Calm's superb Before album is the gift that keeps on giving as Hell Yeah serves up a collection of the best remixes from it. Willie Graff, Gallo and Aura Safari all step up on a fresh 12" that lands this summer.

Before arrived on double vinyl in 2022 after a CD-only release in Japan in 2021. Since then it has become a Balearic mainstay and go-to record for lovers of lavish downtempo sounds. Now, remixes of three tracks from it all appear on this one record with Ibirican-American Willie Graff going first. He is a deep house don who has held several key residencies around the world while dropping his sublime sounds on the likes of Leng, Music For Dreams and many more. His remix of 'I Love You' is a gloriously horizontal one with blissful piano keys rippling over the bubbly drums and bass. Yearning reed melodies add an emotional romantic edge to make this a standout in any setting. Then comes Gallo, the Balearic Gabba Sound System member and resident at Berlin Balearic nightspot Buena Onda. His 'Tropical Hinterhof' remix of 'I Love You' is expertly exotic and soothing as mellifluous keys rain down over a groove as smooth as silk. It's a heart-achingly beautiful sound that will make for truly special moments on the dance floor.

Italian collective Aura Safari then offers two different remixes. They are master musicians who have served up a superb double album Islands Dreams here in late 2023 where they showcased their escapist blend of dub, jazz, Afro-cosmic, Balearica and boogie. First up, 'Feel It' (Aura Safari Desert mix) is six minutes of oriental melody over loose drums. There's a playful feel to the dancing piano keys and richness in the percussion that makes this one a sophisticated sound for both early evening warm-ups or moments of late-night reflection. 'Kunpoo' (Aura Safari Daydream mix) has a nineties feel with its gentle breaks, hypnotic string loops, and sustained chords. They break over you in gentle rays of earth and euphoria to ensure utterly blissed-out results.

These four versions all bring sophisticated dance floor energy to the timeless originals. More

Theme Ltd presents two new releases from resident artist GAIKA
, https://www.somersethouse.org.uk/residents/gaika also featuring THE NARRATOR and Liu. The two tracks circle between various influences and bear a bright flash of versatility from the artist and his collaborators. ‘Racing Gloves’ is underscored by THE NARRATOR’s melodious, delicately discordant passages. It’s then supplemented by GAIKA’s visceral, close-to-home rap style and calculated production. This textural balance, the two voices in tandem, makes for a perfect synchronicity. Not sure which voice to listen to? Pick up the gloves and go for a drive.

’S Composites’ featuring Liu, guides the listener between the gentle throes of multilingualism. It’s a unique mix of ethereal melodies supported by a classic RnB beat, enriched by a soft, swelling droning that seems to mimic breathing. As the track inflates and deflates, we’re carried by Liu’s honeyed vocals to her countdown, and the track’s final minute-long ‘breath’. More

Shogun Audio proudly presents Monrroe – Vol. 1, a limited edition collector’s item containing four of Monrroe’s biggest Drum & Bass hits released on the label over the past few years. Fan favourites such as ‘Out Of Time ft. Zara Kershaw’ and ‘Never Too Old ft. Emily Makis’ feature on black eco-vinyl and sleeve produced using 100% recycled materials. More

John Beltran in proper downtown Detroit mood! Including a remix from the Knight Of The Jaguar man himself Rolando! BIG! More

After a five year hiatus Luke Slater reanimates his L.B. Dub Corp alias for a dynamic, vocal-led ode to the club featuring Robert Owens, Paul St. Hilaire, Miss Kittin and more. The LP is set to release on 10th May 2024

Since his first forays into DJing, Luke Slater has been pursuing different streams of inspiration to wind up with some of the most enduring electronic music of the past 30 years. From the grandiose ambient techno of The 7th Plain to the trailblazing machine funk of Planetary Assault Systems, he’s gifted a lot of music to the world. His L.B. Dub Corp alias first emerged in 2006, and has since been a vessel for a looser approach to club music compared to the steely big room energy of P.A.S. At times it’s housier, elsewhere dubbier, but still logically attached to Slater’s overall arc as an artist and music lover.

