Label:Rush Hour Store
Cat-No:RH-STOREJAMS029
Release-Date:14.11.2025
Genre:House
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1
Rude Futures - Acid Reaction (The Journey Mix)
2
Rude Futures - Acid Reaction (The Dub)
3
Rude Futures - Acid Reaction (Waking Dream)
'Acid Reaction' is the first in a series of new releases from Danilo Plessow (MCDE).
This marks his return to electronic music - having spent a lot of studio time in recent years recording on own, disco oriented, Space Grapes label.
'Rude Futures' serves as a meta commentary on the realities of the modern digital age, the dawn of AI and its impact on art and society. Musically, it's a darker, more twisted turn to Danilo’s studio experiments - with a nod to early house and techno.
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This marks his return to electronic music - having spent a lot of studio time in recent years recording on own, disco oriented, Space Grapes label.
'Rude Futures' serves as a meta commentary on the realities of the modern digital age, the dawn of AI and its impact on art and society. Musically, it's a darker, more twisted turn to Danilo’s studio experiments - with a nod to early house and techno.
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Germany
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More records from Rush Hour Store
2LP
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Release-Date:24.10.2025
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1
The Peters - HAPPY TIME
2
TPO feat. Linda - Rock The Hour
3
Kuniko Yamada - Tetsugaku Shiyo (Viens Philosopher)
4
Kazuo Ohtani - Last Battle
5
Kyoko Koizumi - Microwave
6
Targets - City Train
7
Hikashu - Melonno Nakano Hitsuji
Compiled by Dubby & Antal, Techno Kayo Volume One is a dancefloor-friendly selection focusing on Japanese proto-techno, electro-pop, and synthpop from the 1980s. Pressed at 45RPM. Comes with OBI and insert with liner notes. Note: This release is only available on physical format (Vinyl & CD) / no downloads will be available.
In late-1970s Japan, a new and unique “genre” called techno kayo emerged, blending catchy pop melodies with the futuristic sounds of synthesizers and drum machines. Rooted in the older kayokyoku style, it was influenced by European electronic acts like Kraftwerk, but had a distinctly Japanese flair. Artists such as Yellow Magic Orchestra pioneered this retro-futuristic sound, creating music that felt both nostalgic and ahead of its time.
Dubby, owner of the legendary record shop Ondas in Tokyo, was one of the first to make Japanese music available to the outside world. He has teamed up with Antal, co-founder of the Amsterdam-based, Rush Hour Records, to release the first in a series of compilations.
Artwork from Johann Kauth (Stenze Quo)
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In late-1970s Japan, a new and unique “genre” called techno kayo emerged, blending catchy pop melodies with the futuristic sounds of synthesizers and drum machines. Rooted in the older kayokyoku style, it was influenced by European electronic acts like Kraftwerk, but had a distinctly Japanese flair. Artists such as Yellow Magic Orchestra pioneered this retro-futuristic sound, creating music that felt both nostalgic and ahead of its time.
Dubby, owner of the legendary record shop Ondas in Tokyo, was one of the first to make Japanese music available to the outside world. He has teamed up with Antal, co-founder of the Amsterdam-based, Rush Hour Records, to release the first in a series of compilations.
Artwork from Johann Kauth (Stenze Quo)
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Label:Rush Hour Store
Cat-No:RH-STOREJAMS026
Release-Date:01.11.2024
Genre:House
Configuration:12"
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1
Gigi Testa - Sichuan
2
Gigi Testa - Dragon Temple
"Napoli based Gigi Testa brings the heat yet again on his third Rush Hour Store Jams release with some spicey Sichuan flavours, straight from the Dragon Temple... Milk not included..."
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Label:Rush Hour Store
Cat-No:RH-STOREJAMS028
Release-Date:18.10.2024
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1
Daniel Monaco - Mamela
2
Daniel Monaco - Kalam Kalam
Daniel Monaco returns on the Rush Hour Store Jams imprint with another disco heavy two tracker, with vocals from TK daMonza. Two feel good songs, to calm and comfort your soul...
Written by Daniele Labbate aka Daniel Monaco, additional production and Mixing by Whodamanny
Voice and Lyrics by TK daMonza
Alessandro Cinelli: Drums
Yannick van ter Beek: Percussion
Sergio Dileo: Saxophone
Simone Cesarini: Guitar
Alberto Melloni: Additional Guitars
Daniele Labbate: Bass, Synths, Backing Vocals
Recorded at Daniel Monaco Studio in Amsterdam
Mixed at West Hill Studio Napoli
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Written by Daniele Labbate aka Daniel Monaco, additional production and Mixing by Whodamanny
Voice and Lyrics by TK daMonza
Alessandro Cinelli: Drums
Yannick van ter Beek: Percussion
Sergio Dileo: Saxophone
Simone Cesarini: Guitar
Alberto Melloni: Additional Guitars
Daniele Labbate: Bass, Synths, Backing Vocals
Recorded at Daniel Monaco Studio in Amsterdam
Mixed at West Hill Studio Napoli
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Label:Rush Hour Store
Cat-No:RH-STOREJAMS027
Release-Date:14.06.2024
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1
Precious Bloom - Flashlight
2
Precious Bloom - Mojo
Two-tracker from Indonesian group Precious Bloom. 'Flashlight' on the A side is inspired by Euro disco with a touch of Indonesian city pop. The track 'Mojo' on the B-side explores a rhyme of witchery...
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12"
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Cat-No:RH-STOREJPN12
Release-Date:19.04.2024
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1
Katsuya Sano - I Need Luv
2
Junichi Soma - Ubnormal Life
3
Shuji Wada - Endless Load
Reissue of early Japanese house outing by Junichi Soma, Shuji Wada and Katsuya Sayo. Comes with insert with liner notes.
All musical movements require a spark to set them alight; in the case of Japanese house music, that spark was provided by the forward-thinking resident DJs of The Bank in Roppongi, Tokyo. In 1989, to celebrate the ground-breaking club’s first birthday, the venue released a 12” EP featuring first-time productions from three of its DJs, Junichi Soma, Shuji Wada and Strong Katsuya AKS Katsuya Sayo.
Widely considered to be one of the first ever EP of house music produced in Japan, 1st Unit was never officially released. Instead, 500 of the 1000 copies pressed were given away at The Bank’s first birthday party, with the rest initially being sold not in local record stores, but rather the venue’s own in-house shop. Three decades on, the 12” is finally set to get its first worldwide release via Rush Hour’s Store JPN Series.
The record has its roots in The Bank’s willingness to give its ever-changing roster of DJs a free hand to play what they liked – at the time a rarity in Tokyo nightclubs, whose musical offerings usually revolved around strictly defined playlists. At The Bank in 1989, it was not only common to hear European body music and the kind of post-disco New York productions associated with Larry Levan’s sets at the Paradise Garage, but also acid house – something not offered at the time by other clubs in the city.
This cutting-edge blend of sounds, combined with the venue’s unique decor (it was modeled on the inside of a London bank, complete with a cashier’s window to take entrance fees), made The Bank a go-to spot for young party-goers, celebrities and forward-thinking Japanese musicians (Ryuichi Sakamoto was reportedly a weekly visitor).
When it came to celebrating the club’s birthday by cutting a unique record, it made sense for The Bank’s owners to turn to three of their most exciting resident DJs, who were assisted by Heigo Tani and Jun Ebi. The collective name, 1st Unit, was chosen to reflect the fact that all three resident DJs were debutants with no previous studio experience.
