1
Gigi Testa - Sichuan
2
Gigi Testa - Dragon Temple
"Napoli based Gigi Testa brings the heat yet again on his third Rush Hour Store Jams release with some spicey Sichuan flavours, straight from the Dragon Temple... Milk not included..."
More
More records from Gigi Testa
1
Gigi Testa - Atlantis
2
Gigi Testa - Agua Fluida
Repress!
After the first Freedom Dance release “Earth on Faya/Is This The Future” already sold-out, we are glad to present the new Gigi Testa tracks taken from his unreleased materials and produced during this pandemic period.
Atlantis on A side is a raw house track created with only two elements: one drum machine and one synthesizer, this composition will take you deep exploring the underwater world; Agua Fluida on B side is a bouncing gem including myriad of melodic elements drums and sound efx creating a fluid percussive flow. More
After the first Freedom Dance release “Earth on Faya/Is This The Future” already sold-out, we are glad to present the new Gigi Testa tracks taken from his unreleased materials and produced during this pandemic period.
Atlantis on A side is a raw house track created with only two elements: one drum machine and one synthesizer, this composition will take you deep exploring the underwater world; Agua Fluida on B side is a bouncing gem including myriad of melodic elements drums and sound efx creating a fluid percussive flow. More
1
Gigi Testa - Jinja
2
Gigi Testa - Malinke
3
Gigi Testa - Echoes In The Sky
Gigi Testa, a bona fide Neapolitan hero whose work draws inspiration from local music of the last four decades – think Pino Daniele, Tullio de Piscopo, Tony Esposito, James Senese & Napoli Centrale, Nu Guinea, Mystic Jungle Tribe and rising stars such Fabrizio Fattore, Daniel Monaco and Raffaele Attansio – but also deep house and owes a lot to African music in all its forms.
Credits:
Written Arranged & Programmed : Gigi Testa
Mixed & Engineered : Gigi Testa & Paolo Convertito
Synths, Keyboards,Drum Machines,Effects,Live & Electronic Drums : Gigi Testa
Fender Bass,Live Guitars & Additional Keyboards : Paolo Convertito More
Credits:
Written Arranged & Programmed : Gigi Testa
Mixed & Engineered : Gigi Testa & Paolo Convertito
Synths, Keyboards,Drum Machines,Effects,Live & Electronic Drums : Gigi Testa
Fender Bass,Live Guitars & Additional Keyboards : Paolo Convertito More
1
Gigi Testa - Esoteric Paradise
2
Gigi Testa - Blue Ocean
3
Gigi Testa - Guayaba
4
Gigi Testa - Moments In Time
Napoli has long been one of Italy’s most musically vibrant cities – a metropolis famed for colourful, atmospheric and vivid dance music, with a rich and diverse sonic history stretching back to the disco era. For the last 36 years, it has been home to Gigi Testa, a bona fide local hero whose work not only draws inspiration from Neapolitan music of the last four decades – think Pino Daniele, Tullio de Piscopo, Tony Esposito, James Senese & Napoli Centrale, Nu Guinea, Mystic Jungle Tribe and rising stars such Fabio Fattore, Daniel Monaco and Raffaele Attansio – but also high-quality deep house and African music in all its forms.
Testa remains largely unheralded outside his home city, where he’s long been a regular fixture behind the decks at events such as Neuhm and at renowned audiophile club Basic, despite winning plaudits for a string of singles and EPs on his own World Peace Music and Freedom Dance imprints. Now Testa has become the latest artist to contribute to the Rush Hour Store Jams series, delivering a four-track EP that takes his self-proclaimed world music-meets-club music approach in kaleidoscopic new directions.
Inspired by a mixture of 1980s, post-boogie African music, the sounds of the Caribbean, Testa’s love for dance music from New York and his own Neapolitan musical roots, the Esoteric Paradise EP is an entertaining, each-catching collection of cuts the effortlessly blurs existing musical boundaries. Rich in synthesizer and drum machine sounds, it should delight all those who love melodic, tropical-tinged electronic music.
Testa sets out his stall with the EP-opening title track, a squelchy slab of electro-fired musical joy whose dreamy pads and synthesized marimba melodies recall the mid-80s work of legendary South African musician Hugh Masekela and the delay-laden proto-house jams of the late Boyd Jarvis. He opts for a deeper, sweeter, and more laidback sound on the gently jazz-funk-tinged warmth of ‘Blue Ocean’, where layered percussion, ethereal chords and morning-fresh melodies catch the ear, before doffing a cap the spacey electrofunk and obscure Trinidadian synth-pop records on the wonderfully picturesque ‘Guayaba’.
Testa’s own love of house music comes to the fore on future Balearic dancefloor classic ‘Moments in Time’, a sublime fusion of cowbell-driven club grooves, sun-splashed guitars, jazz-funk bass and alluring new age chords. Retro-futurist in tone but pleasingly hard to pigeonhole, with electronic and acoustic instruments high in the mix, it offers a fitting finale to an endlessly entertaining EP from one of Napoli’s most talented producers.
Written Arranged & Programmed : Luigi Testa
Mixed & Engineered : Luigi Testa & Paolo Convertito
Acoustic Guitar,Electronic Guitar,Fender Bass & Additional Keyboards : Paolo Convertito
Synths, Keyboards, Drum Machines,Effects,Live & Electronic Drums : Luigi Testa More
Testa remains largely unheralded outside his home city, where he’s long been a regular fixture behind the decks at events such as Neuhm and at renowned audiophile club Basic, despite winning plaudits for a string of singles and EPs on his own World Peace Music and Freedom Dance imprints. Now Testa has become the latest artist to contribute to the Rush Hour Store Jams series, delivering a four-track EP that takes his self-proclaimed world music-meets-club music approach in kaleidoscopic new directions.
Inspired by a mixture of 1980s, post-boogie African music, the sounds of the Caribbean, Testa’s love for dance music from New York and his own Neapolitan musical roots, the Esoteric Paradise EP is an entertaining, each-catching collection of cuts the effortlessly blurs existing musical boundaries. Rich in synthesizer and drum machine sounds, it should delight all those who love melodic, tropical-tinged electronic music.
Testa sets out his stall with the EP-opening title track, a squelchy slab of electro-fired musical joy whose dreamy pads and synthesized marimba melodies recall the mid-80s work of legendary South African musician Hugh Masekela and the delay-laden proto-house jams of the late Boyd Jarvis. He opts for a deeper, sweeter, and more laidback sound on the gently jazz-funk-tinged warmth of ‘Blue Ocean’, where layered percussion, ethereal chords and morning-fresh melodies catch the ear, before doffing a cap the spacey electrofunk and obscure Trinidadian synth-pop records on the wonderfully picturesque ‘Guayaba’.
Testa’s own love of house music comes to the fore on future Balearic dancefloor classic ‘Moments in Time’, a sublime fusion of cowbell-driven club grooves, sun-splashed guitars, jazz-funk bass and alluring new age chords. Retro-futurist in tone but pleasingly hard to pigeonhole, with electronic and acoustic instruments high in the mix, it offers a fitting finale to an endlessly entertaining EP from one of Napoli’s most talented producers.
Written Arranged & Programmed : Luigi Testa
Mixed & Engineered : Luigi Testa & Paolo Convertito
Acoustic Guitar,Electronic Guitar,Fender Bass & Additional Keyboards : Paolo Convertito
Synths, Keyboards, Drum Machines,Effects,Live & Electronic Drums : Luigi Testa More
1
Gigi Testa - Earth on Faya
2
Gigi Testa - Is this the Future ?
Freedom Dance presents the first 12inch release served by Gigi Testa with Earth on Faya EP: On Side A the aforementioned "Earth on Faya" is another crescendo track with the well know Gigi Testa's sound imprint mixing live instruments with eletronic analog sounds. Side B includes
"Is this the Future ?" arranged and produced at Gigi's Home studio during the lockdown and already introduced by Antal (Rush Hour) on his Worldwide fm radio show (https://worldwidefm.net/show/antal-2/) and Fred P on NTS radio (https://www.nts.live/shows/fred-p/episodes/perpetual-sound-w-fred-p-19th-september-2020).
Play B-side till the end to translate a message of freedom and hope waiting for the time when we can finally dance all together once again.
Power to the People Always ! More
"Is this the Future ?" arranged and produced at Gigi's Home studio during the lockdown and already introduced by Antal (Rush Hour) on his Worldwide fm radio show (https://worldwidefm.net/show/antal-2/) and Fred P on NTS radio (https://www.nts.live/shows/fred-p/episodes/perpetual-sound-w-fred-p-19th-september-2020).
Play B-side till the end to translate a message of freedom and hope waiting for the time when we can finally dance all together once again.
Power to the People Always ! More
Tracklisting:
Side A: Message Version
Side B: Music Only
Written and Composed by Gigi Testa The Overground Society is a sonic
message for the present-day society which lives in a era where the world is
running more than ever
Human beings who constantly try to make things quick and instant forgetting
to live the moments.Hold up a second and ask yourself Is this the Overground
Society ?
Gettin'deep in difffferents urban jungle worldwide helped a lot to create this
composition which is also a call for those few who survived to keep stay in the
Beautiful small Underground World !
Be Difffferent is More
Side A: Message Version
Side B: Music Only
Written and Composed by Gigi Testa The Overground Society is a sonic
message for the present-day society which lives in a era where the world is
running more than ever
Human beings who constantly try to make things quick and instant forgetting
to live the moments.Hold up a second and ask yourself Is this the Overground
Society ?
Gettin'deep in difffferents urban jungle worldwide helped a lot to create this
composition which is also a call for those few who survived to keep stay in the
Beautiful small Underground World !
