1
Collage - Mit Den Puppen Tanzen
2
Collage - Schwarze Nacht
3
Collage - Niemals Zurück
4
Collage - Harter Film
Genre: NDW / ELECTRO / SYNTH POP
We are thrilled to announce another underground gem on our label. This time, it's Collage's incredible 4-track EP "Mit den Puppen tanzen" (Dancing With The Puppets). Originally released in 1984 on the small F-Music label, the 12" EP is a true highlight in German Electro and NDW history, becoming a sought-after item among collectors. It features intense lyrics by singer Katrin A. Kunze, with music composed by Markus Kammann and Jürgen Grah.
Kammann and Grah, both originally from Solingen - a small city near Wuppertal - had previously collaborated on the new wave project Schwarze Bewegung with a different singer. Their self-titled LP was released in 1982 on Bacillus/Bellaphon. During this period, the electro sound pioneered by Kraftwerk evolved into electro-funk, sparked by the release of Afrika Bambaataa's groundbreaking track "Planet Rock", which achieved global acclaim. The iconic Roland TR-808 drum machine, masterfully employed by Arthur Baker's production team, revolutionized dance music with further hits like "Looking for the Perfect Beat" and collaborations with Planet Patrol. Markus Kammann cites these tracks, along with black music as a whole, as key influences on his work. In contrast, much of the electronic music emerging from Germany at the time rather leaned towards the styles of artists like Klaus Schulze and Tangerine Dream. Kammann's influences are evident in Collage's EP, which incorporates elements of early electronic hip-hop, such as the scratching sounds in the title track (created with tape rather than turntables) and short rap segments in "Niemals zurück".
By this time, Kammann and Grah had acquired their own Roland 808 as well as a JUNO-60 keyboard. Grah, originally a drummer, played keyboards and vibraphone, while Kammann, primarily a guitarist, also played bass. All the lyrics on the EP were written and performed by Kathrin A. Kunze, who hailed from Cuxhaven, a northern German city. She moved to Wuppertal around 1983 to study literature, and the group Collage was born.
Through Uwe Bauer, drummer of Fehlfarben, and their manager Horst Lüdge (of Profil), Collage connected with Werner Lambertz, a legendary sound technician from Düsseldorf. Lambertz's state-of-the-art studio featured custom-built sequencers capable of triggering the JUNO-60, as well as expensive equipment like a vocoder. Over the course of a week, the group completed all four tracks.
The EP's hard yet playful electro beats were complemented by Kunze's distinctive performance and introspective lyrics, which lent the songs a uniquely German and wavy touch. Her subtle songwriting conveyed a sense of paranoia and sorrow, as seen in lines like "Ich glaub mir selber nicht. Wer hält denn schon, was er verspricht?" ("I don't believe myself. Who stays true to their word, anyway?").
Unfortunately, the EP was never properly promoted and was distributed solely through the independent market via EFA. Despite this, Collage continued working on new material and pre-recorded an album that garnered label's attention. Polydor expressed interest but proposed using the compositions for a solo project with singer Inga Humpe (of Neonbabies), who was already signed to their roster. This would have required replacing Kunze as the vocalist, an idea the group firmly rejected. As a result, the album was never released.
In 1987, Kammann, Grah, and Kunze launched another project called Cold End, which released another brilliant and highly sought-after 12" single, Metropolitan Jungle, originally issued on Tam Tam and recently re-released.
The first-ever reissue of "Mit den Puppen tanzen" is limited to only 400 copies - 200 on classic black vinyl and 200 on blue transparent vinyl. The cover art remains true to the original 12" release, designed by the aforementioned Uwe Bauer (aka Bimbo Art). This reissue is a must-have for DJs and collectors alike.
Tracklist:
Side A
A1 Mit Den Puppen Tanzen
A2 Schwarze Nacht
Side B
B1 Niemals Zurück
B2 Harter Film
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
We are thrilled to announce another underground gem on our label. This time, it's Collage's incredible 4-track EP "Mit den Puppen tanzen" (Dancing With The Puppets). Originally released in 1984 on the small F-Music label, the 12" EP is a true highlight in German Electro and NDW history, becoming a sought-after item among collectors. It features intense lyrics by singer Katrin A. Kunze, with music composed by Markus Kammann and Jürgen Grah.
Kammann and Grah, both originally from Solingen - a small city near Wuppertal - had previously collaborated on the new wave project Schwarze Bewegung with a different singer. Their self-titled LP was released in 1982 on Bacillus/Bellaphon. During this period, the electro sound pioneered by Kraftwerk evolved into electro-funk, sparked by the release of Afrika Bambaataa's groundbreaking track "Planet Rock", which achieved global acclaim. The iconic Roland TR-808 drum machine, masterfully employed by Arthur Baker's production team, revolutionized dance music with further hits like "Looking for the Perfect Beat" and collaborations with Planet Patrol. Markus Kammann cites these tracks, along with black music as a whole, as key influences on his work. In contrast, much of the electronic music emerging from Germany at the time rather leaned towards the styles of artists like Klaus Schulze and Tangerine Dream. Kammann's influences are evident in Collage's EP, which incorporates elements of early electronic hip-hop, such as the scratching sounds in the title track (created with tape rather than turntables) and short rap segments in "Niemals zurück".
By this time, Kammann and Grah had acquired their own Roland 808 as well as a JUNO-60 keyboard. Grah, originally a drummer, played keyboards and vibraphone, while Kammann, primarily a guitarist, also played bass. All the lyrics on the EP were written and performed by Kathrin A. Kunze, who hailed from Cuxhaven, a northern German city. She moved to Wuppertal around 1983 to study literature, and the group Collage was born.
Through Uwe Bauer, drummer of Fehlfarben, and their manager Horst Lüdge (of Profil), Collage connected with Werner Lambertz, a legendary sound technician from Düsseldorf. Lambertz's state-of-the-art studio featured custom-built sequencers capable of triggering the JUNO-60, as well as expensive equipment like a vocoder. Over the course of a week, the group completed all four tracks.
The EP's hard yet playful electro beats were complemented by Kunze's distinctive performance and introspective lyrics, which lent the songs a uniquely German and wavy touch. Her subtle songwriting conveyed a sense of paranoia and sorrow, as seen in lines like "Ich glaub mir selber nicht. Wer hält denn schon, was er verspricht?" ("I don't believe myself. Who stays true to their word, anyway?").
Unfortunately, the EP was never properly promoted and was distributed solely through the independent market via EFA. Despite this, Collage continued working on new material and pre-recorded an album that garnered label's attention. Polydor expressed interest but proposed using the compositions for a solo project with singer Inga Humpe (of Neonbabies), who was already signed to their roster. This would have required replacing Kunze as the vocalist, an idea the group firmly rejected. As a result, the album was never released.
In 1987, Kammann, Grah, and Kunze launched another project called Cold End, which released another brilliant and highly sought-after 12" single, Metropolitan Jungle, originally issued on Tam Tam and recently re-released.
The first-ever reissue of "Mit den Puppen tanzen" is limited to only 400 copies - 200 on classic black vinyl and 200 on blue transparent vinyl. The cover art remains true to the original 12" release, designed by the aforementioned Uwe Bauer (aka Bimbo Art). This reissue is a must-have for DJs and collectors alike.
Tracklist:
Side A
A1 Mit Den Puppen Tanzen
A2 Schwarze Nacht
Side B
B1 Niemals Zurück
B2 Harter Film
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
More records from Collage
1
Collage - Mit Den Puppen Tanzen
2
Collage - Schwarze Nacht
3
Collage - Niemals Zurück
4
Collage - Harter Film
lim. blue Vinyl!
Genre: NDW / ELECTRO / SYNTH POP
We are thrilled to announce another underground gem on our label. This time, it's Collage's incredible 4-track EP "Mit den Puppen tanzen" (Dancing With The Puppets). Originally released in 1984 on the small F-Music label, the 12" EP is a true highlight in German Electro and NDW history, becoming a sought-after item among collectors. It features intense lyrics by singer Katrin A. Kunze, with music composed by Markus Kammann and Jürgen Grah.
Kammann and Grah, both originally from Solingen - a small city near Wuppertal - had previously collaborated on the new wave project Schwarze Bewegung with a different singer. Their self-titled LP was released in 1982 on Bacillus/Bellaphon. During this period, the electro sound pioneered by Kraftwerk evolved into electro-funk, sparked by the release of Afrika Bambaataa's groundbreaking track "Planet Rock", which achieved global acclaim. The iconic Roland TR-808 drum machine, masterfully employed by Arthur Baker's production team, revolutionized dance music with further hits like "Looking for the Perfect Beat" and collaborations with Planet Patrol. Markus Kammann cites these tracks, along with black music as a whole, as key influences on his work. In contrast, much of the electronic music emerging from Germany at the time rather leaned towards the styles of artists like Klaus Schulze and Tangerine Dream. Kammann's influences are evident in Collage's EP, which incorporates elements of early electronic hip-hop, such as the scratching sounds in the title track (created with tape rather than turntables) and short rap segments in "Niemals zurück".
By this time, Kammann and Grah had acquired their own Roland 808 as well as a JUNO-60 keyboard. Grah, originally a drummer, played keyboards and vibraphone, while Kammann, primarily a guitarist, also played bass. All the lyrics on the EP were written and performed by Kathrin A. Kunze, who hailed from Cuxhaven, a northern German city. She moved to Wuppertal around 1983 to study literature, and the group Collage was born.
Through Uwe Bauer, drummer of Fehlfarben, and their manager Horst Lüdge (of Profil), Collage connected with Werner Lambertz, a legendary sound technician from Düsseldorf. Lambertz's state-of-the-art studio featured custom-built sequencers capable of triggering the JUNO-60, as well as expensive equipment like a vocoder. Over the course of a week, the group completed all four tracks.
The EP's hard yet playful electro beats were complemented by Kunze's distinctive performance and introspective lyrics, which lent the songs a uniquely German and wavy touch. Her subtle songwriting conveyed a sense of paranoia and sorrow, as seen in lines like "Ich glaub mir selber nicht. Wer hält denn schon, was er verspricht?" ("I don't believe myself. Who stays true to their word, anyway?").
Unfortunately, the EP was never properly promoted and was distributed solely through the independent market via EFA. Despite this, Collage continued working on new material and pre-recorded an album that garnered label's attention. Polydor expressed interest but proposed using the compositions for a solo project with singer Inga Humpe (of Neonbabies), who was already signed to their roster. This would have required replacing Kunze as the vocalist, an idea the group firmly rejected. As a result, the album was never released.
In 1987, Kammann, Grah, and Kunze launched another project called Cold End, which released another brilliant and highly sought-after 12" single, Metropolitan Jungle, originally issued on Tam Tam and recently re-released.
The first-ever reissue of "Mit den Puppen tanzen" is limited to only 400 copies - 200 on classic black vinyl and 200 on blue transparent vinyl. The cover art remains true to the original 12" release, designed by the aforementioned Uwe Bauer (aka Bimbo Art). This reissue is a must-have for DJs and collectors alike.
Tracklist:
Side A
A1 Mit Den Puppen Tanzen
A2 Schwarze Nacht
Side B
B1 Niemals Zurück
B2 Harter Film
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Genre: NDW / ELECTRO / SYNTH POP
We are thrilled to announce another underground gem on our label. This time, it's Collage's incredible 4-track EP "Mit den Puppen tanzen" (Dancing With The Puppets). Originally released in 1984 on the small F-Music label, the 12" EP is a true highlight in German Electro and NDW history, becoming a sought-after item among collectors. It features intense lyrics by singer Katrin A. Kunze, with music composed by Markus Kammann and Jürgen Grah.
Kammann and Grah, both originally from Solingen - a small city near Wuppertal - had previously collaborated on the new wave project Schwarze Bewegung with a different singer. Their self-titled LP was released in 1982 on Bacillus/Bellaphon. During this period, the electro sound pioneered by Kraftwerk evolved into electro-funk, sparked by the release of Afrika Bambaataa's groundbreaking track "Planet Rock", which achieved global acclaim. The iconic Roland TR-808 drum machine, masterfully employed by Arthur Baker's production team, revolutionized dance music with further hits like "Looking for the Perfect Beat" and collaborations with Planet Patrol. Markus Kammann cites these tracks, along with black music as a whole, as key influences on his work. In contrast, much of the electronic music emerging from Germany at the time rather leaned towards the styles of artists like Klaus Schulze and Tangerine Dream. Kammann's influences are evident in Collage's EP, which incorporates elements of early electronic hip-hop, such as the scratching sounds in the title track (created with tape rather than turntables) and short rap segments in "Niemals zurück".
By this time, Kammann and Grah had acquired their own Roland 808 as well as a JUNO-60 keyboard. Grah, originally a drummer, played keyboards and vibraphone, while Kammann, primarily a guitarist, also played bass. All the lyrics on the EP were written and performed by Kathrin A. Kunze, who hailed from Cuxhaven, a northern German city. She moved to Wuppertal around 1983 to study literature, and the group Collage was born.
Through Uwe Bauer, drummer of Fehlfarben, and their manager Horst Lüdge (of Profil), Collage connected with Werner Lambertz, a legendary sound technician from Düsseldorf. Lambertz's state-of-the-art studio featured custom-built sequencers capable of triggering the JUNO-60, as well as expensive equipment like a vocoder. Over the course of a week, the group completed all four tracks.
The EP's hard yet playful electro beats were complemented by Kunze's distinctive performance and introspective lyrics, which lent the songs a uniquely German and wavy touch. Her subtle songwriting conveyed a sense of paranoia and sorrow, as seen in lines like "Ich glaub mir selber nicht. Wer hält denn schon, was er verspricht?" ("I don't believe myself. Who stays true to their word, anyway?").
Unfortunately, the EP was never properly promoted and was distributed solely through the independent market via EFA. Despite this, Collage continued working on new material and pre-recorded an album that garnered label's attention. Polydor expressed interest but proposed using the compositions for a solo project with singer Inga Humpe (of Neonbabies), who was already signed to their roster. This would have required replacing Kunze as the vocalist, an idea the group firmly rejected. As a result, the album was never released.
In 1987, Kammann, Grah, and Kunze launched another project called Cold End, which released another brilliant and highly sought-after 12" single, Metropolitan Jungle, originally issued on Tam Tam and recently re-released.
The first-ever reissue of "Mit den Puppen tanzen" is limited to only 400 copies - 200 on classic black vinyl and 200 on blue transparent vinyl. The cover art remains true to the original 12" release, designed by the aforementioned Uwe Bauer (aka Bimbo Art). This reissue is a must-have for DJs and collectors alike.
Tracklist:
Side A
A1 Mit Den Puppen Tanzen
A2 Schwarze Nacht
Side B
B1 Niemals Zurück
B2 Harter Film
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
More records from The Outer Edge
1
Collage - Mit Den Puppen Tanzen
2
Collage - Schwarze Nacht
3
Collage - Niemals Zurück
4
Collage - Harter Film
lim. blue Vinyl!
Genre: NDW / ELECTRO / SYNTH POP
We are thrilled to announce another underground gem on our label. This time, it's Collage's incredible 4-track EP "Mit den Puppen tanzen" (Dancing With The Puppets). Originally released in 1984 on the small F-Music label, the 12" EP is a true highlight in German Electro and NDW history, becoming a sought-after item among collectors. It features intense lyrics by singer Katrin A. Kunze, with music composed by Markus Kammann and Jürgen Grah.
Kammann and Grah, both originally from Solingen - a small city near Wuppertal - had previously collaborated on the new wave project Schwarze Bewegung with a different singer. Their self-titled LP was released in 1982 on Bacillus/Bellaphon. During this period, the electro sound pioneered by Kraftwerk evolved into electro-funk, sparked by the release of Afrika Bambaataa's groundbreaking track "Planet Rock", which achieved global acclaim. The iconic Roland TR-808 drum machine, masterfully employed by Arthur Baker's production team, revolutionized dance music with further hits like "Looking for the Perfect Beat" and collaborations with Planet Patrol. Markus Kammann cites these tracks, along with black music as a whole, as key influences on his work. In contrast, much of the electronic music emerging from Germany at the time rather leaned towards the styles of artists like Klaus Schulze and Tangerine Dream. Kammann's influences are evident in Collage's EP, which incorporates elements of early electronic hip-hop, such as the scratching sounds in the title track (created with tape rather than turntables) and short rap segments in "Niemals zurück".
By this time, Kammann and Grah had acquired their own Roland 808 as well as a JUNO-60 keyboard. Grah, originally a drummer, played keyboards and vibraphone, while Kammann, primarily a guitarist, also played bass. All the lyrics on the EP were written and performed by Kathrin A. Kunze, who hailed from Cuxhaven, a northern German city. She moved to Wuppertal around 1983 to study literature, and the group Collage was born.
Through Uwe Bauer, drummer of Fehlfarben, and their manager Horst Lüdge (of Profil), Collage connected with Werner Lambertz, a legendary sound technician from Düsseldorf. Lambertz's state-of-the-art studio featured custom-built sequencers capable of triggering the JUNO-60, as well as expensive equipment like a vocoder. Over the course of a week, the group completed all four tracks.
The EP's hard yet playful electro beats were complemented by Kunze's distinctive performance and introspective lyrics, which lent the songs a uniquely German and wavy touch. Her subtle songwriting conveyed a sense of paranoia and sorrow, as seen in lines like "Ich glaub mir selber nicht. Wer hält denn schon, was er verspricht?" ("I don't believe myself. Who stays true to their word, anyway?").
Unfortunately, the EP was never properly promoted and was distributed solely through the independent market via EFA. Despite this, Collage continued working on new material and pre-recorded an album that garnered label's attention. Polydor expressed interest but proposed using the compositions for a solo project with singer Inga Humpe (of Neonbabies), who was already signed to their roster. This would have required replacing Kunze as the vocalist, an idea the group firmly rejected. As a result, the album was never released.
In 1987, Kammann, Grah, and Kunze launched another project called Cold End, which released another brilliant and highly sought-after 12" single, Metropolitan Jungle, originally issued on Tam Tam and recently re-released.
The first-ever reissue of "Mit den Puppen tanzen" is limited to only 400 copies - 200 on classic black vinyl and 200 on blue transparent vinyl. The cover art remains true to the original 12" release, designed by the aforementioned Uwe Bauer (aka Bimbo Art). This reissue is a must-have for DJs and collectors alike.
Tracklist:
Side A
A1 Mit Den Puppen Tanzen
A2 Schwarze Nacht
Side B
B1 Niemals Zurück
B2 Harter Film
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Genre: NDW / ELECTRO / SYNTH POP
We are thrilled to announce another underground gem on our label. This time, it's Collage's incredible 4-track EP "Mit den Puppen tanzen" (Dancing With The Puppets). Originally released in 1984 on the small F-Music label, the 12" EP is a true highlight in German Electro and NDW history, becoming a sought-after item among collectors. It features intense lyrics by singer Katrin A. Kunze, with music composed by Markus Kammann and Jürgen Grah.
Kammann and Grah, both originally from Solingen - a small city near Wuppertal - had previously collaborated on the new wave project Schwarze Bewegung with a different singer. Their self-titled LP was released in 1982 on Bacillus/Bellaphon. During this period, the electro sound pioneered by Kraftwerk evolved into electro-funk, sparked by the release of Afrika Bambaataa's groundbreaking track "Planet Rock", which achieved global acclaim. The iconic Roland TR-808 drum machine, masterfully employed by Arthur Baker's production team, revolutionized dance music with further hits like "Looking for the Perfect Beat" and collaborations with Planet Patrol. Markus Kammann cites these tracks, along with black music as a whole, as key influences on his work. In contrast, much of the electronic music emerging from Germany at the time rather leaned towards the styles of artists like Klaus Schulze and Tangerine Dream. Kammann's influences are evident in Collage's EP, which incorporates elements of early electronic hip-hop, such as the scratching sounds in the title track (created with tape rather than turntables) and short rap segments in "Niemals zurück".
By this time, Kammann and Grah had acquired their own Roland 808 as well as a JUNO-60 keyboard. Grah, originally a drummer, played keyboards and vibraphone, while Kammann, primarily a guitarist, also played bass. All the lyrics on the EP were written and performed by Kathrin A. Kunze, who hailed from Cuxhaven, a northern German city. She moved to Wuppertal around 1983 to study literature, and the group Collage was born.
Through Uwe Bauer, drummer of Fehlfarben, and their manager Horst Lüdge (of Profil), Collage connected with Werner Lambertz, a legendary sound technician from Düsseldorf. Lambertz's state-of-the-art studio featured custom-built sequencers capable of triggering the JUNO-60, as well as expensive equipment like a vocoder. Over the course of a week, the group completed all four tracks.
The EP's hard yet playful electro beats were complemented by Kunze's distinctive performance and introspective lyrics, which lent the songs a uniquely German and wavy touch. Her subtle songwriting conveyed a sense of paranoia and sorrow, as seen in lines like "Ich glaub mir selber nicht. Wer hält denn schon, was er verspricht?" ("I don't believe myself. Who stays true to their word, anyway?").
Unfortunately, the EP was never properly promoted and was distributed solely through the independent market via EFA. Despite this, Collage continued working on new material and pre-recorded an album that garnered label's attention. Polydor expressed interest but proposed using the compositions for a solo project with singer Inga Humpe (of Neonbabies), who was already signed to their roster. This would have required replacing Kunze as the vocalist, an idea the group firmly rejected. As a result, the album was never released.
In 1987, Kammann, Grah, and Kunze launched another project called Cold End, which released another brilliant and highly sought-after 12" single, Metropolitan Jungle, originally issued on Tam Tam and recently re-released.
The first-ever reissue of "Mit den Puppen tanzen" is limited to only 400 copies - 200 on classic black vinyl and 200 on blue transparent vinyl. The cover art remains true to the original 12" release, designed by the aforementioned Uwe Bauer (aka Bimbo Art). This reissue is a must-have for DJs and collectors alike.
Tracklist:
Side A
A1 Mit Den Puppen Tanzen
A2 Schwarze Nacht
Side B
B1 Niemals Zurück
B2 Harter Film
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Label:The Outer Edge
Cat-No:EDGE-028
Release-Date:24.01.2025
Genre:Alternative/Electronic
Configuration:7" Excl
Label:The Outer Edge
Cat-No:EDGE-028
Release-Date:24.01.2025
Genre:Alternative/Electronic
Configuration:7" Excl
1
FEX - Subways Of Your Mind (Remastered Demo Mix)
2
FEX - Heart In Danger (Remastered Demo Mix)
Genre: New Wave / Synth Rock / Lostwave
We are extremely proud to present the OFFICIAL vinyl release of "Subways Of Your Mind" by FEX, a track that captivated music enthusiasts worldwide as the "Most Mysterious Song on the Internet", or short TMS. After years of speculation, the song's origins have been confirmed, and now, for the first time ever, it will be available on a 7" single.
If you don't know what this is about - than read here:
https://en.wikipedia.org/wiki/Subways_of_Your_Mind
The release features the original demo version of the song recorded in 1983, faithfully restored and remastered. The single is backed with "Heart In Danger", an equally stunning track from the band, also taken from their original demo cassette. Ture Rückwardt, songwriter and singer of FEX, even considers this as his most favourite.
Don't miss this chance to own a piece of music history!
Tracklist:
Side A
Subways Of Your Mind (Remastered Demo Mix)
Side B
Heart In Danger (Remastered Demo Mix)
" VITAL SALES POINTS:
- Previously known as "The Most Mysterious Song On The Internet"
- Fully Licenced, recorded in 1983
- Previously unissued
- Full picture sleeve
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
We are extremely proud to present the OFFICIAL vinyl release of "Subways Of Your Mind" by FEX, a track that captivated music enthusiasts worldwide as the "Most Mysterious Song on the Internet", or short TMS. After years of speculation, the song's origins have been confirmed, and now, for the first time ever, it will be available on a 7" single.
If you don't know what this is about - than read here:
https://en.wikipedia.org/wiki/Subways_of_Your_Mind
The release features the original demo version of the song recorded in 1983, faithfully restored and remastered. The single is backed with "Heart In Danger", an equally stunning track from the band, also taken from their original demo cassette. Ture Rückwardt, songwriter and singer of FEX, even considers this as his most favourite.
Don't miss this chance to own a piece of music history!
Tracklist:
Side A
Subways Of Your Mind (Remastered Demo Mix)
Side B
Heart In Danger (Remastered Demo Mix)
" VITAL SALES POINTS:
- Previously known as "The Most Mysterious Song On The Internet"
- Fully Licenced, recorded in 1983
- Previously unissued
- Full picture sleeve
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
J. D. (Puma) Lewis - The Cat (Puma)
2
J. D. (Puma) Lewis - Dancing Shoes
3
J. D. (Puma) Lewis - Tears
4
J. D. (Puma) Lewis - Life's A Party (Bonus Track)
5
J. D. (Puma) Lewis - Shake It - Make It Loose
6
J. D. (Puma) Lewis - Hearts Of Gold
7
J. D. (Puma) Lewis - Automatic Woman
8
J. D. (Puma) Lewis - Walk Out On Me (Bonus Track)
First ever reissue of highly collectible Funk / Boogie album from 1984!
We are proud to present a true gem on our label: the first-ever vinyl reissue of the highly collectible Shake It - Make It Loose LP by J.D. (Puma) Lewis. Originally released on the infamous Metrovynil label in 1984, it stands as the best and most authentic boogie/80s funk album ever produced in Germany.
However, little is known about this legendary release, and the credits are sparse and often confusing. In reality, Shake It - Make It Loose was a collaboration between just two musicians: John Davis (R.I.P., later one of the real voices behind Milli Vanilli for producer Frank Farian) and Reginald Hudson (of Hudson People). Both were first-class, highly talented musicians and composers from the U.S., who spent most of their lives living and working in Southern Germany.
Hudson describes their creative process: "It was just me and Johnny, playing all the instruments. Johnny handled the bass, guitar, and vocals, and we programmed the drum machine together. Most everything else was keyboards." He recalls that Genre: Funk / Boogie / Disco
- they spent only six or seven days recording the album at Hartmann Digital Studio.
- Contains 2 previously unissued bonus tracks
- Deluxe gatefold sleeve
The combination of their musicianship and the cutting-edge technology at the studio resulted in a masterpiece of pure, state-of-the-art funk and boogie. The album features all the hallmarks of great 80s music: fresh synths, drum machines, and powerful lead vocals from John Davis. Upbeat tracks like "The Cat (Puma)" and the title track sit comfortably alongside more soulful songs like "Tears" and "Hearts of Gold," while "Dancing Shoes" remains one of the era's catchiest dance tracks.
Still, Shake It - Make It Loose holds a few mysteries. Why was it released under the unusual name J.D. (Puma) Lewis? And what's the story behind tracks like "The Cat"? While J.D. Lewis stood for John Davis Lewis's full legal name, Hudson sheds light on the "Puma" connection: "At the time, I was working as a promotions manager for Puma sportswear. Jörg Dassler, son of Puma founder Rudolf Dassler, was a friend of mine and financed our studio sessions." As said, these sessions took place at Hartmann Digital, a state-of-the-art studio in Untertrubach, Bavaria, where iconic artists like Nena, Yello, Visage, DAF, and Soft Cell recorded.
The use of such an expensive studio would have been out of reach for the two musicians without Puma's backing, which also explains why there is a title like "Dancing Shoes." When we had licensed the track for the Boogie On The Mainline compilation in 2018, we had the chance to speak with John Davis (who sadly passed away in May 2021 due to COVID-19). Davis revealed that there were plans to make a video for the song in collaboration with Puma, but those plans fell through. In the end, the album was signed to the Deggendorf-based Metrovynil label.
Interestingly, the original contract reveals that the first version of the album only contained six tracks. Metrovynil added two more: "Sexy Highschool Lady," a track Davis recorded solo, and "Party Rap" by The Dynamite Two, which had no connection to Davis or Hudson at all. The album's credits also list a "Fred Fiore" as the person "who made all of this possible." Hudson, who sees himself as the producer, has no idea who Fiore was - likely another fabrication from the label. "That's just the kind of thing Metrovynil did," Hudson comments with some regret.
Despite the behind-the-scenes confusion, the music spoke for itself. The original pressing looked and sounded fantastic, featuring a stylish cover shot of John Davis in a sharp suit. Now, with this first-ever vinyl reissue, we're thrilled to include additional photos and more background information in a deluxe gatefold sleeve.
This reissue includes all six tracks from the original Hartmann Digital sessions, plus two bonus tracks. From the original reel tapes, we unearthed additional material that Hudson and Davis produced together in the early to mid-80s. We're excited to share the previously unreleased tracks "Life's A Party," and "Walk Out On Me." The digital version of the reissue will also feature two more songs: "Red Drops" and "Pick It Up Off The Ground."
Shake It - Make It Loose is a classic boogie-funk album that belongs in every serious funk and disco collection. It showcases the undeniable talent of two true musicians and stands as a testament to the friendship between Reg Hudson and John Davis.
Tracklist:
Side A
The Cat (Puma)
Dancing Shoes
Tears
Life's A Party (Bonus Track)
Side B
Shake It - Make It Loose
Hearts Of Gold
Automatic Woman
Walk Out On Me (Bonus Track)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
We are proud to present a true gem on our label: the first-ever vinyl reissue of the highly collectible Shake It - Make It Loose LP by J.D. (Puma) Lewis. Originally released on the infamous Metrovynil label in 1984, it stands as the best and most authentic boogie/80s funk album ever produced in Germany.
However, little is known about this legendary release, and the credits are sparse and often confusing. In reality, Shake It - Make It Loose was a collaboration between just two musicians: John Davis (R.I.P., later one of the real voices behind Milli Vanilli for producer Frank Farian) and Reginald Hudson (of Hudson People). Both were first-class, highly talented musicians and composers from the U.S., who spent most of their lives living and working in Southern Germany.
Hudson describes their creative process: "It was just me and Johnny, playing all the instruments. Johnny handled the bass, guitar, and vocals, and we programmed the drum machine together. Most everything else was keyboards." He recalls that Genre: Funk / Boogie / Disco
- they spent only six or seven days recording the album at Hartmann Digital Studio.
- Contains 2 previously unissued bonus tracks
- Deluxe gatefold sleeve
The combination of their musicianship and the cutting-edge technology at the studio resulted in a masterpiece of pure, state-of-the-art funk and boogie. The album features all the hallmarks of great 80s music: fresh synths, drum machines, and powerful lead vocals from John Davis. Upbeat tracks like "The Cat (Puma)" and the title track sit comfortably alongside more soulful songs like "Tears" and "Hearts of Gold," while "Dancing Shoes" remains one of the era's catchiest dance tracks.
Still, Shake It - Make It Loose holds a few mysteries. Why was it released under the unusual name J.D. (Puma) Lewis? And what's the story behind tracks like "The Cat"? While J.D. Lewis stood for John Davis Lewis's full legal name, Hudson sheds light on the "Puma" connection: "At the time, I was working as a promotions manager for Puma sportswear. Jörg Dassler, son of Puma founder Rudolf Dassler, was a friend of mine and financed our studio sessions." As said, these sessions took place at Hartmann Digital, a state-of-the-art studio in Untertrubach, Bavaria, where iconic artists like Nena, Yello, Visage, DAF, and Soft Cell recorded.
The use of such an expensive studio would have been out of reach for the two musicians without Puma's backing, which also explains why there is a title like "Dancing Shoes." When we had licensed the track for the Boogie On The Mainline compilation in 2018, we had the chance to speak with John Davis (who sadly passed away in May 2021 due to COVID-19). Davis revealed that there were plans to make a video for the song in collaboration with Puma, but those plans fell through. In the end, the album was signed to the Deggendorf-based Metrovynil label.
Interestingly, the original contract reveals that the first version of the album only contained six tracks. Metrovynil added two more: "Sexy Highschool Lady," a track Davis recorded solo, and "Party Rap" by The Dynamite Two, which had no connection to Davis or Hudson at all. The album's credits also list a "Fred Fiore" as the person "who made all of this possible." Hudson, who sees himself as the producer, has no idea who Fiore was - likely another fabrication from the label. "That's just the kind of thing Metrovynil did," Hudson comments with some regret.
Despite the behind-the-scenes confusion, the music spoke for itself. The original pressing looked and sounded fantastic, featuring a stylish cover shot of John Davis in a sharp suit. Now, with this first-ever vinyl reissue, we're thrilled to include additional photos and more background information in a deluxe gatefold sleeve.
This reissue includes all six tracks from the original Hartmann Digital sessions, plus two bonus tracks. From the original reel tapes, we unearthed additional material that Hudson and Davis produced together in the early to mid-80s. We're excited to share the previously unreleased tracks "Life's A Party," and "Walk Out On Me." The digital version of the reissue will also feature two more songs: "Red Drops" and "Pick It Up Off The Ground."
Shake It - Make It Loose is a classic boogie-funk album that belongs in every serious funk and disco collection. It showcases the undeniable talent of two true musicians and stands as a testament to the friendship between Reg Hudson and John Davis.
Tracklist:
Side A
The Cat (Puma)
Dancing Shoes
Tears
Life's A Party (Bonus Track)
Side B
Shake It - Make It Loose
Hearts Of Gold
Automatic Woman
Walk Out On Me (Bonus Track)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Grand Slam - Goin’ Out
2
Grand Slam - Don't Let You Down (Single Edit)
- Limited Edition of 350 copies
- Thick high quality picture sleeve with hype sticker
- Previously unissued on vinyl, recorded in 1986
The Outer Edge is excited to announce the release of an intense and previously undiscovered funk rap / boogie single, featuring two tracks recorded in 1986.
While researching for his book on 80s funk music in Germany, DJ Scientist explored bands from Bavaria that collaborated with GIs. One of these bands is Grand Slam, a group that remains active to this day. The band’s leader, Toby Mayerl, lived near a US Army base in Amberg, where he fell in love with funk after hearing Roger Troutman and Zapp. He soon became part of two groups: Total Control and Grand Slam.
Originally led by guitarist Harry Zawrel, Grand Slam had a “European” funk sound similar to Talking Heads or Level 42. However, in 1985, Mayerl took over the band and merged it with Total Control, a mixed group that included African-American soldiers. From that point on, they shifted towards a heavier funk and soul sound, continuing to work with musicians from the GI community. By late 1986, they had enough material to record their debut album, Make My Day. Although published by the independent label Kerston, the album was only available on cassette, primarily sold at their concerts in early 1987.
DJ Scientist managed to track down an original copy of this ultra-rare tape in the MUZ archive in Nuremberg. "What I heard blew my mind," he said. "The cassette featured seven raw, well-produced funk and soul jams with fantastic arrangements and vocals." As an old-school funk and disco rap collector, he was immediately captivated by the track "Goin' Out," which features GI rapper Calvin E. Flagg. This song evokes the energy of early recorded rap singles from labels like Enjoy or Sugar Hill Records.
On Side B, the second track from the unheard debut album, ‘Don’t Let You Down,’ offers another glimpse of what we've been missing. This uptempo boogie-funk track features lead vocals by Aletha Mcbryde, Calvin E. Flagg, and Oliver Allwardt, along with thrilling synths and a lively brass section - perfect for turning up the volume.
Both tracks have been remastered from the original master tapes, which Toby Mayerl fortunately still had in his archive. The artwork for the release is inspired by original band posters, with the Grand Slam logo taking cues from Bootsy's Rubber Band’s Body Slam! cover from 1982. This limited vinyl pressing is capped at just 350 copies.
- Intense Funk Rap / Boogie single
- Fully Licenced, recorded in 1986
- Transferred from original master tape
- Mastered by Frederic Stader
TRACKLISTS:
A
Goin’ Out
B
Don't Let You Down (Single Edit)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
- Thick high quality picture sleeve with hype sticker
- Previously unissued on vinyl, recorded in 1986
The Outer Edge is excited to announce the release of an intense and previously undiscovered funk rap / boogie single, featuring two tracks recorded in 1986.
While researching for his book on 80s funk music in Germany, DJ Scientist explored bands from Bavaria that collaborated with GIs. One of these bands is Grand Slam, a group that remains active to this day. The band’s leader, Toby Mayerl, lived near a US Army base in Amberg, where he fell in love with funk after hearing Roger Troutman and Zapp. He soon became part of two groups: Total Control and Grand Slam.
Originally led by guitarist Harry Zawrel, Grand Slam had a “European” funk sound similar to Talking Heads or Level 42. However, in 1985, Mayerl took over the band and merged it with Total Control, a mixed group that included African-American soldiers. From that point on, they shifted towards a heavier funk and soul sound, continuing to work with musicians from the GI community. By late 1986, they had enough material to record their debut album, Make My Day. Although published by the independent label Kerston, the album was only available on cassette, primarily sold at their concerts in early 1987.
DJ Scientist managed to track down an original copy of this ultra-rare tape in the MUZ archive in Nuremberg. "What I heard blew my mind," he said. "The cassette featured seven raw, well-produced funk and soul jams with fantastic arrangements and vocals." As an old-school funk and disco rap collector, he was immediately captivated by the track "Goin' Out," which features GI rapper Calvin E. Flagg. This song evokes the energy of early recorded rap singles from labels like Enjoy or Sugar Hill Records.
On Side B, the second track from the unheard debut album, ‘Don’t Let You Down,’ offers another glimpse of what we've been missing. This uptempo boogie-funk track features lead vocals by Aletha Mcbryde, Calvin E. Flagg, and Oliver Allwardt, along with thrilling synths and a lively brass section - perfect for turning up the volume.
Both tracks have been remastered from the original master tapes, which Toby Mayerl fortunately still had in his archive. The artwork for the release is inspired by original band posters, with the Grand Slam logo taking cues from Bootsy's Rubber Band’s Body Slam! cover from 1982. This limited vinyl pressing is capped at just 350 copies.
- Intense Funk Rap / Boogie single
- Fully Licenced, recorded in 1986
- Transferred from original master tape
- Mastered by Frederic Stader
TRACKLISTS:
A
Goin’ Out
B
Don't Let You Down (Single Edit)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Ghia - The Other Side feat. Adriano Prestel
2
Ghia - Out Of Luck feat. Adriano Prestel (DJ Friction Remix)
3
Ghia - The Other Side feat. Adriano Prestel (Marian Tone '85 Rework)
4
Ghia - The Other Side (Instrumental)
5
Ghia - Out Of Luck (DJ Friction Remix) (Instrumental)
6
Ghia - Out Of Luck (Instrumental) (Soundrays Mix)
Following the success of the "Out Of Luck" single, we're wrapping up the Ghia reworks chapter with "The Other Side" - a dynamic 12" vinyl loaded with three contemporary funk tracks and three instrumental cuts.
The release starts off with the title track on which we can hear another collaboration with vocalist Adriano Prestel. The song is built on the foundation of "Message From The Other Side," a synth-funk instrumental from last year's "Don't Stop" LP. Jim Dunloop has skillfully rebuilt the infectious grooves from scratch, and guitarist Lucy Liebe has contributed to the guitar elements. Interestingly, the 1985 original version contained vocals that were preserved on a demo tape. These original lyrics conveyed the idea that everyone should learn to listen to the other side. Adriano picked up this idea and wrote new verses and a new chorus, beautifully transforming the song into a soulful bliss. In today's world, the message remains relevant: without listening, understanding, and compromise, solutions are elusive.
Next up, DJ Friction takes "Out Of Luck" to new heights with a remix infused with electro-funk. The synth bass replaces the original, a punchier kick and a clap snare give it a classic boogie feel. Additional strings on the chorus and an extended build-up complete the transformation, making it a fantastic tune for any DJ set.
Marian Tone returns to remix "The Other Side" in the '85 rework, blending parts of the original song with replayed instruments from the studio sessions. He adds clav sounds and retains the original marimba keys by Ghia's Lutz Boberg. If you are into the 80s vibes, this rework will be your choice.
The flip side features instrumental versions that, even without vocals, are a special treat for all boogie and funk enthusiasts. Last but not least, the release includes the original mixdown of "Out Of Luck" from when the recording was finalized at Ed Longo's Soundrays studio - offering a different take from the instrumental version on the previously issued 45 single.
The 12" is presented in a full-picture sleeve designed by The Raincoatman, also known as label owner DJ Scientist.
Side A
The Other Side feat. Adriano Prestel
Out Of Luck feat. Adriano Prestel (DJ Friction Remix)
The Other Side feat. Adriano Prestel (Marian Tone '85 Rework)
Side B
The Other Side (Instrumental)
Out Of Luck (DJ Friction Remix) (Instrumental)
Out Of Luck (Instrumental) (Soundrays Mix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
The release starts off with the title track on which we can hear another collaboration with vocalist Adriano Prestel. The song is built on the foundation of "Message From The Other Side," a synth-funk instrumental from last year's "Don't Stop" LP. Jim Dunloop has skillfully rebuilt the infectious grooves from scratch, and guitarist Lucy Liebe has contributed to the guitar elements. Interestingly, the 1985 original version contained vocals that were preserved on a demo tape. These original lyrics conveyed the idea that everyone should learn to listen to the other side. Adriano picked up this idea and wrote new verses and a new chorus, beautifully transforming the song into a soulful bliss. In today's world, the message remains relevant: without listening, understanding, and compromise, solutions are elusive.
Next up, DJ Friction takes "Out Of Luck" to new heights with a remix infused with electro-funk. The synth bass replaces the original, a punchier kick and a clap snare give it a classic boogie feel. Additional strings on the chorus and an extended build-up complete the transformation, making it a fantastic tune for any DJ set.
Marian Tone returns to remix "The Other Side" in the '85 rework, blending parts of the original song with replayed instruments from the studio sessions. He adds clav sounds and retains the original marimba keys by Ghia's Lutz Boberg. If you are into the 80s vibes, this rework will be your choice.
The flip side features instrumental versions that, even without vocals, are a special treat for all boogie and funk enthusiasts. Last but not least, the release includes the original mixdown of "Out Of Luck" from when the recording was finalized at Ed Longo's Soundrays studio - offering a different take from the instrumental version on the previously issued 45 single.
The 12" is presented in a full-picture sleeve designed by The Raincoatman, also known as label owner DJ Scientist.
Side A
The Other Side feat. Adriano Prestel
Out Of Luck feat. Adriano Prestel (DJ Friction Remix)
The Other Side feat. Adriano Prestel (Marian Tone '85 Rework)
Side B
The Other Side (Instrumental)
Out Of Luck (DJ Friction Remix) (Instrumental)
Out Of Luck (Instrumental) (Soundrays Mix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Peter Patzer - You Are Not The One For Me
2
Ströer - Don't Stay For Breakfast
3
Upstairs - You're Just Yourself
4
J. D. (Puma) Lewis - Dancing Shoes
5
Trust - It's Not Over
6
Imagination - Strawberry Wine
7
Squish - Get Up
8
Publicity - Funky Feeling
9
Bernie L. - Backstreetboy
10
Ca$h - Raff dich auf
11
The Poptown Syndicate - Keep On Lovin' (Single Version)
12
Ca$h - Raff dich auf (Edit) (Bonus Track)
Limited and definite repress of this classic German Boogie compilation from 2018 with a selection of 11 rare Disco tracks from Germany & Austria, all originally released between 1980 and 1987. Deluxe pressing on coloured vinyl, re-transferred and remastered by Frederic Stader. Includes additional bonus track.
Part of the 2018 release notes:
German Funk, Rare Groove and 1970s Disco music (e.g. the highly regarded Munich scene around Italian producer Giorgio Moroder) have been widely recognized and featured on numerous reissues and compilations. However, the Boogie-ish post-disco side of German music history until now has remained undiscovered. One of the reasons might be that a broader national scene in Germany (unlike the UK for example) never existed. Even though tracks by US bands such as Dazz or Midnight Star were popular in discotheks in Germany around that time, bigger labels showed little interest in promoting German groups playing this new style of Disco Funk, now primarily known as "Boogie", that brought in electronical instruments and often lacked the iconic "four-on-the-floor" beat. Additionally, the number of bands that continued to play funky and soulful music in the 1980s diminished as other styles like Synth Pop, Punk, New Wave and NDW (New German Wave) ascended in popularity. Still, though German Boogie may have never existed as a national movement, great things were happening rather locally and each group featured on our compilation brings with them a particularly unique style and story.
Now, finally, "Boogie on the Mainline" sheds some light on 11 little-known German Disco gems that were released on small or even private labels. The album contains tunes by Imagination, Squish, Upstairs, Bernie L., The Poptown Syndicate, Peter Patzer, Ca$h, Trust, Publicity as well as classic tracks by Ströer and John Davis. It was compiled by John Raincoatman aka DJ Scientist.
Side A
Peter Patzer: You Are Not The One For Me
Ströer: Don't Stay For Breakfast
Upstairs: You're Just Yourself
Side B
J. D. (Puma) Lewis: Dancing Shoes
Trust: It's Not Over
Imagination: Strawberry Wine
Side C
Squish: Get Up
Publicity: Funky Feeling
Bernie L.: Backstreetboy
Side D
Ca$h: Raff dich auf
The Poptown Syndicate: Keep On Lovin' (Single Version)
Ca$h: Raff dich auf (Edit) (Bonus Track)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Part of the 2018 release notes:
German Funk, Rare Groove and 1970s Disco music (e.g. the highly regarded Munich scene around Italian producer Giorgio Moroder) have been widely recognized and featured on numerous reissues and compilations. However, the Boogie-ish post-disco side of German music history until now has remained undiscovered. One of the reasons might be that a broader national scene in Germany (unlike the UK for example) never existed. Even though tracks by US bands such as Dazz or Midnight Star were popular in discotheks in Germany around that time, bigger labels showed little interest in promoting German groups playing this new style of Disco Funk, now primarily known as "Boogie", that brought in electronical instruments and often lacked the iconic "four-on-the-floor" beat. Additionally, the number of bands that continued to play funky and soulful music in the 1980s diminished as other styles like Synth Pop, Punk, New Wave and NDW (New German Wave) ascended in popularity. Still, though German Boogie may have never existed as a national movement, great things were happening rather locally and each group featured on our compilation brings with them a particularly unique style and story.
Now, finally, "Boogie on the Mainline" sheds some light on 11 little-known German Disco gems that were released on small or even private labels. The album contains tunes by Imagination, Squish, Upstairs, Bernie L., The Poptown Syndicate, Peter Patzer, Ca$h, Trust, Publicity as well as classic tracks by Ströer and John Davis. It was compiled by John Raincoatman aka DJ Scientist.
Side A
Peter Patzer: You Are Not The One For Me
Ströer: Don't Stay For Breakfast
Upstairs: You're Just Yourself
Side B
J. D. (Puma) Lewis: Dancing Shoes
Trust: It's Not Over
Imagination: Strawberry Wine
Side C
Squish: Get Up
Publicity: Funky Feeling
Bernie L.: Backstreetboy
Side D
Ca$h: Raff dich auf
The Poptown Syndicate: Keep On Lovin' (Single Version)
Ca$h: Raff dich auf (Edit) (Bonus Track)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Ghia - Out Of Luck feat. Adriano Prestel
2
Ghia - Out Of Luck (Instrumental)
The Ghia saga unfolds once more, but in this chapter, there's a new and unique twist. "Out of Luck" draws its roots from a previously lost track, originally composed by the group in 1985. This time around, the song has been expertly reworked by Marian Tone, with new vocals by Adriano Prestel. The outcome? Quite possibly one of the smoothest and most refreshing modern funk tunes you'll hear this year.
But let's rewind to the beginning of this adventure: Earlier this year, DJ Scientist stumbled upon another early Ghia composition tucked away in the depths of a master tape. It was a treasure too precious to remain unheard. Sadly, the original track couldn't see the light of day due to sound quality and issues with the original vocals. To make matters more disappointing, no instrumental version survived. Thus, the only way to share this catchy boogie funk track with the world was to recreate it from scratch.
Special remarks:
- Limited Edition of 300 copies, never to be repressed!
- Lost Boogie Funk tune from 1985, reworked by Marian Tone (of Key Elements, Sonar Kollektiv)
- Featuring Adriano Prestel (of Pho Queue, Guvvy)
- Mixed and Co-Produced by Ed Longo (of Cosmic Romance, Stella)
- Contains single mix and exclusive instrumental version
- Original track previously unissued
- Brown sleeve with hype sticker
- Clean 45 RPM cut
- Mastered by Robert Wenzel
- Leadsingle for the upcoming Ghia reworks project!
Side A
Out Of Luck feat. Adriano Prestel
Side B
Out Of Luck (Instrumental)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
But let's rewind to the beginning of this adventure: Earlier this year, DJ Scientist stumbled upon another early Ghia composition tucked away in the depths of a master tape. It was a treasure too precious to remain unheard. Sadly, the original track couldn't see the light of day due to sound quality and issues with the original vocals. To make matters more disappointing, no instrumental version survived. Thus, the only way to share this catchy boogie funk track with the world was to recreate it from scratch.
Special remarks:
- Limited Edition of 300 copies, never to be repressed!
- Lost Boogie Funk tune from 1985, reworked by Marian Tone (of Key Elements, Sonar Kollektiv)
- Featuring Adriano Prestel (of Pho Queue, Guvvy)
- Mixed and Co-Produced by Ed Longo (of Cosmic Romance, Stella)
- Contains single mix and exclusive instrumental version
- Original track previously unissued
- Brown sleeve with hype sticker
- Clean 45 RPM cut
- Mastered by Robert Wenzel
- Leadsingle for the upcoming Ghia reworks project!
Side A
Out Of Luck feat. Adriano Prestel
Side B
Out Of Luck (Instrumental)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Total - Jede Nacht derselbe Traum (Single Version)
2
Total - Jede Nacht derselbe Traum (Extended Re-Mix)
3
Total - Jede Nacht derselbe Traum (DJ Friction Edit)
4
Total - Jede Nacht derselbe Traum (Dub Mix)
We are thrilled to kick off our label endeavors with one of the rarest and simultaneously best-recorded independently released German new wave singles in history: "Jede Nacht derselbe Traum" ("The Same Dream Every Night") by Total.
Back in late 1983, Total found themselves in a pivotal rendezvous with CBS Records in a Frankfurt hotel lobby. The entire band was present, along with the esteemed NDW manager Jim Rakete, who had played a role in launching Nena to national and international stardom. Also in attendance were the A&R representatives from CBS. It was on this day that Total was presented with the opportunity to ink an album deal with CBS. However, since they had only recorded the titular song thus far, negotiations hit a snag. CBS insisted on a full album rather than a standalone single.
Ultimately, the band decided to independently issue a limited 7" run of "Jede Nacht derselbe Traum" under Günther Mannschreck's Schreckschuss label in January 1984. These vinyl copies became the band's currency for pursuing record deals and promotional prospects. However, despite the potential to achieve commercial success and garner radio airplay, the song and the "Total" project gradually waned from the music landscape. Regrettably, only a few vinyl copies have managed to endure over time. This NDW "holy grail" may have prompted a fair share of dreams for serious vinyl collectors, as to this day, not a single physical copy has been put up for sale on platforms like eBay or Discogs. Interestingly, Maisenbacher has even fielded an offer of over 400 Euros for an original copy, although he regretfully couldn't fulfill the request due to possessing just a single copy himself.
The song itself is a fusion of diverse musical styles. Crafted using the Oberheim OB8 system, complete with the DMX drum machine and a bassline woven from a Jupiter 8 keyboard, it carried a groove reminiscent of New York's electro hip-hop sound in "The Message," setting it apart from typical German new wave productions. Additionally, a Korg Polysix was integrated, and guitar effects were layered to finalize the infectious synth-pop instrumental. Newcomer to the band, Andrea Ströbel, laid down a flawless vocal layer that steered the song towards a straightforward NDW direction, giving it a resonance that surely resonated with mainstream and radio audiences. To complete a B-side for the original vinyl single, the legendary state-of-the-art L480 Lexicon reverb was used. In the more experimental "Maxi Mix," now known as the "Dub Mix," Mannschreck expertly manipulated the machine. The outcome stands as a historical example of incredible studio craftsmanship and the cutting-edge techniques of the 80s.
For the new 12" release, Mannschreck unearthed an alternative mix of the song on the original tapes, featuring a distinct introduction, break, and exciting edits. In addition, DJ Friction, who contributed to the transfer and mastering for the release, treated us to a superb edit that cleverly melds all versions of the song while incorporating a few extra bassline groove elements.
The captivating reissue cover spotlights vocalist Andrea Ströbel, who gazes with determination. A hand reaches out to grab her shirt, attempting to pull her down. Symbolizing the song's theme, it embodies the unsettling dream conveyed by the lyrics-yet she steadfastly resists.
In summary, we are elated to present a significant gem for vinyl enthusiasts: a splendid mid-tempo tune that dances on the boundary of synth-pop, new wave and electro. The new 12" single underwent meticulous mastering, and the outcome is nothing short of astounding, surpassing the sonic quality of the original pressing.
- Edition of 300 copies
- Exclusive DJ Friction Edit + additional unreleased Mix
- All tracks previously unissued on 12"
- Full picture sleeve with hype sticker
- Loud 45 RPM cut by SST
- Mastered by Martin Welzer aka DJ Friction
- Fully Licenced, recorded in 1983
- Original 7" copies never seen for sale anywhere!
Side A
Jede Nacht derselbe Traum (Single Version) 3:53
Jede Nacht derselbe Traum (Extended Re-Mix) 4:36
Side B
Jede Nacht derselbe Traum (DJ Friction Edit) 4:41
Jede Nacht derselbe Traum (Dub Mix) 5:01
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Back in late 1983, Total found themselves in a pivotal rendezvous with CBS Records in a Frankfurt hotel lobby. The entire band was present, along with the esteemed NDW manager Jim Rakete, who had played a role in launching Nena to national and international stardom. Also in attendance were the A&R representatives from CBS. It was on this day that Total was presented with the opportunity to ink an album deal with CBS. However, since they had only recorded the titular song thus far, negotiations hit a snag. CBS insisted on a full album rather than a standalone single.
Ultimately, the band decided to independently issue a limited 7" run of "Jede Nacht derselbe Traum" under Günther Mannschreck's Schreckschuss label in January 1984. These vinyl copies became the band's currency for pursuing record deals and promotional prospects. However, despite the potential to achieve commercial success and garner radio airplay, the song and the "Total" project gradually waned from the music landscape. Regrettably, only a few vinyl copies have managed to endure over time. This NDW "holy grail" may have prompted a fair share of dreams for serious vinyl collectors, as to this day, not a single physical copy has been put up for sale on platforms like eBay or Discogs. Interestingly, Maisenbacher has even fielded an offer of over 400 Euros for an original copy, although he regretfully couldn't fulfill the request due to possessing just a single copy himself.
The song itself is a fusion of diverse musical styles. Crafted using the Oberheim OB8 system, complete with the DMX drum machine and a bassline woven from a Jupiter 8 keyboard, it carried a groove reminiscent of New York's electro hip-hop sound in "The Message," setting it apart from typical German new wave productions. Additionally, a Korg Polysix was integrated, and guitar effects were layered to finalize the infectious synth-pop instrumental. Newcomer to the band, Andrea Ströbel, laid down a flawless vocal layer that steered the song towards a straightforward NDW direction, giving it a resonance that surely resonated with mainstream and radio audiences. To complete a B-side for the original vinyl single, the legendary state-of-the-art L480 Lexicon reverb was used. In the more experimental "Maxi Mix," now known as the "Dub Mix," Mannschreck expertly manipulated the machine. The outcome stands as a historical example of incredible studio craftsmanship and the cutting-edge techniques of the 80s.
For the new 12" release, Mannschreck unearthed an alternative mix of the song on the original tapes, featuring a distinct introduction, break, and exciting edits. In addition, DJ Friction, who contributed to the transfer and mastering for the release, treated us to a superb edit that cleverly melds all versions of the song while incorporating a few extra bassline groove elements.
The captivating reissue cover spotlights vocalist Andrea Ströbel, who gazes with determination. A hand reaches out to grab her shirt, attempting to pull her down. Symbolizing the song's theme, it embodies the unsettling dream conveyed by the lyrics-yet she steadfastly resists.
In summary, we are elated to present a significant gem for vinyl enthusiasts: a splendid mid-tempo tune that dances on the boundary of synth-pop, new wave and electro. The new 12" single underwent meticulous mastering, and the outcome is nothing short of astounding, surpassing the sonic quality of the original pressing.
- Edition of 300 copies
- Exclusive DJ Friction Edit + additional unreleased Mix
- All tracks previously unissued on 12"
- Full picture sleeve with hype sticker
- Loud 45 RPM cut by SST
- Mastered by Martin Welzer aka DJ Friction
- Fully Licenced, recorded in 1983
- Original 7" copies never seen for sale anywhere!
Side A
Jede Nacht derselbe Traum (Single Version) 3:53
Jede Nacht derselbe Traum (Extended Re-Mix) 4:36
Side B
Jede Nacht derselbe Traum (DJ Friction Edit) 4:41
Jede Nacht derselbe Traum (Dub Mix) 5:01
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Total - Jede Nacht derselbe Traum (Single Version)
2
Total - Jede Nacht derselbe Traum (Extended Re-Mix)
3
Total - Jede Nacht derselbe Traum (DJ Friction Edit)
4
Total - Jede Nacht derselbe Traum (Dub Mix)
Limited Green Transparent !
We are thrilled to kick off our label endeavors with one of the rarest and simultaneously best-recorded independently released German new wave singles in history: "Jede Nacht derselbe Traum" ("The Same Dream Every Night") by Total.
Back in late 1983, Total found themselves in a pivotal rendezvous with CBS Records in a Frankfurt hotel lobby. The entire band was present, along with the esteemed NDW manager Jim Rakete, who had played a role in launching Nena to national and international stardom. Also in attendance were the A&R representatives from CBS. It was on this day that Total was presented with the opportunity to ink an album deal with CBS. However, since they had only recorded the titular song thus far, negotiations hit a snag. CBS insisted on a full album rather than a standalone single.
Ultimately, the band decided to independently issue a limited 7" run of "Jede Nacht derselbe Traum" under Günther Mannschreck's Schreckschuss label in January 1984. These vinyl copies became the band's currency for pursuing record deals and promotional prospects. However, despite the potential to achieve commercial success and garner radio airplay, the song and the "Total" project gradually waned from the music landscape. Regrettably, only a few vinyl copies have managed to endure over time. This NDW "holy grail" may have prompted a fair share of dreams for serious vinyl collectors, as to this day, not a single physical copy has been put up for sale on platforms like eBay or Discogs. Interestingly, Maisenbacher has even fielded an offer of over 400 Euros for an original copy, although he regretfully couldn't fulfill the request due to possessing just a single copy himself.
The song itself is a fusion of diverse musical styles. Crafted using the Oberheim OB8 system, complete with the DMX drum machine and a bassline woven from a Jupiter 8 keyboard, it carried a groove reminiscent of New York's electro hip-hop sound in "The Message," setting it apart from typical German new wave productions. Additionally, a Korg Polysix was integrated, and guitar effects were layered to finalize the infectious synth-pop instrumental. Newcomer to the band, Andrea Ströbel, laid down a flawless vocal layer that steered the song towards a straightforward NDW direction, giving it a resonance that surely resonated with mainstream and radio audiences. To complete a B-side for the original vinyl single, the legendary state-of-the-art L480 Lexicon reverb was used. In the more experimental "Maxi Mix," now known as the "Dub Mix," Mannschreck expertly manipulated the machine. The outcome stands as a historical example of incredible studio craftsmanship and the cutting-edge techniques of the 80s.
For the new 12" release, Mannschreck unearthed an alternative mix of the song on the original tapes, featuring a distinct introduction, break, and exciting edits. In addition, DJ Friction, who contributed to the transfer and mastering for the release, treated us to a superb edit that cleverly melds all versions of the song while incorporating a few extra bassline groove elements.
The captivating reissue cover spotlights vocalist Andrea Ströbel, who gazes with determination. A hand reaches out to grab her shirt, attempting to pull her down. Symbolizing the song's theme, it embodies the unsettling dream conveyed by the lyrics-yet she steadfastly resists.
In summary, we are elated to present a significant gem for vinyl enthusiasts: a splendid mid-tempo tune that dances on the boundary of synth-pop, new wave and electro. The new 12" single underwent meticulous mastering, and the outcome is nothing short of astounding, surpassing the sonic quality of the original pressing.
- Edition of 200 copies
- Exclusive DJ Friction Edit + additional unreleased Mix
- All tracks previously unissued on 12"
- Full picture sleeve with hype sticker
- Loud 45 RPM cut by SST
- Mastered by Martin Welzer aka DJ Friction
- Fully Licenced, recorded in 1983
- Original 7" copies never seen for sale anywhere!
Side A
Jede Nacht derselbe Traum (Single Version) 3:53
Jede Nacht derselbe Traum (Extended Re-Mix) 4:36
Side B
Jede Nacht derselbe Traum (DJ Friction Edit) 4:41
Jede Nacht derselbe Traum (Dub Mix) 5:01
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
We are thrilled to kick off our label endeavors with one of the rarest and simultaneously best-recorded independently released German new wave singles in history: "Jede Nacht derselbe Traum" ("The Same Dream Every Night") by Total.
Back in late 1983, Total found themselves in a pivotal rendezvous with CBS Records in a Frankfurt hotel lobby. The entire band was present, along with the esteemed NDW manager Jim Rakete, who had played a role in launching Nena to national and international stardom. Also in attendance were the A&R representatives from CBS. It was on this day that Total was presented with the opportunity to ink an album deal with CBS. However, since they had only recorded the titular song thus far, negotiations hit a snag. CBS insisted on a full album rather than a standalone single.
Ultimately, the band decided to independently issue a limited 7" run of "Jede Nacht derselbe Traum" under Günther Mannschreck's Schreckschuss label in January 1984. These vinyl copies became the band's currency for pursuing record deals and promotional prospects. However, despite the potential to achieve commercial success and garner radio airplay, the song and the "Total" project gradually waned from the music landscape. Regrettably, only a few vinyl copies have managed to endure over time. This NDW "holy grail" may have prompted a fair share of dreams for serious vinyl collectors, as to this day, not a single physical copy has been put up for sale on platforms like eBay or Discogs. Interestingly, Maisenbacher has even fielded an offer of over 400 Euros for an original copy, although he regretfully couldn't fulfill the request due to possessing just a single copy himself.
The song itself is a fusion of diverse musical styles. Crafted using the Oberheim OB8 system, complete with the DMX drum machine and a bassline woven from a Jupiter 8 keyboard, it carried a groove reminiscent of New York's electro hip-hop sound in "The Message," setting it apart from typical German new wave productions. Additionally, a Korg Polysix was integrated, and guitar effects were layered to finalize the infectious synth-pop instrumental. Newcomer to the band, Andrea Ströbel, laid down a flawless vocal layer that steered the song towards a straightforward NDW direction, giving it a resonance that surely resonated with mainstream and radio audiences. To complete a B-side for the original vinyl single, the legendary state-of-the-art L480 Lexicon reverb was used. In the more experimental "Maxi Mix," now known as the "Dub Mix," Mannschreck expertly manipulated the machine. The outcome stands as a historical example of incredible studio craftsmanship and the cutting-edge techniques of the 80s.
For the new 12" release, Mannschreck unearthed an alternative mix of the song on the original tapes, featuring a distinct introduction, break, and exciting edits. In addition, DJ Friction, who contributed to the transfer and mastering for the release, treated us to a superb edit that cleverly melds all versions of the song while incorporating a few extra bassline groove elements.
The captivating reissue cover spotlights vocalist Andrea Ströbel, who gazes with determination. A hand reaches out to grab her shirt, attempting to pull her down. Symbolizing the song's theme, it embodies the unsettling dream conveyed by the lyrics-yet she steadfastly resists.
In summary, we are elated to present a significant gem for vinyl enthusiasts: a splendid mid-tempo tune that dances on the boundary of synth-pop, new wave and electro. The new 12" single underwent meticulous mastering, and the outcome is nothing short of astounding, surpassing the sonic quality of the original pressing.
- Edition of 200 copies
- Exclusive DJ Friction Edit + additional unreleased Mix
- All tracks previously unissued on 12"
- Full picture sleeve with hype sticker
- Loud 45 RPM cut by SST
- Mastered by Martin Welzer aka DJ Friction
- Fully Licenced, recorded in 1983
- Original 7" copies never seen for sale anywhere!
Side A
Jede Nacht derselbe Traum (Single Version) 3:53
Jede Nacht derselbe Traum (Extended Re-Mix) 4:36
Side B
Jede Nacht derselbe Traum (DJ Friction Edit) 4:41
Jede Nacht derselbe Traum (Dub Mix) 5:01
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Ghia - Don't Stop
2
Ghia - Message From The Other Side
3
Ghia - 3 A.M. At Moëf Gaga
4
Ghia - When The Rain Is Falling ('85 Interlude)
5
Ghia - Talk Too Much (Instrumental)
6
Ghia - Jump In The Water (24-Track Mix)
7
Ghia - Armer Teufel am Morgen nach dem Maskenball
8
Ghia - Close To You ('86 Interlude)
9
Ghia - September Garden (Instrumental)
10
Ghia - Message From The Other Side (Alternative Instrumental Mix)
"Don't Stop" is the third album retrospectively released by Ghia. As the subtitle "Early Works & Artefacts 1984-1987" implies, it features some of their earliest compositions as well as tracks that were recorded during the same period as their "Curaçao Blue" LP.
The album is a fusion of diverse music styles. Listeners will delight in a range of genres, including electro, funk, soul, jazz-funk, synth pop, and even rap/hip-hop, all woven together as a cohesive work that remains mostly instrumental. As a whole, "Don't Stop" represents Ghia's funkiest and most experimental release to date. Notably, the LP features a rap version of Hermann Hesse's controversial German poem "Armer Teufel am Morgen nach dem Maskenball" ("Poor Devil the Morning After the Costume Ball") from 1926, accompanied by a drum machine rhythm and funky guitar. This poem depicts a person who drank too much the night before, telling the story and describing his hangover. The title track "Don't Stop" and the thrilling minimal electro-funk tune "3 A.M. at Moëf Gaga" both evoke old-school electro influences. The latter references the Spanish discotheque Moëf Gaga, located on the Balearic coast, which the dynamic duo of Lutz Boberg and Frank Simon frequented during their 1980s holidays. While the exact music played at 3 A.M. is unknown, listening to Ghia's track will undoubtedly capture the mood of the place.
One of the key tracks of the album is "Message From The Other Side", which could easily be noted as one of the nicest European synth-funk instrumental pieces ever. The track is based on a sick synth bass line, sparkled with DX7 chord hits, funky guitar, and a delightful "marimba" solo in the last third. The solo was actually played on Boberg's keyboard, using a special sound cartridge. This particular track had to be edited and technically revised by Marian Tone and DJ Scientist as the existing demo version of the song could not be used as is. With its stunning groove, this track will surely be a DJ's favorite.
Listening to the complete album, there is more of Boberg's keyboard wizardry: could you believe that the trumpet solo on "Jump In The Water" as well as the short but stunning slap bass solo on "Talk Too Much" were both played by on the DX7? However, this new release, unlike the jazzy "Curaçao Blue", is not about solos or virtuous playing - it clearly shows the duo's direction towards more electronic composition and clear song structures. The versions of "September Garden", "When The Rain is Falling" as well as "Talk Too Much" are actually instrumental mixdowns of vocal songs. And again, we get a blissful take of "Close To You", here a version from 1986. This soulful jazz-funk ballad could already be heard on "Curaçao Blue" while the final vocal version with singer Lisa Ohm can be found on the recently released "This Is" LP. This shows that the Ghia composers, Boberg and Simon, were perfectionists - tracks were reworked again and again, making them better and better.
The album was mastered and restored with great care, and we are pleased to provide you with a perfect example of mid 1980s home-recording pleasures, tinged with a youthful spirit and providing a sound that cannot be recaptured anymore nowadays. Alongside "This Is" and "Curacao Blue" it should be another perfect addition to any 80s groove collection as well as a great pick for DJs that love and play disco, leftfield electro and funk. The LP is limited to 500 copies.
- Previously unissued on any format!
- Fully licenced, recorded 1984-1987
- Includes 4 vinyl only tracks
- Follow up release to the successful albums "This Is" and "Curacao Blue"
- 350g picture sleeve
- Includes 30x30 cm insert
- Mastered by Robert Wenzel
- Vinyl cut by SST
Side A
Don't Stop
Message From The Other Side
3 A.M. At Moëf Gaga
When The Rain Is Falling ('85 Interlude)
Talk Too Much (Instrumental)
Side B
Jump In The Water (24-Track Mix)
Armer Teufel am Morgen nach dem Maskenball
Close To You ('86 Interlude)
September Garden (Instrumental)
Message From The Other Side (Alternative Instrumental Mix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
The album is a fusion of diverse music styles. Listeners will delight in a range of genres, including electro, funk, soul, jazz-funk, synth pop, and even rap/hip-hop, all woven together as a cohesive work that remains mostly instrumental. As a whole, "Don't Stop" represents Ghia's funkiest and most experimental release to date. Notably, the LP features a rap version of Hermann Hesse's controversial German poem "Armer Teufel am Morgen nach dem Maskenball" ("Poor Devil the Morning After the Costume Ball") from 1926, accompanied by a drum machine rhythm and funky guitar. This poem depicts a person who drank too much the night before, telling the story and describing his hangover. The title track "Don't Stop" and the thrilling minimal electro-funk tune "3 A.M. at Moëf Gaga" both evoke old-school electro influences. The latter references the Spanish discotheque Moëf Gaga, located on the Balearic coast, which the dynamic duo of Lutz Boberg and Frank Simon frequented during their 1980s holidays. While the exact music played at 3 A.M. is unknown, listening to Ghia's track will undoubtedly capture the mood of the place.
One of the key tracks of the album is "Message From The Other Side", which could easily be noted as one of the nicest European synth-funk instrumental pieces ever. The track is based on a sick synth bass line, sparkled with DX7 chord hits, funky guitar, and a delightful "marimba" solo in the last third. The solo was actually played on Boberg's keyboard, using a special sound cartridge. This particular track had to be edited and technically revised by Marian Tone and DJ Scientist as the existing demo version of the song could not be used as is. With its stunning groove, this track will surely be a DJ's favorite.
Listening to the complete album, there is more of Boberg's keyboard wizardry: could you believe that the trumpet solo on "Jump In The Water" as well as the short but stunning slap bass solo on "Talk Too Much" were both played by on the DX7? However, this new release, unlike the jazzy "Curaçao Blue", is not about solos or virtuous playing - it clearly shows the duo's direction towards more electronic composition and clear song structures. The versions of "September Garden", "When The Rain is Falling" as well as "Talk Too Much" are actually instrumental mixdowns of vocal songs. And again, we get a blissful take of "Close To You", here a version from 1986. This soulful jazz-funk ballad could already be heard on "Curaçao Blue" while the final vocal version with singer Lisa Ohm can be found on the recently released "This Is" LP. This shows that the Ghia composers, Boberg and Simon, were perfectionists - tracks were reworked again and again, making them better and better.
The album was mastered and restored with great care, and we are pleased to provide you with a perfect example of mid 1980s home-recording pleasures, tinged with a youthful spirit and providing a sound that cannot be recaptured anymore nowadays. Alongside "This Is" and "Curacao Blue" it should be another perfect addition to any 80s groove collection as well as a great pick for DJs that love and play disco, leftfield electro and funk. The LP is limited to 500 copies.
- Previously unissued on any format!
- Fully licenced, recorded 1984-1987
- Includes 4 vinyl only tracks
- Follow up release to the successful albums "This Is" and "Curacao Blue"
- 350g picture sleeve
- Includes 30x30 cm insert
- Mastered by Robert Wenzel
- Vinyl cut by SST
Side A
Don't Stop
Message From The Other Side
3 A.M. At Moëf Gaga
When The Rain Is Falling ('85 Interlude)
Talk Too Much (Instrumental)
Side B
Jump In The Water (24-Track Mix)
Armer Teufel am Morgen nach dem Maskenball
Close To You ('86 Interlude)
September Garden (Instrumental)
Message From The Other Side (Alternative Instrumental Mix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Art Programming - Art Programming (Original Mix)
2
Art Programming - Art Programming (Alexander Arpeggio Edit)
Our label is thrilled to share yet another mind-blowing electro/proto-techno track by Art Programming (Art P), following the release of "Genscher Pull N Push". This track was originally the final piece on their self-titled album, released on cassette in 1983 under the P.A.P. label from Bremen.
To this day, the track remains almost completely unknown within collector's circles. However, let's take a moment to imagine what might have happened had the recording been released as a vinyl 12" back in 1983. Could it have been a game changer? We will never know for sure. Nevertheless, one thing is certain: with its punchy Roland 808 rhythms, and catchy synth lines and vocoder, it undoubtedly qualifies as a classic German electro track, and one of the earliest techno/proto-techno recordings.
At almost 8 minutes in length, this track includes one of the most exhilarating breaks in electro music of that era, showcasing extensive drum editing and effects. It strongly resembles the sound that Detroit would become famous for in the years to come, but make no mistake - this record was produced straight out of Bremen, a relatively small city in Northern Germany.
For the flip side of the single, we enlisted Alexander Arpeggio, the owner of Mond Musik und Eine Welt label, to edit the track while preserving its original spirit. As a member of the acid techno project Aufgang B and the synth-pop minimal duo OTTO, he not only has a deep understanding for this kind of music but also possesses the ability to give the song a different feel with greater dancefloor appeal. He has slightly reduced the tempo of the track and emphasized the instrumental and break parts, resulting in an exciting remix that is DJ-friendly and has everything you could ask for.
The 12" release comes with the original Art Programming logo in a vintage style, packaged in a generic black sleeve with hype sticker. It is limited to only 200 copies. This is a serious gem that you won't want to miss out on, so act fast!
Special remarks:
- Limited Edition, only 200 copies!
- Loud 45 cut by SST
- Black generic sleeve with hype sticker, vintage label design
- Fully Licenced, recorded in 1983
- Previously unissued on vinyl
- Alexander Arpeggio Edit (of Mond Musik / Eine Welt)
- Mastered by Robert Wenzel
A
Art Programming (Original Mix) 7:41
B
Art Programming (Alexander Arpeggio Edit) 6:52
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
To this day, the track remains almost completely unknown within collector's circles. However, let's take a moment to imagine what might have happened had the recording been released as a vinyl 12" back in 1983. Could it have been a game changer? We will never know for sure. Nevertheless, one thing is certain: with its punchy Roland 808 rhythms, and catchy synth lines and vocoder, it undoubtedly qualifies as a classic German electro track, and one of the earliest techno/proto-techno recordings.
At almost 8 minutes in length, this track includes one of the most exhilarating breaks in electro music of that era, showcasing extensive drum editing and effects. It strongly resembles the sound that Detroit would become famous for in the years to come, but make no mistake - this record was produced straight out of Bremen, a relatively small city in Northern Germany.
For the flip side of the single, we enlisted Alexander Arpeggio, the owner of Mond Musik und Eine Welt label, to edit the track while preserving its original spirit. As a member of the acid techno project Aufgang B and the synth-pop minimal duo OTTO, he not only has a deep understanding for this kind of music but also possesses the ability to give the song a different feel with greater dancefloor appeal. He has slightly reduced the tempo of the track and emphasized the instrumental and break parts, resulting in an exciting remix that is DJ-friendly and has everything you could ask for.
The 12" release comes with the original Art Programming logo in a vintage style, packaged in a generic black sleeve with hype sticker. It is limited to only 200 copies. This is a serious gem that you won't want to miss out on, so act fast!
Special remarks:
- Limited Edition, only 200 copies!
- Loud 45 cut by SST
- Black generic sleeve with hype sticker, vintage label design
- Fully Licenced, recorded in 1983
- Previously unissued on vinyl
- Alexander Arpeggio Edit (of Mond Musik / Eine Welt)
- Mastered by Robert Wenzel
A
Art Programming (Original Mix) 7:41
B
Art Programming (Alexander Arpeggio Edit) 6:52
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Art P - Genscher Pull 'N' Push
2
Art P / Die Synthetische Republik - Polaroid (808 Re-Mix)
3
Die Synthetische Republik - Die Synthetische Republik - Der böse Osten (Extended Mix)
We're thrilled to release two exciting electro tracks by Art P, as well as the classic minimal synthwave tune 'Der böse Osten' by related band project Die Synthetische Republik on this limited split 12".
The single kicks off with 'Genscher Pull and Push', an incredible and previously unreleased electro/wave/proto-techno tune from the P.A.P. archives, recorded in October 1982 with a political background. The song was only available on a demo cassette for a radio show and had been forgotten since then. Genscher was a long-time Federal Minister for Foreign Affairs and Vice Chancellor of Germany, who played a key role in a coalition change in September/October 1982, leading his party, the FDP, to leave the Helmut Schmidt cabinet with the SPD and continue with the opposition, the CDU/CSU. As a result, the German lyrics of the song shout 'bitte geh nach links / bitte geh nach rechts' ('please go to the left' - meaning the left-leaning SPD, and 'please go to the right' - meaning the right-leaning CDU), and so on.
Unfortunately, this track was never released, as the topic of the coalition change quickly became uninteresting and outdated. If it had been issued on vinyl in late 1982, it would probably be considered one of the first proto-techno tracks ever. With its driving and heavily-punching 808 rhythms, and the bending synth bass leads played on the Jupiter 4 synthesizer, it gives you a groove that owes as much to Kraftwerk's 'Computerwelt' album as it may rhythmically pre-date the sound of Detroit's Juan Atkins. The energetic German vocals are giving the track a unique Neue Deutsche Welle touch. They are heavily left/right panned to fit the political topic.
Next up on the Art P side is a remix of 'Polaroid', originally found on the No Message LP that we re-released last year. The track was recorded in 1985, and at that time, the duo of Frank Grotelüschen and Jens-Markus Wegener had become bored with the sound of the Roland 808 drum machine, so they made the track with a DrumTraks by Sequential Circuits. However, for this remix, DJ Scientist, the curator of this 12", wanted to recreate the typical electro-funk sound of the era and added 808 bass drums and claps. The track was also shortened to a more DJ-friendly arrangement. The result is a dancefloor delight for all lovers of classic electro and SVC-350 vocoder sounds!
Die Synthetische Republik was a project by Wegener of Art P and Olav Neander. The track 'Der böse Osten' can originally be found on the cassette album 'Faktor D', recorded in just two weeks on a Tascam Portastudio 245. The original recording sessions were pure fun but also rushed. Hence, none of the tracks was perfectly mixed. With digital technologies, we remastered 'Der böse Osten' to achieve the best possible result and are pleased to release this serious synth wave gem on a loud 12" for the first time as an exclusive extended mix.
The split 12" is released in a picture sleeve with a unique artwork on each side. It is limited to 500 copies.
Tracklist:
A
Art P - Genscher Pull 'N' Push
Art P - Polaroid (808 Re-Mix)
B
Die Synthetische Republik - Der böse Osten (Extended Mix)
VITAL SALES POINTS:
- Features 3 previously unissued tracks:
-- Genscher Pull 'N' Push is a massive and completely unissued proto-techno / electro wave tune from 1982
-- Polaroid (808 Re-Mix) is a new remix in the classic vocoder electro funk soundof the mid 80s
-- Der böse Osten, an extremely sought after synth wave tune from 1984, is released as an unissued extended version, available on 12" for the first time
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
The single kicks off with 'Genscher Pull and Push', an incredible and previously unreleased electro/wave/proto-techno tune from the P.A.P. archives, recorded in October 1982 with a political background. The song was only available on a demo cassette for a radio show and had been forgotten since then. Genscher was a long-time Federal Minister for Foreign Affairs and Vice Chancellor of Germany, who played a key role in a coalition change in September/October 1982, leading his party, the FDP, to leave the Helmut Schmidt cabinet with the SPD and continue with the opposition, the CDU/CSU. As a result, the German lyrics of the song shout 'bitte geh nach links / bitte geh nach rechts' ('please go to the left' - meaning the left-leaning SPD, and 'please go to the right' - meaning the right-leaning CDU), and so on.
Unfortunately, this track was never released, as the topic of the coalition change quickly became uninteresting and outdated. If it had been issued on vinyl in late 1982, it would probably be considered one of the first proto-techno tracks ever. With its driving and heavily-punching 808 rhythms, and the bending synth bass leads played on the Jupiter 4 synthesizer, it gives you a groove that owes as much to Kraftwerk's 'Computerwelt' album as it may rhythmically pre-date the sound of Detroit's Juan Atkins. The energetic German vocals are giving the track a unique Neue Deutsche Welle touch. They are heavily left/right panned to fit the political topic.
Next up on the Art P side is a remix of 'Polaroid', originally found on the No Message LP that we re-released last year. The track was recorded in 1985, and at that time, the duo of Frank Grotelüschen and Jens-Markus Wegener had become bored with the sound of the Roland 808 drum machine, so they made the track with a DrumTraks by Sequential Circuits. However, for this remix, DJ Scientist, the curator of this 12", wanted to recreate the typical electro-funk sound of the era and added 808 bass drums and claps. The track was also shortened to a more DJ-friendly arrangement. The result is a dancefloor delight for all lovers of classic electro and SVC-350 vocoder sounds!
Die Synthetische Republik was a project by Wegener of Art P and Olav Neander. The track 'Der böse Osten' can originally be found on the cassette album 'Faktor D', recorded in just two weeks on a Tascam Portastudio 245. The original recording sessions were pure fun but also rushed. Hence, none of the tracks was perfectly mixed. With digital technologies, we remastered 'Der böse Osten' to achieve the best possible result and are pleased to release this serious synth wave gem on a loud 12" for the first time as an exclusive extended mix.
The split 12" is released in a picture sleeve with a unique artwork on each side. It is limited to 500 copies.
Tracklist:
A
Art P - Genscher Pull 'N' Push
Art P - Polaroid (808 Re-Mix)
B
Die Synthetische Republik - Der böse Osten (Extended Mix)
VITAL SALES POINTS:
- Features 3 previously unissued tracks:
-- Genscher Pull 'N' Push is a massive and completely unissued proto-techno / electro wave tune from 1982
-- Polaroid (808 Re-Mix) is a new remix in the classic vocoder electro funk soundof the mid 80s
-- Der böse Osten, an extremely sought after synth wave tune from 1984, is released as an unissued extended version, available on 12" for the first time
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Ghia - Keep Your House In Disorder
2
Ghia - Crystal Silence
3
Ghia - Close To You
4
Ghia - Eskimo
5
Ghia - Sometimes (Vinyl Only)
6
Ghia - What's Your Voodoo?
7
Ghia - Angel On Your Shoulder
8
Ghia - You Won't Sleep On My Pillow
9
Ghia - L O M E (List Of Missing Elements)
10
Ghia - I Haven't Got The Power
Let's get it straight: "This is" is THE album by Ghia. It catches the band at its peak and features 10 songs, including not only their impeccable hit, "What's Your Voodoo?" but a full arsenal of yet unheard, timeless, and soulful music without equal. The songs on the album, which were recorded between 1988 and 1991, could be considered forerunners of the downtempo genre, with one foot in the late 1980s street soul direction but sparkling with touches of synth pop and contemporary jazz-funk. Genre limitations aside, all that Ghia ever wanted to do was create music-good music-and you will hear this in the depth of the compositions.
The album starts with "Keep Your House In Disorder," which has yet again become another classic song from the band's catalog since it was featured as the B-side of the "What's Your Voodoo?" reissue. The song is about a relationship in which the woman has trouble adapting to her boyfriend's turn in life. He tells her to "keep your house in disorder," meaning don't take things too seriously, don't stand still, and you will do better to take the sideroads in life.
"This Is" continues with the downtempo numbers "Crystal Silence" and "Close to You." Both are deep, one-of-a-kind, and previously unissued street soul ballads. On these two tracks, you can still hear the band's roots in jazz-funk. Hence, as a follower of the band's output may have yet recognized, instrumentals of these two tracks can be found on their first LP, "Curaçao Blue." In fact, "Close to You" was one of the band's first compositions. Earlier recordings of the song exist with different singers and different vocals, but it wasn't perfect until Lisa laid down the final version and a choir was added. It's difficult for us to recall any late-80s soul tune as beautiful and intriguing as this one. The final section, which begins with "so much baby we can say," sounds ahead of its time, reminiscent of mid-90s contemporary R&B.
Next up is "Eskimo," an equally brilliant and soulful downtempo composition, but with more focus on synth sounds than the previous tracks. Once more, it showcases the creative lyricism of the song writers, Boberg and Simon, imagining a train ride during a rainy and cold night: "feeling like an Eskimo in an igloo in New York."
Eskimo leads to the aforementioned classic, "What's Your Voodoo?" Originally released in 1991 on the small Mikado label, it was reissued on our label in 2019. We already called this "one of the most wonderful and mystic slow motion synth pop tunes ever recorded"-and we still mean it! Let's face it: this was done before British bands like Massive Attack, Tricky, and Portishead laid the foundation of trip-hop. Dare we call Ghia's music "proto trip-hop"? As a special bonus, the digital version of the LP features a previously unreleased mix of the song, which includes added samples; this should clarify how close Ghia actually was to the sound of the mid-'90s.
"Angel On Your Shoulder" and "L O M E" are two more completely unissued and great tracks from the band's shelved works. Being a bit more uptempo than the rest of the album, they fall between contemporary soul/R&B and synthesized pop music. And of course, another downtempo hit needed to be featured on the album: "You Won't Sleep on My Pillow." It was the original A-side of their single release in 1991, and since then it has been featured on various compilations.
The album concludes with a really strong ballad entitled "I Haven't Got The Power." Here we hear only pianist and keyboardist Lutz Boberg with Lisa Ohm, without further instrumentation. Basically recorded in a live session, this showcases once more the talent and ingenuity within the Ghia project.
Whether you agree or not, "This is" may easily be considered one of the best German late 80s/early 90s soul pop and downtempo albums ever recorded. Cautiously, it may even be submitted as the missing link between mid/late 80s soul by bands such as Sade, and later trip-hop groups like Massive Attack. Let us celebrate Ghia and their music, which had been shelved for more than 30 years but has now finally been released on The Outer Edge.
VITAL SALES POINTS:
- Features 7 previously unissued songs, + three songs that were previously issued
- Fully licenced, recorded ca. 1988 to 1991
- Features underground Downtempo Synth Pop hit single "What's Your Voodoo?"
- Includes vinyl only bonus track "Sometimes"
- Picture sleeve
- Includes 30x30 cm insert
- Mastered by Frederic Stader
Special remarks:
- Thick 350 g Picture sleeve
- Includes double-sided 30x30 cm insert with lyrics and credits
- Previously unissued full length album, recorded 1988 to 1991
- Fully licenced, recorded 1988-1991
- Hype sticker
- Includes the sought after track "What's Your Voodoo?"
Side A
Keep Your House In Disorder
Crystal Silence
Close To You
Eskimo
Sometimes (Vinyl Only)
Side B
What's Your Voodoo?
Angel On Your Shoulder
You Won't Sleep On My Pillow
L O M E (List Of Missing Elements)
I Haven't Got The Power
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
The album starts with "Keep Your House In Disorder," which has yet again become another classic song from the band's catalog since it was featured as the B-side of the "What's Your Voodoo?" reissue. The song is about a relationship in which the woman has trouble adapting to her boyfriend's turn in life. He tells her to "keep your house in disorder," meaning don't take things too seriously, don't stand still, and you will do better to take the sideroads in life.
"This Is" continues with the downtempo numbers "Crystal Silence" and "Close to You." Both are deep, one-of-a-kind, and previously unissued street soul ballads. On these two tracks, you can still hear the band's roots in jazz-funk. Hence, as a follower of the band's output may have yet recognized, instrumentals of these two tracks can be found on their first LP, "Curaçao Blue." In fact, "Close to You" was one of the band's first compositions. Earlier recordings of the song exist with different singers and different vocals, but it wasn't perfect until Lisa laid down the final version and a choir was added. It's difficult for us to recall any late-80s soul tune as beautiful and intriguing as this one. The final section, which begins with "so much baby we can say," sounds ahead of its time, reminiscent of mid-90s contemporary R&B.
Next up is "Eskimo," an equally brilliant and soulful downtempo composition, but with more focus on synth sounds than the previous tracks. Once more, it showcases the creative lyricism of the song writers, Boberg and Simon, imagining a train ride during a rainy and cold night: "feeling like an Eskimo in an igloo in New York."
Eskimo leads to the aforementioned classic, "What's Your Voodoo?" Originally released in 1991 on the small Mikado label, it was reissued on our label in 2019. We already called this "one of the most wonderful and mystic slow motion synth pop tunes ever recorded"-and we still mean it! Let's face it: this was done before British bands like Massive Attack, Tricky, and Portishead laid the foundation of trip-hop. Dare we call Ghia's music "proto trip-hop"? As a special bonus, the digital version of the LP features a previously unreleased mix of the song, which includes added samples; this should clarify how close Ghia actually was to the sound of the mid-'90s.
"Angel On Your Shoulder" and "L O M E" are two more completely unissued and great tracks from the band's shelved works. Being a bit more uptempo than the rest of the album, they fall between contemporary soul/R&B and synthesized pop music. And of course, another downtempo hit needed to be featured on the album: "You Won't Sleep on My Pillow." It was the original A-side of their single release in 1991, and since then it has been featured on various compilations.
The album concludes with a really strong ballad entitled "I Haven't Got The Power." Here we hear only pianist and keyboardist Lutz Boberg with Lisa Ohm, without further instrumentation. Basically recorded in a live session, this showcases once more the talent and ingenuity within the Ghia project.
Whether you agree or not, "This is" may easily be considered one of the best German late 80s/early 90s soul pop and downtempo albums ever recorded. Cautiously, it may even be submitted as the missing link between mid/late 80s soul by bands such as Sade, and later trip-hop groups like Massive Attack. Let us celebrate Ghia and their music, which had been shelved for more than 30 years but has now finally been released on The Outer Edge.
VITAL SALES POINTS:
- Features 7 previously unissued songs, + three songs that were previously issued
- Fully licenced, recorded ca. 1988 to 1991
- Features underground Downtempo Synth Pop hit single "What's Your Voodoo?"
- Includes vinyl only bonus track "Sometimes"
- Picture sleeve
- Includes 30x30 cm insert
- Mastered by Frederic Stader
Special remarks:
- Thick 350 g Picture sleeve
- Includes double-sided 30x30 cm insert with lyrics and credits
- Previously unissued full length album, recorded 1988 to 1991
- Fully licenced, recorded 1988-1991
- Hype sticker
- Includes the sought after track "What's Your Voodoo?"
Side A
Keep Your House In Disorder
Crystal Silence
Close To You
Eskimo
Sometimes (Vinyl Only)
Side B
What's Your Voodoo?
Angel On Your Shoulder
You Won't Sleep On My Pillow
L O M E (List Of Missing Elements)
I Haven't Got The Power
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Wolffen - Der Tanz ihrer Backen (Extended 12" Version)
2
Wolffen - Der Tanz ihrer Backen (Cid Hohner Edit)
Ultra Limited Edition of 200 copies
Here's another goodie from The Outer Edge! This time we're presenting a very limited pressing of the cosmic outsider synth pop tune "Der Tanz ihrer Backen" by Wolffen. With a haunting mid-tempo drum machine pattern, a deep bass, and vocals in German, the track is already absolutely unique. But what will blow you away is when the mysterious Middle Eastern synth theme gets topped with a catchy chorus sung in the Arabic language!
Wolffen (or sometimes called Koppelberg's Wolffen) was a project based around actor and singer Thomas Koppelberg. Born in 1957, Koppelberg unfortunately died at the young age of 41. The track originally appears on the album "Wie zwei schöne Tiere" (translates to "Like two beautiful animals") which was completely produced by composer and keyboardist Peter Schnell and released privately in 1988. The LP remained completely forgotten until it was rediscovered by label owner DJ Scientist and was made public via the label's internet shop a few years ago. It didn't take long until this very special tune spread via social media and became an insider tip in record collecting circles.
"Der Tanz ihrer Backen" (translates to "The dance of her cheeks") is now available for the first time as an extended mix on a loud 12" disc. Side B offers a mostly instrumental edit by Cid Hohner (of OTTO) which leaves out the German verses but keeps the haunting Arabic chorus.
Only 200 copies have been made - all are numbered and come with a handmade picture sleeve plus additional Japanese Katta sleeve and sticker. Don't sleep on this rare gem!
Tracklist:
A Der Tanz ihrer Backen (Extended 12" Version) 6:39
B Der Tanz ihrer Backen (Cid Hohner Edit) 6:10
Special remarks:
- Ultra Limited Edition of 200 copies
- Hand numbered
- Loud 45 cut
- Features Extended Version plus Edit by Cid Hohner (of OTTO) on side B
- Fully Licenced, recorded in 1988
- Special picture sleeve edition with 30x30 cm poster glued on front of generic black sleeve, plus credit info on back. Additionally packed in clear Japanese Katta sleeve with hype sticker
- Mastered by Frederic Stader
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Here's another goodie from The Outer Edge! This time we're presenting a very limited pressing of the cosmic outsider synth pop tune "Der Tanz ihrer Backen" by Wolffen. With a haunting mid-tempo drum machine pattern, a deep bass, and vocals in German, the track is already absolutely unique. But what will blow you away is when the mysterious Middle Eastern synth theme gets topped with a catchy chorus sung in the Arabic language!
Wolffen (or sometimes called Koppelberg's Wolffen) was a project based around actor and singer Thomas Koppelberg. Born in 1957, Koppelberg unfortunately died at the young age of 41. The track originally appears on the album "Wie zwei schöne Tiere" (translates to "Like two beautiful animals") which was completely produced by composer and keyboardist Peter Schnell and released privately in 1988. The LP remained completely forgotten until it was rediscovered by label owner DJ Scientist and was made public via the label's internet shop a few years ago. It didn't take long until this very special tune spread via social media and became an insider tip in record collecting circles.
"Der Tanz ihrer Backen" (translates to "The dance of her cheeks") is now available for the first time as an extended mix on a loud 12" disc. Side B offers a mostly instrumental edit by Cid Hohner (of OTTO) which leaves out the German verses but keeps the haunting Arabic chorus.
Only 200 copies have been made - all are numbered and come with a handmade picture sleeve plus additional Japanese Katta sleeve and sticker. Don't sleep on this rare gem!
Tracklist:
A Der Tanz ihrer Backen (Extended 12" Version) 6:39
B Der Tanz ihrer Backen (Cid Hohner Edit) 6:10
Special remarks:
- Ultra Limited Edition of 200 copies
- Hand numbered
- Loud 45 cut
- Features Extended Version plus Edit by Cid Hohner (of OTTO) on side B
- Fully Licenced, recorded in 1988
- Special picture sleeve edition with 30x30 cm poster glued on front of generic black sleeve, plus credit info on back. Additionally packed in clear Japanese Katta sleeve with hype sticker
- Mastered by Frederic Stader
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Hans Hass - Welche Farbe hat der Wind (Marian Tone Rework)
2
Hans Hass - Welche Farbe hat der Wind (Marian Tone Rework) (Instrumental)
- Limited edition of 400 copies
- Thick high quality picture sleeve
- Hype sticker
- First dj-friendly version of classic rare groove track
The Outer Edge is very proud to release another quite sensational release. Here are the official reworks of Hans Hass' proto-AOR / cloud rock hymn "Welche Farbe hat der Wind" (which translates to "What color is the wind").
The main producer for this release was Marian Tone (of Key Elements), who reworked the track almost from scratch. He re-recorded the drums, the bassline, and some chords while keeping Hass's original vocal layer. The distinctive guitar playing by co-composer Gabor Kristof sparkles throughout. The result is exactly what we had hoped and asked for: a DJ-friendly version of this überclassic track.
The idea for this rework project came to mind when label owner DJ Scientist got word from Tobias Kirmayer of Tramp Records that "Welche Farbe hat der Wind" would be officially re-released for the first time on his compilation series "Praise Poems" as well as on a single reissue. Scientist immediately asked if he could make an edit with louder drums to make the track more playable in a DJ set. However, as the masters of the Tramp reissues had already been submitted to the pressing plant, he was granted permission to re-license the track and rework it for his own label instead.
Hence, the reworks feature Scientist's "vintage drums" mix, which has the drums mixed louder, plus drums added at the quite psychedelic and experimental last third, with a few other sound adjustments made.
But it was up to Berlin-based DJ and music producer Marian Tone to put the icing on the cake and rework and enhance the song further with his own version. With fellow Key Elements bandmember Steffen Kieslich, he completely re-recorded the drums. Then it was up to Doron Segal to replay the bass and the keys. What we get is the classic sound of "Welche Farbe hat der Wind" - just updated and fresher.
For the first time ever, the track is also available as an instrumental version. Here, the great original guitar playing keeps the song going and going, and makes it perfectly clear that this tune, which originally came out on the schlager album "Reise in eine glückliche Zukunft" in 1974, is pretty damn funky!
It has been difficult to put "Welche Farbe hat der Wind" into a genre box, But it has been described as "rare groove","psychedelic schlager", and even "proto-AOR". For facility, Scientist has coined the new term "cloud rock" to describe this particular style of soft but groovy music. The name cloud rock bears a conspicuous reference to the krautrock genre as well. More tracks in a similar vein will be heard soon in a DJ mix under the same name.
Marian Tone's rework, as well as the corresponding instrumental version, will be released on a limited 7" single with a full-color picture sleeve. The digital release will feature the DJ Scientist re-mix plus an alternative version that puts more focus on the re-recorded bassline. In any case, this is an essential item for any music lover as well as the ideal contribution to your ultimate "cloud rock" DJ set!
GENRE/S: Rare Groove / AOR / Soul / Cloud Rock
TRACKLISTS:
A Welche Farbe hat der Wind (Marian Tone Rework)
B Welche Farbe hat der Wind (Marian Tone Rework) (Instrumental)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
- Thick high quality picture sleeve
- Hype sticker
- First dj-friendly version of classic rare groove track
The Outer Edge is very proud to release another quite sensational release. Here are the official reworks of Hans Hass' proto-AOR / cloud rock hymn "Welche Farbe hat der Wind" (which translates to "What color is the wind").
The main producer for this release was Marian Tone (of Key Elements), who reworked the track almost from scratch. He re-recorded the drums, the bassline, and some chords while keeping Hass's original vocal layer. The distinctive guitar playing by co-composer Gabor Kristof sparkles throughout. The result is exactly what we had hoped and asked for: a DJ-friendly version of this überclassic track.
The idea for this rework project came to mind when label owner DJ Scientist got word from Tobias Kirmayer of Tramp Records that "Welche Farbe hat der Wind" would be officially re-released for the first time on his compilation series "Praise Poems" as well as on a single reissue. Scientist immediately asked if he could make an edit with louder drums to make the track more playable in a DJ set. However, as the masters of the Tramp reissues had already been submitted to the pressing plant, he was granted permission to re-license the track and rework it for his own label instead.
Hence, the reworks feature Scientist's "vintage drums" mix, which has the drums mixed louder, plus drums added at the quite psychedelic and experimental last third, with a few other sound adjustments made.
But it was up to Berlin-based DJ and music producer Marian Tone to put the icing on the cake and rework and enhance the song further with his own version. With fellow Key Elements bandmember Steffen Kieslich, he completely re-recorded the drums. Then it was up to Doron Segal to replay the bass and the keys. What we get is the classic sound of "Welche Farbe hat der Wind" - just updated and fresher.
For the first time ever, the track is also available as an instrumental version. Here, the great original guitar playing keeps the song going and going, and makes it perfectly clear that this tune, which originally came out on the schlager album "Reise in eine glückliche Zukunft" in 1974, is pretty damn funky!
It has been difficult to put "Welche Farbe hat der Wind" into a genre box, But it has been described as "rare groove","psychedelic schlager", and even "proto-AOR". For facility, Scientist has coined the new term "cloud rock" to describe this particular style of soft but groovy music. The name cloud rock bears a conspicuous reference to the krautrock genre as well. More tracks in a similar vein will be heard soon in a DJ mix under the same name.
Marian Tone's rework, as well as the corresponding instrumental version, will be released on a limited 7" single with a full-color picture sleeve. The digital release will feature the DJ Scientist re-mix plus an alternative version that puts more focus on the re-recorded bassline. In any case, this is an essential item for any music lover as well as the ideal contribution to your ultimate "cloud rock" DJ set!
GENRE/S: Rare Groove / AOR / Soul / Cloud Rock
TRACKLISTS:
A Welche Farbe hat der Wind (Marian Tone Rework)
B Welche Farbe hat der Wind (Marian Tone Rework) (Instrumental)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Ghia - Curaçao Blue (Introlution)
2
Ghia - Down At The Hilton
3
Ghia - Jump In The Water
4
Ghia - Close To You ('85 Interlude)
5
Ghia - In The Fast Lane
6
Ghia - Flowerplay
7
Ghia - Curaçao Blue
8
Ghia - Through The Window
9
Ghia - Crystal Silence In Dub
10
Ghia - Keep Your House In Disorder (Instrumental)
LP
- Thick 350 g Picture sleeve
- Includes 30x30 cm insert (250 g)
- Previously unissued full length album
- Fully licenced, recorded in 1985-1988
The story about the lost recordings of Ghia continues: Following the recently released "At The Hilton" single, our label is extremely proud to present "Curaçao Blue", the band's first full-length album. And it is simply mind-blowing, to say the least! The LP features 10 unreleased tracks in a similar Balearic vein as featured on the single.
Incredibly, it was only just a few months ago that these tracks were rediscovered on some old tapes by band members Lutz Boberg and Frank Simon. Could anyone imagine that two physics students from a small German town could create such beautiful, thrilling music in their home studio? Although the technical aspects in the creation of the band's earliest tracks may have been straightforward, the outcome is high-quality, creative, modern jazz-funk, with one step in the electro-funk genre due to the use of a drum machine and synthesizer basslines. The album features mostly 4-track recordings, based mainly on the musicians' weapons of choice: a DX21 keyboard (later updated to the legendary DX7) and a guitar. Many things had to be done live in just one take, though the artists were unafraid of using overdubbing techniques to weave their instrumental journeys. The DIY aesthetics just add more beauty and uniqueness to the songs and compositions, and the result is an extremely harmonic work of undeniable musicality. Ghia delivers Balearic jazz-funk at its finest.
Though the music was recorded in Germany, Ghia had a true relationship with the Balearic region and effortlessly applied the vibes to their compositions. As a side note, one track on their earliest demo tapes was called "3 AM at Moëf Gaga" and we did not know what it meant. The band explained that Moëf Gaga is a nightclub on the Spanish coast that is actually still active today. Boberg and Simon, the two original band members of Ghia, visited the club in the early 80s and spent their holiday close to the sea. With their music, they intended to create a summery vibe, capturing a relaxed and soulful view of the seashore, likely with a drink in hand... Perhaps a Blue Curaçao?
The album starts with a revised version of the title track. The drums in this take are much punchier, and we thought that it would fit just perfectly as an introduction. We continue with the already classic "Down At The Hilton" that was featured on the single, but like us, we are sure you could happily listen to this track on repeat. Next up, "Jump In The Water" opens with a catchy delayed melody, which develops into another perfect jazz-funk piece with an extended guitar solo. Another remarkable song might be "In The Fast Lane". As the name suggests, an uptempo number, now with an electro-funk beat combined with speedy keyboard solos that almost sounds like a marimba. On side B, the album keeps the relaxed seaside vibes flowing. To round out the album, we are treated to two pieces that originated after the return home, with memories of the Spanish coast fading but still lingering, likely recorded between 1986 and 1988. Both are instrumental versions of songs to be used later for studio sessions with their new band member, singer Lisa Ohm (who you will hear on Ghia's next album!). On "Crystal Silence In Dub" we get a perfect downtempo groove, positively reminding us of the sound of the 1980s UK funk scene. The album ends with "Keep Your House In Disorder", here as an earlier, rougher, and funkier take than on the final vocal version, which could be found on the B-side of the "What's Your Voodoo" single.
We hope you love this album as much as we do! Nothing like this has yet been released out of Germany. We hardly can recall any privately produced, home recorded jazz-funk/fusion from the 1980s as free, creative, and uninhibited as Ghia's Curaçao Blue. The playful and creative approach, coupled with those nostalgic tones should make this LP an essential pick for any record collection, whether you are a DJ, a home listener, a music lover, or a modern jazz-funk/synth-funk aficionado.
The album is out now on The Outer Edge, the new label by record collector DJ Scientist, aka John Raincoatman. We also want to thank Frederic Stader for his awesome work mastering and sound restoration of the material on this LP.
TRACKLISTS:
Side A
Curaçao Blue (Introlution)
Down At The Hilton
Jump In The Water
Close To You ('85 Interlude)
In The Fast Lane
Side B
Flowerplay
Curaçao Blue
Through The Window
Crystal Silence In Dub
Keep Your House In Disorder (Instrumental)
Genre: Modern Jazz Funk / Balearic Jazz Funk / Synth Funk / Melodic Electro Jazz Funk
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
- Thick 350 g Picture sleeve
- Includes 30x30 cm insert (250 g)
- Previously unissued full length album
- Fully licenced, recorded in 1985-1988
The story about the lost recordings of Ghia continues: Following the recently released "At The Hilton" single, our label is extremely proud to present "Curaçao Blue", the band's first full-length album. And it is simply mind-blowing, to say the least! The LP features 10 unreleased tracks in a similar Balearic vein as featured on the single.
Incredibly, it was only just a few months ago that these tracks were rediscovered on some old tapes by band members Lutz Boberg and Frank Simon. Could anyone imagine that two physics students from a small German town could create such beautiful, thrilling music in their home studio? Although the technical aspects in the creation of the band's earliest tracks may have been straightforward, the outcome is high-quality, creative, modern jazz-funk, with one step in the electro-funk genre due to the use of a drum machine and synthesizer basslines. The album features mostly 4-track recordings, based mainly on the musicians' weapons of choice: a DX21 keyboard (later updated to the legendary DX7) and a guitar. Many things had to be done live in just one take, though the artists were unafraid of using overdubbing techniques to weave their instrumental journeys. The DIY aesthetics just add more beauty and uniqueness to the songs and compositions, and the result is an extremely harmonic work of undeniable musicality. Ghia delivers Balearic jazz-funk at its finest.
Though the music was recorded in Germany, Ghia had a true relationship with the Balearic region and effortlessly applied the vibes to their compositions. As a side note, one track on their earliest demo tapes was called "3 AM at Moëf Gaga" and we did not know what it meant. The band explained that Moëf Gaga is a nightclub on the Spanish coast that is actually still active today. Boberg and Simon, the two original band members of Ghia, visited the club in the early 80s and spent their holiday close to the sea. With their music, they intended to create a summery vibe, capturing a relaxed and soulful view of the seashore, likely with a drink in hand... Perhaps a Blue Curaçao?
The album starts with a revised version of the title track. The drums in this take are much punchier, and we thought that it would fit just perfectly as an introduction. We continue with the already classic "Down At The Hilton" that was featured on the single, but like us, we are sure you could happily listen to this track on repeat. Next up, "Jump In The Water" opens with a catchy delayed melody, which develops into another perfect jazz-funk piece with an extended guitar solo. Another remarkable song might be "In The Fast Lane". As the name suggests, an uptempo number, now with an electro-funk beat combined with speedy keyboard solos that almost sounds like a marimba. On side B, the album keeps the relaxed seaside vibes flowing. To round out the album, we are treated to two pieces that originated after the return home, with memories of the Spanish coast fading but still lingering, likely recorded between 1986 and 1988. Both are instrumental versions of songs to be used later for studio sessions with their new band member, singer Lisa Ohm (who you will hear on Ghia's next album!). On "Crystal Silence In Dub" we get a perfect downtempo groove, positively reminding us of the sound of the 1980s UK funk scene. The album ends with "Keep Your House In Disorder", here as an earlier, rougher, and funkier take than on the final vocal version, which could be found on the B-side of the "What's Your Voodoo" single.
We hope you love this album as much as we do! Nothing like this has yet been released out of Germany. We hardly can recall any privately produced, home recorded jazz-funk/fusion from the 1980s as free, creative, and uninhibited as Ghia's Curaçao Blue. The playful and creative approach, coupled with those nostalgic tones should make this LP an essential pick for any record collection, whether you are a DJ, a home listener, a music lover, or a modern jazz-funk/synth-funk aficionado.
The album is out now on The Outer Edge, the new label by record collector DJ Scientist, aka John Raincoatman. We also want to thank Frederic Stader for his awesome work mastering and sound restoration of the material on this LP.
TRACKLISTS:
Side A
Curaçao Blue (Introlution)
Down At The Hilton
Jump In The Water
Close To You ('85 Interlude)
In The Fast Lane
Side B
Flowerplay
Curaçao Blue
Through The Window
Crystal Silence In Dub
Keep Your House In Disorder (Instrumental)
Genre: Modern Jazz Funk / Balearic Jazz Funk / Synth Funk / Melodic Electro Jazz Funk
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
The Outer Edge is proud to present the first ever vinyl release of "No Message" by Art P, a still lesser known and lost masterpiece from the P.A.P. archives. Art P (initially Art Programming) was an electronic music duo consisting of Jens-Markus Wegener and Frank Grotelüschen. On "No Message", originally released in 1985, we hear the band's most profound work, a detailed and unique mixture in between of Electro and the synth-laden edge of New Wave.
We initially discovered Art P on the tape compilation "berlincassette 2-85" a couple of years ago. Their contribution, the title track from their second and last album "No Message", blew us right away: punchy drum machines, heavy synths and cool female vocals delivering a serious, yet slightly ironic view on the meaninglessness in pop music having "no message". A couple of months later, when we finally were lucky to get hold of an original full length tape, we couldn't ask for more: powerful apocalyptic Synth Wave on "A Place To Fear", thrilling vocoder Electro Funk on "Polaroid", uptempo New Wave Synth Pop on "Sounds of the City", dreamy and melodic Electro on "Without Jackets", and other well produced tracks. It was an absolute necessity for us to get in touch with Art P and ask for permission to re-release their music on vinyl.
"No Message" was remastered from the absolute best original tape source and sounds incredibly well. The release is limited to 300 copies and will be pressed on blue vinyl. It contains an insert with lyrics and additional art. We think it is save to say, that this should not be missed!
As a side note it should be mentioned that Wegener later became a key figure in the German music market. He was the founder of companies such as Public Propaganda, Europe's largest and most successful promotion agency in the mid '90s, the publishing company AMV, the distributor PP Sales Forces, among others. As a freelance promoter for SPV and the PIAS label he was also responsible for establishing the term Electronic Body Music as a musical genre. Grotelüschen was active as a music journalist (e.g. for Spex magazine) and later became an important and well known journalist for science.
VITAL SALES POINTS:
- Limited Edition of 300 copies
- Blue vinyl
- Picture sleeve
- Includes lyrics insert
- Previously unissued on vinyl
- Fully licenced, recorded in 1985
TRACKLISTS:
Side 1
01 David
02 A Place To Fear
03 Polaroid
04 No Message
Side 2
05 Without Jackets
06 Sound Of The City
07 Five Minutes
08 Beams
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
We initially discovered Art P on the tape compilation "berlincassette 2-85" a couple of years ago. Their contribution, the title track from their second and last album "No Message", blew us right away: punchy drum machines, heavy synths and cool female vocals delivering a serious, yet slightly ironic view on the meaninglessness in pop music having "no message". A couple of months later, when we finally were lucky to get hold of an original full length tape, we couldn't ask for more: powerful apocalyptic Synth Wave on "A Place To Fear", thrilling vocoder Electro Funk on "Polaroid", uptempo New Wave Synth Pop on "Sounds of the City", dreamy and melodic Electro on "Without Jackets", and other well produced tracks. It was an absolute necessity for us to get in touch with Art P and ask for permission to re-release their music on vinyl.
"No Message" was remastered from the absolute best original tape source and sounds incredibly well. The release is limited to 300 copies and will be pressed on blue vinyl. It contains an insert with lyrics and additional art. We think it is save to say, that this should not be missed!
As a side note it should be mentioned that Wegener later became a key figure in the German music market. He was the founder of companies such as Public Propaganda, Europe's largest and most successful promotion agency in the mid '90s, the publishing company AMV, the distributor PP Sales Forces, among others. As a freelance promoter for SPV and the PIAS label he was also responsible for establishing the term Electronic Body Music as a musical genre. Grotelüschen was active as a music journalist (e.g. for Spex magazine) and later became an important and well known journalist for science.
VITAL SALES POINTS:
- Limited Edition of 300 copies
- Blue vinyl
- Picture sleeve
- Includes lyrics insert
- Previously unissued on vinyl
- Fully licenced, recorded in 1985
TRACKLISTS:
Side 1
01 David
02 A Place To Fear
03 Polaroid
04 No Message
Side 2
05 Without Jackets
06 Sound Of The City
07 Five Minutes
08 Beams
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Herbert Bodzin - Against the Wall
2
Herbert Bodzin - Lifting Blue
3
Herbert Bodzin - Voices of the Mind
4
Herbert Bodzin - Orbital
5
Herbert Bodzin - Lookin' Forward (Part 1)
6
Herbert Bodzin - Red Ocean
7
Herbert Bodzin - Flow Up
8
Herbert Bodzin - Go Ahead
9
Herbert Bodzin - Tender Words
Warehouse Find!
Herbert Bodzin's "Revival II" is the next exciting vinyl highlight on our young label. It features completely unreleased electronic music which was recorded between 1979 and 1982. On the album we can hear the sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5. The album additionally features Bernd Hollendiek, as well as Bodzin's two sons, Stephan and Oliver Bodzin. Most of the music they performed was completely synthesizer based while Oliver Bodzin played drums on a few tracks. The songs are a mixture of mostly ambient, deep, psychedelic, yet experimental and futuristic sounds as well as more vibrant recordings that featured the complete band. One of these vibrant tracks is "Lifting Blue" which qualifies as a unique version of space rock. On other tracks like "Voices of the Mind" we hear deep melodies topped with dreamy vocoder voices. "Against the Wall" sounds like it could be taken off of an Italian horror movie soundtrack while the mid-tempo "Orbital" pre-dates the sounds of techno and trance. As a side note, the album may also show early musical influences of Stephan Bodzin, who became world famous in the 1990s as one of the leading techno producers. Without any doubt, "Revival II" should be an exciting lost masterpiece of German electronic (rock) music and a must have for synth music lovers - revived and finally alive!
VITAL SALES POINTS:
- The album features completely unreleased electronic music which was recorded between 1979 and 1982.
- Features sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5.
- Herbert Bodzin is the father of famous electronic and techno producer Stephan Bodzin, who is also featured on the album as a teenager and may show his early musical influences.
Equipment used: ARP 2600, Moog Polymoog, Roland System-700 Modular Synthesizer, Korg PS-3300, Sequential Circuits Prophet-5, Roland Jupiter-8, Palm Products PPG Waveterm and PPG Wave 2.2, Tama Drums
Originally recorded between 1979 to 1982
Tracklist:
Side A
A1 Against the Wall
A2 Lifting Blue
A3 Voices of the Mind
A4 Orbital
A5 Lookin' Forward (Part 1)
Side B
B1 Red Ocean
B2 Flow Up
B3 Go Ahead
B4 Tender Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Herbert Bodzin's "Revival II" is the next exciting vinyl highlight on our young label. It features completely unreleased electronic music which was recorded between 1979 and 1982. On the album we can hear the sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5. The album additionally features Bernd Hollendiek, as well as Bodzin's two sons, Stephan and Oliver Bodzin. Most of the music they performed was completely synthesizer based while Oliver Bodzin played drums on a few tracks. The songs are a mixture of mostly ambient, deep, psychedelic, yet experimental and futuristic sounds as well as more vibrant recordings that featured the complete band. One of these vibrant tracks is "Lifting Blue" which qualifies as a unique version of space rock. On other tracks like "Voices of the Mind" we hear deep melodies topped with dreamy vocoder voices. "Against the Wall" sounds like it could be taken off of an Italian horror movie soundtrack while the mid-tempo "Orbital" pre-dates the sounds of techno and trance. As a side note, the album may also show early musical influences of Stephan Bodzin, who became world famous in the 1990s as one of the leading techno producers. Without any doubt, "Revival II" should be an exciting lost masterpiece of German electronic (rock) music and a must have for synth music lovers - revived and finally alive!
VITAL SALES POINTS:
- The album features completely unreleased electronic music which was recorded between 1979 and 1982.
- Features sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5.
- Herbert Bodzin is the father of famous electronic and techno producer Stephan Bodzin, who is also featured on the album as a teenager and may show his early musical influences.
Equipment used: ARP 2600, Moog Polymoog, Roland System-700 Modular Synthesizer, Korg PS-3300, Sequential Circuits Prophet-5, Roland Jupiter-8, Palm Products PPG Waveterm and PPG Wave 2.2, Tama Drums
Originally recorded between 1979 to 1982
Tracklist:
Side A
A1 Against the Wall
A2 Lifting Blue
A3 Voices of the Mind
A4 Orbital
A5 Lookin' Forward (Part 1)
Side B
B1 Red Ocean
B2 Flow Up
B3 Go Ahead
B4 Tender Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
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Tracklist 12":
A1) New Transition (Extended 12’’ Mix)
A2) Bumper Thumper (12’’ Club Dub)
B1) D.G.A.F.
B2) Bumper Thumper (Medlar Remix)
Here comes a first EP by Josh Ludlow for Toy Tonics. Mastermind of Make a Dance aka M.A.D. records. London’s best kept secret (or not so secret anymore) of new underground dance weapons that are played by everybody who counts in the scene.
Josh delivers a hot 4 -tracker that will move people on dance-floors worldwide. Combining 1990es filterhouse influences, 2000’s indie dance and some of the edgy contemporary funk moods that are lighting up clubs these days. The post - techno generation likes it funky and Josh delivers. Fitting perfectly with the vibe of Toy Tonics this EP will find a lot of friends. In fact Josh knows how things work.
Josh Ludlow has been steadily honing his craft over the past 15 years. Starting out releasing Drum & Bass under the ‘Squash!’ moniker in the late 2000’s whilst also playing drums in bands. The former gave way to live touring and it was only in 2020 when Josh resurfaced with some new electronic music.
The impetus for releasing this new material was when Josh Ludlow & Ben Lewis formed there beloved project ‘Make A Dance’ (which then went on to establish the imprint) M.A.D. Records during the pandemic.
Since then M.A.D have made a big impact on the underground scene, become regulars at places such as Fabric, Heidegluhen, Gottwood and gained DJ support of propel such as Laurent Garnier, Optimo, Palms Trax and Peggy Gou and across BBC Radio1 and regularly Cover show’s on NTS for Long Running Host’s Moxie and Apiento.
This is just the beginning.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
A1) New Transition (Extended 12’’ Mix)
A2) Bumper Thumper (12’’ Club Dub)
B1) D.G.A.F.
B2) Bumper Thumper (Medlar Remix)
Here comes a first EP by Josh Ludlow for Toy Tonics. Mastermind of Make a Dance aka M.A.D. records. London’s best kept secret (or not so secret anymore) of new underground dance weapons that are played by everybody who counts in the scene.
Josh delivers a hot 4 -tracker that will move people on dance-floors worldwide. Combining 1990es filterhouse influences, 2000’s indie dance and some of the edgy contemporary funk moods that are lighting up clubs these days. The post - techno generation likes it funky and Josh delivers. Fitting perfectly with the vibe of Toy Tonics this EP will find a lot of friends. In fact Josh knows how things work.
Josh Ludlow has been steadily honing his craft over the past 15 years. Starting out releasing Drum & Bass under the ‘Squash!’ moniker in the late 2000’s whilst also playing drums in bands. The former gave way to live touring and it was only in 2020 when Josh resurfaced with some new electronic music.
The impetus for releasing this new material was when Josh Ludlow & Ben Lewis formed there beloved project ‘Make A Dance’ (which then went on to establish the imprint) M.A.D. Records during the pandemic.
Since then M.A.D have made a big impact on the underground scene, become regulars at places such as Fabric, Heidegluhen, Gottwood and gained DJ support of propel such as Laurent Garnier, Optimo, Palms Trax and Peggy Gou and across BBC Radio1 and regularly Cover show’s on NTS for Long Running Host’s Moxie and Apiento.
This is just the beginning.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Shaka - Build On Revolution (06:49)
2
Shaka - Consitand Blues (07:35)
3
Shaka - Lost In Time (06:50)
4
Shaka - Walking On Clouds (06:32)
Genre: Deep House / Soulfull House / Acid House / Vocal House / Chicago House
Tracklist 12", strictly limited to 250 copies, no repress!
A1. Shaka - Build On Revolution 06:49
A2. Shaka - Consitand Blues 07:35
B1. Shaka - Lost In Time 06:50
B2. Shaka - Walking On Clouds 06:32
Release Info:
Swiss Master SHAKA returns to Yore and brings as the deepest, most musical House for his new EP entitled as “Lost In Time”. Shaka got so much Jazz and that's a fact, so that we internally like to call him the European GU (Glenn Underground). This one is something for those who know and there's only 200 copies pressed. Strictly no repress. When they are gone, they are gone forever.
Strictly limited to 200 Copies worldwide (no repress). Grab yours while they last.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Tracklist 12", strictly limited to 250 copies, no repress!
A1. Shaka - Build On Revolution 06:49
A2. Shaka - Consitand Blues 07:35
B1. Shaka - Lost In Time 06:50
B2. Shaka - Walking On Clouds 06:32
Release Info:
Swiss Master SHAKA returns to Yore and brings as the deepest, most musical House for his new EP entitled as “Lost In Time”. Shaka got so much Jazz and that's a fact, so that we internally like to call him the European GU (Glenn Underground). This one is something for those who know and there's only 200 copies pressed. Strictly no repress. When they are gone, they are gone forever.
Strictly limited to 200 Copies worldwide (no repress). Grab yours while they last.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Giammarco Orsini - Whirlwind
2
Hiver - The Frontier
3
Sam Goku - Lucid Oscillation
4
Jonny Rock - Legenda
5
Dobao - Oceano
6
Thanksmate - Take A Chance
GENRE/S: Electronic, House, Acid, Breakbeat
TRACKLISTS:
Side A
Giammarco Orsini - Whirlwind
Hiver - The Frontier
Sam Goku - Lucid Oscillation
SIDE B
Jonny Rock - Legenda
Dobao - Oceano
Thanksmate - Take A Chance
SHORT INFO:
‘Sunrise Dream’ is a collection of tracks designed for those who know and value those moments when music creates a suspended space, a boundary between the real and the dreamlike. This vinyl version captures that essence, allowing the listener to immerse themselves in sounds that mingle with the early morning light.
Each track has its own unique character: Jonny Rock's Legenda opens the record with a purposeful groove, while Thanksmate's Take A Chance adds a more meditative undertone. With Oceano, Dobao takes us into a deep, liquid dimension, followed by the hypnotic rhythm of Whirlwind by Giammarco Orsini. Hiver, with The Frontier, explores electronic landscapes that move between tension and release, while Sam Goku's Lucid Oscillation concludes the compilation on airy, floating notes.
‘Sunrise Dream’ on vinyl offers a tactile and immersive experience, a sonic journey designed for those who experience music as a ritual, for those who seek detail and atmosphere. These tracks are fragments of a collective idea, a synthesis of shared moments that find new life with each listen.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
TRACKLISTS:
Side A
Giammarco Orsini - Whirlwind
Hiver - The Frontier
Sam Goku - Lucid Oscillation
SIDE B
Jonny Rock - Legenda
Dobao - Oceano
Thanksmate - Take A Chance
SHORT INFO:
‘Sunrise Dream’ is a collection of tracks designed for those who know and value those moments when music creates a suspended space, a boundary between the real and the dreamlike. This vinyl version captures that essence, allowing the listener to immerse themselves in sounds that mingle with the early morning light.
Each track has its own unique character: Jonny Rock's Legenda opens the record with a purposeful groove, while Thanksmate's Take A Chance adds a more meditative undertone. With Oceano, Dobao takes us into a deep, liquid dimension, followed by the hypnotic rhythm of Whirlwind by Giammarco Orsini. Hiver, with The Frontier, explores electronic landscapes that move between tension and release, while Sam Goku's Lucid Oscillation concludes the compilation on airy, floating notes.
‘Sunrise Dream’ on vinyl offers a tactile and immersive experience, a sonic journey designed for those who experience music as a ritual, for those who seek detail and atmosphere. These tracks are fragments of a collective idea, a synthesis of shared moments that find new life with each listen.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Label:NeighbourSoul Rhythms
Cat-No:NBS007
Release-Date:17.01.2025
Genre:Space Disco/House
Configuration:12" Excl
Label:NeighbourSoul Rhythms
Cat-No:NBS007
Release-Date:17.01.2025
Genre:Space Disco/House
Configuration:12" Excl
1
Rahaan - Repo Lady
2
Rahaan - Bodywork
3
Rahaan - Woman of The Party
4
Rahaan - Go Dancin'
GENRE/S: Disco, funk, house
TRACKLIST:
A1. Repo Lady
A2. Bodywork
B1. Woman of The Party
B2. Go Dancin´
SHORT INFO:
4 blazing disco cuts. Mega tip for dancefloor lovers! Ltd to 500.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
TRACKLIST:
A1. Repo Lady
A2. Bodywork
B1. Woman of The Party
B2. Go Dancin´
SHORT INFO:
4 blazing disco cuts. Mega tip for dancefloor lovers! Ltd to 500.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Acid Pauli & Nico Stojan - Vola
2
Acid Pauli & Nico Stojan - Tensione
GENRE/S:
Organic House, Deep House, Electronica/Leftfield
TRACKLISTS:
A. Vola
B. Tensione
SHORT INFO:
The pair behind the Ouie label, Acid Pauli & Nico Stojan, collaborate again on a new release on their own label - Vola. The title track fits perfectly with their long-established signature sound of intimate and psychedelic electronic music for the more leftfield leaning music lovers and features a spongy rhythm, accompanying samples seemingly draw from far and wide, creating a lush and meditative feeling.
The second track, Tensione, builds from the same sound palette but incorporates more elements, from modular arpeggiators to tasteful pads.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Organic House, Deep House, Electronica/Leftfield
TRACKLISTS:
A. Vola
B. Tensione
SHORT INFO:
The pair behind the Ouie label, Acid Pauli & Nico Stojan, collaborate again on a new release on their own label - Vola. The title track fits perfectly with their long-established signature sound of intimate and psychedelic electronic music for the more leftfield leaning music lovers and features a spongy rhythm, accompanying samples seemingly draw from far and wide, creating a lush and meditative feeling.
The second track, Tensione, builds from the same sound palette but incorporates more elements, from modular arpeggiators to tasteful pads.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Ali Omar - Hashish
2
Ali Omar - The Last Straw
3
Ali Omar - Nu Stone Groove
4
Ali Omar - On Release
5
Ali Omar - Poor Man Beggar Man Thief (Feat Kye)
6
Ali Omar - Suicide Bomber
7
Ali Omar - Roll Up
8
Ali Omar - For Love's Sake
Tracklist:
01. Hashish
02. The Last Straw
03. Nu Stone Groove
04. On Release
05. Poor Man Beggar Man Thief (Feat Kye)
06. Suicide Bomber
07. Roll Up
08. For Love's Sake
Short info:
Efficient Space honours the memory of producer and MC Ali Omar with Hashish Hits, a posthumous selection from the dub rebel’s self-released discography.
One of ten children in working-class Liverpool, Omar drew deep influence from his father's Arabic heritage—a thread central to his identity and sample origins. After art school and a spell clubbing during Manchester's halcyon days, he relocated to Sydney, where he co-founded the blunted downbeat duo Atone with fellow British expatriate Andy Fitzgerald. As an MC, he infiltrated the city’s house, dub, jungle, and bass circuits, becoming a regular fixture at the Bentley Bar, where he commanded the mic with his versatile, rumbling baritone and charisma.
Freakishly talented in the studio, Omar was a pioneer of the Akai sampler and Atari, deftly recording live sessions straight to DAT. Drawing on industry insights from his sister, Merseybeat firebrand Beryl Marsden—who supported The Beatles on their final UK tour and was signed to Decca and Columbia—the non-conformist sought to build a self-sufficient business model. Between 1998 and 2004, he independently issued four albums on CD through his Hashish Studios imprint, hustling copies directly to local record stores and live shows for instant returns, even hand-sewing screen-printed hessian sleeves for his final release.
Uncompromising in his principles and refusing to suffer fools or charlatans, Omar relished the opportunity to collaborate with those who embodied the same spirit. Hashish Hits offers a snapshot of his inner sanctum—Fitzgerald on the opening track's billowing smoke stacks, the serpentine vocals of Gina Mitchell and the magic hands of mixer Louis Mitchell on 'On Release,' and Wicked Beat Sound System’s Kye on 'Poor Man Beggar Man Thief'. Meanwhile, 'Suicide Bomber' smoulders with the tension of a lost Muslimgauze relic, as the instructional 'Roll Up' and 'The Last Straw' spiral deeper into Omar’s signature production vortex—where space stretches in slow motion and walls reverberate with ricocheting delay.
A true icon of Sydney’s underground scene, the larger-than-life Omar passed away on 23 June 2009 after a valiant battle with cancer. He is remembered for his assertive spirit, larrikin humour, wild anarchic personality, and enduring mantra: “Love and live your life”.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
01. Hashish
02. The Last Straw
03. Nu Stone Groove
04. On Release
05. Poor Man Beggar Man Thief (Feat Kye)
06. Suicide Bomber
07. Roll Up
08. For Love's Sake
Short info:
Efficient Space honours the memory of producer and MC Ali Omar with Hashish Hits, a posthumous selection from the dub rebel’s self-released discography.
One of ten children in working-class Liverpool, Omar drew deep influence from his father's Arabic heritage—a thread central to his identity and sample origins. After art school and a spell clubbing during Manchester's halcyon days, he relocated to Sydney, where he co-founded the blunted downbeat duo Atone with fellow British expatriate Andy Fitzgerald. As an MC, he infiltrated the city’s house, dub, jungle, and bass circuits, becoming a regular fixture at the Bentley Bar, where he commanded the mic with his versatile, rumbling baritone and charisma.
Freakishly talented in the studio, Omar was a pioneer of the Akai sampler and Atari, deftly recording live sessions straight to DAT. Drawing on industry insights from his sister, Merseybeat firebrand Beryl Marsden—who supported The Beatles on their final UK tour and was signed to Decca and Columbia—the non-conformist sought to build a self-sufficient business model. Between 1998 and 2004, he independently issued four albums on CD through his Hashish Studios imprint, hustling copies directly to local record stores and live shows for instant returns, even hand-sewing screen-printed hessian sleeves for his final release.
Uncompromising in his principles and refusing to suffer fools or charlatans, Omar relished the opportunity to collaborate with those who embodied the same spirit. Hashish Hits offers a snapshot of his inner sanctum—Fitzgerald on the opening track's billowing smoke stacks, the serpentine vocals of Gina Mitchell and the magic hands of mixer Louis Mitchell on 'On Release,' and Wicked Beat Sound System’s Kye on 'Poor Man Beggar Man Thief'. Meanwhile, 'Suicide Bomber' smoulders with the tension of a lost Muslimgauze relic, as the instructional 'Roll Up' and 'The Last Straw' spiral deeper into Omar’s signature production vortex—where space stretches in slow motion and walls reverberate with ricocheting delay.