As this reissue proves, the music remains timeless, magical, and authentic to the sound of American house productions of the period – albeit with occasional twists,. Katsuya Sano’s EP opener, ‘I Need Love’, sounds like a twist on Larry Heard productions of the period – all jacking TR-909 drums, undulating analogue bass, dreamy JUNO synthesizer chords and evocative vocal samples.
The influence of Chicago acid house is also evident on Junichi Souma’s ‘Ubnormal Life’, whose unusual title contains what he says was an intentional misspelling. Driven forwards by restless drum machine handclaps, sweet chords and rising and falling melodic motifs, the track is an energetic and uplifting treat.
Perhaps the most influential of the three tracks at the time – within Japan at least – was Shuji Wada’s similarly misspelled ‘Endless Load’. Deeper and more melodic with a more expansive arrangement, the track’s combination of marimba-style lead lines, tribal drum patterns, dreamy chords and jazz-funk influenced bass offered a loose blueprint for the more successful and better-known Japanese deep house tracks that followed.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
All musical movements require a spark to set them alight; in the case of Japanese house music, that spark was provided by the forward-thinking resident DJs of The Bank in Roppongi, Tokyo. In 1989, to celebrate the ground-breaking club’s first birthday, the venue released a 12” EP featuring first-time productions from three of its DJs, Junichi Soma, Shuji Wada and Strong Katsuya AKS Katsuya Sayo.
Widely considered to be one of the first ever EP of house music produced in Japan, 1st Unit was never officially released. Instead, 500 of the 1000 copies pressed were given away at The Bank’s first birthday party, with the rest initially being sold not in local record stores, but rather the venue’s own in-house shop. Three decades on, the 12” is finally set to get its first worldwide release via Rush Hour’s Store JPN Series.
The record has its roots in The Bank’s willingness to give its ever-changing roster of DJs a free hand to play what they liked – at the time a rarity in Tokyo nightclubs, whose musical offerings usually revolved around strictly defined playlists. At The Bank in 1989, it was not only common to hear European body music and the kind of post-disco New York productions associated with Larry Levan’s sets at the Paradise Garage, but also acid house – something not offered at the time by other clubs in the city.
This cutting-edge blend of sounds, combined with the venue’s unique decor (it was modeled on the inside of a London bank, complete with a cashier’s window to take entrance fees), made The Bank a go-to spot for young party-goers, celebrities and forward-thinking Japanese musicians (Ryuichi Sakamoto was reportedly a weekly visitor).
When it came to celebrating the club’s birthday by cutting a unique record, it made sense for The Bank’s owners to turn to three of their most exciting resident DJs, who were assisted by Heigo Tani and Jun Ebi. The collective name, 1st Unit, was chosen to reflect the fact that all three resident DJs were debutants with no previous studio experience.
As this reissue proves, the music remains timeless, magical, and authentic to the sound of American house productions of the period – albeit with occasional twists,. Katsuya Sano’s EP opener, ‘I Need Love’, sounds like a twist on Larry Heard productions of the period – all jacking TR-909 drums, undulating analogue bass, dreamy JUNO synthesizer chords and evocative vocal samples.
The influence of Chicago acid house is also evident on Junichi Souma’s ‘Ubnormal Life’, whose unusual title contains what he says was an intentional misspelling. Driven forwards by restless drum machine handclaps, sweet chords and rising and falling melodic motifs, the track is an energetic and uplifting treat.
Perhaps the most influential of the three tracks at the time – within Japan at least – was Shuji Wada’s similarly misspelled ‘Endless Load’. Deeper and more melodic with a more expansive arrangement, the track’s combination of marimba-style lead lines, tribal drum patterns, dreamy chords and jazz-funk influenced bass offered a loose blueprint for the more successful and better-known Japanese deep house tracks that followed.
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Liebigstrasse 2-20
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Germany
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12"
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1
Manabu Nagayama - Light And Shadow (Masalo Version)
2
Manabu Nagayama - Light And Shadow (Original Mix)
When it first slipped out in 2015, Manabu Nagayama’s ‘Light & Shadow’ passed most people by. Yet it’s a genuinely overlooked gem a musically expansive and uplifting Japanese deep house workout that first featured on a promo-only compilation back in 2015. A softly spun slab of slow-building brilliance full of fluid piano motifs, heady hand percussion, the track effortlessly sashays between heartfelt dancefloor melancholia and tactile deep house positivity. One DJ to see its potential was Rush Hour co-founder Antal Heitlager, who asked Masalo to remix it. Over ‘a few years’, Masalo worked on the revision in bursts, tweaking it and subtly altering the arrangement until he was happy. The results are undeniably impressive, elevating an already excellent track to whole new levels. DJs seem to agree, too, with Masalo’s fine remix becoming something of an underground anthem following the release of a limited number of white label test pressings earlier last year.
Taking the spiritual end of deep house as his inspiration – and happy memories of attending events while visiting Japan – the Dutch-Japanese producer has delivered a slowly-building epic that subtly ratchets up energy and excitement throughout, while effortlessly eking out every last drop of emotion from Manabu’s piano-laden production.
Extensively road-tested at the Brighter Days parties he runs with long-time DJ partner Kamma, Masalo’s remix settles into a chugging groove before introducing Manabu’s tactile hand percussion – a staple of spiritual deep house cuts – and melancholic piano refrains, as well as his own lilting chords and cascading synth sounds. By the time the original’s bouncy piano riff drops midway through, you’ll be lost in the music. Fittingly given the quality of Manabu’s original, it’s a revision that showcases the track’s best elements while gently lifting it to new heights.
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Taking the spiritual end of deep house as his inspiration – and happy memories of attending events while visiting Japan – the Dutch-Japanese producer has delivered a slowly-building epic that subtly ratchets up energy and excitement throughout, while effortlessly eking out every last drop of emotion from Manabu’s piano-laden production.
Extensively road-tested at the Brighter Days parties he runs with long-time DJ partner Kamma, Masalo’s remix settles into a chugging groove before introducing Manabu’s tactile hand percussion – a staple of spiritual deep house cuts – and melancholic piano refrains, as well as his own lilting chords and cascading synth sounds. By the time the original’s bouncy piano riff drops midway through, you’ll be lost in the music. Fittingly given the quality of Manabu’s original, it’s a revision that showcases the track’s best elements while gently lifting it to new heights.
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Label:Rush Hour Store
Cat-No:RH-STOREJAMS020
Release-Date:30.06.2023
Configuration:7"
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1
Djosa - Botanic Obscura
2
Djosa - Vampiro Feat. Ronald Snijders
Amsterdam based musician/producer Djosa (long time band member of Arp Frique & The Family) joins the Rush Hour Store Jams imprint with two uplifting songs. The legendary Ronald Snijders is featured on ''Vampiro" with whom he (together with Arp Frique) made the documentary Easy Man and the album The Nelson & Djosa Sessions. TIP!
*Please note* Due to an unfortunate production mistake, the tracklisting on the labels and sleeve are in the wrong order. The correct order is: A. Botanica Obscura and B: Vampiro (feat. Ronald Snijders).
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*Please note* Due to an unfortunate production mistake, the tracklisting on the labels and sleeve are in the wrong order. The correct order is: A. Botanica Obscura and B: Vampiro (feat. Ronald Snijders).
