Citron Citron is back! The ethereal sister-and-brother duo has worked hard over the
past two years on their new album “Maréeternelle,” set to be released next autumn on
Les Disques Bongo Joe. Maintaining their majestic compositions, dual lead vocals,
and home-made organic sound machinery, Citron Citron delves deeper into their sonic
universe, singing about daily life, death, and love with the same poetic and personal
vibe.

Tracklist
1.1Nuage Défile
1.2Est-ce que tu dors?
1.3Crise d'aaangoisse
1.4Dans ma bulle
1.5Portamento
1.6Mer Du Nord
1.7Chant de bataille
1.8Bazar tout nu
1.9Par un temps pareil
1.10Rafales
1.11Ruines


Listen: https://soundcloud.com/bongojoerecordshop/sets/citron-citron-mareeternelle/s-Pish2RBOgkv?si=10f0b4273df740a48e9710e6ef11501f&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
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This Giant 12" EP collects the batch of covers on the heavier format for those that may have missed out. The A Side features "IS IT ALL OVER MY FACE?", KRAFTWERK's "WE ARE THE ROBOTS" & HERBIE HANCOCK's "READY OR NOT". The B side covers TEAR FOR FEARS, THE JONES GIRLS & KANO. More

Following a few recent wax droppings on MUTUAL INTENTIONS & DEEP FRIED MUSIC, KURTISS comes correct with a solid 6 tracker dj fusion bordering between disco edits, club tools & anthemic full-on originals. Part Detroit, Part Chicago with a touch of Squelchy Boogie Synths & Gospel vocals. More

Large group session featuring deep spiritual modal jazz and new age ambient synthesizer pads More

“Ti Ho Sposato Per Allegria” (1967) is a comedy directed by Luciano Salce, taken from the theatrical play of the same name (1965) by Natalia Ginzburg. The main characters are Pietro and Giuliana, respectively interpreted by Giorgio Albertazzi and Monica Vitti. A lawyer from a good family, serious, accustomed to a calm and regular life who got married to a indolent and dazed girl with a difficult past a month after meeting her at a party. Despite Giuliana's inability to transform herself into a good housewife, his relationship with Pietro continues to flourish, because he seems to find enjoyment in each of his wife's many mistakes. The reason for their union lies not in love but, perhaps, in a genuine sympathy, as strong as it is mutual. The story has become a minor classic with each new representation. On both stage and screen the themes of everyday life, and the more complex and existential ones, are addressed. The subtle irony of the work relies on recounting problematic events in a carefree tone: realities such as abortion, death, separation and the couple's incommunicability are underplayed with naturalness. The funny events of the film are commented on by Piero Piccioni's music, published for the first time on vinyl by Musica Per Immagini, with an harmonious tracklist. For this first orchestra rehearsal with the director, which will be followed by other important soundtracks, the composer makes an effective and elegant synthesis: on the one hand he reworks moods and aesthetic intuitions of some previous and happy experiences, while on the other he identifies and anticipates the first bars of that unmistakable sound between bossa nova, funk and lounge nuances that will characterize almost all the production of the Seventies. In fact, the Turin-native artist simplifies in a positive sense the articulated harmonic structures that have always distinguished his authorial figure – where the so called jazz features are to be considered more than central in the musical texture, as prominent elements of the harmonic syntax – and he tries a melodic reduction that will make the compositions more catchy or memorized, but not easier for this. Lightness of spirit and rarefied elegance are the keys of this new Dionysian world.

Listen: https://soundcloud.com/mpirec/mpi-lp014-piero-piccioni-ti-ho-sposato-per-allegria-snippets-mix?si=890507def9fa48a2896a64bc63011b54&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

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