Denire returns to TAPE Records Amsterdam with his new Pele EP. Four tracks that mix vintage melodic sounds with perfectly balanced techno grooves and Detroit techno flair. More

- 2023 repress -

Tracklisting:
A1 Deniro - MPC Tracks A1
A2 Deniro - MPC Tracks A2
B1 Deniro - MPC Tracks B1
B2 Deniro - MPC Tracks B2

Release Note:
A sexy, groovy, sophisticated and beautifully crafted four-tracker release from one of The Netherlands' finest techno producers. It is with pride that Self Reflektion presents - from The Hague - Deniro presenting his 'MPC Tracks EP' on the 14th release of our label! More

Tracklisting:
A1 Deniro - Kairuku 1
A2 Deniro - Kairuku 2
B1 Deniro - Kairuku 3
B2 Deniro - Kairuku 4

Release Note:
The Hague based producer ''Deniro'' is responsible for the 3rd installment in the ''Oblique Music'' series. This time around the 12'' consists of 4 club cuts that all showcase a different ambiance throughout. Label owner Ben Buitendijk is carefully curating the sound for his recently established imprint and Deniro's (extinct) Penguin inspired package definitely matches with the label's previous escapades.

''Kairaku 1'' is a dubbed out whirlwind which uses emotive drum patterns and hazy reverbs that blend together in the most perfect way and cause for a inspiring atmosphere to occur instantly. ''Kairaku 2'' is a more classic sounding cut which maintains originality through ''Deniro's'' signature drum patterns and the constantly changing chords that make this effort one of the more special ones.

The B side opens up with ''Kairaku 3''. This is again a dubbed out cut that is drenched with percussive sounds that would suit perfect in the more adventurous settings. ''Kairaku 4'' is filled with interesting textures and progresses in a minor but riveting way. More

After a more than convincing debut on Token with his contribution to 2020's Fuga II compilation, Deniro returns with a 4-part sonic manifesto entitled 'Saola'.

TRACKLISTING

A1. Deniro - Saola
A2. Deniro - Vaquita
B1. Deniro - Gharial
B2. Deniro - Baiji

INFO

After a more than convincing debut on Token with his contribution to 2020's Fuga II compilation, Deniro returns with a 4-part sonic manifesto entitled 'Saola'. With each track name referring to either a highly endangered or extinct wild animal, Deniro offers analog efficiency denoting various ecospheres through minimalist composition. Linear in form yet immersive in effect, Saola guides the listener from lucity into spacious abyss.

Initiating the EP with the title track, 'Saola' confronts with what can almost be perceived as a hastily played piano. The A1 provides nail-biting dissonance to kick things off with hypnotic delay, gripping the listener until the very end with consistent progression through a simplistic albeit powerful percussion line. Deniro then picks up the pace and shines things up with a brightly stabbed synth and 16th hats to roll us through the highly efficacious followup, 'Vaquita'.
Even more explosive than its predecessor, Deniro uses 'Vaquita' to show tense restraint in his arrangement that's complemented by his pressing lead sequence.

The record is then flipped to reveal a B side that takes off as soon as the needle hits the wax. 'Gharial' begins explosively full-on, throwing the listener into a vicious pursuit soundtracked by a fleetingly polyrhythmic arpeggio. The energy is underlined by rolling snares and toms to expand the width of the EP before arriving into the final excursion through the record's most introspective piece. High pitched plucks like stars brush along a song that inspires discovery. Whirlpooling white-noise in the far stereo field gives deep ambience to 'Baiji', offering an ethereal conclusion to an suspenseful adventure. More

Repress!
Deniro delivers a super nice fragile and deep techno album on Trip. Eight tracks of versatile techno tracks full of tension and atmosphere. Recommended! More

Repress!
Coachella is Deniro's second full release on Trip. After the success of 2017's Mendoza EP, the TAPE Records owner has prepared a series of live takes for us and we couldn't be more excited. The release received its name from the eponymous festival, where Nina first played the title track of the release during her AV Performance. Sonically this record brings what Deniro is best known for: his signature timeless groove immersed in beautiful, classy techno music. More

