Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.
Classic Black 140g LP inside a heavyweight reverse-board jacket with 16-page insert booklet (new for IA11, with additional photos, new liner notes written by New Breed bassist / co-producer Paul Bryan, and an in-depth conversation between JP and IARC co-founder Scott McNiece), IARC 2025 obi strip and printed poly-lined printed innersleeve. Pressed at Pallas in Germany, with lacquers cut by Daniel K at SST.
https://listen.k7.com/2a605c5a-e78e-4cc5-88cf-b5a9ff52e487
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Classic Black 140g LP inside a heavyweight reverse-board jacket with 16-page insert booklet (new for IA11, with additional photos, new liner notes written by New Breed bassist / co-producer Paul Bryan, and an in-depth conversation between JP and IARC co-founder Scott McNiece), IARC 2025 obi strip and printed poly-lined printed innersleeve. Pressed at Pallas in Germany, with lacquers cut by Daniel K at SST.
https://listen.k7.com/2a605c5a-e78e-4cc5-88cf-b5a9ff52e487
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from International Anthem
Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.
TRACKLIST
Side A
1. Visit Croatia
2. What’s Missing
3. Song of the Foundling
4. Whisky Story Time
5. Not Now Jesus
6. If You’re Sure You Want To
Side B
7. The Lucky Ones (feat. Danalogue)
8. Why, Buzzardman Why
9. Not My Ask
10. Turpentine
11. I Hope
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
Side A
1. Visit Croatia
2. What’s Missing
3. Song of the Foundling
4. Whisky Story Time
5. Not Now Jesus
6. If You’re Sure You Want To
Side B
7. The Lucky Ones (feat. Danalogue)
8. Why, Buzzardman Why
9. Not My Ask
10. Turpentine
11. I Hope
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.
TRACKLIST
Side A
1. Visit Croatia
2. What’s Missing
3. Song of the Foundling
4. Whisky Story Time
5. Not Now Jesus
6. If You’re Sure You Want To
Side B
7. The Lucky Ones (feat. Danalogue)
8. Why, Buzzardman Why
9. Not My Ask
10. Turpentine
11. I Hope
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
Side A
1. Visit Croatia
2. What’s Missing
3. Song of the Foundling
4. Whisky Story Time
5. Not Now Jesus
6. If You’re Sure You Want To
Side B
7. The Lucky Ones (feat. Danalogue)
8. Why, Buzzardman Why
9. Not My Ask
10. Turpentine
11. I Hope
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.
TRACKLIST
Side A
1. Birds of Paradise
2. Prayer for Amerikkka Pt. 1 & 2
3. Lesterlude
4. Twenty-Three N Me, Jupiter Redux
5. Whales
Side B
1. Simple Silver Surfer
2. Bird Dogs of Paradise
3. Nuevo Roquero Estéreo
4. Love Song (for Assholes & Clowns)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
Side A
1. Birds of Paradise
2. Prayer for Amerikkka Pt. 1 & 2
3. Lesterlude
4. Twenty-Three N Me, Jupiter Redux
5. Whales
Side B
1. Simple Silver Surfer
2. Bird Dogs of Paradise
3. Nuevo Roquero Estéreo
4. Love Song (for Assholes & Clowns)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork.
How You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a far higher level of self-awareness and a far deeper pool of source material.
As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.
“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork
It’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne & Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in late-60s; NYC for No Wave & the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. Available Friday November 7th, 2025.
Listen: listen.k7.com/e29444dd-0fd1-4859-91d1-6ff8d0730dd0
Tracklist:
1.1Gutteral Utterance
1.2Chicago Four
1.3Taking out the Trash
1.4Plankton
1.5Chicago Three
1.6Daves
1.7Old Mytth
1.8Stepping In / The Loop
1.9Brood Board SHROOM
1.10Odd Evens
1.11How You Been
1.12Moving Walkway
1.13Mouth Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
How You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a far higher level of self-awareness and a far deeper pool of source material.
As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.
“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork
It’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne & Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in late-60s; NYC for No Wave & the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. Available Friday November 7th, 2025.
Listen: listen.k7.com/e29444dd-0fd1-4859-91d1-6ff8d0730dd0
Tracklist:
1.1Gutteral Utterance
1.2Chicago Four
1.3Taking out the Trash
1.4Plankton
1.5Chicago Three
1.6Daves
1.7Old Mytth
1.8Stepping In / The Loop
1.9Brood Board SHROOM
1.10Odd Evens
1.11How You Been
1.12Moving Walkway
1.13Mouth Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
col. 1LP Plankton
SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork.
How You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a far higher level of self-awareness and a far deeper pool of source material.
As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.
“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork
It’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne & Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in late-60s; NYC for No Wave & the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. Available Friday November 7th, 2025.
Listen: listen.k7.com/e29444dd-0fd1-4859-91d1-6ff8d0730dd0
Tracklist:
1.1Gutteral Utterance
1.2Chicago Four
1.3Taking out the Trash
1.4Plankton
1.5Chicago Three
1.6Daves
1.7Old Mytth
1.8Stepping In / The Loop
1.9Brood Board SHROOM
1.10Odd Evens
1.11How You Been
1.12Moving Walkway
1.13Mouth Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork.
How You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a far higher level of self-awareness and a far deeper pool of source material.
As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.
“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork
It’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne & Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in late-60s; NYC for No Wave & the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. Available Friday November 7th, 2025.
Listen: listen.k7.com/e29444dd-0fd1-4859-91d1-6ff8d0730dd0
Tracklist:
1.1Gutteral Utterance
1.2Chicago Four
1.3Taking out the Trash
1.4Plankton
1.5Chicago Three
1.6Daves
1.7Old Mytth
1.8Stepping In / The Loop
1.9Brood Board SHROOM
1.10Odd Evens
1.11How You Been
1.12Moving Walkway
1.13Mouth Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Digipak
SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork.
How You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a far higher level of self-awareness and a far deeper pool of source material.
As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.
“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork
It’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne & Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in late-60s; NYC for No Wave & the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. Available Friday November 7th, 2025.
Listen: listen.k7.com/e29444dd-0fd1-4859-91d1-6ff8d0730dd0
Tracklist:
1.1Gutteral Utterance
1.2Chicago Four
1.3Taking out the Trash
1.4Plankton
1.5Chicago Three
1.6Daves
1.7Old Mytth
1.8Stepping In / The Loop
1.9Brood Board SHROOM
1.10Odd Evens
1.11How You Been
1.12Moving Walkway
1.13Mouth Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork.
How You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a far higher level of self-awareness and a far deeper pool of source material.
As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.
“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork
It’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne & Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in late-60s; NYC for No Wave & the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. Available Friday November 7th, 2025.
Listen: listen.k7.com/e29444dd-0fd1-4859-91d1-6ff8d0730dd0
Tracklist:
1.1Gutteral Utterance
1.2Chicago Four
1.3Taking out the Trash
1.4Plankton
1.5Chicago Three
1.6Daves
1.7Old Mytth
1.8Stepping In / The Loop
1.9Brood Board SHROOM
1.10Odd Evens
1.11How You Been
1.12Moving Walkway
1.13Mouth Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
With Touch, the Tortoise band members — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity.
Recorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.
Tracklisting:
1 Vexations
2 Layered Presence
3 Works and Days
4 Elka
5 Promenade À Deux
6 Axial Seamount
7 A Title Comes
8 Rated OG
9 Oganesson
10 Night Gang
Listen: https://listen.k7.com/a8e7bf74-0b1d-46a3-aa70-5ae6f5cf72a6
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Recorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.
Tracklisting:
1 Vexations
2 Layered Presence
3 Works and Days
4 Elka
5 Promenade À Deux
6 Axial Seamount
7 A Title Comes
8 Rated OG
9 Oganesson
10 Night Gang
Listen: https://listen.k7.com/a8e7bf74-0b1d-46a3-aa70-5ae6f5cf72a6
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The title of Tom Skinner’s first release under his own name is a reference to cellist Abdul Wadud’s ultra-rare 1978 solo album By Myself, which Skinner listened to repeatedly during lockdown. Wadud’s album was privately pressed on his own label, Bisharra, and whilst Skinner’s title uses the more conventional spelling of this common Arabic name, they both have the same intention or meaning: it translates as ‘good news’, or ‘the bringer of good news’.
Voices of Bishara began life when Tom Skinner asked some musician friends to join him for a Played Twice session at London’s Brilliant Corners. The regular event had a simple format: play a classic album in full through their audiophile system and then have an elite ensemble improvise their response. The night in question focused on drummer Tony Williams’ 1964 Blue Note album Life Time and the music he and his friends conjured up was so special that it inspired Skinner to write an album’s-worth of phenomenal new music based on the work of Wadud, with a process inspired by this group-reimagining of Life Time.
The result is a tight, hypnotic and unique 31-minutes of music. Voices of Bishara is sculpted around timeless and deeply emotional music that contains masses of movement and exceptional harmonic depth and texture. It sweeps and soars through soundworlds, rich in musicality and always anchored by the deep doubling of cello and bass. It also, of course, contains Skinner’s percussive magic.
“We’re individual voices, coming together collectively,” says Skinner. “The idea was that we could collectively bring something more positive to the table. It’s the start of something.”
Tom Skinner and Voices of Bishara: bringers of good news.
Tracklist
1.1Bishara
1.2Red 2
1.3The Journey
1.4The Day After Tomorrow
1.5Voices (of the Past)
1.6Quiet as It's Kept
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Voices of Bishara began life when Tom Skinner asked some musician friends to join him for a Played Twice session at London’s Brilliant Corners. The regular event had a simple format: play a classic album in full through their audiophile system and then have an elite ensemble improvise their response. The night in question focused on drummer Tony Williams’ 1964 Blue Note album Life Time and the music he and his friends conjured up was so special that it inspired Skinner to write an album’s-worth of phenomenal new music based on the work of Wadud, with a process inspired by this group-reimagining of Life Time.
The result is a tight, hypnotic and unique 31-minutes of music. Voices of Bishara is sculpted around timeless and deeply emotional music that contains masses of movement and exceptional harmonic depth and texture. It sweeps and soars through soundworlds, rich in musicality and always anchored by the deep doubling of cello and bass. It also, of course, contains Skinner’s percussive magic.
“We’re individual voices, coming together collectively,” says Skinner. “The idea was that we could collectively bring something more positive to the table. It’s the start of something.”
Tom Skinner and Voices of Bishara: bringers of good news.
Tracklist
1.1Bishara
1.2Red 2
1.3The Journey
1.4The Day After Tomorrow
1.5Voices (of the Past)
1.6Quiet as It's Kept
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Tracklisting
1 Sound then Words
2 We would lift our Voice...
3 We are calling out in this moment…
4 The Water is Rising / as we surpass the firing squad…
5 We have work to do... (speaking after the concert)
Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative
album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño.
The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.
The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.
For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). Available Friday September 19th, 2025.
