Reissue of this italo disco classic from 1985. Comes with Flemming Dalum and Hysteric remixes. More

Reissue of this italo disco classic from 1984. Comes with Pulsedriver, John Laurant and MS Project remixes. More

Reissue of this italo disco rarity from 1985 with Flemming Dalum and George Hysteric remixes. More

Reissue of this italo disco rarity from 1985. Comes with Flemming Dalum and DJ TinTin remixes. More

Reissue of this ’88 synth-pop classic! More

Reissue of this italo disco classic from 1985 with Flemming Dalum and DJ Tin Tin remixes. More

Reissue of this italo disco rarity from 1984. Comes with Flemming Dalum remixes. More

Reissue of this italo disco rarity from 1986. Comes with Flemming Dalum remixes. More

Reissue of this hitsingle from 2000. More

Reissue of this italo disco rarity from 1984. Including Flemming Dalum remixes! More

Reissue of this italo disco rarity from 1986. Comes with Flemming Dalum remixes. More

Reissue of this italo disco classic from 1984. Comes with Flemming Dalum remix. More

Reissue of this italo disco rarity from 1987 with Flemming Dalum & Rey David Diaz remixes. More

Reissue of this italo disco rarity from 1987 with Flemming Dalum & Rey David Diaz remixes. More

Reissue of this techno trance classic from 1999. More

Reissue of this italo disco rarity from 1987. Comes with Flemming Dalum and Hysteric remixes! More

Reissue of this italo disco rarity from 1986. Comes with Flemming Dalum and F. Ricci remixes. More

Tracklisting
A1 Ctrls - Ectomagnetic
A2 Ctrls - Injection Shuffle
B1 Ctrls - Subsumed TM1
B2 Ctrls - Nanocaust

Sales Note
Hailing from Denmark, CTRLS takes the steering wheel for KEY042, delivering an EP that embodies techno and raw industrial energy, marking his third appearance on the label.
The A-side begins 'ectomagnetic', a highly rhythmical track building through layers into a dreamy chord progression thats traddles the line between eyes-closed fantasia and full-body pump. In the midst of it all, the bassline drags our attention as its earthy, round essence stands out from the metallic universe created around it. A2 'injection shuffle' is a heavy hitter, characterized by distorted, ringing textures and old-school methodology, boasting menacing drum programming thatsolidifies its status as a peak-time big room monster. Continuingon the B, 'subsumed' offers another mystical journey blending body music with spaced-out melodies, all stamped with CTRLS's unmistakable touch. A sort of sci-fi tension, eerily drawing listeners into its other worldly atmosphere. Closing with 'nanocaust', the EP dives into intense atmospheres led by a broken beat bone and cavernous soundscapes - once again - presenting a general sound which will make you feel a different kind of energy.
Strong package of densely populated sonic environments, all inline with the sound of KEY. More

Tracklisting
A1 Kaiser - Southern Railway
A2 Kaiser - Peace
B1 Kaiser - Sonic Expedition
B2 Kaiser - Guilty Conscience

Sales Note
Promising techno talent Kaiser weighs out 4 big room aces forthe following KEY journey. Powerful and composed, all tracks reflect the character of the Italian artist who once again, with dedication and commitment brings forth a timeless blend of productions. Dip in, you'll find your own pearl.
Konsistenz proposes a blend of classic techno with an elegant restraint: from the sophisticated, tunnelling pounder of A1 to the stripped-down yet busy vibes of A2, Kaiser demonstrates his mastery of detail, crafting beautifully constructed tracks with deep atmospheres that magnetically draw you in. B1 offers prime body music- a proper DJ tool with focus on the low end, while B2 introduces a sturdy broken beat accompanied by tense, droning strings and bleepy contours, creating an intriguing stomper with a minimal blueprint. Moody notes and ample reverb immerse listeners in an aquatic and deep atmosphere, ideal for consumption between the hours of 6 and 8 am on a Sunday morning. With its subtle variations in textures and rhythmics, this release promises to set dance floors ablaze, making it a necessary addition to any DJ's arsenal.
Smart and effective- killer twelve More

Tracklisting
A1 Antonio De Angelis - Emergency
A2 Antonio De Angelis - Red Snow
B1 Antonio De Angelis - Kerogen
B2 Antonio De Angelis - Total Recall

Sales Note
Antonio De Angelis returns to KEY with 'Knocking'; a classy, elegant and powerful 4 tracker which showcases the unmistakable expertise of the producer in matters of sound design. All of this material is imbued with utmost austerity, tapping into a vein of primal, purist techno.
A1 'Emergency' is charming and magnificently vacouos. The minimalistic composition and subtle variation enhances its skeletal structure, where each element is positioned to perfectly match the other. Dim drones meet with a heavy bass epitomizing the hypnotic power of minimalism through repetition. Going further, 'Red Snow' dives deeper into textural lusciousness with scattered bleeps and sci-fi atmospheres. This one is real good. On the B side energy intensifies with 'Kerogen', a dark, big room pumper filled with layers and asurpsiging final progression into a dreamy, dubbed string sequence. And finally, the gorgeous 'Total Recall' concludes ourride with an even dreamier color. While the low ends suck you ina locked grove, the pads absorb your mind into a luminescent realm of abstraction. Eyes closed, smiling, getting lost into imagination. TIP!
All pieces within the EP have a clear clarity of means in common where nothing is overdosed: airiness and concentration on the effect of the sounds used is the focus from start to finish. Balanced, restrained, somber. Yes, KEY is back to serving top-notch techno elegance. More

First up is US producer Chad Pulley with a fantastic 90's old skool sounding release. More

Contact is now established with mystic entity Rambal Cochet. Metallic movements and biological compositions project 4K renders to your mind’s eye. Voice fragments and expertly controlled oscillations advance you along the ascension path. Download these nebulous chronicles to the depths of your subconscious. More

Reissue of this italo disco classic from 1984. Comes with Pulsedriver, John Laurant and MS Project remixes. More

The combination of Todd Terry and Hard Times is synonymous in the world of House Music. The legendary DJ/Producer, a true pioneer of the genre, was among the first US artists to play at the intimate, vibrant gatherings in the North of the UK in the early ‘90s. Forever linked by "A Night In The Life," the live mix released in 1995 that set a new benchmark for mix-tapes, it is a collaboration that has continually blossomed, forging a bond that remains strong over 30 years later. 1995 also saw Todd Terry make his first impact on the label with the seminal club smash "Bounce To The Beat." Following his chart breakthrough with 'Can You Party’ in ‘88, the legendary 'The Unreleased Project’ series, which spawned club hits such as “Jumpin’”, and just a few months ahead of topping the charts with his remix of Everything But The Girl’s ‘Missing’, label boss Steve Raine seized the perfect moment to bring his friend on
board at Hard Times Records with the signing of Bounce To The Beat. "I can still remember pressing play, hearing those beats for the very first time and thinking we had big track on our hands" says Raine. "It was our second release on the label, but it would be the track that firmly placed us at the forefront of the scene, both here in the UK and globally." Hard Times & Todd Terry now revive 'Bounce To The Beat' with a 2024 reimagining, featuring two of house music’s most exciting young stars, delivering two powerful remixes that promise to dominate dancefloors this summer and beyond. More

Filipovich is one of a kind. The Belarus-born, Paris-based artist works in a multitude of media - found footage films, painting, silkscreening and performance to name a few. It's her musical output that has caught the attention of late, though, with Filipovich dropping a run of releases in recent years which began with 2021's Magnificat on Time Released Sound. Filipovich takes as much of a novel approach to her music-making as she does with her other artistic endeavours - Magnificat was centred around treated samples of Sergei Rachmaninov's All-Night Vigil, and she's also combined classical composition with contemporary electronic techniques on her subsequent drops.For Idealized, Filipovich's debut on Sheffield's Central Processing Unit, she maintains the gothic air which characterised her previous releases and applies it to a record of widescreen contemporary techno joints. These tracks represent something of a gear shift for CPU, a label which has long made its name by delivering top-quality electro and machine-funk jams, but such is the quality of Idealized that these superbly-executed techno productions are sure to win over label fans both old and new.Idealized is very much schooled in the German tradition of minimal/dub techno. Tracks like 'Physical', 'Wave' and 'Dance Minor' all anchor themselves on single, steady drum pulses and delay-drenched single-chord loops. Filipovich generally lets the central idea of these tracks play out across several minutes while introducing increasingly disorientating elements into the rest of the mix - wiccan atmospherics, clashing chords, spiralling delays and so forth. It's an approach at once respectful of Filipovich's predecessors - Basic Channel, Deepchord, Ellen Allien and so on - but also full of idiosyncrasies and individuality.Many of the club cuts here hardwire us into the moody, murky environs of the darkest Berlin Basements. 'Ultra Red' rides forward on a crisp drum machine snap, a menacing burble of bassline and an eerie single-note synth whistle in the upper end of the mix; 'Dance Minor' shows off a bit of KiNK in the brain-bending modular loop that waxes and wanes at its centre; the second-half run from 'Wave' to closer 'Small Cave' travels ever-further out into deep space - the kick drums remain insistent, yet the textural elements are delivered with an edge and flair that evidences Filipovich's ability to think outside the box.Filipovich's unusual methods, and the influence of sound art and electroacoustic composition on her music, are drawn out further when Idealized steps away from the dancefloor. 'Hydra' comes off like a more gothic version of Pole - its central pulse draws from dub techno but never quite settles into a danceable groove, and this beat is combined with the kind of unnerving keyboard work that would make John Carpenter proud. Although closer 'Small Cave' eventually locks into another dark-room techno roller, the opening section of the track delivers a weightless soundscape of bright, tinny chords and a scene-setting field recording.Idealized, the first drop on Central Processing Unit from Paris-based Belarusian Lina Filpovich, broadens the label's horizons with a selection of finely crafted minimal/dub techno joints. More

Something for everyone. Release your release. More