On his new album, which marks his first appearance on Dekmantel, Slater wanted to celebrate the unique cultural intake which set him on his path. It starts with his earliest memories marvelling at the beats in his father’s big band and jazz funk records until he was old enough to be drumming himself. The drums have remained a source of fascination despite his years entangled in machine music, and for the first time Slater uses his own live drumming on Saturn to Home.

The subtle imperfections of human rhythm are a big draw - Slater has always shied away from anything too ‘perfect’. From the rough and ready advent of drum machines and synths in early 80s pop, disco and electro to the breakthrough years of house music, Slater started to get a handle on how the sounds were made by identifying with the DIY, anything-goes spirit of the era. These are the touchstones which were on his mind as he started to work on Saturn to Home, not seeking to create carbon copies or overtly retro tracks, but rather to keep the verve and open-ended attitude of that music on his mind as made the album throughout 2022.

Beyond the drums, the vocals are the other vital ingredient which Slater knew he needed for this record. His own voice appears sporadically, but he also very intentionally reached out to artists such as legendary deep house original Robert Owens and dub techno crooner Paul St. Hilaire. Iconic French electro provocateur Miss Kittin also makes an appearance. Alex is the solo alias for Alexandra Grübler of Baal & Mortimer, who lends her freewheeling approach to ‘Golden Star’ in a style Slater compares to Liz Fraser in Cocteau Twins.

Behind ‘Only The Good Times’ lies the story of fabled Eindhoven street character Arnol Kox, who passed away in 2020, whose philosophical proclamations had become local legend. Slater managed to record Kox shouting the Dutch equivalent of the track title, which had become his sole mantra after years preaching to folk in the city centre, creating a heartfelt tribute to someone who embodied the misfit individuality Slater feels most at home around, not least in the club.

It’s this lattice of sounds, stories and feelings which give Saturn to Home its electric, diaristic energy. Whether it’s the feverish passion of ‘Your Love’s infectious chord stabs or the smoky soundsystem tendrils of ‘Golden Star’, the elastic drums and mutant synth funk of ‘Krank’ or the star-scraping breakbeat techno of ‘Only The Good Times’, Slater tells the story of his life in music, which means his life overall, without ever being stuck in the past. More

Out through fabric Originals (DJ Mag – Best of British breakthrough label 2023), Trusting Theta draws inspiration from Irish and Greek mythology. It features collaborations with Eliza Rose, Mary Lake and fellow Derry-born artist SOAK. Trusting Theta is the debut studio album by Or:la.

The LP follows EPs on Hotflush Recordings and fabric Originals. Looking ahead, Or:la will play at Love International, Dekmantel Festival, Houghton, Lost Village and Body Movements before the album arrives.

Mastered and cut on 140g black vinyl by legendary mastering engineer Matt Colton at Metropolis Studios, London. Pressed at optimal media, Germany. More

For over three decades Toby Marks, aka Banco de Gaia, has been redefining world electronica, leaving an indelible footprint on the global music scene, rousing many a dancefloor, and inspiring countless musicians to follow. At the forefront of blending acoustic and electronic sounds, integrating themes and techniques from cultures and traditions the world over, Toby has worked with musicians and producers as ingenious and diverse as Pink Floyd's Dick Parry, Natacha Atlas, Tim Wheater and Hawkwind– to name just a few. Ranging from cinematic ambience to pounding dancefloor-fillers, his music defies genres, and borrows from a wealth of musical sources and styles. Toby's background in jazz and rock combine with his love of dance and world music to produce a glorious, uplifting and, at times, mesmerizing sound. More

Genre: Dub / Techno

Tracklisting
A1 Bukkha & Roger Robinson - Planet I-N-I
B1 Bukkha & Roger Robinson - Night Out

