Label:Tramp Records
Cat-No:TRLP9122BONUS7
Release-Date:06.09.2024
Genre:Soul/Funk
Configuration:2LP
Barcode:5050580824430
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Cat-No:TRLP9122BONUS7
Release-Date:06.09.2024
Genre:Soul/Funk
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Barcode:5050580824430
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1
Johnny April - - She Had A Pikanese (feat. Mat Matthews Quartet)
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2
Lu Elliott - - Common Sense
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Lloyd Fatman - - No Big Thing (Pt.1& 2)
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Billy J - - Teacher Teach Me
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Wayne Johnson - - Scram Gravy Ain't Wavy (feat. Brigade)
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6
4 Dimensions - - Hipper Snapper
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The Villagers - - Funky Broadway
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The Rippers - - Honesty
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9
Exceptional Citizens Band - - Proud Mary
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Gus Brendel - - Sax On The Rocks
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The Hornets - - Seven Days To Tahiti
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Bret Breitinger - - Jive Samba
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Downtown Trio - - Summertime
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ONYX - - Break It Loose (Pt.1)
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The Shake And Bake Band - - Shake And Bake (Pt.1& 2)
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16
Lou Jackson - - Outside Looking In
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17
Energy Crisis - - Tough Times Blues
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Soul Unlimited - - Do It
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Soul Unlimited - - Darkside Of Town
** INITIAL 400 LPs CONTAIN A BONUS 7" SINGLE **
MOVEMENTS Vol.12 – A bag full of rare rhythm & blues, mod-jazz, and mid 70s funk. Side A starts with rhythm & blues from the 1960s. Most of the tracks were pulled from hopelessly obscure 7" singles. The only names of which some of you might be familiar with are most likely Mat Mathews and Lu Elliott. However, both original 45 RPM singles are pretty hard to find these days, especially in playable condition. Side B is all about deepfunk this time. "Hipper Snapper " is a prime example of that genre. Some say its groove is reminiscent of Charles Wright's "Express Yourself. Agreed! The Villagers are responsible for the first 'aha' moment. Their (previously unreleased!) version of "Funky Broadway" would have certainly astounded even Dyke & The Blazers. Representing Germany on this volume: The Rippers, also called the "Offenburg Beatles"! Back in the USA, John Fogerty has probably never heard of this heavy school-funk cover of "Proud Mary". Drum breaks galore! Side C begins with another German contribution. Saxophonist Gus Brendel delivers a mod-jazz belter of the highest order as do The Hornets. Definitely sure-shots for any dance floors! High time for 'aha' moment #2. Many bands have tried their hands on a cover version of the Nat Adderley jazz classic, incl. vibraphone player Bret Breitinger! The perfect choice to finish this side is Downtown Trio's smooth and groovy cover of Gershwin's "Summertime ". Side D is reserved for proper 1970s funk. ONYX's "Break It Loose " has become a certified Rare Groove classic. Here you can enjoy it for the first time with the blessing of the band! Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history! Watch out, "Shake and Bake " will be re-released on a good old 45 RPM single, too! Those of you who have been enjoying the detective work of the people behind the label over the past 21 years know that the Movements series can be easily considered as the flagship compilation series on Tramp. So, after having listened to the entire selection of this brand new volume we sincerely hope that we will have achieved our aim to surprise, delight, and enlighten you once again!
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MOVEMENTS Vol.12 – A bag full of rare rhythm & blues, mod-jazz, and mid 70s funk. Side A starts with rhythm & blues from the 1960s. Most of the tracks were pulled from hopelessly obscure 7" singles. The only names of which some of you might be familiar with are most likely Mat Mathews and Lu Elliott. However, both original 45 RPM singles are pretty hard to find these days, especially in playable condition. Side B is all about deepfunk this time. "Hipper Snapper " is a prime example of that genre. Some say its groove is reminiscent of Charles Wright's "Express Yourself. Agreed! The Villagers are responsible for the first 'aha' moment. Their (previously unreleased!) version of "Funky Broadway" would have certainly astounded even Dyke & The Blazers. Representing Germany on this volume: The Rippers, also called the "Offenburg Beatles"! Back in the USA, John Fogerty has probably never heard of this heavy school-funk cover of "Proud Mary". Drum breaks galore! Side C begins with another German contribution. Saxophonist Gus Brendel delivers a mod-jazz belter of the highest order as do The Hornets. Definitely sure-shots for any dance floors! High time for 'aha' moment #2. Many bands have tried their hands on a cover version of the Nat Adderley jazz classic, incl. vibraphone player Bret Breitinger! The perfect choice to finish this side is Downtown Trio's smooth and groovy cover of Gershwin's "Summertime ". Side D is reserved for proper 1970s funk. ONYX's "Break It Loose " has become a certified Rare Groove classic. Here you can enjoy it for the first time with the blessing of the band! Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history! Watch out, "Shake and Bake " will be re-released on a good old 45 RPM single, too! Those of you who have been enjoying the detective work of the people behind the label over the past 21 years know that the Movements series can be easily considered as the flagship compilation series on Tramp. So, after having listened to the entire selection of this brand new volume we sincerely hope that we will have achieved our aim to surprise, delight, and enlighten you once again!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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More records from Tramp Records
Label:Tramp Records
Cat-No:TRLP9126
Release-Date:21.03.2025
Genre:Soul/Funk
Configuration:LP
Barcode:5050580840829
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Cat-No:TRLP9126
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Genre:Soul/Funk
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Barcode:5050580840829
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1
Synod - After All Is Said And Done
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Synod - Seems Like I'm Falling In Love
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Synod - Stand Up
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Synod - I Want To Go Home
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Synod - Future Shock (LP Version)
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Synod - Hopes and Dreams
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Synod - Sheryl Song Is Gonna Do My Dancing (LP Version)
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Synod - Black Olives
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Synod - Never Without You
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Synod - (You're) Everything To Me (Single Version)
Synod was a band that performed at concerts and dances, festivals, colleges, private parties, conferences and other venues from 1971 through 2013. They toured incessantly in the early years, traveling from Chicago in Illinois to New York, South Carolina, Georgia, Nebraska and seven other states. They performed at Chicagofest, Summerfest and everywhere they could find a stage. The recordings in this collection represent some of the 12 recording projects they did, primarily between 1972 and 1984.Synod came to our attention about three years ago when we discovered their single "Future Shock". We were working on the ninth edition of the "Praise Poems" compilation when we started looking for the band. After a few months we were finally successful and "Future Shock" was released shortly afterwards on "Praise Poems 9".The band drew our attention to another single they had released in 1979. When we heard "Sheryl Song Is Gonna Do My Dancing" we immediately fell in love with it. But it got even better! Synod sent us several dozen unreleased songs, all recorded between 1972 and 1984, originally intended for release on several album projects that never materialized. Next we released "Anchors Away" together with "Sheryl Song" on a 7" single. Two more songs, this time nasty garage rock ("Places to Do" and "Creatures of Habit"), were immortalized by our label mates at "Perfect Toy Records" on their "Down & Wired" compilation series as well as on a 7" single. Another track, "You Shake Them Things", was included on our disco/modern soul compilation "Can You Feel It Vol.4". After Tramp Records & Synod released all previously unreleased album projects digitally in 2024, the idea was born to immortalize a carefully selected choice of songs on vinyl LP. We here at Tramp Records are mega proud to present you this amazing selection under the title "After All Is Said and Done".
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Label:Tramp Records
Cat-No:TRLP9125
Release-Date:07.02.2025
Configuration:2LP
Barcode:5050580834323
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Cat-No:TRLP9125
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1
Color Me Blu - - Fields of Laughter
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2
Apple - - Love Melody In E Minor
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Tribal Sinfonia - - Do You Want Me
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Harve and Charee - - New Me
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Kwartet Frits Kaatee - - Easy Evil
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Ernie Scott Trio - - Souled Out
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Bunker Hill - - Dionysis
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Various Artists - San Diego - Sands Of Malibu (Pt.1&;2)
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9
Synod - - Sheryl Song Is Gonna Do My Dancing
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10
Whiz Kids - - Long Time Gone
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Ross Miller - - I Can Love Her Anyway
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12
Thunderbolt The Wondercolt - - Ragged Edge
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13
Eyrle Oliver - - Lovely Lady
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14
Lisa Richards - - A Day In The Life Of A Fool
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Joe Bozzi Quintet - - Masquerade
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George Melvin Quintet - - It's Good Not To Forget
Watch out! You are holding the 125th (one-hundred-and-twenty fifth!) album on Tramp Records in your hands! We are honored to celebrate this impressive anniversary with the tenth volume in the Praise Poems series. This time, too, we go on a journey to discover previously unheard regions of jazz, folk and AOR from the 1970s and 80s. Praise Poems Vol.10 presents sixteen (almost) forgotten rare groove gems, all released between the years 1970 and 1984. One of the many highlights is the opening track: "Fields of Laughter" by Color Me Blu - originally released on an acetate only of which two copies exist worldwide. But there is much, much more to discover. This brandnew volume features a wide range of genres, from AOR (Whiz Kids, Ross Miller, and another previously unreleased track by Harve & Charee) to Latin-Rock a'la Santana (Color Me Blue, Tribal Sinfonia, and Apple) to Soul-Jazz (Ernie Lewis Trio, Joe Bozzi Quintet or Dutch saxophonist Frits Kaatee). Right at the end, one track in particular stands out: the wonderful "It's Good Not To Forget" by George Melvin and his quintet - a fabulously dreamy, thoughtful instrumental piece in the style of Ramsey Lewis with catchy tune potential. Not many compilation series make it to a tenth edition. And if they do, then you often notice that the quality of the songs goes in the opposite direction to the increasing number of series: namely decreasing. Not so with Praise Poems Vol. 10, which the creators prove in an impressive new way. They have found tracks that were originally either a) pressed by the musicians themselves in very small editions or b) released by small, regional labels. It is understandable that neither the musicians nor these small labels had the necessary knowledge or budget to market their albums or singles professionally. The majority of the bands therefore did not manage to reach a large audience - although they certainly had the potential for the big stage. "Praise Poems 10 - A journey into soulful jazz and funk from the 1970s" makes these almost 50-year-old treasures accessible to a new audience. We hope that you enjoy discovering your personal favorite song(s) and we are already looking forward to many more releases!
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LP
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Label:Tramp Records
Cat-No:TRLP9124
Release-Date:08.11.2024
Genre:Jazz
Configuration:LP
Barcode:5050580829633
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Cat-No:TRLP9124
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Genre:Jazz
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1
Vier - Count-A-Round
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Secret Tip Corner Band - Scarabäus
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Jaro - Song For My Father
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Baobab - Keine Nummer
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Sounds - Sound Spirit
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6
Big Band Der Otto-Hahn-Schule Hamburg - Regenwetter
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7
Jazz Oder Nie Big Band - Work Song
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8
Big Band Blechschaden - Limestone Knave
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9
Stuttgarter Jazz Workshop - A Night In Stuttgart
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Seelow & Mayer Formation - Soul-In
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Bernd Reichow Jazz Formation - Bolero In Jazz
"This landmark compilation continues the unfoldment of diabolically obscure yet culturally and artistically essential recordings that have been hidden and precariously balanced on the precipice of obsolescence."
For German musicians the mid-70s to mid-80s were an extremely fertile and fruitful time. Though The Peace Chant series is focused mainly on amateur bands, private pressings, and long lost acetates, many of the artists included here nevertheless made their mark upon the German and world music scene and even played with many of the giants of the movement.
As the 60s were coming to a close, many German musicians began experimenting with fusing jazz, rock, pop, electronic, and world music with a harder, more aggressive sound. The resulting movement, originally called "kosmische music" or "cosmic music" would give way to the kaleidoscope of sounds now known as Krautrock.
Many labels and compilations, not to mention reissues have been focused on this moment and in many ways, today, there could be said to be a global revival in the art form by younger, modern bands. But this is where Tramp Records, always peeking behind the curtain, has decided to take "the road less traveled" as we trust them to do. This edition of the Peace Chant series explores the artists that, instead of going full steam ahead in the rock and world music direction, decided to play the role of 'spiritual advisor' to the movement and continue building a legacy of jazz and pop infusions to their more rock-oriented counterparts. Of course, there may not have been much commercial appeal of these recordings and many of them fell into obscurity. But it is thanks to the tireless efforts of Tramp Records that we are able to catch a glimpse of what undoubtedly the Giants of the genre at the time were already well aware of and likely being influenced by. As you will see, many of the artists in this compilation went on to become music teachers and mentors in their own right and surely influenced the course of music history in Germany. Now their stories are finally being told. And though the music is amazing on its own, it is truly astounding when cast in its historical context. This landmark compilation continues the unfoldment of diabolically obscure yet culturally and artistically essential recordings that have been hidden and precariously balanced on the precipice of obsolescence.
For the first time ever, Tramp Records is proud to present an "all German" artists version of the Peace Chant series, including liner notes printed in German exclusively with an English translation downloadable.
~Joel Ricci (August 2024)
Key selling points:
- deluxe double-gatefold LP containing detailed liner notes & unpublished photographs
- incl. full album download code
- ALL songs appear on LP for the very first-time
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
For German musicians the mid-70s to mid-80s were an extremely fertile and fruitful time. Though The Peace Chant series is focused mainly on amateur bands, private pressings, and long lost acetates, many of the artists included here nevertheless made their mark upon the German and world music scene and even played with many of the giants of the movement.
As the 60s were coming to a close, many German musicians began experimenting with fusing jazz, rock, pop, electronic, and world music with a harder, more aggressive sound. The resulting movement, originally called "kosmische music" or "cosmic music" would give way to the kaleidoscope of sounds now known as Krautrock.
Many labels and compilations, not to mention reissues have been focused on this moment and in many ways, today, there could be said to be a global revival in the art form by younger, modern bands. But this is where Tramp Records, always peeking behind the curtain, has decided to take "the road less traveled" as we trust them to do. This edition of the Peace Chant series explores the artists that, instead of going full steam ahead in the rock and world music direction, decided to play the role of 'spiritual advisor' to the movement and continue building a legacy of jazz and pop infusions to their more rock-oriented counterparts. Of course, there may not have been much commercial appeal of these recordings and many of them fell into obscurity. But it is thanks to the tireless efforts of Tramp Records that we are able to catch a glimpse of what undoubtedly the Giants of the genre at the time were already well aware of and likely being influenced by. As you will see, many of the artists in this compilation went on to become music teachers and mentors in their own right and surely influenced the course of music history in Germany. Now their stories are finally being told. And though the music is amazing on its own, it is truly astounding when cast in its historical context. This landmark compilation continues the unfoldment of diabolically obscure yet culturally and artistically essential recordings that have been hidden and precariously balanced on the precipice of obsolescence.
For the first time ever, Tramp Records is proud to present an "all German" artists version of the Peace Chant series, including liner notes printed in German exclusively with an English translation downloadable.
~Joel Ricci (August 2024)
Key selling points:
- deluxe double-gatefold LP containing detailed liner notes & unpublished photographs
- incl. full album download code
- ALL songs appear on LP for the very first-time
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Tramp Records
Cat-No:TR340
Release-Date:01.11.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580831162
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Label:Tramp Records
Cat-No:TR340
Release-Date:01.11.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580831162
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1
The Rippers - Honesty
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The Rippers - The Night At The Lagoone
German beat music at its best! For the first time on 45! A-side is Funk, B-side is Garage-Psych-Rock
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Label:Tramp Records
Cat-No:TR339
Release-Date:11.10.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580831148
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Cat-No:TR339
Release-Date:11.10.2024
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Offbeats - The Hump
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Offbeats - Louisiana
Monstrous blue-eyed soul / garage double-sider and a must for any rare groove DJ.
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Label:Tramp Records
Cat-No:TRLP9123
Release-Date:04.10.2024
Genre:Jazz
Configuration:2LP
Barcode:5050580826786
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Cat-No:TRLP9123
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1
Frederic Rabold - Noon In Tunisia (feat. Crew)
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Frederic Rabold - Yahtzee (feat. Crew)
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Frederic Rabold - Time Machine I (feat. Crew)
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Frederic Rabold - Indian Impression (feat. Crew)
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Frederic Rabold - Children Of The Sun (feat. Crew)
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Frederic Rabold - Zest (feat. Crew)
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Frederic Rabold - Ride On (feat. Crew)
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Frederic Rabold - Explosion (feat. Crew)
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Frederic Rabold - Beatschön (feat. Crew)
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Frederic Rabold - Januschka (feat. Crew)
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Frederic Rabold - The Last Of The Past (feat. Inspiration Orchestra)
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Frederic Rabold - Berlin (feat. Inspiration Orchestra)
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Frederic Rabold - Solstice Celebrations (feat. Crew)
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Frederic Rabold - Blue Cha Cha Cha
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Frederic Rabold - Spring Feelings
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Frederic Rabold - Relaxing Walk (feat. Inspiration Orchestra)
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17
Frederic Rabold - Brother W.H. (feat. Crew)
Frédéric Rabold was born on November 23rd, 1944, in Paris, France. His father was a jazz musician and had dreams of all three of his children becoming musicians as well. Frédéric started out learning the violin but always gravitated to the trumpet. The violin actually ended up on the wall at some point, which may have revealed Rabold's tendency toward impulsiveness. He came into contact with jazz music at an early age when he lived with his parents in France. Later on, his father had a big band with which he performed at dances in health resorts. At the age of 16, he often played with his father in American Army Clubs. From 1961 to 1964, Frédéric studied at the University of Music in Karlsruhe. In 1965, he moved to Stuttgart where he still lives today. In the same year drummer Axel Lauser approached him and asked if he wanted to play in his trio. Then, for a few years, Frédéric played in the Axel Lauser Quartet. In 1968, Frédéric founded his own band, the Frédéric Rabold Crew. The music of the "Crew" was well received in the 1968 era and the band quickly gained recognition in the German modern jazz scene. Invitations to several major festivals followed, including the jazz festival in Zurich. Later, they toured extensively through Eastern Europe on behalf of the Goethe Institute. In 1968, the first recordings were made by a friend of the band during a rehearsal. However, they were not to be released until 1980 on the LP "Berlin". "Noon In Tunisia" is one of these tracks. In March, 1970, the crew performed at the 12th German Jazz Festival in Frankfurt am Main amongst such Jazz greats as the Albert Mangelsdorff Quartet, the Klaus Doldinger Quartet and the Dave Pike Set. Two years later, the Frédéric Rabold Crew released their debut album entitled "Flair". This was followed in the 1970s by more than half a dozen albums for various labels. These included the album "Open House" with guest guitarist Martin Ederer, as well as three albums with singer Lauren Newton between 1975 and 1979. Rabold also worked with avant-garde jazz musicians such as Gunter Hampel, Leszek Zadlo, Lester Bowie, Manfred Schoof, Albert Mangelsdorff and Jeanne Lee. In the mid-1970s, a second formation was formed, the "Frédéric Rabold Jazz Inspiration Orchestra", which, unlike the crew, continued to exist with the same line-up well into the 2010s. In 2018, Frédéric Rabold celebrated the 50th anniversary of his group, the Frédéric Rabold Crew. Today, Rabold can look back on more than 1000 original compositions. Sometimes certain events led him to a composition, other times he just sat down at the piano and something happened, or not. Even though his real love is modern jazz, he has played all styles himself, including classical trumpet. In this respect, his role models were actually always American jazz musicians, who were sometimes quite unconventional in this respect. Frédéric Rabold's motto has always been: there is good and not so good music in all styles. This album brings together only the former.
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Label:Tramp Records
Cat-No:JTR5031
Release-Date:20.09.2024
Configuration:7"
Barcode:5050580831087
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Last in:15.01.2025
Label:Tramp Records
Cat-No:JTR5031
Release-Date:20.09.2024
Configuration:7"
Barcode:5050580831087
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Frederic Rabold - Red Point (feat. Jazz Inspiration Orchestra)
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Frederic Rabold - Spring Feelings (feat. Gisela Hafner)
Tramp Records is extremely proud to collaborate with a true German jazz legend. FRÉDÉRIC RABOLD will celebrate his 80th birthday this year. To honor his musical legacy we will release a double-gatefold LP with compositions by him spanning more than 40 years. Additionally a 7" single will be released with a bonus track ("Red Point") which is available on vinyl for the first time. "Spring Feelings" is taken from the album "FREDERIC RABOLD - TIME MACHINE" (TRLP-9123).
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Liebigstrasse 2-20
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DE - 22113 Hamburg
Germany
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Label:Tramp Records
Cat-No:TR335
Release-Date:30.08.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580824300
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Last in:10.12.2024
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Last in:10.12.2024
Label:Tramp Records
Cat-No:TR335
Release-Date:30.08.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580824300
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The Shake and Bake Band - Shake and Bake, Pt. 1
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The Shake and Bake Band - Shake and Bake, Pt. 2
Tramp Records International proudly presents: The 1975 Baltimore Colts Glenn Doughty and his All-Pro Shake & Bake Band! In 1975 Glenn "Shake & Bake" Doughty Wide Receiver for the Baltimore Colts formed the Shake & Bake Band. Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history! Doughty is a Detroit 'Motown' native and All-American from the University of Michigan, that was recently crowned national champion and the winningest college football program in NCAA History. Doughty and his four world-class athletic teammates formed the heart of the band. The Shake & Bake Band in the mid 70s played live at Baltimore's hottest Clubs with teammates in attendance on Monday nights after Shakin' & Bakin' their opponents on Sunday at Memorial Stadium. Doughty's sports hero was Muhammad Ali. He originated the popular Shake & Bake athletic movement scoring touchdowns. He recited Shake & Bake poetry like Ali to make predictions after games on local and national TV to celebrate Colts victories. His lyrics in his music were used to fire up thousands of his Colts fans and his teammates. Many fans felt the group sounded like WAR the popular funk group from California. Members of the Shake & Bake Band were: Glenn "Dr. Shake" Doughty #7, All-Time Colts leading Wide Receiver, producer, lead singer, congas and lyrics, Ray "RC Cola" Chester, All-Pro Tight End, Super Bowl Champion, Bass, Baltimore, Maryland, David "DT" White, Wide Receiver Lead Guitar, producer, sound technician. Buffalo N.Y., Lloyd "The Bullet" Mumford, Defensive Back Harmonica, Miami Florida, Freddie "Bones" Scott, All-Pro Wide Receiver on percussion, Grady Arkansas, and Bruce "Turn it Loose" Barnett, Drummer and shoe salesman. Randallstown, Maryland. This group of talented stars lead the Colts to its first ever three consecutive Eastern Division Championships. Between 1975 and 1977 they also became the first group of pro athletes to create two records while playing football together for a NFL team. Their debut 7-inch single from 1976 was cut at 33 1/3 RPM due to the length of the songs. "Shake and Bake Pt.1" lasts for 4:30 minutes while Part 2 stretches out to an incredible 7:00 minutes!
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Label:Tramp Records
Cat-No:TR331
Release-Date:16.08.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580830479
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Label:Tramp Records
Cat-No:TR331
Release-Date:16.08.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580830479
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The Vel-Vettes - Give Me A Little Bit Of Time
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The Vel-Vettes - I'd Like To Know
Sister funk backed with a wonderful ballad. A real treasure for fans of independently produced soul music from the 1960s. Be quick, limited pressing.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Tramp Records
Cat-No:TR332
Release-Date:03.05.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580819375
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Label:Tramp Records
Cat-No:TR332
Release-Date:03.05.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580819375
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The Villagers - Funky Broadway
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The Villagers - You're My Baby
** UNRELEASED DYKE & THE BLAZERS-COVER FUNK BOMB **
Taken from the forthcoming "Movements Vol.12" compilation album, "Funky Broadway" by The Villagers has never been released - until now. The B-side features the Garage-Rock cut "You're My Baby (Don't You Forget It)" from 1966, the same year as Dyke & The Blazers recorded the original version of "Funky Broadway".
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Taken from the forthcoming "Movements Vol.12" compilation album, "Funky Broadway" by The Villagers has never been released - until now. The B-side features the Garage-Rock cut "You're My Baby (Don't You Forget It)" from 1966, the same year as Dyke & The Blazers recorded the original version of "Funky Broadway".
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Tramp Records
Cat-No:TR329
Release-Date:05.04.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580818262
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Label:Tramp Records
Cat-No:TR329
Release-Date:05.04.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580818262
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William Cummings - Your Soul Searchin Love
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William Cummings - Make My Love A Hurting Thing
** ULTRA-RARE SOUL / DEEPFUNK 45 **
One of Washingtons finest 45s meets rarity and quality head on. Although rarity is not the main reason for us here at TRAMP to re-release something, obviously it adds some fun to the game knowing that original copies of both WILLIAM CUMMINGS 45 RPM singles sell for a four-figured amount - if they turn up at all.
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One of Washingtons finest 45s meets rarity and quality head on. Although rarity is not the main reason for us here at TRAMP to re-release something, obviously it adds some fun to the game knowing that original copies of both WILLIAM CUMMINGS 45 RPM singles sell for a four-figured amount - if they turn up at all.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Tramp Records
Cat-No:TR330
Release-Date:05.04.2024
Genre:Jazz
Configuration:7"
Barcode:5050580819351
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Last in:07.05.2024
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Label:Tramp Records
Cat-No:TR330
Release-Date:05.04.2024
Genre:Jazz
Configuration:7"
Barcode:5050580819351
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Natural Life - Natural Life (Part I)
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Natural Life - Natural Life (Part II)
** FIRST TIME ON 45 **
We comped "Natural Life" on one of our "Peace Chant" compilations some time ago. We always felt the need to do a 45 of it so here it is. Some of you may think, well that's an average jazz-funk cut so why on earth are they doing a 45 of it? Well, drop the needle on Part 2 and you will understand.
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Liebigstrasse 2-20
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We comped "Natural Life" on one of our "Peace Chant" compilations some time ago. We always felt the need to do a 45 of it so here it is. Some of you may think, well that's an average jazz-funk cut so why on earth are they doing a 45 of it? Well, drop the needle on Part 2 and you will understand.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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7"
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Label:Tramp Records
Cat-No:TR327
Release-Date:01.03.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580818231
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Label:Tramp Records
Cat-No:TR327
Release-Date:01.03.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5050580818231
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Frankie Staton - Bi-Centennial - 1976
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Frankie Staton - Love One Another
Phenomenal soul/funk 2-sider which has deserved a repress so badly. "BI-CENTENNIAL - 1976" has been comped on the fourth volume in the "CAN YOU FEEL IT" compilation series. The flip side, "LOVE ONE ANOTHER", was featured on "COUNTDOWN TO... SOUL 2". Now available on a good old 45 RPM single re-issue.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Tramp Records
Cat-No:TR328
Release-Date:01.03.2024
Genre:Soul/Funk
Configuration:7"
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Cat-No:TR328
Release-Date:01.03.2024
Genre:Soul/Funk
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Street Life '80 - Steps on a Cloud
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Street Life '80 - Whispering
** RARE GERMAN SOUL / AOR -- FIRST TIME ON 7INCH **
"STEPS ON A CLOUD" was featured on the fourth volume in the "CAN YOU FEEL IT" compilation series. "WHISPERING"has not been re-issued so far and is exclusively available on this sweet 45 RPM single.
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DE - 22113 Hamburg
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"STEPS ON A CLOUD" was featured on the fourth volume in the "CAN YOU FEEL IT" compilation series. "WHISPERING"has not been re-issued so far and is exclusively available on this sweet 45 RPM single.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Tramp Records
Cat-No:TRLP9120
Release-Date:01.03.2024
Genre:Soul/Funk
Configuration:LP
Barcode:5050580818071
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Last in:28.02.2024
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Label:Tramp Records
Cat-No:TRLP9120
Release-Date:01.03.2024
Genre:Soul/Funk
Configuration:LP
Barcode:5050580818071
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1
People - Expression Of Feeling
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People - Upside Down
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People - Like A Ship On The Water
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People - Out On The Road
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People - Tears Take It Away
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People - Natures Melody
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People - Letter For Rubina
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People - Linda
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9
People - Sunrise
MUSIC FOR A SUNDOWNER – Melodic AOR / Yacht Rock from GermanyTramp fans will already be familiar with the band "People", as they were featured on the latest edition of the "Praise Poems" series (Volume 9, TRLP/CD-9109). "Misty Mood" was not only the song we included on Praise Poems 9 but also the title of their debut album from 1981. However, it wasn't their first release on Vinyl.In 1969, two years after the group was founded, a 7-inch single EP with four folk songs was released, by then under the name "The People". With Woodstock and the changes in folk and rock music in the early 1970s, bandleader Bernd Heyder dissolved the band. A few years later he founded "People", whose sound was now based on artists such as Crosby, Stills and Nash and Neil Young. After many frenetically celebrated live performances, the desire to record a full length album arose at the end of the 1970s. In 1981 the time had come and "Misty Mood" was released on a small, local label called "Ohrwurm Records". Just one year later the band released their second album titled "Easy Going". Their third and final album, which exclusively contains songs with German lyrics, was released on CBS Records in 1983. CBS wanted to sign Bernd Heyder as a solo artist, but he politely declined. When the hoped-for success failed to materialize, CBS prematurely terminated the band's contract. In 1984, "People" disbanded.With the stunning LP release "Natures Melody", Tramp Records honors Aschaffenburg's "People" after almost 45 years. The reason why no one has really taken an interest in them so far may be because the original Vinyl records are anything but rare. For the 'people' behind Tramp Records, this is absolutely insignificant, it's simply the music what counts. And the songs are so extraordinary that we are proud to set up a special monument to the band with this album.
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Label:Tramp Records
Cat-No:TR324
Release-Date:19.01.2024
Configuration:7"
Barcode:5050580813885
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Cat-No:TR324
Release-Date:19.01.2024
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Barcode:5050580813885
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Walt Jenkins - How Does Your Garden Grow
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Walt Jenkins - T.G.I.F.
Superb funky-soul tune which was comped on the incredible "Natural Resources II" compilation album. The original 45 is tricky to find so most of the soul music aficionados out there should be pleased with this reissue.
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7"
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Label:Tramp Records
Cat-No:TR325
Release-Date:19.01.2024
Genre:Funk
Configuration:7"
Barcode:5050580813908
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Cat-No:TR325
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Donnie Sanders - Shing-a-Ling Baby (feat. Don Juans)
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Donnie Sanders - Naptown USA (feat. Don Juans)
Two superrare & heavy funk cuts from Donnie Sanders. "Shing A Ling Baby" can be found on the incredible "Feeling Nice Vol.4" compilation album. "Naptown USA" is completely unknown and waits to be discovered.
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Label:Tramp Records
Cat-No:TR323
Release-Date:24.11.2023
Genre:Soul/Funk
Configuration:7"
Barcode:5050580812567
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Cat-No:TR323
Release-Date:24.11.2023
Genre:Soul/Funk
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Barcode:5050580812567
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Stroke - Without Your Love
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Stroke - The Real Deal
** Re-issue of an ultra-rare modern soul 45 ** "Without Your Love" is a wonderful, uplifting modern soul tune which was recently comped on "Praise Poems Vol. 9". The original 45 RPM single is ultra-rare and extremely hard to find, so this reissue is here to please a lot of music lovers.
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Label:The Outer Edge
Cat-No:EDGE-028
Release-Date:31.01.2025
Genre:Alternative/Electronic
Configuration:7" Excl
Barcode:4251804184557
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Label:The Outer Edge
Cat-No:EDGE-028
Release-Date:31.01.2025
Genre:Alternative/Electronic
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FEX - Subways Of Your Mind (Remastered Demo Mix)
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FEX - Heart In Danger (Remastered Demo Mix)
Genre: New Wave / Synth Rock / Lostwave
We are extremely proud to present the OFFICIAL vinyl release of "Subways Of Your Mind" by FEX, a track that captivated music enthusiasts worldwide as the "Most Mysterious Song on the Internet", or short TMS. After years of speculation, the song's origins have been confirmed, and now, for the first time ever, it will be available on a 7" single.
If you don't know what this is about - than read here:
https://en.wikipedia.org/wiki/Subways_of_Your_Mind
The release features the original demo version of the song recorded in 1983, faithfully restored and remastered. The single is backed with "Heart In Danger", an equally stunning track from the band, also taken from their original demo cassette. Ture Rückwardt, songwriter and singer of FEX, even considers this as his most favourite.
Don't miss this chance to own a piece of music history!
Tracklist:
Side A
Subways Of Your Mind (Remastered Demo Mix)
Side B
Heart In Danger (Remastered Demo Mix)
" VITAL SALES POINTS:
- Previously known as "The Most Mysterious Song On The Internet"
- Fully Licenced, recorded in 1983
- Previously unissued
- Full picture sleeve
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Liebigstrasse 2-20
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We are extremely proud to present the OFFICIAL vinyl release of "Subways Of Your Mind" by FEX, a track that captivated music enthusiasts worldwide as the "Most Mysterious Song on the Internet", or short TMS. After years of speculation, the song's origins have been confirmed, and now, for the first time ever, it will be available on a 7" single.
If you don't know what this is about - than read here:
https://en.wikipedia.org/wiki/Subways_of_Your_Mind
The release features the original demo version of the song recorded in 1983, faithfully restored and remastered. The single is backed with "Heart In Danger", an equally stunning track from the band, also taken from their original demo cassette. Ture Rückwardt, songwriter and singer of FEX, even considers this as his most favourite.
Don't miss this chance to own a piece of music history!
Tracklist:
Side A
Subways Of Your Mind (Remastered Demo Mix)
Side B
Heart In Danger (Remastered Demo Mix)
" VITAL SALES POINTS:
- Previously known as "The Most Mysterious Song On The Internet"
- Fully Licenced, recorded in 1983
- Previously unissued
- Full picture sleeve
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:The Outer Edge
Cat-No:EDGE-021
Release-Date:13.10.2023
Configuration:12" Excl
Barcode:4251804143431
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Last in:12.10.2023
Label:The Outer Edge
Cat-No:EDGE-021
Release-Date:13.10.2023
Configuration:12" Excl
Barcode:4251804143431
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1
Total - Jede Nacht derselbe Traum (Single Version)
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Total - Jede Nacht derselbe Traum (Extended Re-Mix)
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Total - Jede Nacht derselbe Traum (DJ Friction Edit)
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Total - Jede Nacht derselbe Traum (Dub Mix)
We are thrilled to kick off our label endeavors with one of the rarest and simultaneously best-recorded independently released German new wave singles in history: "Jede Nacht derselbe Traum" ("The Same Dream Every Night") by Total.
Back in late 1983, Total found themselves in a pivotal rendezvous with CBS Records in a Frankfurt hotel lobby. The entire band was present, along with the esteemed NDW manager Jim Rakete, who had played a role in launching Nena to national and international stardom. Also in attendance were the A&R representatives from CBS. It was on this day that Total was presented with the opportunity to ink an album deal with CBS. However, since they had only recorded the titular song thus far, negotiations hit a snag. CBS insisted on a full album rather than a standalone single.
Ultimately, the band decided to independently issue a limited 7" run of "Jede Nacht derselbe Traum" under Günther Mannschreck's Schreckschuss label in January 1984. These vinyl copies became the band's currency for pursuing record deals and promotional prospects. However, despite the potential to achieve commercial success and garner radio airplay, the song and the "Total" project gradually waned from the music landscape. Regrettably, only a few vinyl copies have managed to endure over time. This NDW "holy grail" may have prompted a fair share of dreams for serious vinyl collectors, as to this day, not a single physical copy has been put up for sale on platforms like eBay or Discogs. Interestingly, Maisenbacher has even fielded an offer of over 400 Euros for an original copy, although he regretfully couldn't fulfill the request due to possessing just a single copy himself.
The song itself is a fusion of diverse musical styles. Crafted using the Oberheim OB8 system, complete with the DMX drum machine and a bassline woven from a Jupiter 8 keyboard, it carried a groove reminiscent of New York's electro hip-hop sound in "The Message," setting it apart from typical German new wave productions. Additionally, a Korg Polysix was integrated, and guitar effects were layered to finalize the infectious synth-pop instrumental. Newcomer to the band, Andrea Ströbel, laid down a flawless vocal layer that steered the song towards a straightforward NDW direction, giving it a resonance that surely resonated with mainstream and radio audiences. To complete a B-side for the original vinyl single, the legendary state-of-the-art L480 Lexicon reverb was used. In the more experimental "Maxi Mix," now known as the "Dub Mix," Mannschreck expertly manipulated the machine. The outcome stands as a historical example of incredible studio craftsmanship and the cutting-edge techniques of the 80s.
For the new 12" release, Mannschreck unearthed an alternative mix of the song on the original tapes, featuring a distinct introduction, break, and exciting edits. In addition, DJ Friction, who contributed to the transfer and mastering for the release, treated us to a superb edit that cleverly melds all versions of the song while incorporating a few extra bassline groove elements.
The captivating reissue cover spotlights vocalist Andrea Ströbel, who gazes with determination. A hand reaches out to grab her shirt, attempting to pull her down. Symbolizing the song's theme, it embodies the unsettling dream conveyed by the lyrics-yet she steadfastly resists.
In summary, we are elated to present a significant gem for vinyl enthusiasts: a splendid mid-tempo tune that dances on the boundary of synth-pop, new wave and electro. The new 12" single underwent meticulous mastering, and the outcome is nothing short of astounding, surpassing the sonic quality of the original pressing.
- Edition of 300 copies
- Exclusive DJ Friction Edit + additional unreleased Mix
- All tracks previously unissued on 12"
- Full picture sleeve with hype sticker
- Loud 45 RPM cut by SST
- Mastered by Martin Welzer aka DJ Friction
- Fully Licenced, recorded in 1983
- Original 7" copies never seen for sale anywhere!
Side A
Jede Nacht derselbe Traum (Single Version) 3:53
Jede Nacht derselbe Traum (Extended Re-Mix) 4:36
Side B
Jede Nacht derselbe Traum (DJ Friction Edit) 4:41
Jede Nacht derselbe Traum (Dub Mix) 5:01
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Back in late 1983, Total found themselves in a pivotal rendezvous with CBS Records in a Frankfurt hotel lobby. The entire band was present, along with the esteemed NDW manager Jim Rakete, who had played a role in launching Nena to national and international stardom. Also in attendance were the A&R representatives from CBS. It was on this day that Total was presented with the opportunity to ink an album deal with CBS. However, since they had only recorded the titular song thus far, negotiations hit a snag. CBS insisted on a full album rather than a standalone single.
Ultimately, the band decided to independently issue a limited 7" run of "Jede Nacht derselbe Traum" under Günther Mannschreck's Schreckschuss label in January 1984. These vinyl copies became the band's currency for pursuing record deals and promotional prospects. However, despite the potential to achieve commercial success and garner radio airplay, the song and the "Total" project gradually waned from the music landscape. Regrettably, only a few vinyl copies have managed to endure over time. This NDW "holy grail" may have prompted a fair share of dreams for serious vinyl collectors, as to this day, not a single physical copy has been put up for sale on platforms like eBay or Discogs. Interestingly, Maisenbacher has even fielded an offer of over 400 Euros for an original copy, although he regretfully couldn't fulfill the request due to possessing just a single copy himself.
The song itself is a fusion of diverse musical styles. Crafted using the Oberheim OB8 system, complete with the DMX drum machine and a bassline woven from a Jupiter 8 keyboard, it carried a groove reminiscent of New York's electro hip-hop sound in "The Message," setting it apart from typical German new wave productions. Additionally, a Korg Polysix was integrated, and guitar effects were layered to finalize the infectious synth-pop instrumental. Newcomer to the band, Andrea Ströbel, laid down a flawless vocal layer that steered the song towards a straightforward NDW direction, giving it a resonance that surely resonated with mainstream and radio audiences. To complete a B-side for the original vinyl single, the legendary state-of-the-art L480 Lexicon reverb was used. In the more experimental "Maxi Mix," now known as the "Dub Mix," Mannschreck expertly manipulated the machine. The outcome stands as a historical example of incredible studio craftsmanship and the cutting-edge techniques of the 80s.
For the new 12" release, Mannschreck unearthed an alternative mix of the song on the original tapes, featuring a distinct introduction, break, and exciting edits. In addition, DJ Friction, who contributed to the transfer and mastering for the release, treated us to a superb edit that cleverly melds all versions of the song while incorporating a few extra bassline groove elements.
The captivating reissue cover spotlights vocalist Andrea Ströbel, who gazes with determination. A hand reaches out to grab her shirt, attempting to pull her down. Symbolizing the song's theme, it embodies the unsettling dream conveyed by the lyrics-yet she steadfastly resists.
In summary, we are elated to present a significant gem for vinyl enthusiasts: a splendid mid-tempo tune that dances on the boundary of synth-pop, new wave and electro. The new 12" single underwent meticulous mastering, and the outcome is nothing short of astounding, surpassing the sonic quality of the original pressing.
- Edition of 300 copies
- Exclusive DJ Friction Edit + additional unreleased Mix
- All tracks previously unissued on 12"
- Full picture sleeve with hype sticker
- Loud 45 RPM cut by SST
- Mastered by Martin Welzer aka DJ Friction
- Fully Licenced, recorded in 1983
- Original 7" copies never seen for sale anywhere!
Side A
Jede Nacht derselbe Traum (Single Version) 3:53
Jede Nacht derselbe Traum (Extended Re-Mix) 4:36
Side B
Jede Nacht derselbe Traum (DJ Friction Edit) 4:41
Jede Nacht derselbe Traum (Dub Mix) 5:01
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:The Outer Edge
Cat-No:EDGE-027
Release-Date:14.03.2025
Genre:Electro
Configuration:12" Excl
Barcode:4251804184571
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Label:The Outer Edge
Cat-No:EDGE-027
Release-Date:14.03.2025
Genre:Electro
Configuration:12" Excl
Barcode:4251804184571
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1
Collage - Mit Den Puppen Tanzen
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2
Collage - Schwarze Nacht
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3
Collage - Niemals Zurück
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4
Collage - Harter Film
Genre: NDW / ELECTRO / SYNTH POP
We are thrilled to announce another underground gem on our label. This time, it's Collage's incredible 4-track EP "Mit den Puppen tanzen" (Dancing With The Puppets). Originally released in 1984 on the small F-Music label, the 12" EP is a true highlight in German Electro and NDW history, becoming a sought-after item among collectors. It features intense lyrics by singer Katrin A. Kunze, with music composed by Markus Kammann and Jürgen Grah.
Kammann and Grah, both originally from Solingen - a small city near Wuppertal - had previously collaborated on the new wave project Schwarze Bewegung with a different singer. Their self-titled LP was released in 1982 on Bacillus/Bellaphon. During this period, the electro sound pioneered by Kraftwerk evolved into electro-funk, sparked by the release of Afrika Bambaataa's groundbreaking track "Planet Rock", which achieved global acclaim. The iconic Roland TR-808 drum machine, masterfully employed by Arthur Baker's production team, revolutionized dance music with further hits like "Looking for the Perfect Beat" and collaborations with Planet Patrol. Markus Kammann cites these tracks, along with black music as a whole, as key influences on his work. In contrast, much of the electronic music emerging from Germany at the time rather leaned towards the styles of artists like Klaus Schulze and Tangerine Dream. Kammann's influences are evident in Collage's EP, which incorporates elements of early electronic hip-hop, such as the scratching sounds in the title track (created with tape rather than turntables) and short rap segments in "Niemals zurück".
By this time, Kammann and Grah had acquired their own Roland 808 as well as a JUNO-60 keyboard. Grah, originally a drummer, played keyboards and vibraphone, while Kammann, primarily a guitarist, also played bass. All the lyrics on the EP were written and performed by Kathrin A. Kunze, who hailed from Cuxhaven, a northern German city. She moved to Wuppertal around 1983 to study literature, and the group Collage was born.
Through Uwe Bauer, drummer of Fehlfarben, and their manager Horst Lüdge (of Profil), Collage connected with Werner Lambertz, a legendary sound technician from Düsseldorf. Lambertz's state-of-the-art studio featured custom-built sequencers capable of triggering the JUNO-60, as well as expensive equipment like a vocoder. Over the course of a week, the group completed all four tracks.
The EP's hard yet playful electro beats were complemented by Kunze's distinctive performance and introspective lyrics, which lent the songs a uniquely German and wavy touch. Her subtle songwriting conveyed a sense of paranoia and sorrow, as seen in lines like "Ich glaub mir selber nicht. Wer hält denn schon, was er verspricht?" ("I don't believe myself. Who stays true to their word, anyway?").
Unfortunately, the EP was never properly promoted and was distributed solely through the independent market via EFA. Despite this, Collage continued working on new material and pre-recorded an album that garnered label's attention. Polydor expressed interest but proposed using the compositions for a solo project with singer Inga Humpe (of Neonbabies), who was already signed to their roster. This would have required replacing Kunze as the vocalist, an idea the group firmly rejected. As a result, the album was never released.
In 1987, Kammann, Grah, and Kunze launched another project called Cold End, which released another brilliant and highly sought-after 12" single, Metropolitan Jungle, originally issued on Tam Tam and recently re-released.
The first-ever reissue of "Mit den Puppen tanzen" is limited to only 400 copies - 200 on classic black vinyl and 200 on blue transparent vinyl. The cover art remains true to the original 12" release, designed by the aforementioned Uwe Bauer (aka Bimbo Art). This reissue is a must-have for DJs and collectors alike.
Tracklist:
Side A
A1 Mit Den Puppen Tanzen
A2 Schwarze Nacht
Side B
B1 Niemals Zurück
B2 Harter Film
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
We are thrilled to announce another underground gem on our label. This time, it's Collage's incredible 4-track EP "Mit den Puppen tanzen" (Dancing With The Puppets). Originally released in 1984 on the small F-Music label, the 12" EP is a true highlight in German Electro and NDW history, becoming a sought-after item among collectors. It features intense lyrics by singer Katrin A. Kunze, with music composed by Markus Kammann and Jürgen Grah.
Kammann and Grah, both originally from Solingen - a small city near Wuppertal - had previously collaborated on the new wave project Schwarze Bewegung with a different singer. Their self-titled LP was released in 1982 on Bacillus/Bellaphon. During this period, the electro sound pioneered by Kraftwerk evolved into electro-funk, sparked by the release of Afrika Bambaataa's groundbreaking track "Planet Rock", which achieved global acclaim. The iconic Roland TR-808 drum machine, masterfully employed by Arthur Baker's production team, revolutionized dance music with further hits like "Looking for the Perfect Beat" and collaborations with Planet Patrol. Markus Kammann cites these tracks, along with black music as a whole, as key influences on his work. In contrast, much of the electronic music emerging from Germany at the time rather leaned towards the styles of artists like Klaus Schulze and Tangerine Dream. Kammann's influences are evident in Collage's EP, which incorporates elements of early electronic hip-hop, such as the scratching sounds in the title track (created with tape rather than turntables) and short rap segments in "Niemals zurück".
By this time, Kammann and Grah had acquired their own Roland 808 as well as a JUNO-60 keyboard. Grah, originally a drummer, played keyboards and vibraphone, while Kammann, primarily a guitarist, also played bass. All the lyrics on the EP were written and performed by Kathrin A. Kunze, who hailed from Cuxhaven, a northern German city. She moved to Wuppertal around 1983 to study literature, and the group Collage was born.
Through Uwe Bauer, drummer of Fehlfarben, and their manager Horst Lüdge (of Profil), Collage connected with Werner Lambertz, a legendary sound technician from Düsseldorf. Lambertz's state-of-the-art studio featured custom-built sequencers capable of triggering the JUNO-60, as well as expensive equipment like a vocoder. Over the course of a week, the group completed all four tracks.
The EP's hard yet playful electro beats were complemented by Kunze's distinctive performance and introspective lyrics, which lent the songs a uniquely German and wavy touch. Her subtle songwriting conveyed a sense of paranoia and sorrow, as seen in lines like "Ich glaub mir selber nicht. Wer hält denn schon, was er verspricht?" ("I don't believe myself. Who stays true to their word, anyway?").
Unfortunately, the EP was never properly promoted and was distributed solely through the independent market via EFA. Despite this, Collage continued working on new material and pre-recorded an album that garnered label's attention. Polydor expressed interest but proposed using the compositions for a solo project with singer Inga Humpe (of Neonbabies), who was already signed to their roster. This would have required replacing Kunze as the vocalist, an idea the group firmly rejected. As a result, the album was never released.
In 1987, Kammann, Grah, and Kunze launched another project called Cold End, which released another brilliant and highly sought-after 12" single, Metropolitan Jungle, originally issued on Tam Tam and recently re-released.
The first-ever reissue of "Mit den Puppen tanzen" is limited to only 400 copies - 200 on classic black vinyl and 200 on blue transparent vinyl. The cover art remains true to the original 12" release, designed by the aforementioned Uwe Bauer (aka Bimbo Art). This reissue is a must-have for DJs and collectors alike.
Tracklist:
Side A
A1 Mit Den Puppen Tanzen
A2 Schwarze Nacht
Side B
B1 Niemals Zurück
B2 Harter Film
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Be With Records
Cat-No:bewith165lp
Release-Date:22.11.2024
Genre:Electronic
Configuration:LP Excl
Barcode:4251804182393
in stock
Last in:10.10.2024
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Last in:10.10.2024
Label:Be With Records
Cat-No:bewith165lp
Release-Date:22.11.2024
Genre:Electronic
Configuration:LP Excl
Barcode:4251804182393
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1
Parsley Sound - Ease Yourself And Glide
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2
Parsley Sound - Twilight Mushrooms
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3
Parsley Sound - Spring's Near
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4
Parsley Sound - Yo Yo
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5
Parsley Sound - Ocean House
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6
Parsley Sound - Find The Heat
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7
Parsley Sound - Stevie
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8
Parsley Sound - Platonic Rate
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9
Parsley Sound - Candlemice
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10
Parsley Sound - Templechurchmansions
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11
Parsley Sound - Neon Breeze
Format Notes:
2024 first time vinyl reissue, one of final releases ever on Mo Wax, 140g vinyl
Track List:
A1 Ease Yourself And Glide
A2 Twilight Mushrooms
A3 Spring's Near
A4 Yo Yo
A5 Ocean House
A6 Find The Heat
B1 Stevie
B2 Platonic Rate
B3 Candlemice
B4 Templechurchmansions
B5 Neon Breeze
Release Notes:
Parsley Sounds was the glorious debut album for Mo Wax by Parsley Sound. The album was one of the iconic label’s final releases before it closed in 2003 and locating a clean copy has been extremely tricky of late, unless you're flush enough to drop 150 notes on it. Mercifully, the Be With reissue, put together with invaluable assistance from the group, should remedy this situation. It's a lo-fi, bass-heavy, blunted beat treat, warped with heat haze and dreamy soft-psych and has been criminally under-heard for far too long.
As with most cult-like records, Parsley Sounds has many influential fans, far and wide. From Four Tet and Caribou to NTS's modern day breakfast hero Flo Dill, its reputation has only grown in stature. At the time, the notoriously hard-to-please Pitchfork garlanded it with a scarcely achievable 8.8 whilst, just recently, the Numero Group's Rob Sevier described it as a "visionary bit of proto-Salvia Palth (or Steve Lacy)" via a Ghostly International missive.
Parsley Sound comprised super-talented duo Preston Mead and Dan Sargassa. They released an early single (the perfect "Twilight Mushrooms", featured here) on Warp Records as Slum, before signing to Mo Wax. Hidden behind a wall of sound - fuzzy layers of beats, bleeps and symphonic synths - they were convinced they made mainstream pop music. And, in many respects, Parsley Sounds really is a beautiful pop album. It overflows with memorable, gorgeous melodies and inspired songcraft. As the contemporaneous Pitchfork review correctly had it: "Parsley Sounds is one of those rare records that manage to sound modest while frequently pushing the sonic envelope."
Killer opener "Ease Yourself And Glide" is a thing of aching, soft-psych, wonky beat-beauty. A melodic masterpiece, part Crosby, Stills & Nash, part proto-Koushik, it presents a melancholy falsetto, surging bass and blunted lead guitar. As it climaxes, gorgeous strings are ushered in to see us out. Sublime. "Twilight Mushrooms" is up next and it's an acid-drenched, strung-out acoustic-led campfire wonder. Amid layers of tape-hiss and beautiful, sun-dappled strings, its understated vocal track provides a haze of wistful innocence.
The breezy "Spring's Near" is a krautrock-inspired chiming instrumental of heavenly excellence, its warm, skipping, motorik groove and dreamy synths completely infectious. Another total highlight, the technicolour "Yo Yo" initially presents itself as a more abstract, bleepy offering but as it organically swells into ever more beautiful places, with the addition of a choppy insistent drum loop, flute bursts, horns and sweeping strings, it puts one in mind of early Manitoba and Four Tet releases. Shimmering, blissed-out greatness.
The celestial harmonies and glistening harps of the wonderfully beatless, serenely sullen "Ocean House" are very much in conversation with late-60s meditative psych whilst, closing out Side A, the jaw-dropping, lushly experimental effort "Find The Heat" comes on like Arthur Russell meets Brian Wilson. Yep, *that* good.
Side B opens with the warped, bleepy "Stevie", a brief but beautifully wonky, soulful and intricate instrumental. The more upfront vocals that propel the fuzzy "Platonic Rate" have a refreshing swagger to them, the heavy bass and neck-snapping in-the-red beats too much for any system to deal with whilst the guitars and strings have a sweeping, cinematic feel which just beguiles. The slow, urbane soul of "Candlemice" will stop you in your tracks, no matter what you're doing. It carries a delicate sadness, as does much of the album in that classic "down lifting" style we so love here at Be With.
The fuzzing, buzzing "Templechurchmansions" is a searing, soulful dubwise detonation. Heavily stoned with slow-burning jazzy snatches and a tense, moody atmosphere, it's a Tricky-adjacent gem. The album rounds out brilliantly with the ominous instrumental "Neon Breeze" before giving way to the propulsive, almost incongruous punk-funk / disco-dub of secret "untitled" track "Caution", a scratchy, smacked-out groove-fuelled workout with a female vocal dripping with 'tude. Just sensational.
Under the watchful eye - and attentive ears! - of Parsley Sound themselves, the audio for Parsley Sounds has been carefully mastered by Be With regular Simon Francis, with a few much needed tweaks here and there, according to the artist's wishes. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at the always stellar Record Industry in Holland.
Preston and Dan always thought the colours on the first vinyl pressing looked a bit "washed out" vis-a-vis the original artwork which was way more vibrant. We feel we've got it popping back to the original intention with the restoration work here at Be With HQ. So with the audio and artwork now approaching completeness after 20 years, this long overdue re-issue could be considered its definitive vinyl release.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2024 first time vinyl reissue, one of final releases ever on Mo Wax, 140g vinyl
Track List:
A1 Ease Yourself And Glide
A2 Twilight Mushrooms
A3 Spring's Near
A4 Yo Yo
A5 Ocean House
A6 Find The Heat
B1 Stevie
B2 Platonic Rate
B3 Candlemice
B4 Templechurchmansions
B5 Neon Breeze
Release Notes:
Parsley Sounds was the glorious debut album for Mo Wax by Parsley Sound. The album was one of the iconic label’s final releases before it closed in 2003 and locating a clean copy has been extremely tricky of late, unless you're flush enough to drop 150 notes on it. Mercifully, the Be With reissue, put together with invaluable assistance from the group, should remedy this situation. It's a lo-fi, bass-heavy, blunted beat treat, warped with heat haze and dreamy soft-psych and has been criminally under-heard for far too long.
As with most cult-like records, Parsley Sounds has many influential fans, far and wide. From Four Tet and Caribou to NTS's modern day breakfast hero Flo Dill, its reputation has only grown in stature. At the time, the notoriously hard-to-please Pitchfork garlanded it with a scarcely achievable 8.8 whilst, just recently, the Numero Group's Rob Sevier described it as a "visionary bit of proto-Salvia Palth (or Steve Lacy)" via a Ghostly International missive.
Parsley Sound comprised super-talented duo Preston Mead and Dan Sargassa. They released an early single (the perfect "Twilight Mushrooms", featured here) on Warp Records as Slum, before signing to Mo Wax. Hidden behind a wall of sound - fuzzy layers of beats, bleeps and symphonic synths - they were convinced they made mainstream pop music. And, in many respects, Parsley Sounds really is a beautiful pop album. It overflows with memorable, gorgeous melodies and inspired songcraft. As the contemporaneous Pitchfork review correctly had it: "Parsley Sounds is one of those rare records that manage to sound modest while frequently pushing the sonic envelope."
Killer opener "Ease Yourself And Glide" is a thing of aching, soft-psych, wonky beat-beauty. A melodic masterpiece, part Crosby, Stills & Nash, part proto-Koushik, it presents a melancholy falsetto, surging bass and blunted lead guitar. As it climaxes, gorgeous strings are ushered in to see us out. Sublime. "Twilight Mushrooms" is up next and it's an acid-drenched, strung-out acoustic-led campfire wonder. Amid layers of tape-hiss and beautiful, sun-dappled strings, its understated vocal track provides a haze of wistful innocence.
The breezy "Spring's Near" is a krautrock-inspired chiming instrumental of heavenly excellence, its warm, skipping, motorik groove and dreamy synths completely infectious. Another total highlight, the technicolour "Yo Yo" initially presents itself as a more abstract, bleepy offering but as it organically swells into ever more beautiful places, with the addition of a choppy insistent drum loop, flute bursts, horns and sweeping strings, it puts one in mind of early Manitoba and Four Tet releases. Shimmering, blissed-out greatness.
The celestial harmonies and glistening harps of the wonderfully beatless, serenely sullen "Ocean House" are very much in conversation with late-60s meditative psych whilst, closing out Side A, the jaw-dropping, lushly experimental effort "Find The Heat" comes on like Arthur Russell meets Brian Wilson. Yep, *that* good.
Side B opens with the warped, bleepy "Stevie", a brief but beautifully wonky, soulful and intricate instrumental. The more upfront vocals that propel the fuzzy "Platonic Rate" have a refreshing swagger to them, the heavy bass and neck-snapping in-the-red beats too much for any system to deal with whilst the guitars and strings have a sweeping, cinematic feel which just beguiles. The slow, urbane soul of "Candlemice" will stop you in your tracks, no matter what you're doing. It carries a delicate sadness, as does much of the album in that classic "down lifting" style we so love here at Be With.
The fuzzing, buzzing "Templechurchmansions" is a searing, soulful dubwise detonation. Heavily stoned with slow-burning jazzy snatches and a tense, moody atmosphere, it's a Tricky-adjacent gem. The album rounds out brilliantly with the ominous instrumental "Neon Breeze" before giving way to the propulsive, almost incongruous punk-funk / disco-dub of secret "untitled" track "Caution", a scratchy, smacked-out groove-fuelled workout with a female vocal dripping with 'tude. Just sensational.
Under the watchful eye - and attentive ears! - of Parsley Sound themselves, the audio for Parsley Sounds has been carefully mastered by Be With regular Simon Francis, with a few much needed tweaks here and there, according to the artist's wishes. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at the always stellar Record Industry in Holland.
Preston and Dan always thought the colours on the first vinyl pressing looked a bit "washed out" vis-a-vis the original artwork which was way more vibrant. We feel we've got it popping back to the original intention with the restoration work here at Be With HQ. So with the audio and artwork now approaching completeness after 20 years, this long overdue re-issue could be considered its definitive vinyl release.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Cat-No:PFG114
Release-Date:08.12.2023
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Barcode:5060100741482
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Release-Date:08.12.2023
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1
José González - How Low
2
José González - Down The Line
3
José González - Killing For Love
4
José González - In Our Nature
5
José González - Teardrop
6
José González - Abram
7
José González - Time To Send Someone Away
8
José González - The Nest
9
José González - Fold
10
José González - Cycling Trivialities
LP, Black vinyl with Printed Inner
Territory: Sales Only to: Germany, Austria, Switzerland, France
On his sophomore album, the Swedish singer and guitarist takes the basic elements of an acoustic troubadour's
craft and explores their possibilities, not only as ingredients of songs, but as sounds to be enjoyed in their own
right. A stray breath, the buzzing of guitar strings, a hand scraping across the frets: these are all shades in
González's palette. The biggest embellishment you're likely to hear is a metronomic foot-tap, subtle hand
percussion, or a backing vocal by Little Dragon's Yukimi Nagamo. Where the Knife's "haunted house" sound is
informed by minimal techno, González's lo-fi acoustic guitar music could be dubbed "minimal folk."
TRACKLISTING:
How Low
Down The Line
Killing For Love
In Our Nature
Teardrop
Abram
Time To Send Someone
Away
The Nest
Fold
Cycling Trivialities
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Territory: Sales Only to: Germany, Austria, Switzerland, France
On his sophomore album, the Swedish singer and guitarist takes the basic elements of an acoustic troubadour's
craft and explores their possibilities, not only as ingredients of songs, but as sounds to be enjoyed in their own
right. A stray breath, the buzzing of guitar strings, a hand scraping across the frets: these are all shades in
González's palette. The biggest embellishment you're likely to hear is a metronomic foot-tap, subtle hand
percussion, or a backing vocal by Little Dragon's Yukimi Nagamo. Where the Knife's "haunted house" sound is
informed by minimal techno, González's lo-fi acoustic guitar music could be dubbed "minimal folk."
TRACKLISTING:
How Low
Down The Line
Killing For Love
In Our Nature
Teardrop
Abram
Time To Send Someone
Away
The Nest
Fold
Cycling Trivialities
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Because Music
Cat-No:BEC5613918
Release-Date:20.09.2024
Genre:World Music
Configuration:CD Excl
Barcode:5056556139188
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Last in:15.07.2024
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in stock
Last in:15.07.2024
Label:Because Music
Cat-No:BEC5613918
Release-Date:20.09.2024
Genre:World Music
Configuration:CD Excl
Barcode:5056556139188
Rights : World excluding FR,UK,Spain, Argentina, Uruguay,Chili,Bolivia
Product Informations: CD Digisleeve, 16 page booklet. "Viva Tu", Manu Chao's new album. Includes " Viva Tu ", "Sao Paulo Motoboy " and collaborations such as "Heaven's Bad Day" with Willie Nelson & "Tu Te Vas" with Laeti.
SHORT BIOG
For years, Manu Chao has been travelling the world to meet his fans in unusual venues, villages and small festivals. Elusive, but always accessible to those who cross his path, Manu now presents his new studio album 'Viva Tu', a collection of songs written at the heart of daily lives and struggles, and a fresh take on the state of the world, singing sunny, universal songs in Spanish, French, English and Portuguese, painting an unforgiving picture of social imbalances.
The lead song 'Viva Tu', a heartfelt rumba dedicated to the daily life heroes, has already made its mark. The second single, 'São Paulo Motoboy', is a colorful, sunny ode to the two-wheeled delivery people venturing the Latin American metropoles every day.
The album, to be released September 20th, also features some memorable collaborations, including 'Heaven's Bad Day' with country legend Willie Nelson and 'Tu Te Vas' with rising French rapper Laeti.
Available now in preorder (CD/Vinyls/Digital).
CD Tracklisting:
1.Vecinos En El Mar
2.La Couleur du Temps
3.River Why
4.Viva Tu
5.Heaven's Bad Day (feat. Willie Nelson)
6.Tu Te Vas (feat. Laeti)
7.Coraçao No Mar
8.Cuatro Calles
9.La Colilla
10.São Paulo Motoboy
11.Tom et Lola
12.Lonely Night
13.Tantas Tierras
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Product Informations: CD Digisleeve, 16 page booklet. "Viva Tu", Manu Chao's new album. Includes " Viva Tu ", "Sao Paulo Motoboy " and collaborations such as "Heaven's Bad Day" with Willie Nelson & "Tu Te Vas" with Laeti.
SHORT BIOG
For years, Manu Chao has been travelling the world to meet his fans in unusual venues, villages and small festivals. Elusive, but always accessible to those who cross his path, Manu now presents his new studio album 'Viva Tu', a collection of songs written at the heart of daily lives and struggles, and a fresh take on the state of the world, singing sunny, universal songs in Spanish, French, English and Portuguese, painting an unforgiving picture of social imbalances.
The lead song 'Viva Tu', a heartfelt rumba dedicated to the daily life heroes, has already made its mark. The second single, 'São Paulo Motoboy', is a colorful, sunny ode to the two-wheeled delivery people venturing the Latin American metropoles every day.
The album, to be released September 20th, also features some memorable collaborations, including 'Heaven's Bad Day' with country legend Willie Nelson and 'Tu Te Vas' with rising French rapper Laeti.
Available now in preorder (CD/Vinyls/Digital).
CD Tracklisting:
1.Vecinos En El Mar
2.La Couleur du Temps
3.River Why
4.Viva Tu
5.Heaven's Bad Day (feat. Willie Nelson)
6.Tu Te Vas (feat. Laeti)
7.Coraçao No Mar
8.Cuatro Calles
9.La Colilla
10.São Paulo Motoboy
11.Tom et Lola
12.Lonely Night
13.Tantas Tierras
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP Excl
backorder
Label:Peacefrog Records
Cat-No:PFG066
Release-Date:26.01.2024
Configuration:LP Excl
Barcode:5050294171912
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Last in:18.11.2024
Label:Peacefrog Records
Cat-No:PFG066
Release-Date:26.01.2024
Configuration:LP Excl
Barcode:5050294171912
LP, Black vinyl with Printed Inner
Territory: Sales Only to: Germany, Austria, Switzerland, France
Veneer made an indelible mark in its understated, expressive brilliance and cemented José González as a meticulous sonic craftsman and
songwriter of singular talent. It’s hard to believe an album recorded with the most basic equipment in a cramped Gothenburg flat could end up
going platinum, not only in Sweden but also the UK, selling well over 1 million copies worldwide. It’s harder still when one acknowledges that,
aside from one brief trumpet solo and the slightest hint of percussion, the record features just one hushed voice and the dexterous picking of an
acoustic guitar’s nylon strings. But 2003’s Veneer was such an album, charting in several countries in the world, and eventually making Top 10
in the UK thanks in part to its delicate, evocative cover of The Knife’s “Heartbeats”.
Praise for José González:
Magical... a supreme talent, reminiscent of the late Arthur Russell The Guardian
Veneer draws you in, it’s easy to believe that the young Swede could begin his own cult The Times
Spine-tingling The Sunday Times
Jose Gonzalez really is a rare find The Times (live review)
Gorgeous, in a word Observer Music Monthly
A fresh and intriguing talent The Independent
Affecting soulful poignancy, a quietly impressive debut The Daily Telegraph
Enormous talent The Sunday Telegraph
An intense talent Time Out
In a world of musical clones, the Argentinian Swede is a thrillingly original new talent The Sun
It's an exquisite, almost solemn privilege to be invited into Gonzalez's world Metro
Extraordinary Uncut
The most intimate music you’ll hear all year Q
Dark, still, yet oddly powerful Mojo
Wonderfully accomplished... a serious talent to watch out for, this year
and beyond Clash
Jawdroppingly special, a rare talent Fact
TRACKLISTING:
Slow Moves
Remain
Lovestain
Heartbeats
Crosses
Deadweight On Velveteen
All You Deliver
Stay In The Shade
Hints
Save Your Day
Broken Arrows
Save Your Day
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Territory: Sales Only to: Germany, Austria, Switzerland, France
Veneer made an indelible mark in its understated, expressive brilliance and cemented José González as a meticulous sonic craftsman and
songwriter of singular talent. It’s hard to believe an album recorded with the most basic equipment in a cramped Gothenburg flat could end up
going platinum, not only in Sweden but also the UK, selling well over 1 million copies worldwide. It’s harder still when one acknowledges that,
aside from one brief trumpet solo and the slightest hint of percussion, the record features just one hushed voice and the dexterous picking of an
acoustic guitar’s nylon strings. But 2003’s Veneer was such an album, charting in several countries in the world, and eventually making Top 10
in the UK thanks in part to its delicate, evocative cover of The Knife’s “Heartbeats”.
Praise for José González:
Magical... a supreme talent, reminiscent of the late Arthur Russell The Guardian
Veneer draws you in, it’s easy to believe that the young Swede could begin his own cult The Times
Spine-tingling The Sunday Times
Jose Gonzalez really is a rare find The Times (live review)
Gorgeous, in a word Observer Music Monthly
A fresh and intriguing talent The Independent
Affecting soulful poignancy, a quietly impressive debut The Daily Telegraph
Enormous talent The Sunday Telegraph
An intense talent Time Out
In a world of musical clones, the Argentinian Swede is a thrillingly original new talent The Sun
It's an exquisite, almost solemn privilege to be invited into Gonzalez's world Metro
Extraordinary Uncut
The most intimate music you’ll hear all year Q
Dark, still, yet oddly powerful Mojo
Wonderfully accomplished... a serious talent to watch out for, this year
and beyond Clash
Jawdroppingly special, a rare talent Fact
TRACKLISTING:
Slow Moves
Remain
Lovestain
Heartbeats
Crosses
Deadweight On Velveteen
All You Deliver
Stay In The Shade
Hints
Save Your Day
Broken Arrows
Save Your Day
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP Excl
in stock
Label:MG.ART
Cat-No:MG.ART615LTD
Release-Date:28.02.2025
Configuration:LP Excl
Barcode:4251804182904
in stock
Last in:30.01.2025
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Label:MG.ART
Cat-No:MG.ART615LTD
Release-Date:28.02.2025
Configuration:LP Excl
Barcode:4251804182904
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1
Ash Ra Tempel - 1. Laughter Loving
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2
Ash Ra Tempel - 2. Day-Dream
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3
Ash Ra Tempel - 3. Schizo
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4
Ash Ra Tempel - 4. Cosmic Tango
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5
Ash Ra Tempel - 5. Interplay of Forces
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6
Ash Ra Tempel - 6. The Fairy Dance
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7
Ash Ra Tempel - 7. Bring Me Up
- LP - LIMITED COLLECTORS EDITION - -2024 Recut, Authorised by Manuel Göttsching
- 50TH Anniversary Limited Collectors Edition
-180G "Pearl / Sunrise" Colour Vinyl
-Original 1973 Vinyl Sleeve Reproduction
-Iconic Studio Photography as 4 Fold Poster feat. Manuel Göttsching and Rosi Müller during Recording Sessions
-Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by Manuel
Overview:
We are thrilled to announce the highly anticipated re-issue of Ash Ra Tempel's legendary 5th Studio Album "Starring Rosi" in our "50th Anniversary Edition". Originally released in 1973, this seminal work remains a cornerstone of the Krautrock and "Kosmische" movement, blending psychedelic rock, ambient soundscapes, and early electronics into a transcendent auditory experience.
The Album has been recorded by Manuel Göttsching in it´s entity, with additional help to come from Producer Dieter Diercks playing bass, percussion, Drummer Harald Grosskopf and of course Rosemarie "Rosi" Müller.
"Starring Rosi" is an essential piece of their continuation of blending cosmic psychedelia, ambient textures, and avant-garde electronic experimentation. Originally released in 1973, this album marked a significant departure for the band, featuring Rosi Müller, who added a lyrical and vocal dimension to the band's typically instrumental soundscapes & Manuel Göttsching background singing.
To many technically Ash Ra Tempel last, yet most accessible, release, although there was the soundtrack to Philippe Garrel´s movie "Le Berceau de Cristal" and there might be some further previously unreleased, music to come out later.
Album Background:
*Starring Rosi* stands out in Ash Ra Tempel's discography for its lighter, more accessible sound, balancing the band's signature cosmic explorations with melodic structures and poetic lyrics.
It marks an unique chapter in Ash Ra Tempel's discography, featuring the ethereal vocals of Rosi Müller alongside Manuel Göttsching's visionary guitar work. The album is a sonic journey that takes listeners through seven distinct tracks, each showcasing Manuel Göttschings pioneering approach to music.
From the dreamy opening track "Laughter Loving" to the meditative "Day-Dream" and the atmospheric "Interplay of Forces," songs that illustrate the band's evolution from their earlier, more intense and improvisational albums, showcasing a more reflective and introspective side .
"The Fairy Dance" is delving into the mystical and meditative, transporting listeners to a dreamlike state.
While "Schizo" sounds like a continuation of the best moments of the previous Ash Ra Tempel records, is the last track "Bring Me Up" an Up-tempo Song that features Manuel as well on vocals.
"Starring Rosi" captivates with its blend of cosmic improvisation and melodic beauty.
Reissue Details:
This reissue of *Starring Rosi* has been introduced and overseen by Manuel Göttsching still, and finalised by his Family exactly to his standards, in which the meticulous approach to his work lives on.
An updated 2024 recut carefully commissioned by Schnittselle in Berlin (who also signs responsible for the previous ART Reissues, likewise, the 2016 E2 E4 Anniversary Edition ensure the warm depth sound while bringing out the rich textures and nuances, all of the original recordings. The reissue is available on 180-gram Black vinyl and a Limited Edition in transparent Pearl Sunrise Vinyl.
Both vinyl editions comes with a replica of the original Vinyl Artwork including it´s original Backside.
The Limited Edition also includes a Poster of the alternate Backside, used later on the CD Editions showing Rosi and Manuel improvising during studio sessions. Also included are prints of previously unreleased Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by Manuel
Tracklisting:
1. Laughter Loving
2. Day-Dream
3. Schizo
4. Cosmic Tango
5. Interplay of Forces
6. The Fairy Dance
7. Bring Me Up
Rediscover the magic of Ash Ra Tempel with this definitive reissue of *Starring Rosi*-a timeless journey through sound that continues to inspire and captivate listeners over five decades later.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
- 50TH Anniversary Limited Collectors Edition
-180G "Pearl / Sunrise" Colour Vinyl
-Original 1973 Vinyl Sleeve Reproduction
-Iconic Studio Photography as 4 Fold Poster feat. Manuel Göttsching and Rosi Müller during Recording Sessions
-Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by Manuel
Overview:
We are thrilled to announce the highly anticipated re-issue of Ash Ra Tempel's legendary 5th Studio Album "Starring Rosi" in our "50th Anniversary Edition". Originally released in 1973, this seminal work remains a cornerstone of the Krautrock and "Kosmische" movement, blending psychedelic rock, ambient soundscapes, and early electronics into a transcendent auditory experience.
The Album has been recorded by Manuel Göttsching in it´s entity, with additional help to come from Producer Dieter Diercks playing bass, percussion, Drummer Harald Grosskopf and of course Rosemarie "Rosi" Müller.
"Starring Rosi" is an essential piece of their continuation of blending cosmic psychedelia, ambient textures, and avant-garde electronic experimentation. Originally released in 1973, this album marked a significant departure for the band, featuring Rosi Müller, who added a lyrical and vocal dimension to the band's typically instrumental soundscapes & Manuel Göttsching background singing.
To many technically Ash Ra Tempel last, yet most accessible, release, although there was the soundtrack to Philippe Garrel´s movie "Le Berceau de Cristal" and there might be some further previously unreleased, music to come out later.
Album Background:
*Starring Rosi* stands out in Ash Ra Tempel's discography for its lighter, more accessible sound, balancing the band's signature cosmic explorations with melodic structures and poetic lyrics.
It marks an unique chapter in Ash Ra Tempel's discography, featuring the ethereal vocals of Rosi Müller alongside Manuel Göttsching's visionary guitar work. The album is a sonic journey that takes listeners through seven distinct tracks, each showcasing Manuel Göttschings pioneering approach to music.
From the dreamy opening track "Laughter Loving" to the meditative "Day-Dream" and the atmospheric "Interplay of Forces," songs that illustrate the band's evolution from their earlier, more intense and improvisational albums, showcasing a more reflective and introspective side .
"The Fairy Dance" is delving into the mystical and meditative, transporting listeners to a dreamlike state.
While "Schizo" sounds like a continuation of the best moments of the previous Ash Ra Tempel records, is the last track "Bring Me Up" an Up-tempo Song that features Manuel as well on vocals.
"Starring Rosi" captivates with its blend of cosmic improvisation and melodic beauty.
Reissue Details:
This reissue of *Starring Rosi* has been introduced and overseen by Manuel Göttsching still, and finalised by his Family exactly to his standards, in which the meticulous approach to his work lives on.
An updated 2024 recut carefully commissioned by Schnittselle in Berlin (who also signs responsible for the previous ART Reissues, likewise, the 2016 E2 E4 Anniversary Edition ensure the warm depth sound while bringing out the rich textures and nuances, all of the original recordings. The reissue is available on 180-gram Black vinyl and a Limited Edition in transparent Pearl Sunrise Vinyl.
Both vinyl editions comes with a replica of the original Vinyl Artwork including it´s original Backside.
The Limited Edition also includes a Poster of the alternate Backside, used later on the CD Editions showing Rosi and Manuel improvising during studio sessions. Also included are prints of previously unreleased Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by Manuel
Tracklisting:
1. Laughter Loving
2. Day-Dream
3. Schizo
4. Cosmic Tango
5. Interplay of Forces
6. The Fairy Dance
7. Bring Me Up
Rediscover the magic of Ash Ra Tempel with this definitive reissue of *Starring Rosi*-a timeless journey through sound that continues to inspire and captivate listeners over five decades later.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
pre-sale
Label:The Outer Edge
Cat-No:EDGE-027B
Release-Date:14.03.2025
Genre:Electro
Configuration:12" Excl
Barcode:
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Label:The Outer Edge
Cat-No:EDGE-027B
Release-Date:14.03.2025
Genre:Electro
Configuration:12" Excl
Barcode:
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1
Collage - Mit Den Puppen Tanzen
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2
Collage - Schwarze Nacht
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Collage - Niemals Zurück
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Collage - Harter Film
lim. blue Vinyl!
Genre: NDW / ELECTRO / SYNTH POP
We are thrilled to announce another underground gem on our label. This time, it's Collage's incredible 4-track EP "Mit den Puppen tanzen" (Dancing With The Puppets). Originally released in 1984 on the small F-Music label, the 12" EP is a true highlight in German Electro and NDW history, becoming a sought-after item among collectors. It features intense lyrics by singer Katrin A. Kunze, with music composed by Markus Kammann and Jürgen Grah.
Kammann and Grah, both originally from Solingen - a small city near Wuppertal - had previously collaborated on the new wave project Schwarze Bewegung with a different singer. Their self-titled LP was released in 1982 on Bacillus/Bellaphon. During this period, the electro sound pioneered by Kraftwerk evolved into electro-funk, sparked by the release of Afrika Bambaataa's groundbreaking track "Planet Rock", which achieved global acclaim. The iconic Roland TR-808 drum machine, masterfully employed by Arthur Baker's production team, revolutionized dance music with further hits like "Looking for the Perfect Beat" and collaborations with Planet Patrol. Markus Kammann cites these tracks, along with black music as a whole, as key influences on his work. In contrast, much of the electronic music emerging from Germany at the time rather leaned towards the styles of artists like Klaus Schulze and Tangerine Dream. Kammann's influences are evident in Collage's EP, which incorporates elements of early electronic hip-hop, such as the scratching sounds in the title track (created with tape rather than turntables) and short rap segments in "Niemals zurück".
By this time, Kammann and Grah had acquired their own Roland 808 as well as a JUNO-60 keyboard. Grah, originally a drummer, played keyboards and vibraphone, while Kammann, primarily a guitarist, also played bass. All the lyrics on the EP were written and performed by Kathrin A. Kunze, who hailed from Cuxhaven, a northern German city. She moved to Wuppertal around 1983 to study literature, and the group Collage was born.
Through Uwe Bauer, drummer of Fehlfarben, and their manager Horst Lüdge (of Profil), Collage connected with Werner Lambertz, a legendary sound technician from Düsseldorf. Lambertz's state-of-the-art studio featured custom-built sequencers capable of triggering the JUNO-60, as well as expensive equipment like a vocoder. Over the course of a week, the group completed all four tracks.
The EP's hard yet playful electro beats were complemented by Kunze's distinctive performance and introspective lyrics, which lent the songs a uniquely German and wavy touch. Her subtle songwriting conveyed a sense of paranoia and sorrow, as seen in lines like "Ich glaub mir selber nicht. Wer hält denn schon, was er verspricht?" ("I don't believe myself. Who stays true to their word, anyway?").
Unfortunately, the EP was never properly promoted and was distributed solely through the independent market via EFA. Despite this, Collage continued working on new material and pre-recorded an album that garnered label's attention. Polydor expressed interest but proposed using the compositions for a solo project with singer Inga Humpe (of Neonbabies), who was already signed to their roster. This would have required replacing Kunze as the vocalist, an idea the group firmly rejected. As a result, the album was never released.
In 1987, Kammann, Grah, and Kunze launched another project called Cold End, which released another brilliant and highly sought-after 12" single, Metropolitan Jungle, originally issued on Tam Tam and recently re-released.
The first-ever reissue of "Mit den Puppen tanzen" is limited to only 400 copies - 200 on classic black vinyl and 200 on blue transparent vinyl. The cover art remains true to the original 12" release, designed by the aforementioned Uwe Bauer (aka Bimbo Art). This reissue is a must-have for DJs and collectors alike.
Tracklist:
Side A
A1 Mit Den Puppen Tanzen
A2 Schwarze Nacht
Side B
B1 Niemals Zurück
B2 Harter Film
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Genre: NDW / ELECTRO / SYNTH POP
We are thrilled to announce another underground gem on our label. This time, it's Collage's incredible 4-track EP "Mit den Puppen tanzen" (Dancing With The Puppets). Originally released in 1984 on the small F-Music label, the 12" EP is a true highlight in German Electro and NDW history, becoming a sought-after item among collectors. It features intense lyrics by singer Katrin A. Kunze, with music composed by Markus Kammann and Jürgen Grah.
Kammann and Grah, both originally from Solingen - a small city near Wuppertal - had previously collaborated on the new wave project Schwarze Bewegung with a different singer. Their self-titled LP was released in 1982 on Bacillus/Bellaphon. During this period, the electro sound pioneered by Kraftwerk evolved into electro-funk, sparked by the release of Afrika Bambaataa's groundbreaking track "Planet Rock", which achieved global acclaim. The iconic Roland TR-808 drum machine, masterfully employed by Arthur Baker's production team, revolutionized dance music with further hits like "Looking for the Perfect Beat" and collaborations with Planet Patrol. Markus Kammann cites these tracks, along with black music as a whole, as key influences on his work. In contrast, much of the electronic music emerging from Germany at the time rather leaned towards the styles of artists like Klaus Schulze and Tangerine Dream. Kammann's influences are evident in Collage's EP, which incorporates elements of early electronic hip-hop, such as the scratching sounds in the title track (created with tape rather than turntables) and short rap segments in "Niemals zurück".
By this time, Kammann and Grah had acquired their own Roland 808 as well as a JUNO-60 keyboard. Grah, originally a drummer, played keyboards and vibraphone, while Kammann, primarily a guitarist, also played bass. All the lyrics on the EP were written and performed by Kathrin A. Kunze, who hailed from Cuxhaven, a northern German city. She moved to Wuppertal around 1983 to study literature, and the group Collage was born.
Through Uwe Bauer, drummer of Fehlfarben, and their manager Horst Lüdge (of Profil), Collage connected with Werner Lambertz, a legendary sound technician from Düsseldorf. Lambertz's state-of-the-art studio featured custom-built sequencers capable of triggering the JUNO-60, as well as expensive equipment like a vocoder. Over the course of a week, the group completed all four tracks.
The EP's hard yet playful electro beats were complemented by Kunze's distinctive performance and introspective lyrics, which lent the songs a uniquely German and wavy touch. Her subtle songwriting conveyed a sense of paranoia and sorrow, as seen in lines like "Ich glaub mir selber nicht. Wer hält denn schon, was er verspricht?" ("I don't believe myself. Who stays true to their word, anyway?").
Unfortunately, the EP was never properly promoted and was distributed solely through the independent market via EFA. Despite this, Collage continued working on new material and pre-recorded an album that garnered label's attention. Polydor expressed interest but proposed using the compositions for a solo project with singer Inga Humpe (of Neonbabies), who was already signed to their roster. This would have required replacing Kunze as the vocalist, an idea the group firmly rejected. As a result, the album was never released.
In 1987, Kammann, Grah, and Kunze launched another project called Cold End, which released another brilliant and highly sought-after 12" single, Metropolitan Jungle, originally issued on Tam Tam and recently re-released.
The first-ever reissue of "Mit den Puppen tanzen" is limited to only 400 copies - 200 on classic black vinyl and 200 on blue transparent vinyl. The cover art remains true to the original 12" release, designed by the aforementioned Uwe Bauer (aka Bimbo Art). This reissue is a must-have for DJs and collectors alike.
Tracklist:
Side A
A1 Mit Den Puppen Tanzen
A2 Schwarze Nacht
Side B
B1 Niemals Zurück
B2 Harter Film
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Tresor Records
Cat-No:tresor372
Release-Date:15.11.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804182782
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Last in:18.12.2024
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Last in:18.12.2024
Label:Tresor Records
Cat-No:tresor372
Release-Date:15.11.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804182782
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1
Helena Hauff - Multiplying My Absurdities 06:22
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Helena Hauff - Punks In The Gym 07:12
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Helena Hauff - Humanoid Fruit 08:41
Territories: World excl. UK
FORMAT 12" vinyl, generic sleeve, pantone printed labels, printed dl card
TRACKLIST
1. / A1 Multiplying My Absurdities 06:22
2. / A2 Punks In The Gym 07:12
3. / B1 Humanoid Fruit 08:41
With Multiply Your Absurdities, Helena Hauff delivers her long-awaited 12-inch debut on Tresor: a multi-colored inauguration, masterfully crafted by the inimitable Hamburg producer and DJ.
The title track Multiplying My Absurdities opens the record, with a slow burn of magnetic synths and numbing acid drops. Through its simple yet thrilling dynamics, it occasionally falls into playful skepticism, creating something truly unique, uncompromised, and beautiful.
Punks in the Gym is named after an infamous climbing route in Australia. As its namesake, the track mercilessly rises to a techno summit. It gets steeper and steeper with every bar, resembling a volcanic dance where 303 earthquakes shake the ground before eruptions. Once you're halfway in, there's no turning back; all you can do is keep moving forward.
The closing track, Humanoid Fruit, transports to an even darker prehistoric landscape. Synths bursts remind of fossilized Pterodactyls revived—a challenging but rewarding trip through acidic rain and the alleys of your mind. Originally released as the soundtrack for Teslaism by artist and filmmaker Bahar Noorizadeh, a 3rd person musical racing game featuring Elon Musk and his self-driving car/lover and life coach, as they drive towards a shareholder meeting in a post-gamified Berlin landscape. It premiered at the “Tresor 31: Techno, Berlin und die große Freiheit” exhibition in 2022 and deals with stimulating skepticism about the emergence of a new era after Post-fordism that she calls Teslaism: "an upgrade to the system of production and consumption predicated on advanced storytelling, financial worldbuilding, and imagineering 'the look of the future.'" What has been once inspired by Helena Hauff's dystopian sound has now been made into an official music video for the track. Much like the video, Multiply Your Absurdities represents a journey into futuristic uncertainty.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
FORMAT 12" vinyl, generic sleeve, pantone printed labels, printed dl card
TRACKLIST
1. / A1 Multiplying My Absurdities 06:22
2. / A2 Punks In The Gym 07:12
3. / B1 Humanoid Fruit 08:41
With Multiply Your Absurdities, Helena Hauff delivers her long-awaited 12-inch debut on Tresor: a multi-colored inauguration, masterfully crafted by the inimitable Hamburg producer and DJ.
The title track Multiplying My Absurdities opens the record, with a slow burn of magnetic synths and numbing acid drops. Through its simple yet thrilling dynamics, it occasionally falls into playful skepticism, creating something truly unique, uncompromised, and beautiful.
Punks in the Gym is named after an infamous climbing route in Australia. As its namesake, the track mercilessly rises to a techno summit. It gets steeper and steeper with every bar, resembling a volcanic dance where 303 earthquakes shake the ground before eruptions. Once you're halfway in, there's no turning back; all you can do is keep moving forward.
The closing track, Humanoid Fruit, transports to an even darker prehistoric landscape. Synths bursts remind of fossilized Pterodactyls revived—a challenging but rewarding trip through acidic rain and the alleys of your mind. Originally released as the soundtrack for Teslaism by artist and filmmaker Bahar Noorizadeh, a 3rd person musical racing game featuring Elon Musk and his self-driving car/lover and life coach, as they drive towards a shareholder meeting in a post-gamified Berlin landscape. It premiered at the “Tresor 31: Techno, Berlin und die große Freiheit” exhibition in 2022 and deals with stimulating skepticism about the emergence of a new era after Post-fordism that she calls Teslaism: "an upgrade to the system of production and consumption predicated on advanced storytelling, financial worldbuilding, and imagineering 'the look of the future.'" What has been once inspired by Helena Hauff's dystopian sound has now been made into an official music video for the track. Much like the video, Multiply Your Absurdities represents a journey into futuristic uncertainty.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Excl
in stock
Label:HEART SWELLS
Cat-No:HS004LTD
Release-Date:30.08.2024
Configuration:2LP Excl
Barcode:5061041820472
in stock
Last in:30.08.2024
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in stock
Last in:30.08.2024
Label:HEART SWELLS
Cat-No:HS004LTD
Release-Date:30.08.2024
Configuration:2LP Excl
Barcode:5061041820472
Format:2 LP / Territory: WW-US,UK,CA,BENELUX,AU
**AVAILABLE ON INDIES ONLY 'BLOOD MOON' COLOURED VINYL**
Tracklist: 1. The Coin-Op Guillotine / 2. Holy Smoke (2005) / 3. A Psychic Wound / 4. I. Spit; or, a Bite Mark In The Shape Of The Sunflower State / 5. Long Throes / 6. Feast Of Tongues / 7. The Order Of The Seasons / 8. II. Music For Aerial Toll House / 9. To Hell In a Handjob / 10. Clown Blood/Orpheus’ Bobbing Head / 11. kms / 12. III. Surfing a Contrail / 13. Moonstruck / 14. 0898 HEARTACHE / 15. Adult Acne Stigmata
- Exclusive colourway for indie retail - includes lyric sheet
- Double LP pressed at 45pm for best audio quality
- UK headline tour confirmed for September & the band will play 2000 Trees festival preceding the release.
- LC! Sold out their biggest ever headline show at London’s Troxy earlier this year
The UK’s first and only emo band Los Campesinos! return with their highly-anticipated seventh album, All Hell. It is perhaps their most ambitious and assured album yet, whilst simultaneously recalling everything we’ve come to love about LC! over their faultless discography. Recorded between October 2023 and February 2024, it is the first album to be wholly self-produced by band member Tom Bromley (having co-produced previous albums Sick Scenes and NO BLUES). The album is also self-released on the band’s own Heart Swells record label.
In the band’s words All Hell is an album about…
Drinking for fun and drinking for misery // adult acne // adult friendship // football // death and dying // love and sex // late-stage capitalism // Orpheus // day dreaming // night terrors // the heart as an organ and as a burden // suburban boredom // Tears of the Kingdom // the punks on the playlist // increments of time // climate apocalypse // the moon the moon the moon ///
Los Campesinos! have become one of the most important and influential cult acts in the UK since they formed in the mid-2000s. Starting out in the Cardiff indie scene and soundtracking Budweiser adverts, the seven-piece’s musical evolution since then has been slow, steady and remarkable. From the frenzied chaos of debut album Hold On Now, Youngster… (2008) through 2010 breakthrough Romance is Boring and the self-mythologising of latter day highlights NO BLUES (2013) and Sick Scenes (2017), their discography is an interconnected web of niche references, big swings and unflinching honesty.
Making self-professed sleeper hits for weeping dipshits, they’re as influenced by The Beautiful South as they are US emo, with emotional intensity and connection always at the core. Their lyrics are a treasure trove of football references, tales of romantic woe and painfully frank exorcisms, which have been tattooed across hundreds of fans’ bodies and served as comfort and insight during that break-up you had (there’s a reason the band’s tagline is “your ex-girlfriend’s favourite band”).
Now with the release of All Hell, Los Camp! approach their third decade as a band more brilliant, more potent and more vital than ever.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
**AVAILABLE ON INDIES ONLY 'BLOOD MOON' COLOURED VINYL**
Tracklist: 1. The Coin-Op Guillotine / 2. Holy Smoke (2005) / 3. A Psychic Wound / 4. I. Spit; or, a Bite Mark In The Shape Of The Sunflower State / 5. Long Throes / 6. Feast Of Tongues / 7. The Order Of The Seasons / 8. II. Music For Aerial Toll House / 9. To Hell In a Handjob / 10. Clown Blood/Orpheus’ Bobbing Head / 11. kms / 12. III. Surfing a Contrail / 13. Moonstruck / 14. 0898 HEARTACHE / 15. Adult Acne Stigmata
- Exclusive colourway for indie retail - includes lyric sheet
- Double LP pressed at 45pm for best audio quality
- UK headline tour confirmed for September & the band will play 2000 Trees festival preceding the release.
- LC! Sold out their biggest ever headline show at London’s Troxy earlier this year
The UK’s first and only emo band Los Campesinos! return with their highly-anticipated seventh album, All Hell. It is perhaps their most ambitious and assured album yet, whilst simultaneously recalling everything we’ve come to love about LC! over their faultless discography. Recorded between October 2023 and February 2024, it is the first album to be wholly self-produced by band member Tom Bromley (having co-produced previous albums Sick Scenes and NO BLUES). The album is also self-released on the band’s own Heart Swells record label.
In the band’s words All Hell is an album about…
Drinking for fun and drinking for misery // adult acne // adult friendship // football // death and dying // love and sex // late-stage capitalism // Orpheus // day dreaming // night terrors // the heart as an organ and as a burden // suburban boredom // Tears of the Kingdom // the punks on the playlist // increments of time // climate apocalypse // the moon the moon the moon ///
Los Campesinos! have become one of the most important and influential cult acts in the UK since they formed in the mid-2000s. Starting out in the Cardiff indie scene and soundtracking Budweiser adverts, the seven-piece’s musical evolution since then has been slow, steady and remarkable. From the frenzied chaos of debut album Hold On Now, Youngster… (2008) through 2010 breakthrough Romance is Boring and the self-mythologising of latter day highlights NO BLUES (2013) and Sick Scenes (2017), their discography is an interconnected web of niche references, big swings and unflinching honesty.
Making self-professed sleeper hits for weeping dipshits, they’re as influenced by The Beautiful South as they are US emo, with emotional intensity and connection always at the core. Their lyrics are a treasure trove of football references, tales of romantic woe and painfully frank exorcisms, which have been tattooed across hundreds of fans’ bodies and served as comfort and insight during that break-up you had (there’s a reason the band’s tagline is “your ex-girlfriend’s favourite band”).
Now with the release of All Hell, Los Camp! approach their third decade as a band more brilliant, more potent and more vital than ever.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:CD-R Records
Cat-No:CDR-001
Release-Date:06.12.2024
Configuration:LP Excl
Barcode:657628448464
in stock
Last in:06.12.2024
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in stock
Last in:06.12.2024
Label:CD-R Records
Cat-No:CDR-001
Release-Date:06.12.2024
Configuration:LP Excl
Barcode:657628448464
Add all to playlist
Play all
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Play all
1
Cassie Ramone - I'm Going Home
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Play all
2
Cassie Ramone - Joy To The World
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3
Cassie Ramone - He's Still On My Mind
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4
Cassie Ramone - They Hide Their Eyes
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5
Cassie Ramone - Together
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6
Cassie Ramone - Sweetheart
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7
Cassie Ramone - Running Dry
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8
Cassie Ramone - The Only Way I Know How (feat. Mac DeMarco)
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9
Cassie Ramone - Dilly Dally
LP, Territories: WW-UK/USA/BNLX
Tracks:
I'm Going Home
Joy To The World
He's Still On My Mind
They Hide Their Eyes
Together
///
Sweetheart
Running Dry
The Only Way I Know How (feat. Mac DeMarco)
Dilly Dally
Wait A Minute
Sweetheart is the first Cassie Ramone album in ten years, a crowning glory for a singular artist who has forged a unique path through the underground. Breaking out in the late 00s with the revered Vivian Girls, to her current status as a traveler on the
heartworn highway, Cassie Ramone has survived and thrived. Sweetheart is Ramone's greatest recorded statement to date:
focused songwriting shot through with American tragedies, distorted guitars and tear-stained fretboards. Recorded with
collaborator Dylan White in Richmond, VA in the latter's Valley Structures barn studio between December 2023 and March
2024, Sweetheart is Ramone's songwriting rendered direct but with a sweeping cinematic quality. Smeared with reverb and
scintillating like stars in the pitch black night, these songs fulfill the promise of Ramone's songwriting prowess.
Ranging from heart-stealers like I'm Going Home or Joy to the World to the riotous guitar scree of the titular Sweetheart,
Ramone's songwriting here is raw and direct, bolstered by White's perfectly balanced instrumentation. White's work on
Sweetheart blows up Ramone's songs to epic proportions, with waves of shoegazed guitars crashing and cresting with
emotion. As a result, Sweetheart fits effortlessly in with the best of Ramone's work with Vivian Girls and The Babies. With the
emotional vulnerability at its core, Sweetheart is Cassie Ramone emerging as one of the most honest and vital songwriters of
the underground.
Sweetheart, released on White and Ramone's new CD-R Records, builds on Cassie Ramone's legacy as a DIY pioneer. With Vivian Girls, Ramone and her bandmates forged a distinctive sound from 80s Punk, Shoegaze and 60s Girl Groups, delivering it with a dedication to world-building and Do It Yourself pragmatism. CD-Records and this first release are a continuation of Ramone's mission to maintain creative and aesthetic control over her art, communicating directly and honestly. Sweetheart may
also be the best record of her career.
Released on Cassie Ramone and Dylan White's label CD-R Records
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracks:
I'm Going Home
Joy To The World
He's Still On My Mind
They Hide Their Eyes
Together
///
Sweetheart
Running Dry
The Only Way I Know How (feat. Mac DeMarco)
Dilly Dally
Wait A Minute
Sweetheart is the first Cassie Ramone album in ten years, a crowning glory for a singular artist who has forged a unique path through the underground. Breaking out in the late 00s with the revered Vivian Girls, to her current status as a traveler on the
heartworn highway, Cassie Ramone has survived and thrived. Sweetheart is Ramone's greatest recorded statement to date:
focused songwriting shot through with American tragedies, distorted guitars and tear-stained fretboards. Recorded with
collaborator Dylan White in Richmond, VA in the latter's Valley Structures barn studio between December 2023 and March
2024, Sweetheart is Ramone's songwriting rendered direct but with a sweeping cinematic quality. Smeared with reverb and
scintillating like stars in the pitch black night, these songs fulfill the promise of Ramone's songwriting prowess.
Ranging from heart-stealers like I'm Going Home or Joy to the World to the riotous guitar scree of the titular Sweetheart,
Ramone's songwriting here is raw and direct, bolstered by White's perfectly balanced instrumentation. White's work on
Sweetheart blows up Ramone's songs to epic proportions, with waves of shoegazed guitars crashing and cresting with
emotion. As a result, Sweetheart fits effortlessly in with the best of Ramone's work with Vivian Girls and The Babies. With the
emotional vulnerability at its core, Sweetheart is Cassie Ramone emerging as one of the most honest and vital songwriters of
the underground.
Sweetheart, released on White and Ramone's new CD-R Records, builds on Cassie Ramone's legacy as a DIY pioneer. With Vivian Girls, Ramone and her bandmates forged a distinctive sound from 80s Punk, Shoegaze and 60s Girl Groups, delivering it with a dedication to world-building and Do It Yourself pragmatism. CD-Records and this first release are a continuation of Ramone's mission to maintain creative and aesthetic control over her art, communicating directly and honestly. Sweetheart may
also be the best record of her career.
Released on Cassie Ramone and Dylan White's label CD-R Records
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore