12"
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Label:Aphrodite Recordings
Cat-No:APH-71
Release-Date:07.06.2024
Genre:Drum + Bass
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1
Amazon II - Track 1 (Booya remix)
2
Aphrodite - Tower Bass
3
Aphrodite - Shine
4
Aphrodite feat. Gail McClean - I Wanted It More & More
Tracklisting
A1 Amazon II - Track 1 (Booya remix)
A2 Aphrodite - Tower Bass
B1 Aphrodite - Shine
B2 Aphrodite feat. Gail McClean - I Wanted It More & More
Sales Note
Next in the series of classic Aphrodite Jungle/Drum&Bass put together by Triple Vision and Aphrodite Recordings. This release is the new 2024 Classic Jungle Repress EP by Aphrodite & Amazon II showcasing the original and highly influential tracks from between 1994 and 1996 produced by DJ Aphrodite. More
A1 Amazon II - Track 1 (Booya remix)
A2 Aphrodite - Tower Bass
B1 Aphrodite - Shine
B2 Aphrodite feat. Gail McClean - I Wanted It More & More
Sales Note
Next in the series of classic Aphrodite Jungle/Drum&Bass put together by Triple Vision and Aphrodite Recordings. This release is the new 2024 Classic Jungle Repress EP by Aphrodite & Amazon II showcasing the original and highly influential tracks from between 1994 and 1996 produced by DJ Aphrodite. More
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Label:Aphrodite Recordings
Cat-No:RAPH004
Release-Date:15.09.2023
Genre:Breaks
Configuration:12"
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Cat-No:RAPH004
Release-Date:15.09.2023
Genre:Breaks
Configuration:12"
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1
Aphrodite - Stonka
2
Aphrodite - Break Of Day
3
Aphrodite - Break Of Dawn Ft. Andrew C
12"
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Label:Aphrodite Recordings
Cat-No:APH-70
Release-Date:25.11.2022
Genre:Drum + Bass
Configuration:12"
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Cat-No:APH-70
Release-Date:25.11.2022
Genre:Drum + Bass
Configuration:12"
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1
Aphrodite - King Of The Beats
2
Aphrodite - Musics Hypnotising
3
Aphrodite - Dub Moods
4
Aphrodite - Spice Of The Gods Remix 2016
Tracklisting:
A1 Aphrodite - King Of The Beats
A2 Aphrodite - Musics Hypnotising
B1 Aphrodite - Dub Moods
B2 Aphrodite - Spice Of The Gods Remix 2016 More
A1 Aphrodite - King Of The Beats
A2 Aphrodite - Musics Hypnotising
B1 Aphrodite - Dub Moods
B2 Aphrodite - Spice Of The Gods Remix 2016 More
Label:Aphrodite Recordings
Cat-No:APH-69
Release-Date:18.11.2022
Genre:Drum + Bass
Configuration:12"
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Cat-No:APH-69
Release-Date:18.11.2022
Genre:Drum + Bass
Configuration:12"
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1
Aphrodite - Mash Up You Know
2
Aphrodite - So Good
3
Aphrodite - We Enter (Heavenly Remix)
4
Aphrodite - Geni (Lost In Zanzibar)
Tracklisting:
A1 Aphrodite - Mash Up You Know
A2 Aphrodite - So Good
B1 Aphrodite - We Enter (Heavenly Remix)
B2 Aphrodite - Geni (Lost In Zanzibar) More
A1 Aphrodite - Mash Up You Know
A2 Aphrodite - So Good
B1 Aphrodite - We Enter (Heavenly Remix)
B2 Aphrodite - Geni (Lost In Zanzibar) More
More records from Aphrodite Recordings
Label:Aphrodite Recordings
Cat-No:RAPH004
Release-Date:15.09.2023
Genre:Breaks
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1
Aphrodite - Stonka
2
Aphrodite - Break Of Day
3
Aphrodite - Break Of Dawn Ft. Andrew C
12"
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Label:Aphrodite Recordings
Cat-No:APH-70
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Genre:Drum + Bass
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1
Aphrodite - King Of The Beats
2
Aphrodite - Musics Hypnotising
3
Aphrodite - Dub Moods
4
Aphrodite - Spice Of The Gods Remix 2016
Tracklisting:
A1 Aphrodite - King Of The Beats
A2 Aphrodite - Musics Hypnotising
B1 Aphrodite - Dub Moods
B2 Aphrodite - Spice Of The Gods Remix 2016 More
A1 Aphrodite - King Of The Beats
A2 Aphrodite - Musics Hypnotising
B1 Aphrodite - Dub Moods
B2 Aphrodite - Spice Of The Gods Remix 2016 More
Label:Aphrodite Recordings
Cat-No:APH-69
Release-Date:18.11.2022
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1
Aphrodite - Mash Up You Know
2
Aphrodite - So Good
3
Aphrodite - We Enter (Heavenly Remix)
4
Aphrodite - Geni (Lost In Zanzibar)
Tracklisting:
A1 Aphrodite - Mash Up You Know
A2 Aphrodite - So Good
B1 Aphrodite - We Enter (Heavenly Remix)
B2 Aphrodite - Geni (Lost In Zanzibar) More
A1 Aphrodite - Mash Up You Know
A2 Aphrodite - So Good
B1 Aphrodite - We Enter (Heavenly Remix)
B2 Aphrodite - Geni (Lost In Zanzibar) More
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Label:JTI Records
Cat-No:OWNUPU7
Release-Date:10.05.2024
Genre:Rock
Configuration:LP