Sales Note
Unfold is the beginning of the next phase in Bukkha's musical journey. Its purpose is to explore different territories of sound and expose the people to a variety of tempos and styles. Kicking it off Planet I-N-I is a slow and low riddim that blends roots and future sounds carried by atmospherics and textures.
On the flip we have revered author and dub poet Roger Robinson taking us into the depths of reality. He shares with us a story that brings further awareness on profiling and police brutality. The story is accompanied by a minimal beat with echoing stabs and a pulsating sub. Enjoy the
journey in the first chapter of the Unfold series. More

Tracklisting
A1 Amazon II - Track 1 (Booya remix)
A2 Aphrodite - Tower Bass
B1 Aphrodite - Shine
B2 Aphrodite feat. Gail McClean - I Wanted It More & More

Sales Note
Next in the series of classic Aphrodite Jungle/Drum&Bass put together by Triple Vision and Aphrodite Recordings. This release is the new 2024 Classic Jungle Repress EP by Aphrodite & Amazon II showcasing the original and highly influential tracks from between 1994 and 1996 produced by DJ Aphrodite. More

Tracklisting
A1 Another Channel - Run Dub
A2 Another Channel - Amir Dub
A3 Another Channel - (Yes!) Badness
A4 Another Channel - Ael Na Dub
B1 Another Channel - Solid
B2 Another Channel - Ethiopian Dub
B3 Another Channel - Uranus
B4 Another Channel - Run (Babe Roots remix)

Sales Note
- 2024 orange vinyl repress -

Pure, distilled Dub. Upholding Jamaica's legacy as well as Germany's unequivocally influential Dub Techno spirit, Moonshine Recordings proudly welcomes their next addition to the roster. On the controls for the 9th full-length album release, a true-to-the-roots, all-analogue musician: Another Channel. Having put himself on the map with releases on Soukah's Blacksoil Records, Bristol's Transient Audio as well as on Australian imprint Modern Hypnosis, it's now time for the album release, we've all been waiting for. No computer involved as impeccable arrangements and analogue reverberations unfold. Live and direct in the original Dub mixing fashion, the Augsburg-based artist uniquely transports the sonic characteristics of Rhythm & Sound into the
present time.

Subtle vinyl crackles gently introducing meditative beats, 'Run Dub' sets the pace. Keen listeners find themselves embedded in lively echoes and reverbs, left to bask in smooth, sonic contemplation. Engineered to soothe the soul, timeless foundation sound. Intensified groove meets low-frequency pressure in 'Amir Dub' among haunting melodica fragments. '(Yes!) Badness' unsheathes its off-kilter swing, vocal and foley samples musing in the distance - further showcasing Another Channel's technical prowess. Heavy chord stabs and delicate overdrive counterpoint the immense scope of conjured space in 'Ael Na Dub', concluding a beautiful A-Side.

Lush chords lure us to the flip-side - 'Solid' kicks off with a staccato bass-line in the midst of lavish white noise surges and minimal drums. Rooted in endless feedback trails, steadily kept in check. Previously teased, the mighty 'Ethiopian Dub' steps through in full glory, carried by militant drum motion and forceful low-end. On a more spacious excursion, 'Uranus' takes a brightly lit stroll through the analogue Dub universe, led on by Another Channel's signature groove propulsion. Pointing back towards A-Side, prolific Dub proponent Babe Roots presents his musical qualities in a monumental remix of 'Run'. More

Barcelona’s Tunik follows up on last year’s A New Dawn with a distinct turn to the dark side as he pays tribute to the iconic, vampiric creature of the night, Nosferatu.

The horror theme on the title track is a natural fit with the Argentinian artist’s schlocky strain of EBM-styled electro-techno, but the music is no joke. Boxy drum machine jack and a suite of darkly seductive synth lines strike the perfect note between vintage flair and modernist impact, and the macabre mood lingers over the rest of this trip through gothic club music.

Whether it’s the Twilight Zone creep around the edges of ‘Slave’, acid blood raining down on ‘W72’ or the undead getting busy with the grungy bass and dry snare hits on ‘Sorrow’, Tunik has got exactly what you need to send a shiver down the dance floor’s spine and raise the temperature in the room, all in the same heartbeat. More