Be Difffferent is More
More records from Rush Hour Store
1
Daniel Monaco - Mamela
2
Daniel Monaco - Kalam Kalam
Daniel Monaco returns on the Rush Hour Store Jams imprint with another disco heavy two tracker, with vocals from TK daMonza. Two feel good songs, to calm and comfort your soul...
Written by Daniele Labbate aka Daniel Monaco, additional production and Mixing by Whodamanny
Voice and Lyrics by TK daMonza
Alessandro Cinelli: Drums
Yannick van ter Beek: Percussion
Sergio Dileo: Saxophone
Simone Cesarini: Guitar
Alberto Melloni: Additional Guitars
Daniele Labbate: Bass, Synths, Backing Vocals
Recorded at Daniel Monaco Studio in Amsterdam
Mixed at West Hill Studio Napoli More
Written by Daniele Labbate aka Daniel Monaco, additional production and Mixing by Whodamanny
Voice and Lyrics by TK daMonza
Alessandro Cinelli: Drums
Yannick van ter Beek: Percussion
Sergio Dileo: Saxophone
Simone Cesarini: Guitar
Alberto Melloni: Additional Guitars
Daniele Labbate: Bass, Synths, Backing Vocals
Recorded at Daniel Monaco Studio in Amsterdam
Mixed at West Hill Studio Napoli More
1
Precious Bloom - Flashlight
2
Precious Bloom - Mojo
Two-tracker from Indonesian group Precious Bloom. 'Flashlight' on the A side is inspired by Euro disco with a touch of Indonesian city pop. The track 'Mojo' on the B-side explores a rhyme of witchery...
More
1
Katsuya Sano - I Need Luv
2
Junichi Soma - Ubnormal Life
3
Shuji Wada - Endless Load
Reissue of early Japanese house outing by Junichi Soma, Shuji Wada and Katsuya Sayo. Comes with insert with liner notes.
All musical movements require a spark to set them alight; in the case of Japanese house music, that spark was provided by the forward-thinking resident DJs of The Bank in Roppongi, Tokyo. In 1989, to celebrate the ground-breaking club’s first birthday, the venue released a 12” EP featuring first-time productions from three of its DJs, Junichi Soma, Shuji Wada and Strong Katsuya AKS Katsuya Sayo.
Widely considered to be one of the first ever EP of house music produced in Japan, 1st Unit was never officially released. Instead, 500 of the 1000 copies pressed were given away at The Bank’s first birthday party, with the rest initially being sold not in local record stores, but rather the venue’s own in-house shop. Three decades on, the 12” is finally set to get its first worldwide release via Rush Hour’s Store JPN Series.
The record has its roots in The Bank’s willingness to give its ever-changing roster of DJs a free hand to play what they liked – at the time a rarity in Tokyo nightclubs, whose musical offerings usually revolved around strictly defined playlists. At The Bank in 1989, it was not only common to hear European body music and the kind of post-disco New York productions associated with Larry Levan’s sets at the Paradise Garage, but also acid house – something not offered at the time by other clubs in the city.
This cutting-edge blend of sounds, combined with the venue’s unique decor (it was modeled on the inside of a London bank, complete with a cashier’s window to take entrance fees), made The Bank a go-to spot for young party-goers, celebrities and forward-thinking Japanese musicians (Ryuichi Sakamoto was reportedly a weekly visitor).
When it came to celebrating the club’s birthday by cutting a unique record, it made sense for The Bank’s owners to turn to three of their most exciting resident DJs, who were assisted by Heigo Tani and Jun Ebi. The collective name, 1st Unit, was chosen to reflect the fact that all three resident DJs were debutants with no previous studio experience.
As this reissue proves, the music remains timeless, magical, and authentic to the sound of American house productions of the period – albeit with occasional twists,. Katsuya Sano’s EP opener, ‘I Need Love’, sounds like a twist on Larry Heard productions of the period – all jacking TR-909 drums, undulating analogue bass, dreamy JUNO synthesizer chords and evocative vocal samples.
The influence of Chicago acid house is also evident on Junichi Souma’s ‘Ubnormal Life’, whose unusual title contains what he says was an intentional misspelling. Driven forwards by restless drum machine handclaps, sweet chords and rising and falling melodic motifs, the track is an energetic and uplifting treat.
Perhaps the most influential of the three tracks at the time – within Japan at least – was Shuji Wada’s similarly misspelled ‘Endless Load’. Deeper and more melodic with a more expansive arrangement, the track’s combination of marimba-style lead lines, tribal drum patterns, dreamy chords and jazz-funk influenced bass offered a loose blueprint for the more successful and better-known Japanese deep house tracks that followed. More
All musical movements require a spark to set them alight; in the case of Japanese house music, that spark was provided by the forward-thinking resident DJs of The Bank in Roppongi, Tokyo. In 1989, to celebrate the ground-breaking club’s first birthday, the venue released a 12” EP featuring first-time productions from three of its DJs, Junichi Soma, Shuji Wada and Strong Katsuya AKS Katsuya Sayo.
Widely considered to be one of the first ever EP of house music produced in Japan, 1st Unit was never officially released. Instead, 500 of the 1000 copies pressed were given away at The Bank’s first birthday party, with the rest initially being sold not in local record stores, but rather the venue’s own in-house shop. Three decades on, the 12” is finally set to get its first worldwide release via Rush Hour’s Store JPN Series.
The record has its roots in The Bank’s willingness to give its ever-changing roster of DJs a free hand to play what they liked – at the time a rarity in Tokyo nightclubs, whose musical offerings usually revolved around strictly defined playlists. At The Bank in 1989, it was not only common to hear European body music and the kind of post-disco New York productions associated with Larry Levan’s sets at the Paradise Garage, but also acid house – something not offered at the time by other clubs in the city.
This cutting-edge blend of sounds, combined with the venue’s unique decor (it was modeled on the inside of a London bank, complete with a cashier’s window to take entrance fees), made The Bank a go-to spot for young party-goers, celebrities and forward-thinking Japanese musicians (Ryuichi Sakamoto was reportedly a weekly visitor).
When it came to celebrating the club’s birthday by cutting a unique record, it made sense for The Bank’s owners to turn to three of their most exciting resident DJs, who were assisted by Heigo Tani and Jun Ebi. The collective name, 1st Unit, was chosen to reflect the fact that all three resident DJs were debutants with no previous studio experience.
As this reissue proves, the music remains timeless, magical, and authentic to the sound of American house productions of the period – albeit with occasional twists,. Katsuya Sano’s EP opener, ‘I Need Love’, sounds like a twist on Larry Heard productions of the period – all jacking TR-909 drums, undulating analogue bass, dreamy JUNO synthesizer chords and evocative vocal samples.
The influence of Chicago acid house is also evident on Junichi Souma’s ‘Ubnormal Life’, whose unusual title contains what he says was an intentional misspelling. Driven forwards by restless drum machine handclaps, sweet chords and rising and falling melodic motifs, the track is an energetic and uplifting treat.
Perhaps the most influential of the three tracks at the time – within Japan at least – was Shuji Wada’s similarly misspelled ‘Endless Load’. Deeper and more melodic with a more expansive arrangement, the track’s combination of marimba-style lead lines, tribal drum patterns, dreamy chords and jazz-funk influenced bass offered a loose blueprint for the more successful and better-known Japanese deep house tracks that followed. More
1
Manabu Nagayama - Light And Shadow (Masalo Version)
2
Manabu Nagayama - Light And Shadow (Original Mix)
When it first slipped out in 2015, Manabu Nagayama’s ‘Light & Shadow’ passed most people by. Yet it’s a genuinely overlooked gem a musically expansive and uplifting Japanese deep house workout that first featured on a promo-only compilation back in 2015. A softly spun slab of slow-building brilliance full of fluid piano motifs, heady hand percussion, the track effortlessly sashays between heartfelt dancefloor melancholia and tactile deep house positivity. One DJ to see its potential was Rush Hour co-founder Antal Heitlager, who asked Masalo to remix it. Over ‘a few years’, Masalo worked on the revision in bursts, tweaking it and subtly altering the arrangement until he was happy. The results are undeniably impressive, elevating an already excellent track to whole new levels. DJs seem to agree, too, with Masalo’s fine remix becoming something of an underground anthem following the release of a limited number of white label test pressings earlier last year.
Taking the spiritual end of deep house as his inspiration – and happy memories of attending events while visiting Japan – the Dutch-Japanese producer has delivered a slowly-building epic that subtly ratchets up energy and excitement throughout, while effortlessly eking out every last drop of emotion from Manabu’s piano-laden production.
Extensively road-tested at the Brighter Days parties he runs with long-time DJ partner Kamma, Masalo’s remix settles into a chugging groove before introducing Manabu’s tactile hand percussion – a staple of spiritual deep house cuts – and melancholic piano refrains, as well as his own lilting chords and cascading synth sounds. By the time the original’s bouncy piano riff drops midway through, you’ll be lost in the music. Fittingly given the quality of Manabu’s original, it’s a revision that showcases the track’s best elements while gently lifting it to new heights. More
Taking the spiritual end of deep house as his inspiration – and happy memories of attending events while visiting Japan – the Dutch-Japanese producer has delivered a slowly-building epic that subtly ratchets up energy and excitement throughout, while effortlessly eking out every last drop of emotion from Manabu’s piano-laden production.
