Red Rack’em is back with a new series devoted to the beautiful, self torturous art of overthinking, With the whole world stuck in a funk of uncertainty, it feels like a good time to blast away those cobwebs of uncertainty and release some music inspired by procrastination, quadruple guessing, agonizing over mixdowns (he’s never happy), using volume automation, channel gains AND bussing to create a melange of engineering cross purpose and take the writer even deeper into an artistically redundant mental cul de sac, which bears witness to countless stalled 3 point turn attempts. And that’s on a good day.

‘Train Of Thought’ is a 10 minute opus taking the listener on a head trip across the shattered mind of a post rehab, rave casualty struggling to piece together the last 20 years of memories. Wonky synths, banging breaks, ragga vocals and a 5 stage journey track ensure maximum value per minute. This is a feature length track with zero filler.

‘New August’ is a homage to Dannys smoked out jazz hip hop teen years put through the 2021 blender. Dusty samples and subs mix with an almost 2 step feel. Plenty of sudden changes and a biblical ending with Moses chiselling out the tablets over the top of an insistent beat.

Final thought ‘Overthinking’ closes with a neverending trance inducing arpy synth playing a demented chord sequence before the beat kicks in. Sometimes it’s hard to know when to stop thinking. More

Part 2 of Red Rack’ems Disco Banger series brings 3 more killer cuts to the table. WYBES indeed.
More

Red Rack’em launches a new series called Disco Banger. Following on from his Wonky Techno Banger monster, it’s time for Rack’em to show his summery side with 3 killer vibes on a soulful tip. Tip! More

In March 2018, Danny Berman aka Red Rack’em left behind the grey insanity of Berlin and headed off to the idyllic Devon Analogue Studio for the first of several productive musical retreats, giving him unprecedented access to high end synths plus the time and space to create without distraction.
After a solid 18 months of activity post album, which combined some serious air miles, relocation back to the UK (after nearly a decade living in East Berlin) some pretty magical moments, he’s back with a heavy EP of genre crossing magic which ushers forth a more edgy, psychedelic sound.
Like its disco leaning predecessor, Wonky Techno Banger is just simply a track that you have to have in your life. Combining a demented fairground melody, flappy off beat bassline and manic peak time flavour, it’s an absolute thumper which has the potential to radically transform your night/life.
Devon Analogue 4.2 comes from the same session and sees the Bergerac boss man go into euphoric electro funk mode with distorted claps, an ‘ecstasy’ synth and live slap bass.
Meanwhile back in Berlin, Rack’em was also working in Iron Curtis studio while he was on tour in the US so final track Nave Gazing was written using just the Waldorf Nave for a thoughtful ambient number to close off the EP. WIBES.
More

Danny Berman aka Red Rack'em is back with 2 more burners on his much loved Bergerac label.
More

Strong contender for dance record of the year- Red Rack’em’s incredibly wonderful and fantastically wonky, Disco Banger, was rereleased on Classic this year. After a few months of slowly embedding itself in people subconscious, it returns with new mixes. First up in the marvellously talented KiNK - Strahil is no stranger to Classic, having made a stamp on the label many years ago with his remix 3rd Face. He's gone from strength to strength with his productions which have been accompanied by his glorious live performances. Kink goes in, heads down with some proper techno Wonk. This is indeed a beast. On the flip Luke Solomon joins forces with Bristol’s very own Eats Everything and Lord Leopard, creating a Bristol “Circle of Three.” The Luke Eats Leopard edit adds a slight bit of conformity to the drums and the arrangement, without taking out too much of the Wonk but taking it ever so slightly into “house “ territory.
Overall this is a monstrously Wonky package - and just in time for Xmas too. More

