync with the global club music scene. He was the catalyst."
"Looking back, I can tell it was meaningful that this was one of the first techno albums by a Japanese artist that was released on a Japanese label," Ishii reflects. "Maybe I did something that bridged between old school Japanese electronic music and 'new school' techno in line with the Detroit sound with this record" he adds, in modest understatement.
The new liner notes were written Martyn Pepperell, a well-regarded music journalist who has covered Susumu Yokota for Wax Poetics and Midori Takada for Dazed, amongst numerous other articles.
Ken Ishi DJ dates:
Fri 14 June Tokyo, Japan : MUSICMINE 30th Anniversary @ WWW
Sat 15 June Nagano Pref, Japan : Re:birth Festival 2024 @ Kurumayama-Kogen Skypark Resort
Sat 22 June Tbilisi, Georgia : Tbilisi Open Air (Khidi Stage) @ Lisi Wonderland
Fri 12 July Tokyo, Japan : TECHNOH LAB. @ Suigian (*Non+techno performance with Manjiro Tatsumi)
Fri 12 July Tokyo, Japan : @ Vent
Fri 26 July Tokyo, Japan : @ Shinjuku Loft
Sun 28 July Naeba, Japan : @ Fuji Rock Festival
Sat 31 August Amsterdam, The Netherlands : Wooferland 2024 @ Houtrak Halfweg
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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Liebigstrasse 2-20
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Contact: gpsr@wordandsound.netMore
"Ken Ishii has risen to be one of techno's biggest names" Bandcamp Daily
"A pivotal moment in the history of techno, ambient and electronic music from Japan. An important milestone in a journey to explore the endless possibilities of music and a precious result of our passion and adventure at the time" Manabu Yamazaki (Sublime Records)
GENRE: Techno, Ambient
Tracklist:
1. Into The Inside (2024 Remaster)
2. Fading Sky (2024 Remaster)
3. Non Essential (2024 Remaster)
Side B
1. Finite Time (2024 Remaster)
2. Interjection (2024 Remaster)
3. Scene One (2024 Remaster)
New liner notes by Martyn Pepperell
The musician and DJ Ken Ishii sits right at the pinnacle of techno's most noteworthy, but although a game changer for the artist personally - and for Japanese electronic music in general - his 1994 album 'Reference to Difference' is something of an unsung gem today.
Now reissued and remastered, released to mark the 30th anniversary of Musicmine / Sublime Records, and available on vinyl with its original track-list for the first time, this stunning, lesser-known classic is ripe for rediscovery.
Born 1970 in Sapporo, Ishii was introduced to electronic music at a young age through arcade games, and Japanese and German pioneers like Yellow Magic Orchestra, Isao Tomita and Kraftwerk. During his teens, he absorbed new wave, synth-pop, EBM and industrial, before making a life-changing discovery of Detroit techno in the late 80s.
As the 1990s dawned, so did his introduction to Black Dog Productions and Warp Records' Artificial Intelligence compilations. Blown away by the emerging British and American IDM, braindance, and ambient techno movements, he quickly folded their influence into his still-developing but cultivated aesthetic.
A futuristic confluence of unplaceable ambient atmospheres, space age techno, IDM and minimalist composition, 'Reference To Difference' unfolds as an effortless series of exercises in pristine synth textures, robust man/machine rhythm and understated melodies. It teleports the listener back to a golden moment in the mid-1990s, when a dedicated generation rose out of Tokyo's storied clubs and took the innovation, energy, and creativity of Japan's unique techno culture to the world.
Opened in 1993, Maniac Love was a new nightclub where Manabu Yamazaki aka DJ Yama promoted the Sublime parties, which soon became a crucial hub within the burgeoning Tokyo underground. It was here where Yamazaki rubbed shoulders with peers including Ishii and Susumu Yokota, and the trio's future became intertwined.
Much like Ishii, the late Susumu Yokota began his musical career by reaching out to Europe. Not long before Ishii released his debut longplayer 'Garden On The Palm' through Belgium's R&S, Yokota released his debut LP 'The Frankfurt-Tokyo Connection' through Harthouse, the German label co-founded by Sven Väth. In the wake of both records' overseas success, Ishii and Yokota set a benchmark for techno in Japan.
By 1993, as they both became in-demand producers and DJs, it felt like their dreams were coming true. Through talking with Ishii and Yokota, Yamazaki became emboldened to transform Sublime into a record label.
Soon after, Yamazaki partnered with Hideoki Amano, who was on the verge of founding Musicmine, a now respected and longstanding independent Japanese music company. As Yamazaki tells it, Amano helped him turn his dream into a reality: Sublime Records.