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DE - 22113 Hamburg
Germany
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1 Sound then Words
2 We would lift our Voice...
3 We are calling out in this moment…
4 The Water is Rising / as we surpass the firing squad…
5 We have work to do... (speaking after the concert)
Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative
album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño.
The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.
The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.
For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). Available Friday September 19th, 2025.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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2LP Green splatter
Tracklisting
1 Sound then Words
2 We would lift our Voice...
3 We are calling out in this moment…
4 The Water is Rising / as we surpass the firing squad…
5 We have work to do... (speaking after the concert)
Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative
album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño.
The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.
The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.
For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). Available Friday September 19th, 2025.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting
1 Sound then Words
2 We would lift our Voice...
3 We are calling out in this moment…
4 The Water is Rising / as we surpass the firing squad…
5 We have work to do... (speaking after the concert)
Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative
album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño.
The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.
The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.
For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). Available Friday September 19th, 2025.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
CD
Tracklisting
1 Sound then Words
2 We would lift our Voice...
3 We are calling out in this moment…
4 The Water is Rising / as we surpass the firing squad…
5 We have work to do... (speaking after the concert)
Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative
album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño.
The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.
The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.
For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). Available Friday September 19th, 2025.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting
1 Sound then Words
2 We would lift our Voice...
3 We are calling out in this moment…
4 The Water is Rising / as we surpass the firing squad…
5 We have work to do... (speaking after the concert)
Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative
album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño.
The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.
The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.
For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). Available Friday September 19th, 2025.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog. Angel Bat Dawid"s International Anthem debut The Oracle introduced her multifaceted voice to the world. The response to its modest, initial cassette/digital release in January of 2019 was immediate, and immense.
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Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog. Recordings from the Åland Islands, the duo debut by synthesist Jeremiah Chiu and violist Marta Sofia Honer, is a truly unique series of pieces that marry acoustic and electronic sounds with field recordings, all captured on a trip to the titular Baltic archipelago.
Tracklist
1.1In Aland Air
1.2On the Other Sea
1.3Snacko
1.4Stureby House Piano
1.5Rocky Passage
1.6Kumlinge Kyrka
1.7Voices
1.8By Foot By Sea
1.9Anna's Organ
1.10Archipelago
1.11Under the Midnight Sun
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Tracklist
1.1In Aland Air
1.2On the Other Sea
1.3Snacko
1.4Stureby House Piano
1.5Rocky Passage
1.6Kumlinge Kyrka
1.7Voices
1.8By Foot By Sea
1.9Anna's Organ
1.10Archipelago
1.11Under the Midnight Sun
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The Oganesson Remixes EP follows the March 2025 release of “Oganesson”, which was the first new music released by Tortoise since 2016. The EP includes the original version of “Oganesson” alongside five new remixes of the track created by collaborators and friends of the band, including poet and activist Saul Williams, prolific mastering engineer Heba Kadry, Black Keys drummer Patrick Carney,
indie music icons Broken Social Scene, and International Anthem labelmate
Makaya McCraven. The Oganesson Remixes EP is released ahead of a new album
by Tortoise, which will be announced and released this fall via International Anthem.
This very limited 12” record features artwork by Tortoise’s John Herndon.
Trackliste
1.1Oganesson
1.2Oganesson (Saul Williams Remix)
1.3Oganesson (Heba Kadry Remix)
1.4Oganesson (Patrick Carney Remix)
1.5Oganesson (Broken Social Scene Remix)
1.6Oganesson (Makaya McCraven Remix)
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Germany
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indie music icons Broken Social Scene, and International Anthem labelmate
Makaya McCraven. The Oganesson Remixes EP is released ahead of a new album
by Tortoise, which will be announced and released this fall via International Anthem.
This very limited 12” record features artwork by Tortoise’s John Herndon.
Trackliste
1.1Oganesson
1.2Oganesson (Saul Williams Remix)
1.3Oganesson (Heba Kadry Remix)
1.4Oganesson (Patrick Carney Remix)
1.5Oganesson (Broken Social Scene Remix)
1.6Oganesson (Makaya McCraven Remix)
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Germany
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Hyperglyph is the first new album in 11 years from composer/trumpeter/synthesist Rob Mazurek and composer/percussionist Chad Taylor’s long-running Chicago Underground Duo project. Mazurek and Taylor have played music together in a multitude of formations over nearly three decades, including their ongoing partnership in Mazurek’s large-format-skyward-expressionism vehicle Exploding Star Orchestra, in the expanded Chicago Underground Trio, Quartet and Orchestra (all with guitarist Jeff Parker), as well as a plethora of other assemblages. The early albums by the Duo have proven to be embryonic blueprints for the avant-jazz / electronic / indie rock hybridizing of the time, making them majorly important moments in the articulation of the “jazz” dimensionality of the then-burgeoning "post rock" sound. That sound, of course, was being transmitted far and wide due to the success of these groups as well as the Mazurek/Parker project Isotope 217, and the Chicago Underground’s frequently-intersecting collaborators in Tortoise. Just as most of the still-working projects born of that era have evolved, reconfigured, and grown, the Chicago Underground Duo has undergone a number of musical moltings, with the project always in the background of disparate individual aural investigations. The concurrent personal evolutions of Mazurek and Taylor as the Duo project drops off and picks back up makes it a true reflection of their own lives and friendship. Available Friday August 15th, 2025.
Track listing
1 Click Song
2 Hyperglyph
3 Rhythm Cloth
4 Contents of Your Heavenly Body
5 The Gathering
6 Plymouth
7 Hemiunu
8 Egyptian Suite / Part 1: The Architect
9 Egyptian Suite / Part 2: Triangulation of Light
10 Egyptian Suite / Part 3: Architectronics of Time
11 Succulent Amber
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track listing
1 Click Song
2 Hyperglyph
3 Rhythm Cloth
4 Contents of Your Heavenly Body
5 The Gathering
6 Plymouth
7 Hemiunu
8 Egyptian Suite / Part 1: The Architect
9 Egyptian Suite / Part 2: Triangulation of Light
10 Egyptian Suite / Part 3: Architectronics of Time
11 Succulent Amber
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Hyperglyph is the first new album in 11 years from composer/trumpeter/synthesist Rob Mazurek and composer/percussionist Chad Taylor’s long-running Chicago Underground Duo project. Mazurek and Taylor have played music together in a multitude of formations over nearly three decades, including their ongoing partnership in Mazurek’s large-format-skyward-expressionism vehicle Exploding Star Orchestra, in the expanded Chicago Underground Trio, Quartet and Orchestra (all with guitarist Jeff Parker), as well as a plethora of other assemblages. The early albums by the Duo have proven to be embryonic blueprints for the avant-jazz / electronic / indie rock hybridizing of the time, making them majorly important moments in the articulation of the “jazz” dimensionality of the then-burgeoning "post rock" sound. That sound, of course, was being transmitted far and wide due to the success of these groups as well as the Mazurek/Parker project Isotope 217, and the Chicago Underground’s frequently-intersecting collaborators in Tortoise. Just as most of the still-working projects born of that era have evolved, reconfigured, and grown, the Chicago Underground Duo has undergone a number of musical moltings, with the project always in the background of disparate individual aural investigations. The concurrent personal evolutions of Mazurek and Taylor as the Duo project drops off and picks back up makes it a true reflection of their own lives and friendship. Available Friday August 15th, 2025.
Track listing
1 Click Song
2 Hyperglyph
3 Rhythm Cloth
4 Contents of Your Heavenly Body
5 The Gathering
6 Plymouth
7 Hemiunu
8 Egyptian Suite / Part 1: The Architect
9 Egyptian Suite / Part 2: Triangulation of Light
10 Egyptian Suite / Part 3: Architectronics of Time
11 Succulent Amber
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track listing
1 Click Song
2 Hyperglyph
3 Rhythm Cloth
4 Contents of Your Heavenly Body
5 The Gathering
6 Plymouth
7 Hemiunu
8 Egyptian Suite / Part 1: The Architect
9 Egyptian Suite / Part 2: Triangulation of Light
10 Egyptian Suite / Part 3: Architectronics of Time
11 Succulent Amber
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Black 140g 2xLP, in a heavyweight UV-Gloss jacket, with 12"x12" insert booklet, with IA OBI Strip & printed inner sleeves.
Gilles Peterson presents International Anthem is a Deluxe Double LP compilation chronicling the infamous London-based radio host, DJ, label head, curator and cultural impresario's long-standing affinity for and interaction with artists and music from the Chicago-born record label International Anthem.
tracklist:
Side A
1) Chicago, January 13th, 2020
2) Makaya McCraven - The Jaunt
3) Junius Paul - Asé
4) Dezron Douglas & Brandee Younger - The Creator Has a Master Plan
5) Resavoir - Taking Flight
6) Irreversible Entanglements - Open The Gates
7) Angel Bat Dawid - We Are Starzz
8) Rob Mazurek - Exploding Star Orchestra - Abstract Dark Energy (Parable 9)
Side B
9) The Most Amazing Time
10) Damon Locks - Black Monument Ensemble - Rebuild a Nation
11) Dos Santos - A Shot in the Dark
12) Daniel Villarreal - In/On
13) Anna Butterss - Pokemans
14) SML - Industry
15) Jeremiah Chiu & Marta Sofia Honer - Snåcko
Side C
16) Jeff Parker - Cliche
17) Jamire Williams - And Then the Anointing Fell
18) Carlos Niño & Friends - Please, wake up.
19) Thandi Ntuli with Carlos Niño - Voice and Tongo Experiment
20) Tom Skinner - Quiet as it’s Kept
21) Ruth Goller - Next time I keep my hands down
22) Alabaster DePlume - A Gente Acaba (Vento Em Rosa)
Side D
23) Old Fashioned Chicago Music
24) jaimie branch - theme 001 (live)
25) Tomin - Angela’s Angel
26) Asher Gamedze - Melancholia
27) Ibelisse Guardia Ferragutti & Frank Rosaly - MESTIZX (Brownswood Basement Live)
28) Ben LaMar Gay - Oh Great Be The Lake
29) Charles Stepney - Step on Step
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WAS - Word and Sound Medien GmbH
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Germany
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Gilles Peterson presents International Anthem is a Deluxe Double LP compilation chronicling the infamous London-based radio host, DJ, label head, curator and cultural impresario's long-standing affinity for and interaction with artists and music from the Chicago-born record label International Anthem.
tracklist:
Side A
1) Chicago, January 13th, 2020
2) Makaya McCraven - The Jaunt
3) Junius Paul - Asé
4) Dezron Douglas & Brandee Younger - The Creator Has a Master Plan
5) Resavoir - Taking Flight
6) Irreversible Entanglements - Open The Gates
7) Angel Bat Dawid - We Are Starzz
8) Rob Mazurek - Exploding Star Orchestra - Abstract Dark Energy (Parable 9)
Side B
9) The Most Amazing Time
10) Damon Locks - Black Monument Ensemble - Rebuild a Nation
11) Dos Santos - A Shot in the Dark
12) Daniel Villarreal - In/On
13) Anna Butterss - Pokemans
14) SML - Industry
15) Jeremiah Chiu & Marta Sofia Honer - Snåcko
Side C
16) Jeff Parker - Cliche
17) Jamire Williams - And Then the Anointing Fell
18) Carlos Niño & Friends - Please, wake up.