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Label:Rush Hour Store
Cat-No:RH-STOREJAMS023
Release-Date:16.06.2023
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1
Daniel Monaco - Life Lesson Feat. Mame N'Diack Seck Thiam (Vocal Mix)
2
Daniel Monaco - Life Lesson (Instrumental Mix)
3
Daniel Monaco - Medicine Feat. Mame N'Diack Seck Thiam (Vocal Mix)
4
Daniel Monaco - Medicine (Instrumental Mix)
Amsterdam and Naples based bassist Daniel Monaco (bass player for Nu Genea, Mystic Jungle & Capinera) joins the Rush Hour Store Jams imprint with a strong disco heavy two tracker featuring vocals from Mame N'Diack Seck Thiam and a wink to Cerrone, including instrumental versions. Released in conjunction with Utopia records London.
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Label:Rush Hour Store
Cat-No:RH-STOREJAMS024
Release-Date:02.06.2023
Genre:House
Configuration:12"
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1
Gigi Testa - Jinja
2
Gigi Testa - Malinke
3
Gigi Testa - Echoes In The Sky
Gigi Testa, a bona fide Neapolitan hero whose work draws inspiration from local music of the last four decades – think Pino Daniele, Tullio de Piscopo, Tony Esposito, James Senese & Napoli Centrale, Nu Guinea, Mystic Jungle Tribe and rising stars such Fabrizio Fattore, Daniel Monaco and Raffaele Attansio – but also deep house and owes a lot to African music in all its forms.
Credits:
Written Arranged & Programmed : Gigi Testa
Mixed & Engineered : Gigi Testa & Paolo Convertito
Synths, Keyboards,Drum Machines,Effects,Live & Electronic Drums : Gigi Testa
Fender Bass,Live Guitars & Additional Keyboards : Paolo Convertito
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Credits:
Written Arranged & Programmed : Gigi Testa
Mixed & Engineered : Gigi Testa & Paolo Convertito
Synths, Keyboards,Drum Machines,Effects,Live & Electronic Drums : Gigi Testa
Fender Bass,Live Guitars & Additional Keyboards : Paolo Convertito
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Label:Rush Hour Store
Cat-No:RH-STOREJAMS025
Release-Date:17.03.2023
Genre:House
Configuration:12"
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1
Awanto 3 - The Lime King
2
Awanto 3 - Seayousoon
3
Awanto 3 - Sawyoulater
Artwork insert, in PVC outer sleeve
Awanto3 (Rednose Distrikt) returns to Rush Hour with "Party". Featuring Jos De Haas (New Cool Collective) on percussion and Stefan Schmid (Zuco 103) on the keys.
Party was born in a small village located in Wallonia during a period of house-sitting for a family on holiday. Initially my mother was asked to take care of the chickens, goat, dog and donkey but eventually I decided to take care of them to relieve my mother. This week turned out to be a small nightmare, because I think the house was being possessed by a spirit that I had to deal with night and day. The vibe of the house was so grimy, due to the fact that there were calendars with all kinds of weapons and dark oak furniture, interspersed with a huge flatscreen and blinds at the ready to be rolled out when the sun started to go down (by request of the paranoid owner). This setting affected my sketches; a dark side that was looking for contra light weight. After I took care of the animals, I had an energy to escape to my MPC to make the basis for a possible new album. When I got back in Amsterdam, I started to work out some of the sketches I’ve made in the ghost house together with Stefan and Jos in Studio K at Sloterdijk.
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Awanto3 (Rednose Distrikt) returns to Rush Hour with "Party". Featuring Jos De Haas (New Cool Collective) on percussion and Stefan Schmid (Zuco 103) on the keys.
Party was born in a small village located in Wallonia during a period of house-sitting for a family on holiday. Initially my mother was asked to take care of the chickens, goat, dog and donkey but eventually I decided to take care of them to relieve my mother. This week turned out to be a small nightmare, because I think the house was being possessed by a spirit that I had to deal with night and day. The vibe of the house was so grimy, due to the fact that there were calendars with all kinds of weapons and dark oak furniture, interspersed with a huge flatscreen and blinds at the ready to be rolled out when the sun started to go down (by request of the paranoid owner). This setting affected my sketches; a dark side that was looking for contra light weight. After I took care of the animals, I had an energy to escape to my MPC to make the basis for a possible new album. When I got back in Amsterdam, I started to work out some of the sketches I’ve made in the ghost house together with Stefan and Jos in Studio K at Sloterdijk.
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Germany
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12"
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Label:Rush Hour Store
Cat-No:RH-STOREJPN9
Release-Date:09.12.2022
Genre:House
Configuration:12"
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Genre:House
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1
Hiroshi Matsui A.k.a. Royal Mirrorball - (Earth In) Blue
2
Hiroshi Matsui A.k.a. Royal Mirrorball - (Earth In) Blue (Instrumental)
Tracklist:
1. (Earth In) Blue
2. (Earth In) Blue (Instrumental)
‘(Earth in) Blue’ by rogue Japanese producer Hiroshi Matsui aka Royal Mirrorball. Including a previously unreleased instrumental! Comes with obi.
While still in high school, Matsui started studying multi-recording synthesizer composition. His fascination for electronic music quickly became an obsession and in 1985 the eighteen year old Matsui took part in The famous Parco department stores-organized Organ-Zaka competition to win the grand prize, beating such luminaries as Towa Tei (of Deee-Lite fame) and Zabadak and kickstarting his career as a professional musician scoring jingles and commercials.
In 1992 Matsui’s ‘Samba de Howa Howa’ was released as a Japan-only promo. The song nevertheless garnered the attention of Tony Humphries, became a fixture on Kiss FM and was eventually featured on the first volume of King Street’s infamous ‘Sounds of Far East Dance Music’ compilation.
At the end of the nineties Matsui established his own Royal Mirrorball production company and label, kicking off with the EP that featured the wonderful ‘(Earth in) Blue’. Matsui: “the name ‘Royal Mirrorball’ was inspired by the gay clubs of the 80's. That’s what I had in mind whenever I made music, whether it was house music, J-pop, noise or contemporary music.” Quantities of the EP that spawned ‘(Earth in) Blue’ were extremely limited as they were originally intended only as a gift for friends and colleagues. Matsui: “But it was also an issue of cash on hand and production costs. Funds were limited back then.”
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1. (Earth In) Blue
2. (Earth In) Blue (Instrumental)
‘(Earth in) Blue’ by rogue Japanese producer Hiroshi Matsui aka Royal Mirrorball. Including a previously unreleased instrumental! Comes with obi.
While still in high school, Matsui started studying multi-recording synthesizer composition. His fascination for electronic music quickly became an obsession and in 1985 the eighteen year old Matsui took part in The famous Parco department stores-organized Organ-Zaka competition to win the grand prize, beating such luminaries as Towa Tei (of Deee-Lite fame) and Zabadak and kickstarting his career as a professional musician scoring jingles and commercials.
In 1992 Matsui’s ‘Samba de Howa Howa’ was released as a Japan-only promo. The song nevertheless garnered the attention of Tony Humphries, became a fixture on Kiss FM and was eventually featured on the first volume of King Street’s infamous ‘Sounds of Far East Dance Music’ compilation.