Unlucky 013? Ha! This one’s a pearler. Multi talented producer Red Rack’em climbs up the fertile n s y d e spirit tree for this glowing summer release in the form of the ‘Nothing Without You’ EP. A mutation from the same skunky-soul strain of n s y d e 005 by Skymark / Lady Blacktronika. The title cut is a result of a Red Rack’em tour through the south pacific, connecting with Inkswell and fam. What was meant to be a Rack’em / Inkswell track instead ended up with Australian vocalist, now Berlin diamond in the rough: Misumami liberally sprinkling her magic throughout. With a proposed subject matter based around missing loved ones while apart, Misumami weaves an enchanting story of longing, and matters of the heart, through signature sleek, clever, floor ready Rack’em production. Flip for ‘Love Beat’ and here we get Red Rack’em- the Funky Technician fanboy, dusty fingered Native Tongue devotee, and closet Jazz dancer. The loose, bumping drum programming and sculpted, cubist jazz sampling (inna heavy Mandalorian funk fashion) weld this nocturnal seduction dance together. This is a late night groover, an eyes closed on the dance floor vibration. Both sides are modern, vital, considered House music, where the problems of the world dissolve in a heads down- vibes up situation. Mastered by Pole at Scapemastering so you know it’s gonna bang...
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From Da Vaults…Nettles is a new series from Red Rack'ems Bergerac label which will focus on the more sample based end of things. Tracks which have remained secret weapons for many years will finally see the light of day. This first release features music which was played by quite a few heavy hitters but sadly remained lost on the hard drive…until now…‘Bill George starts of as a super funky, cut up electro disco jam which morphs into the mother of all breakdowns before drifting into super deep Detroit style house and then peaking back to the original electro funk vibes. A secret weapon for the likes of Crazy P (who featured it on their Beats In Space mix way back in 2010) and one of Red Rack'em most 'unreleased tracks requested for release', there's going to be quite a few people around the world celebrating Bill George finally making it to wax. A 30 second piece of incidental music from a long lost German children's television series is extended into a late night disco jam 'Timm' which picked up props from none other than Todd Terje when Danny extended it back in the Hot Coins edit days of 2007. Another 'lost' track which is finally seeing release…. Transfer List' began life as a hip hop beat which ended up being such an epic opus that the full glory of the track had to be unleashed. Once again a Cdr classic for a trusted few. A super funky beat evolves into a kind of honky tonk vibe sort of on the KMD tip but with added poppy vocals. Made in 2003 More

Red Rack'em is a name well known to WOLF fans as he launched the first WOLF White release with his deep house classic 'In Love Again'. He is a master at reworking dusty grooves into peaking house bangers. That is the best way to describe this EP too. 'Do or Die' is a straight up peak of the night disco jam. Big sample, big bass, big track. 'Ooh Ooh Ooh' leans on the soulful side of his sample selections and its wonky but funky composition never fails to turn heads. The final track 'Live At Music Hall' is straight up DEEP. So, something for everyone, no messing. More

Available on vinyl (limited to 200 copies, no repress) Scottish born and currently Berlin based DJ/Producer Danny Berman (aka Red Rack'em/Hot Coins) has had a pretty hectic last few years and show no signs of slowing down. Following the anthemic releases on Wolf Music & City Fly Red. he is now ready for his Telefonplan debut. 'I Got Something' and 'Make Your Mind Up' are both dark tracks with punchy basslines that hit deeeeep, pitched-down vocals and plenty of bounce to move any crowd. The surprise is Jan 11 Hip Hop. Get ready for carefully constructed next-level effective drum programming from Mr Berman, and a perfectly balanced third course ! More

* Red Rack'em enters the warm embrace of RAMP with his latest 12 inch - Chirpsin / All Alone. Red Rack'em has been honing his skills over the past few years with a handful of singles on his own Bergerac label, which have been strongly supported by the RAMP office. As bass music has evolved, Rack'em's dubby, druggy take on house music has become more and more relevant - the signing to RAMP seemed fitting. Expect another 12" and an album over the coming months. More

2010 ended with a bang for both Berman and Bergerac with the release of the instant classic first single How I Program, which received massive support from a wide range of DJs including Gilles Peterson, Kyle Hall, The Revenge, Move D and Mike Huckaby. This was quickly followed by the debut Red Rack?em album The Early Years, which was awarded album of the month in De:Bug Magazine and received universal praise from both the press and DJs alike. Since the album was released in November 2010, Danny has been hard at work touring the world and preparing the follow up single Feel My Tears. He?s currently on a sabbatical in Berlin and it?s the perfect backdrop for his current musical direction. The Bergerac label artwork features bespoke illustrations from German artist Silke Eiselt of all the houses Danny has lived in chronologically. The A side Feel My Tears is a warehouse burner on many levels. Perfect for those summer evenings of drug loneliness. B1 Courting is a big room post-post-dustep UK garage-house stomper with a very loud snare drum. The last track on the record How We Do is a strange jazz techno house hybrid, taken from the Early Years album and now available on vinyl due to popular demand. More

A1 – Illusions
B1 - Sound Crazy
B2 - Ads Mood

Adam Cook aka Tommy Rawson returns to Bergerac with another killer EP of uplifting, tropical deep house, broken beat and Brit funk vibes. Following on from 2018s Gilles Peterson hammered 'Deep Blue' EP, he returns to Red Rack'ems Bergerac label with an absolutely killer 3 tracker which showcases the Watford, England based producers world class musical chops. Surely a contender for THE summer record with a sun kissed Brit funk A side which is tailor made for the WWFM and We Out Here crew. A tropical house and broken beat burner make up an equally strong flip. We are very happy (and relieved) to be presenting to you an absolutely belting EP of UK soulful dance music.