For Musicmine and Sublime Records' inaugural album releases, Yamazaki and Amano approached both Ishii and Yokota, resulting in the simultaneous drop of 'Reference To Difference' and 'Acid Mt. Fuji' respectively, on June 29th 1994.
Yamazaki remembered 'Reference To Difference' being well received by DJs, listeners, record store buyers and journalists, stating "people were excited by this new wave of music coming out of Japan, and had high praise for its unique sound."
With the pair of LPs further stamping Japan on the contemporary musical globe, the scene was beginning to boom at home too. Specialist record stores, and club music magazines like Ele-King and Loud spread the word, and in the wake of Maniac Love's impact, new nightclubs like the legendary Liquid Room were opening up, bringing a steady stream of world-famous DJs to the Japanese capital.
"Without a doubt, I think the arrival of Ken Ishii was a major turning point for the Japanese music industry in the 1990s," Amano reflected. "Nowadays, the Western club music scene is rediscovering Japanese techno from the 1990s, and digging our music is a common sight, but before Ken Ishii, no Japanese DJ was in sync with the global club music scene. He was the catalyst."
"Looking back, I can tell it was meaningful that this was one of the first techno albums by a Japanese artist that was released on a Japanese label," Ishii reflects. "Maybe I did something that bridged between old school Japanese electronic music and 'new school' techno in line with the Detroit sound with this record" he adds, in modest understatement.
The new liner notes were written Martyn Pepperell, a well-regarded music journalist who has covered Susumu Yokota for Wax Poetics and Midori Takada for Dazed, amongst numerous other articles.
Ken Ishi DJ dates:
Fri 14 June Tokyo, Japan : MUSICMINE 30th Anniversary @ WWW
Sat 15 June Nagano Pref, Japan : Re:birth Festival 2024 @ Kurumayama-Kogen Skypark Resort
Sat 22 June Tbilisi, Georgia : Tbilisi Open Air (Khidi Stage) @ Lisi Wonderland
Fri 12 July Tokyo, Japan : TECHNOH LAB. @ Suigian (*Non+techno performance with Manjiro Tatsumi)
Fri 12 July Tokyo, Japan : @ Vent
Fri 26 July Tokyo, Japan : @ Shinjuku Loft
Sun 28 July Naeba, Japan : @ Fuji Rock Festival
Sat 31 August Amsterdam, The Netherlands : Wooferland 2024 @ Houtrak Halfweg
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Tristwch y Fenywod - 1. Blodyn Gwynedd
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Tristwch y Fenywod - 2. Ferch Gyda’r Llygaid Du
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Tristwch y Fenywod - 3. Y Trawsnewidiad
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Tristwch y Fenywod - 8. ‘Nes I Ddawnsio Efo’r Lleuad
territories:WW-US,CA,UK, BENELUX
Black Vinyl LP, 2025 REPRESS
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Contact: gpsr@wordandsound.netMore
Black Vinyl LP, 2025 REPRESS
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Eden Burns - A1) Big Beat Manifesto (00:07:50)
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Eden Burns - B2) A Far Way To Fall (00:09:01)
2025 Repress
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A1) Big Beat Manifesto 00:07:50
A2) Robokinky 00:06:13
B1) Big Bark Manifesto 00:06:19
B2) A Far Way To Fall 00:09:01
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Tracklist:
A1) Big Beat Manifesto 00:07:50
A2) Robokinky 00:06:13
B1) Big Bark Manifesto 00:06:19
B2) A Far Way To Fall 00:09:01
Short info:
Join the tribe. Help spreading the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.“
Transmission activated!