NOTE! - SHOP EXCLUSIVE - NO ONLINE SALES! Only available for purchase in-store, not for ordering online. No exceptions made! Clone Store Only Series 008. Support your local record dealer and ask him to get it for you! More

After his successful double 12" Mendoza on Nina Kraviz' Trip imprint, Deniro returns back home to his own Tape Records with a warm 4 track Detroit techno EP. More

Great 3 track EP on a new Amsterdam imprint... More

Denire returns to TAPE Records Amsterdam with his new Pele EP. Four tracks that mix vintage melodic sounds with perfectly balanced techno grooves and Detroit techno flair. More

After his successful double 12" Mendoza on Nina Kraviz' Trip imprint, Deniro returns back home to his own Tape Records with a warm 4 track Detroit techno EP. More

Just in time for sunny days and festival season, Copenhagen-based artist B From E delivers this summer’s anthem with "Energia Positiva," accompanied by an equally seminal remix from Baldo on the B side.

Overflowing with infectious positivity, side A dynamically surges through energetic waves, all underscored by oldschool trance elements.

On the B side, Baldo brings his vitalizing soundscape, perfectly complementing the essence of "Energia Positiva." Treated with the same care and significance as the original mix, Baldo’s remix crafts a sound uniquely tailored for the impending summer season.

The clinically sharp artwork by Luca Lozano aka PLANETLUKE.COM, adds an extra layer of allure, captivating listeners in a tangible three-dimensional experience. More

Over the past decade, Kasra V has blossomed as a prominent figure in the music industry, particularly through his renowned residency on NTS Radio which has expanded his profound knowledge and expertise in music. Since landing his radio residency in January 2014 he has successfully broadcast over 200 radio shows, making use of the format to explore a wide array of sonic attitudes, styles and systems. To celebrate his achievement Kasra V launches his own imprint V-Sion which he will not only use for his own release output but also to propel his vision of contemporary dance music. To kick things off he presents a stunning 9-track compilation '10:10 Kasra V presents 10 years on NTS Radio' featuring unreleased tracks from some of his most revered guests who have graced his show throughout the years. Each contribution is wholly in line with Kasra V's genre-spanning approach. Over the years some periods have seen him playing straightforward club music, others featuring an extended notion of listening music. One hears a whole breadth of influences in his releases on acclaimed labels such as Radiant Records and Shaytoon Records: collected strands of rave, acid house, San Francisco breakbeat, new beat, ambient, oddball pop from 90s and 80s, UK bleep and so on. The regularity of a broadcasting residency pushed him to carry out a constant study of the history of dance music, and he envisions V-Sion as an output to curate musical output, contributing to the ongoing dialogue between past, future and the ever-changing fulcrum of the sonic present. The tracks presented on 10:10 are also emblematic of this historically-informed approach to dance music. They are all tuned for the floor, but present a range of possible floors to conjure: Fantastic Man's progressive opener, "Neural Filter", is airy and laced with delicate breakbeats, while "Archangel Waltz" by Sepehr presents a shadowy drama of string samples and throbbing bass swells."Qadak" by 500SEC lays an anthemic Arabic melody over bubbling electro; 2 tracks prior, Angel D'Lite circulates a whisper and moan through the mix of a euphoric, rave-stabbed anthem. The latter encouraged Kasra to put out this very compilation, which is just a testament to the value of the company we keep. More

“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.” ‘Didgeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire. “I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.” Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.” ‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases. More

Deep and hypnotic. That pretty much sums up the new Nacreous-EP by Shoal on the Dutch imprint NOWHERE. The title refers to a certain glow or color that mother-of-pearl radiates. Shoal is the alter ego of Utrecht-resident Kenny Dean Kneefel. When you have a name that sounds like a famous stuntman, you are probably prepared to take more risks. And indeed that's exactly what this producer from the lowlands does on Nacreous. Shoal's four track EP combines hallucinant grooves with delicate sound design. Like on Bygone Drums, where ominous distant sounds from a nearby factory creep between the shadows. The same can be said of the title track, a tribalistic tune with a delicate dark undertone. Never Endings is more uplifting, with its dubbed out basslines and crispy hi-hats. Dubtechno that reminds us of both Monolake and Fluxion. Closing track Morning Float is indeed that, a trip in a blue tank filled with warm water, where you are comforted by beautiful strings and sounds of nature. More

