1
Neuzeitliche Bodenbeläge - A1.Neulust
2
Neuzeitliche Bodenbeläge - A2. Ehrliche Arbeit
3
Neuzeitliche Bodenbeläge - A3. El Hoyo
4
Neuzeitliche Bodenbeläge - B1. Tektonik
5
Neuzeitliche Bodenbeläge - B2. Nuestro Secreto
Format: EP 180G
TRACKLIST
Neulust 04:48
Ehrliche Arbeit 05:56
El Hoyo 05:24
Tektonik 06:17
Nuestro Secreto 04:11
RELEASE INFO
"Neulust," the latest EP from Neuzeitliche Bodenbeläge, introduces listeners to the talents of Joshua Gottmanns and Niklas Wandt. Wandt's captivating voice invokes a sense of nostalgia, reminiscent of the era when Thorsten Fenslau was active, infusing tracks with poetic recitations. Wandt's drumming harmonizes perfectly with Gottmanns' warm chords and captivating melodies. Together, they debuted on Zurich's Lustpoderosa label with "Neulust," aiming to redefine their musical connection. Their presence in the central European underground scene has been marked by releases on Themes for Great Cities or Bureau B, accompanied by their vintage German Wave sound and lively performances. Regular touring has been part of their journey. "Neulust," recorded with minimal intervention, delves into themes of love, estrangement, and consumerism, blending haunting electro, deep house, NDW, and Euro Dance Elements. The EP signifies a significant stylistic shift and stands as the band's most compelling offering yet in their ongoing musical evolution.
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TRACKLIST
Neulust 04:48
Ehrliche Arbeit 05:56
El Hoyo 05:24
Tektonik 06:17
Nuestro Secreto 04:11
RELEASE INFO
"Neulust," the latest EP from Neuzeitliche Bodenbeläge, introduces listeners to the talents of Joshua Gottmanns and Niklas Wandt. Wandt's captivating voice invokes a sense of nostalgia, reminiscent of the era when Thorsten Fenslau was active, infusing tracks with poetic recitations. Wandt's drumming harmonizes perfectly with Gottmanns' warm chords and captivating melodies. Together, they debuted on Zurich's Lustpoderosa label with "Neulust," aiming to redefine their musical connection. Their presence in the central European underground scene has been marked by releases on Themes for Great Cities or Bureau B, accompanied by their vintage German Wave sound and lively performances. Regular touring has been part of their journey. "Neulust," recorded with minimal intervention, delves into themes of love, estrangement, and consumerism, blending haunting electro, deep house, NDW, and Euro Dance Elements. The EP signifies a significant stylistic shift and stands as the band's most compelling offering yet in their ongoing musical evolution.
More
More records from Lustpoderosa
1
—S—F— - A1 - Club SF (1999) - 00:04:48 min
2
—S—F— - A2 - Invasion der Venus (2000) - 00:05:05
3
—S—F— - A3 - Das Verlangen (Ladada) (2004) - 00:02:39
4
—S—F— - A4 - originale Ansage Talisman (1986) - 00:00:37
5
—S—F— - A5 - Talisman (1986) - 00:04:01
6
—S—F— - B1 - Lola (1999) - 00:02:02
7
—S—F— - B2 - Geranienblumenkästen (2002) - 00:06:07
8
—S—F— - B3 - Die Falsche Wahl (2002) - 00:05:19
9
—S—F— - B4 - originale Ansage Schreittanz (1986) - 00:00:40
10
—S—F— - B5 - Schreittanz (1986) - 00:05:36
Format: LP + Inlay
TRACKLIST
A1 - Club SF (1999) - 00:04:48 min.
A2 - Invasion der Venus (2000) - 00:05:05
A3 - Das Verlangen (Ladada) (2004) - 00:02:39
A4 - originale Ansage Talisman (1986) - 00:00:37
A5 - Talisman (1986) - 00:04:01
B1 - Lola (1999) - 00:02:02
B2 - Geranienblumenkästen (2002) - 00:06:07
B3 - Die Falsche Wahl (2002) - 00:05:19
B4 - originale Ansage Schreittanz (1986) - 00:00:40
B5 - Schreittanz (1986) - 00:05:36
RELEASE INFO
This obscure record showcases a selection of 10 tracks created between 1986 and 2002.
Remastered and reworked, this material provides a unique insight into SF aka Schielfried
Frankenstein's journey as a performance artist and musician during that period. While Manuel
Göttsching produced SF's first record (Ordal/1985), this release, proudly presented by
Lustpoderosa, introduces a fresh perspective. Partly reworked and mixed by Ismael Zouaoui and
mastered by @Sneaker at Tailout Studios, it is complemented by remixes from contemporary
artists, bridging the gap between the past and present.
© Written and produced by —-S—F— (1986 – 2004)
© Lyrics & Vocals by —S—F—
Additional Vocals A3 by Lucy
Mastering by Sneaker at TailOut Mastering 2022
Mixinig by Ismael Zouaoui 2022
Front Cover by XXXX
Layout & Graphics by Caroline Kunstwadl
Art Direction by Levo Kriegleder & Olaf Yarce
Copyright by Lustpoderosa 2023 More
TRACKLIST
A1 - Club SF (1999) - 00:04:48 min.
A2 - Invasion der Venus (2000) - 00:05:05
A3 - Das Verlangen (Ladada) (2004) - 00:02:39
A4 - originale Ansage Talisman (1986) - 00:00:37
A5 - Talisman (1986) - 00:04:01
B1 - Lola (1999) - 00:02:02
B2 - Geranienblumenkästen (2002) - 00:06:07
B3 - Die Falsche Wahl (2002) - 00:05:19
B4 - originale Ansage Schreittanz (1986) - 00:00:40
B5 - Schreittanz (1986) - 00:05:36
RELEASE INFO
This obscure record showcases a selection of 10 tracks created between 1986 and 2002.
Remastered and reworked, this material provides a unique insight into SF aka Schielfried
Frankenstein's journey as a performance artist and musician during that period. While Manuel
Göttsching produced SF's first record (Ordal/1985), this release, proudly presented by
Lustpoderosa, introduces a fresh perspective. Partly reworked and mixed by Ismael Zouaoui and
mastered by @Sneaker at Tailout Studios, it is complemented by remixes from contemporary
artists, bridging the gap between the past and present.
© Written and produced by —-S—F— (1986 – 2004)
© Lyrics & Vocals by —S—F—
Additional Vocals A3 by Lucy
Mastering by Sneaker at TailOut Mastering 2022
Mixinig by Ismael Zouaoui 2022
Front Cover by XXXX
Layout & Graphics by Caroline Kunstwadl
Art Direction by Levo Kriegleder & Olaf Yarce
Copyright by Lustpoderosa 2023 More
1
Lool2Luul - Worynea CP (03:48)
2
Lool2Luul - Persona (03:36)
3
Lool2Luul - Aves Mes (03:48)
4
Lool2Luul - Verita (03:39)
5
Lool2Luul - Ci Med (03:52)
6
Lool2Luul - Visa Cocapcar (05:05)
7
Lool2Luul - Jarheb (03:14)
8
Lool2Luul - Era Ige (03:06)
9
Lool2Luul - Va Varia (04:20)
10
Lool2Luul - Inea Nue (04:02)
12” Vinyl, 180g
Tracklist:
A1 Worynea CP 03:48
A2 Persona 03:36
A3 Aves Mes 03:48
A4 Verita 03:39
A5 Ci Med 03:52
B1 Visa Cocapcar 05:05
B2 Jarheb 03:14
B3 Era Ige 03:06
B4 Va Varia 04:20
B5 Inea Nue 04:02
Lool2Luul's debut LP on Lustpoderosa introduces listeners to a captivating realm, where uncharted adventures await. This sonic journey transports you to an enigmatic cityscape, perhaps named Worynea, set in an undefined future. The music is haunting, pulsating, and imbued with intricate textures, creating an immersive experience. Within this lo-fi landscape, warmth and chill coexist, offering a paradoxical yet mesmerizing atmosphere. The vast spectrum of frequencies in this meticulously crafted musical narrative paints a vivid picture, blurring the lines between reality and imagination. Embark on this masterfully woven tale and allow yourself to be engulfed in its spellbinding allure.