Extensively road-tested at the Brighter Days parties he runs with long-time DJ partner Kamma, Masalo’s remix settles into a chugging groove before introducing Manabu’s tactile hand percussion – a staple of spiritual deep house cuts – and melancholic piano refrains, as well as his own lilting chords and cascading synth sounds. By the time the original’s bouncy piano riff drops midway through, you’ll be lost in the music. Fittingly given the quality of Manabu’s original, it’s a revision that showcases the track’s best elements while gently lifting it to new heights. More
1
Djosa - Botanic Obscura
2
Djosa - Vampiro Feat. Ronald Snijders
Amsterdam based musician/producer Djosa (long time band member of Arp Frique & The Family) joins the Rush Hour Store Jams imprint with two uplifting songs. The legendary Ronald Snijders is featured on ''Vampiro" with whom he (together with Arp Frique) made the documentary Easy Man and the album The Nelson & Djosa Sessions. TIP!
*Please note* Due to an unfortunate production mistake, the tracklisting on the labels and sleeve are in the wrong order. The correct order is: A. Botanica Obscura and B: Vampiro (feat. Ronald Snijders). More
*Please note* Due to an unfortunate production mistake, the tracklisting on the labels and sleeve are in the wrong order. The correct order is: A. Botanica Obscura and B: Vampiro (feat. Ronald Snijders). More
1
Daniel Monaco - Life Lesson Feat. Mame N'Diack Seck Thiam (Vocal Mix)
2
Daniel Monaco - Life Lesson (Instrumental Mix)
3
Daniel Monaco - Medicine Feat. Mame N'Diack Seck Thiam (Vocal Mix)
4
Daniel Monaco - Medicine (Instrumental Mix)
Amsterdam and Naples based bassist Daniel Monaco (bass player for Nu Genea, Mystic Jungle & Capinera) joins the Rush Hour Store Jams imprint with a strong disco heavy two tracker featuring vocals from Mame N'Diack Seck Thiam and a wink to Cerrone, including instrumental versions. Released in conjunction with Utopia records London.
More
1
Gigi Testa - Jinja
2
Gigi Testa - Malinke
3
Gigi Testa - Echoes In The Sky
Gigi Testa, a bona fide Neapolitan hero whose work draws inspiration from local music of the last four decades – think Pino Daniele, Tullio de Piscopo, Tony Esposito, James Senese & Napoli Centrale, Nu Guinea, Mystic Jungle Tribe and rising stars such Fabrizio Fattore, Daniel Monaco and Raffaele Attansio – but also deep house and owes a lot to African music in all its forms.
Credits:
Written Arranged & Programmed : Gigi Testa
Mixed & Engineered : Gigi Testa & Paolo Convertito
Synths, Keyboards,Drum Machines,Effects,Live & Electronic Drums : Gigi Testa
Fender Bass,Live Guitars & Additional Keyboards : Paolo Convertito More
Credits:
Written Arranged & Programmed : Gigi Testa
Mixed & Engineered : Gigi Testa & Paolo Convertito
Synths, Keyboards,Drum Machines,Effects,Live & Electronic Drums : Gigi Testa
Fender Bass,Live Guitars & Additional Keyboards : Paolo Convertito More
1
Awanto 3 - The Lime King
2
Awanto 3 - Seayousoon
3
Awanto 3 - Sawyoulater
Artwork insert, in PVC outer sleeve
Awanto3 (Rednose Distrikt) returns to Rush Hour with "Party". Featuring Jos De Haas (New Cool Collective) on percussion and Stefan Schmid (Zuco 103) on the keys.
Party was born in a small village located in Wallonia during a period of house-sitting for a family on holiday. Initially my mother was asked to take care of the chickens, goat, dog and donkey but eventually I decided to take care of them to relieve my mother. This week turned out to be a small nightmare, because I think the house was being possessed by a spirit that I had to deal with night and day. The vibe of the house was so grimy, due to the fact that there were calendars with all kinds of weapons and dark oak furniture, interspersed with a huge flatscreen and blinds at the ready to be rolled out when the sun started to go down (by request of the paranoid owner). This setting affected my sketches; a dark side that was looking for contra light weight. After I took care of the animals, I had an energy to escape to my MPC to make the basis for a possible new album. When I got back in Amsterdam, I started to work out some of the sketches I’ve made in the ghost house together with Stefan and Jos in Studio K at Sloterdijk. More
Awanto3 (Rednose Distrikt) returns to Rush Hour with "Party". Featuring Jos De Haas (New Cool Collective) on percussion and Stefan Schmid (Zuco 103) on the keys.
Party was born in a small village located in Wallonia during a period of house-sitting for a family on holiday. Initially my mother was asked to take care of the chickens, goat, dog and donkey but eventually I decided to take care of them to relieve my mother. This week turned out to be a small nightmare, because I think the house was being possessed by a spirit that I had to deal with night and day. The vibe of the house was so grimy, due to the fact that there were calendars with all kinds of weapons and dark oak furniture, interspersed with a huge flatscreen and blinds at the ready to be rolled out when the sun started to go down (by request of the paranoid owner). This setting affected my sketches; a dark side that was looking for contra light weight. After I took care of the animals, I had an energy to escape to my MPC to make the basis for a possible new album. When I got back in Amsterdam, I started to work out some of the sketches I’ve made in the ghost house together with Stefan and Jos in Studio K at Sloterdijk. More
1
Hiroshi Matsui A.k.a. Royal Mirrorball - (Earth In) Blue
2
Hiroshi Matsui A.k.a. Royal Mirrorball - (Earth In) Blue (Instrumental)
Tracklist:
1. (Earth In) Blue
2. (Earth In) Blue (Instrumental)
‘(Earth in) Blue’ by rogue Japanese producer Hiroshi Matsui aka Royal Mirrorball. Including a previously unreleased instrumental! Comes with obi.
While still in high school, Matsui started studying multi-recording synthesizer composition. His fascination for electronic music quickly became an obsession and in 1985 the eighteen year old Matsui took part in The famous Parco department stores-organized Organ-Zaka competition to win the grand prize, beating such luminaries as Towa Tei (of Deee-Lite fame) and Zabadak and kickstarting his career as a professional musician scoring jingles and commercials.
In 1992 Matsui’s ‘Samba de Howa Howa’ was released as a Japan-only promo. The song nevertheless garnered the attention of Tony Humphries, became a fixture on Kiss FM and was eventually featured on the first volume of King Street’s infamous ‘Sounds of Far East Dance Music’ compilation.
At the end of the nineties Matsui established his own Royal Mirrorball production company and label, kicking off with the EP that featured the wonderful ‘(Earth in) Blue’. Matsui: “the name ‘Royal Mirrorball’ was inspired by the gay clubs of the 80's. That’s what I had in mind whenever I made music, whether it was house music, J-pop, noise or contemporary music.” Quantities of the EP that spawned ‘(Earth in) Blue’ were extremely limited as they were originally intended only as a gift for friends and colleagues. Matsui: “But it was also an issue of cash on hand and production costs. Funds were limited back then.” More
1. (Earth In) Blue
2. (Earth In) Blue (Instrumental)
‘(Earth in) Blue’ by rogue Japanese producer Hiroshi Matsui aka Royal Mirrorball. Including a previously unreleased instrumental! Comes with obi.
While still in high school, Matsui started studying multi-recording synthesizer composition. His fascination for electronic music quickly became an obsession and in 1985 the eighteen year old Matsui took part in The famous Parco department stores-organized Organ-Zaka competition to win the grand prize, beating such luminaries as Towa Tei (of Deee-Lite fame) and Zabadak and kickstarting his career as a professional musician scoring jingles and commercials.
In 1992 Matsui’s ‘Samba de Howa Howa’ was released as a Japan-only promo. The song nevertheless garnered the attention of Tony Humphries, became a fixture on Kiss FM and was eventually featured on the first volume of King Street’s infamous ‘Sounds of Far East Dance Music’ compilation.
At the end of the nineties Matsui established his own Royal Mirrorball production company and label, kicking off with the EP that featured the wonderful ‘(Earth in) Blue’. Matsui: “the name ‘Royal Mirrorball’ was inspired by the gay clubs of the 80's. That’s what I had in mind whenever I made music, whether it was house music, J-pop, noise or contemporary music.” Quantities of the EP that spawned ‘(Earth in) Blue’ were extremely limited as they were originally intended only as a gift for friends and colleagues. Matsui: “But it was also an issue of cash on hand and production costs. Funds were limited back then.” More
Label:Rush Hour Store
Cat-No:RH-STOREJAMS021
Release-Date:18.11.2022
Genre:House / Techno
Configuration:12"
Label:Rush Hour Store
Cat-No:RH-STOREJAMS021
Release-Date:18.11.2022
Genre:House / Techno
Configuration:12"
1
Relmer - Bummer Paradise
2
Relmer - Strange Movement
3
Relmer - Naked Chimp
4
Relmer - H2O
5
Relmer - Natural Disruption
Rush Hour-affiliate and Amsterdam local Relmer is back with what may well be his best work so far. ‘H2O’ expertly displays the vibrant energy he’s known for around these parts with two Amazon-inspired deephouse groovers, a melancholic walk through the jungle, a Detroit-infused progressive anthem and a hypnotic midtempo floorwarmer. Absolutely stellar stuff from A to Z.