A true icon of Sydney’s underground scene, the larger-than-life Omar passed away on 23 June 2009 after a valiant battle with cancer. He is remembered for his assertive spirit, larrikin humour, wild anarchic personality, and enduring mantra: “Love and live your life”.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
ddwy - Spinning Stones (06:09 min)
2
ddwy - Concrete Riviera (04:46 min)
3
ddwy - Surangini (05:24 min)
4
ddwy - Theme Of The PCCP (03:36 min)
Tracklist:
A1) Spinning Stones (06:09 min)
A2) Concrete Riviera (04:46 min)
B1) Surangini (05:24 min)
B2) Theme Of The PCCP (03:36 min)
Short info:
ddwy the duo from London is back on Public Possession. Naomi and Ronan aka Nangi and Inner Totality continue to impress with their blend of organic, rhythmic dance music. Mystic vocals intertwine with layers of cosmic melodies. This record is a must for Balearic D.J.s, but will likely also be played out in sleazy dark basements or Pubs in the British countryside. You’ll place it, people will embrace it. That’s a guarantee!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
A1) Spinning Stones (06:09 min)
A2) Concrete Riviera (04:46 min)
B1) Surangini (05:24 min)
B2) Theme Of The PCCP (03:36 min)
Short info:
ddwy the duo from London is back on Public Possession. Naomi and Ronan aka Nangi and Inner Totality continue to impress with their blend of organic, rhythmic dance music. Mystic vocals intertwine with layers of cosmic melodies. This record is a must for Balearic D.J.s, but will likely also be played out in sleazy dark basements or Pubs in the British countryside. You’ll place it, people will embrace it. That’s a guarantee!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Label:Smallville Records
Cat-No:smallville66
Release-Date:08.11.2024
Genre:Deephouse
Configuration:12" Excl
Label:Smallville Records
Cat-No:smallville66
Release-Date:08.11.2024
Genre:Deephouse
Configuration:12" Excl
1
Lis Sarroca - Atacote
2
Lis Sarroca - Breaks Reminder
3
Lis Sarroca - Early Years
4
Lis Sarroca - Might Be
Artwork and Typography by Stefan Marx
Smallville Records welcomes Barcelona’s Lis Sarroca onto the imprint this November with her four-track ‘Untitled Thoughts’ EP.
Since 2018, Barcelona, Spain’s Lis Sarroca has been steadily unveiling her take on House, Techno, Disco and Electro via the likes of Shall Not Fade, Hot Haus and Chiwax among others as well maintain a steady presence across the globe as a heavily in demand DJ. Here, we see Sarocca making her debut on Smallville with her latest collection of works, again showcasing her widespread influences and mesmerising sonic aesthetic across four cuts.
Up first is ‘Atacote’, a hypnotic house cut with a Balearic feel courtesy of breathy vocals, cinematic strings, piano lines and hazy atmospherics, intertwined with organic percussion and bouncy sub bass tones. ‘Breaks Reminder’ follows and shifts gear into a broken rhythm section, squelchy acid lines and textural synths throughout.
Opening the flip-side is ‘Early Years’, diving back into deeper realms with a multitude of ethereal pads, dubby synth flutters, plucked bass hits and crisp drums. ‘Might Be’ then concludes the EP on a more chuggy Nu-Disco tip, employing gritty bass stabs, bubbling arpeggios, airy flute melodies and a saturated off-kilter drum groove.
Comes with a Full Cover Artwork by Stefan Marx
Tracklist:
A1 Atacote
A2 Breaks Reminder
B1 Early Years
B2 Might Be
All tracks written & produced by Lis Sarroca
Mastering and Vinyl cut by Helmut Erler at Lathesville
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Smallville Records welcomes Barcelona’s Lis Sarroca onto the imprint this November with her four-track ‘Untitled Thoughts’ EP.
Since 2018, Barcelona, Spain’s Lis Sarroca has been steadily unveiling her take on House, Techno, Disco and Electro via the likes of Shall Not Fade, Hot Haus and Chiwax among others as well maintain a steady presence across the globe as a heavily in demand DJ. Here, we see Sarocca making her debut on Smallville with her latest collection of works, again showcasing her widespread influences and mesmerising sonic aesthetic across four cuts.
Up first is ‘Atacote’, a hypnotic house cut with a Balearic feel courtesy of breathy vocals, cinematic strings, piano lines and hazy atmospherics, intertwined with organic percussion and bouncy sub bass tones. ‘Breaks Reminder’ follows and shifts gear into a broken rhythm section, squelchy acid lines and textural synths throughout.
Opening the flip-side is ‘Early Years’, diving back into deeper realms with a multitude of ethereal pads, dubby synth flutters, plucked bass hits and crisp drums. ‘Might Be’ then concludes the EP on a more chuggy Nu-Disco tip, employing gritty bass stabs, bubbling arpeggios, airy flute melodies and a saturated off-kilter drum groove.
Comes with a Full Cover Artwork by Stefan Marx
Tracklist:
A1 Atacote
A2 Breaks Reminder
B1 Early Years
B2 Might Be
All tracks written & produced by Lis Sarroca
Mastering and Vinyl cut by Helmut Erler at Lathesville
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Complementary Minds - Goonietown
2
Complementary Minds - Kim Darkness
3
Complementary Minds - Hey
4
Complementary Minds - Born Dead
5
Complementary Minds - Rmx & Chips
6
Complementary Minds - King Of Korea
7
Complementary Minds - M-Time
8
Complementary Minds - Damn
9
Complementary Minds - Explorer ‘85
10
Complementary Minds - Ambient Kontakt
11
Complementary Minds - O
Genres: Hip-Hop, Breakbeat, Electro, House, Acid Jazz
Tracklist
C1. Goonietown C2. Kim Darkness C3. Hey C4. Born Dead C5. Rmx & Chips D1. King Of Korea D2. M-Time D3. Damn D4. Explorer ‘85 D5. Ambient Kontakt D6. O
Special remarks:
This time we give you a free code to download the album in digital format.
Shortinfo:
We last left off with Complementary Minds dropping singles and EPs to keep telling their musical story. But now, we're hyped to present their new album, the second one, Complementary Minds Vol 2 (inevitably out on vinyl and of course on digital versions), it's picking up right where the first one left off and just like that one, it’s out on their label, Terapia Records. Complementary Minds Vol.2 is, as the duo has been treating us to lately, a subtle yet striking evolution from the first chapter of what, and we’re telling you this exclusively, will be a trilogy. The tracks are a mix of influences from all sorts of genres like Hip-Hop, Breakbeat, Electro, House, Acid Jazz and much more. But the compositional style here is more mature, even more aware and refined, less raw than the first album, which showcased their creative talent in an instinctive way. This is a big step in the musical maturity of Luca and Michele. As usual, they flaunt their passion for movies by stuffing the tracks with film references in the form of samples that we challenge you to find, giving you just a few hints: you'll find samples from The Goonies in “Goonietown", Natural Born Killers in "Born Dead” and even Fantozzi Contro Tutti, a wild obsession of our very own Luca, in the track "Rmx & Chips”! Continuing from the first album, the tracks on what should be the first side are named starting with C, so the second side is the D side, kicking off with “Goonietown" and its absolutely smashing four-on-the-floor groove. The dark and brooding mystical energy of "Kim Darkness" takes us into a different sound dimension, from which we inevitably emerge with the fresh vibes of the airy "Hey" and the mellow "Born Dead" before diving into the rhythmic coolness of "Rmx & Chips” which put the END word on the first side. D side starts with “King Of Korea” and its harmonic electro touch which perfectly sets up the following track, the short but intense "M-Time" and the esoteric crypticism of “Damn”. The breathless sprint of Complementary Minds sees the finish line approaching, but not before tackling the sonic leaps of a world crafted by their vintage touch and the late '80s rhythmic evolutions of the ruggedly classy "Explorer '85". “Ambient Kontakt” anticipates the 9th inning of this record with a touch of healthy weirdness, a must by the pair, and sets the stage for the fleeting and dreamy outro of the spacey "O" Omega for the Greek scholars, symbolizing the end, the final letter of the alphabet. The tune is inspired to Jerry Goldsmith’s majestic soundtracks; he composed, amongst others, the music for Alien and Rambo. Here's what you need to know before diving into the listening experience of Complementary Minds Vol.2 by the duo Complementary Minds, out on Terapia Records. As always, they send their regards from Milan and invite you to keep your eyes peeled and your ears open for the final chapter of the trilogy!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Tracklist
C1. Goonietown C2. Kim Darkness C3. Hey C4. Born Dead C5. Rmx & Chips D1. King Of Korea D2. M-Time D3. Damn D4. Explorer ‘85 D5. Ambient Kontakt D6. O
Special remarks:
This time we give you a free code to download the album in digital format.
Shortinfo:
We last left off with Complementary Minds dropping singles and EPs to keep telling their musical story. But now, we're hyped to present their new album, the second one, Complementary Minds Vol 2 (inevitably out on vinyl and of course on digital versions), it's picking up right where the first one left off and just like that one, it’s out on their label, Terapia Records. Complementary Minds Vol.2 is, as the duo has been treating us to lately, a subtle yet striking evolution from the first chapter of what, and we’re telling you this exclusively, will be a trilogy. The tracks are a mix of influences from all sorts of genres like Hip-Hop, Breakbeat, Electro, House, Acid Jazz and much more. But the compositional style here is more mature, even more aware and refined, less raw than the first album, which showcased their creative talent in an instinctive way. This is a big step in the musical maturity of Luca and Michele. As usual, they flaunt their passion for movies by stuffing the tracks with film references in the form of samples that we challenge you to find, giving you just a few hints: you'll find samples from The Goonies in “Goonietown", Natural Born Killers in "Born Dead” and even Fantozzi Contro Tutti, a wild obsession of our very own Luca, in the track "Rmx & Chips”! Continuing from the first album, the tracks on what should be the first side are named starting with C, so the second side is the D side, kicking off with “Goonietown" and its absolutely smashing four-on-the-floor groove. The dark and brooding mystical energy of "Kim Darkness" takes us into a different sound dimension, from which we inevitably emerge with the fresh vibes of the airy "Hey" and the mellow "Born Dead" before diving into the rhythmic coolness of "Rmx & Chips” which put the END word on the first side. D side starts with “King Of Korea” and its harmonic electro touch which perfectly sets up the following track, the short but intense "M-Time" and the esoteric crypticism of “Damn”. The breathless sprint of Complementary Minds sees the finish line approaching, but not before tackling the sonic leaps of a world crafted by their vintage touch and the late '80s rhythmic evolutions of the ruggedly classy "Explorer '85". “Ambient Kontakt” anticipates the 9th inning of this record with a touch of healthy weirdness, a must by the pair, and sets the stage for the fleeting and dreamy outro of the spacey "O" Omega for the Greek scholars, symbolizing the end, the final letter of the alphabet. The tune is inspired to Jerry Goldsmith’s majestic soundtracks; he composed, amongst others, the music for Alien and Rambo. Here's what you need to know before diving into the listening experience of Complementary Minds Vol.2 by the duo Complementary Minds, out on Terapia Records. As always, they send their regards from Milan and invite you to keep your eyes peeled and your ears open for the final chapter of the trilogy!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Cat-No:GT01
Release-Date:06.12.2024
Configuration:LP Excl
Cat-No:GT01
Release-Date:06.12.2024
Configuration:LP Excl
1
A1 OVA - Rainforest
2
A2 Jean-Michel Bertrand - Engines
3
A3 Terry Keegan - Nutze Die Technik
4
A4 Van Kampen - Java
5
A5 Votu - Beyond
6
B1 Four Drummers Drumming - Wok
7
B2 Cuco Pérez - Calabó Bambú
8
B3 Chóres - Afrikí
9
B4 Angklunk - Das Versprechen
10
B5 Cipriani One Man Band - From Perù To China
LP
GENRE/S: Ambient, New Age, Experimental
TRACKLISTS:
Side A
a1 OVA - Rainforest
a2 Jean-Michel Bertrand - Engines
a3 Terry Keegan - Nutze Die Technik
a4 Van Kampen - Java
a5 Votu - Beyond
Side B
b1 Four Drummers Drumming - Wok
b2 Cuco Pérez - Calabó Bambú
b3 Chóres - Afrikí
b4 Angklunk - Das Versprechen
b5 Cipriani One Man Band - From Perù To China
SHORT INFO:
Ultimo Tango (Milan) & Glossy Mistakes (Madrid) are thrilled to announce the release of "Tribal Organic: Deep Dive into European Percussions 79-90", a compilation of otherworldly percussion-driven tracks, digging deep into this unknown realm of a past era.
Compiled by Luca Fiore and Glossy Mario, the album takes listeners on a rhythmic journey through the diverse sounds of Europe from 1979 to 1990. This collaboration between two like-minded labels highlights forgotten recordings from across Europe, including works by artists from France, Spain, Germany, Italy, Austria, the Netherlands...
Opening with the ethereal “Rainforest” by British female duo Ova, this collection weaves together nine tracks from artists who were deeply influenced by global percussion traditions. With hints of jazz, new age, gamelan, and West African rhythms, these tracks feature instruments like congas, tablas, and shekeres, and reflect a shared fascination with the organic beat of the drum.
From the industrial-meets-African grooves of Jean-Michel Bertrand’s “Engines”, to the hypnotic accordion and tribal chants of Cuco Pérez’s “Calabó Bambú”, the compilation offers a cross-cultural listening experience that is both meditative and invigorating. Despite creating these works in isolation during the last years of the Cold War, each artist was inspired by a borderless world of sound. The compilation pays homage to these nomadic musicians who respected the traditions they drew from, while contributing their own experimental takes on percussion-led music.
In Tribal Organic, Glossy Mario and Luca Fiore have unearthed a treasure trove of rhythm-driven tracks that blur the lines between nations, genres, and cultures. This compilation offers more than just music; it’s a listening experience that is both spiritual and grounded—bold, exploratory, and deeply rooted in the beat of the Earth.
VITAL SALES POINTS:
- Highly sought after and obscure tracks from all corners of Europe put together for first time, covering a wide time range, from 1979 to 1990
- Remastered from source material, artwork by Alicia Carrera
- One of a kind experimental compilation digging deep into the percussion realm of a past era
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
GENRE/S: Ambient, New Age, Experimental
TRACKLISTS:
Side A
a1 OVA - Rainforest
a2 Jean-Michel Bertrand - Engines
a3 Terry Keegan - Nutze Die Technik
a4 Van Kampen - Java
a5 Votu - Beyond
Side B
b1 Four Drummers Drumming - Wok
b2 Cuco Pérez - Calabó Bambú
b3 Chóres - Afrikí
b4 Angklunk - Das Versprechen
b5 Cipriani One Man Band - From Perù To China
SHORT INFO:
Ultimo Tango (Milan) & Glossy Mistakes (Madrid) are thrilled to announce the release of "Tribal Organic: Deep Dive into European Percussions 79-90", a compilation of otherworldly percussion-driven tracks, digging deep into this unknown realm of a past era.
Compiled by Luca Fiore and Glossy Mario, the album takes listeners on a rhythmic journey through the diverse sounds of Europe from 1979 to 1990. This collaboration between two like-minded labels highlights forgotten recordings from across Europe, including works by artists from France, Spain, Germany, Italy, Austria, the Netherlands...
Opening with the ethereal “Rainforest” by British female duo Ova, this collection weaves together nine tracks from artists who were deeply influenced by global percussion traditions. With hints of jazz, new age, gamelan, and West African rhythms, these tracks feature instruments like congas, tablas, and shekeres, and reflect a shared fascination with the organic beat of the drum.
From the industrial-meets-African grooves of Jean-Michel Bertrand’s “Engines”, to the hypnotic accordion and tribal chants of Cuco Pérez’s “Calabó Bambú”, the compilation offers a cross-cultural listening experience that is both meditative and invigorating. Despite creating these works in isolation during the last years of the Cold War, each artist was inspired by a borderless world of sound. The compilation pays homage to these nomadic musicians who respected the traditions they drew from, while contributing their own experimental takes on percussion-led music.
In Tribal Organic, Glossy Mario and Luca Fiore have unearthed a treasure trove of rhythm-driven tracks that blur the lines between nations, genres, and cultures. This compilation offers more than just music; it’s a listening experience that is both spiritual and grounded—bold, exploratory, and deeply rooted in the beat of the Earth.
VITAL SALES POINTS:
- Highly sought after and obscure tracks from all corners of Europe put together for first time, covering a wide time range, from 1979 to 1990
- Remastered from source material, artwork by Alicia Carrera
- One of a kind experimental compilation digging deep into the percussion realm of a past era
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Cuddling Monsters - Dark REM
2
Cuddling Monsters - Monster Talk
3
Cuddling Monsters - Event Horizon
4
Cuddling Monsters - Temporal Aura
Genres: Dub Techno, Techno, House
ZentaSkai and Laura Merino Allue return to Mask Records as Cuddling Monsters with volume two of their vinyl-only house and techno series
Tracklist:
A1 Dark REM
A2 Monster Talk
B1 Event Horizon
B2 Temporal Aura
Arriving on a limited 200-copy translucent orange vinyl, 'Dark REM' on Cuddling Monsters’ second release on Mask Records is a hunched-over and direct dub techno cut with forceful drums and deft percussion, adding texture next to warm, sustained pads.
There's a real sense of urgency in this most frictionless groove, which means it cannot fail to cast a spell on the dance floor. The fantastic 'Event Horizon' is then infused with the aura of deep space - sustained chords with a cosmic edge add vast scale to the well-programmed deep techno drums. 'Monster Talk' is a mid-tempo dub track with underlapping drums and rattling, rusted chords that disappear to infinity. It's cavernous and evocative, with myriad little details occupying the mind. 'Temporal Aura' is another standout sound that blends deep techno, dub, and minimal into a serene soundtrack that encourages inward reflection while driving onwards through the cosmos.
Mask Records founder ZentaSkai and his creative partner Laura Merino Allue are Berlin mainstays helping shape the underground. Cuddling Monsters is a new project that debuted on the label in March. It is all about crafting music with analogue instruments, which they believe "offer distinctive sonic qualities, creative constraints, and genuine sound reproduction”. They explore Detroit-infused house, dub techno and minimal soundscapes with raw edges and a great sense of atmosphere. Cuddling Monsters' 'Cuddling Monsters_CM Vol. 02' releases via Mask Records on 6th December 2024.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
ZentaSkai and Laura Merino Allue return to Mask Records as Cuddling Monsters with volume two of their vinyl-only house and techno series
Tracklist:
A1 Dark REM
A2 Monster Talk
B1 Event Horizon
B2 Temporal Aura
Arriving on a limited 200-copy translucent orange vinyl, 'Dark REM' on Cuddling Monsters’ second release on Mask Records is a hunched-over and direct dub techno cut with forceful drums and deft percussion, adding texture next to warm, sustained pads.
There's a real sense of urgency in this most frictionless groove, which means it cannot fail to cast a spell on the dance floor. The fantastic 'Event Horizon' is then infused with the aura of deep space - sustained chords with a cosmic edge add vast scale to the well-programmed deep techno drums. 'Monster Talk' is a mid-tempo dub track with underlapping drums and rattling, rusted chords that disappear to infinity. It's cavernous and evocative, with myriad little details occupying the mind. 'Temporal Aura' is another standout sound that blends deep techno, dub, and minimal into a serene soundtrack that encourages inward reflection while driving onwards through the cosmos.
Mask Records founder ZentaSkai and his creative partner Laura Merino Allue are Berlin mainstays helping shape the underground. Cuddling Monsters is a new project that debuted on the label in March. It is all about crafting music with analogue instruments, which they believe "offer distinctive sonic qualities, creative constraints, and genuine sound reproduction”. They explore Detroit-infused house, dub techno and minimal soundscapes with raw edges and a great sense of atmosphere. Cuddling Monsters' 'Cuddling Monsters_CM Vol. 02' releases via Mask Records on 6th December 2024.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
SL Jung - W1
2
SL Jung - Coherence
SL Jung's new Dub Techno imprint Skylarking starts with a double A side for mind traveling
And the floors. Mastering and Cut by Dubplates & Mastering.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
And the floors. Mastering and Cut by Dubplates & Mastering.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More