It's nothing short of a miracle that the A side track 'Illusions' has ever made it on to vinyl. Jonna from City Fly remembers 'Adam had this on a CDR at Southport in 2008 and it became our official track of the festival as we all partied together the whole weekend it got played again and again back at our Chalet parties'. But then as these things often sadly go, the funk diamond was lost for a few years in the digital ether. Fast forward to 2014 and Danny Berman aka Red Rack'em is playing a 320 of 'Illusions' everywhere but alas it's just a demo and Adam can't locate the arrangement to complete the track as it's on a broken computer in his Mums attic.

Then finally this year, after many pleading emails and plenty of gentle cajoling, there's some amazing news! Adam has located the broken computer and after a day of digital open heart surgery, and then a re-edit over Zoom (no really) we finally had the killer, classic UK soulful anthem you're listening to today. A voice over from a disco documentary cleverly introduces each instrument on the intro before Tommy pushes the button marked 'biggest bassline of the year' and takes us into boogie heaven.

'Sound Crazy' on the flip is another one of those classic Afrobeat tinged Tommy rollers. Big room vibes but with a lot of soul. Rolling broken drums and a huge bassline combine with plenty of spicy, tropical atmosphere on top. The trademark Rawson uplifting chords begin after an anticipatory vibe filled breakdown, taking you to the stratosphere.

'Ads Mood' is the most 'classical' broken beat track on the record, but they are all playable in multiple environments and transcend mere genres. Heavy bass and extra funky syncopated beats climax into a beautiful almost orchestral feel to close off an exemplary EP of higher quality moods and emotions. Don't sleep. More

Red Rack’em is back with a new series devoted to the beautiful, self torturous art of overthinking, With the whole world stuck in a funk of uncertainty, it feels like a good time to blast away those cobwebs of uncertainty and release some music inspired by procrastination, quadruple guessing, agonizing over mixdowns (he’s never happy), using volume automation, channel gains AND bussing to create a melange of engineering cross purpose and take the writer even deeper into an artistically redundant mental cul de sac, which bears witness to countless stalled 3 point turn attempts. And that’s on a good day.

‘Train Of Thought’ is a 10 minute opus taking the listener on a head trip across the shattered mind of a post rehab, rave casualty struggling to piece together the last 20 years of memories. Wonky synths, banging breaks, ragga vocals and a 5 stage journey track ensure maximum value per minute. This is a feature length track with zero filler.

‘New August’ is a homage to Dannys smoked out jazz hip hop teen years put through the 2021 blender. Dusty samples and subs mix with an almost 2 step feel. Plenty of sudden changes and a biblical ending with Moses chiselling out the tablets over the top of an insistent beat.

Final thought ‘Overthinking’ closes with a neverending trance inducing arpy synth playing a demented chord sequence before the beat kicks in. Sometimes it’s hard to know when to stop thinking. More

In March 2018, Danny Berman aka Red Rack’em left behind the grey insanity of Berlin and headed off to the idyllic Devon Analogue Studio for the first of several productive musical retreats, giving him unprecedented access to high end synths plus the time and space to create without distraction.
After a solid 18 months of activity post album, which combined some serious air miles, relocation back to the UK (after nearly a decade living in East Berlin) some pretty magical moments, he’s back with a heavy EP of genre crossing magic which ushers forth a more edgy, psychedelic sound.
Like its disco leaning predecessor, Wonky Techno Banger is just simply a track that you have to have in your life. Combining a demented fairground melody, flappy off beat bassline and manic peak time flavour, it’s an absolute thumper which has the potential to radically transform your night/life.
Devon Analogue 4.2 comes from the same session and sees the Bergerac boss man go into euphoric electro funk mode with distorted claps, an ‘ecstasy’ synth and live slap bass.
Meanwhile back in Berlin, Rack’em was also working in Iron Curtis studio while he was on tour in the US so final track Nave Gazing was written using just the Waldorf Nave for a thoughtful ambient number to close off the EP. WIBES.
More

Estonian pioneer Raul Saaramets exists in many parallel musical universes and this is reflected in his stellar output as Ajukaja, mining a rich furrow of stand out, oddball yet eminently danceable, groovy house and beat experiments. As the program co-director for Estonia's national radio station Raadio 2, he's given his country unprecedented access to some of the hottest music on this planet. He's also made some of the finest underground dance records over the last few years including 'Stranger', 'Benga Benga' and "Rare Birds' (made with long time production partner Andrevski) which were hammered by the scenes elite. His Bergerac debut has been a long time coming but well worth the wait. Mhmhmh is a super vibey late night burner which quite obviously gets its title from the faintly Germanic, sleazy vocal sample which goes 'um hum um hum'. Sklad trips you out even more with a mangled, ecstasy tinged fading in(tro) which gives you 'that' feeling. Ajukajal puts his disco hat on for side 2 with Ekleeer. A super danceable disco cut rolls out until the vocals drop in and you realise that David Lynch is on the remix. Walk previously saw light as a tape only track but it's playful scuffed up jiggery pokery cried out for a vinyl release so here it is.. More

Tommy Rawson releases are sporadic but always high quality. As a former member of the Souled duo who ran the excellent Fresh Minute label – he’s been around the more tropical end of UK house and broken beat for many years and this, his first full release for Bergerac ushers forth a new level in his sound. This whole record is a masterclass in post bruk, forward thinking, shining, bright UK dance music. Unmatched in emotion and vibes.
Deep Blue is quite simply the sound of the summer. Sun drenched, euphoric and soaring. Broken but not broken, 4/4 but not quite housey. Jazzy, soulful….yeah.... It was the highlight of Red Rack’ems Olive Grove closing set at Love International last year when it provided the most halcyon of moments. Live trumpet from Vicky Flint and a whole bag of vibes from Tommy Rawson. This is a classic. Trust.
Past Tense is a super tropical African tinged house stomper which shows Tommys love of sunshine vibes once more with acres of space, insistent chants, dubby pianos and a tinge of Jungle roller bass.
final track Into The Future takes us into almost Blade Runner-esque orchestral emotion but with a kind of Balearic feel tucked in there too. Beautiful, lilting, emotional memories. You can feel so much love in this track.
Such a special record. Buy it. Love it. Treasure it.
More

New Zealand based EBM auteur Body Beat Ritual makes his debut on Bergerac with an incendiary EP of full throttle intense dark wave bangers. Growing up in North West England immersed in hardcore punk and rave culture led to musical experiments and Body Beat Ritual is his unique splicing of both aesthetics. Using a combination of hardware, audio samples and midi sequencing, Body Beat Ritual reclaims the moment when underground musicians in Manchester, Chicago and Ghent put down their guitars and picked up drum machines and sequencers bringing the intensity, rawness and aggression of the band environment to the dancefloor. 'Mortal Sin' is a certified smasher. Absolute dancefloor decimation whenever it's played out. No more description necessary. 'No Mercy' evokes the Lost Boys vibe with an equally high octane raw workout. Trent Reznor meets Jeff Mills at a DAF gig on a flatliner.
The EP closes with 'Body Politics' which lowers the tempo to a chuggier zone, with an ode to female empowerment which keeps up that Body Beat pressure and intensity More

Berlin based Jens Dohle is a man of many talents. An accomplished composer and arranger for theatre productions across Europe, classically trained multi instrumentalist, explosive live drummer for YE:SOLAR, Munk, Hot Coins, Sado Opera. Longtime collaborator with Danilo Plessow aka MCDE and Noema from African Shakedown fame. His first EP as James Dole (a jokingly anglicised version of his birth name) showcases his ability to create a strong mood and use great splashes of melody and rhythm but without ever losing the groove. 'Ex' is a moody monster of a track. It builds and builds into a pounding nightime symphony with a kind of epic-ness which hints at many years spent mining the highs and lows of music, love and life. Big room yet with a gut wrenching soul beneath the slightly flamboyant majesty. Made in East Berlin and well road tested in the cities debauched nightclubs. 'Fantasia' shows off Mr Doles jazz and broken beat background with rolling, funky drums sashaying with hip hoppy live jazz keys. Then those signature euphoric yet melancholic synths appear halfway through the track to create an emotionally halcyon mood. WIBES.
The EP closes with 'Grande'. Super melodic yet cinematic with amazing synth work and a sophisticated arrangement showcasing James's well trained musicianship and artistry. An opus of melody and longing built for Italian arthouse films about unrequited love.
More

Danny Berman aka Red Rack'em is back with 2 more burners on his much loved Bergerac label.
More