“Super nice versatile EP by Relmer, Bummers Paradise has been a firm favourite this summer”
Esa Williams
"Blissful sounds, dancefloor material, and most of all, all very fun music to listen to. 10/10"
Fatima Yamaha More
“Super nice versatile EP by Relmer, Bummers Paradise has been a firm favourite this summer”
Esa Williams
"Blissful sounds, dancefloor material, and most of all, all very fun music to listen to. 10/10"
Fatima Yamaha More
1
Gigi Testa - Esoteric Paradise
2
Gigi Testa - Blue Ocean
3
Gigi Testa - Guayaba
4
Gigi Testa - Moments In Time
Napoli has long been one of Italy’s most musically vibrant cities – a metropolis famed for colourful, atmospheric and vivid dance music, with a rich and diverse sonic history stretching back to the disco era. For the last 36 years, it has been home to Gigi Testa, a bona fide local hero whose work not only draws inspiration from Neapolitan music of the last four decades – think Pino Daniele, Tullio de Piscopo, Tony Esposito, James Senese & Napoli Centrale, Nu Guinea, Mystic Jungle Tribe and rising stars such Fabio Fattore, Daniel Monaco and Raffaele Attansio – but also high-quality deep house and African music in all its forms.
Testa remains largely unheralded outside his home city, where he’s long been a regular fixture behind the decks at events such as Neuhm and at renowned audiophile club Basic, despite winning plaudits for a string of singles and EPs on his own World Peace Music and Freedom Dance imprints. Now Testa has become the latest artist to contribute to the Rush Hour Store Jams series, delivering a four-track EP that takes his self-proclaimed world music-meets-club music approach in kaleidoscopic new directions.
Inspired by a mixture of 1980s, post-boogie African music, the sounds of the Caribbean, Testa’s love for dance music from New York and his own Neapolitan musical roots, the Esoteric Paradise EP is an entertaining, each-catching collection of cuts the effortlessly blurs existing musical boundaries. Rich in synthesizer and drum machine sounds, it should delight all those who love melodic, tropical-tinged electronic music.
Testa sets out his stall with the EP-opening title track, a squelchy slab of electro-fired musical joy whose dreamy pads and synthesized marimba melodies recall the mid-80s work of legendary South African musician Hugh Masekela and the delay-laden proto-house jams of the late Boyd Jarvis. He opts for a deeper, sweeter, and more laidback sound on the gently jazz-funk-tinged warmth of ‘Blue Ocean’, where layered percussion, ethereal chords and morning-fresh melodies catch the ear, before doffing a cap the spacey electrofunk and obscure Trinidadian synth-pop records on the wonderfully picturesque ‘Guayaba’.
Testa’s own love of house music comes to the fore on future Balearic dancefloor classic ‘Moments in Time’, a sublime fusion of cowbell-driven club grooves, sun-splashed guitars, jazz-funk bass and alluring new age chords. Retro-futurist in tone but pleasingly hard to pigeonhole, with electronic and acoustic instruments high in the mix, it offers a fitting finale to an endlessly entertaining EP from one of Napoli’s most talented producers.
Written Arranged & Programmed : Luigi Testa
Mixed & Engineered : Luigi Testa & Paolo Convertito
Acoustic Guitar,Electronic Guitar,Fender Bass & Additional Keyboards : Paolo Convertito
Synths, Keyboards, Drum Machines,Effects,Live & Electronic Drums : Luigi Testa More
Testa remains largely unheralded outside his home city, where he’s long been a regular fixture behind the decks at events such as Neuhm and at renowned audiophile club Basic, despite winning plaudits for a string of singles and EPs on his own World Peace Music and Freedom Dance imprints. Now Testa has become the latest artist to contribute to the Rush Hour Store Jams series, delivering a four-track EP that takes his self-proclaimed world music-meets-club music approach in kaleidoscopic new directions.
Inspired by a mixture of 1980s, post-boogie African music, the sounds of the Caribbean, Testa’s love for dance music from New York and his own Neapolitan musical roots, the Esoteric Paradise EP is an entertaining, each-catching collection of cuts the effortlessly blurs existing musical boundaries. Rich in synthesizer and drum machine sounds, it should delight all those who love melodic, tropical-tinged electronic music.
Testa sets out his stall with the EP-opening title track, a squelchy slab of electro-fired musical joy whose dreamy pads and synthesized marimba melodies recall the mid-80s work of legendary South African musician Hugh Masekela and the delay-laden proto-house jams of the late Boyd Jarvis. He opts for a deeper, sweeter, and more laidback sound on the gently jazz-funk-tinged warmth of ‘Blue Ocean’, where layered percussion, ethereal chords and morning-fresh melodies catch the ear, before doffing a cap the spacey electrofunk and obscure Trinidadian synth-pop records on the wonderfully picturesque ‘Guayaba’.
Testa’s own love of house music comes to the fore on future Balearic dancefloor classic ‘Moments in Time’, a sublime fusion of cowbell-driven club grooves, sun-splashed guitars, jazz-funk bass and alluring new age chords. Retro-futurist in tone but pleasingly hard to pigeonhole, with electronic and acoustic instruments high in the mix, it offers a fitting finale to an endlessly entertaining EP from one of Napoli’s most talented producers.
Written Arranged & Programmed : Luigi Testa
Mixed & Engineered : Luigi Testa & Paolo Convertito
Acoustic Guitar,Electronic Guitar,Fender Bass & Additional Keyboards : Paolo Convertito
Synths, Keyboards, Drum Machines,Effects,Live & Electronic Drums : Luigi Testa More
1
Mark Grusane - Dance Intensity Feat. Amiruz
2
Mark Grusane - Klub Nacht
3
Mark Grusane - The Next Ride
Thirteen years after his whopping ‘Time and Space’ EP, Chicago 'O.G.' Mark Grusane returns to the Rush Hour imprint with his ‘Dance Intensity’ EP. Combining trademark electro, wave, synth-pop and disco elements into three modern dancefloor cuts.
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1
Awanto 3 - Fat Ass Pigeons
2
Tom Trago - The Elite (Awanto 3 Remix)
*warehouse find** pressed in a small qty for the RH physical store in 2015..
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1
Arp Frique - Nyame Ye
2
Arp Frique - Oi Quem Que Nos
Limited 7 inch for Recordstore day 2021 (July 17th drop). Taken from Arp Frique's upcoming album "The Seed"!
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1
Arp Frique - Nos Magia (feat Americo Brito)
2
Arp Frique - Kamajo (feat Orlando Julius)
3
Arp Frique - Ijo Ya (feat Orlando Julius)
Three dance floor hitters by the Dutch Arp Frique. "Nos Magia" holds collaborations with Nigerian funk originator, Orlando Julius, and Cape-Verdea legend, Americo Brito. New cuts that could easily have been made in the 70s! Big tip! Arp Frique is Niels Nieuborg from the city of Rotterdam, who has been actively involved in the Dutch live music scene for years, working with Cape Verdean & Surinamese musicians especially. After all these years, he finally presents his own true musical output. "Nos Magia" is a classic sounding, but unheard Cape Verdean funana song featuring the old skool Americo Brito on vocals. The b-side holds two collaborations with afro-beat protagonist Orlando Julius.....enjoy!!
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Kino-Moderno - Rift (remix)
2
Kino-Moderno - Sync You (remix)
3
Kino-Moderno - Rift
4
Kino-Moderno - Into The Future (Future Mix)" (Future mix)
Repressed!
A lost Japanese house classsic! EP of tracks is taken from the rare Kino-Moderno album originally released in 1990 (tracks from this were used for the video game "Video Drug 2"). It's a cool collection of sounds that are reminiscent of Dan Curtin, Soichi Terada or Harumi Hosono's "Super Xevious" proto techno bomb. Features remix work (recorded in 93) from British soulful house DJ Frankie Valentine who had a record on Chez Damier's Balance records. As a bonus this set includes an unreleased version of Into The Future. More
A lost Japanese house classsic! EP of tracks is taken from the rare Kino-Moderno album originally released in 1990 (tracks from this were used for the video game "Video Drug 2"). It's a cool collection of sounds that are reminiscent of Dan Curtin, Soichi Terada or Harumi Hosono's "Super Xevious" proto techno bomb. Features remix work (recorded in 93) from British soulful house DJ Frankie Valentine who had a record on Chez Damier's Balance records. As a bonus this set includes an unreleased version of Into The Future. More
Label:Rush Hour Store
Cat-No:RH-STOREJPN7
Release-Date:09.10.2020
Genre:House / Techno
Configuration:12"
Label:Rush Hour Store
Cat-No:RH-STOREJPN7
Release-Date:09.10.2020
Genre:House / Techno
Configuration:12"
1
Colored Music - Heart Beat (Chee Shimizu club edit)
2
Colored Music - Heart Beat (unreleased version)
3
Colored Music - Colored Music (Chee Shimizu club edit)
12inch release of highly sought after Colored Music edits by Tokyo's Chee Shimizu (Organic Music). The two cuts originally featured on the band's seminal self titled album from 1981 and 'Heart Beat' remained a cult DJ secret weapon, for many years all over the world. This heavy EP includes an alternative version of 'Heart Beat' that featured on the Japan only "Individual Beauty" LP of 2018 (also compiled by Shimizu).
More
1
Pecker - Mystical Cosmic Vibration
2
Pecker - Dr Dr Humanity
3
Pecker - International Orchitis
4
Pecker - Pecker Power (Part Two)
5
Pecker - Pecker Power (Part One)
6
Pecker - Concrete Jungle
7
Pecker - Militant Sniff
8
Pecker - Jamming
9
Pecker - Mystical Electro Harikiri
Sought after boogie tunes from Japan now reissued in limited 12inch format.
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Michael Franks - Chain Reaction (DoctorSoul’s “You Can't Fake It” Rework)
2
Michael Franks - When Sly Calls (DoctorSoul “Don't Touch That Phone” Rework)
3
Michael Franks - When Sly Calls (DoctorSoul "Don't Touch That Phone" - Radio Re-Therapy)
limited in Light Blue Vinyl!
Start of a new series of official reworks of The Warmer Music catalogue, a very special collaboration of Too Slow To Disco with the major label, that we worked on for a long time. We are more than thrilled to start our Warner Music collaboration with official DocotrSoul reworks for one of the most prolific musicians of the Californian Westcoast/Jazz/AOR/Yacht scene, the one and only Michael Franks, who approved personally the new version. Over the languorous course of 33 years and 16 albums, Michael Franks has mesmerized an international legion of fans with his one-of-a-kind artistry. Seamlessly weaving lyrics of stunning sensuality, wit, reflection and literary eloquence over music that tastefully utilizes top shelf shadings of jazz, soul, pop, chamber and music from around the globe. His music was covered by countless international stars, like The Carpenters, Shirley Bassey, Ringo Star, Natalie Cole, a.m.m. . His music lives on and is loved by so many modern Balearic/Soft Disco musicians/producers from today.
Parisian producer DoctorSoul is a longtime TSTD collaborateur. These reworks of his have been floating around the internet for some time, we are so proud to finally give them an official release! The D.J. / Remix & Music producer / Sound Designer has collaborated with many artists and bands from diverse genres even in Jazz, bringing production remixes for the likes of legendary Tania Maria, Jeff Cascaro, Mandoo &Interview to name just a few! His own musical releases are deeply rooted in disco and funk territory with a modern sonic production touch that can grab attention from the younger generation, as well as from the elder who like to be reminded of the 80’s dance floor culture.
Since 2018 he has been hosting a monthly show on RapTz Radio and on the late night dream.com while doing Dj sets for The House Theory Radio Show, The Midnight Riot Radio, and Disko Knights. DoctorSoul´s tracks are released on the London based MIDNIGHT RIOT record label, the Berlin based TOO SLOW TO DISCO record label and have reached many times the top places in worldwide Disco charts. They are played by numerous very famous known DJs around the world such as: DJ Supermarkt, Ashley Beedle, Lenny Fontana,Mannix Kling, The House Theory Team, DJ White, Tony Griffin, Disko Knight, Humberto Galvàn, Crème De Coco, Jack Tennis, Ursula 1000, Yam Who?, ChuggingEdits, Limpodisco, Ruff Diamond, Disco Daze, Lego Edit, or Rob Hardt from The Cool Million team…
TRACKLIST:
Side A: Chain Reaction (DoctorSoul's "You Can't Fake It" - Extended Intro Re-Therapy) 6:47
Side B1: When Sly Calls (DoctorSoul "Don't Touch That Phone" - Extended Re-Therapy) 5:31
Side B2: When Sly Calls (DoctorSoul "Don't Touch That Phone" - Radio Re-Therapy) 3:42
More
Start of a new series of official reworks of The Warmer Music catalogue, a very special collaboration of Too Slow To Disco with the major label, that we worked on for a long time. We are more than thrilled to start our Warner Music collaboration with official DocotrSoul reworks for one of the most prolific musicians of the Californian Westcoast/Jazz/AOR/Yacht scene, the one and only Michael Franks, who approved personally the new version. Over the languorous course of 33 years and 16 albums, Michael Franks has mesmerized an international legion of fans with his one-of-a-kind artistry. Seamlessly weaving lyrics of stunning sensuality, wit, reflection and literary eloquence over music that tastefully utilizes top shelf shadings of jazz, soul, pop, chamber and music from around the globe. His music was covered by countless international stars, like The Carpenters, Shirley Bassey, Ringo Star, Natalie Cole, a.m.m. . His music lives on and is loved by so many modern Balearic/Soft Disco musicians/producers from today.
Parisian producer DoctorSoul is a longtime TSTD collaborateur. These reworks of his have been floating around the internet for some time, we are so proud to finally give them an official release! The D.J. / Remix & Music producer / Sound Designer has collaborated with many artists and bands from diverse genres even in Jazz, bringing production remixes for the likes of legendary Tania Maria, Jeff Cascaro, Mandoo &Interview to name just a few! His own musical releases are deeply rooted in disco and funk territory with a modern sonic production touch that can grab attention from the younger generation, as well as from the elder who like to be reminded of the 80’s dance floor culture.
Since 2018 he has been hosting a monthly show on RapTz Radio and on the late night dream.com while doing Dj sets for The House Theory Radio Show, The Midnight Riot Radio, and Disko Knights. DoctorSoul´s tracks are released on the London based MIDNIGHT RIOT record label, the Berlin based TOO SLOW TO DISCO record label and have reached many times the top places in worldwide Disco charts. They are played by numerous very famous known DJs around the world such as: DJ Supermarkt, Ashley Beedle, Lenny Fontana,Mannix Kling, The House Theory Team, DJ White, Tony Griffin, Disko Knight, Humberto Galvàn, Crème De Coco, Jack Tennis, Ursula 1000, Yam Who?, ChuggingEdits, Limpodisco, Ruff Diamond, Disco Daze, Lego Edit, or Rob Hardt from The Cool Million team…
TRACKLIST:
Side A: Chain Reaction (DoctorSoul's "You Can't Fake It" - Extended Intro Re-Therapy) 6:47
Side B1: When Sly Calls (DoctorSoul "Don't Touch That Phone" - Extended Re-Therapy) 5:31
Side B2: When Sly Calls (DoctorSoul "Don't Touch That Phone" - Radio Re-Therapy) 3:42
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1
Rick Wade - Hustlers Lament (05:58)
2
Rick Wade - Shinjuku Strut (05:14)
3
Rick Wade - After Dark (05:55)
Genre: Deep House / Detroit House
strictly limited to 300 copies
Tracklist 12":
A1. Rick Wade - Hustlers Lament 05:58
B1. Rick Wade - Shinjuku Strut 05:14
B2. Rick Wade – After Dark 05:55
Official re-issue of Rick Wade's Hustler's Lullaby, which was originally released in 2013 on Japanese Label: "Unknown Season". The record goes for 130 - 200 Bucks on Discogs, so we decided to make this available again. Strictly limited to 300 copies and no repress. Best to secure your copy for a regular price now, as they will go real quick due to heavy demand.
More
strictly limited to 300 copies
Tracklist 12":
A1. Rick Wade - Hustlers Lament 05:58
B1. Rick Wade - Shinjuku Strut 05:14
B2. Rick Wade – After Dark 05:55
Official re-issue of Rick Wade's Hustler's Lullaby, which was originally released in 2013 on Japanese Label: "Unknown Season". The record goes for 130 - 200 Bucks on Discogs, so we decided to make this available again. Strictly limited to 300 copies and no repress. Best to secure your copy for a regular price now, as they will go real quick due to heavy demand.
More
1
Krystal Klear & La Raf - Boli Boli – Extended Mix
2
Krystal Klear & La Raf - Boli Boli – Dub-strumental
3
Krystal Klear & La Raf - I See – Balkan Bass Tool
4
Krystal Klear & La Raf - I See – Demo Mix
12"
Tracklist:
A1. Boli Boli – Extended Mix
A2. Boli Boli – Dub-strumental
B1. I See – Balkan Bass Tool
B2. I See – Demo Mix
German Powerhouse Labels Public Possession and Running Back Team up to bring you a nostalgic tribute to 80s Disco-Synth-Pop and Balkan Self-Pity. In a blend of cultural nostalgia and contemporary resonance, be-friended artists Krystal Klear and La Raf are set to release their first collaborative record titled "Boli Boli" (It hurts, it hurts) this autumn. The record is a steamy homage to the 80s disco-synth-pop. La Raf’s vocals equipped with Krystal Klear’s sound remind us of the bittersweet memories of the bygone yet still beloved music-era from former Yugoslavia.
The song came to life during a spontaneous creative outburst when Krystal and Raf reunited in a studio in London last year. Singer La Raf, a Croatian native based in Berlin, channeled the raw emotions of a not so recent break-up regret into the lyrics of "Boli Boli."
Infused with Balkan self-pity, the song delivers a very personal experience of pain and regret, not as mere sorrow but as a confident, joyful indulgence in one's own grief. This emotional depth finds a perfect counterpart in Krystal Klear’s talent for crafting melodies
that evoke both happiness and melancholia. Together, they have created a track that is as introspective as it is danceable, offering its listeners a glimpse into a world where sadness is embraced with a sense of pride and joy, capturing the cultural tapestry of the Balkan region.
More
Tracklist:
A1. Boli Boli – Extended Mix
A2. Boli Boli – Dub-strumental
B1. I See – Balkan Bass Tool
B2. I See – Demo Mix
German Powerhouse Labels Public Possession and Running Back Team up to bring you a nostalgic tribute to 80s Disco-Synth-Pop and Balkan Self-Pity. In a blend of cultural nostalgia and contemporary resonance, be-friended artists Krystal Klear and La Raf are set to release their first collaborative record titled "Boli Boli" (It hurts, it hurts) this autumn. The record is a steamy homage to the 80s disco-synth-pop. La Raf’s vocals equipped with Krystal Klear’s sound remind us of the bittersweet memories of the bygone yet still beloved music-era from former Yugoslavia.
The song came to life during a spontaneous creative outburst when Krystal and Raf reunited in a studio in London last year. Singer La Raf, a Croatian native based in Berlin, channeled the raw emotions of a not so recent break-up regret into the lyrics of "Boli Boli."
Infused with Balkan self-pity, the song delivers a very personal experience of pain and regret, not as mere sorrow but as a confident, joyful indulgence in one's own grief. This emotional depth finds a perfect counterpart in Krystal Klear’s talent for crafting melodies
that evoke both happiness and melancholia. Together, they have created a track that is as introspective as it is danceable, offering its listeners a glimpse into a world where sadness is embraced with a sense of pride and joy, capturing the cultural tapestry of the Balkan region.
