1
Harold Matthews Jr - This Place (Glenn Underground Remix)
2
Sean McCabe & Black Sonix - Modulate
3
Madeeha, Sean McCabe & DJ Mixjah - Still Standing Here (Sean McCabe Remix)
4
David Bailey & MissFly - You Don't Know (Underground Project Mix)
DJ Support: Louie Vega, Ralf Gum, Jihad Muhammad, Zepherin Saint, Mr. V, Doug Gomez DjPope, DJ Beloved & Brutha Basil to name a few.
Sean McCabe’s Good Vibrations Music label opens the vault doors for a peek inside some of its closely guarded & much-loved releases courtesy of this special limited edition 12 inch. Featuring 4 new to vinyl releases & including a raft of luminary names from across the soulful spectrum this is sure to be a be a hot fave with long standing fans of the label.
Glenn Underground’s Jazz-Funk fuelled rework of 'This Place' kicks things off and needs no introduction… heavily supported & much loved through the soulful circles & beyond with the likes of Louie Vega, Dave Lee, Jimpster, Jamie 3:26 & Fred Everything (to name a few!) all loudly banging the drum – people have been clamouring for this to be on vinyl. You spoke, we listened!
Up next is 'Modulate', a collaborative force of the highest order between Sean & long-time friend Black Sonix. Expertly fuzzying the lines across Deep, Soulful & House is somewhat of a speciality for the duo respectively and there’s bags of all 3 intertwined throughout alongside a hefty sprinkling of sun-kissed, Latino-inspired pianos.
'Still Standing Here' kicks things off on the B-side and begin in March 2022 as vocalist Madeeha recorded an accapella vocal idea in a phone voice message, quietly singing into her phone to avoid waking the neighbours. She sent the idea to drum & bass producer from Bristol, DJ Mixjah, who then approached friend Sean McCabe with the idea. Together they produced a hypnotic afro-tinged soulful backing track to fit with the voice message, with an intention to re-record it in a studio environment. Sean and Mixjah soon realised that the music they had created blended perfectly with the sincerity, intimacy & rawness of Madeeha's heartfelt performance in the original voice message and decided to stick with it. A firm fave for Atjazz, Crackazat , DJ Spen & Emmaculate.
Wrapping things up is 'You Don’t Know', a slick & energetic dancefloor bubbler from London based producer/DJ ‘David Bailey’ and Canadian soulful songstress ‘MissFly’. David Bailey is a firm favourite amongst the London house music community. He’s produced standout releases on labels such as Idris Elba's 7wallace, Makin Moves, Good Vibrations Music, Rhemi Music & Unquantize. MissFly is known for her soulful serenades and ability to write songs 'on the fly' in the studio. She has carved out an impressive discography on soulful house nuggets such as '1972,' 'Wanna Love You' and 'Thankful' More
Sean McCabe’s Good Vibrations Music label opens the vault doors for a peek inside some of its closely guarded & much-loved releases courtesy of this special limited edition 12 inch. Featuring 4 new to vinyl releases & including a raft of luminary names from across the soulful spectrum this is sure to be a be a hot fave with long standing fans of the label.
Glenn Underground’s Jazz-Funk fuelled rework of 'This Place' kicks things off and needs no introduction… heavily supported & much loved through the soulful circles & beyond with the likes of Louie Vega, Dave Lee, Jimpster, Jamie 3:26 & Fred Everything (to name a few!) all loudly banging the drum – people have been clamouring for this to be on vinyl. You spoke, we listened!
Up next is 'Modulate', a collaborative force of the highest order between Sean & long-time friend Black Sonix. Expertly fuzzying the lines across Deep, Soulful & House is somewhat of a speciality for the duo respectively and there’s bags of all 3 intertwined throughout alongside a hefty sprinkling of sun-kissed, Latino-inspired pianos.
'Still Standing Here' kicks things off on the B-side and begin in March 2022 as vocalist Madeeha recorded an accapella vocal idea in a phone voice message, quietly singing into her phone to avoid waking the neighbours. She sent the idea to drum & bass producer from Bristol, DJ Mixjah, who then approached friend Sean McCabe with the idea. Together they produced a hypnotic afro-tinged soulful backing track to fit with the voice message, with an intention to re-record it in a studio environment. Sean and Mixjah soon realised that the music they had created blended perfectly with the sincerity, intimacy & rawness of Madeeha's heartfelt performance in the original voice message and decided to stick with it. A firm fave for Atjazz, Crackazat , DJ Spen & Emmaculate.
Wrapping things up is 'You Don’t Know', a slick & energetic dancefloor bubbler from London based producer/DJ ‘David Bailey’ and Canadian soulful songstress ‘MissFly’. David Bailey is a firm favourite amongst the London house music community. He’s produced standout releases on labels such as Idris Elba's 7wallace, Makin Moves, Good Vibrations Music, Rhemi Music & Unquantize. MissFly is known for her soulful serenades and ability to write songs 'on the fly' in the studio. She has carved out an impressive discography on soulful house nuggets such as '1972,' 'Wanna Love You' and 'Thankful' More
More records from Good Vibrations Music
1
Harold Matthews Jr & Black Sonix - Deep Into My Sleep
2
Harold Matthews Jr & DJ Fill - Put Your Hands Together (Sean's Retro Jackin Mix)
3
Harold Matthews Jr & Sean McCabe - Into You (Feat. Dawn Williams)
4
Harold Matthews Jr & DJ Fill - Pause (Feat. Syl Messi)
5
Harold Matthews Jr feat. Nickel Slick - Peripheral Vision
Good Vibrations Music dives straight into 2022 with a bang courtesy of ‘Harold Matthew Jr’ (aka Big Ed) with his long player project; "Peripheral Vision".
Chicago-based Harold wrote his first releases in the early 90’s with artists like Ron Trent, Terry Hunter, Maurice Joshua and Ron Carroll with songs such as "Ritual Of Love" and Barbara Tucker’s "I Get Lifted". Throughout the late 90’s he was well known for his songs under his ‘Blak Beat Niks’ alias with production partner K. Fingers on PAN Records, Large Music and his own label Melodious Fonk with "The Sun Will Shine". The 2000’s saw him move on to further projects with the likes of Slip N Slide, Mark Knight, Peppermint Jam, Glenn Underground, Makin’ Moves and Sean McCabe.
Moving into the next chapter, "Peripheral Vision" is a genre-spanning journey, drawing influences from a multitude of angles and providing a true reflection of Harold’s passion for song writing and spoken word, with a host of guest producers and vocalists.
"Deep Into My Sleep" opens the release and brings Cardiff’s ‘Black Sonix’ to the party and Harold’s sublime vocals provide the narrative to the afro tinged beats. It’s got soulful undertones a plenty with warm rushes of BVs and percussive rhythms to keep feet dancing way into the late night hour.
"Put Your Hands Together" gets serious on the dancefloor with driving beats and an explosion of synth flicks, hits and stabs. It’s Sean’s subtle nod to the Trax era, suggested by Harold, and set to become a firm fave with those that like their groove a little more analogue.
Effortlessly moving through the soulful gears, Harold and Sean McCabe’s "Into You" brings guest vocalist Dawn Williams onboard for a lazy, hypnotic and sumptuous slice of house. Set amongst an uplifting backdrop of smooth chords and lushed out riffs, the vocalists playfully bounce off each other asking questions and telling answers whilst keeping all elements sat firmly in the sweet spot.
Another Cardiff-based producer ‘DJ Fill’ shifts up the groove with "Pause". Still oozing the soul but with a more Hip Hop-meet-Broken Beat vibe and peppered with smooth Rhodes, niggly electronic arps and a bassline that ain’t letting you go. Harold and Syl Messi go head to head with the lyrics, bringing together a smooth and edgy vocal balance for something truly special and unique.
Proving that all good things must come to an end, the title track "Peripheral Vision" closes things out featuring guest raps and production from Chicago’s own ‘Nickel Slick’ on their mission to rebuild and re-educate through the power of lyrics. It’s a heartfelt track with a strong and relevant message for today’s testing times. More
Chicago-based Harold wrote his first releases in the early 90’s with artists like Ron Trent, Terry Hunter, Maurice Joshua and Ron Carroll with songs such as "Ritual Of Love" and Barbara Tucker’s "I Get Lifted". Throughout the late 90’s he was well known for his songs under his ‘Blak Beat Niks’ alias with production partner K. Fingers on PAN Records, Large Music and his own label Melodious Fonk with "The Sun Will Shine". The 2000’s saw him move on to further projects with the likes of Slip N Slide, Mark Knight, Peppermint Jam, Glenn Underground, Makin’ Moves and Sean McCabe.
Moving into the next chapter, "Peripheral Vision" is a genre-spanning journey, drawing influences from a multitude of angles and providing a true reflection of Harold’s passion for song writing and spoken word, with a host of guest producers and vocalists.
"Deep Into My Sleep" opens the release and brings Cardiff’s ‘Black Sonix’ to the party and Harold’s sublime vocals provide the narrative to the afro tinged beats. It’s got soulful undertones a plenty with warm rushes of BVs and percussive rhythms to keep feet dancing way into the late night hour.
"Put Your Hands Together" gets serious on the dancefloor with driving beats and an explosion of synth flicks, hits and stabs. It’s Sean’s subtle nod to the Trax era, suggested by Harold, and set to become a firm fave with those that like their groove a little more analogue.