19) Thandi Ntuli with Carlos Niño - Voice and Tongo Experiment
20) Tom Skinner - Quiet as it’s Kept
21) Ruth Goller - Next time I keep my hands down
22) Alabaster DePlume - A Gente Acaba (Vento Em Rosa)
Side D
23) Old Fashioned Chicago Music
24) jaimie branch - theme 001 (live)
25) Tomin - Angela’s Angel
26) Asher Gamedze - Melancholia
27) Ibelisse Guardia Ferragutti & Frank Rosaly - MESTIZX (Brownswood Basement Live)
28) Ben LaMar Gay - Oh Great Be The Lake
29) Charles Stepney - Step on Step
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.
Classic Black 140g LP inside a heavyweight reverse-board jacket with 8-page insert booklet (new for IA11, with additional photos and new liner notes written by IE bassist Luke Stewart), IARC 2025 obi strip and printed poly-lined printed innersleeve. Pressed at Pallas in Germany, with new lacquers cut by Daniel K at SST.
https://listen.k7.com/4f6ed595-3399-4ff1-8de6-d4ec011ef652
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Germany
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Classic Black 140g LP inside a heavyweight reverse-board jacket with 8-page insert booklet (new for IA11, with additional photos and new liner notes written by IE bassist Luke Stewart), IARC 2025 obi strip and printed poly-lined printed innersleeve. Pressed at Pallas in Germany, with new lacquers cut by Daniel K at SST.
https://listen.k7.com/4f6ed595-3399-4ff1-8de6-d4ec011ef652
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Yoshiaki Ochi - Madal Sonic
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Genre: Environmental, Ambient, Minimalism, Percussive, Tribal, Experimental
Tracklisting LP
A1. Dawning 5:20
A2. Balasong 4:32
A3. Woods From The Sea 3:43
A4. Madal Sonic 3:44
A5. Anywhere 5:06
B1. Beatsonic 4:48
B2. Madal Sonic # 2 3:20
B3. Ear Dreamin’ 4:41
B4. Urban Kogili 6:47
B5. Beat The Water 2:28
Info
WRWTFWW Records is thrilled to unveil the limited edition vinyl reissue of Natural Sonic, the groundbreaking 1990 environmental percussion album by Japanese composer and performer Yoshiaki Ochi. Long a hidden gem of the kanky? ongaku movement, Natural Sonic finally returns in its full analog glory, housed in a heavyweight sleeve with obi and carefully remastered from the original archives of Wacoal Art Center / Spiral's visionary NEWSIC label.
Originally released only in Japan at the dawn of the 1990s, Natural Sonic is a mesmerizing exploration of earthly sound and rhythm - a sonic tapestry woven from wood, water, and stone, and skin. Ochi, who at the time was the in-house composer and performer for world-renowned designer Issey Miyake, created a series of elemental pieces that blur the line between avant-garde percussion, ritual music, and environmental sound art. The result is both deeply physical and profoundly meditative - an album that breathes with nature itself.
Echoing the organic minimalism of Midori Takada's Through the Looking Glass and the ecological grandeur of Geinoh Yamashirogumi's Ecophony Gaia, Ochi's compositions open portals into primal landscapes, evoking forests, rivers, and stones in flux. Part of NEWSIC's celebrated experimental catalog - alongside Yoshio Ojima's Une Collection des Chaînons, Motohiko Hamase's #Notes of Forestry, and Satsuki Shibano's Rendez-Vous - Natural Sonic now finds new life for contemporary listeners seeking sound that feels both timeless and vital.
A singular album of resonance and restraint, Natural Sonic is a treasure from the golden age of Japanese environmental music, finally available again over three decades later.
Points of Interest
- Limited edition vinyl reissue of Yoshiaki Ochi's Natural Sonic (1990), a cult Japanese environmental music and percussion masterpiece, housed in heavyweight sleeve with obi.
- Originally released on NEWSIC, the forward-thinking label operated by Wacoal Art Center / Spiral (home to Yoshio Ojima, Motohiko Hamase, Satsuki Shibano, and more).
- A unique blend of earthly percussion (wood, water, stone) and environmental soundscapes, created during Ochi's tenure as in-house composer for Issey Miyake.
- Essential listening for fans of ambient, percussion, kanky? ongaku, experimental sound art, nature recordings, and artists such as Midori Takada, Geinoh Yamashirogumi, Ryuichi Sakamoto, and Yoshio Ojima.
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DE - 22113 Hamburg
Germany
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Tracklisting LP
A1. Dawning 5:20
A2. Balasong 4:32
A3. Woods From The Sea 3:43
A4. Madal Sonic 3:44
A5. Anywhere 5:06
B1. Beatsonic 4:48
B2. Madal Sonic # 2 3:20
B3. Ear Dreamin’ 4:41
B4. Urban Kogili 6:47
B5. Beat The Water 2:28
Info
WRWTFWW Records is thrilled to unveil the limited edition vinyl reissue of Natural Sonic, the groundbreaking 1990 environmental percussion album by Japanese composer and performer Yoshiaki Ochi. Long a hidden gem of the kanky? ongaku movement, Natural Sonic finally returns in its full analog glory, housed in a heavyweight sleeve with obi and carefully remastered from the original archives of Wacoal Art Center / Spiral's visionary NEWSIC label.
Originally released only in Japan at the dawn of the 1990s, Natural Sonic is a mesmerizing exploration of earthly sound and rhythm - a sonic tapestry woven from wood, water, and stone, and skin. Ochi, who at the time was the in-house composer and performer for world-renowned designer Issey Miyake, created a series of elemental pieces that blur the line between avant-garde percussion, ritual music, and environmental sound art. The result is both deeply physical and profoundly meditative - an album that breathes with nature itself.
Echoing the organic minimalism of Midori Takada's Through the Looking Glass and the ecological grandeur of Geinoh Yamashirogumi's Ecophony Gaia, Ochi's compositions open portals into primal landscapes, evoking forests, rivers, and stones in flux. Part of NEWSIC's celebrated experimental catalog - alongside Yoshio Ojima's Une Collection des Chaînons, Motohiko Hamase's #Notes of Forestry, and Satsuki Shibano's Rendez-Vous - Natural Sonic now finds new life for contemporary listeners seeking sound that feels both timeless and vital.
A singular album of resonance and restraint, Natural Sonic is a treasure from the golden age of Japanese environmental music, finally available again over three decades later.
Points of Interest
- Limited edition vinyl reissue of Yoshiaki Ochi's Natural Sonic (1990), a cult Japanese environmental music and percussion masterpiece, housed in heavyweight sleeve with obi.
- Originally released on NEWSIC, the forward-thinking label operated by Wacoal Art Center / Spiral (home to Yoshio Ojima, Motohiko Hamase, Satsuki Shibano, and more).
- A unique blend of earthly percussion (wood, water, stone) and environmental soundscapes, created during Ochi's tenure as in-house composer for Issey Miyake.
- Essential listening for fans of ambient, percussion, kanky? ongaku, experimental sound art, nature recordings, and artists such as Midori Takada, Geinoh Yamashirogumi, Ryuichi Sakamoto, and Yoshio Ojima.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jammin’ Sam Miller - Opening (Destruction of the Space Colony)
2
Jammin’ Sam Miller - Theme of Super Metroid
3
Jammin’ Sam Miller - Spaceship (No SFX)
4
Jammin’ Sam Miller - Boss Confrontation 1
5
Jammin’ Sam Miller - To Planet Zebes
6
Jammin’ Sam Miller - Planet Zebes (Arrival on Crateria)
7
Jammin’ Sam Miller - Crateria (The Space Pirates Appear)
8
Jammin’ Sam Miller - Item Acquisition Fanfare (No SFX)
9
Jammin’ Sam Miller - Item Room
10
Jammin’ Sam Miller - Chozo Statue Awakens
11
Jammin’ Sam Miller - Brinstar Overgrown With Vegetation Area
12
Jammin’ Sam Miller - Mini Boss Confrontation
13
Jammin’ Sam Miller - Brinstar Red Soil Swampy Area
14
Jammin’ Sam Miller - Norfair Hot Lava Area
15
Jammin’ Sam Miller - Tension
16
Jammin’ Sam Miller - Boss Confrontation 2
17
Jammin’ Sam Miller - Theme of Samus
18
Jammin’ Sam Miller - Wrecked Ship
19
Jammin’ Sam Miller - Maridia Rocky Underwater Area
20
Jammin’ Sam Miller - Maridia Drifting Sandy Underwater Area
21
Jammin’ Sam Miller - Norfair Ancient Ruins
22
Jammin’ Sam Miller - Mysterious Statue Chamber
23
Jammin’ Sam Miller - Tourian
24
Jammin’ Sam Miller - Continue
25
Jammin’ Sam Miller - Samus Aran's Appearance Fanfare
26
Jammin’ Sam Miller - Mother Brain
27
Jammin’ Sam Miller - Ending
Territories: Worldwide
DLP: Limited Edition with exclusive artwork by Pierre Thyss and OBI strip
Tracklisting
A1. Opening (Destruction of the Space Colony)
A2. Theme of Super Metroid
A3. Spaceship (No SFX)
A4. Boss Confrontation 1
A5. To Planet Zebes
A6. Planet Zebes (Arrival on Crateria)
A7. Crateria (The Space Pirates Appear)
A8. Item Acquisition Fanfare (No SFX)
A9. Item Room
B1. Chozo Statue Awakens
B2. Brinstar Overgrown With Vegetation Area
B3. Mini Boss Confrontation
B4. Brinstar Red Soil Swampy Area
B5. Norfair Hot Lava Area
B6. Tension
B7. Boss Confrontation 2
C1. Theme of Samus
C2. Wrecked Ship
C3. Maridia Rocky Underwater Area
C4. Maridia Drifting Sandy Underwater Area
D1. Norfair Ancient Ruins
D2. Mysterious Statue Chamber
D3. Tourian
D4. Continue
D5. Samus Aran's Appearance Fanfare
D6. Mother Brain
D7. Ending
Info
WRWTFWW Records is happy to announce the first-ever physical release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack. The limited biovinyl double LP is packed with 27 tracks and features an exclusive artwork by French illustrator Pierre Thyss, as well as an obi strip.
Composed by Kenji Yamamoto and Minako Hamano, the soundtrack for 1994 SNES exploration / action-adventure / sci-fi / alien video game Super Metroid has always been a fan-favorite. A true masterclass in music storytelling, it beautifully evokes the epic and eerie adventure of the game’s protagonist Samus Aran with superb use of atmospheric sounds, space-operatic arrangements, rumbling bass, oppressive techno-futurist moods, tribal drums, and airy synth themes, admirably balancing the ominous feel of a dark menace and contemplative, even soothing, ambient soundscapes.
Jammin' Sam Miller assiduously recreated the soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing and re-mastering the whole score. He explains: "This was made possible by locating the original instrument samples from workstation keyboards and drum machines before they were put into the game and rebuilding the soundtrack from the ground up, applying some modern mixing techniques along the way to lift the veil of 16bit compression and create an updated listening experience."
Super Metroid is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of video game soundtracks, SNES, Metroid and Super Metroid and all of them, Samus Aran, atmoshpehric sounds, ambient music, synthwave, the 90s, Zebes Music, painstakingly recreating things.
- First ever release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack – on vinyl!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DLP: Limited Edition with exclusive artwork by Pierre Thyss and OBI strip
Tracklisting
A1. Opening (Destruction of the Space Colony)
A2. Theme of Super Metroid
A3. Spaceship (No SFX)
A4. Boss Confrontation 1
A5. To Planet Zebes
A6. Planet Zebes (Arrival on Crateria)
A7. Crateria (The Space Pirates Appear)
A8. Item Acquisition Fanfare (No SFX)
A9. Item Room
B1. Chozo Statue Awakens
B2. Brinstar Overgrown With Vegetation Area
B3. Mini Boss Confrontation
B4. Brinstar Red Soil Swampy Area
B5. Norfair Hot Lava Area
B6. Tension
B7. Boss Confrontation 2
C1. Theme of Samus
C2. Wrecked Ship
C3. Maridia Rocky Underwater Area
C4. Maridia Drifting Sandy Underwater Area
D1. Norfair Ancient Ruins
D2. Mysterious Statue Chamber
D3. Tourian
D4. Continue
D5. Samus Aran's Appearance Fanfare
D6. Mother Brain
D7. Ending
Info
WRWTFWW Records is happy to announce the first-ever physical release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack. The limited biovinyl double LP is packed with 27 tracks and features an exclusive artwork by French illustrator Pierre Thyss, as well as an obi strip.
Composed by Kenji Yamamoto and Minako Hamano, the soundtrack for 1994 SNES exploration / action-adventure / sci-fi / alien video game Super Metroid has always been a fan-favorite. A true masterclass in music storytelling, it beautifully evokes the epic and eerie adventure of the game’s protagonist Samus Aran with superb use of atmospheric sounds, space-operatic arrangements, rumbling bass, oppressive techno-futurist moods, tribal drums, and airy synth themes, admirably balancing the ominous feel of a dark menace and contemplative, even soothing, ambient soundscapes.
Jammin' Sam Miller assiduously recreated the soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing and re-mastering the whole score. He explains: "This was made possible by locating the original instrument samples from workstation keyboards and drum machines before they were put into the game and rebuilding the soundtrack from the ground up, applying some modern mixing techniques along the way to lift the veil of 16bit compression and create an updated listening experience."
Super Metroid is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of video game soundtracks, SNES, Metroid and Super Metroid and all of them, Samus Aran, atmoshpehric sounds, ambient music, synthwave, the 90s, Zebes Music, painstakingly recreating things.
- First ever release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack – on vinyl!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Teflon Dons - Vice
2
The Coastal Commission - Our Music
I met Aaron Parr back in 1992 aka the golden era of electronic dance music. Everything was kicking off in the L.A Underground and he was working slap dap in the epi-center at Beatnonstop Records on Melrose Avenue in the heart of Los Angeles. At the time I was living in Santa Barbara still doing my college radio show "The Joy of X" and coming down to L.A on the weekends almost every week since 1989. Aaron had been a mainstay down the street at Streetsounds Records where my then Young friend 19 year old Steve Loria worked alongside warehouse dj & underground legend Barry Weaver.
These were heady times. Clubs, after-hours and renegade break in warehouse jams were the order of the day…every day! The shops fueled the dj's with the dope records and the ravers with the party flyers, the Record Stores were the hub of the whole scene and the key was befriending these upwardly mobile soon to be underground superstars if you wanted fat slabs of wax AND to know where the real deal undergrounds were shaking…literally.
In 1992 I got selected for the U.S Olympic Basketball team and headed back to Europe in an effort to make it to Barcelona and get smashed for the GOLD by the dream team in front of the whole World…no thanks! We got knocked out by Petrovic and the Czechs right b4 Barcelona!
Anywho after 3 months I returned to Cali and there had been a shift, Steve Loria moved up the street from Streetsounds & opened Beatnonstop and it was HUGE! It had quickly become the largest independent record store in the U.S. The scene was massive, everything had exploded. I got in where I fit in and started a weekly Techno club "Happy Planet" on Tuesdays and a House club "NYC" with Doc Martin on a Friday. Both were rammed.
Aaron the industrious Brit from Nottingham & his bredren Dave Fong went to work early too, putting out the Rudiments EP on Worldship Records and then following up with Psycho Ray in 1998.. In 1998 II closed my Culture shop "Soma" down in Santa Barbara, packed up my studio & sound system and moved to L.A official. I had gotten the offer to manage Beatnonstop on Melrose after Steve Loria left and jumped at the chance.
I quickly put together the Beatnonstop Record Label, releasing a double pack "Pacific Coast House EP" feat myself and local producers Aztech Sol, CPen and Kenneth Graham/Steve Loria. I then kicked off PCH Records with "Rhodes Through Space" and after a drunken rendezvous at the Hall of Records Studio one night I signed Aaron & Daves Teflon Dons "My Vice" to the labels.
Vice was right down my alley a dark, grimy acid track with menacing Pacino samples.
After a buying trip for Beatnonstop to NYC. Harry the Bastard from Watts took me down to meet fellow Brit Stefan at Dance Tracks in Manhattan where I found the sample "Our Music" on an accapella in the bins. Super inspired after two weeks trolling round every record distributors warehouse (Watts, Nemesis, Syntax, Downtown etc) and hitting every record store in Manhattan (Vinyl Mania, Discorama, Frankie Bones shop, Satellite and on and on) I came home to L.A and me and Nate loaded up the Emu 64 Ultra sampler and penned "Our Music."
The track is obviously very New York inspired and was received well by Big Apple Dj's David Morales, Junior Vasquez, Roger Sanches & Baby Hec Romero. I would definitely say this track was a slow burner elsewhere and took off later getting the nod from DJ Deep in Paris, + Terry Francis, Eddie Richards and Mr. C in the UK.
It got no love in L.A surprisingly but everywhere else across the country with Miguel Migs and DJ Garth in the Bay, King Britt in Philly and DJ Pope in Baltimore. Now it's back on wax after 25 years remastered by the mighty Martin Iveson and I think the World is finally ready!
Track list:
A – Teflon Dons – Vice
B – The Coastal Commission – Our Music
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
These were heady times. Clubs, after-hours and renegade break in warehouse jams were the order of the day…every day! The shops fueled the dj's with the dope records and the ravers with the party flyers, the Record Stores were the hub of the whole scene and the key was befriending these upwardly mobile soon to be underground superstars if you wanted fat slabs of wax AND to know where the real deal undergrounds were shaking…literally.
In 1992 I got selected for the U.S Olympic Basketball team and headed back to Europe in an effort to make it to Barcelona and get smashed for the GOLD by the dream team in front of the whole World…no thanks! We got knocked out by Petrovic and the Czechs right b4 Barcelona!
Anywho after 3 months I returned to Cali and there had been a shift, Steve Loria moved up the street from Streetsounds & opened Beatnonstop and it was HUGE! It had quickly become the largest independent record store in the U.S. The scene was massive, everything had exploded. I got in where I fit in and started a weekly Techno club "Happy Planet" on Tuesdays and a House club "NYC" with Doc Martin on a Friday. Both were rammed.
Aaron the industrious Brit from Nottingham & his bredren Dave Fong went to work early too, putting out the Rudiments EP on Worldship Records and then following up with Psycho Ray in 1998.. In 1998 II closed my Culture shop "Soma" down in Santa Barbara, packed up my studio & sound system and moved to L.A official. I had gotten the offer to manage Beatnonstop on Melrose after Steve Loria left and jumped at the chance.
I quickly put together the Beatnonstop Record Label, releasing a double pack "Pacific Coast House EP" feat myself and local producers Aztech Sol, CPen and Kenneth Graham/Steve Loria. I then kicked off PCH Records with "Rhodes Through Space" and after a drunken rendezvous at the Hall of Records Studio one night I signed Aaron & Daves Teflon Dons "My Vice" to the labels.
Vice was right down my alley a dark, grimy acid track with menacing Pacino samples.
After a buying trip for Beatnonstop to NYC. Harry the Bastard from Watts took me down to meet fellow Brit Stefan at Dance Tracks in Manhattan where I found the sample "Our Music" on an accapella in the bins. Super inspired after two weeks trolling round every record distributors warehouse (Watts, Nemesis, Syntax, Downtown etc) and hitting every record store in Manhattan (Vinyl Mania, Discorama, Frankie Bones shop, Satellite and on and on) I came home to L.A and me and Nate loaded up the Emu 64 Ultra sampler and penned "Our Music."
The track is obviously very New York inspired and was received well by Big Apple Dj's David Morales, Junior Vasquez, Roger Sanches & Baby Hec Romero. I would definitely say this track was a slow burner elsewhere and took off later getting the nod from DJ Deep in Paris, + Terry Francis, Eddie Richards and Mr. C in the UK.
It got no love in L.A surprisingly but everywhere else across the country with Miguel Migs and DJ Garth in the Bay, King Britt in Philly and DJ Pope in Baltimore. Now it's back on wax after 25 years remastered by the mighty Martin Iveson and I think the World is finally ready!
Track list:
A – Teflon Dons – Vice
B – The Coastal Commission – Our Music
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
10-Year Anniversary Repress of Crazy P’s Seventh Studio Album Walk Dance Talk Sing, featuring Like A Fool and Cruel Mistress.
Tracklist
1.1Like A Fool
1.2The Come On
1.3Hear My Song
1.4Echo
2.1Scrap The Book
2.2Witch Doctor
2.3Something More
2.4The Come On
2.5WDTS
Listen: https://soundcloud.com/crazyp/sets/walk-dance-talk-sing-1
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1.1Like A Fool
1.2The Come On
1.3Hear My Song
1.4Echo
2.1Scrap The Book
2.2Witch Doctor
2.3Something More
2.4The Come On
2.5WDTS
Listen: https://soundcloud.com/crazyp/sets/walk-dance-talk-sing-1
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Rights: World excluding FR & UK
Packaging: 1x Black 140 Grs Vinyl, 'Dufy' Sleeve with textured card & gold Pms, printed inner sleeve, marketing sticker. Vinyl cut at half-speed.
COLLECTOR VINYL 1LP,
- Restored "second edition" artwork with textured sleeve
- The exact textured card for the outer sleeve has been accurately sourced. Gold PMS finish, printed inner sleeve, marketing sticker.