Dance Generation from the prolific Parisian producer Vitess again affirms his place in leading France’s underground clubbing scene, and beyond. Four electronic tracks are entailed in this EP, spotlighting his distinctive twist on homogenising groovy synths and percussive layers. More

Originally released in 2021. This record will be re-released.. on Industry Standard. Well deserved re press of an iconic original from Todd Modes. Boss man Oliver Dollar steps up to create a hypnotic remix that will definitely take you to that other place in your head. A truly masterpiece is on the way on 7th June 2024. More

Tracklisting
A1 Kosmos feat. Viktoriia - 27
A2 Kosmos - Unknown Error
B1 Kosmos feat. Viktoriia - Don't Call Me Baby
B2 Kosmos - La Noche

Sales Note
KEY038 announces the great return of young Spanish artist who's been constantly evolving and developing his potential: Atonism. This one is hot material. Featuring the vocals of Viktoriia, the EP unfolds through a myriad of moods and turns out adaptable to a variety of moments through the night... Or morning. Let's dive into it.
First track of the record is '27', bringing out rolling rhythms and sensual layers which build up to a sinuous tension, perfectly balanced between uplifting groove and suspense.
On the other hand, A2 handles a bleepy, distorted universe in tune with the characteristic KEY sonic dimension. 'Don't call me baby' is one you've definitely heard the label boss playing throughout the past months. A catchy, contemporary and genuinely hip shaking device. Up next goes B2 'La Noche', a perfect tune for those long and intense closings composed by a jolly harmony of chords and delicate blups which cohesively narrate the end of a well written story.
If you haven't gathered by now, this is an essential listen. More

Tracklisting
A1 JSPRV35 - Riod
A2 JSPRV35 - Loulos
B1 JSPRV35 - Loced Out
B2 JSPRV35 - Elekt

Sales Note
When talent calls, KEY responds. So here we go again withedition 39, containing the excellent produced work fromAmsterdam's young JSPRV35.
Step into a world of consistent tension and high momentumtools, all designed for the peak-time work outs. With its focus onrepetitive rhythms and functional constructions, all tracks areguaranteed to keep the energy soaring on the dancefloor.Indeed, our starting point A1 'Riod' is a stripped back, swingingpiece focused on building cadency through the interplay of warmlow ends with sharp hats. One of those tracks which glides yourwaist left to right without too much thinking at all. 'Ioulos' insteadredirects us to a darker space, invaded by metallic bleeps anddystopic glitches. A story of intrigue and intensity, which iscontinued on the flip side with B1 'Loced'. It is a rough one forsure, but also injecting a sort of playful, funk-marinated feel.Last but not least, B2 'Elekt' is our standout favorite. This trackdelivers electro bliss with a dark and dynamic edge. Frommesmerizing modulations to cinematic atmospheres, everyelement is crafted to immerse dancers in a highenergyhypnosis. Keep an ear out for the snippeted vocal,reminding us the importance of... bass. Sensual, breaky, electro.Say no more!
Proper techno blending contemporary groove with timelessquality. More

Pavel Milyakov, AKA Buttechno, coming through with the kind of impeccably-produced, trance-inducing deftness we've come to expect.

A kindred spirit of the Oyster Cult, this is a union long overdue. While he’s often found working in horizontal zones, inhabiting the intersection between ambient and downtempo, these are dancefloor dynamics for pure contemplation. Gone is the amorphous abstraction of releases like ‘PSY X’ and the kind output reserved for release under his birth name, instead opting for a lean, hypnotic kind of minimalism.

‘OYSTER57’ picks up where the ‘Inorganic Demons’ LP and aptly-titled ‘Minimal Cuts’ series left off. Saying that, the first three tracks navigate territory gloomier than the aforementioned; uneasy at times but deeply engrossing, smudged and frayed into heads-down interzones of tunnelling throb and icy melodic flourish. Girder-strength pressure primed for metaphysical experience.

Then, like a vestige of the finest turn-of-the-century progressive trance, ’bleeps’ ends proceedings on a slight departure. A showcase of restraint from the Berlin-based maestro and a fitting way to close. More