At the end of the nineties Matsui established his own Royal Mirrorball production company and label, kicking off with the EP that featured the wonderful ‘(Earth in) Blue’. Matsui: “the name ‘Royal Mirrorball’ was inspired by the gay clubs of the 80's. That’s what I had in mind whenever I made music, whether it was house music, J-pop, noise or contemporary music.” Quantities of the EP that spawned ‘(Earth in) Blue’ were extremely limited as they were originally intended only as a gift for friends and colleagues. Matsui: “But it was also an issue of cash on hand and production costs. Funds were limited back then.”
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Rush Hour Store
Cat-No:RH-STOREJAMS021
Release-Date:18.11.2022
Genre:House / Techno
Configuration:12"
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Label:Rush Hour Store
Cat-No:RH-STOREJAMS021
Release-Date:18.11.2022
Genre:House / Techno
Configuration:12"
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1
Relmer - Bummer Paradise
2
Relmer - Strange Movement
3
Relmer - Naked Chimp
4
Relmer - H2O
5
Relmer - Natural Disruption
Rush Hour-affiliate and Amsterdam local Relmer is back with what may well be his best work so far. ‘H2O’ expertly displays the vibrant energy he’s known for around these parts with two Amazon-inspired deephouse groovers, a melancholic walk through the jungle, a Detroit-infused progressive anthem and a hypnotic midtempo floorwarmer. Absolutely stellar stuff from A to Z.
“Super nice versatile EP by Relmer, Bummers Paradise has been a firm favourite this summer”
Esa Williams
"Blissful sounds, dancefloor material, and most of all, all very fun music to listen to. 10/10"
Fatima Yamaha
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“Super nice versatile EP by Relmer, Bummers Paradise has been a firm favourite this summer”
Esa Williams
"Blissful sounds, dancefloor material, and most of all, all very fun music to listen to. 10/10"
Fatima Yamaha
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Rush Hour Store
Cat-No:RH-STOREJAMS018
Release-Date:17.06.2022
Genre:House
Configuration:12"
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Label:Rush Hour Store
Cat-No:RH-STOREJAMS018
Release-Date:17.06.2022
Genre:House
Configuration:12"
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1
Gigi Testa - Esoteric Paradise
2
Gigi Testa - Blue Ocean
3
Gigi Testa - Guayaba
4
Gigi Testa - Moments In Time
Napoli has long been one of Italy’s most musically vibrant cities – a metropolis famed for colourful, atmospheric and vivid dance music, with a rich and diverse sonic history stretching back to the disco era. For the last 36 years, it has been home to Gigi Testa, a bona fide local hero whose work not only draws inspiration from Neapolitan music of the last four decades – think Pino Daniele, Tullio de Piscopo, Tony Esposito, James Senese & Napoli Centrale, Nu Guinea, Mystic Jungle Tribe and rising stars such Fabio Fattore, Daniel Monaco and Raffaele Attansio – but also high-quality deep house and African music in all its forms.
Testa remains largely unheralded outside his home city, where he’s long been a regular fixture behind the decks at events such as Neuhm and at renowned audiophile club Basic, despite winning plaudits for a string of singles and EPs on his own World Peace Music and Freedom Dance imprints. Now Testa has become the latest artist to contribute to the Rush Hour Store Jams series, delivering a four-track EP that takes his self-proclaimed world music-meets-club music approach in kaleidoscopic new directions.
Inspired by a mixture of 1980s, post-boogie African music, the sounds of the Caribbean, Testa’s love for dance music from New York and his own Neapolitan musical roots, the Esoteric Paradise EP is an entertaining, each-catching collection of cuts the effortlessly blurs existing musical boundaries. Rich in synthesizer and drum machine sounds, it should delight all those who love melodic, tropical-tinged electronic music.
Testa sets out his stall with the EP-opening title track, a squelchy slab of electro-fired musical joy whose dreamy pads and synthesized marimba melodies recall the mid-80s work of legendary South African musician Hugh Masekela and the delay-laden proto-house jams of the late Boyd Jarvis. He opts for a deeper, sweeter, and more laidback sound on the gently jazz-funk-tinged warmth of ‘Blue Ocean’, where layered percussion, ethereal chords and morning-fresh melodies catch the ear, before doffing a cap the spacey electrofunk and obscure Trinidadian synth-pop records on the wonderfully picturesque ‘Guayaba’.
Testa’s own love of house music comes to the fore on future Balearic dancefloor classic ‘Moments in Time’, a sublime fusion of cowbell-driven club grooves, sun-splashed guitars, jazz-funk bass and alluring new age chords. Retro-futurist in tone but pleasingly hard to pigeonhole, with electronic and acoustic instruments high in the mix, it offers a fitting finale to an endlessly entertaining EP from one of Napoli’s most talented producers.
Written Arranged & Programmed : Luigi Testa
Mixed & Engineered : Luigi Testa & Paolo Convertito
Acoustic Guitar,Electronic Guitar,Fender Bass & Additional Keyboards : Paolo Convertito
Synths, Keyboards, Drum Machines,Effects,Live & Electronic Drums : Luigi Testa
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Testa remains largely unheralded outside his home city, where he’s long been a regular fixture behind the decks at events such as Neuhm and at renowned audiophile club Basic, despite winning plaudits for a string of singles and EPs on his own World Peace Music and Freedom Dance imprints. Now Testa has become the latest artist to contribute to the Rush Hour Store Jams series, delivering a four-track EP that takes his self-proclaimed world music-meets-club music approach in kaleidoscopic new directions.
Inspired by a mixture of 1980s, post-boogie African music, the sounds of the Caribbean, Testa’s love for dance music from New York and his own Neapolitan musical roots, the Esoteric Paradise EP is an entertaining, each-catching collection of cuts the effortlessly blurs existing musical boundaries. Rich in synthesizer and drum machine sounds, it should delight all those who love melodic, tropical-tinged electronic music.
Testa sets out his stall with the EP-opening title track, a squelchy slab of electro-fired musical joy whose dreamy pads and synthesized marimba melodies recall the mid-80s work of legendary South African musician Hugh Masekela and the delay-laden proto-house jams of the late Boyd Jarvis. He opts for a deeper, sweeter, and more laidback sound on the gently jazz-funk-tinged warmth of ‘Blue Ocean’, where layered percussion, ethereal chords and morning-fresh melodies catch the ear, before doffing a cap the spacey electrofunk and obscure Trinidadian synth-pop records on the wonderfully picturesque ‘Guayaba’.
Testa’s own love of house music comes to the fore on future Balearic dancefloor classic ‘Moments in Time’, a sublime fusion of cowbell-driven club grooves, sun-splashed guitars, jazz-funk bass and alluring new age chords. Retro-futurist in tone but pleasingly hard to pigeonhole, with electronic and acoustic instruments high in the mix, it offers a fitting finale to an endlessly entertaining EP from one of Napoli’s most talented producers.
Written Arranged & Programmed : Luigi Testa
Mixed & Engineered : Luigi Testa & Paolo Convertito
Acoustic Guitar,Electronic Guitar,Fender Bass & Additional Keyboards : Paolo Convertito
Synths, Keyboards, Drum Machines,Effects,Live & Electronic Drums : Luigi Testa
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Rush Hour Store
Cat-No:RH-STOREJAMS017
Release-Date:13.05.2022
Genre:House
Configuration:12"
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Label:Rush Hour Store
Cat-No:RH-STOREJAMS017
Release-Date:13.05.2022
Genre:House
Configuration:12"
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1
Mark Grusane - Dance Intensity Feat. Amiruz
2
Mark Grusane - Klub Nacht
3
Mark Grusane - The Next Ride
Thirteen years after his whopping ‘Time and Space’ EP, Chicago 'O.G.' Mark Grusane returns to the Rush Hour imprint with his ‘Dance Intensity’ EP. Combining trademark electro, wave, synth-pop and disco elements into three modern dancefloor cuts.
