Red Laser

Before we pack away the poppers for another year, let Red Laser take you for one last spin on the waltzers. Tried and tested at our recent road block parties in Manchester, these edits shine a light on four primo-grade Italo face melters. Fervently excavated by Bosco over countless visits to Bel Paese and streamlined for the hydrofoil, with some extra added calories for the club. Opener 'Destiny' tweaks and shudders under analogue arpeggios, dazzling Strat chops and cosmic bass interplay before dropping into a simply glorious female vocal that, thankfully, gets plenty of airtime before Bosco calls close. A track so close to perfection we had to make it longer. 'Flavio', up next - and half sung in Italian so we only know a bit of what she's on about - is another supreme slice of Italo disco from the upper echelons that Bosco snaffled between glugs of Barolo and a face full of worm cheese. Sure to instigate group hugs, 4AM declarations of love, tears of happiness and huge pelvic thrusts dependant on environment and inebriation. The tingles continue on side B with another supernova burning bright across the stars. 'Newsin' introduces itself with a joyous marriage of marimba and synth before yet another vocal proves Italians really do, do it better when it comes to writing some of the catchiest hooks and choruses in the universe. 'Lace', featuring the record's only male vocal appearance, has a romantic, proto-goth-new-wave vibe; like if Robert Smith and Richard Butler had a chem-sex love child after a wild night in Baia Degli Angeli. Not sure who the woman in lace is, but we'd defo like to see her down The White Hotel one night...

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Red Laser continue their prolific purple patch, unpacking four more slabs of red lit Manctolo from a host of box jammers, old and new. Frank Butters wastes no time at all, 'The Call Of The Wild' engaging photon tubes with a highly kinetic array of crystalline synth shards, thunderous bass and hyperactive sfx. Without geeking out too much, special mention has to go out to the synthesis on display here - Butters advancing up the levels of sonic shamanism as he conjures up never-before-heard patches of interstellar cosmic NRG... Bob Swans' 'Bodyform4U' unites the robots with a universal message of togetherness. Its multiple layers of shuddering arpeggios and star-aligned synths working in unison to quell any fears and send us off into a space age utopia. One that'll work as well soundtracking the end of the session as it will as the dancefloor's filling up; its subtle anthemic qualities sure to rouse the spirits of even the most dehumanized cyborgs. New signing Lone Saxon drops 'Hypersleep' which utilises rich piano chords and a hefty breakbeat, switching up the vibe but keeping things super uplifting. This one reminds us of that innocent period when you could get on the megabus for 50p and score three for a tenner on the dancefloor. An evocative vocal refrain adds a moment of thoughtful introspection in between the e-rushes and arm-raising for another moment of interactive harmony. Finally, 'Webo' sees Franz Scala (with a little help from Il Bosco) return to source, delivering a bona fide slice of maximum balls out MANCTALO chug. With tension-wrought chord progressions, delicious layers of lead melodies and a soaring vocal, there's few that can resist the charms of this late night electro-disco hyper anthem. All aboard the starship ! RL x

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Red Laser gets on a kinky tip, where poppers are currency and salacious activities mandatory as label chief Il Bosco grabs us by the nethers and heads for 'The Darkroom EP'. Inspired by amyl-soaked tales of Euro basement sex club debauchery, and steadily edging its way to a never-ending climax, the EP is a highly charged exercise in x-rated synth-jizz and erotic Manctalo that'll have you quickly believing you're surrounded by massive pulsating dicks on a cocktail of GHB and Mkat. Maintaining a persistent throb throughout, the EP has us reaching blindly through clouds of pink saturated club smoke, unsure of what our sweat-soaked hands will grasp on to. Two remixes alongside three originals. Fabrizio Mammarella has the blood rushing to our head quicker than a whiff of Rush Black Label* on his mix of 'Notio Botherdini'. Adding extra acid for a trippier sexperience and urging willing participants to "close your eyes" as he achieves maximum thrust. Meanwhile local Stretford poppers enthusiast** Bob Swans also has a fumble in the shadows, remixing 'Dark Room' with late late late on in the session in mind - a time of carnal lucidity and primal urges that'd make even Michael Barrymore's peculiar desires look vanilla. It's a sparse and special redux, fluffing us with that latexy bassline and never-ended sfx trails until we're quite literally cumming in your ears. Apologies, that probably was a bit graphic. *Poppers brand highly endorsed by Red Laser contributor Count Van Delicious **Red Laser only hypothesizes to said producer’s poppers usage.