Barcode:5050580819597
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Genre:Rock
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1
The Prisoners - This Road Is Too Long
2
The Prisoners - Save Me
3
The Prisoners - If I Had Been Drinking
4
The Prisoners - Going Back
5
The Prisoners - My Wife
6
The Prisoners - Morning Star
7
The Prisoners - Something Better
8
The Prisoners - Break This Chain
9
The Prisoners - The Green Meteor
10
The Prisoners - Prophet Of Gloom
11
The Prisoners - Winter In June
12
The Prisoners - Got To Him
13
The Prisoners - Beauty Hides The Truth
14
The Prisoners - Hold Tight
Some things are worth waiting for… "Morning Star" is the first all-new album by The Prisoners since 1986. It
features the original line-up of
Allan Crockford – bass, vocals
Graham Day – vocals, guitar
Johnny Symons – drums
James Taylor – Hammond organ, vocals
After a phenomenally successful series of gigs in December 2022 marking the 40 th anniversary of their debut album 'A Taste of Pink', the band decided to make some new music. The recording was completed in two days, one of them in Studio 2 at Abbey Road. Their preference for recording quickly hasn't changed since they recorded that first album as teenagers, also in two days, in 1982. To celebrate, they play The Roundhouse in London on May 24th, their biggest headline gig
Biography
The Prisoners formed when they were still at school in Rochester, Kent. Between 1982 and 1986 the band released four albums plus several singles and EPs. Inspired by the local Medway DIY music ethic, their debut 'A Taste of Pink' and 'The Last Fourfathers' appeared on their own label, Own Up Records whilst "The WiserMiserDemelza" was released on Big Beat (Ace Records) and "In From The Cold" on Countdown (Stiff Records).
They earned a reputation as an incendiary live act as they plied their trade around the UK and Europe, building up a dedicated following and unknowingly inspiring a generation of future musicians. Their unique sound, based on instantly memorable and melodic songs surfing on a seething wave of brutal guitar, attention-grabbing, up-front Hammond and head-pounding rhythms, made for an explosive evening of entertainment. It was a unique combination of the sonic assault and danger of The Who and 60's garage-punk, the soulful vocals and dynamics of the Small Faces plus the groove and danceability of Booker T & the MGs. Throw in the intensity, drive and insolence of punk rock, as well as an unabashed love for instrumental TV themes and you had a wonderfully off-kilter version of where the real cool kids were at in the early '80s…
Despite some brushes with 'success', the pressures of hard living on the road took their toll and they quit in September 1986. They left behind a legacy and a sound that was inspirational to many that followed. Not many under the radar bands of the 80's would merit chapters dedicated to them in biographies of such luminaries as Steve LeMacq and Tim Burgess as well as being name checked as Brit-Pop forefathers. Their original albums make regular appearances in 'Great Lost Albums' lists and continue in print to this day.
James Taylor subsequently went on to gain huge success as the best pure Hammond player of his generation with his jazz and funk quartet (JTQ). His playing and sound undoubtedly played a massive part in restoring the popularity of his chosen instrument.
That work started in The Prisoners.
Graham Day and Allan Crockford, both together and apart, continue to the present playing music that has ploughed a similar furrow to The Prisoners in such combos as The Prime Movers, The Solarflares, The Gaolers, The Galileo 7 and The Senior Service. More
features the original line-up of
Allan Crockford – bass, vocals
Graham Day – vocals, guitar
Johnny Symons – drums
James Taylor – Hammond organ, vocals
After a phenomenally successful series of gigs in December 2022 marking the 40 th anniversary of their debut album 'A Taste of Pink', the band decided to make some new music. The recording was completed in two days, one of them in Studio 2 at Abbey Road. Their preference for recording quickly hasn't changed since they recorded that first album as teenagers, also in two days, in 1982. To celebrate, they play The Roundhouse in London on May 24th, their biggest headline gig
Biography
The Prisoners formed when they were still at school in Rochester, Kent. Between 1982 and 1986 the band released four albums plus several singles and EPs. Inspired by the local Medway DIY music ethic, their debut 'A Taste of Pink' and 'The Last Fourfathers' appeared on their own label, Own Up Records whilst "The WiserMiserDemelza" was released on Big Beat (Ace Records) and "In From The Cold" on Countdown (Stiff Records).
They earned a reputation as an incendiary live act as they plied their trade around the UK and Europe, building up a dedicated following and unknowingly inspiring a generation of future musicians. Their unique sound, based on instantly memorable and melodic songs surfing on a seething wave of brutal guitar, attention-grabbing, up-front Hammond and head-pounding rhythms, made for an explosive evening of entertainment. It was a unique combination of the sonic assault and danger of The Who and 60's garage-punk, the soulful vocals and dynamics of the Small Faces plus the groove and danceability of Booker T & the MGs. Throw in the intensity, drive and insolence of punk rock, as well as an unabashed love for instrumental TV themes and you had a wonderfully off-kilter version of where the real cool kids were at in the early '80s…
Despite some brushes with 'success', the pressures of hard living on the road took their toll and they quit in September 1986. They left behind a legacy and a sound that was inspirational to many that followed. Not many under the radar bands of the 80's would merit chapters dedicated to them in biographies of such luminaries as Steve LeMacq and Tim Burgess as well as being name checked as Brit-Pop forefathers. Their original albums make regular appearances in 'Great Lost Albums' lists and continue in print to this day.
James Taylor subsequently went on to gain huge success as the best pure Hammond player of his generation with his jazz and funk quartet (JTQ). His playing and sound undoubtedly played a massive part in restoring the popularity of his chosen instrument.
That work started in The Prisoners.
Graham Day and Allan Crockford, both together and apart, continue to the present playing music that has ploughed a similar furrow to The Prisoners in such combos as The Prime Movers, The Solarflares, The Gaolers, The Galileo 7 and The Senior Service. More
Label:COD3 QR
Cat-No:cod3qr33tepsvlp
Release-Date:16.08.2024
Genre:Electronic
Configuration:3LP
Barcode:
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Label:COD3 QR
Cat-No:cod3qr33tepsvlp
Release-Date:16.08.2024
Genre:Electronic
Configuration:3LP
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(3LP gatefold (black vinyl), printed inner-sleeves + 60 x 60cm 2-sided poster) On '33 Tours Et Puis S'en Vont', Laurent Garnier's first solo LP in 8 years and his most dancefloor-oriented yet, a total mastery of House, Techno, and beyond is on full display. Club-leaning cuts from ‘Liebe Grüße Aus Cucuron’ through to ‘Granulator Bordelum’ all distil his years of warehouse, club, and festival experience into thrilling expressions of musical tension and release.
TRACKLIST
A1 - Tales from the real world (version instrumentale)
A2 - Liebe grüße aus Cucuron
B1 - Reviens la nuit (DJ Edit)
B2 - On the REcorD (part 3)
C1 - Saturn drive duplex [Feat. Alan Vega]
C2 - Closer to you [Feat. Scan X]
D1 - Sake stars fever
D2 - Cinq o clock in le matin
E1 - In your phase [Feat. 22Carbone]
E2 - Give me some sulfites
F1 - Au clair de ta lune
F2 - Granulator Bordelum
INFO
Arriving this May, the French icon’s first solo album since 2015 is his most dancefloor-focussed yet.
Laurent Garnier is one of electronic music’s best-known acts, a pioneering household name responsible for decades of clubland classics. From experiencing the acid-house movement first-hand as a DJ at The Haçienda through to timeless hits such as the breakout ‘Crispy Bacon’ and the enduring ‘The Man With The Red Face’, his tireless enthusiasm has permeated the dance music landscape via six celebrated albums, numerous singles and a relentless touring schedule.
On ‘33 Tours Et Puis S’en Vont’, Laurent Garnier’s first solo LP in 8 years and his most dancefloor-oriented yet, a total mastery of House, Techno, and beyond is on full display. Club-leaning cuts from ‘Liebe Grüße Aus Cucuron’ through to ‘Granulator Bordelum’ all distil his years of warehouse, club, and festival experience into thrilling expressions of musical tension and release.
Vocal-led tracks tastefully borrow from a range of genre influences; from the Hip Hop inflected ‘In Your Phase’ with 22Carbone, an incendiary number that will be firmly burnt into the memory of any attendee of Garnier’s recent DJ sets, to the Punk of ‘Saturn Drive Triplex’, which features vocals from the late Alan Vega, of influential duo Suicide notoriety. Elsewhere, sprinklings of broken rhythms appear in the leftfield downtempo cut ‘...et puis s’en Va!’ and Drum & Bass experiment ‘Sado Miso’, offering listeners a further view into his wide-ranging taste.