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Label:Rush Hour Store
Cat-No:RH-STOREJAMS009
Release-Date:17.01.2022
Genre:House
Configuration:12"
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Cat-No:RH-STOREJAMS009
Release-Date:17.01.2022
Genre:House
Configuration:12"
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1
Awanto 3 - Fat Ass Pigeons
2
Tom Trago - The Elite (Awanto 3 Remix)
*warehouse find** pressed in a small qty for the RH physical store in 2015..
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Label:Rush Hour Store
Cat-No:RH-STOREJAMS016
Release-Date:30.07.2021
Genre:World Music
Configuration:7"
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Label:Rush Hour Store
Cat-No:RH-STOREJAMS016
Release-Date:30.07.2021
Genre:World Music
Configuration:7"
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1
Arp Frique - Nyame Ye
2
Arp Frique - Oi Quem Que Nos
Limited 7 inch for Recordstore day 2021 (July 17th drop). Taken from Arp Frique's upcoming album "The Seed"!
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Label:Rush Hour Store
Cat-No:RH-STOREJPN8
Release-Date:20.04.2021
Genre:House
Configuration:12"
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Cat-No:RH-STOREJPN8
Release-Date:20.04.2021
Genre:House
Configuration:12"
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1
Kino-Moderno - Rift (remix)
2
Kino-Moderno - Sync You (remix)
3
Kino-Moderno - Rift
4
Kino-Moderno - Into The Future (Future Mix)" (Future mix)
Repressed!
A lost Japanese house classsic! EP of tracks is taken from the rare Kino-Moderno album originally released in 1990 (tracks from this were used for the video game "Video Drug 2"). It's a cool collection of sounds that are reminiscent of Dan Curtin, Soichi Terada or Harumi Hosono's "Super Xevious" proto techno bomb. Features remix work (recorded in 93) from British soulful house DJ Frankie Valentine who had a record on Chez Damier's Balance records. As a bonus this set includes an unreleased version of Into The Future.
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A lost Japanese house classsic! EP of tracks is taken from the rare Kino-Moderno album originally released in 1990 (tracks from this were used for the video game "Video Drug 2"). It's a cool collection of sounds that are reminiscent of Dan Curtin, Soichi Terada or Harumi Hosono's "Super Xevious" proto techno bomb. Features remix work (recorded in 93) from British soulful house DJ Frankie Valentine who had a record on Chez Damier's Balance records. As a bonus this set includes an unreleased version of Into The Future.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Rush Hour Store
Cat-No:RH-STOREJPN7
Release-Date:09.10.2020
Genre:House / Techno
Configuration:12"
Barcode:
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Label:Rush Hour Store
Cat-No:RH-STOREJPN7
Release-Date:09.10.2020
Genre:House / Techno
Configuration:12"
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1
Colored Music - Heart Beat (Chee Shimizu club edit)
2
Colored Music - Heart Beat (unreleased version)
3
Colored Music - Colored Music (Chee Shimizu club edit)
12inch release of highly sought after Colored Music edits by Tokyo's Chee Shimizu (Organic Music). The two cuts originally featured on the band's seminal self titled album from 1981 and 'Heart Beat' remained a cult DJ secret weapon, for many years all over the world. This heavy EP includes an alternative version of 'Heart Beat' that featured on the Japan only "Individual Beauty" LP of 2018 (also compiled by Shimizu).
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DE - 22113 Hamburg
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DE - 22113 Hamburg
Germany
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12" Excl
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Label:Tresor Records
Cat-No:tresor388
Release-Date:12.12.2025
Genre:Techno
Configuration:12" Excl
Barcode:4251804188241
pre-sale
Last in:17.11.2025
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Last in:17.11.2025
Label:Tresor Records
Cat-No:tresor388
Release-Date:12.12.2025
Genre:Techno
Configuration:12" Excl
Barcode:4251804188241
1
Dopplereffekt - Time Modulation-Graviton Pulse
2
Dopplereffekt - Multiverse Wavefunction
3
Dopplereffekt - Collapse of Simultaneity
4
Dopplereffekt - Olbers Paradox
Territories: World excl. UK
FORMAT: 12" vinyl, generic sleeve, dl card
TRACKLIST:
1. / A1 Time Modulation-Graviton Pulse 05:41
2. / A2 Multiverse Wavefunction 07:02
3. / B1 Collapse of Simultaneity 06:40
4. / B2 Olbers Paradox 04:59
Marking the anniversary of three decades of career, Dopplereffekt debuts on Tresor Records with Metasymmetry, arriving 12 December 2025. This latest release finds members Rudolf Klorzeiger and To-Nhan in deep inquiry in sound, contemplating structure and pattern in physics and nature resulting in a harmonious audio tessellation.
Metasymmetry itself relates to a kind of second-order reality found not in the structures of life but in the rules that govern these structures; that order exists not only in things but in the relationships among systems of order. It is a structure of structures, a logic of laws, an abstract unity embedded in the act of transformation itself.
Accordingly, the four-track EP reflects this duality. Each side opens with a piece of electronic music at its most precise and immovable: defined, kinetic, architectural. This is followed by a second composition that dissolves into a weightless, atmospheric counter-form.
The shift evokes a higher symmetry: an alignment not of parts, but of principles; a sonic model of the universe’s hidden invariance.
Metasymmetry also echoes across Dopplereffekt’s extended sonic continuum; this stands as the first offering on Tresor under the Dopplereffekt name despite an association with the label and club going back to the start. In this, it becomes the source of an echo that reverberates backwards through time; its own reflection:
a mirror reflecting in a mirror
harmony within a system
identities in perfect balance
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Liebigstrasse 2-20
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Contact: [email protected]More
FORMAT: 12" vinyl, generic sleeve, dl card
TRACKLIST:
1. / A1 Time Modulation-Graviton Pulse 05:41
2. / A2 Multiverse Wavefunction 07:02
3. / B1 Collapse of Simultaneity 06:40
4. / B2 Olbers Paradox 04:59
Marking the anniversary of three decades of career, Dopplereffekt debuts on Tresor Records with Metasymmetry, arriving 12 December 2025. This latest release finds members Rudolf Klorzeiger and To-Nhan in deep inquiry in sound, contemplating structure and pattern in physics and nature resulting in a harmonious audio tessellation.
Metasymmetry itself relates to a kind of second-order reality found not in the structures of life but in the rules that govern these structures; that order exists not only in things but in the relationships among systems of order. It is a structure of structures, a logic of laws, an abstract unity embedded in the act of transformation itself.
Accordingly, the four-track EP reflects this duality. Each side opens with a piece of electronic music at its most precise and immovable: defined, kinetic, architectural. This is followed by a second composition that dissolves into a weightless, atmospheric counter-form.
The shift evokes a higher symmetry: an alignment not of parts, but of principles; a sonic model of the universe’s hidden invariance.
Metasymmetry also echoes across Dopplereffekt’s extended sonic continuum; this stands as the first offering on Tresor under the Dopplereffekt name despite an association with the label and club going back to the start. In this, it becomes the source of an echo that reverberates backwards through time; its own reflection:
a mirror reflecting in a mirror
harmony within a system
identities in perfect balance
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:11.11.2025
Label:KNTXT
Cat-No:KNTXT030
Release-Date:07.11.2025
Genre:Techno
Configuration:2LP
Barcode:199538106275
1
Charlotte de Witte - The Realm
2
Charlotte de Witte - No Division ft. XSALT
3
Charlotte de Witte - Vidmahe
4
Charlotte de Witte - Memento Mori
5
Charlotte de Witte - Become
6
Charlotte de Witte - The Heads That Know ft. Comma Dee
7
Charlotte de Witte - Higher
8
Charlotte de Witte - Domine
9
Charlotte de Witte - After The Fall ft. Lisa Gerrard
10
Charlotte de Witte - Hymn
11
Charlotte de Witte - Matiere Noire ft. Alice Evermore
Charlotte de Witte releases more hot news on her eagerly awaited eponymous self-titled debut LP, which drops November 7th on her KNTXT label. Fans already stirred to frenzy by two killer LP singles can now pre-order/pre-save the album digitally and on vinyl. She also reveals the cover art and track list in its entirety. Already hailed by Vogue DE, BBC 6 Music, Resident Advisor, DJ Mag, Mixmag, Rolling Stone, Billboard amm., the acid-drenched, unstoppable lead single and set staple ‘The Realm’, and powerful organ-heavy cut ‘No Division’ (feat. XSALT) reflect the power of the full 11 track release. The ‘No Division’ vinyl was pre-released during her recent six instantly sold-out New York City shows in four days triumph. With one more LP single promised before the full drop, fans will have to wait and see which that will be… After a fifteen year long career of propelling the techno scene forward and 25 standout EPs, the Belgian DJ & producer ‘started to feel the urge to embrace a format that allowed me to showcase my sonic identity in its entirety.’ Though the album is deeply personal – ‘these are tracks that move me, songs that carry me away like only club music and a night lost in it can’ – it’ll be a must-have for fans & techno/acid fiends. ‘Make no mistake, this is a true DJ album. I’m a club kid, always will be, and every track on this record makes me want to dance.’ It’ll do the same for other ravers. One more LP single to come… which of these is it to be?
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Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Houseum Records
Cat-No:HSM009
Release-Date:26.11.2021
Genre:House
Configuration:12"
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Label:Houseum Records
Cat-No:HSM009
Release-Date:26.11.2021
Genre:House
Configuration:12"
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1
Aiden Francis - Revolver
2
Aiden Francis - Elegy
3
Aiden Francis - Porcelain
4
Aiden Francis - Mezzanine
Take a think back to the end of the night, past the two o'clock knock-off time and towards that steady flicker of synthetic lights that tell you to go home. There's a sunrise somewhere outside, creeping towards the horizon and providing the clarity of day. But for now, the bass deepens as Aiden Francis draws you into his folds: the night has a few more memories to be made and the dancefloor a collection of dedicated music lovers who are there to wring the last few moments from it.
Aiden Francis started creating and forming this release back in 2019. At the time, he was repeatedly getting stuck in a musical rut with no clear artist or musical direction. So when he started working on the title track 'Mezzanine', all the other tracks fell into place after that. By the time 2020 came around, the EP was pretty much done but when the Covid pandemic hit, he found myself with a lot more time to sit removed from outside influence. So he sat back down with the tracks to refine and perfect them. His recording process for this started out quite relaxed but it then became some sort of lifeline for him over those lonely and scary months. This is why most of the tracks are less heavy dance floor orientated and more for those moments of bliss at home, the end of the night or that 7 am walk home from the club.
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Liebigstrasse 2-20
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Germany
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Aiden Francis started creating and forming this release back in 2019. At the time, he was repeatedly getting stuck in a musical rut with no clear artist or musical direction. So when he started working on the title track 'Mezzanine', all the other tracks fell into place after that. By the time 2020 came around, the EP was pretty much done but when the Covid pandemic hit, he found myself with a lot more time to sit removed from outside influence. So he sat back down with the tracks to refine and perfect them. His recording process for this started out quite relaxed but it then became some sort of lifeline for him over those lonely and scary months. This is why most of the tracks are less heavy dance floor orientated and more for those moments of bliss at home, the end of the night or that 7 am walk home from the club.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:NAFF, Moonshoe Records
Cat-No:NAFF027MSH016
Release-Date:28.11.2025
Genre:techhouse
Configuration:12"
Barcode:
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Label:NAFF, Moonshoe Records
Cat-No:NAFF027MSH016
Release-Date:28.11.2025
Genre:techhouse
Configuration:12"
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1
Cousin & Priori - Slip Logic
2
Cousin & Priori - Softening
3
Cousin & Priori - Fly In Amber
4
Cousin & Priori - Rummage
5
Cousin & Priori - Stepping Stoned
Cousin and Priori return for their second outing via naff & Moonshoe, solidifying their cross-continent connection and drifting out further into rhythm and shadow. ‘Fly in Amber’ unfolds across five tracks, each a different tide or tempo. Enchanted voices and melodies coil through dusted passages that feel both grounded and weightless.
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Label:FRL Classic Edition
Cat-No:FCE-15
Release-Date:14.11.2025
Configuration:12"
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Label:FRL Classic Edition
Cat-No:FCE-15
Release-Date:14.11.2025
Configuration:12"
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1
Black Corsairs - Skelos ... Let It Be
2
Black Corsairs - Chants Of Lemuria
3
Black Corsairs - Thak's Dub
Originally released in 1997, Black Corsair stands as a true milestone in late-’90s house music — a record that captured the raw energy, soulful depth, and forward- thinking sound of an era. Now this legendary EP returns in a fully remastered reissue, bringing its timeless grooves and hypnotic rhythms back to life with pristine clarity. Celebrated for its deep basslines, lush textures, and irresistible dancefloor spirit, Black Corsair remains a defining statement of the underground house movement —an essential rediscovery for collectors and new listeners alike.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Underground Resistance
Cat-No:UR-044MCM
Release-Date:14.11.2025
Genre:Techno
Configuration:12"
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Label:Underground Resistance
Cat-No:UR-044MCM
Release-Date:14.11.2025
Genre:Techno
Configuration:12"
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UR - Hardlife
2
UR - Hardlife (Aaaron Carl Remix)
Repress!
"THESE ARE NEW REMASTERED RECORDS THESE ARE NOT THE ORIGINALS. THE ORIGINALS CANNOT BE PRODUCED AGAIN DUE TO RON MURPHY'S PASSING...........ONLY THE B-SIDE OF UR-044 (Aaron Carl mix of Hardlife is original. And yes it's slightly distorted as was the original. Plays fine and still kicks ass!!!)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
"THESE ARE NEW REMASTERED RECORDS THESE ARE NOT THE ORIGINALS. THE ORIGINALS CANNOT BE PRODUCED AGAIN DUE TO RON MURPHY'S PASSING...........ONLY THE B-SIDE OF UR-044 (Aaron Carl mix of Hardlife is original. And yes it's slightly distorted as was the original. Plays fine and still kicks ass!!!)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
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Label:Groovin Recordings
Cat-No:GR-12132
Release-Date:21.11.2025
Genre:House
Configuration:12"
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Label:Groovin Recordings
Cat-No:GR-12132
Release-Date:21.11.2025
Genre:House
Configuration:12"
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1
Julie Brannen - I'll Be Good To You (Feel Mix)
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Julie Brannen - I'll Be Good To You (6:23 Again Mix)
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Julie Brannen - I'll Be Good To You (Deep Is Good Mix)
Let’s go back to 1993 with this amazing deep-house vocal track, featuring the vocals of Julie Brannen remixed by Kerri Chandler.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Remote Destination
Cat-No:RD001
Release-Date:16.01.2026
Configuration:12"
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Label:Remote Destination
Cat-No:RD001
Release-Date:16.01.2026
Configuration:12"
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1
Opal - Nice And Slow
2
Opal - Nice And Slow (Instrumental)
Comes in a plain disco sleeve.
The long awaited first time reissue of the this NYC Boogie bomb. Originally released in 1983, now a hugely sort after piece.
Produced by the highly acclaimed, Elliot Rosoff & John Gomez,.
Remastered by the grammy award winning studio The Carvery's Frank Merritt.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The long awaited first time reissue of the this NYC Boogie bomb. Originally released in 1983, now a hugely sort after piece.
Produced by the highly acclaimed, Elliot Rosoff & John Gomez,.
Remastered by the grammy award winning studio The Carvery's Frank Merritt.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Label:Far Out Recordings
Cat-No:FARO253LP
Release-Date:28.11.2025
Configuration:LP
Barcode:5065007965900
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Label:Far Out Recordings
Cat-No:FARO253LP
Release-Date:28.11.2025
Configuration:LP
Barcode:5065007965900
1
Amedeo Tommasi - Brasilia (The Sound)
2
Max Rocci & His Friends - Colorombo (Il Mondo Dei Giovani, Vol. 4)
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Max Rocci & His Friends - Niagara Falls (Il Mondo Dei Giovani, Vol. 4)
4
Alessandroni E Il Suo Complesso - Via Mare (L'Ora Del Cocktail)
5
Joël Vandroogenbroeck - Electronic Jungle (Images Of Flute In Nature)
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Kema - Pescatori (Canto Femminile) (La Natura E L'Uomo)
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Desert - Leaving (Desert)
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Latrudi - Feeling (Teleobiettivo)
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Latrudi - feeling teleobiettivo
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Narassa, Amedeo Tommasi Trio - Lalo (Made In The USA)
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The Swingers feat. Marco Di Marco - Meditazione (Il Mondo Dei Giovani, Vol. 1)
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The Swingers - Nostalgia (Il Mondo Dei Giovani, Vol. 3)
Blue note / Schema / Far Out recordings artist shares a new compilation of golden age italian library music.
Following his acclaimed five-part Viagem compilation series celebrating Brazil's forgotten bossa nova and samba jazz, Far Out, Blue Note and Schema recording artist and international DJ Nicola Conte turns his curatorial attention homeward with Viaggio, an extraordinary exploration of Italy's library music renaissance 1970-79.
The 12-track compilation spotlights the remarkable creative explosion that occurred during the seventies: when some of the greatest yet most historically overlooked composers, including Amedeo Tommasi, Alessandro Alessandroni and Max Rocci, were composing and recording huge amounts of original music for film and television libraries.
Unlike commercial releases designed for mass consumption, library music was created specifically to accompany images on screen. This meant creative freedom for composers who imagined scenarios, feelings and worlds to soundtrack. Pressed in limited quantities, these recordings were distributed only to internal circles of music supervisors, journalists, and television professionals – making them virtually invisible to the general public for decades.
"This is a journey through a largely forgotten world," explains Conte. "While major jazz recording opportunities were scarce, an incredible network of small labels owned by publishing companies – often created by the composers themselves – began to flourish. This created an open space where musicians could express more experimental and free thinking sounds."
At the heart of Viaggio stands Amedeo Tommasi, the sophisticated jazz pianist who emerged in 1960 backing international stars like Chet Baker, Bobby Jaspar, and Jacques Pelzer. Tommasi was among Italy's earliest artists to introduce Black US modal jazz influences, and when traditional recording opportunities dwindled, he pivoted to soundtrack and library music, helping define a distinctly Italian sound that bridged experimental jazz with the emerging possibilities afforded by developments in synthesizer and recording technologies.
The compilation features rare gems from small label outputs, namely the Cenacolo and Rotary label catalogs. Tommasi's contemporaries include the great Alessandro Alessandroni and his vocalist wife Giulia De Mutiis (Kema), Stefano Torrosi (under the alias Farlocco - meaning fake/phony), and Belgian composer Joël Vandroogenbroeck. The recordings capture the technological evolution of the era as beguiling synthesis often combines with global influences spanning Brazilian rhythms, jazz-funk explorations, and Middle Eastern scales.
"You can hear both the haunting melodies and sun-kissed atmospheres so typical of Italian culture from that era," Conte observes. "Some of these albums could have been proper artist releases, while others were specifically designed for accompanying images on screen, yet all were crafted with exploratory creativity that still resonates powerfully today."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Following his acclaimed five-part Viagem compilation series celebrating Brazil's forgotten bossa nova and samba jazz, Far Out, Blue Note and Schema recording artist and international DJ Nicola Conte turns his curatorial attention homeward with Viaggio, an extraordinary exploration of Italy's library music renaissance 1970-79.
The 12-track compilation spotlights the remarkable creative explosion that occurred during the seventies: when some of the greatest yet most historically overlooked composers, including Amedeo Tommasi, Alessandro Alessandroni and Max Rocci, were composing and recording huge amounts of original music for film and television libraries.
Unlike commercial releases designed for mass consumption, library music was created specifically to accompany images on screen. This meant creative freedom for composers who imagined scenarios, feelings and worlds to soundtrack. Pressed in limited quantities, these recordings were distributed only to internal circles of music supervisors, journalists, and television professionals – making them virtually invisible to the general public for decades.
"This is a journey through a largely forgotten world," explains Conte. "While major jazz recording opportunities were scarce, an incredible network of small labels owned by publishing companies – often created by the composers themselves – began to flourish. This created an open space where musicians could express more experimental and free thinking sounds."
At the heart of Viaggio stands Amedeo Tommasi, the sophisticated jazz pianist who emerged in 1960 backing international stars like Chet Baker, Bobby Jaspar, and Jacques Pelzer. Tommasi was among Italy's earliest artists to introduce Black US modal jazz influences, and when traditional recording opportunities dwindled, he pivoted to soundtrack and library music, helping define a distinctly Italian sound that bridged experimental jazz with the emerging possibilities afforded by developments in synthesizer and recording technologies.
The compilation features rare gems from small label outputs, namely the Cenacolo and Rotary label catalogs. Tommasi's contemporaries include the great Alessandro Alessandroni and his vocalist wife Giulia De Mutiis (Kema), Stefano Torrosi (under the alias Farlocco - meaning fake/phony), and Belgian composer Joël Vandroogenbroeck. The recordings capture the technological evolution of the era as beguiling synthesis often combines with global influences spanning Brazilian rhythms, jazz-funk explorations, and Middle Eastern scales.