- 45th anniversary edition
- Newly remastered from the original source tapes for the first time since 1980
- ½ speed master
- Liner notes by The Durutti Column / Factory Records expert James Nice
VINYL EDITION
Side One (all 2025 remasters)
1. Sketch For Summer
2. Requiem for a Father
3. Katherine
4. Conduct
Side Two (all 2025 remasters)
1. Untitled
2. Beginning
3. Jazz
4. Sketch for Winter
5. Collette
6. In 'D'
7. Lips That Would Kiss
8. Madeleine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 1x Black 140 Grs Vinyl, 'Dufy' Sleeve with textured card & gold Pms, printed inner sleeve, marketing sticker. Vinyl cut at half-speed.
COLLECTOR VINYL 1LP,
- Restored "second edition" artwork with textured sleeve
- The exact textured card for the outer sleeve has been accurately sourced. Gold PMS finish, printed inner sleeve, marketing sticker.
- 45th anniversary edition
- Newly remastered from the original source tapes for the first time since 1980
- ½ speed master
- Liner notes by The Durutti Column / Factory Records expert James Nice
VINYL EDITION
Side One (all 2025 remasters)
1. Sketch For Summer
2. Requiem for a Father
3. Katherine
4. Conduct
Side Two (all 2025 remasters)
1. Untitled
2. Beginning
3. Jazz
4. Sketch for Winter
5. Collette
6. In 'D'
7. Lips That Would Kiss
8. Madeleine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Bobby Caldwell - Special To Me (4:00)
2
Bobby Caldwell - My Flame (3:30)
3
Bobby Caldwell - Love Won't Wait (4:00)
4
Bobby Caldwell - Can't Say Goodbye (5:20)
5
Bobby Caldwell - Come To Me (2:52)
6
Bobby Caldwell - What You Won't Do For Love (4:45)
7
Bobby Caldwell - Kalimba Song (2:00)
8
Bobby Caldwell - Take Me Back To Then (3:30)
9
Bobby Caldwell - Down For The Third Time (3:30)
Territories: Worldwide no restrictions
Format Notes:
Part of Bobby Caldwell Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Special To Me 4:00
A2 My Flame 3:30
A3 Love Won't Wait 4:00
A4 Can't Say Goodbye 5:20
B1 Come To Me 2:52
B2 What You Won't Do For Love 4:45
B3 Kalimba Song 2:00
B4 Take Me Back To Then 3:30
B5 Down For The Third Time 3:30
Release Notes:
Known principally as a smooth titan of blue-eyed soul, Bobby Caldwell transcended genre tags with consummate ease; he was a musical icon of real class and versatility, cherished the world over. Tragically passing away in March 2023 at the too young age of 71, it still feels as if Bobby's true artistry is profoundly under-appreciated. His double platinum self-titled album from 1978 is a timeless masterpiece of sophisticated jazzy soul brilliance and is strictly canonical. Yes, it's perfect, yet it's been out of press on vinyl for years. We're deeply honoured to present the long-awaited reissue this summer.
Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.
String-swept opener "Special To Me" immediately sets the tone with its lush instrumentation, rich harmonies, and Caldwell's velvety-smooth vocals. Next up, a huge one. The infectious, mid-tempo bounce of "My Flame" showcases Caldwell's ability to effortlessly blend catchy pop hooks with soulful arrangements. It's an exquisite, emotive ballad that, at the same time, absolutely SLAPS. Game recognise game, and all that, so, accordingly, Notorious B.I.G. memorably ran with “My Flame” for his 1997 single “Sky’s The Limit”. The rolling, disco-very "Love Won't Wait" is a slick, uptempo track containing heartfelt lyrics intertwined with elegant strings and a horn section to die for. Aching - and achingly cool - single "Can't Say Goodbye" is a real fan favourite, and it's no surprise. It's a laconic, slow-mo jazz-funk stepper, with fantastic, very deliberate playing that closes out the A Side quite exceptionally. "Come To Me" slows proceedings down elegantly to open Side B before the universally agreed-upon masterpiece enters proceedings.
"What You Won't Do for Love," the standout hit that became a classic in its own right, perfectly captured Bobby's ability to infuse a contagious groove with introspective and relatable lyrics. With its instantly recognisable horn riff and Caldwell's soulful delivery, this timeless, chiller anthem continues to captivate audiences and define his musical legacy. He scored huge with the track, taking over the pop and R&B airways with this mellow soul stepper. It has remained a perennial favourite and has been heavily sampled, such is its unique allure; Aaliyah sang over snatches of it on "Age Ain’t Nothing But A Number" and you can hear Caldwell’s vocal sample used for the hook on Tupac’s posthumously released “Do For Love”.
Upon submitting the finished album to his label, they requested more material in hope of a big single. As Bobby remembered to Wax Poetics a few years ago: “Now at this point, I’m mentally exhausted...and bear in mind that I got so close to all the songs I’d written. I gave each song a profound amount of thought, and maybe too much. So, in haste, I went in and cut this song, "What You Won’t Do For Love". Wrote it in a day, cut the rhythm track, overdubbed the horns, I sang the song, and literally turned it in three days after. And lo and behold, the one song I gave the least thought to,” Bobby laughed, “ended up being a national anthem.”
The mysterious, magical "Kalimba Song" is a cosmic, kalimba-driven melodic-funk instrumental - short but oh, so sweet. It's followed by the supreme tear-jerker "Take Me Back To Then", Bobby's otherworldly voice deeply longing for a simpler time, "when life was mellow". I think we can all get behind this sentiment. The final cut is arguably its deepest, its low-key finest moment. For us, it is, anyway. The glorious, driving, effortlessly funky guitar-soul jam "Down For The Third Time" is a huge melancholic Be With favourite and has been played by discerning genre-hopping DJs with significant glee for years. Hypnotic, melodic, beautiful. Like the album it elegantly rounds out.
Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of his wonderful eponymous album will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes:
Part of Bobby Caldwell Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Special To Me 4:00
A2 My Flame 3:30
A3 Love Won't Wait 4:00
A4 Can't Say Goodbye 5:20
B1 Come To Me 2:52
B2 What You Won't Do For Love 4:45
B3 Kalimba Song 2:00
B4 Take Me Back To Then 3:30
B5 Down For The Third Time 3:30
Release Notes:
Known principally as a smooth titan of blue-eyed soul, Bobby Caldwell transcended genre tags with consummate ease; he was a musical icon of real class and versatility, cherished the world over. Tragically passing away in March 2023 at the too young age of 71, it still feels as if Bobby's true artistry is profoundly under-appreciated. His double platinum self-titled album from 1978 is a timeless masterpiece of sophisticated jazzy soul brilliance and is strictly canonical. Yes, it's perfect, yet it's been out of press on vinyl for years. We're deeply honoured to present the long-awaited reissue this summer.
Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.
String-swept opener "Special To Me" immediately sets the tone with its lush instrumentation, rich harmonies, and Caldwell's velvety-smooth vocals. Next up, a huge one. The infectious, mid-tempo bounce of "My Flame" showcases Caldwell's ability to effortlessly blend catchy pop hooks with soulful arrangements. It's an exquisite, emotive ballad that, at the same time, absolutely SLAPS. Game recognise game, and all that, so, accordingly, Notorious B.I.G. memorably ran with “My Flame” for his 1997 single “Sky’s The Limit”. The rolling, disco-very "Love Won't Wait" is a slick, uptempo track containing heartfelt lyrics intertwined with elegant strings and a horn section to die for. Aching - and achingly cool - single "Can't Say Goodbye" is a real fan favourite, and it's no surprise. It's a laconic, slow-mo jazz-funk stepper, with fantastic, very deliberate playing that closes out the A Side quite exceptionally. "Come To Me" slows proceedings down elegantly to open Side B before the universally agreed-upon masterpiece enters proceedings.
"What You Won't Do for Love," the standout hit that became a classic in its own right, perfectly captured Bobby's ability to infuse a contagious groove with introspective and relatable lyrics. With its instantly recognisable horn riff and Caldwell's soulful delivery, this timeless, chiller anthem continues to captivate audiences and define his musical legacy. He scored huge with the track, taking over the pop and R&B airways with this mellow soul stepper. It has remained a perennial favourite and has been heavily sampled, such is its unique allure; Aaliyah sang over snatches of it on "Age Ain’t Nothing But A Number" and you can hear Caldwell’s vocal sample used for the hook on Tupac’s posthumously released “Do For Love”.
Upon submitting the finished album to his label, they requested more material in hope of a big single. As Bobby remembered to Wax Poetics a few years ago: “Now at this point, I’m mentally exhausted...and bear in mind that I got so close to all the songs I’d written. I gave each song a profound amount of thought, and maybe too much. So, in haste, I went in and cut this song, "What You Won’t Do For Love". Wrote it in a day, cut the rhythm track, overdubbed the horns, I sang the song, and literally turned it in three days after. And lo and behold, the one song I gave the least thought to,” Bobby laughed, “ended up being a national anthem.”
The mysterious, magical "Kalimba Song" is a cosmic, kalimba-driven melodic-funk instrumental - short but oh, so sweet. It's followed by the supreme tear-jerker "Take Me Back To Then", Bobby's otherworldly voice deeply longing for a simpler time, "when life was mellow". I think we can all get behind this sentiment. The final cut is arguably its deepest, its low-key finest moment. For us, it is, anyway. The glorious, driving, effortlessly funky guitar-soul jam "Down For The Third Time" is a huge melancholic Be With favourite and has been played by discerning genre-hopping DJs with significant glee for years. Hypnotic, melodic, beautiful. Like the album it elegantly rounds out.
Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of his wonderful eponymous album will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:LMS1725578
Release-Date:07.11.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:London Records
Cat-No:LMS1725578
Release-Date:07.11.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Rights: World excluding FR & UK
Packaging: 2 x White Vinyl, 5mm spine sleeve, 2 x printer inner sleeve, marketing sticker
SHORT BIOG & KEY POINTS
- Goldie's 1995 debut Timeless is often described as one of the greatest dance music albums of all time. As one of the founders of Metalheadz, one of the most influential drum and bass labels, Goldie helped shape the sound of a generation, and a genre that has spanned over 3 decades.
- "Listening to Timeless is like taking an adventure. If the limits of music are the limits of society, then Timeless is going to create new worlds. It's a record that travels from darkness to light across electronic oceans, across streetsoul, ambience and jazz."
- London Records celebrate 30 years of Timeless with limited edition vinyl formats, re-imagining the original white sleeve and putting the album on double vinyl for the first time since '96, with new liner notes from Tim Carr. Remastered audio.
TRACKLISTING:
A1. Inner City Life
A2. Pressure
A3. Jah
B1. Saint Angel
B2. State Of Mind
C1. Sea Of Tears
C2. Angel
D1. Sensual
D2. Kemistry
D3. You & Me
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 2 x White Vinyl, 5mm spine sleeve, 2 x printer inner sleeve, marketing sticker
SHORT BIOG & KEY POINTS
- Goldie's 1995 debut Timeless is often described as one of the greatest dance music albums of all time. As one of the founders of Metalheadz, one of the most influential drum and bass labels, Goldie helped shape the sound of a generation, and a genre that has spanned over 3 decades.