Across 2022, Garnier released five EPs, each containing a special hidden code referencing a fairground ride from his childhood, alluding to the album. Now presented through various mediums upon release, including a triple Vinyl LP, cassette, and CD alongside the digital copy, each version offers a thoughtfully tailored experience towards the listener's preferred format. More
TRACKLIST
A1 - Tales from the real world (version instrumentale)
A2 - Liebe grüße aus Cucuron
B1 - Reviens la nuit (DJ Edit)
B2 - On the REcorD (part 3)
C1 - Saturn drive duplex [Feat. Alan Vega]
C2 - Closer to you [Feat. Scan X]
D1 - Sake stars fever
D2 - Cinq o clock in le matin
E1 - In your phase [Feat. 22Carbone]
E2 - Give me some sulfites
F1 - Au clair de ta lune
F2 - Granulator Bordelum
INFO
Arriving this May, the French icon’s first solo album since 2015 is his most dancefloor-focussed yet.
Laurent Garnier is one of electronic music’s best-known acts, a pioneering household name responsible for decades of clubland classics. From experiencing the acid-house movement first-hand as a DJ at The Haçienda through to timeless hits such as the breakout ‘Crispy Bacon’ and the enduring ‘The Man With The Red Face’, his tireless enthusiasm has permeated the dance music landscape via six celebrated albums, numerous singles and a relentless touring schedule.
On ‘33 Tours Et Puis S’en Vont’, Laurent Garnier’s first solo LP in 8 years and his most dancefloor-oriented yet, a total mastery of House, Techno, and beyond is on full display. Club-leaning cuts from ‘Liebe Grüße Aus Cucuron’ through to ‘Granulator Bordelum’ all distil his years of warehouse, club, and festival experience into thrilling expressions of musical tension and release.
Vocal-led tracks tastefully borrow from a range of genre influences; from the Hip Hop inflected ‘In Your Phase’ with 22Carbone, an incendiary number that will be firmly burnt into the memory of any attendee of Garnier’s recent DJ sets, to the Punk of ‘Saturn Drive Triplex’, which features vocals from the late Alan Vega, of influential duo Suicide notoriety. Elsewhere, sprinklings of broken rhythms appear in the leftfield downtempo cut ‘...et puis s’en Va!’ and Drum & Bass experiment ‘Sado Miso’, offering listeners a further view into his wide-ranging taste.
Across 2022, Garnier released five EPs, each containing a special hidden code referencing a fairground ride from his childhood, alluding to the album. Now presented through various mediums upon release, including a triple Vinyl LP, cassette, and CD alongside the digital copy, each version offers a thoughtfully tailored experience towards the listener's preferred format. More
Label:honest jons
Cat-No:hjrlp60
Release-Date:28.03.2012
Genre:Dubstep
Configuration:2LP
Barcode:
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Cat-No:hjrlp60
Release-Date:28.03.2012
Genre:Dubstep
Configuration:2LP
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Between sleep and the void lies the electronic interzone of Actress. Following the noted 2010 album Splazsh (voted number one in The Wire magazine’s Top 50 Releases Of The Year) South London producer Darren Cunningham returns with a suite of electronic laments, tone structures and dreamtime rhythms which all carry his unmistakable fingerprint. R.I.P. comprises fifteen tracks painstakingly crafted by Cunningham in his London studio over recent years, with a conceptual arc taking in death, life, sleep and religion. “I'm just an instrument,” Cunningham avers. “I'm completely dead when I write.”
Right from the debut album Hazyville (Werk Discs), Actress’s music has carried deep tinges and pock marks of London's rave music heritage. But after the angular dynamics of Splazsh (Honest Jon’s), R.I.P. heads out into deep space. The rhythms and pulses are smudged or blurred, or are hinted at by their absence. 2-step garage is collided into gamelan, and freeform interludes explore microtonal spaces and imagined string instruments. The fifteen chapters of R.I.P. begin with Ascension and the Book of Genesis and play out through gardens, serpents and mythological caves. “When I feel I'm coming towards the end of the process I'll buy some books related to the theme. So I started Milton’s Paradise Lost, started to re-read Jamie James’s The Music Of The Spheres. I wanted the movements to make sense scene-wise and chronologically."“In places the album is meant to drift,” notes Cunningham. R.I.P. moves back and forth between space and rhythm, probing the “boundaries in and of rest and peace.” Appropriately for exploring the myths of Creation, the sounds Actress creates are completely sui generis. There are no soft synths or plug-ins, and instead he uses meticulous manual sound tinkering to create tones, tunings and textures. “It's like painting with button and sliders,” he describes. “Melting and dripping, seeping yourself liquid into the machinery.” The ghosted rhythms and free tunings of these tracks live in a parallel universe to the conventional rigours of the dancefloor. Unlike the sterile sound spaces rendered in so much laptop sound-product, these tracks carry traces of the endless mouse strokes that made them. You feel the sweat and sinew of handmade construction. “I can't explain how I made those tracks, it's just impossible,” he says. “I have a hard time comprehending it myself sometimes.” The album begins with the title track, a short tonal requiem for the dead, before drifting into another beatless meditation, the rippling minimalist structure of Ascending. Holy Water and Marble Plexus introduce rhythm, although these percussive tics could be equally sourced from sub-bass speaker stacks or marbles rolling around a bowl. Jardin and Serpent are origami-like constructions which orbit around what could be pizzicato strings or harps. Last-but-one is IWAAD, whose pulsing 4/4 rhythms and warm hits of low-end vibration hint at a return to the real. R.I.P. underlines Actress’s reputation as one of the most eloquent voices to emerge from the sub-bass nexus of London dance music. His intuitive and original grasp of beats, textures and rhythm puts him on a parallel path to dance music innovators such as Drexciya, T++, Aphex Twin, Burial and Basic Channel. But the way he engages with electronic sound from first principles, realising his own self-contained sonic worlds, hints at less obvious kinships outside the dance music fraternity, with pioneers of homebrewed sound experiments such as Cabaret Voltaire, Pan Sonic and Oval. It moves the body but the sounds also tap into to something more intangible inside you; you dance, but also “slip/drift into another realm, probably without even realising.”