"You can hear both the haunting melodies and sun-kissed atmospheres so typical of Italian culture from that era," Conte observes. "Some of these albums could have been proper artist releases, while others were specifically designed for accompanying images on screen, yet all were crafted with exploratory creativity that still resonates powerfully today."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:Borft
Cat-No:borft178
Release-Date:28.11.2025
Genre:Techno
Configuration:12"
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1
DJ Will Oboe - Shade Off
2
DJ Will Oboe - Bending Curves
3
DJ Will Oboe - Slyness
3 Raw analog experimental Acid Techno Trax. Limited Edition 100x Numbered Stamped labels - colored vinyl
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Voom Voom Records
Cat-No:VOOM006
Release-Date:14.11.2025
Genre:Afrobeat
Configuration:LP
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Label:Voom Voom Records
Cat-No:VOOM006
Release-Date:14.11.2025
Genre:Afrobeat
Configuration:LP
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1
Joshua Sithole - Africa
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Joshua Sithole - Workshop
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Joshua Sithole - Amakwenkwe
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Joshua Sithole - Chisa
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Joshua Sithole - Soul Ship
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Joshua Sithole - Joshua's Wa
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Joshua Sithole - Sigodukeni
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Joshua Sithole - Ekuseni
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Joshua Sithole - Nobody Knows
The album delivers masterful arrangements, inventive rhythms, rich harmonies, and a perfect balance of flute and saxophone interplay. Funk, Jazz, Gospel, Afro, and traditional elements all merge seamlessly into something unique and timeless.
Joshua Sithole (1947–1999) was a self-taught multi-instrumentalist and vocalist from South Africa who first started busking with the Kwela kids in 1959 and then went solo in 1978. He became popular in the 80’s, performing widely in Durban and Cape Town.
Originally released in 1975, this overlooked masterpiece is now reissued for the first time by Voom Voom Records — the first 500 copies include a poster of Vladimir Tretchikoff's painting, "The Pennywhistlers" which captures the beauty of Joshua's playing.
“Joshua Sithole, Errol Dyers, and Jonathan Butler come from some of the most influential and esteemed musical families in South Africa. You cannot write about Jazz in Cape Town and not mention some of these families and their contributions to the art form.” — Fanie Jason (Music Photographer - Cape Town)
"South African spiritual funk gem. slick guitar, banks of horns" - Chris Albertyn (Matsuli Records)
"Dynamic South African funk. An album that will make you want to dance from start to finish" - Franck Descollonges (Heavenly Sweetness
A1 - Africa
A2 - Workshop
A3 - Amakwenkwe
A4 - Chisa
A5 - Soul Ship
B1 - Joshua's Way
B2 - Sigodukeni
B3 - Ekuseni
B4 - Nobody Knows
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Joshua Sithole (1947–1999) was a self-taught multi-instrumentalist and vocalist from South Africa who first started busking with the Kwela kids in 1959 and then went solo in 1978. He became popular in the 80’s, performing widely in Durban and Cape Town.
Originally released in 1975, this overlooked masterpiece is now reissued for the first time by Voom Voom Records — the first 500 copies include a poster of Vladimir Tretchikoff's painting, "The Pennywhistlers" which captures the beauty of Joshua's playing.
“Joshua Sithole, Errol Dyers, and Jonathan Butler come from some of the most influential and esteemed musical families in South Africa. You cannot write about Jazz in Cape Town and not mention some of these families and their contributions to the art form.” — Fanie Jason (Music Photographer - Cape Town)
"South African spiritual funk gem. slick guitar, banks of horns" - Chris Albertyn (Matsuli Records)
"Dynamic South African funk. An album that will make you want to dance from start to finish" - Franck Descollonges (Heavenly Sweetness
A1 - Africa
A2 - Workshop
A3 - Amakwenkwe
A4 - Chisa
A5 - Soul Ship
B1 - Joshua's Way
B2 - Sigodukeni
B3 - Ekuseni
B4 - Nobody Knows
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Label:Favorite Recordings
Cat-No:FVR202LP
Release-Date:21.11.2025
Configuration:LP
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Label:Favorite Recordings
Cat-No:FVR202LP
Release-Date:21.11.2025
Configuration:LP
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1
Paul Beaver and Bernard L. Krause - As I Hear It
2
Edwin Hawkins - (Reprise) You Gave Your All
3
Patrick Marcel - Bagnols
4
Bernard Larquet - Océan
5
François Bréant - 8 Août, 0h15, 125ème Rue
6
Gamma - Endless
7
Ector Davis - Fountain in Love
8
Jean-Claude Petit - The Age Of The Breaking Down
9
Third Eye - Bloodstream
10
Wlodek Guldowski - Love Is Back
Endless is a journey through cosmic soundscapes, where jazz-funk, early electronics, and ambient experimentation meet.
Carefully curated by Charles Maurice from his personal collection, this compilation brings together 10 rare recordings from 1969 to 1985, revealing an era of fearless creativity and sonic exploration.
Marking 10 years since Charles Maurice’s first compilation in 2015, Endless also celebrates a milestone — his 13th release in a decade of unearthing rare and beautiful music from forgotten archives.
From Beaver & Krause and their pioneering Moog experiments to the lush electronic symphonies of Jean-Claude Petit, the dreamy synth work of Ector Davis, and the cinematic beauty of Bernard Larquet, each track opens a window into a different musical galaxy.
Highlights include Patrick Marcel’s privately pressed 1985 recording “Bagnols”, an atmospheric fusion of ambient textures and ECM-inspired jazz, and Wlodek Gulgowski’s Scandinavian jazz-funk masterpiece that bridges groove and cosmic elegance.
Unearthed from obscurity, Endless – Universal Cosmic Sounds celebrates a timeless vision of music without boundaries — a rediscovery of the rare, the beautiful, and the endlessly imaginative.
A1 - Paul Beaver and Bernard L. Krause - As I Hear It
A2 - Edwin Hawkins - (Reprise) You Gave Your All
A3 - Patrick Marcel - Bagnols
A4 - Bernard Larquet - Océan
A5 - François Bréant - 8 Août, 0h15, 125ème Rue
B1 - Gamma - Endless
B2 - Ector Davis - Fountain in Love
B3 - Jean-Claude Petit - The Age Of The Breaking Down
B4 - Third Eye - Bloodstream
B5 - Wlodek Guldowski - Love Is Back
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Carefully curated by Charles Maurice from his personal collection, this compilation brings together 10 rare recordings from 1969 to 1985, revealing an era of fearless creativity and sonic exploration.
Marking 10 years since Charles Maurice’s first compilation in 2015, Endless also celebrates a milestone — his 13th release in a decade of unearthing rare and beautiful music from forgotten archives.
From Beaver & Krause and their pioneering Moog experiments to the lush electronic symphonies of Jean-Claude Petit, the dreamy synth work of Ector Davis, and the cinematic beauty of Bernard Larquet, each track opens a window into a different musical galaxy.
Highlights include Patrick Marcel’s privately pressed 1985 recording “Bagnols”, an atmospheric fusion of ambient textures and ECM-inspired jazz, and Wlodek Gulgowski’s Scandinavian jazz-funk masterpiece that bridges groove and cosmic elegance.
Unearthed from obscurity, Endless – Universal Cosmic Sounds celebrates a timeless vision of music without boundaries — a rediscovery of the rare, the beautiful, and the endlessly imaginative.
A1 - Paul Beaver and Bernard L. Krause - As I Hear It
A2 - Edwin Hawkins - (Reprise) You Gave Your All
A3 - Patrick Marcel - Bagnols
A4 - Bernard Larquet - Océan
A5 - François Bréant - 8 Août, 0h15, 125ème Rue
B1 - Gamma - Endless
B2 - Ector Davis - Fountain in Love
B3 - Jean-Claude Petit - The Age Of The Breaking Down
B4 - Third Eye - Bloodstream
B5 - Wlodek Guldowski - Love Is Back
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