All tracks written and produced by Lucas Delmenico
Mastering by Never Enough System
More
Tracklist:
A1 Worynea CP 03:48
A2 Persona 03:36
A3 Aves Mes 03:48
A4 Verita 03:39
A5 Ci Med 03:52
B1 Visa Cocapcar 05:05
B2 Jarheb 03:14
B3 Era Ige 03:06
B4 Va Varia 04:20
B5 Inea Nue 04:02
Lool2Luul's debut LP on Lustpoderosa introduces listeners to a captivating realm, where uncharted adventures await. This sonic journey transports you to an enigmatic cityscape, perhaps named Worynea, set in an undefined future. The music is haunting, pulsating, and imbued with intricate textures, creating an immersive experience. Within this lo-fi landscape, warmth and chill coexist, offering a paradoxical yet mesmerizing atmosphere. The vast spectrum of frequencies in this meticulously crafted musical narrative paints a vivid picture, blurring the lines between reality and imagination. Embark on this masterfully woven tale and allow yourself to be engulfed in its spellbinding allure.
All tracks written and produced by Lucas Delmenico
Mastering by Never Enough System
More
1
Nathan Dawidowicz - A1. Idea`s Eve 11:04
2
Nathan Dawidowicz - A2. Full Moon Dance 6:47
3
Nathan Dawidowicz - B1. Capricorn Rising Over Jerusalemite Temple 23:18
Format: Vinyl 12" limited to 250 - 180g; Cosmic, Jazz, Fusion, Downbeat
Front Cover by Andreas Hofer / Foto by Brunni Scorsatto
TRACKLIST
A1 Idea`s Eve 11:04
A2 Full Moon Dance 6:47
B1 Capricorn Rising Over Jerusalemite Temple 23:18
RELEASE INFO
Born in Milan to a Cameroonese father and a Polish/Lithuanian mother, Nathan Dawidowicz moved at the age of 6 to Jerusalem. He was spending his childhood in a Jewish ultra-orthodox environment playing the piano and dreaming of being a Fashion designer and musician. After waking up from the reality he was raised in, he moved to Venice and started to explore the "outside world" of the mental barriers of religion. Music and fashion were his medicine, and he quickly became addicted to musical textures and vinyl. His love for music brought him quickly to Berlin, where he currently lives and loves.
Sanctuary Of Ideas is a very personal and optimistic journey by Nathan Dawidowicz. His first solo album is a spiritual path, as cosmic and adventurous as Nathan`s trajectory, with beautiful twists and psychedelic twirls into Dawidowicz personal rabbit hole. A record full of memories and positive affirmations, filled with Jazzy yet psychedelic Cosmic and Krautrock elements. A fusion of inspiration - and a perfect reflection of Dawidowicz heritage.
Idea`s Eve is a stargate to our ancestral power. The source of our inspiration is connected to our past - to the spirits of our ancient memories. Dawidowicz leaves a lot of space to breathe in this magical opener. Enchanting melodies and bubbling sounds surround the listener while his voice keeps repeating a mantra of an ancient love spell. A track where you feel your DNA spiraling up the ladder of evolution. Yet so natural and healing.
Full Moon Dance is the spiritual continuation of the first track. A swirl of magical melodies, yet jazzy but truly cosmic walking up the ladder to another dimension, where warm moon rays and fluffy clouds surround love. The synth lines represent the playful and smooth moon rays reflected on a rhythmical heart-beating ground where tears can be joyfully spent to honor the emotions we usually oppress.
To close the EP, Nathan Dawidowicz worked a half a year to finalize the last track in full detail. 23 Minutes and 18 Seconds long is the Capricorn Rising Over Jerusalemite Temple. This story is where the listener is brought to a higher level of consciousness. Against the rules of our consumerist world, Nathan Dawidowicz focuses on a dramaturgy full of patience for our own lifetime. Acidic lines come and go, powerful synth solos trigger unknown brain parts, and an epic melody accompanies the listener and lets dark emotions melt in a brass-filled part where a voice tells us that time is on our side. The song ends with an epic twist and promises a new start, where our most lovely memories stay in a vortex of light. Beam me up Nathan.
More
Front Cover by Andreas Hofer / Foto by Brunni Scorsatto
TRACKLIST
A1 Idea`s Eve 11:04
A2 Full Moon Dance 6:47
B1 Capricorn Rising Over Jerusalemite Temple 23:18
RELEASE INFO
Born in Milan to a Cameroonese father and a Polish/Lithuanian mother, Nathan Dawidowicz moved at the age of 6 to Jerusalem. He was spending his childhood in a Jewish ultra-orthodox environment playing the piano and dreaming of being a Fashion designer and musician. After waking up from the reality he was raised in, he moved to Venice and started to explore the "outside world" of the mental barriers of religion. Music and fashion were his medicine, and he quickly became addicted to musical textures and vinyl. His love for music brought him quickly to Berlin, where he currently lives and loves.
Sanctuary Of Ideas is a very personal and optimistic journey by Nathan Dawidowicz. His first solo album is a spiritual path, as cosmic and adventurous as Nathan`s trajectory, with beautiful twists and psychedelic twirls into Dawidowicz personal rabbit hole. A record full of memories and positive affirmations, filled with Jazzy yet psychedelic Cosmic and Krautrock elements. A fusion of inspiration - and a perfect reflection of Dawidowicz heritage.
Idea`s Eve is a stargate to our ancestral power. The source of our inspiration is connected to our past - to the spirits of our ancient memories. Dawidowicz leaves a lot of space to breathe in this magical opener. Enchanting melodies and bubbling sounds surround the listener while his voice keeps repeating a mantra of an ancient love spell. A track where you feel your DNA spiraling up the ladder of evolution. Yet so natural and healing.
Full Moon Dance is the spiritual continuation of the first track. A swirl of magical melodies, yet jazzy but truly cosmic walking up the ladder to another dimension, where warm moon rays and fluffy clouds surround love. The synth lines represent the playful and smooth moon rays reflected on a rhythmical heart-beating ground where tears can be joyfully spent to honor the emotions we usually oppress.
To close the EP, Nathan Dawidowicz worked a half a year to finalize the last track in full detail. 23 Minutes and 18 Seconds long is the Capricorn Rising Over Jerusalemite Temple. This story is where the listener is brought to a higher level of consciousness. Against the rules of our consumerist world, Nathan Dawidowicz focuses on a dramaturgy full of patience for our own lifetime. Acidic lines come and go, powerful synth solos trigger unknown brain parts, and an epic melody accompanies the listener and lets dark emotions melt in a brass-filled part where a voice tells us that time is on our side. The song ends with an epic twist and promises a new start, where our most lovely memories stay in a vortex of light. Beam me up Nathan.