Effortlessly moving through the soulful gears, Harold and Sean McCabe’s "Into You" brings guest vocalist Dawn Williams onboard for a lazy, hypnotic and sumptuous slice of house. Set amongst an uplifting backdrop of smooth chords and lushed out riffs, the vocalists playfully bounce off each other asking questions and telling answers whilst keeping all elements sat firmly in the sweet spot.
Another Cardiff-based producer ‘DJ Fill’ shifts up the groove with "Pause". Still oozing the soul but with a more Hip Hop-meet-Broken Beat vibe and peppered with smooth Rhodes, niggly electronic arps and a bassline that ain’t letting you go. Harold and Syl Messi go head to head with the lyrics, bringing together a smooth and edgy vocal balance for something truly special and unique.
Proving that all good things must come to an end, the title track "Peripheral Vision" closes things out featuring guest raps and production from Chicago’s own ‘Nickel Slick’ on their mission to rebuild and re-educate through the power of lyrics. It’s a heartfelt track with a strong and relevant message for today’s testing times. More
1
The Journey Men feat. Mike City - For the Culture
2
Black Sonix - Danny’s Jam
3
Sean McCabe - Wanna Be Good
4
Motion Severn - My Way
The Journey Men alongside vocalist supremo Mike City get things underway with ‘For the Culture’. The duo has built a notable following through their distinct deep & bumpy soulful DJ sets, a sound which they effortlessly carry through to their own productions. ‘For the Culture’ is pure uplifting & inspiring house music with Mike City’s true & heartfelt vocals explaining quite clearly the love & passion connected with what they do.
Black Sonix ‘Danny’s Jam’ (a nod to Danny J Lewis by Black Sonix) takes things on a slightly deeper route, using hooky chords & killer bouncing basslines to create somethings rather special – it’s pure energy from the off yet still with that soulful touch & has been an ever present (and much sought after) track in a few A-listers DJ sets over the past couple of years; finally, the secret is out!
Refusing to be outdone on his own label Sean’s ‘Wanna Be Good’ is packed with all the qualities you’ve come to expect from a no-nonsense McCabe Dub! Just enough vocal in there to keep you on your toes with a slick analogue bass & rampant chord hook to keep you right in the centre of the dancefloor. It’s another one of those closely guarded secret weapons that has had people running to the booth.
Wrapping thing up is ‘My Way’ a debut original collaboration between Sean McCabe & Dave Jones as Motion Severn (called that due to the Severn Bridge which separates where the pair live). Dave & Sean’s relationship stretches back to 2000 where Dave actually offered Sean his first DJ gigs, so this coming-together as a production duo has been a long time in the making! Paying homage to their shared love of the classic Strictly Rhythm & Red Zone Dub sounds, their work here recreates & reimagines that classic era of house music but for a new generation to enjoy, something recently shown through their remix of Solution’s ‘Was It Just a Game’ (also on GVM). More
Black Sonix ‘Danny’s Jam’ (a nod to Danny J Lewis by Black Sonix) takes things on a slightly deeper route, using hooky chords & killer bouncing basslines to create somethings rather special – it’s pure energy from the off yet still with that soulful touch & has been an ever present (and much sought after) track in a few A-listers DJ sets over the past couple of years; finally, the secret is out!
Refusing to be outdone on his own label Sean’s ‘Wanna Be Good’ is packed with all the qualities you’ve come to expect from a no-nonsense McCabe Dub! Just enough vocal in there to keep you on your toes with a slick analogue bass & rampant chord hook to keep you right in the centre of the dancefloor. It’s another one of those closely guarded secret weapons that has had people running to the booth.
Wrapping thing up is ‘My Way’ a debut original collaboration between Sean McCabe & Dave Jones as Motion Severn (called that due to the Severn Bridge which separates where the pair live). Dave & Sean’s relationship stretches back to 2000 where Dave actually offered Sean his first DJ gigs, so this coming-together as a production duo has been a long time in the making! Paying homage to their shared love of the classic Strictly Rhythm & Red Zone Dub sounds, their work here recreates & reimagines that classic era of house music but for a new generation to enjoy, something recently shown through their remix of Solution’s ‘Was It Just a Game’ (also on GVM). More
1
Solution Featuring Tafuri - No Title
2
Solution Featuring Tafuri - No Title
3
Solution Featuring Tafuri - No Title
A1 - Black Sonix Remix
B1 - Sean McCabe Dub Mix
B2 - Motion Severn Remix
Sean McCabe’s Good Vibrations label drops it’s third vinyl release courtesy of fresh reworks of the Victor Simonelli classic ‘Was It Just a Game’. Originally released in 1993 and heavily steeped in US Garage folklore, these brand-new mixes bring the track back to the dancefloor once again and are sure to please those familiar with the original and newcomers alike. As fans of the label will have come to expect, the quality is dialled high here with Black Sonix, Motion Severn and label front man Sean McCabe each taking a remix under their wing.
