Mark Broom, Remco Beekwilder, Clouds and Anne remix Gary Becks big room techno classic Video Siren 200 copies only.

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Tracklisting
A1 Gary Beck - Upside Criminal
A2 Gary Beck - Sambana
B1 Gary Beck - Pepper Track
B2 Gary Beck - Rejected
B3 Gary Beck - Ghost

Sales Note
Gary Beck returns to Mutual Rytm as he unveils a selection of impactful cuts across his debut 12'' on the label, 'Upside Criminal'.

Bek Audio boss and Glasgow techno mainstay Gary Beck has long been a key figure in the scene with a unique sound that has shaped a vast discography. One of the genre's best, with appearances across iconic institutions and collaborations with legendary talents, he is a definitive talent. Returning to SHDW's Mutual Rytm imprint, his new EP lands following his recent appearance on the label's 'Federation Of Rytm III' VA, with the tracks on the package proving as go-to favourites for the label boss over recent months.

''Mutual Rytm has been nothing short of inspirational to me over the last years. I've been playing almost
everything from the label, as the tracks really suited what I was selecting in my DJ sets. The high-quality output really got my juices going to create something for the label, and I was delighted when Marco liked what I sent. This EP signals exactly where I am musically. I'm an absolute sucker for tracks with relentless groovy energy and little breaks, so it felt like a perfect fit. Tracks from the EP have been an absolute joy to play in my sets recently,
and I'm so excited to deliver this EP on my current favourite label, Mutual Rytm.'' - Gary Beck.

The powerful 'Upside Criminal' kicks off with hammering drums and pounding hits that create an inescapable wall of sound that will dominate dance floors of any size. There is more loopy energy to 'Sambana' with its ever more jagged synth stabs and fizzing drum textures while 'Pepper Track' is a futuristic techno workout with rattling snares and mutant synth details peeling off the straight-up groove. 'Rejected' is built around trapped vocal fragments that swirl about the mix to a disorientating effect as the high-speed drums and sheet metal synths race onwards, 'while
Ghost' closes out with a subtle sense of uplifting celebration from the synths that rise up through rusty, rickety techno grooves. Digital Bonus 'Variation 6.1' offers another searing and funky techno stomp, once again providing an extra gem for digital purchasers.





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Glasgow’s Gary Beck is back on Second State with weighty 4 tracker “Supervan EP”.

Long-standing techno force Gary Beck will return to Berlin’s Second State with a grooving and cerebral 4 track EP. A pillar of Scotland’s techno scene, Gary has appeared regularly at some of the globe’s most respected venues and festivals including Womb Tokyo, fabric, Output NYC and Awakenings, to name a few.

Title track ‘Supervan’ opens with bouncing bass and rattling percussion. A chopped-up vocal is introduced and commands the track forward as it ascends, with the kick battling to harden the track over the grooving melody and anthemic keys. Next up is the spirited cut ‘Psycho Babble’. A resounding sample attempts to cry out over the jacking bass and kick combo, calling out in ecstasy at intervals of the track. A minimal hi-hat jumps throughout but retracts as the track increases tempo and gallops towards the end, where Beck incorporates breakbeat elements for the final leg.

‘Sparks’ follows with rhythmic shakers and hi-hats juxtaposing each other under the monologue of two young punters. The conversation adds a narrative to the track as it intensifies along with a gritty buzzing element. The voices become distorted as the track builds to crescendo, with the sample and music working together in unison to unravel the story of the character’s night. The finale ‘Pink Castles’ is a pacy and hypnotic trip, conjuring up the energy of both a peak-time workout and high-tempo closer. Haunting vocals and icy synths swirl around the driving elements and atmospherics, engulfing the listener into the darkness of this finishing track.

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With the last two releases on BEK Audio involving the champion sounds of Mark Broom, Mr. G, Speedy J and Edit Select, this time full attention is paid to Gary himself. The EP shows three different flavours from a man known for his varying style but consistent quality. 'Feel It' leads with swinging bass, fading percussion and looping vocal in the archetypal Beck manner. The track swells throughout and has been a cornerstone of recent GB DJ sets. 'Paid Out' heads towards a groovier sound, but still retains the tension of 'Feel It'. Perfect for the stand-out and reflective moment in heavier DJ sets. 'Hillview' is a different beast. A dark, deep and hypnotic track smoulders in the whispering vocals and pulsing tones while sub bass and a thudding kick drum maintain the rhythm.



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Vinyl Only! Floor bomb! Raw n dirty / dub n acid / analog n noisy techno without any doubt! Mastered by Helmut Erler @ Dubplates & Mastering Berlin.



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The tracks blend the best of booth producers, Rachmads Detroit influence shaped with Lauxs dynamic style. The title track Viking, is led by a synth that sweeps in an almost hyperventilating rhythm that raising the track with a series of industrial ticks and clicks that flavour the German, Dutch and Detroit mix. A dark bassline leads the track into its climax where glitchy synths squeak and stretch before the track drops. Carlos is a track that bounces with groove. Morse-like rhythmic bleeps carry the track cementing the individuality that is created in the EP. Awash with sweeping sounds, the track gains a smoother feeling of deep techno demostrating their delicacy. 7tine is a juggernaut with a dark, heavy rhythm, showing the industrial power of the pairs production. Flanged distortion scratching like fingernails give the track a tense edge, while simple yet powerful synths steer the EP into an eerie conclusion.

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euphorie on the dancefloor one of the best Slam tracks peaktime Pan-Pot (Mobilee) remixes


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Big Remixpack incl remixes from Dj Sneak, Wolf+Lamb, Gene Farris and Shonky (Freak N Chic) from H-Foundations - Tonight Track ... nothing to say but of coures without any doubt


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