- "Listening to Timeless is like taking an adventure. If the limits of music are the limits of society, then Timeless is going to create new worlds. It's a record that travels from darkness to light across electronic oceans, across streetsoul, ambience and jazz."
- London Records celebrate 30 years of Timeless with limited edition vinyl formats, re-imagining the original white sleeve and putting the album on double vinyl for the first time since '96, with new liner notes from Tim Carr. Remastered audio.
TRACKLISTING:
A1. Inner City Life
A2. Pressure
A3. Jah
B1. Saint Angel
B2. State Of Mind
C1. Sea Of Tears
C2. Angel
D1. Sensual
D2. Kemistry
D3. You & Me
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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metro area - No Title
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metro area - No Title
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metro area - No Title
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metro area - No Title
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metro area - No Title
(remastered classic incl DL card) Environ is proud to present the Metro Area 15th Anniversary Edition, Metro Area's eponymous debut album, meticulously remastered using the original source tapes and generously spread across three slabs of vinyl. The12-track triple LP and digital package combines all the songs from both the original US and licensed European releases, and features new commemorative artwork unique to this edition.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Pizza Hotline - A1. DUALSHOCK
2
Pizza Hotline - A2. LOW POLY ROMANCE
3
Pizza Hotline - B1. EMOTION ENGINE
4
Pizza Hotline - B2. DREAMSHELL
5
Pizza Hotline - C1. LEVEL SELECT
6
Pizza Hotline - C2. SHADOW MOSES
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Pizza Hotline - D1. GLACIER ZONE (FT. DJ TOTAL 90)
8
Pizza Hotline - D2. POLYGON DREAMSCAPE
DLP: Limited Edition Transparent Vinyl with 45RPM Cut, Sleeve, Sticker
Genre: Liquid Drum n’ Bass, Electronic, Jungle, Video Game Music
Tracklisting DLP
A1. DUALSHOCK
A2. LOW POLY ROMANCE
B1. EMOTION ENGINE
B2. DREAMSHELL
C1. LEVEL SELECT
C2. SHADOW MOSES
D1. GLACIER ZONE (FT. DJ TOTAL 90)
D2. POLYGON DREAMSCAPE
Info
WRWTFWW Records is extremely excited to announce the first ever vinyl release for Pizza Hotline’s brilliant 2022 full-length Level Select, originally only released on cassette and digital. The liquid drum & bass meets Y2K era video gaming aesthetics monster is now available in a limited edition transparent vinyl double LP with a glorious 45rpm cut, p
Entirely written and composed by UK producer Pizza Hotline (apart from "GLACIER ZONE", a collaboration between Pizza Hotline and DJ Total 90), the stellar 8-song album was initially released as a limited cassette in January 2022 and quickly gained cult status - making a full-on vinyl release quite the necessity. It’s here now with the the previously unreleased track "POLYGON DREAMSCAPE" (which sounds as magical as its title) and 45rpm cut for louder, bigger, deeper bass rumbling.
Spellbinding, atmospheric, and beautifully melodic, Level Select is a large scope dreamy adventure of liquid DnB filled with ambient escapades, ethereal jungle, high vibe breaks, and a heavy loving dose of late 90s / early 2000s video game influences. Hypnotic late night hype and pensive chill moods mesh with ease in a cinematic soundscape that re-contextualizes and gives a new life to a beloved music genre - LTJ Bukem, Peshay, the Wipeout OST or Soichi Terada's Ape Escape come to mind, and sounds and soundtracks from the Sony Playstation, the Nintendo 64, and the Sega Saturn resonate from the speakers. It’s all fresh with a subtle nostalgia and so much heart. An instant classic.
Press start.
Points of interests
For fans of liquid DNB, Video games, ambient, late night vibes, computers and clubs, Soichi Terada's Ape Escape, LTJ Bukem, Peshay, Wipeout OST, good music, good music on video games, playing video games all night and possibly all week.
Limited edition vinyl of Pizza Hotline’s 2022 cult hit album redefining liquid drum & bass with a Y2K video game twist.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Liquid Drum n’ Bass, Electronic, Jungle, Video Game Music
Tracklisting DLP
A1. DUALSHOCK
A2. LOW POLY ROMANCE
B1. EMOTION ENGINE
B2. DREAMSHELL
C1. LEVEL SELECT
C2. SHADOW MOSES
D1. GLACIER ZONE (FT. DJ TOTAL 90)
D2. POLYGON DREAMSCAPE
Info
WRWTFWW Records is extremely excited to announce the first ever vinyl release for Pizza Hotline’s brilliant 2022 full-length Level Select, originally only released on cassette and digital. The liquid drum & bass meets Y2K era video gaming aesthetics monster is now available in a limited edition transparent vinyl double LP with a glorious 45rpm cut, p
Entirely written and composed by UK producer Pizza Hotline (apart from "GLACIER ZONE", a collaboration between Pizza Hotline and DJ Total 90), the stellar 8-song album was initially released as a limited cassette in January 2022 and quickly gained cult status - making a full-on vinyl release quite the necessity. It’s here now with the the previously unreleased track "POLYGON DREAMSCAPE" (which sounds as magical as its title) and 45rpm cut for louder, bigger, deeper bass rumbling.
Spellbinding, atmospheric, and beautifully melodic, Level Select is a large scope dreamy adventure of liquid DnB filled with ambient escapades, ethereal jungle, high vibe breaks, and a heavy loving dose of late 90s / early 2000s video game influences. Hypnotic late night hype and pensive chill moods mesh with ease in a cinematic soundscape that re-contextualizes and gives a new life to a beloved music genre - LTJ Bukem, Peshay, the Wipeout OST or Soichi Terada's Ape Escape come to mind, and sounds and soundtracks from the Sony Playstation, the Nintendo 64, and the Sega Saturn resonate from the speakers. It’s all fresh with a subtle nostalgia and so much heart. An instant classic.
Press start.
Points of interests
For fans of liquid DNB, Video games, ambient, late night vibes, computers and clubs, Soichi Terada's Ape Escape, LTJ Bukem, Peshay, Wipeout OST, good music, good music on video games, playing video games all night and possibly all week.
Limited edition vinyl of Pizza Hotline’s 2022 cult hit album redefining liquid drum & bass with a Y2K video game twist.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Tonal Union
Cat-No:TU011LP
Release-Date:03.10.2025
Genre:Alternative/Electronic
Configuration:LP Excl
Label:Tonal Union
Cat-No:TU011LP
Release-Date:03.10.2025
Genre:Alternative/Electronic
Configuration:LP Excl
1
Blue Lake - Weft
2
Blue Lake - The Forest
3
Blue Lake - Oceans
4
Blue Lake - Tatara
5
Blue Lake - Strata
2025 REPRESS, Black BIO vinyl, 45RPM, Poly PVC Outer, Sticker
LP - Territory: WW Minus UK/Eire,Usa, Canada
- Black Bio vinyl
- Cut at 45RPM for optimum sound
- Printed on heavyweight board outer sleeve
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK
GENRE/S: Alternative / Ambient
TRACKLISTS:
A1. Weft
A2. The Forest
B1. Oceans
B2. Tatara
B3. Strata
4. SHORT INFO:
Blue Lake's new offering 'Weft' sees its creator Jason Dungan unearth new musical terrain
with a mini-album which presents the projects evolution. Finding inspiration in the craft of weaving and embracing a collective spirit as a band leader, all while readying a new studio album expected later in 2025.
It follows the lauded album 'Sun Arcs' (2023) with Pitchfork naming it (Best New Music, 8.3), amongst numerous other accolades. Blue Lake is the ongoing musical project of American born, Copenhagen based musician Jason Dungan which serves as his artistic platform as composer and collaborator. Developed over the period of 2024 and witnessed at live performances across a swath of European cosmopolitan cities and festivals, the project stands at a new creative juncture. The earthy title track 'Weft' emerges with a sense of ease and familiarity as looping guitar riffs in open tunings bed in around a warm cello pulse that provides the essential heartbeat. These interlinking parts align to create his most explicit version yet of an American writing country music in Scandinavia. Dungan named the release 'Weft' as a reference to the weaving practice of his partner, Danish visual artist Maria Zahle, whose work "Torso" is featured on the album's cover. With her works providing a constant source of inspiration to his music and practice as an instrument-builder, Dungan found a symbiotic connection between their mediums, which is reflected in the music on 'Weft'.
'Weft' is a collection of new works that casts a net into new sound territories with distinctive timbres yet always channelled through the refined lens of Dungan's prism. Infused with an ongoing connection to nature, it furthermore expands his unique meld of off-kilter folk, jazz, country and left-field experimental ambience. 'Weft' then is an accomplishment of growth, of bolder objectives and of collaboration with like minds. The Blue Lake project takes a dynamic step forward venturing into new creative spaces while leaving some clues along the way.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP - Territory: WW Minus UK/Eire,Usa, Canada
- Black Bio vinyl
- Cut at 45RPM for optimum sound
- Printed on heavyweight board outer sleeve
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK
GENRE/S: Alternative / Ambient
TRACKLISTS:
A1. Weft
A2. The Forest
B1. Oceans
B2. Tatara
B3. Strata
4. SHORT INFO:
Blue Lake's new offering 'Weft' sees its creator Jason Dungan unearth new musical terrain
with a mini-album which presents the projects evolution. Finding inspiration in the craft of weaving and embracing a collective spirit as a band leader, all while readying a new studio album expected later in 2025.
It follows the lauded album 'Sun Arcs' (2023) with Pitchfork naming it (Best New Music, 8.3), amongst numerous other accolades. Blue Lake is the ongoing musical project of American born, Copenhagen based musician Jason Dungan which serves as his artistic platform as composer and collaborator. Developed over the period of 2024 and witnessed at live performances across a swath of European cosmopolitan cities and festivals, the project stands at a new creative juncture. The earthy title track 'Weft' emerges with a sense of ease and familiarity as looping guitar riffs in open tunings bed in around a warm cello pulse that provides the essential heartbeat. These interlinking parts align to create his most explicit version yet of an American writing country music in Scandinavia. Dungan named the release 'Weft' as a reference to the weaving practice of his partner, Danish visual artist Maria Zahle, whose work "Torso" is featured on the album's cover. With her works providing a constant source of inspiration to his music and practice as an instrument-builder, Dungan found a symbiotic connection between their mediums, which is reflected in the music on 'Weft'.
