With the Scratch EP, Scottish techno powerhouse Gary Beck delivers four razor-sharp cuts that bring raw energy and dancefloor pressure to FJAAK's label CROWD. Known for his unmistakable grooves and stripped-down power, Beck presents a no-frills EP that bridges classic techno aesthetics with forward momentum. Opening with the single 'French System', the EP kicks off in full throttle. It's a propulsive roller built around tough drums, catchy synths, a female vocal leading the way and Beck's signature percussive tension. Title track 'Scratch' follows with a twitchy, angular rhythm that spirals around a fragmented vocal motif and bold machine-funk energy with tense breaks leading to ecstatic drops. On the record's flip side, 'How Do You Feel' keeps the level high, fusing jacking rhythms with a funky vocal and a Beck's heavy signature kicks. Finally, 'Eclipse' closes the EP pushing the energy into darker territories with relentless drive, its distorted pulse and industrial edge. This release marks a fierce debut on CROWD for Gary Beck - four no-nonsense weapons crafted for peak-time moments and the rawer corners of the club. A heavy-hitting addition to the label's catalog and a must-have for techno selectors with a taste for precision and punch.

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2025 repress

Tracklisting
A1 Gary Beck - Upside Criminal
A2 Gary Beck - Sambana
B1 Gary Beck - Pepper Track
B2 Gary Beck - Rejected
B3 Gary Beck - Ghost

Sales Note
Gary Beck returns to Mutual Rytm as he unveils a selection of impactful cuts across his debut 12'' on the label, 'Upside Criminal'.

Bek Audio boss and Glasgow techno mainstay Gary Beck has long been a key figure in the scene with a unique sound that has shaped a vast discography. One of the genre's best, with appearances across iconic institutions and collaborations with legendary talents, he is a definitive talent. Returning to SHDW's Mutual Rytm imprint, his new EP lands following his recent appearance on the label's 'Federation Of Rytm III' VA, with the tracks on the package proving as go-to favourites for the label boss over recent months.

''Mutual Rytm has been nothing short of inspirational to me over the last years. I've been playing almost
everything from the label, as the tracks really suited what I was selecting in my DJ sets. The high-quality output really got my juices going to create something for the label, and I was delighted when Marco liked what I sent. This EP signals exactly where I am musically. I'm an absolute sucker for tracks with relentless groovy energy and little breaks, so it felt like a perfect fit. Tracks from the EP have been an absolute joy to play in my sets recently,
and I'm so excited to deliver this EP on my current favourite label, Mutual Rytm.'' - Gary Beck.

The powerful 'Upside Criminal' kicks off with hammering drums and pounding hits that create an inescapable wall of sound that will dominate dance floors of any size. There is more loopy energy to 'Sambana' with its ever more jagged synth stabs and fizzing drum textures while 'Pepper Track' is a futuristic techno workout with rattling snares and mutant synth details peeling off the straight-up groove. 'Rejected' is built around trapped vocal fragments that swirl about the mix to a disorientating effect as the high-speed drums and sheet metal synths race onwards, 'while
Ghost' closes out with a subtle sense of uplifting celebration from the synths that rise up through rusty, rickety techno grooves. Digital Bonus 'Variation 6.1' offers another searing and funky techno stomp, once again providing an extra gem for digital purchasers.





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Glasgow’s Gary Beck is back on Second State with weighty 4 tracker “Supervan EP”.

Long-standing techno force Gary Beck will return to Berlin’s Second State with a grooving and cerebral 4 track EP. A pillar of Scotland’s techno scene, Gary has appeared regularly at some of the globe’s most respected venues and festivals including Womb Tokyo, fabric, Output NYC and Awakenings, to name a few.

Title track ‘Supervan’ opens with bouncing bass and rattling percussion. A chopped-up vocal is introduced and commands the track forward as it ascends, with the kick battling to harden the track over the grooving melody and anthemic keys. Next up is the spirited cut ‘Psycho Babble’. A resounding sample attempts to cry out over the jacking bass and kick combo, calling out in ecstasy at intervals of the track. A minimal hi-hat jumps throughout but retracts as the track increases tempo and gallops towards the end, where Beck incorporates breakbeat elements for the final leg.

‘Sparks’ follows with rhythmic shakers and hi-hats juxtaposing each other under the monologue of two young punters. The conversation adds a narrative to the track as it intensifies along with a gritty buzzing element. The voices become distorted as the track builds to crescendo, with the sample and music working together in unison to unravel the story of the character’s night. The finale ‘Pink Castles’ is a pacy and hypnotic trip, conjuring up the energy of both a peak-time workout and high-tempo closer. Haunting vocals and icy synths swirl around the driving elements and atmospherics, engulfing the listener into the darkness of this finishing track.

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With the last two releases on BEK Audio involving the champion sounds of Mark Broom, Mr. G, Speedy J and Edit Select, this time full attention is paid to Gary himself. The EP shows three different flavours from a man known for his varying style but consistent quality. 'Feel It' leads with swinging bass, fading percussion and looping vocal in the archetypal Beck manner. The track swells throughout and has been a cornerstone of recent GB DJ sets. 'Paid Out' heads towards a groovier sound, but still retains the tension of 'Feel It'. Perfect for the stand-out and reflective moment in heavier DJ sets. 'Hillview' is a different beast. A dark, deep and hypnotic track smoulders in the whispering vocals and pulsing tones while sub bass and a thudding kick drum maintain the rhythm.



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With the last two releases on BEK Audio involving the champion sounds of Mark Broom, Mr. G, Speedy J and Edit Select, this time full attention is paid to Gary himself. The EP shows three different flavours from a man known for his varying style but consistent quality. 'Feel It' leads with swinging bass, fading percussion and looping vocal in the archetypal Beck manner. The track swells throughout and has been a cornerstone of recent GB DJ sets. 'Paid Out' heads towards a groovier sound, but still retains the tension of 'Feel It'. Perfect for the stand-out and reflective moment in heavier DJ sets. 'Hillview' is a different beast. A dark, deep and hypnotic track smoulders in the whispering vocals and pulsing tones while sub bass and a thudding kick drum maintain the rhythm.



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Filipovich is one of a kind. The Belarus-born, Paris-based artist works in a multitude of media - found footage films, painting, silkscreening and performance to name a few. It's her musical output that has caught the attention of late, though, with Filipovich dropping a run of releases in recent years which began with 2021's Magnificat on Time Released Sound. Filipovich takes as much of a novel approach to her music-making as she does with her other artistic endeavours - Magnificat was centred around treated samples of Sergei Rachmaninov's All-Night Vigil, and she's also combined classical composition with contemporary electronic techniques on her subsequent drops.For Idealized, Filipovich's debut on Sheffield's Central Processing Unit, she maintains the gothic air which characterised her previous releases and applies it to a record of widescreen contemporary techno joints. These tracks represent something of a gear shift for CPU, a label which has long made its name by delivering top-quality electro and machine-funk jams, but such is the quality of Idealized that these superbly-executed techno productions are sure to win over label fans both old and new.Idealized is very much schooled in the German tradition of minimal/dub techno. Tracks like 'Physical', 'Wave' and 'Dance Minor' all anchor themselves on single, steady drum pulses and delay-drenched single-chord loops. Filipovich generally lets the central idea of these tracks play out across several minutes while introducing increasingly disorientating elements into the rest of the mix - wiccan atmospherics, clashing chords, spiralling delays and so forth. It's an approach at once respectful of Filipovich's predecessors - Basic Channel, Deepchord, Ellen Allien and so on - but also full of idiosyncrasies and individuality.Many of the club cuts here hardwire us into the moody, murky environs of the darkest Berlin Basements. 'Ultra Red' rides forward on a crisp drum machine snap, a menacing burble of bassline and an eerie single-note synth whistle in the upper end of the mix; 'Dance Minor' shows off a bit of KiNK in the brain-bending modular loop that waxes and wanes at its centre; the second-half run from 'Wave' to closer 'Small Cave' travels ever-further out into deep space - the kick drums remain insistent, yet the textural elements are delivered with an edge and flair that evidences Filipovich's ability to think outside the box.Filipovich's unusual methods, and the influence of sound art and electroacoustic composition on her music, are drawn out further when Idealized steps away from the dancefloor. 'Hydra' comes off like a more gothic version of Pole - its central pulse draws from dub techno but never quite settles into a danceable groove, and this beat is combined with the kind of unnerving keyboard work that would make John Carpenter proud. Although closer 'Small Cave' eventually locks into another dark-room techno roller, the opening section of the track delivers a weightless soundscape of bright, tinny chords and a scene-setting field recording.Idealized, the first drop on Central Processing Unit from Paris-based Belarusian Lina Filpovich, broadens the label's horizons with a selection of finely crafted minimal/dub techno joints.

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Incredible Techno and dub techno by now legendary Conforce (aka Versalife) that will Take You on a Sonic journey with Commute "Part 1" on Syncrophone. No need to introduce Conforce anymore... The Dutch producer blasts off with "Commuting Part 1," a 4-track EP on Syncrophone Records. Buckle up for a sonic adventure that electrifies your daily routine. "

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Get Ready to Groove to the Infectious Rhythms of Detroit-Sync, the Latest Ep From Legendary House Music Producer Gari Romalis. This Four-Track Vinyl Release Captures the Essence of Detroit's Deep House Sound, With Its Soulful Melodies, Hypnotic Basslines, and Infectious Grooves. Romalis' Signature Style, Infused With a Detroit House Heritage, Shines Through in Every Track. From the Hypnotic Groove of "Detroit Vip" to the Soulful Depths of "Stay Ready," Detroit-Sync Is a Guaranteed Crowd-Pleaser. if You're a Fan of Deep House Music, Detroit-Sync Is a Must-Have. This Ep Is Sure to Get You Moving and Grooving All Night Long. Detroit on the Move !...

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The Oyster Cult’s Naarm continent grows larger with the addition of Ebbs N Flow. The unholy alliance of Dashiell and Will Holden of Hybrid Man touching down with some precision-tooled tech house variants, and considering their only previous collab came on an Animalia compilation back in 2022, this has been long in the making.

OYSTER56 marks the first full release from this lesser spotted project. The handiwork of two producers, both accomplished in their own right but transcending their respective styles for a 4-track dose of late nite propulsion. Seductively stripped-back and engineered for optimum impact.

Flexing a deftness of touch, and a far cry from the smudged, dubby FX Holden tends to deploy under the Hybrid Man banner, these tracks set the duo’s stall out as purveyors of the nocturnal and club-ready. Sultry, sleek, and sumptuous like only the dankest cuts can sound.

It’s fitting that a track with the title 'Deeper Dream' might feature on a release feeling like a transmission from the other side; a parallel dimension where the after-hours never end.

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F-BOMBS RECORDS has landed! A spin-off of the Foundations Series events that have been running across London the past 2+ years. Similarly to the Foundations Series events, the label will be a home of multi-genre artist releases with a nod to all the classic eras of UK dance music brought firmly up-to-date.

SWANKOUT has been moving at paces, riding the charts the last couple of years with releases for the likes of Hardcore Energy, Top Drawer Digital and Pete Cannon’s N4 Records - which saw his Swankout EP sell out of vinyl in just 24 hours! He’s also notably just remixed Shadow Child & Mark Archer’s “I know You” on UTTU’s sub-label Dancetrax and his forthcoming The Criminal Minds collab is gaining much hype.

