12"

Tracklist:

A-Side
A1 Tabu (06:30 min)
A2 Love Cave (05:05 min)

B-Side
B1 Bass in Space (09:42 min)
B2 DJ Drum Tool Edit (04:35 min)
B3 Alto Voltaje (07:30 min)

Short information:
As an extension of his highly successful „Big Beat Manifesto“ series on Public
Possession, currently standing at Volume XI, Eden now opens up his garden to invite
some friends. The BBM label will host a series of releases that are close to his heart.
Secret D.J. Tools, meditative seances & more. Kicking of the new label is young
fellow kiwi Colter Carson, delivering 5 stellar dance songs. Already tested &
approved this mix of heavy percussion, quirky baselines and large synths will be just
the right treat for all fans of the Big Beats! More

12"

GENRE/S:
House, Deep House

TRACKLIST:
A1 Blunted Dummies - House For All (From House to Disco Remix)
A2 Las Americas - Look, Listen, Love (From House to Disco Remix)
B1 Wax Fruit - Be Yourself (From House to Disco Remix)
B2 Barada - Gasoline (From House to Disco Remix)

SHORT INFO:

From House To Disco is a hotly tipped all-female duo known for their fine taste in records, in-depth research into house history and fresh productions. They have been tipped as ones to watch by Brazilian tastemaker Renato Cohen and have released on his Massa Records as well as Get Physical's COCADA Music. Now they tap into the esteemed Definitive Recordings catalogue and add their own spin to four tracks which make up this EP, which will also be included on the 12-track 'Disco House For All' compilation which includes more key selections from the label.

First up, they tackle Blunted Dummies's 'House For All' and flip it into a thumping house cut with old-school synth stabs and a low-slung bassline. Their remix of Las America's 'Look, Listen, Love' brings jacked-up drums with plenty of original Chicago swagger, seductive vocals and a raw analogue bassline. The duo then bring a deep and stylish twist to Wax Fruit's 'Be Yourself', which has rueful pads that encourage you to gaze off into the distance, lost in thought, while the tender piano chords bring extra soul. Last of all is their fresh remix of Barada's 'Gasoline', which is a driving deep house gem with neon chord vamps and another timeless bassline.

VITAL SALES POINTS:

From House To Disco: Instagram: 15.8k, Facebook: 680, TikTok: 151
Get Physical Music: Facebook: 164.3k X: 42k Instagram: 35.9k YouTube: 261k Newsletter: 4k
Definitive Recordings: Facebook: 8.7k
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World excluding Japan

2024 repress

LP Format Notes:
First re-issue since its original release in Japan in 1983, remastered from the original masters, 140g vinyl, gatefold sleeve, 16 page photography book with liner notes.


LP Track List:

A1 : Blue Beach - Welcome To Your Beach
A2 : Never Find A Girl (To Love Me Like You Do)
A3 : By The Pool
A4 : Roll Over, Beethoven - Out Of The Beach
A5 : In The Shade
A6 : Looking Across The Street
A7 : Long Distance Look

B1 : Hot Afternoon
B2 : Crying In The Sun
B3 : The Next Time
B4 : Miss B.B. Walks Away
B5 : Sleep Walk
B6 : Standing There

Release Notes:

For the first time since its inception 36 years ago, Steve Hiett’s elusive Down On The Road By The Beach is finally made available outside of Japan. Most recognized in the fashion sphere as an English photographer and graphic designer, Hiett‘s transportive audio portraits amplify his serpentine guitar to the infinite blue, recorded across Paris, Tokyo and New York with no coastline in sight. Now widely celebrated as a desert island disc, very little is actually known of its unfathomable genesis.

A career devotee of Brian Wilson’s ground breaking harmonies, Hiett shot The Beach Boys for Rolling Stone - as well as The Doors, Miles Davis and Jimi Hendrix (in one of his final performances at the 1970 Isle Of Wight Festival) - while establishing himself as a fashion photographer. Decamping to Paris in 1972, he began what would become 20-year collaborations with Vogue Paris and Marie Claire, printing his signature warm, saturated and vibrantly hued snapshots.

In 1982, representatives from Tokyo’s Galerie Watari visited him to propose a solo exhibition. Asking if he could insert a 7” of original music into the back of the exhibition catalogue, Hiett laid down ‘Blue Beach - Welcome To Your Beach’ in a Parisian radio station, playing all of the instruments himself, and two more cuts in New York with Yoko Ono, The Doobie Brothers and Steely Dan hired-gun Elliot Randall. Once dispatched, the phone began ringing off the hook with requests for him to fly to Tokyo. Assuming these long-distance callers were wanting him to check proofs for the book, it wasn’t until he arrived that he discovered CBS/Sony had facilitated an entire album. Heitt hastily gripped some petty cash, bought a guitar and retreated to his hotel room to start writing.

Entering the studio the following day, he was further surprised by a waiting room of session players known as Moonriders - one of Japan’s most acclaimed rock bands of the 1980s. Intimidated by their indecipherable sheet music, Hiett suggested Randall join them and with money being no object for major labels at the time, his wingman was on the next plane out of New York to finalise the high production indulgence. Near-ambient arrangements that float in a space between The Durutti Column, Steve Cropper and Ashra, Down On The Road By The Beach also crowns Hiett the master of recontextualization with his zero-gravity blues visions of Roll Over Beethoven, Santo & Johnny’s Sleep Walk and the 1967 Eddie Floyd soul hit Never Found A Girl.

Produced in coordination between Be With, Efficient Space and the artist, this definitive reissue is restored from original masters with vivid reproductions of the Down On The Road By The Beach exhibition catalogue, intended to accompany its original release, and extensive liner notes penned by fellow Steve Hiett obsessive Mikey IQ Jones.
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