More
Debut Mini LP ALbum by Sameheads Resident Marlene Stark
Genre: Tribal, Acid, Electronica, Downtempo, Experimental, Dance, Industrial, Electro
Tracklist 12":
A1 - Beruhig Dich Mehr 5:12
A2 - Language Of Old Woman 4:19
A3 - Was Ist Feucht? 3:39
A4 - Meine Hand 2:59
B1 - Just Change It 4:50
B2 - Hungry As A Hunter 4:08
B3 - Hyäne 4:50
Short Info:
This mini LP is an explicit message from Lustpoderosa's sonic continuum. These 7 tracks show the deep connection of Marlene Starks' work as a writer and an artist to her role as mother and DJ in times when there is an urgent need to dismantle the patriarchy in our society and rave culture.
Marlene Stark is telling us much more than a great musical story with the symbolic title "Hyäne". Marlene wants to direct our attention to a reviled creature while she reflects on its literary and symbolic meanings. Although hyenas live in a matriarchal society, its transmutation can be perceived as the ongoing struggle of the non-male body in an androcentric world view.
Marlene Starks reinterprets the figure of the hyena in a very poetic, self-ironical and honest way, as shown in the tracks 'Hungry As a Hunter', 'Hyäne' and 'Language Of Old Woman'. It's a neo-ceremonial call to rethink established structures without missing out the turbulent landscape of today's politics.
From early trip-hop to post-rave elements, Stark combines her sonic adventures with an impressively nonchalant and colloquial vocabulary. Her voice, as well as the voice of guest singer Stefanie Mader, achieves a remarkable vocal structure that goes beyond the mainstream.
This is the contemporary body music for the next generation.
Vital Sales Points:
- Debut Album from Marlene Stark
- Releases on Lustpoderosa and forthcoming on Powerstation
- Extensive Global Promo by Sameheads and Musicboard Berlin
- Extended Tour in the Months of January 2021
Details/Cities/Venues:
Release Parties:
Zürich - Kauz
Luzern - Kegelbahn
Lyon - TBA
Berlin - Sameheads
London - TBA
More
Genre: Tribal, Acid, Electronica, Downtempo, Experimental, Dance, Industrial, Electro
Tracklist 12":
A1 - Beruhig Dich Mehr 5:12
A2 - Language Of Old Woman 4:19
A3 - Was Ist Feucht? 3:39
A4 - Meine Hand 2:59
B1 - Just Change It 4:50
B2 - Hungry As A Hunter 4:08
B3 - Hyäne 4:50
Short Info:
This mini LP is an explicit message from Lustpoderosa's sonic continuum. These 7 tracks show the deep connection of Marlene Starks' work as a writer and an artist to her role as mother and DJ in times when there is an urgent need to dismantle the patriarchy in our society and rave culture.
Marlene Stark is telling us much more than a great musical story with the symbolic title "Hyäne". Marlene wants to direct our attention to a reviled creature while she reflects on its literary and symbolic meanings. Although hyenas live in a matriarchal society, its transmutation can be perceived as the ongoing struggle of the non-male body in an androcentric world view.
Marlene Starks reinterprets the figure of the hyena in a very poetic, self-ironical and honest way, as shown in the tracks 'Hungry As a Hunter', 'Hyäne' and 'Language Of Old Woman'. It's a neo-ceremonial call to rethink established structures without missing out the turbulent landscape of today's politics.
From early trip-hop to post-rave elements, Stark combines her sonic adventures with an impressively nonchalant and colloquial vocabulary. Her voice, as well as the voice of guest singer Stefanie Mader, achieves a remarkable vocal structure that goes beyond the mainstream.
This is the contemporary body music for the next generation.
Vital Sales Points:
- Debut Album from Marlene Stark
- Releases on Lustpoderosa and forthcoming on Powerstation
- Extensive Global Promo by Sameheads and Musicboard Berlin
- Extended Tour in the Months of January 2021
Details/Cities/Venues:
Release Parties:
Zürich - Kauz
Luzern - Kegelbahn
Lyon - TBA
Berlin - Sameheads
London - TBA
More
1
Tagliabue - A1_Induzione
2
Tagliabue - A2_Estasi
3
Tagliabue - B1_Mistica (Anatolian Weapons Remix)
4
Tagliabue - B2_Ipnotica
5
Tagliabue - B3_Mistica (Original Mix)
Post lockdown does not mean we need to fall back into the same patterns like we did before. This EP contains a
smooth transition to a new reality. ULTRATERRENO is TAGLIABUE`s (@josephtagliabue) newest EP on the Berlin
and Zurich based micro Label Lustpoderosa.
Genre: Cosmic, Ambient, Leftfield, Trance, Electro
TRACKLIST
A1 Tagluabue - Induzione
A2 Tagliabue - Estasi
B1 Tagliabue - Mistica (Anatolian Weapons Remix)
B2 Tagliabue – Ipnotica
B3 Tagliabue – Msitica (Original Mix)
RELEASE INFO
Post lockdown does not mean we need to fall back into the same patterns like we did before. This EP contains a
smooth transition to a new reality. ULTRATERRENO is TAGLIABUE`s (@josephtagliabue) newest EP on the Berlin
and Zurich based micro Label Lustpoderosa.
The celestial sounds from the italian producer Tagliabue is a healing process of well tempered analog
synthesizers. The cure is in the mix of pre dancefoor and ambient tracks inlcuding a slow trancy chug from
well known and apreciated selector @AnatolianWeapons.
Tagliabue is not just inspired by the afro cosmic heritage of Beppe Loda and Daniele Baldelli, but also from
post-folk, rock, prog and kraut infuences of 70’s and early 80’s, passing through New Wave and Synth Pop of
Gaznevada or The Stupid Set and not to forget italians rave culture of the 90s with Franceso Farfa and Marco
Dionigi just to mention a few.
This very intimate EP is a meditative and transcendental journey to another world. Literally More
smooth transition to a new reality. ULTRATERRENO is TAGLIABUE`s (@josephtagliabue) newest EP on the Berlin
and Zurich based micro Label Lustpoderosa.
Genre: Cosmic, Ambient, Leftfield, Trance, Electro
TRACKLIST
A1 Tagluabue - Induzione
A2 Tagliabue - Estasi
B1 Tagliabue - Mistica (Anatolian Weapons Remix)
B2 Tagliabue – Ipnotica
B3 Tagliabue – Msitica (Original Mix)
RELEASE INFO
Post lockdown does not mean we need to fall back into the same patterns like we did before. This EP contains a
smooth transition to a new reality. ULTRATERRENO is TAGLIABUE`s (@josephtagliabue) newest EP on the Berlin
and Zurich based micro Label Lustpoderosa.
The celestial sounds from the italian producer Tagliabue is a healing process of well tempered analog
synthesizers. The cure is in the mix of pre dancefoor and ambient tracks inlcuding a slow trancy chug from
well known and apreciated selector @AnatolianWeapons.
Tagliabue is not just inspired by the afro cosmic heritage of Beppe Loda and Daniele Baldelli, but also from
post-folk, rock, prog and kraut infuences of 70’s and early 80’s, passing through New Wave and Synth Pop of
Gaznevada or The Stupid Set and not to forget italians rave culture of the 90s with Franceso Farfa and Marco
Dionigi just to mention a few.
This very intimate EP is a meditative and transcendental journey to another world. Literally More
1
jack pattern - Nella Notte (Kris Baha Remix)
2
jack pattern - Animal Transformation (Sneaker Remix)
3
jack pattern - Nella Notte (Original)
4
jack pattern - Animal Transformation (Original)
Subliminale Materiale is the 5th installation on Lustpoderosa. Kind of a split EP. The A side with two remixes and two original jams of Jack Pattern on the B side. With this release we want to point out the remixes on the A side. Both done by Lustpoderosas favourite producers and DJs: Sneaker aka Dunkeltier (Uncanny Valley, Rat Life, Frigio) and Kris Baha (Power Station, Pinkman Cocktail D`Amore) . We guess you know and love them as much as we do.
More
Customers who bought this also bought this
1
Hassan Ideddir - Atfalouna
2
Hassan Ideddir - Atfalouna (Instrumental)
3
Hassan Ideddir - Ibini
4
Hassan Ideddir - Ydouchababe
Hassan Ideddir’s 1989 single “Atfalouna” sees an expanded repress courtesy of Dark Entries. Born to Berber parents in Morocco, Ideddir began making music at the age of 10 after being discovered singing in the stairwell by his school’s headmaster. Encouraged by his peers, he began playing concerts, and his status grew. In 1987, he played a string of sold-out concerts in Casablanca, Rabat, and Marrakesh, in support of a children’s charity. The success of these concerts secured him a record deal, and he went to Paris to record his debut single “Atfalouna” in 1988.
Released in 1989 on WEA, “Atfalouna” is a dense slab of multi-genre pop. An opening wash of digital synths and reverberant vocals quickly falls away to a cascade of orchestra hits and pulsing electronic drums; the monotone chant-rap of a female chorus collides with Ideddir’s soaring melismatic vocals, pleading against the injustice and hunger in the world. While Hip-Hop and New Beat borrowed tropes from Arabic music, “Atfalouna” inverts the gesture, resituating orchestra hits and sampling techniques within a Moroccan music framework. A shorter instrumental version follows, which preserves the female vocals. Also included are two tracks not on the original 12”. “Ibina” is a moody, downtempo instrumental that sounds like a cult Italo B-side. The record closes with “Ydouchababe”, an electro number driven by funky guitars, electronic claps, huge horn riff. Here, Ideddir sings of a youth festival honoring Hassan II, former king of Morocco.
All songs were remastered by George Horn. The sleeve is a replica of the original 12” cover art, featuring Ideddir set in a cheeky collage of clocks, columns, and camels. Also included is a postcard with a photo of Hassan, as well as lyrics in both Arabic and English. We will be donating 100% of proceeds from this release to Sphere who provide support to the young queer community across Ukraine and the Palestine Children's Relief Fund who help provide urgent humanitarian care for Gaza's children. More
Released in 1989 on WEA, “Atfalouna” is a dense slab of multi-genre pop. An opening wash of digital synths and reverberant vocals quickly falls away to a cascade of orchestra hits and pulsing electronic drums; the monotone chant-rap of a female chorus collides with Ideddir’s soaring melismatic vocals, pleading against the injustice and hunger in the world. While Hip-Hop and New Beat borrowed tropes from Arabic music, “Atfalouna” inverts the gesture, resituating orchestra hits and sampling techniques within a Moroccan music framework. A shorter instrumental version follows, which preserves the female vocals. Also included are two tracks not on the original 12”. “Ibina” is a moody, downtempo instrumental that sounds like a cult Italo B-side. The record closes with “Ydouchababe”, an electro number driven by funky guitars, electronic claps, huge horn riff. Here, Ideddir sings of a youth festival honoring Hassan II, former king of Morocco.
All songs were remastered by George Horn. The sleeve is a replica of the original 12” cover art, featuring Ideddir set in a cheeky collage of clocks, columns, and camels. Also included is a postcard with a photo of Hassan, as well as lyrics in both Arabic and English. We will be donating 100% of proceeds from this release to Sphere who provide support to the young queer community across Ukraine and the Palestine Children's Relief Fund who help provide urgent humanitarian care for Gaza's children. More
Label:Underground Resistance
Cat-No:UR-027MOT
Release-Date:27.09.2024
Genre:Detroit Techno
Configuration:12"
Label:Underground Resistance
Cat-No:UR-027MOT
Release-Date:27.09.2024
Genre:Detroit Techno
Configuration:12"
1
Scan 7 - Black Moon Rising
2
Scan 7 - Pathway Through Time
3
Scan 7 - Introducing Scan 7
4
Scan 7 - System Work
Repress!
AS THE BLACK MOON RISES THE SIGNAL IS SEEN. ONCE AGAIN REPORTS OF THE UNSEEN ARE STARTING TO EMERGE THIS PRESENCE THAT TRAVELS THRU CAT 7 HIGHWAYS TO SCAN ROUTERS WORLDWIDE COUNTERING THE PROGRAMMERS EFFORTS TO COMMERCIALIZE A FEELING OUR FEELINGS... THIS PRESENCE KNOWN AS SCAN 7 CANNOT BE DEALT WITHIN THE PHYSICAL REALM. LISTEN TO THE FEELING AND JOIN THE FIGHT. THEY CANNOT HAVE THE SOUND OF THE UNDERGROUND! IT BELONGS TO THE PEOPLE OF THE NEW TRIBE! DO NOT ALLOW YOURSELF TO BE PROGRAMMED
KIRK OUT: MAD MIKE
ALL TRACKS PRODUCED AND CONCEIVED BY "TRACKMASTER LOU" & "THE ELOHIM".
MIXED BY V. SHELTON AND MAD MIKE FOR UNDERGROUND RESISTANCE PRODUCTIONS.
ALL TRACKS RECORDED AND MIXED AT BLACK PLANET STUDIOS.
RECORDED ON A TASCAM 4 TRACK. More
AS THE BLACK MOON RISES THE SIGNAL IS SEEN. ONCE AGAIN REPORTS OF THE UNSEEN ARE STARTING TO EMERGE THIS PRESENCE THAT TRAVELS THRU CAT 7 HIGHWAYS TO SCAN ROUTERS WORLDWIDE COUNTERING THE PROGRAMMERS EFFORTS TO COMMERCIALIZE A FEELING OUR FEELINGS... THIS PRESENCE KNOWN AS SCAN 7 CANNOT BE DEALT WITHIN THE PHYSICAL REALM. LISTEN TO THE FEELING AND JOIN THE FIGHT. THEY CANNOT HAVE THE SOUND OF THE UNDERGROUND! IT BELONGS TO THE PEOPLE OF THE NEW TRIBE! DO NOT ALLOW YOURSELF TO BE PROGRAMMED
KIRK OUT: MAD MIKE
ALL TRACKS PRODUCED AND CONCEIVED BY "TRACKMASTER LOU" & "THE ELOHIM".
MIXED BY V. SHELTON AND MAD MIKE FOR UNDERGROUND RESISTANCE PRODUCTIONS.
ALL TRACKS RECORDED AND MIXED AT BLACK PLANET STUDIOS.
RECORDED ON A TASCAM 4 TRACK. More
1
Mike Huckaby - Sandcastle (The Culture Box re-edit)
2
Mike Huckaby - Flashbacks From The M1" (with Roland King - The Ferox Treatment)
REPRESS!
Hot off the heels of Bassline 88-89, Mike Huckaby returns on SYNTH with a reissue of two of his most sought after productions- "Flashbacks" from M3 Records (1997), and his very own remix of Precession "Sandcastle," taken from the Adventures Of Techno Soul LP on Ferox Records (1996). The wait is now over! More
Hot off the heels of Bassline 88-89, Mike Huckaby returns on SYNTH with a reissue of two of his most sought after productions- "Flashbacks" from M3 Records (1997), and his very own remix of Precession "Sandcastle," taken from the Adventures Of Techno Soul LP on Ferox Records (1996). The wait is now over! More
1
Mariah - Sokokara
2
Mariah - Shisen
3
Mariah - Hana Ga Saitara
4
Mariah - Fujiyu Na Nezumi
5
Mariah - Sora Ni Mau Maboroshi
6
Mariah - Shinzo No Tobira
7
Mariah - Shonen
Repress!
* A legendary yet long lost crown jewel from the early 80s Japanese Electronic and Jazz Rock scene
* new powerful master, much appreciated by the artist
* 2LP in UV-glossy laminated gatefold sleeve with OBI
* includes A1 Poster 60x60cm and lyric sheet
* vinyl comes in Japanese Katta innersleeves
Mariah was a Japanese outfit in the field of art pop, way back in the very late 70s and early 80s with 5 albums up their score from 1980 to 1983. The album from 1979 entitled as “Mariah” was actually made before the band Mariah was formed, and was released as a solo album by Yasuaki Shimizu. The album at hand is the fifth and for the time being last album in this row, released as a double vinyl back in 1983. Original copies, that are at least in very good condition, are hard to find. The brand new reissue on Everland, unlike the original and the first vinyl reissue from 2015, comes housed in a thick and artfully designed gatefold sleeve with OBI, which finally does justice to the progressive spirit of the music you will find here.
The musical basement of Utakata No Hibi is a fusion of dreamy synthesizer pop and haunting new wave music, that could be found all around the globe back in 1983. In the vein of TEARS FOR FEARS or more adventurous DAVID BOWIE stuff, with a touch of KRAFTWERK or even BRIAN ENO here and there, but all this gets spiced up with an atmosphere of Japanese traditionalism, with a few bits and pieces from the old music from this Far East island, which sounds so magic to us Westeners. The progressive, wacky art pop of this project was led by the popular Japanese composer and musician Yasuaki Shimizu, a relentlessly exploratory saxophonist who even dared to rework Johann Sebastian Bach’s cello suites for saxophone.
As brilliant as this man is, the music on „Utakata No Hibi“ turns out to be. And the master himself approved and much appreciated the brandnew remastering of this album by assisting a highly professional team of sound engineers who dusted off the ancient tape reels. For certain the record sounds and feels 80s through and through, electronic to the very rhythmical bone of each song sugar coated with catchy melodies that resemble Japanese classic and Enka music, which is a kind of folksy pop music. The listener gets directly drawn into a feverish dream of steaming Far Eastern cities and their darkest and most depraved corners where you find everything cheap in sleazy bars and unlighted backyards and alleys. The next moment he strolls through a beautiful Japanese park surrounded by a sea of blossoms. This change in mood and style you will experience in the sparsely instrumented tune „Shisen“, which indeed comes closest to classic Japanese folk tunes without any too catchy and pop oriented melodies. But we certainly find these harmonies allover the album. Some tunes even feel like ancient BEACH BOYS compositions and Brian Wilson creations played by a then contemporary electronic pop act and sung in Japanese.
An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes.
Yasuaki Shimizu did what he wanted with MARIAH, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to. More
* A legendary yet long lost crown jewel from the early 80s Japanese Electronic and Jazz Rock scene
* new powerful master, much appreciated by the artist
* 2LP in UV-glossy laminated gatefold sleeve with OBI
* includes A1 Poster 60x60cm and lyric sheet
* vinyl comes in Japanese Katta innersleeves
Mariah was a Japanese outfit in the field of art pop, way back in the very late 70s and early 80s with 5 albums up their score from 1980 to 1983. The album from 1979 entitled as “Mariah” was actually made before the band Mariah was formed, and was released as a solo album by Yasuaki Shimizu. The album at hand is the fifth and for the time being last album in this row, released as a double vinyl back in 1983. Original copies, that are at least in very good condition, are hard to find. The brand new reissue on Everland, unlike the original and the first vinyl reissue from 2015, comes housed in a thick and artfully designed gatefold sleeve with OBI, which finally does justice to the progressive spirit of the music you will find here.
The musical basement of Utakata No Hibi is a fusion of dreamy synthesizer pop and haunting new wave music, that could be found all around the globe back in 1983. In the vein of TEARS FOR FEARS or more adventurous DAVID BOWIE stuff, with a touch of KRAFTWERK or even BRIAN ENO here and there, but all this gets spiced up with an atmosphere of Japanese traditionalism, with a few bits and pieces from the old music from this Far East island, which sounds so magic to us Westeners. The progressive, wacky art pop of this project was led by the popular Japanese composer and musician Yasuaki Shimizu, a relentlessly exploratory saxophonist who even dared to rework Johann Sebastian Bach’s cello suites for saxophone.
As brilliant as this man is, the music on „Utakata No Hibi“ turns out to be. And the master himself approved and much appreciated the brandnew remastering of this album by assisting a highly professional team of sound engineers who dusted off the ancient tape reels. For certain the record sounds and feels 80s through and through, electronic to the very rhythmical bone of each song sugar coated with catchy melodies that resemble Japanese classic and Enka music, which is a kind of folksy pop music. The listener gets directly drawn into a feverish dream of steaming Far Eastern cities and their darkest and most depraved corners where you find everything cheap in sleazy bars and unlighted backyards and alleys. The next moment he strolls through a beautiful Japanese park surrounded by a sea of blossoms. This change in mood and style you will experience in the sparsely instrumented tune „Shisen“, which indeed comes closest to classic Japanese folk tunes without any too catchy and pop oriented melodies. But we certainly find these harmonies allover the album. Some tunes even feel like ancient BEACH BOYS compositions and Brian Wilson creations played by a then contemporary electronic pop act and sung in Japanese.
An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes.
Yasuaki Shimizu did what he wanted with MARIAH, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to. More
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Deadbeat x Om Unit - Root
2
Deadbeat x Om Unit - Stalk
3
Deadbeat x Om Unit - Leaf
4
Deadbeat x Om Unit - Bloom
Repress!
Deadbeat and Om Unit combine forces to explore their shared love of dubbed-out electronics.
Starting a thread from Montreal to Bristol, this mini LP is rooted in the tradition of dub and techno, but with tinges of roots and acid as well as the etheric ambience they are both known for.
Root, Stalk, Leaf and Bloom is contemplative but heartfelt, with a sense of momentum and positive purpose.
Written and produced by Scott Monteith and J.Coles
Artwork by EPOD
Layout by Graeme "Gramrcy" Bateman
Mastered by Cristobal Urbina
Cut by Simon from The Exchange
(P) & (C) Midnight Shift Records c/o The Singapore Music Cabinet 2021 More
Deadbeat and Om Unit combine forces to explore their shared love of dubbed-out electronics.
Starting a thread from Montreal to Bristol, this mini LP is rooted in the tradition of dub and techno, but with tinges of roots and acid as well as the etheric ambience they are both known for.
Root, Stalk, Leaf and Bloom is contemplative but heartfelt, with a sense of momentum and positive purpose.
Written and produced by Scott Monteith and J.Coles
Artwork by EPOD
Layout by Graeme "Gramrcy" Bateman
Mastered by Cristobal Urbina
Cut by Simon from The Exchange
(P) & (C) Midnight Shift Records c/o The Singapore Music Cabinet 2021 More
Repress!
Soundcloudlink: https://soundcloud.com/dkr-nyc/sets/dkr-276-va-jah-children-invasion-vol-6-digital-dawn-lp-wackies
Tracklist:
A1. HORACE ANDY - DROP OFF
A2. WAYNE CHIN - WON'T DO FOR LOVE
A3. MILTON HENRY - MAKE IT RIGHT
A4. JERRY HARRIS - A LITTLE LOVE WE NEED
A5 . CHRIS WAYNE - STREETS OF AFRICA
B1. HORACE ANDY - DUB OUT A SOUND
B2 . JACKIE MITTOO - SORROWFUL
B3 . CHRIS WAYNE - WILD GOOSE RACE
B4 . CHOSEN BROTHERS - MAJORITY RULE
B5. MILTON HENRY - NOW YOU SEE THE SCENE
10 song LP in 2-sided hand silkscreened jacket; blue or green print.
Three tracks previously unreleased.
New compilation and long overdue next entry in the long running 'Jah Children Invasion' compilation series! This volume focuses on Wackies' foray into digital reggae, with a killer selection of tracks from the late '80s and early '90s. There are three previously unreleased tunes alongside seven others culled from prior rare and long out of print releases. In DKR style this comes in a 2 sided hand silkscreened jacket. More
Soundcloudlink: https://soundcloud.com/dkr-nyc/sets/dkr-276-va-jah-children-invasion-vol-6-digital-dawn-lp-wackies
Tracklist:
A1. HORACE ANDY - DROP OFF
A2. WAYNE CHIN - WON'T DO FOR LOVE
A3. MILTON HENRY - MAKE IT RIGHT
A4. JERRY HARRIS - A LITTLE LOVE WE NEED
A5 . CHRIS WAYNE - STREETS OF AFRICA
B1. HORACE ANDY - DUB OUT A SOUND
B2 . JACKIE MITTOO - SORROWFUL
B3 . CHRIS WAYNE - WILD GOOSE RACE
B4 . CHOSEN BROTHERS - MAJORITY RULE
B5. MILTON HENRY - NOW YOU SEE THE SCENE
10 song LP in 2-sided hand silkscreened jacket; blue or green print.
Three tracks previously unreleased.
New compilation and long overdue next entry in the long running 'Jah Children Invasion' compilation series! This volume focuses on Wackies' foray into digital reggae, with a killer selection of tracks from the late '80s and early '90s. There are three previously unreleased tunes alongside seven others culled from prior rare and long out of print releases. In DKR style this comes in a 2 sided hand silkscreened jacket. More
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von schommer - untitled 1
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von schommer - untitled 2
3
von schommer - untitled 3
4
von schommer - untitled 4
5
von schommer - untitled 5
6
von schommer - untitled 6
7
von schommer - untitled 7
8
von schommer - untitled 8
9
von schommer - untitled 9
10
von schommer - untitled 10
11
von schommer - untitled 11
White Vinyl!
During the early days of Deepchord Records, Detroit's transient and forgotten subculture musically inspired label founders Mike Schommer and Rod Modell in significant ways. The apex of Mike's creative fixation with the city was in 2001 when he recorded the Von Schommer album dc15. To capture the nature of the environment he found so fascinating, Schommer recorded the project at the Crown Motel in Detroit, Michigan. While overlooking the transient life displayed in the motel courtyard, Mike crafted lonely tones from his modular synthesizer and mixed them with his rudimentary DIY electronics. Still, most significantly, he allowed the music to become impregnated by the environment (much like the stains in the permanently soiled carpets of the motel room floor), creating a holistic experience that remains close to his heart almost 25 years later. Initially available as a limited edition preorder cdr to the Hypereal 313 maillist, the album has been remastered and is now available on color vinyl for the first time.
Original photography and treatments on tracks untitled 4 and untitled 10 by Rod Modell. More
During the early days of Deepchord Records, Detroit's transient and forgotten subculture musically inspired label founders Mike Schommer and Rod Modell in significant ways. The apex of Mike's creative fixation with the city was in 2001 when he recorded the Von Schommer album dc15. To capture the nature of the environment he found so fascinating, Schommer recorded the project at the Crown Motel in Detroit, Michigan. While overlooking the transient life displayed in the motel courtyard, Mike crafted lonely tones from his modular synthesizer and mixed them with his rudimentary DIY electronics. Still, most significantly, he allowed the music to become impregnated by the environment (much like the stains in the permanently soiled carpets of the motel room floor), creating a holistic experience that remains close to his heart almost 25 years later. Initially available as a limited edition preorder cdr to the Hypereal 313 maillist, the album has been remastered and is now available on color vinyl for the first time.
Original photography and treatments on tracks untitled 4 and untitled 10 by Rod Modell. More
1
Tagliabue - Seconda Natura
2
Grischerr - Wreak Havoc
3
Frank Rodas - Ice Nine
4
Saeko Killy - Parallel Panorama
5
Xei Ju - Britva
6
Federico Cassetta - Casilina
7
7697 Miles - Kuy Kuy
8
Garnu Depot - The Root
“Only those who will risk going too far can possibly find out how far one can go.” a sage modernist poet previously whispered. And here we go, far out and yet so near, the third edition of “Risks Issues Opportunities” brings frontier reverberations scratching at the edges of dance, pop, downbeat, and other trance- portive sectors. Eight fast/slow propelling tracks. Adventurous, full of grandeur, gratifying the dance floor while equally winning the relaxation zones. Pure emotions crafted by newcomers. There is Milan’s Tagliabue, trancing slow and insightful. Or Cologne’s Grischerr, eloquently Tolouse-Low-Traxing. Some go down the slow burning road, where rhythms hang low, and suspense is in full show. Like London’s Frank Rodas, Garnu Depot from Iran, or Xei Ju from the islands of Micronesia, striking all ears with ghostly transcendental percussive science. An autumnally global voyage, which likewise offers industrialized districts by Italian producer Federico Cassetta, Metropolis minimal wave pop by Japanese musician Saeko Killy, or odd swamp funk by Chilean/German duo 7697 Miles. They all show, how far you can go, without losing your distinct flow.
More
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Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
2LP
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More
1
Ray And His Court - La Señorita Lola
2
Ray And His Court - Lo Sabia
3
Ray And His Court - Venimos Acabando
4
Ray And His Court - El Alacran
5
Ray And His Court - La Pena Pa'Goza
6
Ray And His Court - Cookie Crumbs
7
Ray And His Court - De Eso Nada Monada
8
Ray And His Court - Sunny
9
Ray And His Court - Soul Freedom
Latin funk at its finest. A kingpin player of Miami’s Cuban music scene, Ray Fernandez, brought together his ‘court’ for this sensational Afro-Cuban funk triumph. Largely a family affair, the album features his wife, two sons and a range of other talented musicians including Rickey Washington on saxophone, father of the contemporary jazz maestro Kamasi Washington. Originally released in 1973 on Manuel J. Mato’s iconic and collectible Sound Triangle Records, Ray & His Court is a dose of Miami heat fuelled by a Cuban fire, taking in salsa, soul, funk, calypso and Afro-Cuban rhythms.
A kaleidoscopic album that draws influence from a range of different genres and scenes blended together in true Ray Fernandez style. Side A, showcases an array of traditional Latin workouts including the addictive enticing opener 'La Señorita Lola' and the pulsating 'Lo Sabia' with its punchy horns and Ray’s wonderful, quirky bubbling organ groove. The tantalising ‘Venimos Acabando’ and bouncing organ stabs of ‘El Alacran’ are two further tickets to get a dancefloor vibing.
The B-side then steps things up, slipping a hit of heavy-weight Miami funk into the mix. Take the DJ favourite ‘Cookie Crumbs’ with its fiery bassline, tripped-out voiceovers and breakbeat drums. Or the amazing, memorable and truly unique funk instrumental ‘Soul Freedom’ with some mighty fine bass clarinet work courtesy of Gary Gottfried. Also featured is a seductive organ-led Cuban funk rework of Bobby Hebb's 'Sunny' (are there any bad versions of this song?), with a sumptuous female vocal that combine to serve up a seductive take us this much-loved classic.
'Ray And His Court' is a brilliant blend of Afro-Cuban gems and Miami funk heat from an influential group on Miami’s Latin music scene. A majestic and magnetic classic where every track is a surefire winner.
Housed in a tip-on sleeve. More
A kaleidoscopic album that draws influence from a range of different genres and scenes blended together in true Ray Fernandez style. Side A, showcases an array of traditional Latin workouts including the addictive enticing opener 'La Señorita Lola' and the pulsating 'Lo Sabia' with its punchy horns and Ray’s wonderful, quirky bubbling organ groove. The tantalising ‘Venimos Acabando’ and bouncing organ stabs of ‘El Alacran’ are two further tickets to get a dancefloor vibing.
The B-side then steps things up, slipping a hit of heavy-weight Miami funk into the mix. Take the DJ favourite ‘Cookie Crumbs’ with its fiery bassline, tripped-out voiceovers and breakbeat drums. Or the amazing, memorable and truly unique funk instrumental ‘Soul Freedom’ with some mighty fine bass clarinet work courtesy of Gary Gottfried. Also featured is a seductive organ-led Cuban funk rework of Bobby Hebb's 'Sunny' (are there any bad versions of this song?), with a sumptuous female vocal that combine to serve up a seductive take us this much-loved classic.
'Ray And His Court' is a brilliant blend of Afro-Cuban gems and Miami funk heat from an influential group on Miami’s Latin music scene. A majestic and magnetic classic where every track is a surefire winner.
Housed in a tip-on sleeve. More
1
Dora Morelenbaum - Não Vou Te Esquecer
2
Dora Morelenbaum - Venha Comigo
3
Dora Morelenbaum - Sim, Não.
4
Dora Morelenbaum - Essa Confusão
5
Dora Morelenbaum - A Melhor Saída
6
Dora Morelenbaum - Caco
7
Dora Morelenbaum - VW Blue
8
Dora Morelenbaum - Petricor
9
Dora Morelenbaum - Pique
10
Dora Morelenbaum - Talvez (As Canções)
11
Dora Morelenbaum - Nem Te Procurar
Preview: https://www.youtube.com/watch?v=-dg9UH9j2fo
Pique is the sensational debut solo album from Dora Morelenbaum, one of the key talents spearheading Brazil’s new musical wave. A member of the Latin Grammy award-winning band, Bala Desejo, Dora showcases a new side to her solo productions on this special LP. Whereas Dora’s first solo EP, Vento de Beirada, was a leap of faith, Pique sees her soaring as one of Brazil’s standout stars, emboldened, emphatic but ever elegant. Building bridges between past and present, it’s a funkier, more groove-based affair, weaved together with those signature, slower, celestial tracks. Touching on disco, MPB, soul, R&B and jazz, the album is enriched with an indie pop aesthetic courtesy of fellow Brazilian star and co-producer, Ana Frango Elétrico.
With an ethereal, enveloping air few can match, Dora’s gift shines through both the serene and the spirited songs contained within. The blissful, sun-soaked ‘Não Vou Te Esquecer’ opens, before the funk-fuelled, feel-good ‘Venha Comigo’ and ‘Sim, Não.’ give a glimpse of the creativity bursting from the production partnership between Dora and Ana Frango Elétrico. Elsewhere, the album reclines into hazy lean-back realms via ‘A Melhor Saída’ and ‘Petricor’, virtuoso jazz funk in the form of ‘VW Blue’ and radiant MPB through the album’s title track ‘Pique’.
The drumming is tight, fresh and swung, the horns and strings deftly arranged, as funk-driven basslines and strutting guitars mesh with playful production touches that give an added vibrancy to the record. It is an album that exhibits every side of Dora and one she has been involved in from the ground up, from the songwriting, singing, arrangement and production to booking the studio time and sourcing the artwork designer, Maria Cau Levy.
An exchange of musical ideas powers every great scene and Rio’s contemporary landscape is no different - a family of interconnected musicians and friends that collaborate on each other’s productions. Pique is graced by a wealth of these leading Brazilian lights including her Bala Desejo bandmates Lucas Nunes, Julia Mestre and Zé Ibarra, as well as Guilherme Lirio, Alberto Continentino and Tom Veloso to name just a handful. This exchange crosses generations merging tradition with modernity. In a full circle moment, Dora’s parents Paula and Jaques Morelenbaum, who featured in countless recordings from Tom Jobim's Nova Banda and Ryuichi Sakamoto to Gal Costa and Gilberto Gil, join on the album through backing vocals and arrangement.
As Dora explains, “Pique was an album made in motion and ended up being about just that. From the beginning, it was an album that sought to build new textures that are part of the sound landscape I envision ahead. And from these colours and textures, it builds bridges between a more traditional universe, sonically and poetically speaking, and a new perspective on songs.”
Pique sees Dora embrace a freedom through fresh forms, showcasing the depth and diversity of her creative artistry. An infinitely listenable release that nods to Brazilian greats like Gal Costa, Banda Black Rio and Lincoln Olivetti, fused with the indie pop edge of Ana’s production. The result is truly unique and sure to be a future Brazilian classic. More
Pique is the sensational debut solo album from Dora Morelenbaum, one of the key talents spearheading Brazil’s new musical wave. A member of the Latin Grammy award-winning band, Bala Desejo, Dora showcases a new side to her solo productions on this special LP. Whereas Dora’s first solo EP, Vento de Beirada, was a leap of faith, Pique sees her soaring as one of Brazil’s standout stars, emboldened, emphatic but ever elegant. Building bridges between past and present, it’s a funkier, more groove-based affair, weaved together with those signature, slower, celestial tracks. Touching on disco, MPB, soul, R&B and jazz, the album is enriched with an indie pop aesthetic courtesy of fellow Brazilian star and co-producer, Ana Frango Elétrico.
With an ethereal, enveloping air few can match, Dora’s gift shines through both the serene and the spirited songs contained within. The blissful, sun-soaked ‘Não Vou Te Esquecer’ opens, before the funk-fuelled, feel-good ‘Venha Comigo’ and ‘Sim, Não.’ give a glimpse of the creativity bursting from the production partnership between Dora and Ana Frango Elétrico. Elsewhere, the album reclines into hazy lean-back realms via ‘A Melhor Saída’ and ‘Petricor’, virtuoso jazz funk in the form of ‘VW Blue’ and radiant MPB through the album’s title track ‘Pique’.
The drumming is tight, fresh and swung, the horns and strings deftly arranged, as funk-driven basslines and strutting guitars mesh with playful production touches that give an added vibrancy to the record. It is an album that exhibits every side of Dora and one she has been involved in from the ground up, from the songwriting, singing, arrangement and production to booking the studio time and sourcing the artwork designer, Maria Cau Levy.
An exchange of musical ideas powers every great scene and Rio’s contemporary landscape is no different - a family of interconnected musicians and friends that collaborate on each other’s productions. Pique is graced by a wealth of these leading Brazilian lights including her Bala Desejo bandmates Lucas Nunes, Julia Mestre and Zé Ibarra, as well as Guilherme Lirio, Alberto Continentino and Tom Veloso to name just a handful. This exchange crosses generations merging tradition with modernity. In a full circle moment, Dora’s parents Paula and Jaques Morelenbaum, who featured in countless recordings from Tom Jobim's Nova Banda and Ryuichi Sakamoto to Gal Costa and Gilberto Gil, join on the album through backing vocals and arrangement.
As Dora explains, “Pique was an album made in motion and ended up being about just that. From the beginning, it was an album that sought to build new textures that are part of the sound landscape I envision ahead. And from these colours and textures, it builds bridges between a more traditional universe, sonically and poetically speaking, and a new perspective on songs.”
Pique sees Dora embrace a freedom through fresh forms, showcasing the depth and diversity of her creative artistry. An infinitely listenable release that nods to Brazilian greats like Gal Costa, Banda Black Rio and Lincoln Olivetti, fused with the indie pop edge of Ana’s production. The result is truly unique and sure to be a future Brazilian classic. More
LP: Gatefold Jacket, Picture Disc, Poster, Marketing Sticker
About:
After dominating 2023 with two joint albums from two of hip-hop’s biggest producers in The Alchemist (The Great Escape) & Cardo (The Night Shift), Larry June is back with his first full length offering of 2024, Doing It For Me. Going back to his roots of what made him the type of man he is today and the formula that initially brought him success, the album contains no features and focuses on Larry doing things his way, for himself. From enlightening listeners on how to move like a boss and live a healthy lifestyle, to flashing what his hard work has brought, fans are sure to be able to soak up some game on how to improve their own situations. The 15-track album features production from Jake One, DJ Khalil, Harry Fraud, Cardo, Cookin’ Soul, Teeko & more. Singles include "Imported Couches," "Meet Me In Napa," "Dreams," & "Like A Mack." If there’s one thing we know about Uncle Larry thus far, it’s consistency. Listen to Doing It For Me and prepare to watch your habits improve. Picture Disc vinyl, housed in a gatefold jacket, and includes a 12x12 Insert and obi strip.
Key Marketing/Selling:
Larry June is a heavy physical mover
Previously released albums, The Great Escape, The Night Shift, Spaceships on the Blade, & Orange Print, have all performed well physically
1xLP Picture Disc vinyl, housed in gatefold jacket, includes obi strip and 12x12 insert
Larry June recently went on sold out nationwide tour, and is expected to tour in support of this release
Bike ride activation in SF planned on album release
Merch line to be released alongside album release
Extensive OOH/Digital campaign
Multiple music videos released with more to come
Album contains no features, only raps from Uncle Larry
Production includes notable producers such as Jake One, DJ Khalil, Harry Fraud, Cardo, Cookin’ Soul, Teeko & more
Previously released singles have all performed well across DSPs
Imported Couches - 5.5M+ streams
Meet Me In Napa - 6M streams
Dreams - 3.7M+ streams
Tracklist:
A1/1. From Uncle Herm, Pt. 5
A2/2. Magnum P.I.
A3/3. Morning Calculations
A4/4. A Little While
A5/5. Stinson Beach
A6/6. Real Talk, Pt. 2
A7/7. Three Piece
A8/8. Where I'm Going
B1/9. Meet Me in Napa
B2/10. Breakfast in Gold Coast
B3/11. Imported Couches
B4/12. Cleaning My Spot (Interlude)
B5/13. Like a Mack
B6/14. Dreams
B7/15. Money Bag
Socials:
Twitter: 230k followers
IG: 821k followers
FB: 74k followers
YT: 323k subs / 385M views More
About:
After dominating 2023 with two joint albums from two of hip-hop’s biggest producers in The Alchemist (The Great Escape) & Cardo (The Night Shift), Larry June is back with his first full length offering of 2024, Doing It For Me. Going back to his roots of what made him the type of man he is today and the formula that initially brought him success, the album contains no features and focuses on Larry doing things his way, for himself. From enlightening listeners on how to move like a boss and live a healthy lifestyle, to flashing what his hard work has brought, fans are sure to be able to soak up some game on how to improve their own situations. The 15-track album features production from Jake One, DJ Khalil, Harry Fraud, Cardo, Cookin’ Soul, Teeko & more. Singles include "Imported Couches," "Meet Me In Napa," "Dreams," & "Like A Mack." If there’s one thing we know about Uncle Larry thus far, it’s consistency. Listen to Doing It For Me and prepare to watch your habits improve. Picture Disc vinyl, housed in a gatefold jacket, and includes a 12x12 Insert and obi strip.
Key Marketing/Selling:
Larry June is a heavy physical mover
Previously released albums, The Great Escape, The Night Shift, Spaceships on the Blade, & Orange Print, have all performed well physically
1xLP Picture Disc vinyl, housed in gatefold jacket, includes obi strip and 12x12 insert
Larry June recently went on sold out nationwide tour, and is expected to tour in support of this release
Bike ride activation in SF planned on album release
Merch line to be released alongside album release
Extensive OOH/Digital campaign
Multiple music videos released with more to come
Album contains no features, only raps from Uncle Larry
Production includes notable producers such as Jake One, DJ Khalil, Harry Fraud, Cardo, Cookin’ Soul, Teeko & more
Previously released singles have all performed well across DSPs
Imported Couches - 5.5M+ streams
Meet Me In Napa - 6M streams
Dreams - 3.7M+ streams
Tracklist:
A1/1. From Uncle Herm, Pt. 5
A2/2. Magnum P.I.
A3/3. Morning Calculations
A4/4. A Little While
A5/5. Stinson Beach
A6/6. Real Talk, Pt. 2
A7/7. Three Piece
A8/8. Where I'm Going
B1/9. Meet Me in Napa
B2/10. Breakfast in Gold Coast
B3/11. Imported Couches
B4/12. Cleaning My Spot (Interlude)
B5/13. Like a Mack
B6/14. Dreams
B7/15. Money Bag
Socials:
Twitter: 230k followers
IG: 821k followers
FB: 74k followers
YT: 323k subs / 385M views More