Here Swankout demonstrates his diversity in taste and production style by lending his hand to UKG with the aptly named “The Speed Garage EP”. A 4-tracker that imbues classic speed garage, with rumbling basslines, weighty breakdowns, gunshots and a hint of jungle. Heads will note the reference of lead track Rude Bwoy Monty to the original jungle don R.B. Monty.


F-BOMBS001 - SWANKOUT - THE SPEED GARAGE EP

A1. RUDEBWOY MONTY - Moody build-up into an unforgettable breakdown of police sirens and rising tension, conjures up memories of early morning raves and raids across London and the greater M25 perimeter.

A2. LOVE COMMANDS - A steppy dancefloor bouncer, pure summer vibes for the love dove generation.

AA1. GUNSHOT - All the elements of a classic speed garage stomper. Warped bassline, pitched/chopped vocals, gunshots and a lot of attitude.

AA2. APPROACH PHASE - Fasten your seatbelts and assume approach positions. A track that invokes a sense of nostalgia for dancefloors long gone.

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"Asset003 is Stojche’s debut release in 2013. He returns back to his solo imprint to present the 3rd EP in the series. Again 4 – tracker 12’’, range of quality techno and house outputs in brilliant symbiosis.

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Repress!

Another re-issue from the catalogue of the Italian Disco maestro Constantino Paolini. Taking the iconic voice of Italian movie celebrity Patrizia Pellegrino yet again to vocalize another Roman disco-pop anthem amongst diggers worldwide. Simple yet perfectly put together into an ear catching melody only paralleling Constantino's decades of expertise in music business. Early synth playfulness with Cosmic nuances arpeggiated under a mysterious and dreamy Italian female vocal that reverizes about seeing the world from the perspective of a cloud with a romanticized fondness for its diversity.
Originally released as a 7” and brought back to your record collections at an affordable price in 12” format, remastered and while respectful to the original release this re-issue also branches away from the short radio play format as it features an additional extended edit for the more indulgent dancefloor.

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Steve O'Sullivan Returns to Phonogramme Records with New EP 'Tribal Dubs’ Following the success of his debut EP on the label, Steve is back with a mesmerizing three-track offering that showcases his signature blend of deep grooves and atmospheric textures.This marks Steve O'Sullivan's second EP on Phonogramme Records, further solidifying his relationship with the label and cementing his reputation as a leading figure in the techno scene. 'Tribal Dubs' is a testament to Steve's continued creativity and innovation, showcasing his ability to push boundaries while staying true to his roots.'Tribal Dubs' is set to release on Phonogramme Records and will be available on all major streaming platforms and vinyl. Don't miss out on this exceptional release from one of techno's most respected artists.

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* Track order on pressing (side A) swapped

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Third outing by Utrecht's Böhm on M>O>S Recordings! As always, a beautiful collection of warm, jacking, bleep-y, deep house. Reminiscing to good old times, 90's Chicago house, early 00's UK bleep techno, it all feels very much at home here on M>O>S.

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Freerange welcomes back dutch producer Yannick Roberts for his follow up to his 2022 I Can’t Hide From Myself EP. That release gained club spins and chart support from the likes of Dave Lee, Jamie 3:26, Luke Solomon and Fred Everything and became a hit with lovers of deep, disco-influenced Detroit house sounds as championed by fellow countrymen such as Dam Swindle, Fouk and Nachtbraker. Opening track Grace sets the tone with a chunky groover guaranteed to set the right mood on the dance floor. Next up Yannick picks up the pace with Anyone (This Late At Night Mix) which uses syncopated synth stabs and a simple two note bassline to create peak time energy levels. Amsterdam Nights keeps things bubbling along nicely with fat 909 beats, piano stabs and intense vocal samples while the EP closes out in fine fashion with All For You. Four tracks which perfectly demonstrate Yannick’s knack for producing quality club tunes.

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Limited edition of 100 copies. There will be no repress in the future.

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