Black Sonix kicks things off fusing together stabby organ riffs, catchy Rhodes melodies & soaring strings which all provide the perfect backdrop for the oh-so catchy vocal hook to weave in and out… proper vibes right here! Next up is Sean McCabe’s Moody Dub which takes the track a little deeper into the early hours through its tight, energetic-yet-smooth drum arrangements, sweetly layered synths and low, niggly bassline which continuously prods & stabs the groove in all the right places - effortless brilliance once more from Sean.
Rounding things off is Motion Severn who slows the pace down a little whilst adding in a distinctly retro flavour. Packed to the rafters with textured riffs and chords all tastefully punctured with uplifting brass twinkles, this mix is a perfect accompaniment to the package and offers a distinctly different flavour for those that like their music a little more refined.
A classic reimagined. More
B1 - Sean McCabe Dub Mix
B2 - Motion Severn Remix
Sean McCabe’s Good Vibrations label drops it’s third vinyl release courtesy of fresh reworks of the Victor Simonelli classic ‘Was It Just a Game’. Originally released in 1993 and heavily steeped in US Garage folklore, these brand-new mixes bring the track back to the dancefloor once again and are sure to please those familiar with the original and newcomers alike. As fans of the label will have come to expect, the quality is dialled high here with Black Sonix, Motion Severn and label front man Sean McCabe each taking a remix under their wing.
Black Sonix kicks things off fusing together stabby organ riffs, catchy Rhodes melodies & soaring strings which all provide the perfect backdrop for the oh-so catchy vocal hook to weave in and out… proper vibes right here! Next up is Sean McCabe’s Moody Dub which takes the track a little deeper into the early hours through its tight, energetic-yet-smooth drum arrangements, sweetly layered synths and low, niggly bassline which continuously prods & stabs the groove in all the right places - effortless brilliance once more from Sean.
Rounding things off is Motion Severn who slows the pace down a little whilst adding in a distinctly retro flavour. Packed to the rafters with textured riffs and chords all tastefully punctured with uplifting brass twinkles, this mix is a perfect accompaniment to the package and offers a distinctly different flavour for those that like their music a little more refined.
A classic reimagined. More
1
Various Artists - Sean McCabe pres. Dannis Winston - Rocket Love (Sean's Ole School Edit)
2
Various Artists - Sean McCabe pres. Dannis Winston - Rocket Love ( Seans's Rocket Funk Dub)
3
Various Artists - Sean McCabe & Mr V - It Can Be (Richard's 95 North Remix)
4
Various Artists - Sean McCabe & Mr V - It Can Be (Bacl Sonix Remix)
5
Various Artists - David Bailey ft. Hanlei - Running Me Wild (Groove Assassin Remix)
6
Various Artists - Circle of Funk ft.Mike City - Rain Or Shine (Sean McCabe Remix)
2x12" in Printed 5mm Spined Sleeve. Features unreleased tracks/remixes from Louie Vega, Jovonn, Sean McCabe, 95 North & Black Sonics
More
More
Customers who bought this also bought this
1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
CD
Tracklist:
01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More
Tracklist:
01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More
1
Recondite - Shun (5:43)
2
Recondite - Tide (6:05)
3
Recondite - Dust (Album Version) (5:13)
4
Recondite - Karat (5:25)
5
Recondite - Vait (5:30)
6
Recondite - Introsepct (5:35)
7
Recondite - Atma (Album Version) (4:59)
8
Recondite - Uvanet with Chris Avantgarde (6:08)
9
Recondite - Cut (Album Version) (5:12)
10
Recondite - Falling (Album Version) (3:37)
GENRE/S: Techno, Ambient Techno, Melodic Techno
Exclusive artwork design by Deutsche & Japaner
TRACKLIST:
A1. Recondite – Shun (5:43)
A2. Recondite – Tide (6:05)
B1. Recondite – Dust (Album Version) (5:13)
B2. Recondite – Karat (5:25)
C1. Recondite – Vait (5:30)
C2. Recondite – Introsepct (5:35)
C3. Recondite – Atma (Album Version) (4:59)
D1. Recondite – Uvanet with Chris Avantgarde (6:08)
D2. Recondite – Cut (Album Version) (5:12)
D3. Recondite – Falling (Album Version) (3:37)
INFO:
Feeling the deep and the hi simultaneously. Not craving for the extreme - finding balance instead. Indifference.
The word reflects what I often felt in recent times. Not just a feeling but a desire for things less pointed. It seems to be a general zeitgeist phenomenon but as I am part of the electronic music scene, I reflect a lot
about what is happening within this genre. There has been an urge for the either really hard, driving, fast and aggressive, or the extreme opposite.
Catchy vocals with a pop music feel, very direct and relatable melodies, soft grooves, piano chords. Either way - it feels like it has to be very distinctive - aggressive or soft - as long as it is extreme. It seems to be a moment in time where in whatever you do - it HAS to be in the face. All of this is fine of course - but never was my nature or personality. There is a reason why I chose to the adjective "Recondite" as an artist name because I could identify with the meaning of it. "hidden, obscure, not in the obvious”.
“Indifferent” is opposing this Zeitgeist and is representing driving techno with minimalistic melodic atmospheres, deep, haunting vibes, reserved yet strong and decisive within its own language, floating between melancholic desperation and hopefulness - music that lives right in between the hard and the soft... the aggressive and the neat... not black or white.
Not separated but INDIFFERENT.
SHORT VERSION:
“Indifferent” is opposing this Zeitgeist and is representing driving techno with minimalistic melodic atmospheres, deep, haunting vibes, reserved yet strong and decisive within its own language, floating between melancholic desperation and hopefulness - music that lives right in between the hard and the soft... the aggressive and the neat... not black or white.
Not separated but INDIFFERENT.
More
Exclusive artwork design by Deutsche & Japaner
TRACKLIST:
A1. Recondite – Shun (5:43)
A2. Recondite – Tide (6:05)
B1. Recondite – Dust (Album Version) (5:13)
B2. Recondite – Karat (5:25)
C1. Recondite – Vait (5:30)
C2. Recondite – Introsepct (5:35)
C3. Recondite – Atma (Album Version) (4:59)
D1. Recondite – Uvanet with Chris Avantgarde (6:08)
D2. Recondite – Cut (Album Version) (5:12)
D3. Recondite – Falling (Album Version) (3:37)
INFO:
Feeling the deep and the hi simultaneously. Not craving for the extreme - finding balance instead. Indifference.
The word reflects what I often felt in recent times. Not just a feeling but a desire for things less pointed. It seems to be a general zeitgeist phenomenon but as I am part of the electronic music scene, I reflect a lot
about what is happening within this genre. There has been an urge for the either really hard, driving, fast and aggressive, or the extreme opposite.
Catchy vocals with a pop music feel, very direct and relatable melodies, soft grooves, piano chords. Either way - it feels like it has to be very distinctive - aggressive or soft - as long as it is extreme. It seems to be a moment in time where in whatever you do - it HAS to be in the face. All of this is fine of course - but never was my nature or personality. There is a reason why I chose to the adjective "Recondite" as an artist name because I could identify with the meaning of it. "hidden, obscure, not in the obvious”.
“Indifferent” is opposing this Zeitgeist and is representing driving techno with minimalistic melodic atmospheres, deep, haunting vibes, reserved yet strong and decisive within its own language, floating between melancholic desperation and hopefulness - music that lives right in between the hard and the soft... the aggressive and the neat... not black or white.
Not separated but INDIFFERENT.
SHORT VERSION:
“Indifferent” is opposing this Zeitgeist and is representing driving techno with minimalistic melodic atmospheres, deep, haunting vibes, reserved yet strong and decisive within its own language, floating between melancholic desperation and hopefulness - music that lives right in between the hard and the soft... the aggressive and the neat... not black or white.
Not separated but INDIFFERENT.
More
1
Extrawelt - Grindmaster
2
Extrawelt - Angry Elektro
3
Extrawelt - Angry Halibut
4
Extrawelt - Save City
5
Extrawelt - Flunk
GENRE/S: Techno
Tracklist:
A1 / Grindmaster
A2 / Angry Elektro
B1 / Angry Halibut
B2 / Save City
B3 / Flunk
Short Info
You gotta sweat it up your entire life to earn the right to call your record Grindmaster. Whether you're pulling your life partner in real close and personal on your living room dance floor, or pursuing brain-dead entrepreneurship with every single fibre of your trust fund, The Grind remains an exacting Snake-God, riding humanity face-first into its eternal reward.
To this end, everyone at Turbo is grateful beyond words that venerable veteran’s veterans Extrawelt are bringing the full bore of their two decades’ experience to bear on this slice of genre-defiling excellence. The German due open with the thorax-pummeling EBM of the title track, followed up by the angry electro of “Angry Elektro.” And if you think the EP lets up from there, keep listening to find out just how wrong what you think is, because the next track is called “Angry Halibut” and sounds exactly what you’re terrified that sounds like. Grindmaster culminates with the goalie-on-acid-fantasy acid banger “Save City” and bottomless warehouse trip-soundtrack “Flunk.”
Those of you who choose not to support your local record store will be rewarded accordingly, as Extrawelt’s own “Drop Outs in Heaven Remix” of “Flunk” is yours as a digital exclusive. We have no real problem with vinyl lovers but they should probably come to terms with the fact that digital music - and by extension, digital exclusives - is perhaps the defining trend of 2024. You probably know someone with a computer, so maybe they can help you out.
More
Tracklist:
A1 / Grindmaster
A2 / Angry Elektro
B1 / Angry Halibut
B2 / Save City
B3 / Flunk
Short Info
You gotta sweat it up your entire life to earn the right to call your record Grindmaster. Whether you're pulling your life partner in real close and personal on your living room dance floor, or pursuing brain-dead entrepreneurship with every single fibre of your trust fund, The Grind remains an exacting Snake-God, riding humanity face-first into its eternal reward.
To this end, everyone at Turbo is grateful beyond words that venerable veteran’s veterans Extrawelt are bringing the full bore of their two decades’ experience to bear on this slice of genre-defiling excellence. The German due open with the thorax-pummeling EBM of the title track, followed up by the angry electro of “Angry Elektro.” And if you think the EP lets up from there, keep listening to find out just how wrong what you think is, because the next track is called “Angry Halibut” and sounds exactly what you’re terrified that sounds like. Grindmaster culminates with the goalie-on-acid-fantasy acid banger “Save City” and bottomless warehouse trip-soundtrack “Flunk.”
Those of you who choose not to support your local record store will be rewarded accordingly, as Extrawelt’s own “Drop Outs in Heaven Remix” of “Flunk” is yours as a digital exclusive. We have no real problem with vinyl lovers but they should probably come to terms with the fact that digital music - and by extension, digital exclusives - is perhaps the defining trend of 2024. You probably know someone with a computer, so maybe they can help you out.
More
1
Tranquil Elephantizer - Trisha (Felix Dickinson)
2
Tranquil Elephantizer - Trisha Elephantizer (Original Mix)
Repress!
Red Laser's Il Bosco had his mind blown when Felix Dickinson dropped this monster remix when playing the labels club night at the legendary White Hotel in Manchester.
The RL crew were surprised to learn this remix had never been released and immediately contacted ET to secure a full vinyl only release along with the epic original mix.
Since then, this has been an anthem at the Red Laser White Hotel residency and beyond. Don't sleep on this epic slab of anthemic synth jizz. More
Red Laser's Il Bosco had his mind blown when Felix Dickinson dropped this monster remix when playing the labels club night at the legendary White Hotel in Manchester.
The RL crew were surprised to learn this remix had never been released and immediately contacted ET to secure a full vinyl only release along with the epic original mix.
Since then, this has been an anthem at the Red Laser White Hotel residency and beyond. Don't sleep on this epic slab of anthemic synth jizz. More
1
Fireground - Glare
2
Fireground - Stand
3
Fireground - Spin
4
Fireground - Red Night
Delectable Crafty Explosive Headspins
More
1
Voodoos & Taboos - Time Out
2
Voodoos & Taboos - Endless Game
3
Voodoos & Taboos - Time Out (Bertie Remix)
4
Voodoos & Taboos - Action
Underground stalwarts Voodoos & Taboos make their Duality Trax debut alongside a remix from rising talent Bertie, set to drop on November 8th. Now on its seventh release, Holly Lester’s vinyl imprint blends seasoned pioneers with the next generation of producers.
A serendipitous moment at London’s E1 in 2023 was the genesis for the labels latest release, when DT label head Holly Lester unknowingly dropped a Voodoos & Taboos track only for the duo to walk in mid-way. Already known for their standout releases on iconic labels like Phonica, Bordello a Parigi, and Palms Trax's CWPT, this chance encounter sparked a creative connection between Holly and the pair.
‘Time Out’ kicks things off with swirling synths and the duo's signature alien electronics, set to a playful breaks infused rhythm and morphing bassline, as command and control rings out overhead. ‘Endless Game’ comes with the usual V&T trimmings; an infectious bassline and with a scattering of curious sounds and samples, with a healthy dose of italo-inspired groove - the type of track reserved for bringing a dash of joy to the dancefloor amidst a heads down body-moving groove.
On the B-side, Australian newcomer Bertie steps up with her remix of ‘Time Out’, following her breakout EP and high-profile remix by Ciel. In a short space of time, Bertie has already developed a signature sound injecting her productions with nostalgic 90s house and contemporary subtext; glued together by crunchy drums and a penchant for wide-eyed rhythms. Sticking to her guns, Bertie’s flip of ‘Time Out’ packs a serious punch, showing why she’s an artist on the rise.