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Susumu Yokota - A1. Zenmai (2024 Remaster)
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Susumu Yokota - A2. Kinoko (2024 Remaster)
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Susumu Yokota - A3. Meijijingu (2024 Remaster)
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Susumu Yokota - B1. Saboten (2024 Remaster)
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Susumu Yokota - B2. Oh My God (2024 Remaster)
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Susumu Yokota - B3. Tambarin (2024 Remaster)
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Susumu Yokota - C1. Oponchi (2024 Remaster)
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Susumu Yokota - C2. Ao-oni (2024 Remaster)
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Susumu Yokota - C3.3. Akafuji (2024 Remaster)
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Susumu Yokota - D1. Alphaville (2024 Remaster)
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Susumu Yokota - D2. Tanuki (2024 Remaster)
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Susumu Yokota - E1. Floating G (2024 Remaster)**
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Susumu Yokota - E2. H (2024 Remaster)**
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Susumu Yokota - E3. B (2024 Remaster)**
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Susumu Yokota - F1. F (2024 Remaster)**
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Susumu Yokota - F2. 2 H (2024 Remaster)**
Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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in stock
Label:Be With Records
Cat-No:bewith094LP
Release-Date:16.06.2023
Genre:Soul/Funk
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Jay Richford and Gary Stevan - A1 : Flying High (3:35)
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Jay Richford and Gary Stevan - A2 : Going Home (2:46)
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Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
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Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
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Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
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Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
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Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
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Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
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Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
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Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2023 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP Excl
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Label:Night School Records
Cat-No:LSSN096GLOW
Release-Date:01.11.2024
Configuration:LP Excl
Barcode:5061041820717
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Last in:23.10.2024
Label:Night School Records
Cat-No:LSSN096GLOW
Release-Date:01.11.2024
Configuration:LP Excl
Barcode:5061041820717
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1
Tristwch y Fenywod - 1. Blodyn Gwynedd
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2
Tristwch y Fenywod - 2. Ferch Gyda’r Llygaid Du
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3
Tristwch y Fenywod - 3. Y Trawsnewidiad
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4
Tristwch y Fenywod - 4. Llwydwyrdd
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5
Tristwch y Fenywod - 5. Byd Mewn Cysgod
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6
Tristwch y Fenywod - 6. Gelain Görs
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7
Tristwch y Fenywod - 7. Awen
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8
Tristwch y Fenywod - 8. ‘Nes I Ddawnsio Efo’r Lleuad
territories:WW-US,CA,UK, BENELUX
LIMITED GLOW-IN-THE-DARK VINYL REPRESS DUE TO THE RAPID SELLING OUT OF THE FIRST PRESSING!!
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LIMITED GLOW-IN-THE-DARK VINYL REPRESS DUE TO THE RAPID SELLING OUT OF THE FIRST PRESSING!!
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Groovin Recordings
Cat-No:GR-12111
Release-Date:01.11.2024
Genre:House
Configuration:12"
Barcode:
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Last in:22.01.2025
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Last in:22.01.2025
Label:Groovin Recordings
Cat-No:GR-12111
Release-Date:01.11.2024
Genre:House
Configuration:12"
Barcode:
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1
Hollis P. Monroe - I'm Lonely (Original Mix)
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2
Hollis P. Monroe - I'm Lonely (DJ Decent Acid Mix)
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3
Hollis P. Monroe - I'm Lonely (Wamdue Remix)
OFFICIAL 2024 REMASTERED REISSUE
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Studio Barnhus
Cat-No:barn107
Release-Date:29.11.2024
Genre:House
Configuration:12" Excl
Barcode:198704203695
in stock
Last in:19.11.2024
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in stock
Last in:19.11.2024
Label:Studio Barnhus
Cat-No:barn107
Release-Date:29.11.2024
Genre:House
Configuration:12" Excl
Barcode:198704203695
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1
Mayurashka - Cosmic Rising
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2
Mayurashka - Kool Stop
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3
Mayurashka - Fatties
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4
Mayurashka - Mountain Pads
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5
Mayurashka - Appex
GENRE/S: House, Electronic
TRACKLIST:
A1. Cosmic Rising
A2. Kool Stop
A3. Fatties
B1. Mountain Pads
B1. Appex
SHORT INFO:
Tokyo-based, globally-destined DJ and producer Mayurashka comes thru on Studio Barnhus with five awe-inspiring examples of fearless sonic exploration on the dancefloor.
A rare record that strikes with immediacy while still revealing new details on the 1000th listen, this EP shares a cosmic connection with the new wave and disco records Mayu fuses into her infamous late night sets in the Japanese house underground.
Loaded with unstoppable vibrations that have left us at Studio Barnhus HQ shaking all autumn, Cosmic Rising is out on 12'' vinyl and all digital formats on November 29.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
TRACKLIST:
A1. Cosmic Rising
A2. Kool Stop
A3. Fatties
B1. Mountain Pads
B1. Appex
SHORT INFO:
Tokyo-based, globally-destined DJ and producer Mayurashka comes thru on Studio Barnhus with five awe-inspiring examples of fearless sonic exploration on the dancefloor.
A rare record that strikes with immediacy while still revealing new details on the 1000th listen, this EP shares a cosmic connection with the new wave and disco records Mayu fuses into her infamous late night sets in the Japanese house underground.
Loaded with unstoppable vibrations that have left us at Studio Barnhus HQ shaking all autumn, Cosmic Rising is out on 12'' vinyl and all digital formats on November 29.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore