1
Timmy Sims - Count Down
2
Timmy Sims - Corporation
Marvelous Hammond-B3 two-sider which would surprise Jimmy Smith as much as Brother Jack McDuff. Super-limited press - be quicker than quick!
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More records from Tramp Records
1
Baobab - Keine Nummer (1978)
2
Baobab - Keine Nummer (2022)
** 1st TIME ON 45 + EXCLUSIVE B-SIDE! **
Most of you probably first heard about BAOBAB when they appeared on our PEACE CHANT compilation series (Vol.7). BAOBAB was once described as "one of the most interesting rock-jazz groups on the Stuttgart scene". "Keine Nummer" was originally recorded and released in 1978. 44 years later the band came together in the studio to record an updated version which is exclusively available on this 45. Limited to 333 hand-numbered copies!
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Most of you probably first heard about BAOBAB when they appeared on our PEACE CHANT compilation series (Vol.7). BAOBAB was once described as "one of the most interesting rock-jazz groups on the Stuttgart scene". "Keine Nummer" was originally recorded and released in 1978. 44 years later the band came together in the studio to record an updated version which is exclusively available on this 45. Limited to 333 hand-numbered copies!
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1
Jazz Workshop Ensemble - - Aya Tolla
2
Music Liberation Unit - - Monday Morning
3
Music Community - - Groove Rock
4
Ad Libitum - - Take Five
5
HerrGottSax - - Sabanone (Schlachtruf Der Affen)
6
Fences - - Mein Alter Hut
7
Spirit - - Work Song
8
BZN-Big Band - - Nr. 6
9
Ulmer Jazz Quintet - - Grandfathers Waltz
10
Brainstream - - B27
11
Trio Wolf-Sperl-Bräuer - - Bulgarian Flirt
The term "private" is used quite liberally in the promotion of rare groove compilations these days. The team at Tramp Records tends to be rather defensive when it comes to such terms. Although, and this should not be misunderstood as arrogance, label boss Tobias Kirmayer & his crew have been doing nothing else for 22 years, strictly speaking. Every compilation series from the Upper Bavarian label, be it the "Movements," "Feeling Nice," "Praise Poems," or "Can You Feel It" series, specializes in independently produced music from the 1960s, 70s, and 80s released on small private labels. This means extremely time-consuming work to track down the musicians, write down their stories, and, last but not least, invest a high four-digit amount to release such compilation projects as deluxe (double) LPs and CDs. The industrious creators of the label have already released seven volumes in the Peace Chant series. Parts 1 to 6 were single LPs with predominantly American tracks. Part 7 was the first to be dedicated to purely German productions. Furthermore, the decision was made to release a double LP with a gatefold cover, not least to accommodate the extremely comprehensive accompanying text and images. The 8th edition once again focuses on German productions. It includes rare (Fences), unreleased (Music Community), but also the odd €10 record. The mere fact that a record is rare/expensive doesn't make it interesting for Tobias Kirmayer and his team. They are primarily interested in the music. And if a song convinces them, it makes it onto the shortlist. In fact, many established reissue labels too often ignore records or individual songs and don't re-release them simply because they are not sought after by collectors. Kirmayer and his fellow campaigners have made it their mission to combat this injustice. A good example of this would be Sabanone, a title by Büdi Siebert's formation with the wonderful name HerrGottSax. The original LP costs around €15. In addition to presenting the music in combination with detailed information about the artists, the label has another concern close to its heart. For the sake of the environment (short delivery routes) and to support the domestic economy, the CDs and vinyl LPs are manufactured in Germany". And the record was pressed on BIO??VINYL in the most environmentally friendly way possible. But enough talking. Have fun exploring!
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1
Kwartet Frits Kaatee - Easy Evil
2
Kwartet Frits Kaatee - In The Name Of Love
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1
The Villagers - Yes I'm Ready (feat. Jeanne Lavoie)
2
The Villagers - The Mirror (feat. Wayne West)
** UNRELEASED LOWRIDER SOUL / GARAGE ROCK **
This is the second 45 by The Villagers which we are going to present to you. The first one contained a true deepfunk bomb (Dyke & The Blazers' classic "Funky Broadway") backed with an original composition titled "You're My Baby (Don't You Forget It)", a fantastic garage rock track. The second 45 also contain two never released titles. On Side A we have a beautiful lowrider soul track ("Yes I'm Ready") while Side B contains "The Mirror", another great garage rock track.
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This is the second 45 by The Villagers which we are going to present to you. The first one contained a true deepfunk bomb (Dyke & The Blazers' classic "Funky Broadway") backed with an original composition titled "You're My Baby (Don't You Forget It)", a fantastic garage rock track. The second 45 also contain two never released titles. On Side A we have a beautiful lowrider soul track ("Yes I'm Ready") while Side B contains "The Mirror", another great garage rock track.
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1
The Nails - - Real Proof
2
Fingerprints - - Wasted On You
3
Naked Rush - - Top 40
4
Spektr'm - - What Do I Do (What Do I Say)
5
Fritz - - Number Nine
6
Blue Rain - - New Morning
7
Merrell Fankhauser - - Calling From A Star
8
Nick Coluccio - - Awaken (feat. Dream Illusions)
9
Various Artists - The Scam - Don't Quit
10
Angry Young Bees - - Tell Me TV
11
Ted Paugh - - Headin' Down The Highway
12
Animal Logic - - The Meaning Of Life
13
Holidaye - - Times
14
Hangnail Phillips - - Let Me In
15
Sly Dog - - Cryin' For Love
Every compilation series has an end. After 10 outstanding issues, we are saying goodbye to the Praise Poems series, which is highly appreciated by collectors and music lovers, with this 11th installment. With this final installment, we are deliberately venturing into a genre that we have only included in exceptional cases to date: Power Pop of the late 1970s and early 80s. We start with "Real Proof", an unreleased song by the band The Nails, originally from Boulder, Colorado, who were even signed to a major label a few years later. Although the Fingerprints recorded an entire album, it took over 45 years before it was finally released in 2022. "Wasted On You" comes from one of the three singles released between 1978 and 1980. In contrast to the Fingerprints, the original singles by Naked Rush are extremely rare. This is probably one of the reasons why none of their songs can be found on a compilation to date. It's great that we are now changing this. Incidentally, this applies to the majority of the songs on this album and to all our compilation albums in general. Fritz, Blue Rain and Holidaye are no exception. We would like to mention two songs in particular. Firstly, "Don't Quit" by The Scam, which was produced by William Garrett. Garrett was responsible for the launch of Spotify Singles as Senior Music Producer at Spotify from 2016 to 2023 and has worked with artists such as Elton John, Ed Sheeran, John Legend and many more during this time. Secondly, there's a great story about Animal Logic. In 1989, the band found out that Stuart Copeland from The Police was forming a new band. The name? Animal Logic! After pleas not to use the name were ignored, the Animal Logic guys were forced to take the matter to court and eventually sold the name to Copeland. There are many more exciting stories about the bands in the booklet accompanying the CD and the LP insert. With "A journey into raw, energetic power pop from the 1980s", we now conclude our 10-year journey of discovery through music history under the "Praise Poems" umbrella. We very much hope that you have enjoyed our meticulous work. When one door closes, another opens. It will be the same here. There is still so much to discover and we are already looking forward to many more releases!
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1
Thirty Two Soul Band - Finance or Romance
2
Thirty Two Soul Band - Body Wave
*** UNRELEASED LOWRIDER/DEEP SOUL ***
Tramp Records is extremely proud to present this previously unreleased lowrider-soul beauty. "Finance or Romance" was recorded in 1975 but remained in the can for the next 50 years. "Body Wave" saw the light of the day in 1977 but is quite tricky to find on its original format these days. Limited pressing as always so you'd better be quick.
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Tramp Records is extremely proud to present this previously unreleased lowrider-soul beauty. "Finance or Romance" was recorded in 1975 but remained in the can for the next 50 years. "Body Wave" saw the light of the day in 1977 but is quite tricky to find on its original format these days. Limited pressing as always so you'd better be quick.
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1
Lu Elliott - Speaking Of Happiness
2
Lu Elliott - Common Sense
Two fabulous jazzy rhythm'n'blues/popcorn tunes back to back on one 45!
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1
Baobab - Elfer Raus
2
Baobab - Malta
3
Baobab - Just Now
4
Baobab - Seven Up
When saxophonist and flautist Karl-Heinz Huschka, bassist Michael Radtke and keyboardist Joachim Pflieger came together by chance in Sindelfingen in early 1970, they were soon united by a common, similar interest in "making music": composing, experimenting, always inviting other musicians to join in, using instruments, voices, choir and many ideas to expand a diverse spectrum of sound and style possibilities. Slowly, a common idea and musical direction of the core group was established, growing and consolidating over time with the addition of drummer Dieter Ben Kauffmann, trumpeter Uwe Zaiser, percussionist Helmut Kristmann and singer Beatrice Mathé. Concentrating on original compositions in a style between pop, rock and jazz, the now compact 7-piece group has been working consistently for years - they gave themselves the name BAOBAB: a solid trunk with branches in all directions. More public appearances in the Stuttgart area followed, the repertoire grew, as did the number of visitors, and a recognizable style emerged. The first appearance in 1976 at the Sudhaus, Stuttgart's best-known jazz club, was proof of the band's rise to a higher league: BAOBAB was described as "one of the most interesting rock-jazz groups on the Stuttgart scene". In 1977 they were invitated to participate in the recording and LP release "Live im Sudhaus" by IG Jazz at the beginning of 1978. Later that year, BAOBAB qualified for a performance at the Baden-Württemberg Pavilion, as excerpted from an article in the Stuttgarter Zeitung: "The group fulfills the demand for witty and rousing music in the style of rock-jazz with both pizzazz and grace. Their music is well thought out without becoming formulaic or even freezing in the individually found patterns. It is vital and aesthetic and is also characterized by sensitive tuning of the electronic equipment. A further - and not at all amateurish - characteristic is the sensitivity with which the audience is attuned to a dialog: always discreetly inviting, then in refreshing "counterplay". From 1980, core members left the group for study reasons, but the name was successfully continued for a while, supplemented by experienced new members; Joachim Pflieger, Beatrice Nuber-Mathé and Dieter Ben Kauffmann still play in various formations today.
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1
Synod - After All Is Said And Done
2
Synod - Seems Like I'm Falling In Love
3
Synod - Stand Up
4
Synod - I Want To Go Home
5
Synod - Future Shock (LP Version)
6
Synod - Hopes and Dreams
7
Synod - Sheryl Song Is Gonna Do My Dancing (LP Version)
8
Synod - Black Olives
9
Synod - Never Without You
10
Synod - (You're) Everything To Me (Single Version)
Synod was a band that performed at concerts and dances, festivals, colleges, private parties, conferences and other venues from 1971 through 2013. They toured incessantly in the early years, traveling from Chicago in Illinois to New York, South Carolina, Georgia, Nebraska and seven other states. They performed at Chicagofest, Summerfest and everywhere they could find a stage. The recordings in this collection represent some of the 12 recording projects they did, primarily between 1972 and 1984.Synod came to our attention about three years ago when we discovered their single "Future Shock". We were working on the ninth edition of the "Praise Poems" compilation when we started looking for the band. After a few months we were finally successful and "Future Shock" was released shortly afterwards on "Praise Poems 9".The band drew our attention to another single they had released in 1979. When we heard "Sheryl Song Is Gonna Do My Dancing" we immediately fell in love with it. But it got even better! Synod sent us several dozen unreleased songs, all recorded between 1972 and 1984, originally intended for release on several album projects that never materialized. Next we released "Anchors Away" together with "Sheryl Song" on a 7" single. Two more songs, this time nasty garage rock ("Places to Do" and "Creatures of Habit"), were immortalized by our label mates at "Perfect Toy Records" on their "Down & Wired" compilation series as well as on a 7" single. Another track, "You Shake Them Things", was included on our disco/modern soul compilation "Can You Feel It Vol.4". After Tramp Records & Synod released all previously unreleased album projects digitally in 2024, the idea was born to immortalize a carefully selected choice of songs on vinyl LP. We here at Tramp Records are mega proud to present you this amazing selection under the title "After All Is Said and Done".
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1
Color Me Blu - - Fields of Laughter
2
Apple - - Love Melody In E Minor
3
Tribal Sinfonia - - Do You Want Me
4
Harve and Charee - - New Me
5
Kwartet Frits Kaatee - - Easy Evil
6
Ernie Scott Trio - - Souled Out
7
Bunker Hill - - Dionysis
8
Various Artists - San Diego - Sands Of Malibu (Pt.1&;2)
9
Synod - - Sheryl Song Is Gonna Do My Dancing
10
Whiz Kids - - Long Time Gone
11
Ross Miller - - I Can Love Her Anyway
12
Thunderbolt The Wondercolt - - Ragged Edge
13
Eyrle Oliver - - Lovely Lady
14
Lisa Richards - - A Day In The Life Of A Fool
15
Joe Bozzi Quintet - - Masquerade
16
George Melvin Quintet - - It's Good Not To Forget
Watch out! You are holding the 125th (one-hundred-and-twenty fifth!) album on Tramp Records in your hands! We are honored to celebrate this impressive anniversary with the tenth volume in the Praise Poems series. This time, too, we go on a journey to discover previously unheard regions of jazz, folk and AOR from the 1970s and 80s. Praise Poems Vol.10 presents sixteen (almost) forgotten rare groove gems, all released between the years 1970 and 1984. One of the many highlights is the opening track: "Fields of Laughter" by Color Me Blu - originally released on an acetate only of which two copies exist worldwide. But there is much, much more to discover. This brandnew volume features a wide range of genres, from AOR (Whiz Kids, Ross Miller, and another previously unreleased track by Harve & Charee) to Latin-Rock a'la Santana (Color Me Blue, Tribal Sinfonia, and Apple) to Soul-Jazz (Ernie Lewis Trio, Joe Bozzi Quintet or Dutch saxophonist Frits Kaatee). Right at the end, one track in particular stands out: the wonderful "It's Good Not To Forget" by George Melvin and his quintet - a fabulously dreamy, thoughtful instrumental piece in the style of Ramsey Lewis with catchy tune potential. Not many compilation series make it to a tenth edition. And if they do, then you often notice that the quality of the songs goes in the opposite direction to the increasing number of series: namely decreasing. Not so with Praise Poems Vol. 10, which the creators prove in an impressive new way. They have found tracks that were originally either a) pressed by the musicians themselves in very small editions or b) released by small, regional labels. It is understandable that neither the musicians nor these small labels had the necessary knowledge or budget to market their albums or singles professionally. The majority of the bands therefore did not manage to reach a large audience - although they certainly had the potential for the big stage. "Praise Poems 10 - A journey into soulful jazz and funk from the 1970s" makes these almost 50-year-old treasures accessible to a new audience. We hope that you enjoy discovering your personal favorite song(s) and we are already looking forward to many more releases!
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1
Vier - Count-A-Round
2
Secret Tip Corner Band - Scarabäus
3
Jaro - Song For My Father
4
Baobab - Keine Nummer
5
Sounds - Sound Spirit
6
Big Band Der Otto-Hahn-Schule Hamburg - Regenwetter
7
Jazz Oder Nie Big Band - Work Song
8
Big Band Blechschaden - Limestone Knave
9
Stuttgarter Jazz Workshop - A Night In Stuttgart
10
Seelow & Mayer Formation - Soul-In
11
Bernd Reichow Jazz Formation - Bolero In Jazz
"This landmark compilation continues the unfoldment of diabolically obscure yet culturally and artistically essential recordings that have been hidden and precariously balanced on the precipice of obsolescence."
For German musicians the mid-70s to mid-80s were an extremely fertile and fruitful time. Though The Peace Chant series is focused mainly on amateur bands, private pressings, and long lost acetates, many of the artists included here nevertheless made their mark upon the German and world music scene and even played with many of the giants of the movement.
As the 60s were coming to a close, many German musicians began experimenting with fusing jazz, rock, pop, electronic, and world music with a harder, more aggressive sound. The resulting movement, originally called "kosmische music" or "cosmic music" would give way to the kaleidoscope of sounds now known as Krautrock.
Many labels and compilations, not to mention reissues have been focused on this moment and in many ways, today, there could be said to be a global revival in the art form by younger, modern bands. But this is where Tramp Records, always peeking behind the curtain, has decided to take "the road less traveled" as we trust them to do. This edition of the Peace Chant series explores the artists that, instead of going full steam ahead in the rock and world music direction, decided to play the role of 'spiritual advisor' to the movement and continue building a legacy of jazz and pop infusions to their more rock-oriented counterparts. Of course, there may not have been much commercial appeal of these recordings and many of them fell into obscurity. But it is thanks to the tireless efforts of Tramp Records that we are able to catch a glimpse of what undoubtedly the Giants of the genre at the time were already well aware of and likely being influenced by. As you will see, many of the artists in this compilation went on to become music teachers and mentors in their own right and surely influenced the course of music history in Germany. Now their stories are finally being told. And though the music is amazing on its own, it is truly astounding when cast in its historical context. This landmark compilation continues the unfoldment of diabolically obscure yet culturally and artistically essential recordings that have been hidden and precariously balanced on the precipice of obsolescence.
For the first time ever, Tramp Records is proud to present an "all German" artists version of the Peace Chant series, including liner notes printed in German exclusively with an English translation downloadable.
~Joel Ricci (August 2024)
Key selling points:
- deluxe double-gatefold LP containing detailed liner notes & unpublished photographs
- incl. full album download code
- ALL songs appear on LP for the very first-time
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For German musicians the mid-70s to mid-80s were an extremely fertile and fruitful time. Though The Peace Chant series is focused mainly on amateur bands, private pressings, and long lost acetates, many of the artists included here nevertheless made their mark upon the German and world music scene and even played with many of the giants of the movement.
As the 60s were coming to a close, many German musicians began experimenting with fusing jazz, rock, pop, electronic, and world music with a harder, more aggressive sound. The resulting movement, originally called "kosmische music" or "cosmic music" would give way to the kaleidoscope of sounds now known as Krautrock.
Many labels and compilations, not to mention reissues have been focused on this moment and in many ways, today, there could be said to be a global revival in the art form by younger, modern bands. But this is where Tramp Records, always peeking behind the curtain, has decided to take "the road less traveled" as we trust them to do. This edition of the Peace Chant series explores the artists that, instead of going full steam ahead in the rock and world music direction, decided to play the role of 'spiritual advisor' to the movement and continue building a legacy of jazz and pop infusions to their more rock-oriented counterparts. Of course, there may not have been much commercial appeal of these recordings and many of them fell into obscurity. But it is thanks to the tireless efforts of Tramp Records that we are able to catch a glimpse of what undoubtedly the Giants of the genre at the time were already well aware of and likely being influenced by. As you will see, many of the artists in this compilation went on to become music teachers and mentors in their own right and surely influenced the course of music history in Germany. Now their stories are finally being told. And though the music is amazing on its own, it is truly astounding when cast in its historical context. This landmark compilation continues the unfoldment of diabolically obscure yet culturally and artistically essential recordings that have been hidden and precariously balanced on the precipice of obsolescence.
For the first time ever, Tramp Records is proud to present an "all German" artists version of the Peace Chant series, including liner notes printed in German exclusively with an English translation downloadable.
~Joel Ricci (August 2024)
Key selling points:
- deluxe double-gatefold LP containing detailed liner notes & unpublished photographs
- incl. full album download code
- ALL songs appear on LP for the very first-time
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1
The Rippers - Honesty
2
The Rippers - The Night At The Lagoone
German beat music at its best! For the first time on 45! A-side is Funk, B-side is Garage-Psych-Rock
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1
Offbeats - The Hump
2
Offbeats - Louisiana
Monstrous blue-eyed soul / garage double-sider and a must for any rare groove DJ.
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1
Frederic Rabold - Noon In Tunisia (feat. Crew)
2
Frederic Rabold - Yahtzee (feat. Crew)
3
Frederic Rabold - Time Machine I (feat. Crew)
4
Frederic Rabold - Indian Impression (feat. Crew)
5
Frederic Rabold - Children Of The Sun (feat. Crew)
6
Frederic Rabold - Zest (feat. Crew)
7
Frederic Rabold - Ride On (feat. Crew)
8
Frederic Rabold - Explosion (feat. Crew)
9
Frederic Rabold - Beatschön (feat. Crew)
10
Frederic Rabold - Januschka (feat. Crew)
11
Frederic Rabold - The Last Of The Past (feat. Inspiration Orchestra)
12
Frederic Rabold - Berlin (feat. Inspiration Orchestra)
13
Frederic Rabold - Solstice Celebrations (feat. Crew)
14
Frederic Rabold - Blue Cha Cha Cha
15
Frederic Rabold - Spring Feelings
16
Frederic Rabold - Relaxing Walk (feat. Inspiration Orchestra)
17
Frederic Rabold - Brother W.H. (feat. Crew)
Frédéric Rabold was born on November 23rd, 1944, in Paris, France. His father was a jazz musician and had dreams of all three of his children becoming musicians as well. Frédéric started out learning the violin but always gravitated to the trumpet. The violin actually ended up on the wall at some point, which may have revealed Rabold's tendency toward impulsiveness. He came into contact with jazz music at an early age when he lived with his parents in France. Later on, his father had a big band with which he performed at dances in health resorts. At the age of 16, he often played with his father in American Army Clubs. From 1961 to 1964, Frédéric studied at the University of Music in Karlsruhe. In 1965, he moved to Stuttgart where he still lives today. In the same year drummer Axel Lauser approached him and asked if he wanted to play in his trio. Then, for a few years, Frédéric played in the Axel Lauser Quartet. In 1968, Frédéric founded his own band, the Frédéric Rabold Crew. The music of the "Crew" was well received in the 1968 era and the band quickly gained recognition in the German modern jazz scene. Invitations to several major festivals followed, including the jazz festival in Zurich. Later, they toured extensively through Eastern Europe on behalf of the Goethe Institute. In 1968, the first recordings were made by a friend of the band during a rehearsal. However, they were not to be released until 1980 on the LP "Berlin". "Noon In Tunisia" is one of these tracks. In March, 1970, the crew performed at the 12th German Jazz Festival in Frankfurt am Main amongst such Jazz greats as the Albert Mangelsdorff Quartet, the Klaus Doldinger Quartet and the Dave Pike Set. Two years later, the Frédéric Rabold Crew released their debut album entitled "Flair". This was followed in the 1970s by more than half a dozen albums for various labels. These included the album "Open House" with guest guitarist Martin Ederer, as well as three albums with singer Lauren Newton between 1975 and 1979. Rabold also worked with avant-garde jazz musicians such as Gunter Hampel, Leszek Zadlo, Lester Bowie, Manfred Schoof, Albert Mangelsdorff and Jeanne Lee. In the mid-1970s, a second formation was formed, the "Frédéric Rabold Jazz Inspiration Orchestra", which, unlike the crew, continued to exist with the same line-up well into the 2010s. In 2018, Frédéric Rabold celebrated the 50th anniversary of his group, the Frédéric Rabold Crew. Today, Rabold can look back on more than 1000 original compositions. Sometimes certain events led him to a composition, other times he just sat down at the piano and something happened, or not. Even though his real love is modern jazz, he has played all styles himself, including classical trumpet. In this respect, his role models were actually always American jazz musicians, who were sometimes quite unconventional in this respect. Frédéric Rabold's motto has always been: there is good and not so good music in all styles. This album brings together only the former.
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1
Frederic Rabold - Red Point (feat. Jazz Inspiration Orchestra)
2
Frederic Rabold - Spring Feelings (feat. Gisela Hafner)
Tramp Records is extremely proud to collaborate with a true German jazz legend. FRÉDÉRIC RABOLD will celebrate his 80th birthday this year. To honor his musical legacy we will release a double-gatefold LP with compositions by him spanning more than 40 years. Additionally a 7" single will be released with a bonus track ("Red Point") which is available on vinyl for the first time. "Spring Feelings" is taken from the album "FREDERIC RABOLD - TIME MACHINE" (TRLP-9123).
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1
Johnny April - - She Had A Pikanese (feat. Mat Matthews Quartet)
2
Lu Elliott - - Common Sense
3
Lloyd Fatman - - No Big Thing (Pt.1& 2)
4
Billy J - - Teacher Teach Me
5
Wayne Johnson - - Scram Gravy Ain't Wavy (feat. Brigade)
6
4 Dimensions - - Hipper Snapper
7
The Villagers - - Funky Broadway
8
The Rippers - - Honesty
9
Exceptional Citizens Band - - Proud Mary
10
Gus Brendel - - Sax On The Rocks
11
The Hornets - - Seven Days To Tahiti
12
Bret Breitinger - - Jive Samba
13
Downtown Trio - - Summertime
14
ONYX - - Break It Loose (Pt.1)
15
The Shake And Bake Band - - Shake And Bake (Pt.1& 2)
16
Lou Jackson - - Outside Looking In
17
Energy Crisis - - Tough Times Blues
18
Soul Unlimited - - Do It
19
Soul Unlimited - - Darkside Of Town
** INITIAL 400 LPs CONTAIN A BONUS 7" SINGLE **
MOVEMENTS Vol.12 – A bag full of rare rhythm & blues, mod-jazz, and mid 70s funk. Side A starts with rhythm & blues from the 1960s. Most of the tracks were pulled from hopelessly obscure 7" singles. The only names of which some of you might be familiar with are most likely Mat Mathews and Lu Elliott. However, both original 45 RPM singles are pretty hard to find these days, especially in playable condition. Side B is all about deepfunk this time. "Hipper Snapper " is a prime example of that genre. Some say its groove is reminiscent of Charles Wright's "Express Yourself. Agreed! The Villagers are responsible for the first 'aha' moment. Their (previously unreleased!) version of "Funky Broadway" would have certainly astounded even Dyke & The Blazers. Representing Germany on this volume: The Rippers, also called the "Offenburg Beatles"! Back in the USA, John Fogerty has probably never heard of this heavy school-funk cover of "Proud Mary". Drum breaks galore! Side C begins with another German contribution. Saxophonist Gus Brendel delivers a mod-jazz belter of the highest order as do The Hornets. Definitely sure-shots for any dance floors! High time for 'aha' moment #2. Many bands have tried their hands on a cover version of the Nat Adderley jazz classic, incl. vibraphone player Bret Breitinger! The perfect choice to finish this side is Downtown Trio's smooth and groovy cover of Gershwin's "Summertime ". Side D is reserved for proper 1970s funk. ONYX's "Break It Loose " has become a certified Rare Groove classic. Here you can enjoy it for the first time with the blessing of the band! Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history! Watch out, "Shake and Bake " will be re-released on a good old 45 RPM single, too! Those of you who have been enjoying the detective work of the people behind the label over the past 21 years know that the Movements series can be easily considered as the flagship compilation series on Tramp. So, after having listened to the entire selection of this brand new volume we sincerely hope that we will have achieved our aim to surprise, delight, and enlighten you once again!
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MOVEMENTS Vol.12 – A bag full of rare rhythm & blues, mod-jazz, and mid 70s funk. Side A starts with rhythm & blues from the 1960s. Most of the tracks were pulled from hopelessly obscure 7" singles. The only names of which some of you might be familiar with are most likely Mat Mathews and Lu Elliott. However, both original 45 RPM singles are pretty hard to find these days, especially in playable condition. Side B is all about deepfunk this time. "Hipper Snapper " is a prime example of that genre. Some say its groove is reminiscent of Charles Wright's "Express Yourself. Agreed! The Villagers are responsible for the first 'aha' moment. Their (previously unreleased!) version of "Funky Broadway" would have certainly astounded even Dyke & The Blazers. Representing Germany on this volume: The Rippers, also called the "Offenburg Beatles"! Back in the USA, John Fogerty has probably never heard of this heavy school-funk cover of "Proud Mary". Drum breaks galore! Side C begins with another German contribution. Saxophonist Gus Brendel delivers a mod-jazz belter of the highest order as do The Hornets. Definitely sure-shots for any dance floors! High time for 'aha' moment #2. Many bands have tried their hands on a cover version of the Nat Adderley jazz classic, incl. vibraphone player Bret Breitinger! The perfect choice to finish this side is Downtown Trio's smooth and groovy cover of Gershwin's "Summertime ". Side D is reserved for proper 1970s funk. ONYX's "Break It Loose " has become a certified Rare Groove classic. Here you can enjoy it for the first time with the blessing of the band! Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history! Watch out, "Shake and Bake " will be re-released on a good old 45 RPM single, too! Those of you who have been enjoying the detective work of the people behind the label over the past 21 years know that the Movements series can be easily considered as the flagship compilation series on Tramp. So, after having listened to the entire selection of this brand new volume we sincerely hope that we will have achieved our aim to surprise, delight, and enlighten you once again!
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1
The Shake and Bake Band - Shake and Bake, Pt. 1
2
The Shake and Bake Band - Shake and Bake, Pt. 2
Tramp Records International proudly presents: The 1975 Baltimore Colts Glenn Doughty and his All-Pro Shake & Bake Band! In 1975 Glenn "Shake & Bake" Doughty Wide Receiver for the Baltimore Colts formed the Shake & Bake Band. Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history! Doughty is a Detroit 'Motown' native and All-American from the University of Michigan, that was recently crowned national champion and the winningest college football program in NCAA History. Doughty and his four world-class athletic teammates formed the heart of the band. The Shake & Bake Band in the mid 70s played live at Baltimore's hottest Clubs with teammates in attendance on Monday nights after Shakin' & Bakin' their opponents on Sunday at Memorial Stadium. Doughty's sports hero was Muhammad Ali. He originated the popular Shake & Bake athletic movement scoring touchdowns. He recited Shake & Bake poetry like Ali to make predictions after games on local and national TV to celebrate Colts victories. His lyrics in his music were used to fire up thousands of his Colts fans and his teammates. Many fans felt the group sounded like WAR the popular funk group from California. Members of the Shake & Bake Band were: Glenn "Dr. Shake" Doughty #7, All-Time Colts leading Wide Receiver, producer, lead singer, congas and lyrics, Ray "RC Cola" Chester, All-Pro Tight End, Super Bowl Champion, Bass, Baltimore, Maryland, David "DT" White, Wide Receiver Lead Guitar, producer, sound technician. Buffalo N.Y., Lloyd "The Bullet" Mumford, Defensive Back Harmonica, Miami Florida, Freddie "Bones" Scott, All-Pro Wide Receiver on percussion, Grady Arkansas, and Bruce "Turn it Loose" Barnett, Drummer and shoe salesman. Randallstown, Maryland. This group of talented stars lead the Colts to its first ever three consecutive Eastern Division Championships. Between 1975 and 1977 they also became the first group of pro athletes to create two records while playing football together for a NFL team. Their debut 7-inch single from 1976 was cut at 33 1/3 RPM due to the length of the songs. "Shake and Bake Pt.1" lasts for 4:30 minutes while Part 2 stretches out to an incredible 7:00 minutes!
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Germany
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1
The Vel-Vettes - Give Me A Little Bit Of Time
2
The Vel-Vettes - I'd Like To Know
Sister funk backed with a wonderful ballad. A real treasure for fans of independently produced soul music from the 1960s. Be quick, limited pressing.
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Demuir - Ain’t no stoppin’
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Demuir - New spirit
3
Demuir - No minions allowed
4
Demuir - Whatchu want is all I got
5
Demuir - New spirit (juzz beatz)
Format : Vinyl 12” (180 gr., Limited Full Cover)
Track list:
A1 Ain’t no stoppin’
A2 New spirit
B1 No minions allowed
B2 Whatchu want is all I got
B3 New spirit (juzz beatz)
Release Info:
House music doesn’t get much funkier than Demuir’s ‘New spirit’ EP. Whether it’s the classic sampling on the title track – an homage to his mother-, or the rolling funk bass and vocal chops on ‘Ain’t no stoppin’ ‘, Demuir brings an unstoppable groove with his 2nd release on Heist.
The man behind so many great house records has kept himself rather busy with building his own fanbase, openly debating the role that big platforms play and the firm grip they have on talent. Rather than conforming to the standard route, Demuir chooses to navigate the winding road of building his own following through his production classes, engineering and music releases through artist-first channels like Patreon.
His recent move from Toronto to Chicago feels perfectly in line with the sound Demuir is bringing forward on his first record on Heist since his 2019 classic ‘Werq, feel, gruv, vogue’. Those 6 years were well worth the wait: The ‘New spirit’ EP is a perfectly-balanced mix of creativity, confidence and character. The Demuir sound is instantly audible throughout the release and he’s not afraid to make bold choices. Each track has its own identity, its own place on the record and it’s one of the things that make this record stand out in the best way possible. The forward-leaning grooves, the tight mixing and the classic use of soulful samples are a treat to listen and dance to. There’s hints of the 90s New York sound (New Spirit), soulful disco-tinged grooves his new home-town is known for (Ain’t no stoppin’), lean-back and summery melodic grooves (No minions allowed) and deep, bassheavy dubby grooves (Whatchu want is all I got) to remind everyone that Demuir is an absolute master of modern day house music.
We’ve been playing all these songs for a while and we’re happy to finally share these with you.
As always, enjoy the music and play it loud!
Lars & Maarten
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Track list:
A1 Ain’t no stoppin’
A2 New spirit
B1 No minions allowed
B2 Whatchu want is all I got
B3 New spirit (juzz beatz)
Release Info:
House music doesn’t get much funkier than Demuir’s ‘New spirit’ EP. Whether it’s the classic sampling on the title track – an homage to his mother-, or the rolling funk bass and vocal chops on ‘Ain’t no stoppin’ ‘, Demuir brings an unstoppable groove with his 2nd release on Heist.
The man behind so many great house records has kept himself rather busy with building his own fanbase, openly debating the role that big platforms play and the firm grip they have on talent. Rather than conforming to the standard route, Demuir chooses to navigate the winding road of building his own following through his production classes, engineering and music releases through artist-first channels like Patreon.
His recent move from Toronto to Chicago feels perfectly in line with the sound Demuir is bringing forward on his first record on Heist since his 2019 classic ‘Werq, feel, gruv, vogue’. Those 6 years were well worth the wait: The ‘New spirit’ EP is a perfectly-balanced mix of creativity, confidence and character. The Demuir sound is instantly audible throughout the release and he’s not afraid to make bold choices. Each track has its own identity, its own place on the record and it’s one of the things that make this record stand out in the best way possible. The forward-leaning grooves, the tight mixing and the classic use of soulful samples are a treat to listen and dance to. There’s hints of the 90s New York sound (New Spirit), soulful disco-tinged grooves his new home-town is known for (Ain’t no stoppin’), lean-back and summery melodic grooves (No minions allowed) and deep, bassheavy dubby grooves (Whatchu want is all I got) to remind everyone that Demuir is an absolute master of modern day house music.
We’ve been playing all these songs for a while and we’re happy to finally share these with you.
As always, enjoy the music and play it loud!
Lars & Maarten
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Bonnie & Klein - Glam Pulse
2
Bonnie & Klein - Haleakala
3
Bonnie & Klein - Horizon Avenue
4
Bonnie & Klein - Sunion
Greek duo Bonnie & Klein serve up an Aegean musical escape with their new Glam Pulse EP on Hell Yeah.
George Fountzoulas and Thanasis Skouzis are lifelong Balearic brothers who offer up their own soul-stirring take on the sound on labels like Music For Dreams and NuNorthern Soul. They are inspired by the sunsets and seas of their homeland and bring great imagination to their melodies as this new outing proves.
'Glam Pulse' sets a gorgeous tone from the off with wavy grooves and a peppering of percussion. As well as some singing guitar riffs, sundown synths and shimmering chords make this a steamy and seductive gem. 'Haleakala' is another perfect soundtrack to lazing on the beach and watching the sun sink into the sea while new age motifs wash over you and carry away your woes. Proggy guitars speak to the soul on 'Horizon Avenue' as woody xylophones and wispy leads ride on dubby bass and 'Sunion' closes with hints of melancholy - a lament for the final dance of a long hot summer with lingering trumpets lodging deep in your heart.
Bonnie & Klein tap into real Balearic magic on this EP and effortlessly transport you to a sandy paradise.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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George Fountzoulas and Thanasis Skouzis are lifelong Balearic brothers who offer up their own soul-stirring take on the sound on labels like Music For Dreams and NuNorthern Soul. They are inspired by the sunsets and seas of their homeland and bring great imagination to their melodies as this new outing proves.
'Glam Pulse' sets a gorgeous tone from the off with wavy grooves and a peppering of percussion. As well as some singing guitar riffs, sundown synths and shimmering chords make this a steamy and seductive gem. 'Haleakala' is another perfect soundtrack to lazing on the beach and watching the sun sink into the sea while new age motifs wash over you and carry away your woes. Proggy guitars speak to the soul on 'Horizon Avenue' as woody xylophones and wispy leads ride on dubby bass and 'Sunion' closes with hints of melancholy - a lament for the final dance of a long hot summer with lingering trumpets lodging deep in your heart.
Bonnie & Klein tap into real Balearic magic on this EP and effortlessly transport you to a sandy paradise.
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Liebigstrasse 2-20
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Germany
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Label:TON TON
Cat-No:TONTON01
Release-Date:27.06.2025
Genre:Electronic, Electronica
Configuration:2x12" Excl
Label:TON TON
Cat-No:TONTON01
Release-Date:27.06.2025
Genre:Electronic, Electronica
Configuration:2x12" Excl
1
Petre Inspirescu - Those That Tremble
2
Petre Inspirescu - King of Glory
3
Petre Inspirescu - For Very Hard It Is
4
Petre Inspirescu - Ever Moving
lim. 180Gr Vinyl!
Petre Inspirescu returns with a four-part suite of mesmeric, long-form compositions. Spanning two 12" records, each track occupies a full side - unfolding with the patience and precision of serialist structures. Drawing from minimalism and contemporary classical traditions, this is introspective electronica in its most refined form - hypnotic, elegant, and quietly expansive.
A. Those That Tremble
B. King of Glory
C. For Very Hard It Is
D. Ever Moving
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Petre Inspirescu returns with a four-part suite of mesmeric, long-form compositions. Spanning two 12" records, each track occupies a full side - unfolding with the patience and precision of serialist structures. Drawing from minimalism and contemporary classical traditions, this is introspective electronica in its most refined form - hypnotic, elegant, and quietly expansive.
A. Those That Tremble
B. King of Glory
C. For Very Hard It Is
D. Ever Moving
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
DJ Dextro - A1 DJ Dextro - Metal Gear
2
DJ Dextro - A2 DJ Dextro, Cardao - All Around The World
3
DJ Dextro - A3 Dj Dextro - Purpurinas
4
DJ Dextro - B1 Dj Dextro - Sleep Bias
5
DJ Dextro - B2 DJ Dextro - Soldado
6
DJ Dextro - B3 Dj Dextro - Soft Cell
Format: 180g 12” Vinyl heavy cardboard full colour print
Tracklist:
A1 DJ Dextro - Metal Gear
A2 DJ Dextro, Cardao - All Around The World
A3 Dj Dextro - Purpurinas
B1 Dj Dextro - Sleep Bias
B2 DJ Dextro - Soldado
B3 Dj Dextro - Soft Cell
Nastia's NECHTO presents a new six-track release from DJ Dextro, including one
collaboration with Portuguese producer Cardao. The project marks Dextro’s first appearance
on the label, following years of his tracks being played by Nastia and a shared event in
Lisbon in 2023. That connection gradually turned into a conversation about releasing
something together. “It was a matter of time until I got to her ear,” Dextro says. “And from
there, we talked about NECHTO — and here we are.”
The tracks on the EP are shaped by a mix of spontaneous ideas and observations on daily
life, society, and broader themes like science and the unknown. Dextro explains that the
track titles often reflect his current state of mind or something happening around him —
sometimes personal, other times completely random. Each one sits within his established
sound: energetic, structured, and focused on rhythm.
One of the six tracks features Cardao, with whom Dextro shares what he describes as “a
good harmony and easy understanding” in the studio. Known for his groove-led, percussive
style, Cardao’s contribution adds another layer to the release while fitting seamlessly into its
overall tone.
Shaped by both artists’ individual perspectives, this EP stays close to the club — direct,
driving techno rooted in shared sensibilities and straightforward execution.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 DJ Dextro - Metal Gear
A2 DJ Dextro, Cardao - All Around The World
A3 Dj Dextro - Purpurinas
B1 Dj Dextro - Sleep Bias
B2 DJ Dextro - Soldado
B3 Dj Dextro - Soft Cell
Nastia's NECHTO presents a new six-track release from DJ Dextro, including one
collaboration with Portuguese producer Cardao. The project marks Dextro’s first appearance
on the label, following years of his tracks being played by Nastia and a shared event in
Lisbon in 2023. That connection gradually turned into a conversation about releasing
something together. “It was a matter of time until I got to her ear,” Dextro says. “And from
there, we talked about NECHTO — and here we are.”
The tracks on the EP are shaped by a mix of spontaneous ideas and observations on daily
life, society, and broader themes like science and the unknown. Dextro explains that the
track titles often reflect his current state of mind or something happening around him —
sometimes personal, other times completely random. Each one sits within his established
sound: energetic, structured, and focused on rhythm.
One of the six tracks features Cardao, with whom Dextro shares what he describes as “a
good harmony and easy understanding” in the studio. Known for his groove-led, percussive
style, Cardao’s contribution adds another layer to the release while fitting seamlessly into its
overall tone.
Shaped by both artists’ individual perspectives, this EP stays close to the club — direct,
driving techno rooted in shared sensibilities and straightforward execution.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Thabo feat Brian Msafiri - Cheza Mwili
2
Miura - Home Alone
3
Meggy - Around
4
Soela, Module One - Obsidian
5
LUV ATTACK - Pull Me Back
6
Thalo Santana & Oran Ray - Sweet Potato
7
All Shade - Something Like This
In collaboration with Telekom Electronic Beats, HOMEAGAIN005 captures the spirit of this year's Home Again Club Festival 2025 with a forward-thinking selection of tracks from artists across the festival roster.
Spanning house, tech house, breaks, ambient, and progressive sounds, this 7-track VA is a deep dive into late-night euphoria, sunrise moments, and everything in between.
Side A opens with Thabo's "Cheza Mwili" featuring Nairobi's Brian Msafiri-a high-octane Afro-electronic anthem with Swahili vocals and dancefloor urgency. Miura follows with the punchy and introspective "Home Alone," while Meggy delivers pure Berlin house warmth on "Around." Soela & Module One close the side with "Obsidian," a deep, shimmering journey built for long-form sets.
On the flip, "Pull Me Back" by LUV ATTACK pushes progressive, fast-paced house to an emotional edge. Thalo Santana & Oran Ray shift gears into breaksy territory with the playful, rhythm-heavy "Sweet Potato," before All Shade rounds things out with "Something Like This"-a sleek, driving tech house roller built for peak-time sets.
Mixed and mastered by Matthias Millhoff, and adorned with artwork by Ken Hanamura, HOMEAGAIN005 is a celebration of the diverse sonic threads running through Home Again's dancefloor community.
A1 - Thabo feat Brian Msafiri - Cheza Mwili
A2 - Miura - Home Alone
A3 - Meggy - Around
A4 - Soela, Module One - Obsidian
B1 - LUV ATTACK - Pull Me Back
B 2 - Thalo Santana & Oran Ray - Sweet Potato
B3 - All Shade - Something Like This
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Spanning house, tech house, breaks, ambient, and progressive sounds, this 7-track VA is a deep dive into late-night euphoria, sunrise moments, and everything in between.
Side A opens with Thabo's "Cheza Mwili" featuring Nairobi's Brian Msafiri-a high-octane Afro-electronic anthem with Swahili vocals and dancefloor urgency. Miura follows with the punchy and introspective "Home Alone," while Meggy delivers pure Berlin house warmth on "Around." Soela & Module One close the side with "Obsidian," a deep, shimmering journey built for long-form sets.
On the flip, "Pull Me Back" by LUV ATTACK pushes progressive, fast-paced house to an emotional edge. Thalo Santana & Oran Ray shift gears into breaksy territory with the playful, rhythm-heavy "Sweet Potato," before All Shade rounds things out with "Something Like This"-a sleek, driving tech house roller built for peak-time sets.
Mixed and mastered by Matthias Millhoff, and adorned with artwork by Ken Hanamura, HOMEAGAIN005 is a celebration of the diverse sonic threads running through Home Again's dancefloor community.
A1 - Thabo feat Brian Msafiri - Cheza Mwili
A2 - Miura - Home Alone
A3 - Meggy - Around
A4 - Soela, Module One - Obsidian
B1 - LUV ATTACK - Pull Me Back
B 2 - Thalo Santana & Oran Ray - Sweet Potato
B3 - All Shade - Something Like This
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DE - 22113 Hamburg
Germany
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Strut proudly presents a new edition of one of Sun Ra's most celebrated albums, Sleeping Beauty, reissued in its original artwork for the first time.
Tracklist:
A1. Springtime Again 9:12
A2. Door of the Cosmos 8:53
B1/B2. Sleeping Beauty 11:48
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. Springtime Again 9:12
A2. Door of the Cosmos 8:53
B1/B2. Sleeping Beauty 11:48
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Funk Assault - Signing Your Own Post
2
Funk Assault - Screenshots Of Compliments
3
Funk Assault - I Am A DJ Too
4
Funk Assault - Pre-Gig Selfie
5
Funk Assault - That's The Funk Assault
2025 repress
Tracklisting:
A1 Funk Assault - Signing Your Own Post
A2 Funk Assault - Screenshots Of Compliments
B1 Funk Assault - I Am A DJ Too
B2 Funk Assault - Pre-Gig Selfie
B3 Funk Assault - That's The Funk Assault
Sales Note
Happy to launch this label with the first release of Funk Assault! Chlär and Alarico selected those tracks which embodie Primal Instinct Rec. vision.
The records features some highly awaited tunes as well as a very distinctive style that is meant to set the tone of the label. Expect nothing but music that focuses on gritty, organic if not bionic soundscapes wrapped in tribal and soul driving grooves.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting:
A1 Funk Assault - Signing Your Own Post
A2 Funk Assault - Screenshots Of Compliments
B1 Funk Assault - I Am A DJ Too
B2 Funk Assault - Pre-Gig Selfie
B3 Funk Assault - That's The Funk Assault
Sales Note
Happy to launch this label with the first release of Funk Assault! Chlär and Alarico selected those tracks which embodie Primal Instinct Rec. vision.
The records features some highly awaited tunes as well as a very distinctive style that is meant to set the tone of the label. Expect nothing but music that focuses on gritty, organic if not bionic soundscapes wrapped in tribal and soul driving grooves.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:RWR02LP
Release-Date:19.09.2025
Configuration:LP Excl
Cat-No:RWR02LP
Release-Date:19.09.2025
Configuration:LP Excl
1
Fruit Distro Collective - A1: Infusion
2
Fruit Distro Collective - A2: Spending Time
3
Fruit Distro Collective - A3: Being Here
4
Fruit Distro Collective - A4: When Birds Whistle
5
Fruit Distro Collective - B1: NOVA Pt. 1
6
Fruit Distro Collective - B2: NOVA Pt. 2
7
Fruit Distro Collective - B3: This One's For Jamie
LP
2. GENRE/S: Jazz / Ambient / Funk / Easy Listening
3. TRACKLISTS:
A1: Infusion
A2: Spending Time
A3: Being Here
A4: When Birds Whistle
B1: NOVA Pt. 1
B2: NOVA Pt. 2
B3: This One's For Jamie
4. SHORT INFO:
JUST. LIFE. is FDC's second endeavour after their 2022 debut 'Some Kind Of Wisdom'. The A-side draws inspiration from everyday life. Things that are often overlooked. Birds whistling. Just being somewhere spending time together. Whereas the first 4 tracks open up a can of playful jazz the B-side explores more heavy conceptualizations. Birth and love for a child & the passing of a friend. Life and death. The cyclicity of it all.
Fruit Distro Collective is a project by long-time friends Boris van der Hoff & Tristan Coco. Raised on boombap beats, schooled through Jazz composition and inspired by Afro & Latin styles. Pour some reel-to-reel tape sauce over it et voilá.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2. GENRE/S: Jazz / Ambient / Funk / Easy Listening
3. TRACKLISTS:
A1: Infusion
A2: Spending Time
A3: Being Here
A4: When Birds Whistle
B1: NOVA Pt. 1
B2: NOVA Pt. 2
B3: This One's For Jamie
4. SHORT INFO:
JUST. LIFE. is FDC's second endeavour after their 2022 debut 'Some Kind Of Wisdom'. The A-side draws inspiration from everyday life. Things that are often overlooked. Birds whistling. Just being somewhere spending time together. Whereas the first 4 tracks open up a can of playful jazz the B-side explores more heavy conceptualizations. Birth and love for a child & the passing of a friend. Life and death. The cyclicity of it all.
Fruit Distro Collective is a project by long-time friends Boris van der Hoff & Tristan Coco. Raised on boombap beats, schooled through Jazz composition and inspired by Afro & Latin styles. Pour some reel-to-reel tape sauce over it et voilá.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ash Ra Tempel - Amboss_Excerpt01
2
Ash Ra Tempel - Amboss_Excerpt02
3
Ash Ra Tempel - Traummachine_Excerpt01
4
Ash Ra Tempel - Traummachine_Excerpt02
Back by Popular Demand in a 2025 Re Press Edition in /with Original 50th Anniversary Edition Art and Acessories :
LP, 180G Black Vinyl, Sticker, 50th Anniversary RE-Edition, f irst-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching
Quadro Fold Out Sleeve, exactly replicates complex/original OHR die-cut jacket, A2 Poster, 2x (German and English) A4 Inlay with Original Bio Sheet written by Manuel Göttsching (1970)
2. GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Electronics
3. TRACKLIST:
A. "Amboss" 19:40
B. "Traummaschine" 25:24
Personell:
Hartmut Enke - Gibson bass,
Manuel Göttsching - Electric guitar, Vocals, electronics,
Klaus Schulze - Drums, percussion, electronics
Engineered by: Conny Plank
Artwork: Bernhard Bendig
Recorded in March 1971, Star Studio Hamburg
4. INFO:
Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.
Much has been written about the record and band.
Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":
Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".
"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.
"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)
AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."
Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:
"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.
Thank you for your attention."
(Taken from the original A-R-T Bio 1970)
Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.
www.manuelgoettsching.com
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP, 180G Black Vinyl, Sticker, 50th Anniversary RE-Edition, f irst-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching
Quadro Fold Out Sleeve, exactly replicates complex/original OHR die-cut jacket, A2 Poster, 2x (German and English) A4 Inlay with Original Bio Sheet written by Manuel Göttsching (1970)
2. GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Electronics
3. TRACKLIST:
A. "Amboss" 19:40
B. "Traummaschine" 25:24
Personell:
Hartmut Enke - Gibson bass,
Manuel Göttsching - Electric guitar, Vocals, electronics,
Klaus Schulze - Drums, percussion, electronics
Engineered by: Conny Plank
Artwork: Bernhard Bendig
Recorded in March 1971, Star Studio Hamburg
4. INFO:
Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.
Much has been written about the record and band.
Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":
Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".
"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.
"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)
AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."
Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:
"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.
Thank you for your attention."
(Taken from the original A-R-T Bio 1970)
Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.
www.manuelgoettsching.com
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Demuir - 2.5 Bars - It Work Tho (Innovate)
2
Demuir - Aesthetics (Dub)
3
Demuir - It's My Turn
4
Demuir - Lady In Fishnets (Dub)
5
Demuir - Mi Nah Chase Pum Pum (Dub)
6
Demuir - No Corazon, No Beat
7
Demuir - Coward In Aries
8
Demuir - It's My Turn (Dub)
9
Demuir - Bichano Doce
10
Demuir - Need To Learn - Ol To The Nu (Outro)
A double vinyl helping of dripping-in-soul house from Toronto's Demuir. It originally surfaced digitally in 2021 but has been constantly in demand ever since. Not at all surprising when you start to dip into the likes of 'Aesthetics' (dub), with its constant synth washes and subtle funk underpinning, or the loopy, bongo-teased hypnotism of 'No Corazon, No Beat'. It's a varied selection here, from late night floor crushers to the softer, jazzier 'Bichano Doce', but there are two constants remaining throughout, namely quality production and a knack for irresistible grooves built for the floor. Demuir by name, demure by nature.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
La Famille & Caron Wheeler - Dancer (Vocal Mix)
2
Clarity - - The Way U Make Me Feel
3
Distance - - Just One More Kiss (feat. Janey Hallett)
4
Pause - - It's Just Amazing
5
Roy Hamilton & Capiche - - Turn up the Music
6
Rick Clarke - - Gonna Make You Happy (feat. Jill Francis)
7
Candy McKenzie - - Remind Me
8
Eddie Capone's Treatment - - I Won't Give You Up (feat. Diane Jones)
9
T.J. Johnson Band - - I Can Make It (Good for You)
10
Private Funk-Shun - - All That I Wanted Was You
11
Purely Fizzycal - - Make a Move
12
Gold In The Shade - - I Really Love You So
Freestyle Records compile a killer overview of rare & undersung UK street soul & boogie tracks from across the 80s and early 90s, selected from the creme of the label's recent 12" reissue programme. Features an exclusive mid-90s cut from Manchester street soul act Gold In The Shade, along with photography from Andrew Holligan and notes from Kevin Le Gendre. "The sleeve of this album has faces that tell a thousand stories. In Hackney, east London, where photographer Andrew Holligan created a series of inspired pictures, every day people developed a vibrant culture, enlivening a part of the capital that was much maligned during the Thatcher years. The street was a lounge, a place to meet, talk, laugh, and, generally, hang. This was also the golden age of the house party. At the dawn of the 80s the sound of black popular music that these good folk were listening to was in the grip of change. For the most part bands with horn sections were scaling down and the 8-10 piece unit gave way to much smaller ensembles with a less orchestral sound, as saxophonists, trumpeters and trombonists who provided finely shaded harmonies and counter-melodies were being replaced by keyboard players. Indeed the rainbow of colours fashioned by an arsenal of synthesizers, from Prophets and Korgs to Rolands and Yamahas, brought preen and sheen to soul, which, with a lower tempo and heavy bouncing bass lines, was being referred to as boogie. Needless to say the new sub-genre caught on in the UK and became another form of vocabulary for audiences to embrace in the slipstream of the Brit-funk movement of the mid '70s, which was spearheaded by groups of mostly young Britons of West Indian heritage. During this transitional period, which also saw the emergence of lovers rock, there was a certain amount of movement between genres, and a cursory glance at the total output of black British music reveals the presence of female vocalists recording in several styles. Lines were crossed. Furthermore, there was an increase in the amount of one-off studio projects, in which a producer-composer wrote a track, played keys and called in a singer and some additional sessioneers to add finishing touches. This is one of the main reasons why the era is so fascinating, and is still the subject of the extensive research that has led to an album such as The Way U Make Me Feel. Rather than being a scene that was centred around several marquee bands, boogie Brit-Funk was more disparate and fragmented, and therefore far harder to pin down and document. The other term that was coined for the slew of releases was Street Soul, which also resonated with a certain spirit of independence, as the bulk of the artists who stood under this umbrella were releasing their work on small labels that did not have the reach of the majors. It meant that they were often consigned to obscurity, for the most part. The story is all too familiar. But low key can be high grade. Big labels and large venues serve a purpose but the real good times are to be had at house parties on the street where people live. The Boogie is always funkier when it drops in the basement."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More