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Repress! Red Laser's Il Bosco had his mind blown when Felix Dickinson dropped this monster remix when playing the labels club night at the legendary White Hotel in Manchester. The RL crew were surprised to learn this remix had never been released and immediately contacted ET to secure a full vinyl only release along with the epic original mix. Since then, this has been an anthem at the Red Laser White Hotel residency and beyond. Don't sleep on this epic slab of anthemic synth jizz.

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Irlam's infamous upstarts DJ Absolutely Shit are at it again with four more tracks to rattle yer spines and rupture yer spleens. Utilizing the classic approach of sourcing a sick sample, adding a rugged breakbeat, then tweaking out the buzz for maximum enjoyment, the pair deliver an explosive EP of global hypercoloured mayhem that burns hotter than an oz of 'Ells Angels sputnik. 'Bridge To Your Heart' grabs Sade by the hand, shoves two purple doves down her throat and queue-jumps to the front of Bowlers for an endorphin-rushing hardcore workout full of modern beat engineering and sample manipulation. Switching approach, 'Bolivia' shuns the dreamy feminism for an altogether more masculine affair - roping in the Wu for an argy-bargy, elbows-out speaker shaker full of hi-definition laser stabs and destructive, land mine subs. Hitting the accelerator, 'Rocking You Eternally' traverses the jungle boarders in a blacked out Nova, Ab Shit's flair and panache at drum programming and contemporary production chops beautifully on show throughout this big system roller with a carp-hunting vocal hook. 'Gong' closes off proceedings, merging moods inna more seductive flavour. E-soaked pianos and a gentle throb coaxing us to that end-of-night climax that'll have us humming the piano line all the way down the M65 home. No jokes cru, this is some of the best tackle to emerge outta the DJ Absolutely Shit studio to date. One of two, vinyl-only EPs and ahead of their debut album that follows on C90 tape. Boing boing boing, boing boing boing, boing boing!!

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It's the one all the massive have been waiting for! Part 2 of the Salford sage - DJ Absolutely Shit's 'Memoirs Of A Crust Monster'. More hyped up tear outs, soundsystem ruffage, and bass 'n breaks love songs from our Hell's Angel-dodging beat freak. Kicking things off with glowing neons and super-charged subs is 'Higher', a modern jungle monster decorated with classic hip-hop samples and a well known diva vox squealing through the melee. A serious 'watch your bassbins' track - RL HQ have safety tested this on the most robust car stereo systems and so far have yet to avoid any cabinet damage - proceed with caution! 'Lost In Space' rolls outta the speaker stacks with a b-boy swagger and loose breaks. A tribute to classic breakdance electro galvanized with Ab Shit's intricate trademark production chops. You'll want to crack out your finest red Puma classics and a slick tracksuit for this one. Onto 'Out On Love' and between you and me, someone needs to call the social service for samples - as it's unlikely you'll ever witness a more blatant case of sample molestation. Squeezing every last drop out of a catchy piano lick, TV snippet and drum break; the track really does highlight the unrivaled programming prowess of our Irlam renegade who's taken SP1000 trickery to its absolute zenith. 'Money Talks' sees our cheeky ragamuffin dictate a life affirming sunrise over Pomona - pre-gentrification of course; a thousand smiles and memories of old Mancunia shimmering in the early morning industrial haze. And an abject slight at those who put profits above people - another poignant ode to our changing cityscape driven by the most addictive boogie-based groove and clattering Linn drums. Spine-tingles and fanny flutters guaranteed ALL DAY on this one cru! Look out for the full 16 track album due on C90 cassette and digi download coming very soon... RL x

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Attention Italo fans, the long-awaited return of Il Bosco's hugely popular series of 'Hits From The Manctalo Discortek' is here. As always, the selection is crammed with deeply dug gems that will have hardcore Italo collectors drooling and Italo newcomers drawn to the scene by his infectious choices. 8 hitters that would cost you a deposit on a house to own (if you could even find them). Essential.

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Stricly limited to 300 / screen printed gatefold sleeves & stamped labels.***Taken from Leaked Whatsapp messages between DJ Absolutely Shit and Il Bosco***Yo cousin Bosco...how's ya raisin widge?Nice one for that last lot of dough i'm starting to well buzz off all this music industry bollocks now you know...mad what you can do with a catchy DJ name and pure absolutely mega tunes wot are miles better than anyone elses init?Anyway i've been diggin' me fuckin' 'ed off ant I recently and got some more well primo gear for yas here...done 8 this time - was thinking if i'm managing to sort me life out banging out EPs for yas - if I do and album or two i'll be mega wedged in no time deffo init.Yeah i'm thinking fuck this i need to get out this rank shit-hole quicktime... spotted this sick 3 bed thatched cottage gaff in Cadishead the other day, well smart. Detached n everything G, so can deffo get a proper grow on in there piece of piss. Gran's doin me ed in n all here G, big style the old slapper. She keeps robbin' me cash!Turn me back for 5 mins and she's fuckin chonged it all the little turd... fuckin fuming ta fuck g cant wait to do one from that shitty flat...and if she thinks she's keeping me dodgy sky box she suck me widge haha.Anyway shout me soon init. fuck knows what to call this album g. ask Pharaoh to come up with a name for it the turd. i can't be arsed thinkin... Seen him the other day actually bumped into him and that Crispy Duck guy who does those sick comics. They was outside some posh coffee gaff in Ancoats with a few other chumps lobbing bricks at a pile of other bricks down near the canal drinking pink hooch the turds. Get em to do the artwork for it n all g. if they want paying or owt tell 'em to suck me widge haha.Nice one

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Emerging when humanity needs him most, and currently adopting the body of a 60 odd-year old carpenter with a penchant for animation and Red Stripe; Terry Perace teams up with Red Laser's own Pharaoh Brunson to form a new perpetual EP series. The Peraceamid project begins with EP 1. 4 x Hyper-ancient, super-hi-tek audio tools for us Earth dwellers to utilise, corrupting RL's standard "Manctalo" vigour with abandan. (A1 - Terry Perace - Trip Pop 2020) Perace himself, ditching the Carpenter attire and hardwiring himself straight into basic circuitry, conjures up skeletal, repetitive reduxes, born outta the oldest primordial gloop, churning together into embryonic life form rhythms that have now existed since the earliest signals of dual-cell organisms on our planet. (A2 - Kid Machine S.D.M (Terry Perace's InSlaved mix) Terry sparkles his Martian magic across Kid Machine's S.D.M from the 2020 'Magico' LP. An already high Manctalo watermark now given further accreditation by the highest Elders of Ancient Egypt which Terry confers with on the regular. Welcome to the top of the pyramid gee! (B1 - Marcus Paulson - Wrecked in Utrecht) The elusive Marcus Paulson we so far know very little about other than that he's an unconfirmed UFO enthusiast from Warrington...Terry received 'Wrecked In Utrecht' when he accidentally plugged a random USB drive into his earhole (he's not that up on our basic tech yet) in Pharaoh's studio at Hidden. An otherworldly Manctalo vortex and a holographic, plasma-soaked acid track designed to provide a cross-planetary bridge to raves and free parties on Cygnus. (B2 - Ste Spandex - Examples of You) Terry's been warmly applying his cosmic voodoo on Red Laser veteran Ste Spandex, nudging him further into the inter dimensional discipline of sonic energy manipulation, the fruits of which are a hyper-driven re-vamp of a '98, Earth-based club classic which he blasts into 5D thru the galvanised circuitry of his palladium-boosted studio. Licensed and published by Red Laser Records here on Earth. First volume in a perpetual series...

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The 3rd volume of Red Laser's electronic Boogie compilations !!

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As a New Era beckons globally, Manchester's primo Manctalo merchants - Red Laser Records - quietly unveil their latest clutch of specialist space-age kinetics. A fifth-kind encounter enabling users to bridge the continuum of dance & interaction between our Earth-dwelling selves and the inter-dimensional overlords. Containing three brand new movements in machine music from our treasured production stable of Kid Machine, Bob SwanS and Il Bosco; it also houses an honorary appearance from revered Danish spearhead Flemming Dalum, who serves up a particle-splitting redux of a lesser-known proto-techno nugget from Belgium. Dalum's been traversing the star-clusters on his own intrepid missions for a while, so we're mega buzzed to have him back on the RL mothership. Stretford based synthesizer technician, Bob SwanS has been drafted in specifically by RL head Il Bosco for his advanced skills on the patch bays. "Aphelion Run Theme", the point of which an object's orbit is furthest from the Sun, vividly detailing in sound the journey our collective consciousness must undergo in order to reach the Highest Elders. We highly recommend utilising this track alongside Dr. Greer's outstanding work with extra terrestrials. KID Machine's celebratory, vocoder-led Manctalo message: "It's The K.I.D" is a sonic motif to our interplanetary relatives; this cybernetic b-boy's way of spray painting the Red Laser logo over Proxima Centauri B's subway network in neon-blue, pyroxene paint. Bosco lets loose with one of his most impassioned creations to date too. "We Almost Lost Oddbins" previously titled: "Save Our Scene", a universe-wide cry for help recorded when worldwide limitations on dancing and human co-exchange were at their most aggressive; its nonetheless positive outlook inviting us all to look both inward and outward for solutions in the New Normal. Encased within a striking monolith art print, depicting the mystic energies of ancient galaxies it heralds the now widely-accepted belief that we are in no way alone in this universe and that channels of communication between more advanced civilisations than ours have already begun...

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The Dutch wing of Manc-Talo pioneers international squadron delivers a chrome plated synapse frying Euro Disco selection... SUPER limited, as ever.

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It's been six years since Starion's incredible "Mind Bender EP" (RL09) circulated our orbit - a masterpiece seemingly beamed from a utopic late nite discotheque on a far-away star cluster, and one that immediately promoted the then Manctalo rookie up the ranks of the Red Laser hierarchy. Subsequently dropping primo synth sizzlers with Tron-like precision via the label's V/A EPs, the producer returns with four more particle-splitting bangers for our nocturnal delectation. Quintessentially Manctalo, 'Altered States' captures the producer's Streford-based, garage-cum-studio humming with activity. Encircled with everlasting chord progressions, excitable drum patterns and a plethora of star-studded synthesizers, the tracks glide through Starion's humble quadrant with a deep, guided desire to touch our hearts and power positive interactions. 'Mind Funk', with its spark plug percussion and intense squelch washes euphoric, gated vox through its shadowy, amorphous, electro-charged circuitry; leading us with trepidation into the vast unknown. Key title track 'Altered States' ionizes its surroundings with a charged and uplifting synth array containing a whole multitude of messages and motifs to decipher in the dance. In one inspired moment Starion explores the archetypal realms of electronic disco through a colossally robotic rendition of 'Spacer Woman' before 'Condo Cruise' finally, ensures that Red Laser devotees have a brand new, radium-studded dancefloor gem to digest when the discotheques are open once more, its heart-tickling sequences and end-of-era majesty showing us a positive path thru the New Normal... Housed in a limited risograph sleeve designed by Manchester artist, DJ and musician Glen Cutwerk it's another carefully mined nugget of Manctalo heritage humans and their AI-upgraded incarnations will enjoy for many millennia to come.

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Il Bosco is back at the controls ably assisted by The Bat & Flemming Dalum. Edit not edit tackle. Four Red Laser bangers ready for your local diskotek - Forgotten Euro dreams, euphoric Italo & boogie tinged pop-pretenders. A bona-fide insider selection. Limited press comes with wrap around riso print poster sleeve in pvc cover...

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.net

Red Laser is back with a blinder. A set of hardcore Manctalo uniting Manchester & Paris. Kid Machine returns to the label with a sci-fi chugger done in his unique deep style. Tommy Walker 3 turns on the lasers and tears down the rave. Alan Dente from the infamous Les Yeux Orange crew rips classic vocals for some classic sunrise sound tracking. Red Laser stalwart Starion closes the EP on a reflective Italo-noir note. .

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Red Laser conductor general Il Bosco once again turns his beam on 8 tracks of mind melding italo. Providing a another superb double vinyl release of tracks that have been inspirational to Red Laser Records and the labels releases. This isn't by any means your run of the mill italo selection. Il Bosco knowingly selects a set that shows the true girth of style and fashion in the genre. Face grillers are ramped up next to sleazy pop sensibilities. Goth-synth disco frottages with 8-bit machine gun bass lines. Chugger masterpieces salivate on crystalline new romantics. As the compiler says 'Truth is, loads of Italo is shite but when its good it's up there with the best electronic disco music you will ever hear' Check this album and you'll agree. For maximum disco potential several Red Laser protagonists have suitably revamped and edited some of the selections with Kid Machine & Il Bosco uniting in the cut, Flemming Dalum sprinkling his magic dust over a bonafide classic & Parisian Romain Bezzina repairing an old banger. As always Red Laser pay close attention to detail with all tracks carefully restored & remastered whilst the vinyl comes in full colour heavy card inners with two riso print poster sleeves & a gatefold pvc cover. Limited to 500 & no repress !

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Red Laser returns with four tracks from Ste Spandex. If you've heard any Ste Spandex productions you'll know what to expect ! This EP is a fascinating collision of diverse dance music aesthetics & bristles with energy and passion. As usual all the tracks are live takes with various hardware working overtime from Ste's orchestration. Side 1 features two tracks with long time collaborator Sarah Bates. Soaking Wet is a peak time workout with tightly sprung drums, whirling effects & Sarah's vocals weaved enticingly throughout the track. Next is Breakin' My Heart, an addictive bubbler melding house and boogie feelings with the vocals more centre stage. Side 2 kicks off with Gotta Move, an 80'sesque grinder. Pumped bass rubs up against squelched keys and peaky synth riffs, while Nice Weather closes things down, a short and sweet movement of shuffling drums and swerving synth action.

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Red Laser Records are back with a new EP & one of their best yet. All hailing from Manchester the release features 3 choice tracks combining italo, house & disco. Metrodome returns to the label with an outstanding bubbler of a production. Warping house, garage & acid moves into one mind-melter. The track builds in a superbly subtle way glowing with warmth. Tingling washes accompany the addictive groove into new places as the acid begins to take control. Kid Machine drops arguably one his best tracks to date and that's saying something. Arpeggiated bass rocks over brick hard drums with extra widescreen synths. This track is full of the euphoria & drama that Kid Machine does so well. Deep as you like Italo action. The EP closes with a debut from Si Fi Systems. Big & bold this is a rave-hearted session of heavyweight bass & synth squelch.

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Red Laser Records drop four tracks from Mancunian fucked up disco band Silverclub. 
Thick analogue percussive vibrancy has a scrap with a sophisticated discoid lyricism resulting in shaky legs, adrenaline overdosed heightened senses and a fuck yeah fist in the air for every track on this ep. The EP starts of with Back To the Start, a sampled piano fuelled beauty that weaves you through another disco dream world. It brews and bubbles subtly enough to capture the imagination and transport you to a thoughtful sound pallet. Music that paints pictures as you listen only for you to awake and realise your foot is tapping like Keith Moon on a kick drum. Beautiful work. In remix mode Ste Spandex gets busy jamming up his tape machine in the studio and crunching out an absolute warehouse banger with this massive remix. A totally spiritual hardware shower to assist you in ridding you of your tiredness as dawn breaks outside the club.Gravity is a perfectly crafted dope wave disco from the Manchester 5 piece that's built to suit any kind of dance floor. The production is perfect. Every instrument is crystal clear and spreads lush and wide like a junkie with a needle in his arm . The dark chugging vocals build and soar in total harmony with the bubbling disco not disco soundscape. A total masterpiece. Trouble has more percussive and acidic synth disco feel with a great lo-fi intro then the beautiful vocal bursts through to balance the sharp with silky soft perfectly. The track is choc-full of soulful boogie licks and sprinkles of pop sensibility. By the 3 minute mark I’m jumping about the house in my underpants like some high school twat from an 80's John Hughes film. Mega jam

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Starion's sound has been a fundamental part of Manchester's Red Laser Records since the very first EP back in 2012. He has released many tracks on the labels EP series and has now finally completed his long awaited first solo EP. We are treated to Starion's amazing signature sound throughout but with even deeper production, an increasingly sophisticated arrangement and sound design. A real treat for all Manctalo fans 
Hypnoto Roboto is a throbbing Italo chug bomb & a dance floor smash. Starion kicks of the EP with his signature synth disco sound. A Blade Runner club jam made for android only dance floors 
 Next Kid Machine gets on the remix. You can't hold a good Machine down and Manchester's Kid Machine especially. This cybernetic horror jam is one of his best productions to date and epitomises the unique style that has Italo Electro fans all over the world collecting his music eagerly. This will not disappoint. The production is slick and the atmosphere he creates reeks of the future. Heavyweight synth action right here 
 Starion comes with Mindbender the killer boogie jam. 80's electro and disco collide in a fantastic chug filled synth soup. Give me a large bowl and watch me glow like the Ready Brek Kid. Amazing future retro floor filler 
 Moonbase Alpha is like the music you get on an 80's film trailer on VHS that you can dance to. This moody piece tells a story as it moves you toward the dance floor. A story of forgotten encampments on moons far away, the survival in isolation and the horrors that play out in the minds of the abandoned settlers

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Wet Play dive into the record world with 'Where Good Friends Meet #1' a show case of artists and sounds from the infamous Manchester soiree. First up is Loge with 'E 180 Love', a dazzling, hydraulic-driven ride round west coast LA sunset. Keep those shades down to reflect the neon beams this track fires from its hardware driven body mechanics. Hear the fiery red sun melt into the square bass that simply repeats on and on…. Teleporting us straight into 5D is Skanky Magic. Crazy use of spring reverbs, darting leads and anti-gravity sonics will have you bouncing all over inner space as you adjust to the hydraulic two-note buzz. Electric, mesmerising and from another galaxy completely. Its blissful soaring through the cosmos in a technicolour haze. Metrodome's '909 Lovin' is next. Precision built for setting dance floors alight and with an arrangement that'll twist heads inside out. Just when you think this track is burnt out another sick baseline sets the floor on fire again accompanied by one of the maddest signature sounds since Terror Danjah's 'Gremlin'. Pure heat. Finally we get Theo's Ugly Edits and Jamal Moss's Members Only edits interpreted by a speed fuelled, level riding rogue form Manchester's underbelly. 'Edit 2 ( 2007 Version )' bumps and simmers uncontrollably riding the sample like a bitch before dropping into tripped out celestial disco chaos. If you thought only the Detroit and Chicago cats knew how to fuck an MPC hard then Ste Spandex has just brought home the bacon.

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WAS - Word and Sound Medien GmbH
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Following tracks featured on both Red Laser Records initial E.Ps Spandex drops his first debut release. 'Big Fat Tuck' is a fantastical electro journey jam that takes you by the antenna and launches you high above the disco grid for a bird’s-eye view of the party below. In true Spandex style Heavy synths and acidic percussion drive the disco but somehow this track still keeps you feeling warm with its soulful endeavour. Anyway, enough of the bullshit poetic imagery, this is a cracker of a track. No shit! 'Beatin My Time' is an analogue chug bomb! This simmering synth soup bubbles erratically until it finds its four four stride and marches you onto the dance floor. Great low slung bass and south central LA synth lead will have you reaching for the hydraulics in your imaginary soft top Cadillac. As far as anthems go you can’t get more anthemic house than 'Piano V2' right now. This manctalo piano house belter is sure to blow the roof off any and every decent party this year. You can already feel the Mediterranean sun on your face seconds into its phasing piano hook. It’s as catchy as the noro virus but with added. “SICK”! This big dose of early 90’s tinged rave classicism will keep you smiling for the full eight minutes and with sore cheeks as a result.

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