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1
ENERGY 52 - Café Del Mar (DJ Kid Paul Mix 30 years anniversary Vinyl Remaster)
2
ENERGY 52 - Café Del Mar (Three ’N One Remix 30 years anniversary Vinyl Remaster)
3
ENERGY 52 - Café Del Mar (Nalin & Kane Remix)
4
ENERGY 52 - Café Del Mar (Deadmau5 Remix)
5
ENERGY 52 - Café Del Mar (Tale Of Us Renaissance Remix)
6
ENERGY 52 - Café Del Mar (Paul van Dyk’s XOXO Remix)
7
ENERGY 52 - Café Del Mar (Orbital Remix)
8
ENERGY 52 - Café Del Mar (Michael Mayer Remix)
Limited Edition, includes
- 4 x 12” with full cover artwork
- exclusive Bonus-10” with new remixes from Amirali and REZarin
- printed Energy 52 biography leaflet
- handnumbered
GENRE/S:
Progressive House, Techno, Trance, Breaks
TRACKLISTS:
A. Café Del Mar (DJ Kid Paul Mix 30 years anniversary Vinyl Remaster)
B. Café Del Mar (Three ’N One Remix 30 years anniversary Vinyl Remaster)
C. Café Del Mar (Nalin & Kane Remix)
D. Café Del Mar (Deadmau5 Remix)
E. Café Del Mar (Tale Of Us Renaissance Remix)
F. Café Del Mar (Paul van Dyk’s XOXO Remix)
G. Café Del Mar (Orbital Remix)
H. Café Del Mar (Michael Mayer Remix)
I. Cafe Del Mar (Amirali Extended Remix)
J. Cafe Del Mar (REZarin Extended Remix)
SHORT INFO:
Energy 52's Café Del Mar is one of the most iconic tracks in dance music. Over the years, Café Del Mar has achieved legendary status, regularly featuring in lists of the greatest dance tracks of all time. To put it simply, Café Del Mar is a cultural phenomenon, encapsulating the spirit of an era and influencing generations of artists and fans alike.
Superstition Records appreciates the 30th anniversary of the legendary track with a limited box set release consisting of four 12”es and an exclusive Bonus-10”.
The original version (DJ Kid Paul Mix) and the Three ‘N One remix appear in remastered, vinyl only versions alongside new classic remixes from Nalin & Kane, deadmau5 and Tale Of Us. The newer remixes include Paul Van Dyk’s XOXO remix as well as reworks from Orbital and Michael Mayer. The package also includes a Bonus-10” featuring new, exclusive remixes from UK producer Amirali and Latvian DJ REZarin.
More
- 4 x 12” with full cover artwork
- exclusive Bonus-10” with new remixes from Amirali and REZarin
- printed Energy 52 biography leaflet
- handnumbered
GENRE/S:
Progressive House, Techno, Trance, Breaks
TRACKLISTS:
A. Café Del Mar (DJ Kid Paul Mix 30 years anniversary Vinyl Remaster)
B. Café Del Mar (Three ’N One Remix 30 years anniversary Vinyl Remaster)
C. Café Del Mar (Nalin & Kane Remix)
D. Café Del Mar (Deadmau5 Remix)
E. Café Del Mar (Tale Of Us Renaissance Remix)
F. Café Del Mar (Paul van Dyk’s XOXO Remix)
G. Café Del Mar (Orbital Remix)
H. Café Del Mar (Michael Mayer Remix)
I. Cafe Del Mar (Amirali Extended Remix)
J. Cafe Del Mar (REZarin Extended Remix)
SHORT INFO:
Energy 52's Café Del Mar is one of the most iconic tracks in dance music. Over the years, Café Del Mar has achieved legendary status, regularly featuring in lists of the greatest dance tracks of all time. To put it simply, Café Del Mar is a cultural phenomenon, encapsulating the spirit of an era and influencing generations of artists and fans alike.
Superstition Records appreciates the 30th anniversary of the legendary track with a limited box set release consisting of four 12”es and an exclusive Bonus-10”.
The original version (DJ Kid Paul Mix) and the Three ‘N One remix appear in remastered, vinyl only versions alongside new classic remixes from Nalin & Kane, deadmau5 and Tale Of Us. The newer remixes include Paul Van Dyk’s XOXO remix as well as reworks from Orbital and Michael Mayer. The package also includes a Bonus-10” featuring new, exclusive remixes from UK producer Amirali and Latvian DJ REZarin.
More
1
Raw Silk - Do It To The Music (Michael Gray Extended Mix)
2
Raw Silk - Do It To The Music (Michael Gray Reprise)
3
Raw Silk - Do It To The Music (Michael Gray Extended Dub Mix)
DJ support from Husky, Hector Romero, Javi Bora,Grace Bones, Judge Jules, Sebb Junior, Jay Vegas,Odyssey Inc, ATFC, Claptone, Black Legend, CevinFisher, Michael Gray, Kisch, Hoxton Whores, FullIntention, Booker T, Jamie Jones, Knights Of TheTurntable, Sam Divine, DJ Rae, CASSIMM, Alex Preston
We’ve got a very special vinyl release for you; a brand-new rework of the 1982 classic ‘Do It To The Music’ by New York Dance group, Raw Silk being refreshed for 2024 by legendary UK DJ and producer, Michael Gray. Perfectly in-keeping with the Fool’s Paradise brand and ethos we have built over the past year, West End Records was a label close to our hearts having been one of the most influential dance labels of the past forty years and went on to define the sound of New York City during the heyday of Disco and the ever-popular, Studio 54. With the original reaching #5 in the US Billboard Dance Chart and #18 in the UK SinglesChart, such a classic West End Records record could only be revisited by one of the very best, and who better than Michael Gray to refresh this dance floor gem! Michael’s reworks pays true homage to the original adding his signature flair and groovy, funk-leaden sound. Featuring an exclusive reprise mix which is only available on the vinyl package!
Radio support on BBC Radio 2, BBC Radio 6 Music,BBC Radio Cornwall, Hedkandi, Kiss FM, Mi-Soul,Gaydio, Radio 105 / Montecarlo (Italy), Mambo Radio,Rinse fm, Select Radio, Totally Wired Radio, PointBlank, RTE, Power fm (Ireland), Metro FM (SA), CoolFm, Radio Reverb, Radio FG (France), Release Radioand many more. More
We’ve got a very special vinyl release for you; a brand-new rework of the 1982 classic ‘Do It To The Music’ by New York Dance group, Raw Silk being refreshed for 2024 by legendary UK DJ and producer, Michael Gray. Perfectly in-keeping with the Fool’s Paradise brand and ethos we have built over the past year, West End Records was a label close to our hearts having been one of the most influential dance labels of the past forty years and went on to define the sound of New York City during the heyday of Disco and the ever-popular, Studio 54. With the original reaching #5 in the US Billboard Dance Chart and #18 in the UK SinglesChart, such a classic West End Records record could only be revisited by one of the very best, and who better than Michael Gray to refresh this dance floor gem! Michael’s reworks pays true homage to the original adding his signature flair and groovy, funk-leaden sound. Featuring an exclusive reprise mix which is only available on the vinyl package!
Radio support on BBC Radio 2, BBC Radio 6 Music,BBC Radio Cornwall, Hedkandi, Kiss FM, Mi-Soul,Gaydio, Radio 105 / Montecarlo (Italy), Mambo Radio,Rinse fm, Select Radio, Totally Wired Radio, PointBlank, RTE, Power fm (Ireland), Metro FM (SA), CoolFm, Radio Reverb, Radio FG (France), Release Radioand many more. More
1
Mr. Beatnick - île Flottante
2
Mr. Beatnick - Central Park
3
Mr. Beatnick - Crystal Snowflakes
4
Mr. Beatnick - Katamaran
5
Mr. Beatnick - Low Tide
6
Mr. Beatnick - Cedar Sunset
7
Mr. Beatnick - Ocean Spray
8
Mr. Beatnick - Dance Of The Dolphin
Tracklist
A1. île Flottante
A2. Central Park
A3. Crystal Snowflakes
A4. Katamaran
B1. Low Tide
B2. Cedar Sunset
B3. Ocean Spray
B4. Dance Of The Dolphin
Île Flottante is Mr. Beatnick´s 5th album, following 2023’s Joy In Variation (including the notorious cover of Love on a Real Train) and his well-received off-beat collaboration with London-based avant-garde agitator Richard Greenan – Coasty – this is his first contribution to the International Feel trademark. Probably best known for some big deep house revivalist tunes circa 2013 on the now dormant Don’t Be Afraid record label, Beatnick now converts that aural quality and dimensionality into the Balearic system.
Île Flottante takes its name from the tastiest French pudding of Mr. Beatnick’s childhood holidays. The name, also a jeux de mots - floating island - hinting at the album’s inspirations and sense of identity, as a danceable soundtrack to a fictional island. Explored with high intensity and over a yearlong process, the sounds of the well-worn, but never failing Balearic universes were a mind expanding influence. Think of genre staples like Software, Manuel Goettsching, Mark Barrott, Len Leise, Don Carlos, Gaussian Curve, Joan Bibiloni or Yasuaki Shimuzu.
„I spent a year listening to a lot of synthesized island music, and marveling at the many twinkling wonders of the Balearic musical universe. Struck by a sense of belonging that had often eluded me on my musical journey thus far, as the weirdo at the back of the club who had orbited many scenes for 20 years, but never felt like I fitted in, I found music that made me feel like I had come home. The songs that came out of this process are presented in the order that they were written - an open book of ocean hymns, honest and spoken from the heart.“
Île Flottante tries its very hardest to avoid being any one thing in particular. At one point, it is a gentle beach walk accompanied by polyrhythmic drum plod and flourishes of Guzheng. At another, the infamous James Yancey septuplet swing is repurposed against a marimba melody that wouldn’t be out of place in one of Link’s forest adventures.
Elsewhere, there are the bellows of distant whales, touches of Italian dream house and a splash of vintage madchester, all working to create a space that feels both familiar and loaded with well worn tropes, but with its own quirky sense of personality, facets which are often attributed to Mr. Beatnick’s holistic b-boy approach. This is his understanding of a Balearic (b-boy) stance. Just with a float instead of a freeze.
Short:
Île Flottante is Mr. Beatnick´s 5th album and first contribution the Balearic system of International Feel. Full of ocean hymns and forest adventures, it includes marimba melodies, the bellows of distant whales, touches of Italian dream house and a splash of vintage madchester, all working to create a space that feels both familiar and loaded with well worn tropes, but with its own quirky sense of personality. This is his understanding of a Balearic (b-boy) stance. Just with a float instead of a freeze. For fans of: Software, Manuel Goettsching, Mark Barrott, Len Leise, Don Carlos, Gaussian Curve, Joan Bibiloni or Yasuaki Shimuzu.
More
A1. île Flottante
A2. Central Park
A3. Crystal Snowflakes
A4. Katamaran
B1. Low Tide
B2. Cedar Sunset
B3. Ocean Spray
B4. Dance Of The Dolphin
Île Flottante is Mr. Beatnick´s 5th album, following 2023’s Joy In Variation (including the notorious cover of Love on a Real Train) and his well-received off-beat collaboration with London-based avant-garde agitator Richard Greenan – Coasty – this is his first contribution to the International Feel trademark. Probably best known for some big deep house revivalist tunes circa 2013 on the now dormant Don’t Be Afraid record label, Beatnick now converts that aural quality and dimensionality into the Balearic system.
Île Flottante takes its name from the tastiest French pudding of Mr. Beatnick’s childhood holidays. The name, also a jeux de mots - floating island - hinting at the album’s inspirations and sense of identity, as a danceable soundtrack to a fictional island. Explored with high intensity and over a yearlong process, the sounds of the well-worn, but never failing Balearic universes were a mind expanding influence. Think of genre staples like Software, Manuel Goettsching, Mark Barrott, Len Leise, Don Carlos, Gaussian Curve, Joan Bibiloni or Yasuaki Shimuzu.
„I spent a year listening to a lot of synthesized island music, and marveling at the many twinkling wonders of the Balearic musical universe. Struck by a sense of belonging that had often eluded me on my musical journey thus far, as the weirdo at the back of the club who had orbited many scenes for 20 years, but never felt like I fitted in, I found music that made me feel like I had come home. The songs that came out of this process are presented in the order that they were written - an open book of ocean hymns, honest and spoken from the heart.“
Île Flottante tries its very hardest to avoid being any one thing in particular. At one point, it is a gentle beach walk accompanied by polyrhythmic drum plod and flourishes of Guzheng. At another, the infamous James Yancey septuplet swing is repurposed against a marimba melody that wouldn’t be out of place in one of Link’s forest adventures.
Elsewhere, there are the bellows of distant whales, touches of Italian dream house and a splash of vintage madchester, all working to create a space that feels both familiar and loaded with well worn tropes, but with its own quirky sense of personality, facets which are often attributed to Mr. Beatnick’s holistic b-boy approach. This is his understanding of a Balearic (b-boy) stance. Just with a float instead of a freeze.
Short:
Île Flottante is Mr. Beatnick´s 5th album and first contribution the Balearic system of International Feel. Full of ocean hymns and forest adventures, it includes marimba melodies, the bellows of distant whales, touches of Italian dream house and a splash of vintage madchester, all working to create a space that feels both familiar and loaded with well worn tropes, but with its own quirky sense of personality. This is his understanding of a Balearic (b-boy) stance. Just with a float instead of a freeze. For fans of: Software, Manuel Goettsching, Mark Barrott, Len Leise, Don Carlos, Gaussian Curve, Joan Bibiloni or Yasuaki Shimuzu.
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Bobby Caldwell - Special To Me (4:00)
2
Bobby Caldwell - My Flame (3:30)
3
Bobby Caldwell - Love Won't Wait (4:00)
4
Bobby Caldwell - Can't Say Goodbye (5:20)
5
Bobby Caldwell - Come To Me (2:52)
6
Bobby Caldwell - What You Won't Do For Love (4:45)
7
Bobby Caldwell - Kalimba Song (2:00)
8
Bobby Caldwell - Take Me Back To Then (3:30)
9
Bobby Caldwell - Down For The Third Time (3:30)
Territories: Worldwide no restrictions
Format Notes:
Part of Bobby Caldwell Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Special To Me 4:00
A2 My Flame 3:30
A3 Love Won't Wait 4:00
A4 Can't Say Goodbye 5:20
B1 Come To Me 2:52
B2 What You Won't Do For Love 4:45
B3 Kalimba Song 2:00
B4 Take Me Back To Then 3:30
B5 Down For The Third Time 3:30
Release Notes:
Known principally as a smooth titan of blue-eyed soul, Bobby Caldwell transcended genre tags with consummate ease; he was a musical icon of real class and versatility, cherished the world over. Tragically passing away in March 2023 at the too young age of 71, it still feels as if Bobby's true artistry is profoundly under-appreciated. His double platinum self-titled album from 1978 is a timeless masterpiece of sophisticated jazzy soul brilliance and is strictly canonical. Yes, it's perfect, yet it's been out of press on vinyl for years. We're deeply honoured to present the long-awaited reissue this summer.
Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.
String-swept opener "Special To Me" immediately sets the tone with its lush instrumentation, rich harmonies, and Caldwell's velvety-smooth vocals. Next up, a huge one. The infectious, mid-tempo bounce of "My Flame" showcases Caldwell's ability to effortlessly blend catchy pop hooks with soulful arrangements. It's an exquisite, emotive ballad that, at the same time, absolutely SLAPS. Game recognise game, and all that, so, accordingly, Notorious B.I.G. memorably ran with “My Flame” for his 1997 single “Sky’s The Limit”. The rolling, disco-very "Love Won't Wait" is a slick, uptempo track containing heartfelt lyrics intertwined with elegant strings and a horn section to die for. Aching - and achingly cool - single "Can't Say Goodbye" is a real fan favourite, and it's no surprise. It's a laconic, slow-mo jazz-funk stepper, with fantastic, very deliberate playing that closes out the A Side quite exceptionally. "Come To Me" slows proceedings down elegantly to open Side B before the universally agreed-upon masterpiece enters proceedings.
"What You Won't Do for Love," the standout hit that became a classic in its own right, perfectly captured Bobby's ability to infuse a contagious groove with introspective and relatable lyrics. With its instantly recognisable horn riff and Caldwell's soulful delivery, this timeless, chiller anthem continues to captivate audiences and define his musical legacy. He scored huge with the track, taking over the pop and R&B airways with this mellow soul stepper. It has remained a perennial favourite and has been heavily sampled, such is its unique allure; Aaliyah sang over snatches of it on "Age Ain’t Nothing But A Number" and you can hear Caldwell’s vocal sample used for the hook on Tupac’s posthumously released “Do For Love”.
Upon submitting the finished album to his label, they requested more material in hope of a big single. As Bobby remembered to Wax Poetics a few years ago: “Now at this point, I’m mentally exhausted...and bear in mind that I got so close to all the songs I’d written. I gave each song a profound amount of thought, and maybe too much. So, in haste, I went in and cut this song, "What You Won’t Do For Love". Wrote it in a day, cut the rhythm track, overdubbed the horns, I sang the song, and literally turned it in three days after. And lo and behold, the one song I gave the least thought to,” Bobby laughed, “ended up being a national anthem.”
The mysterious, magical "Kalimba Song" is a cosmic, kalimba-driven melodic-funk instrumental - short but oh, so sweet. It's followed by the supreme tear-jerker "Take Me Back To Then", Bobby's otherworldly voice deeply longing for a simpler time, "when life was mellow". I think we can all get behind this sentiment. The final cut is arguably its deepest, its low-key finest moment. For us, it is, anyway. The glorious, driving, effortlessly funky guitar-soul jam "Down For The Third Time" is a huge melancholic Be With favourite and has been played by discerning genre-hopping DJs with significant glee for years. Hypnotic, melodic, beautiful. Like the album it elegantly rounds out.
Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of his wonderful eponymous album will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. More
Format Notes:
Part of Bobby Caldwell Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Special To Me 4:00
A2 My Flame 3:30
A3 Love Won't Wait 4:00
A4 Can't Say Goodbye 5:20
B1 Come To Me 2:52
B2 What You Won't Do For Love 4:45
B3 Kalimba Song 2:00
B4 Take Me Back To Then 3:30
B5 Down For The Third Time 3:30
Release Notes:
Known principally as a smooth titan of blue-eyed soul, Bobby Caldwell transcended genre tags with consummate ease; he was a musical icon of real class and versatility, cherished the world over. Tragically passing away in March 2023 at the too young age of 71, it still feels as if Bobby's true artistry is profoundly under-appreciated. His double platinum self-titled album from 1978 is a timeless masterpiece of sophisticated jazzy soul brilliance and is strictly canonical. Yes, it's perfect, yet it's been out of press on vinyl for years. We're deeply honoured to present the long-awaited reissue this summer.
Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.
String-swept opener "Special To Me" immediately sets the tone with its lush instrumentation, rich harmonies, and Caldwell's velvety-smooth vocals. Next up, a huge one. The infectious, mid-tempo bounce of "My Flame" showcases Caldwell's ability to effortlessly blend catchy pop hooks with soulful arrangements. It's an exquisite, emotive ballad that, at the same time, absolutely SLAPS. Game recognise game, and all that, so, accordingly, Notorious B.I.G. memorably ran with “My Flame” for his 1997 single “Sky’s The Limit”. The rolling, disco-very "Love Won't Wait" is a slick, uptempo track containing heartfelt lyrics intertwined with elegant strings and a horn section to die for. Aching - and achingly cool - single "Can't Say Goodbye" is a real fan favourite, and it's no surprise. It's a laconic, slow-mo jazz-funk stepper, with fantastic, very deliberate playing that closes out the A Side quite exceptionally. "Come To Me" slows proceedings down elegantly to open Side B before the universally agreed-upon masterpiece enters proceedings.
"What You Won't Do for Love," the standout hit that became a classic in its own right, perfectly captured Bobby's ability to infuse a contagious groove with introspective and relatable lyrics. With its instantly recognisable horn riff and Caldwell's soulful delivery, this timeless, chiller anthem continues to captivate audiences and define his musical legacy. He scored huge with the track, taking over the pop and R&B airways with this mellow soul stepper. It has remained a perennial favourite and has been heavily sampled, such is its unique allure; Aaliyah sang over snatches of it on "Age Ain’t Nothing But A Number" and you can hear Caldwell’s vocal sample used for the hook on Tupac’s posthumously released “Do For Love”.
Upon submitting the finished album to his label, they requested more material in hope of a big single. As Bobby remembered to Wax Poetics a few years ago: “Now at this point, I’m mentally exhausted...and bear in mind that I got so close to all the songs I’d written. I gave each song a profound amount of thought, and maybe too much. So, in haste, I went in and cut this song, "What You Won’t Do For Love". Wrote it in a day, cut the rhythm track, overdubbed the horns, I sang the song, and literally turned it in three days after. And lo and behold, the one song I gave the least thought to,” Bobby laughed, “ended up being a national anthem.”
The mysterious, magical "Kalimba Song" is a cosmic, kalimba-driven melodic-funk instrumental - short but oh, so sweet. It's followed by the supreme tear-jerker "Take Me Back To Then", Bobby's otherworldly voice deeply longing for a simpler time, "when life was mellow". I think we can all get behind this sentiment. The final cut is arguably its deepest, its low-key finest moment. For us, it is, anyway. The glorious, driving, effortlessly funky guitar-soul jam "Down For The Third Time" is a huge melancholic Be With favourite and has been played by discerning genre-hopping DJs with significant glee for years. Hypnotic, melodic, beautiful. Like the album it elegantly rounds out.
Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of his wonderful eponymous album will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. More
1
LNTG - The Day Is Lovely
2
LNTG - Love About
LNTG returns with a new 7 inch series featuring 2 stone cold soul classics remixed for the floor.
Limited Edition act fast! More
Limited Edition act fast! More
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Dry_Feel - Lost In The Depth
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Dry_Feel - Tears Of Your Soul
3
Dry_Feel - Synthesized
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Dry_Feel - Mechanical Fever
5
Dry_Feel - Vampire Disko
6
Dry_Feel - Feet Is The Limit
Dry_Feel is the personal project of the Greek label founder Dystatik, encompassing various types of experimental and darkwave music. This is what you will find in his vinyl debut, which includes a collaboration with Fluora. You can expect extremely fresh minimal synth, synthwave, EBM, dark elektro, and new beat tracks, all created with a dancefloor riot in mind.. Presented in a ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).
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1
Nightmare Lodge - Negative Planet
2
Nightmare Lodge - Luminescence
3
Nightmare Lodge - War Chant (Extended Play)
4
Nightmare Lodge - The Glorious Animal
5
Nightmare Lodge - Mirage IV
6
Nightmare Lodge - It Passed Like A Dream
Sunny Crypt is incredibly happy to announce its seventh release: a retrospective compilation of six previously CD-only tracks by Nightmare Lodge, a name that might ring the bell to many enthusiasts of Italian experimental music.It Passed Like A Dream is a selection of some of our favourite tracks they released between 1994 and 2000, aiming to spotlight a small glimpse of the amazing body of music they did throughout the years.Nightmare Lodge is a musical project by Minus Habens Records / Disturbance founder Ivan Iusco alongside vocalist B. Mazzilli and bass player Gianni Mantelli, when the Bari based trio decided to decided to embark on a path in search of their own dreamlike musical dimension tied to introspective explorations.Over the years, the group's lineup evolved, eventually solidifying as a duo comprising Iusco and Russolo.With their first release dated 1987 and staying active till the early 2000s, it is quite challenging to put the Nightmare Lodge discography in a precise musical box. Their first outings flirted with post-industrial music and a more stripped down sound palette marked by a DIY approach to composition, while in later years leaning towards a more horroresque / cinematic feeling and following the development of new technologies but always charactering their output with a ritualistic, trance inducing and mystical approach, whatever if it’s ambient, downtempo, techno not techno, or a whole lotta else...
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Label:Live at Robert Johnson
Cat-No:Playrjc111
Release-Date:15.10.2024
Genre:Electronic
Configuration:5LP
Label:Live at Robert Johnson
Cat-No:Playrjc111
Release-Date:15.10.2024
Genre:Electronic
Configuration:5LP
1
New Hook - Lebenskonzept Perfektion
2
Innere Türen / Map.ache - XXII (The Goodbye)
3
Curses - In Disarray
4
Mano Le Tough - Keep Noddin'
5
Skelesys - Synsthetic Serenade
6
Rebolledo - Alright Pingüino Rodriguez
7
Moderna / Theus Mago - Amor De Verano
8
Massimiliano Pagliara - Get Moving
9
Man Power - Unbekannt
10
DJ Oyster - House Of Bookla (Gerd Janson Remix)
11
Lydia Eisenblätter - It Doesn't Stop
12
Alinka - Light Tunnel 8
13
DC Salas - A Journey
14
Llewellyn - High5, Twenty5
15
Benjamin Fröhlich - Perfectly (Pour Offenbach)
16
Peter Invasion / Gregor Habicht - Kasalina
17
Kalexis - Pulsar Radio Star
18
Adana Twins - Neue Realität Feat. Jence
19
Oskar Offermann - Live Forever
20
Robert Dietz - Deny The Flaw
21
Cromby - Lost Soul
22
Odopt - Gristlecut
23
Kadosh - Wake Up Feat. Tony Y Not & Common Occupation
24
Ali Schwarz - Tougana
25
Current Location - Terrace DUb Tool
26
HCL - RIV
27
Irakli - Infinite Errors
28
RKJVK - Memory Lane
29
Ludwig A.F. - Sky
30
Shubostar - First Children
31
Jennifer Touch - Shiver (Robert Johnson)
In the heart of Offenbach, where the city's pulse synchronizes with the beat of the night, stands the illustrious Robert Johnson Club. For a quarter of a century, it has stood as a bastion of sonic exploration, a sanctuary for those who seek solace in the rhythm, and a beacon of inspiration for the global electronic music community. As it proudly raises its glass to toast 25 years of unrivaled musical excellence, the echoes of countless memories reverberate through its storied halls. To honor this landmark anniversary, „Live at Robert Johnson“ presents a kinda like masters blueprint of sound: "Tell Me Something Good - 25 Years of Famous When Dead!" This compilation, aptly named after the club's mantra, serves not only as a celebration of its rich history but also as a testament to the enduring legacy of the artists who have graced its stage. Crafted with meticulous attention to detail, each track on the compilation is a sonic journey unto itself—a symphony of beats and melodies that weave together to tell the story of Robert Johnson's evolution over the past quarter-century. From the pulsating rhythms of underground techno to the ethereal melodies of deep house, the compilation encapsulates the club's eclectic spirit and unwavering commitment to pushing the boundaries of electronic music. But beyond the music lies something deeper—an intangible energy that permeates every aspect of Robert Johnson's existence. It's the sense of camaraderie that binds together the club's patrons and artists alike, the shared experience of losing oneself in the music, and the profound sense of belonging that transcends language and culture. As the compilation reverberates through the speakers, it serves as a rallying cry—a call to arms for all who have ever felt the transformative power of music. It's a reminder that, even in the darkest of times, there is beauty to be found in the simple act of coming together and losing oneself in the rhythm of the night. So let us raise our voices in celebration of Robert Johnson Club and the indelible mark it has left on the world of electronic music. Here's to 25 years of passion, of creativity, and of "something good" that will echo through the ages for generations to come.
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1
Tonpei Hidari - - Tonpei No Hey You Blues
2
Chu Kosaka & Ultra - - Kimagure Party
3
Kazushi Inamura - - Go Yojin
4
Fumio Karashima - - American Tango
5
Takao Uematsu - - Mysterious Jump
6
Maximum - - Ashita Tenki Ni Nare
7
Jun Miyauchi - - Heartbreak Highway
8
iroshi Murakami & Dancing Sphinx - - Baby, It's Trivial
For this brand new chapter in the highly acclaimed Wamono series, DJ Chintam goes digging into the vaults of one of the most revered Japanese labels, Trio Records, and unearths some killer drum breaks, dope bass lines and funky horns, for an essential selection of jazz funk fusion and rare groove vibes produced on Trio between 1973 and 1981!
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