'Weft' is a collection of new works that casts a net into new sound territories with distinctive timbres yet always channelled through the refined lens of Dungan's prism. Infused with an ongoing connection to nature, it furthermore expands his unique meld of off-kilter folk, jazz, country and left-field experimental ambience. 'Weft' then is an accomplishment of growth, of bolder objectives and of collaboration with like minds. The Blue Lake project takes a dynamic step forward venturing into new creative spaces while leaving some clues along the way.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Sam Ruffillo & Fimiani - Mediterranea (Party Mix Extended)
2
Tommiboy feat. DM Disco Band - La Sfinge
3
M¥SS KETA & Kapote - Italomania Intermezzo
4
Severino & Giacomo Moras ft. M¥SS KETA - Maledetto
5
Stump Valley feat. Femmina - Non Dire Di No (Extended Version)
6
Munk & Kapote - La Musica (Hot DJ Version)
7
Fimiani & Angeleri - SessoSpaghetti (Extended Version)
8
Kapote - Sono Tropical (Extended Version)
9
Giovanni Damico - Tropica (feat. Martina)
10
Lele Sacchi Feat Elasi - Malamore (Extended Version)
11
Daniel Monaco Band - Milly
2 x 12"
Tracklist:
A1 Sam Ruffillo & Fimiani - Mediterranea (Party Mix Extended)
A2 Tommiboy feat. DM Disco Band - La Sfinge
B1 M¥SS KETA & Kapote - Italomania Intermezzo
B2 Severino & Giacomo Moras ft. M¥SS KETA - Maledetto
B3 Stump Valley feat. Femmina - Non Dire Di No (Extended Version)
C1 Munk & Kapote - La Musica (Hot DJ Version)
C2 Fimiani & Angeleri - SessoSpaghetti (Extended Version)
C3 Kapote - Sono Tropical (Extended Version)
D1 Giovanni Damico - Tropica (feat. Martina)
D2 Lele Sacchi Feat Elasi - Malamore (Extended Version)
D3 Daniel Monaco Band - Milly
Toy Tonics ITALOMANIA Vol. 2 is a compilation dedicated to NEW ITALIAN DISCO. (Not Italo Disco.)
13 young contemporary Italian producers made new organic disco, indie dance, avant pop and house tracks with Italian vocals.
Everything on this compilation has been produced in 2023. Fresh dance music by Italian indie electronic star Myss Keta together with DJ Severino (of Horse Meat Disco) and newcomers Sam Ruffillo, Fimiani, Magou, Tommiboy, Daniel Monaco, Giovanni Damico. And new music by artists Stump Valley (from Dekmantel), Munk (Gomma records), Rodion (Slow Motion Records) and DJ legend Lele Sacchi,
The ITALOMANIA compilation was initiated by Toy Tonics boss Kapote. The idea is to show the status of Italian Disco of today. It’s like a „manifesto“!
Kapote invited the most relevant Italian producers to make new tracks with Italian vocals and show different styles of modern Italian disco, dance and house music.
with Italian vocals. All tracks compiled by Kapote aka Mathias Modica aka Munk. Italo-German producer, DJ, keyboarder and head of Toy Tonics and Gomma records.
Italian Disco is not Italo Disco.
While the last years the slightly trashy pop music of the 1980’s called Italo Disco (with English lyrics) had a big revival. But now also the attention for more quality and organic dance music with Italian language is rising. This compilation is about this Italian Disco,
It’s a fact that not just in Italy but also in France and Germany there are now artists singing in Italian or using Italian words and names - even if they are not Italian.
Let’s not forget: The world’s culture of party, dancing, showbizness and pop music would be unimaginable without the heritage and creativity that Italians contributed.
Italy is not just the country of good food, beautiful beaches and high fashion, but it’s also the original country of dance music. Since almost 3000 years, since the ancient roman times the Italians have been making (dance) music culture, creating popular culture and being the maestros in organizing parties.
Also the disco wave of the 1970ies and the Pop music of the 1980ies has been co-created by Italians (and Italo-americans in New York).
The ITALOMANIA artists & tracklist:
M¥SS KETA
The most famous artist on the compilation is singer M¥SS KETA. The Italian press calls her "the Italian Lady Gaga“. M¥SS KETA is an edgy performer that reached the top of the charts with indie pop songs, but is also well rooted in the Milan art, fashion and LGTB scene.
To create a song for Italomania she teamed up with DJ Severino. The Italian part of London’s Horse Meat Disco DJ collective. Probably the world leading queer DJ team. (M¥SS KETA recently was invited to perform Berghain in Berlin).
Sam Ruffillo
Sam Ruffilo has contributed a new (party) version of his song Mediterranea. A organic disco track with lyrics in Neapolitan dialect. Sam Ruffillo is an upcoming Italian DJ and producer and one of the lead artists of Toy Tonics (along with Coeo, Kapote and Cody Currie). He had a few underground hits combining leftfield disco and Lofi House with Italian vocals creating a new genre that is finding lot of fans right now. One of his songs (Chiamami Subito) made it into the rotation of big Italian radio station M20. On Instrgam you can see his DJ sets where hundreds of Italians sing his songs at Toy Tonics parties.
Munk
Toy Tonics head honcho Kapote reworked the Munk song ‚La Musica‘ for this compilation. Munk is the former producer name of Mathias Modica aka Kapote. The creative mind behind Toy Tonics and Gomma records. ‚La Musica‘ is an Italo house song that he originally released 2010 when he was doing his former label Gomma records. Now there is this new version of this catchy dance song with the Italian hookline that became almost iconic when first released.
It made sense to include a new version of this track on ITALOMANIA because its a blueprint of italian disco and sounds so fresh again now.
Giovanni Damico
The south Italian DJ, producer made „Tropica“. The song is a tribute to the music of the Italian discos of south Italy of the 1980ies. A Balearic session that can be great at a beach in the afternoon, but also for dancing in the early morning. Damico is part of the new Italian disco scene releasing his dance tracks on international labels like Lumberjacks in hell and White Rabbit records since 2013.
Kapote
His new song „Sono tropical“ is an ironic Latin pop song based on a classic salsa piano riff and a strong Latin soul bassline. It reminds the big tunes from the 1970ies New York Salsa Scene (Tito Puente, Willie Colon, Fania All Stars). The vocals performed by Kapote are a mix of Italian and Spanish. The girl’s voice is also performed by Kapote. But transferred into a female voice by an AI. All instruments played by Kapote who before starting to get into the DJ and label business used to to study jazz piano. Before starting Toy Tonics Kapote he released 3 albums under his former name Munk and produced records with big names from the electronic music scene like James Murphy of LCD Soundsystem, Peaches, The Rammellzee and three albums of Danish band WhoMadeWho. Mathias/ Kapote also worked with artists like Franz Ferdinand, The Rapture and Asia Argento.
Lele Sacchi
Lele Sacchi is an Italian DJ legend and host of Italy's most important DJ radio show on RAI national radio. He has been djing all around the world playing from Circoloco Ibiza to Avalon LA. He has Besides being on Italian national radio he has been doing shows on NTS Radio or guest on BBC Six. He produced for labels like Soul Clap, !K7, Internasjonal, Nervous, Snatch, Crosstown Rebels, Poker Flat and his own Stolen Goods imprint.
Sacchi teamed up with young vocalist Elasi, a new talent from Milano that is making waves in Italy for a few songs she released in a indie disco style. Their song is an interpretation of late 70’s cult slow disco pop classic ‘Malamore’ by the underdog Enzo Carella. A mix of slow house and playful pop with a slight touch of acid!
Tommiboy
Tommiboy made a nasty, disco rock song called Sfinge. Only 26 years old he is one of the most hyped up Italian disco diggers and collectors. Originally from Rimini, the capital of discos, he is the son of a father who was a regular dancer in Rimini’s clubs of the 1980is and fed his son with all things disco.
Tommiboy started to do parties and compilations under the name Disco Stupenda three years ago. By now he and his parties are a big thing in Italy and has fans all around the country. He also is DJ for fashion brands like Gucci and he is the guy who re-introduced 1980s stars like Pino D’Angio.
Fimiani aka BPlan
The DJ und producer from Napoli is part of the new, vibrant disco scene from Napoli. (NuGenea, Mystik Jungle, Manny Whodamanny )
His collabo with italian 1980ies crooner Angeleri called SessoSpaghetti is a remake of a song originally released in 1983, but never became famous when it came out. The drums on the song are played by Napoli legend Tullio De Piscopo and the guitar by Lucio Battisti guitar player Massimo Luca.
The new version is a ironic summer disco with sexy vocals and Italian fun rapping about beach life, beautiful girls and sex on the beach. Fimiani also does edits of rare italo disco under the name of BPlan
Daniel Monaco
Daniel Monaco is a multi-talented artist, producer, and bass player DJ, bandleader and producer from Napoli - but has been living for many years in Amsterdam where he hosted show on Red Light Radio released on Labels of the likes of Rush Hour and Bordello a Parigi. Is one of the key figures of the scene due to unique fusion of Italo Disco, Proto House, Obscure Disco, and a captivating tropical touch. His latest EPs came out on Slow Rush Hour records and Periodica Records contributed the song ‚Milly‘ for Italomania. Played with a 5 person band.
Stump Valley
The two DJs, producers and vinyl collector are experts in all things Italo Disco and Balearic music. Before joining Toy Tonics they released an album on Dekmantel records. One of the guys (Brain de Palma) is the favorite DJ of Peggy Gou. He is regularly opening the shows of Peggy as a warm up DJ and releases his solo records on Peggy's label Gudu records. For this compilation they made Non dire di no. An old school piano house track with catchy vocals in the finest tradition of the piano house style that Italians invented in the early 1990ies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 Sam Ruffillo & Fimiani - Mediterranea (Party Mix Extended)
A2 Tommiboy feat. DM Disco Band - La Sfinge
B1 M¥SS KETA & Kapote - Italomania Intermezzo
B2 Severino & Giacomo Moras ft. M¥SS KETA - Maledetto
B3 Stump Valley feat. Femmina - Non Dire Di No (Extended Version)
C1 Munk & Kapote - La Musica (Hot DJ Version)
C2 Fimiani & Angeleri - SessoSpaghetti (Extended Version)
C3 Kapote - Sono Tropical (Extended Version)
D1 Giovanni Damico - Tropica (feat. Martina)
D2 Lele Sacchi Feat Elasi - Malamore (Extended Version)
D3 Daniel Monaco Band - Milly
Toy Tonics ITALOMANIA Vol. 2 is a compilation dedicated to NEW ITALIAN DISCO. (Not Italo Disco.)
13 young contemporary Italian producers made new organic disco, indie dance, avant pop and house tracks with Italian vocals.
Everything on this compilation has been produced in 2023. Fresh dance music by Italian indie electronic star Myss Keta together with DJ Severino (of Horse Meat Disco) and newcomers Sam Ruffillo, Fimiani, Magou, Tommiboy, Daniel Monaco, Giovanni Damico. And new music by artists Stump Valley (from Dekmantel), Munk (Gomma records), Rodion (Slow Motion Records) and DJ legend Lele Sacchi,
The ITALOMANIA compilation was initiated by Toy Tonics boss Kapote. The idea is to show the status of Italian Disco of today. It’s like a „manifesto“!
Kapote invited the most relevant Italian producers to make new tracks with Italian vocals and show different styles of modern Italian disco, dance and house music.
with Italian vocals. All tracks compiled by Kapote aka Mathias Modica aka Munk. Italo-German producer, DJ, keyboarder and head of Toy Tonics and Gomma records.