More
Right from the debut album Hazyville (Werk Discs), Actress’s music has carried deep tinges and pock marks of London's rave music heritage. But after the angular dynamics of Splazsh (Honest Jon’s), R.I.P. heads out into deep space. The rhythms and pulses are smudged or blurred, or are hinted at by their absence. 2-step garage is collided into gamelan, and freeform interludes explore microtonal spaces and imagined string instruments. The fifteen chapters of R.I.P. begin with Ascension and the Book of Genesis and play out through gardens, serpents and mythological caves. “When I feel I'm coming towards the end of the process I'll buy some books related to the theme. So I started Milton’s Paradise Lost, started to re-read Jamie James’s The Music Of The Spheres. I wanted the movements to make sense scene-wise and chronologically."“In places the album is meant to drift,” notes Cunningham. R.I.P. moves back and forth between space and rhythm, probing the “boundaries in and of rest and peace.” Appropriately for exploring the myths of Creation, the sounds Actress creates are completely sui generis. There are no soft synths or plug-ins, and instead he uses meticulous manual sound tinkering to create tones, tunings and textures. “It's like painting with button and sliders,” he describes. “Melting and dripping, seeping yourself liquid into the machinery.” The ghosted rhythms and free tunings of these tracks live in a parallel universe to the conventional rigours of the dancefloor. Unlike the sterile sound spaces rendered in so much laptop sound-product, these tracks carry traces of the endless mouse strokes that made them. You feel the sweat and sinew of handmade construction. “I can't explain how I made those tracks, it's just impossible,” he says. “I have a hard time comprehending it myself sometimes.” The album begins with the title track, a short tonal requiem for the dead, before drifting into another beatless meditation, the rippling minimalist structure of Ascending. Holy Water and Marble Plexus introduce rhythm, although these percussive tics could be equally sourced from sub-bass speaker stacks or marbles rolling around a bowl. Jardin and Serpent are origami-like constructions which orbit around what could be pizzicato strings or harps. Last-but-one is IWAAD, whose pulsing 4/4 rhythms and warm hits of low-end vibration hint at a return to the real. R.I.P. underlines Actress’s reputation as one of the most eloquent voices to emerge from the sub-bass nexus of London dance music. His intuitive and original grasp of beats, textures and rhythm puts him on a parallel path to dance music innovators such as Drexciya, T++, Aphex Twin, Burial and Basic Channel. But the way he engages with electronic sound from first principles, realising his own self-contained sonic worlds, hints at less obvious kinships outside the dance music fraternity, with pioneers of homebrewed sound experiments such as Cabaret Voltaire, Pan Sonic and Oval. It moves the body but the sounds also tap into to something more intangible inside you; you dance, but also “slip/drift into another realm, probably without even realising.”
More
Label:Sound Migration
Cat-No:SMI-012
Release-Date:10.05.2024
Genre:House / Techno
Configuration:12"
Barcode:
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Label:Sound Migration
Cat-No:SMI-012
Release-Date:10.05.2024
Genre:House / Techno
Configuration:12"
Barcode:
1
Zsa Zsa "La Boum" - Something Scary
2
Zsa Zsa "La Boum" - Something Scary (Instrumental)
3
Zsa Zsa "La Boum" - Something Scary (Anatolian
4
Zsa Zsa "La Boum" - Something Scary (Anatolian
"Something Scary" is probably one of the most representative examples of Belgian New Beat as the genre shifted to Hard Beat, by one of the key figures in the explosion of the early Belgian rave scene Rembert De Smet. Starting with the first few seconds of the track, the listener is presented with what could arguably be one of the most unforgettable New Beat acid bass lines to attack the human ear. Very much in your face, characteristic of a genre that emerges from studio experimentation during a time when Chicago Acid was establishing itself and already contaminating the UK. Although relatively simple in terms of production, the way De Smert employs all the elements at play is ingeniously effective, from the simple vocal sample placement to the bassline, propelling it timelessly throughout decades to follow as an iconic example of the Acid sound in Europe. Re-released with two new remixes by the masterful Anatolian Weapons. Remastered at Manmade Mastering in Berlin.
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Label:Ilian Tape
Cat-No:ITLP19
Release-Date:02.07.2024
Genre:Electronic
Configuration:2LP
Barcode:
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Last in:02.07.2024
Label:Ilian Tape
Cat-No:ITLP19
Release-Date:02.07.2024
Genre:Electronic
Configuration:2LP
Barcode:
1
Skee Mask - Hedwig Transformation Group
2
Skee Mask - Nostaglitch
3
Skee Mask - Reminiscrmx
4
Skee Mask - Element
5
Skee Mask - Waldmeister
6
Skee Mask - Daytime Gamer
7
Skee Mask - Schneiders Paradox
8
Skee Mask - BB Care
9
Skee Mask - Terminal Z
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Skee Mask - Hölzl Was A Dancer
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Skee Mask - 7AM At The Rodeo
12
Skee Mask - Vitamin 313
12"
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Last in:28.06.2024
Label:Rambadu
Cat-No:r005t
Release-Date:21.06.2024
Genre:Techno
Configuration:12"
Barcode:
1
Claudio PRC & Rambadu - Sai
2
Claudio PRC & Rambadu - Matika
3
Claudio PRC & Rambadu - Aqua
Tracklisting
A1 Claudio PRC & Rambadu - Sai
A2 Claudio PRC & Rambadu - Matika
B1 Claudio PRC & Rambadu - Aqua
Sales Note
For the fifth release called "SAI MATIKA" Rambadu and Claudio PRC immersed themselves into an aquatic landscape and explored its properties.
"Sai", The natural occurrence of ebb and flow, a sacred dance of the earth and our moon.
"Matika", alluring hymns and the rhythmical sounds of air rising up from the deep.
"Aqua", exposes you to the slow churning of the marine blue sea, engulfing us until we are unable to feel the bottom and vortexing sands.
Scan the QR code on the outersleeve for a cymatic experience, visualizing the effects of "Sai" on our fluid bodies.
All sleeves are hand-made with love!
Written & Mixed by Claudio PRC & Rambadu
Mastered by Giuseppe Tillieci at Enisslab Studio
Artwork by Camille de Bruin & Paul Roeleveld More
A1 Claudio PRC & Rambadu - Sai
A2 Claudio PRC & Rambadu - Matika
B1 Claudio PRC & Rambadu - Aqua
Sales Note
For the fifth release called "SAI MATIKA" Rambadu and Claudio PRC immersed themselves into an aquatic landscape and explored its properties.
"Sai", The natural occurrence of ebb and flow, a sacred dance of the earth and our moon.
"Matika", alluring hymns and the rhythmical sounds of air rising up from the deep.
"Aqua", exposes you to the slow churning of the marine blue sea, engulfing us until we are unable to feel the bottom and vortexing sands.
Scan the QR code on the outersleeve for a cymatic experience, visualizing the effects of "Sai" on our fluid bodies.
All sleeves are hand-made with love!
Written & Mixed by Claudio PRC & Rambadu
Mastered by Giuseppe Tillieci at Enisslab Studio
Artwork by Camille de Bruin & Paul Roeleveld More
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Label:BOY Records
Cat-No:BOY2802-1
Release-Date:08.06.2021
Genre:Techno
Configuration:2LP
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Last in:15.01.2024
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Last in:15.01.2024
Label:BOY Records
Cat-No:BOY2802-1
Release-Date:08.06.2021
Genre:Techno
Configuration:2LP
Barcode:
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Time Modem - Wibanah (BPM 80)
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Time Modem - Suono Elettrico
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Time Modem - Welcome To The 90's
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Time Modem - Project DZ 1100
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Time Modem - Giediprim
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Time Modem - Intensitive World
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Time Modem - The Time Is Over
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Time Modem - Space And Time
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Time Modem - Mantel Der Nacht
DBH Music proudly welcomes iconic BOY Records to the distribution Family! We are happy and honored to present you very soon some the labels best releases back on vinyl/cd! Starting with "Time Modem - Transforming Tune". This album will be available for the first time on double vinyl, including for the first time "Mantel Der Nacht" as bonus track! A modern classic from 1992!
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Label:Underground Resistance
Cat-No:UR-027MOT
Release-Date:28.06.2024
Genre:Detroit Techno
Configuration:12"
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Last in:25.06.2024
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Last in:25.06.2024
Label:Underground Resistance
Cat-No:UR-027MOT
Release-Date:28.06.2024
Genre:Detroit Techno
Configuration:12"
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Scan 7 - Black Moon Rising
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Scan 7 - Pathway Through Time
3
Scan 7 - Introducing Scan 7
4
Scan 7 - System Work
AS THE BLACK MOON RISES THE SIGNAL IS SEEN. ONCE AGAIN REPORTS OF THE UNSEEN ARE STARTING TO EMERGE THIS PRESENCE THAT TRAVELS THRU CAT 7 HIGHWAYS TO SCAN ROUTERS WORLDWIDE COUNTERING THE PROGRAMMERS EFFORTS TO COMMERCIALIZE A FEELING OUR FEELINGS... THIS PRESENCE KNOWN AS SCAN 7 CANNOT BE DEALT WITHIN THE PHYSICAL REALM. LISTEN TO THE FEELING AND JOIN THE FIGHT. THEY CANNOT HAVE THE SOUND OF THE UNDERGROUND! IT BELONGS TO THE PEOPLE OF THE NEW TRIBE! DO NOT ALLOW YOURSELF TO BE PROGRAMMED
KIRK OUT: MAD MIKE
ALL TRACKS PRODUCED AND CONCEIVED BY "TRACKMASTER LOU" & "THE ELOHIM".
MIXED BY V. SHELTON AND MAD MIKE FOR UNDERGROUND RESISTANCE PRODUCTIONS.
ALL TRACKS RECORDED AND MIXED AT BLACK PLANET STUDIOS.
RECORDED ON A TASCAM 4 TRACK. More
KIRK OUT: MAD MIKE
ALL TRACKS PRODUCED AND CONCEIVED BY "TRACKMASTER LOU" & "THE ELOHIM".
MIXED BY V. SHELTON AND MAD MIKE FOR UNDERGROUND RESISTANCE PRODUCTIONS.
ALL TRACKS RECORDED AND MIXED AT BLACK PLANET STUDIOS.
RECORDED ON A TASCAM 4 TRACK. More
Label:Osàre! Editions
Cat-No:OE023
Release-Date:19.07.2024
Genre:Alternative/Electronic
Configuration:12"
Barcode:
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Label:Osàre! Editions
Cat-No:OE023
Release-Date:19.07.2024
Genre:Alternative/Electronic
Configuration:12"
Barcode:
1
L.F.T. - Halbverdient (With Konstantin Unwohl)
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L.F.T. - Minecrawler
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L.F.T. - Auf Meiner Haut (With Bella Viva)
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L.F.T. - Broken 101
5
L.F.T. - Fear Machines
LIMITED BUSINESS... DON'T SLEEP. TIP!
L.F.T (Love, Fist, Tears), aka Johannes Haas, returns to Osàre! Editions for another scorching release. As ever, the German producer’s sonic palette is immediately recognisable as he manoeuvres through 1980s- inspired wave and raw, rugged electro. Equal parts dancefloor elixir and cerebral wonderment, Minecrawler showcases Haas’ flair for freewheeling, chemical artistry, and experimentation.
Divided into heavy, vocal numbers on one side and potent, club-orientated material on the other, the EP is unified overall by the frigid crackle of drum machines, primal synths, and goth aesthetics. ‘Halbverdient’ opens up – made in collaboration with fellow cold wave renegade Konstantin Unwohl, the song captures the duo’s shared love for all things dark and driving.
Structured around pummelling basslines, the titular track follows, an electro breed of The Hague’s West Coast variety, and a perfect example of L.F.T’s signature sound. This is vampire music at its finest – fanged, winged, and seductively menacing. Despite its impromptu origins, arising out of a spontaneous jam session, ‘Auf Meiner Haut’ is slick and steady. Cracking some beers with musicians Bella and Viva, L.F.T invited the duo to improvise lyrics, resulting in their detached, icily amorous exchange. Apocalyptic groover ‘Broken 101’ is next up, with ‘Fear and Machines’ preceding, a sparking stomper burning with cool, electric heat. Finally, don’t miss the digital bonus – ‘Planetary Intellect’ broods with penetrating, glacial energy that sends shivers down the spine. More
L.F.T (Love, Fist, Tears), aka Johannes Haas, returns to Osàre! Editions for another scorching release. As ever, the German producer’s sonic palette is immediately recognisable as he manoeuvres through 1980s- inspired wave and raw, rugged electro. Equal parts dancefloor elixir and cerebral wonderment, Minecrawler showcases Haas’ flair for freewheeling, chemical artistry, and experimentation.
Divided into heavy, vocal numbers on one side and potent, club-orientated material on the other, the EP is unified overall by the frigid crackle of drum machines, primal synths, and goth aesthetics. ‘Halbverdient’ opens up – made in collaboration with fellow cold wave renegade Konstantin Unwohl, the song captures the duo’s shared love for all things dark and driving.
Structured around pummelling basslines, the titular track follows, an electro breed of The Hague’s West Coast variety, and a perfect example of L.F.T’s signature sound. This is vampire music at its finest – fanged, winged, and seductively menacing. Despite its impromptu origins, arising out of a spontaneous jam session, ‘Auf Meiner Haut’ is slick and steady. Cracking some beers with musicians Bella and Viva, L.F.T invited the duo to improvise lyrics, resulting in their detached, icily amorous exchange. Apocalyptic groover ‘Broken 101’ is next up, with ‘Fear and Machines’ preceding, a sparking stomper burning with cool, electric heat. Finally, don’t miss the digital bonus – ‘Planetary Intellect’ broods with penetrating, glacial energy that sends shivers down the spine. More
12"
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Last in:18.06.2024
Label:PoleGroup
Cat-No:polegroup073ltd
Release-Date:14.06.2024
Genre:Techno
Configuration:12"
Barcode:
1
El Joven Prisionero - Tactel Kid
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El Joven Prisionero - Kinki
3
El Joven Prisionero - Anti tu
4
El Joven Prisionero - La Raya
Tracklisting
A1 El Joven Prisionero - Tactel Kid
A2 El Joven Prisionero - Kinki
B1 El Joven Prisionero - Anti tu
B2 El Joven Prisionero - La Raya
Sales Note
For our release number 073 we go hard and strong with the mysterious combo El Joven Prisionero. They come back home, ten releases after their Sesiones Mercurio EP. The formula is again direct to the floor with no roundabouts, strong percussive elements and direct sonic aggresion provided at a high tempo rate.
Tactel opens fire with an enourmous bass drum spiced with stereo panned high frequencies, shuffled hats add tenstion to the equation while micro drones and processed textures do the rest. A perfect shot to demolish some club roofs around the globe.
Second bullet is Kinki, hypnosis is the key here, starting with the whole groove from bar one, then growing in intensity with different sound layers all served in a continuous and progressive arrangement. This one is for the mind and the body.
Anti Tu combines scifi vibes with heavy duty drums in an elastic tool for skilled mixers out therem setting the pace to the next exercise, La Raya where asymmetric Fm sequences bring the funk, again over a superb drum programming workout.
Digital bonus is Sin el Groove, drastically reducing the BPM rate, using Fm synths again for the sequences, closing this aerobic session in an exhausted mood.
This release is going to be a limited one with 200 numbered copies pressed on red vinyl before another standard edition with different artwork and classic black wax. More
A1 El Joven Prisionero - Tactel Kid
A2 El Joven Prisionero - Kinki
B1 El Joven Prisionero - Anti tu
B2 El Joven Prisionero - La Raya
Sales Note
For our release number 073 we go hard and strong with the mysterious combo El Joven Prisionero. They come back home, ten releases after their Sesiones Mercurio EP. The formula is again direct to the floor with no roundabouts, strong percussive elements and direct sonic aggresion provided at a high tempo rate.
Tactel opens fire with an enourmous bass drum spiced with stereo panned high frequencies, shuffled hats add tenstion to the equation while micro drones and processed textures do the rest. A perfect shot to demolish some club roofs around the globe.
Second bullet is Kinki, hypnosis is the key here, starting with the whole groove from bar one, then growing in intensity with different sound layers all served in a continuous and progressive arrangement. This one is for the mind and the body.
Anti Tu combines scifi vibes with heavy duty drums in an elastic tool for skilled mixers out therem setting the pace to the next exercise, La Raya where asymmetric Fm sequences bring the funk, again over a superb drum programming workout.
Digital bonus is Sin el Groove, drastically reducing the BPM rate, using Fm synths again for the sequences, closing this aerobic session in an exhausted mood.
This release is going to be a limited one with 200 numbered copies pressed on red vinyl before another standard edition with different artwork and classic black wax. More
Label:BOY Records
Cat-No:BOY8828-24
Release-Date:28.06.2024
Genre:Techno
Configuration:12"
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Label:BOY Records
Cat-No:BOY8828-24
Release-Date:28.06.2024
Genre:Techno
Configuration:12"
Barcode:
1
Time Modem - Der Mantel Der Nacht
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Time Modem - Werkzeug Eines Fernen Willens
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Time Modem - Alien Elemnts
BOY Records re-issues Time Modem - Der Mantel Der Nacht from 1991!
This special vinyl edition will include for the first time also the track called "Alien Elements"
which was only available on the maxi-cd. More
This special vinyl edition will include for the first time also the track called "Alien Elements"
which was only available on the maxi-cd. More