The EP closes out with the psychedelic ‘All Action’ with its vocoder vocal samples, bubbling acid and teleporting top-lines. One of the most notable features of the duo's music is their ability to let things evolve over time, their music often accompanied by strong storytelling, an art that has been almost lost in today’s era of instant gratification; their instrumentation often taking on a life form of their own and dosed with surprises. More
A serendipitous moment at London’s E1 in 2023 was the genesis for the labels latest release, when DT label head Holly Lester unknowingly dropped a Voodoos & Taboos track only for the duo to walk in mid-way. Already known for their standout releases on iconic labels like Phonica, Bordello a Parigi, and Palms Trax's CWPT, this chance encounter sparked a creative connection between Holly and the pair.
‘Time Out’ kicks things off with swirling synths and the duo's signature alien electronics, set to a playful breaks infused rhythm and morphing bassline, as command and control rings out overhead. ‘Endless Game’ comes with the usual V&T trimmings; an infectious bassline and with a scattering of curious sounds and samples, with a healthy dose of italo-inspired groove - the type of track reserved for bringing a dash of joy to the dancefloor amidst a heads down body-moving groove.
On the B-side, Australian newcomer Bertie steps up with her remix of ‘Time Out’, following her breakout EP and high-profile remix by Ciel. In a short space of time, Bertie has already developed a signature sound injecting her productions with nostalgic 90s house and contemporary subtext; glued together by crunchy drums and a penchant for wide-eyed rhythms. Sticking to her guns, Bertie’s flip of ‘Time Out’ packs a serious punch, showing why she’s an artist on the rise.
The EP closes out with the psychedelic ‘All Action’ with its vocoder vocal samples, bubbling acid and teleporting top-lines. One of the most notable features of the duo's music is their ability to let things evolve over time, their music often accompanied by strong storytelling, an art that has been almost lost in today’s era of instant gratification; their instrumentation often taking on a life form of their own and dosed with surprises. More
1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
2LP
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More
Label:imbalance computer music
Cat-No:ML-036LP
Release-Date:20.09.2024
Genre:Electronic
Configuration:2LP Excl
Label:imbalance computer music
Cat-No:ML-036LP
Release-Date:20.09.2024
Genre:Electronic
Configuration:2LP Excl
1
Monolake - 01 The Elders Disagree
2
Monolake - 02 Thru Stalactites
3
Monolake - 03 Signals
4
Monolake - 04 Cute Little Aliens
5
Monolake - 05 Intermezzo
6
Monolake - 06 Global Transport
7
Monolake - 07 Stasis Field
8
Monolake - 08 Prime Lundy
9
Monolake - 09 Red Alphonso
10
Monolake - 10 Eclipse
2 x 12”, black vinyl, 4C gatefold
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
1
Scan 7 - Planet Energy 05:56
2
Scan 7 - Black Highway 06:18
3
Scan 7 - Dark Universe 06:00
4
Scan 7 - Unusual Channel 06:41
5
Scan 7 - Beyond Sound 06:29
6
Scan 7 - Dark Corridor 07:05
7
Scan 7 - VII 07:47
8
Scan 7 - Dark Territory 07:24
Territory: WORLD minus UK
FORMAT 2LP vinyl, full printed sleeve, download code
TRACKLIST
1. / A1 Planet Energy 05:56
2. / A2 Black Highway 06:18
3. / B1 Dark Universe 06:00
4. / B2 Unusual Channel 06:41
5. / C1 Beyond Sound 06:29
6. / C2 Dark Corridor 07:05
7. / D1 VII 07:47
8. / D2 Dark Territory 07:24
Patience is a virtue well-rewarded in techno; finding the right groove to build on then holding your nerve long enough to pay off the wait at the optimum moment is a much more skillful endeavour than it would seem for such a minimalistic style. And few display this talent better than Detroit originals Scan 7. Part of the hallowed Underground Resistance family, Scan 7 first broke out in the mid-90s with a series of jacking machine funk 12”s that showcased their savvy for self-control - a faculty they have demonstrated in releases year-on-year since.
Highlighting this continuous font of vitality, Tresor Records has returned to the source and is proud to announce the reissue of Scan 7’s debut LP, Dark Territory. First unleashed on the label in 1996, the album has been remastered from the original DATs by Mike Grinser, augmenting already powerful tracks such as the snake-like, teasing Unusual Channel (mixed by the master Blake Baxter), and the harder-edged VII resulting in music that will, without doubt, provoke an enhanced response when the pressure is finally released.
Repressed on vinyl with updated artwork, these tracks still sound like a blueprint for the future, testament to the prescience and assurance Scan 7’s leader, Trackmaster Lou, clearly had when writing “I hope you enjoy my records in the phuture to come” in the sleeve notes nearly 30 years ago. More
FORMAT 2LP vinyl, full printed sleeve, download code
TRACKLIST
1. / A1 Planet Energy 05:56
2. / A2 Black Highway 06:18
3. / B1 Dark Universe 06:00
4. / B2 Unusual Channel 06:41
5. / C1 Beyond Sound 06:29
6. / C2 Dark Corridor 07:05
7. / D1 VII 07:47
8. / D2 Dark Territory 07:24
Patience is a virtue well-rewarded in techno; finding the right groove to build on then holding your nerve long enough to pay off the wait at the optimum moment is a much more skillful endeavour than it would seem for such a minimalistic style. And few display this talent better than Detroit originals Scan 7. Part of the hallowed Underground Resistance family, Scan 7 first broke out in the mid-90s with a series of jacking machine funk 12”s that showcased their savvy for self-control - a faculty they have demonstrated in releases year-on-year since.
Highlighting this continuous font of vitality, Tresor Records has returned to the source and is proud to announce the reissue of Scan 7’s debut LP, Dark Territory. First unleashed on the label in 1996, the album has been remastered from the original DATs by Mike Grinser, augmenting already powerful tracks such as the snake-like, teasing Unusual Channel (mixed by the master Blake Baxter), and the harder-edged VII resulting in music that will, without doubt, provoke an enhanced response when the pressure is finally released.
Repressed on vinyl with updated artwork, these tracks still sound like a blueprint for the future, testament to the prescience and assurance Scan 7’s leader, Trackmaster Lou, clearly had when writing “I hope you enjoy my records in the phuture to come” in the sleeve notes nearly 30 years ago. More
1
Various Artists - BB Superstar (RFX love Edit)
2
Various Artists - Late Aloha (Baume love Edit)
3
Various Artists - Easy (Baume love Edit)
4
Various Artists - Lookin 4 A Lovin' (Maison Blanche love Edit)
5
Various Artists - Women (Baume love Edit)
There it is, the first wax of the great “love Edit” series is officially on the road ! The edit master Romain FX, opened the release with one of his “secret weapon”. Then Maison Blanche, who join the team with a smashing dancefloor track. And to finish Baume, offer his own vision of “Edit” with these 3 lovely gems.
More
1
DimDJ - Huarache (Detroit Mix)
2
DimDJ - Oasis
3
DimDJ - I've A Feeling We Are Not In Kansas Anymore
4
DimDJ - Don't Stop Dreaming
5
DimDJ - Helios
6
DimDJ - Kapsou
DimDj is a legendary figure of the Greek electronic music scene. After establishing his reputation as an excellent dj already since the 90’s, he continued to grow his personal myth with the delicate production of a wide variety of singles and EP’s. Following his many releases in various labels worldwide (Mathematics, ALLEY VERSION, June, TH Tar Hallow, Lower Parts, Anopolis Records), he now delivers a mini-LP for To Pikap Records. Chicago house blends with Detroit’s Afrofuturism and 707 grooves meet warm melodies, acid basslines and jazzy leads. Six tracks of pure dancefloor mental wellness by Thessaloniki’s 303 maestro.
More
1
Steve Watson - "Born To Boogie"
2
Jam Band 80 - "Jammin'"
3
Sonny Khoeblal - "Craziest"
4
Errol De La Fuente - "Happiness"
5
Explosion - "Wakka Mang"
6
Eddie Tailor - "Love Dance"
7
Ronald Snijders - "Kaseko Attack"
8
Astaria - "Jamasa Roro"
9
Sound Track Orchestra & Silvy - "Tirsa Song"
*2024 repress* Revised Tracklisting*
A compilation of highly collectable and rare Surinamese 45's and LP cuts. Compiled by Antal Heitlager & Thomas Gesthuizen this is the follow up to the Kindred Spirits released Surinam! compilation. This volume goes even deeper into the field of 70ties and 80ties funk music from the Surinamese dance floors...Recommended! Fresh Artwork by Cosmo Knex (Johann Kauth)..
MCDE: "Killer compilation! lots of favorites on there and stuff i still need to find"
Gilles Peterson: "Jammin is a salacious boogie number, cooked up with quick-fingered bass work, female harmonising and guitar solos." More
A compilation of highly collectable and rare Surinamese 45's and LP cuts. Compiled by Antal Heitlager & Thomas Gesthuizen this is the follow up to the Kindred Spirits released Surinam! compilation. This volume goes even deeper into the field of 70ties and 80ties funk music from the Surinamese dance floors...Recommended! Fresh Artwork by Cosmo Knex (Johann Kauth)..
MCDE: "Killer compilation! lots of favorites on there and stuff i still need to find"
Gilles Peterson: "Jammin is a salacious boogie number, cooked up with quick-fingered bass work, female harmonising and guitar solos." More