What more can be said about 2016 for Red Rack'em apart from MASSIVE? In March, he released the instant classic Wonky Bassline Disco Banger which has been one of the biggest selling house tracks of the year, picking up praise and plays across the board from Moodymann, The Black Madonna and MCDE right through to Disclosure and Mark Ronson. Repeated Radio 1 plays, festival bookings and licensing from Classic soon followed. WBDB was the first single taken from the Self Portrait LP which is due out in Feb 2017 but before that we have another preview of the first full Red Rack'em long player in the form of Tomato Pope. Tomato Pope is a slamming party banger. Somewhere between house, techno, African music and broken beat, the drums are driving, the bassline is huge and the vocal samples get mangled throughout the track. It's another guaranteed floor wrecker from Red Rack'em and gives a tantalising taste of the LP weight to follow. Ocaj is a demented funky leftfield house jam which twist and turns relentlessly like a Scottish broad without power steering. Imagine a hip hip cats jazzy jam session recorded on a ghetto blaster being diced by a hip hop great. The samples get chopped like garlic cloves in a top chefs kitchen. Bon appetite! Rhodes House closes the single with a dreamy, drifty promise of greater things to come. Named in that super descriptive Red Rack'em style, jazz club samples are meshed with super uplifting Rhodes chops to give you that 'aaah' feeling. You can pull a jazz face to this. It's allowed. The artwork comes from an old school friend Abby Smith who painted a portrait of Daniel from a facebook screen grab. x More

2010 ended with a bang for both Berman and Bergerac with the release of the instant classic first single How I Program, which received massive support from a wide range of DJs including Gilles Peterson, Kyle Hall, The Revenge, Move D and Mike Huckaby. This was quickly followed by the debut Red Rack?em album The Early Years, which was awarded album of the month in De:Bug Magazine and received universal praise from both the press and DJs alike. Since the album was released in November 2010, Danny has been hard at work touring the world and preparing the follow up single Feel My Tears. He?s currently on a sabbatical in Berlin and it?s the perfect backdrop for his current musical direction. The Bergerac label artwork features bespoke illustrations from German artist Silke Eiselt of all the houses Danny has lived in chronologically. The A side Feel My Tears is a warehouse burner on many levels. Perfect for those summer evenings of drug loneliness. B1 Courting is a big room post-post-dustep UK garage-house stomper with a very loud snare drum. The last track on the record How We Do is a strange jazz techno house hybrid, taken from the Early Years album and now available on vinyl due to popular demand. More

Isabel Roberts mid-80s stand-out singles from the Hot Vinyl stabel reissued for the first time back-to-back on one 12". UK electric-boogie-synth-funk essentials on limited 12" as part of Backatcha's 'Hot Vinyl' reissue series.

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Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.

TRACKLIST:

A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi More

Tracklisting
A1 Hayley Zalassi - Lose Your Head
A2 Hayley Zalassi - Time
A3 Hayley Zalassi - Raining Angels
B1 Hayley Zalassi - Tell Me Why
B2 Hayley Zalassi - All Night Long
B3 Hayley Zalassi - Freddies Miracle

Sales Note
Hayley Zallasi serves up a delightful six track record of dance music goodness for Bristol label Shall Not Fade! Ord More

Andrés a renowned DJ and producer from Detroit, is celebrated for his eclectic blend of house, hip-hop, Latin, and soul. GT Flips series showcases his ability to transform classic tracks into head-nodding bangers..

New Volumes 3, 4, 5 & 6.

Whitelabel, limited copies. More

Z Records proudly presents Vol.3 in its 90’s House & Garage compilation series, this time presented by Jeremy Underground, a man who should need no introduction when it comes to all things House & Garage. Jeremy is a passionate record collector, DJ, music lover whose collection and knowledge surpasses his years of collecting and he’s made it his personal mission to bring the warm vibes of this sound back and showcase the spirit of this golden era in House. His third ever House music compilation and much like the previous two in this series, the compiler digs deep into his collection to select tracks that haven’t been re-released digitally and, in one case, never released at all! Meaning a lot of the tracks included here are being digitised for the very first time. Sourcing material from the original DAT tapes of the artists or in some cases painstakingly transferred from Vinyl, cleaned and treated to the highest professional standards of today. Split over two parts on Gatefold Double 12” Vinyl, Double CD or Digital/Streaming for the first time, this is a very carefully curated album, showcasing a deep love & understanding for the sound represented here, from what is a definitive decade for House & Garage. Featuring tracks and remixes from the likes of Kerri Chandler, Murk & 95 North…
Tracklist Under Embargo More

re-pressing of this in-demand Moodyman produced classic! More

Reissue of the classic. More