Italian Disco is not Italo Disco.
While the last years the slightly trashy pop music of the 1980’s called Italo Disco (with English lyrics) had a big revival. But now also the attention for more quality and organic dance music with Italian language is rising. This compilation is about this Italian Disco,
It’s a fact that not just in Italy but also in France and Germany there are now artists singing in Italian or using Italian words and names - even if they are not Italian.
Let’s not forget: The world’s culture of party, dancing, showbizness and pop music would be unimaginable without the heritage and creativity that Italians contributed.
Italy is not just the country of good food, beautiful beaches and high fashion, but it’s also the original country of dance music. Since almost 3000 years, since the ancient roman times the Italians have been making (dance) music culture, creating popular culture and being the maestros in organizing parties.
Also the disco wave of the 1970ies and the Pop music of the 1980ies has been co-created by Italians (and Italo-americans in New York).
The ITALOMANIA artists & tracklist:
M¥SS KETA
The most famous artist on the compilation is singer M¥SS KETA. The Italian press calls her "the Italian Lady Gaga“. M¥SS KETA is an edgy performer that reached the top of the charts with indie pop songs, but is also well rooted in the Milan art, fashion and LGTB scene.
To create a song for Italomania she teamed up with DJ Severino. The Italian part of London’s Horse Meat Disco DJ collective. Probably the world leading queer DJ team. (M¥SS KETA recently was invited to perform Berghain in Berlin).
Sam Ruffillo
Sam Ruffilo has contributed a new (party) version of his song Mediterranea. A organic disco track with lyrics in Neapolitan dialect. Sam Ruffillo is an upcoming Italian DJ and producer and one of the lead artists of Toy Tonics (along with Coeo, Kapote and Cody Currie). He had a few underground hits combining leftfield disco and Lofi House with Italian vocals creating a new genre that is finding lot of fans right now. One of his songs (Chiamami Subito) made it into the rotation of big Italian radio station M20. On Instrgam you can see his DJ sets where hundreds of Italians sing his songs at Toy Tonics parties.
Munk
Toy Tonics head honcho Kapote reworked the Munk song ‚La Musica‘ for this compilation. Munk is the former producer name of Mathias Modica aka Kapote. The creative mind behind Toy Tonics and Gomma records. ‚La Musica‘ is an Italo house song that he originally released 2010 when he was doing his former label Gomma records. Now there is this new version of this catchy dance song with the Italian hookline that became almost iconic when first released.
It made sense to include a new version of this track on ITALOMANIA because its a blueprint of italian disco and sounds so fresh again now.
Giovanni Damico
The south Italian DJ, producer made „Tropica“. The song is a tribute to the music of the Italian discos of south Italy of the 1980ies. A Balearic session that can be great at a beach in the afternoon, but also for dancing in the early morning. Damico is part of the new Italian disco scene releasing his dance tracks on international labels like Lumberjacks in hell and White Rabbit records since 2013.
Kapote
His new song „Sono tropical“ is an ironic Latin pop song based on a classic salsa piano riff and a strong Latin soul bassline. It reminds the big tunes from the 1970ies New York Salsa Scene (Tito Puente, Willie Colon, Fania All Stars). The vocals performed by Kapote are a mix of Italian and Spanish. The girl’s voice is also performed by Kapote. But transferred into a female voice by an AI. All instruments played by Kapote who before starting to get into the DJ and label business used to to study jazz piano. Before starting Toy Tonics Kapote he released 3 albums under his former name Munk and produced records with big names from the electronic music scene like James Murphy of LCD Soundsystem, Peaches, The Rammellzee and three albums of Danish band WhoMadeWho. Mathias/ Kapote also worked with artists like Franz Ferdinand, The Rapture and Asia Argento.
Lele Sacchi
Lele Sacchi is an Italian DJ legend and host of Italy's most important DJ radio show on RAI national radio. He has been djing all around the world playing from Circoloco Ibiza to Avalon LA. He has Besides being on Italian national radio he has been doing shows on NTS Radio or guest on BBC Six. He produced for labels like Soul Clap, !K7, Internasjonal, Nervous, Snatch, Crosstown Rebels, Poker Flat and his own Stolen Goods imprint.
Sacchi teamed up with young vocalist Elasi, a new talent from Milano that is making waves in Italy for a few songs she released in a indie disco style. Their song is an interpretation of late 70’s cult slow disco pop classic ‘Malamore’ by the underdog Enzo Carella. A mix of slow house and playful pop with a slight touch of acid!
Tommiboy
Tommiboy made a nasty, disco rock song called Sfinge. Only 26 years old he is one of the most hyped up Italian disco diggers and collectors. Originally from Rimini, the capital of discos, he is the son of a father who was a regular dancer in Rimini’s clubs of the 1980is and fed his son with all things disco.
Tommiboy started to do parties and compilations under the name Disco Stupenda three years ago. By now he and his parties are a big thing in Italy and has fans all around the country. He also is DJ for fashion brands like Gucci and he is the guy who re-introduced 1980s stars like Pino D’Angio.
Fimiani aka BPlan
The DJ und producer from Napoli is part of the new, vibrant disco scene from Napoli. (NuGenea, Mystik Jungle, Manny Whodamanny )
His collabo with italian 1980ies crooner Angeleri called SessoSpaghetti is a remake of a song originally released in 1983, but never became famous when it came out. The drums on the song are played by Napoli legend Tullio De Piscopo and the guitar by Lucio Battisti guitar player Massimo Luca.
The new version is a ironic summer disco with sexy vocals and Italian fun rapping about beach life, beautiful girls and sex on the beach. Fimiani also does edits of rare italo disco under the name of BPlan
Daniel Monaco
Daniel Monaco is a multi-talented artist, producer, and bass player DJ, bandleader and producer from Napoli - but has been living for many years in Amsterdam where he hosted show on Red Light Radio released on Labels of the likes of Rush Hour and Bordello a Parigi. Is one of the key figures of the scene due to unique fusion of Italo Disco, Proto House, Obscure Disco, and a captivating tropical touch. His latest EPs came out on Slow Rush Hour records and Periodica Records contributed the song ‚Milly‘ for Italomania. Played with a 5 person band.
Stump Valley
The two DJs, producers and vinyl collector are experts in all things Italo Disco and Balearic music. Before joining Toy Tonics they released an album on Dekmantel records. One of the guys (Brain de Palma) is the favorite DJ of Peggy Gou. He is regularly opening the shows of Peggy as a warm up DJ and releases his solo records on Peggy's label Gudu records. For this compilation they made Non dire di no. An old school piano house track with catchy vocals in the finest tradition of the piano house style that Italians invented in the early 1990ies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Vibraphone and keyboard player, master arranger and bandleader, Mulatu Astatke is one of the all-time greats of Ethiopian music and the creator of his own original music form, Ethio jazz. Through the acclaimed Ethiopiques album series and through featuring on the soundtrack to the Jim Jarmusch film Broken Flowers, his music has belatedly reached a global audience and a new, younger generation of fans. In November of last year, he recorded an inspired new album with London psych jazz band The Heliocentrics for Strut’s ‘Inspiration Information’ studio collaboration series. Now, Strut are proud to present, for the first time anywhere, the definitive Mulatu career retrospective covering his landmark ‘60s and ‘70s recordings.
Mulatu is a true pioneer of African music. He was the first Ethiopian musician of his generation to travel extensively and to record abroad – he studied in the UK in Wales and at Trinity College Of Music in London, cutting his teeth on the buoyant London jazz scene of the early ‘60s. He became the first African student to attend Harvard and he lived and recorded in New York, developing a unique sound that fused Western jazz with traditional Ethiopian melodies. Tracing the progression of his Ethio jazz experiments with full access to all of the labels for whom he recorded, Mulatu Astatke: New York-Addis-London is the essential Mulatu. Covering his first recordings in the UK during 1965, his groundbreaking fusions for the small Worthy label in New York and his key ‘70s recordings back in Addis on Amha, Phillips and Axum, the album features comprehensive sleeve notes by Miles Cleret, boss of the excellent Soundway Records imprint, and rare, previously unseen photos from Mulatu’s personal archive.
TRACKLISTING
1. ASIYO BELEMA (feat. Frank Holder)
2. MASCARAM SETABA (with Ethiopian Quintet)
3. I FARAM GAMI FARAM (with Ethiopian Quintet)
4. SOUL POWER (with Ethiopian Quintet)
5. GIRL FROM ADDIS ABABA (with Ethiopian Quintet)
6. SHAGU (Mulatu Astatke Quartet)
7. MULATU
8. DEWEL
9. NETSANET
10. YEKATIT
11. ENE ALANCHIE ALNOREM
12. YEGELLA TEZETA
13. YEKERMO SEW
14. TEZETA
15. EMNETE
16. YEKITIR TEZETA
17. LANCHI BIYE with Tilahoun Gessesse
18. FIKRATCHIN with Menelik Wossenatchew
19. EBO LALA with Seifu Yohannes
20. WUBIT with Muluken Melesse
21. KASALEFKUT HULU with Tilahoun Gessesse
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Mulatu is a true pioneer of African music. He was the first Ethiopian musician of his generation to travel extensively and to record abroad – he studied in the UK in Wales and at Trinity College Of Music in London, cutting his teeth on the buoyant London jazz scene of the early ‘60s. He became the first African student to attend Harvard and he lived and recorded in New York, developing a unique sound that fused Western jazz with traditional Ethiopian melodies. Tracing the progression of his Ethio jazz experiments with full access to all of the labels for whom he recorded, Mulatu Astatke: New York-Addis-London is the essential Mulatu. Covering his first recordings in the UK during 1965, his groundbreaking fusions for the small Worthy label in New York and his key ‘70s recordings back in Addis on Amha, Phillips and Axum, the album features comprehensive sleeve notes by Miles Cleret, boss of the excellent Soundway Records imprint, and rare, previously unseen photos from Mulatu’s personal archive.
TRACKLISTING
1. ASIYO BELEMA (feat. Frank Holder)
2. MASCARAM SETABA (with Ethiopian Quintet)
3. I FARAM GAMI FARAM (with Ethiopian Quintet)
4. SOUL POWER (with Ethiopian Quintet)
5. GIRL FROM ADDIS ABABA (with Ethiopian Quintet)
6. SHAGU (Mulatu Astatke Quartet)
7. MULATU
8. DEWEL
9. NETSANET
10. YEKATIT
11. ENE ALANCHIE ALNOREM
12. YEGELLA TEZETA
13. YEKERMO SEW
14. TEZETA
15. EMNETE
16. YEKITIR TEZETA
17. LANCHI BIYE with Tilahoun Gessesse
18. FIKRATCHIN with Menelik Wossenatchew
19. EBO LALA with Seifu Yohannes
20. WUBIT with Muluken Melesse
21. KASALEFKUT HULU with Tilahoun Gessesse
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More