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1
Pavel Milyakov - Moon Chant (Feat. Martyna Basta)
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Pavel Milyakov - Tesco (Feat. Richie Culver)
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Pavel Milyakov - The Eternal Break (Feat. Torus)
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Pavel Milyakov - Gabba-17
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Pavel Milyakov - Drifted Off (Feat. Richie Culver)
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Pavel Milyakov - Thrill (Feat. Yana Pavlova)
Berlin-based artist Pavel Milyakov collaborates with Yana Pavlova, Martyna Basta, Richie Culver and Torus on Enthropic Vision, an album-length collection of tracks spanning diverse genres. The A-side starts with the melancholic ambience of 'Moon Chant', featuring the ethereal vocals of Krakow experimental music scene veteran Martyna Basta, before 'Tesco' brings bleak trancey loops blended with British contemporary artist Richie Culver's spoken word poetry. 'Eternal Break', with Netherlands-based artist Torus, is all low subs, ecstatic pads and abrasive breaks, then the B-side kicks in with a punchy 170bpm gabba anthem and continues with another tune featuring Richie Culver's spoken word fused with breaks. The album closes with the grim beauty of 'The Thrill', recorded in collaboration with Ukrainian singer Yana Pavlova and transports more wised up listeners back to the hypnagogic universe of the duo's 2021 Blue LP.
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More records from Pavel Milyakov
Label:ad 93
Cat-No:WHYT055
Release-Date:10.02.2023
Genre:Electronic
Configuration:12"
Barcode:
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Last in:24.03.2023
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Last in:24.03.2023
Label:ad 93
Cat-No:WHYT055
Release-Date:10.02.2023
Genre:Electronic
Configuration:12"
Barcode:
1
Pavel Milyakov - Aapril
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Pavel Milyakov - 202 Days Of Summer
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Pavel Milyakov - Raveing
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Pavel Milyakov - Runners
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Pavel Milyakov - Choirs
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Pavel Milyakov - Last Dolphin
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Pavel Milyakov - August Gtr
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Pavel Milyakov - Epic
A collection of loops recorded between 2016-2021.
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Last in:19.07.2022
Label:Psy X
Cat-No:PSY007
Release-Date:08.07.2022
Genre:Techno
Configuration:12"
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1
Buttechno - Spectres
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Buttechno - 909 Steroids
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Buttechno - Russian Trance Open Airs
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DJ Speedsick - You Do This To Yourself
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DJ Speedsick - Motion Sickness
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DJ Speedsick - Devil Times Seven
For "Spectres", a 6-track split release, Buttechno teams up with DJ SPEEDSICK, a Chicago-based artist, famous for his raw and uncompromising approach to sound. Together they explore sonic and textural possibilities of the extreme forms of dancefloor music employing distinct ways of sound manipulation. Buttechno's side features highly saturated textures being torn out, dissected and sewed back together with a wicked use of spectral processing. On the other side, Dj Speedsick, known for reamping his material with guitar amplifiers and cabinets, puts out tracks that bear unique sonic qualities and transform the usual sense of space and distance. The underwordly sounds and high-speed beats presented on this split go beyond the common bounds of dancefloor music, exposing the spectres that dwell between the genres.
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Last in:27.01.2022
Label:Psy X
Cat-No:PSY004
Release-Date:27.09.2021
Genre:Techno
Configuration:12"
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1
Buttechno - Dark Pearl
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Buttechno - Big D Acid
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Buttechno - Goatic Cut (Feat Yana Pavlova)
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Buttechno - Underwater
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Buttechno - Inorganic Demon V
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Buttechno - The Great Acids
Buttechno is back with a 6-track album released on his brand new “psy X” imprint (former Rassvet records). While working mostly on the experimental fields lately, prolific Russian producer stepping aside to the dancefloor territory, delivering six minimalistic sounding tunes, which change their intensity from a high-range bpm mutant acid bangers towards a beatless ambient swirls. Keeping their own special groove and deep spiritual flavour these tracks represent artist's visionaire attitude in its best.
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Label:Terrestrial Funk
Cat-No:TF012
Release-Date:16.08.2024
Genre:House
Configuration:12"
Barcode:
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Last in:09.10.2024
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Last in:09.10.2024
Label:Terrestrial Funk
Cat-No:TF012
Release-Date:16.08.2024
Genre:House
Configuration:12"
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System Exclusive - Summertime (Original Cut)
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System Exclusive - Jennifer (Do What You Want Mix)
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System Exclusive - Let's Climb (Glad You Made It Dub)
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System Exclusive - Let's Climb (Come To Me Mix)
TIP!!
One of the greatest UK White Labels of all time. Terrestrial Funk brings you an absolute summer sensation over three decades delayed. Relegated to obscurity until now, this four track EP boasts the downtempo hit ‘Summertime’ alongside three electronic bangers… and mash. The dubbed out stabs of ‘Jennifer’ on the A2 and two never before heard versions of ‘Let’s Climb’. Feel the festival ready power of the ‘Come To Me Mix’ and lose yourself to the hypnotic squelch of the ‘Glad You Made It Dub’, ready for sweaty summer nights.
In the late eighties, Simon Akers and Jason Brown began producing in a quaint home studio. Later collaborating with likeminded talents through the early nineties. Terrestrial Funk has worked with the group to transfer all their old digital audio tapes and bring you a series of fresh music yet to see the light of day. Jacqueline Foster aka Jacquoda brought her stunning voice to the project on this massive single showcasing vocals that shine brighter than the summer sun. Grab your copy today! More
One of the greatest UK White Labels of all time. Terrestrial Funk brings you an absolute summer sensation over three decades delayed. Relegated to obscurity until now, this four track EP boasts the downtempo hit ‘Summertime’ alongside three electronic bangers… and mash. The dubbed out stabs of ‘Jennifer’ on the A2 and two never before heard versions of ‘Let’s Climb’. Feel the festival ready power of the ‘Come To Me Mix’ and lose yourself to the hypnotic squelch of the ‘Glad You Made It Dub’, ready for sweaty summer nights.
In the late eighties, Simon Akers and Jason Brown began producing in a quaint home studio. Later collaborating with likeminded talents through the early nineties. Terrestrial Funk has worked with the group to transfer all their old digital audio tapes and bring you a series of fresh music yet to see the light of day. Jacqueline Foster aka Jacquoda brought her stunning voice to the project on this massive single showcasing vocals that shine brighter than the summer sun. Grab your copy today! More
12"
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Label:Slip 'n' Slide
Cat-No:SLIPD456
Release-Date:26.07.2024
Genre:House
Configuration:12"
Barcode:826194661175
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Last in:22.10.2024
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Last in:22.10.2024
Label:Slip 'n' Slide
Cat-No:SLIPD456
Release-Date:26.07.2024
Genre:House
Configuration:12"
Barcode:826194661175
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Blaze - Seth Troxler Extended Remix
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Blaze - Franck Roger Extended Remix
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Blaze - Original Mix
4
Blaze - 20:20 Vision Remix
West London’s Slip ‘N Slide presents a special four-track package on wax for the first time, as Seth Troxler and Franck Roger deliver remixes of the 1997 Blaze favourite ‘Lovelee Dae’. An iconic artist who needs little introduction, Seth Troxler’s name is synonymous with American house and techno of the last two decades, with his formative years in Detroit shaping his sound before moving to the techno capital of the world Berlin. His ventures as a label boss, and with Night Tales, further cemented the talent as an underground hero - he now joins the likes of Carl Craig, Roman Flügel, and Isolée in giving ‘Lovelee Dae’ an expertly crafted remix, building from minimal grooves to a grand and immersive wash of sound. Also stepping up on remix duties is Parisian producer, crate digger and label boss of Real Tone Records, Franck Roger, who adds his signature beat focussed approach to the iconic track. This vinyl package also includes Blaze’s striking original, as well as one of the very first remixes from the late 90s, the 20:20 Vision remix of which used copies go for big money. This is an essential 12 inch EP for any true house fan.
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Label:Not On Label
Cat-No:PSR1011204
Release-Date:26.07.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:
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Last in:05.09.2024
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Last in:05.09.2024
Label:Not On Label
Cat-No:PSR1011204
Release-Date:26.07.2024
Genre:Alternative/Electronic
Configuration:LP
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1
Gray - Sweetness Of The New
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Gray - Willie Mays
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Gray - New York City Have Some Pity
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Gray - Rene
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Gray - Monochromatic Breakdown
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Gray - Galvestown
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Gray - Brooklyn Sky
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Gray - Dan Asher Remix
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Gray - Battle Gray
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Gray - 300 Americans
Noise, art, experimental music band Gray, founded by Jean-Michel Basquiat in 1979, has released their 2nd album titled, “Last of the Beats,” a reference to the lyrical poetry featured on the album, inspired by the likes of Allen Ginsburg and William S. Burroughs (Gray's first album was “Shades Of…,” released in 2010, a true collector's item today). Original Gray members Nick Taylor and Michael Holman conceived of this sonic and verbal work of conceptual and intellectual beauty, knowing they would be collaborating with a variety of celebrated musicians and lyricists, including: James Lavelle of U.N.K.L.E. (and Mo'Wax Records); writer and Downtown New York editor Glenn O’Brien of GQ and Interview magazines; Spike Lee actor and spoken word artist Roger Guenveur Smith; music producer and Digable Planets' DJ King Britt; John Cale Band and Andre 3000 drummer Deantoni Parks; legendary Hip Hop music producer Arthur Baker; “The Widow Basquiat” Suzanne Mallouk; 1970s New York scenester and poet Victoria Galves; with liner notes written by famed American art critic Carlo McCormick
Carlo McCormick Liner Notes:
These grooves are the product of stealth engineering, improvised like an assassination five years in the planning, a conspiracy of creativity meant to slip in the truth while savoring the fiction. It's impossible to fathom just how hard it is to make something so easy, to instill endless complication within eloquent simplicity, to tear the whole damn thing down so that the jagged broken parts actually fit back together, but the slack laidback beauty of Gray is that they are not in any rush, like the slo-mo suspension of time in our hyperaware perceptions before sudden and inevitable impact, this is the sound of deceleration, an unwinding that takes your breath away.
To the last of the beats, here's the last of the at last, the song of the swan to the unborn, the clinging desire of the last dance, the just deserts of a last meal, what adheres grasping and gasping at the edge of forgetting like the muscle memory of a dream. Track by track, Gray excavate the senses and sensibilities of forlorn fables, the heroic slipping off crumbling pedestals, a city of need revamped as a city of greed, the light flickering, overcome by shadows, places and times conjured like a sonic psychogeography of passing and absence.
Their music has traveled a very long way to reach our ears, rewritten, rerecorded, recollected, remastered and renegotiated over and again by two artists, in constant dialog, spaced out in deep focus, a four-legged split personality in dogged single pursuit to somehow get it right. You can hear that distance in these songs, the harmonics of process like a reverberant echo, the undertow of an undertone, the taste of ripening.
Only the truly young can hear the ghosts singing, but it takes an old kind of wisdom to make out their words. That's the post-modern contradiction of this band; where novelty sounds classic and stories unfold as allegories of metaphors, landing from far away with undiminished urgency. Two guys, Michael Holman and Nick Taylor, stubborn enough to forge their own musical tempest apart from the meddling, marketing and machinations of any music industry, yet slick enough to enlist an unimaginably brilliant cast of collaborators, Gray is the carefully curated composition of a community, the common sound of disparate voices, the mix of the melting pot, the noise of incompatible agreements. Pastiche and pluralism, it's a collage cut up and still bleeding, the angry graffiti on a wall of sound, the melodies that linger like a sweet aftertaste of lazy pleasures, the battle cry of the vanquished sounded in the survivors' silence, the dance of the reckless to the tempo of an impending disaster, the tone of resistance in a note of rebellion, the voices of visionaries talking over, and under, the din of time's cruel march, correspondences rich and textured in a lost chord yet to be fully decoded. The references are dizzying, disorienting and defiant to the reductions of genre, chaotic and unruly dissonance given rhyme and reason, blues with a beat, art with a purpose, lyrics that bruise, the sound of repercussion struck with a vengeance. This music is so stone cold cool it's hot to the touch;deep downtown and dirty like a lethal seduction, a collective memory that needs no introduction. More
Carlo McCormick Liner Notes:
These grooves are the product of stealth engineering, improvised like an assassination five years in the planning, a conspiracy of creativity meant to slip in the truth while savoring the fiction. It's impossible to fathom just how hard it is to make something so easy, to instill endless complication within eloquent simplicity, to tear the whole damn thing down so that the jagged broken parts actually fit back together, but the slack laidback beauty of Gray is that they are not in any rush, like the slo-mo suspension of time in our hyperaware perceptions before sudden and inevitable impact, this is the sound of deceleration, an unwinding that takes your breath away.
To the last of the beats, here's the last of the at last, the song of the swan to the unborn, the clinging desire of the last dance, the just deserts of a last meal, what adheres grasping and gasping at the edge of forgetting like the muscle memory of a dream. Track by track, Gray excavate the senses and sensibilities of forlorn fables, the heroic slipping off crumbling pedestals, a city of need revamped as a city of greed, the light flickering, overcome by shadows, places and times conjured like a sonic psychogeography of passing and absence.
Their music has traveled a very long way to reach our ears, rewritten, rerecorded, recollected, remastered and renegotiated over and again by two artists, in constant dialog, spaced out in deep focus, a four-legged split personality in dogged single pursuit to somehow get it right. You can hear that distance in these songs, the harmonics of process like a reverberant echo, the undertow of an undertone, the taste of ripening.
Only the truly young can hear the ghosts singing, but it takes an old kind of wisdom to make out their words. That's the post-modern contradiction of this band; where novelty sounds classic and stories unfold as allegories of metaphors, landing from far away with undiminished urgency. Two guys, Michael Holman and Nick Taylor, stubborn enough to forge their own musical tempest apart from the meddling, marketing and machinations of any music industry, yet slick enough to enlist an unimaginably brilliant cast of collaborators, Gray is the carefully curated composition of a community, the common sound of disparate voices, the mix of the melting pot, the noise of incompatible agreements. Pastiche and pluralism, it's a collage cut up and still bleeding, the angry graffiti on a wall of sound, the melodies that linger like a sweet aftertaste of lazy pleasures, the battle cry of the vanquished sounded in the survivors' silence, the dance of the reckless to the tempo of an impending disaster, the tone of resistance in a note of rebellion, the voices of visionaries talking over, and under, the din of time's cruel march, correspondences rich and textured in a lost chord yet to be fully decoded. The references are dizzying, disorienting and defiant to the reductions of genre, chaotic and unruly dissonance given rhyme and reason, blues with a beat, art with a purpose, lyrics that bruise, the sound of repercussion struck with a vengeance. This music is so stone cold cool it's hot to the touch;deep downtown and dirty like a lethal seduction, a collective memory that needs no introduction. More
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Last in:10.09.2024
Label:FXHE
Cat-No:AOS-2023
Release-Date:05.07.2024
Genre:House
Configuration:12"
Barcode:
1
Omar S - Can't Get (Vocal Mix)
2
Omar S - Can't Get (SUB Mix)
He's as consistent as he is prolific so it's no surprise that Omar-S is back yet again with yet another EP well worth copping. This latest 12" direct from the Motor City features two different versions of the same tune and what a tune it is: first up is 'Can't Get' (vocal mix) which is signature stuff from Smith - dusty beats from an old analogue machine, slowly evolving synth leads that convey plenty of emotion and raw hi-hats. The mood is late night and sultry with a hint of menace and a gorgeous vocal hook is the icing on the cake. Flip it over and you'll get the Sub Mix with more stark synths and melodic edginess.
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Last in:12.09.2024
Label:ECHO LTD
Cat-No:echoltd010
Release-Date:16.08.2024
Genre:Techno
Configuration:12"
Barcode:
1
SND & RTN - Starlight
2
SND & RTN - Untold Perils
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SND & RTN - Badman
4
SND & RTN - World Between Worlds
Tracklisting
A1 SND & RTN - Starlight
A2 SND & RTN - Untold Perils
B1 SND & RTN - Badman
B2 SND & RTN - World Between Worlds
Sales Note
Mastered on a reel to reel tape machine cut on 12" 180g black vinyl. More
A1 SND & RTN - Starlight
A2 SND & RTN - Untold Perils
B1 SND & RTN - Badman
B2 SND & RTN - World Between Worlds
Sales Note
Mastered on a reel to reel tape machine cut on 12" 180g black vinyl. More
12"
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Label:Yellow Jackets
Cat-No:YJ008
Release-Date:26.07.2024
Genre:House
Configuration:12"
Barcode:
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Last in:04.10.2024
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Last in:04.10.2024
Label:Yellow Jackets
Cat-No:YJ008
Release-Date:26.07.2024
Genre:House
Configuration:12"
Barcode:
1
Joaquin Joe Claussell as Hidden Revealed - Erratic Telepathy (The Cosmic Arts Interpretation)
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Joaquin Joe Claussell / The Ricky Corey - Who Do You Love? (Josh Honeycomb Extended Basement Dub)(Patrick Gibin Edit)
Chapter number 8 in the Yellow Jackets book is ready to go and will please a whole range of music lovers!
Legendary visionary artist Joe Claussell strengthens up his relationship with Mother Tongue [check the MT distributed Sacred Medicine label that he curates with Ron Trent] serving here a piece of cosmic mind bending fusion entitled ‘Erratic Telepathy ’.
On the flipside Josh Milan’s anthemic remix of Ricky Corey Collective ‘Who Do You Love?’ gets the Patrick Gibin’s Edit treatment and it’s got the name ‘Future Dancefloor Classic’ written all over it! Courtesy of NDATL Muzik
Don’t fear the Sound! More
Legendary visionary artist Joe Claussell strengthens up his relationship with Mother Tongue [check the MT distributed Sacred Medicine label that he curates with Ron Trent] serving here a piece of cosmic mind bending fusion entitled ‘Erratic Telepathy ’.
On the flipside Josh Milan’s anthemic remix of Ricky Corey Collective ‘Who Do You Love?’ gets the Patrick Gibin’s Edit treatment and it’s got the name ‘Future Dancefloor Classic’ written all over it! Courtesy of NDATL Muzik
Don’t fear the Sound! More
12"
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Cat-No:RS064LP
Release-Date:05.07.2024
Genre:House
Configuration:12"
Barcode:
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Last in:12.11.2024
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Last in:12.11.2024
Cat-No:RS064LP
Release-Date:05.07.2024
Genre:House
Configuration:12"
Barcode:
1
Gallegos - Memories You've Memorised
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Gallegos - Furious Glory
3
Gallegos - Over & Over
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Gallegos - Slingshot
5
Gallegos - E With Me
Gallegos, first name Oliver - deals in feelings rather than genres. The productions on his debut effort for RS INTL channel a 90’s rave euphoria. Luscious pads swirl amidst pitched down jungle drums, celestial strings and philosophical vocal snippets that evoke ecstatic joy.
It’s no mean feat to induce a feeling of elation without the means of a synthetic intervention - but Ollie seems to have cracked the code - taking us there with harmony, texture and rhythm alone - nothing synthetic here: this is alchemy at play... The EP - which in all honesty feels more like a mini album - is a real journey across 5 songs and 29 minutes. It’s about equally split between driving rhythmic compositions created with movement in mind, and pensive ambient detours that are more sonic meditations than anything else. The album reaches its most dizzying heights when these two elements come together in unison for the title track, “Memories You’ve Memorised'' - a widely road-tested future classic which blends scattered Juno chords, arpeggiated church organ and 80s vocal samples to a tear-jerking crescendo.
Memories You’ve Memorised elevates Oliver Gallegos to the top tier of modern electronic composition. There’s comparisons to be made to Primal Scream, Underworld and even Aphex Twin - but after all is said and done, we’re witnessing the coming of age of a future pioneer. More
It’s no mean feat to induce a feeling of elation without the means of a synthetic intervention - but Ollie seems to have cracked the code - taking us there with harmony, texture and rhythm alone - nothing synthetic here: this is alchemy at play... The EP - which in all honesty feels more like a mini album - is a real journey across 5 songs and 29 minutes. It’s about equally split between driving rhythmic compositions created with movement in mind, and pensive ambient detours that are more sonic meditations than anything else. The album reaches its most dizzying heights when these two elements come together in unison for the title track, “Memories You’ve Memorised'' - a widely road-tested future classic which blends scattered Juno chords, arpeggiated church organ and 80s vocal samples to a tear-jerking crescendo.
Memories You’ve Memorised elevates Oliver Gallegos to the top tier of modern electronic composition. There’s comparisons to be made to Primal Scream, Underworld and even Aphex Twin - but after all is said and done, we’re witnessing the coming of age of a future pioneer. More
Label:Public Possession
Cat-No:PP104
Release-Date:27.09.2024
Configuration:LP Excl
Barcode:4251804180979
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Last in:25.06.2024
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in stock
Last in:25.06.2024
Label:Public Possession
Cat-No:PP104
Release-Date:27.09.2024
Configuration:LP Excl
Barcode:4251804180979
1
World Gym - A1 - Hurt My Feelings (03:37 min)
2
World Gym - A2 - Forces Of Evil (03:54 min)
3
World Gym - A3 - I Believe in Love (02:33 min)
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World Gym - A4 - Seeing Double (03:53 min)
5
World Gym - A5 - Love Don’t Pay The Bills (04:03 min)
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World Gym - B1 - Don’t Ever Talk About My Baby (02:47 min)
7
World Gym - B2 - It Always Ends in Tears (04:41 min)
8
World Gym - B3 - Daytime Drinking (03:18 min)
9
World Gym - B4 - Hearts Are Wild (04:37 min)
10
World Gym - B5 - Common Work Of Art (03:40 min)
LP
Tracklist:
A-Side
A1 - Hurt My Feelings (03:37 min)
A2 - Forces Of Evil (03:54 min)
A3 - I Believe in Love (02:33 min)
A4 - Seeing Double (03:53 min)
A5 - Love Don’t Pay The Bills (04:03 min)
B-Side
B1 - Don’t Ever Talk About My Baby (02:47 min)
B2 - It Always Ends in Tears (04:41 min)
B3 - Daytime Drinking (03:18 min)
B4 - Hearts Are Wild (04:37 min)
B5 - Common Work Of Art (03:40 min)
Short info:
World Gym the cult band from Stockhom, Sweden is finally presenting their first full length Album.
World Gym is beer & sweat soaked jersey, screaming groupies, original Rock’n’Roll vibes. It’s music
with a soft touch & a hard edge. City slicker people storytelling. Nothing bought, everything learned.
Original applause. If you know life you know it always ends in tears. Then it starts again. Have faith in
Musik More
Tracklist:
A-Side
A1 - Hurt My Feelings (03:37 min)
A2 - Forces Of Evil (03:54 min)
A3 - I Believe in Love (02:33 min)
A4 - Seeing Double (03:53 min)
A5 - Love Don’t Pay The Bills (04:03 min)
B-Side
B1 - Don’t Ever Talk About My Baby (02:47 min)
B2 - It Always Ends in Tears (04:41 min)
B3 - Daytime Drinking (03:18 min)
B4 - Hearts Are Wild (04:37 min)
B5 - Common Work Of Art (03:40 min)
Short info:
World Gym the cult band from Stockhom, Sweden is finally presenting their first full length Album.
World Gym is beer & sweat soaked jersey, screaming groupies, original Rock’n’Roll vibes. It’s music
with a soft touch & a hard edge. City slicker people storytelling. Nothing bought, everything learned.
Original applause. If you know life you know it always ends in tears. Then it starts again. Have faith in
Musik More
Label:Public Possession
Cat-No:PP092
Release-Date:15.11.2024
Genre:House
Configuration:LP Excl
Barcode:4251804181877
pre-sale
Last in:30.07.2024
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Last in:30.07.2024
Label:Public Possession
Cat-No:PP092
Release-Date:15.11.2024
Genre:House
Configuration:LP Excl
Barcode:4251804181877
1
DJ City - A1 Cities In Dust (04:56 min)
2
DJ City - A2 Paris, Rome (04:43 min)
3
DJ City - A3 Oh Ah (04:46 min)
4
DJ City - A4 Bergtagen (04:57 min)
5
DJ City - A5 Safe (04:54 min)
6
DJ City - B1 A Lover’s Discourse (03:28 min)
7
DJ City - B2 War & Peace (04:31 min)
8
DJ City - B3 Good Morning (06:48 min)
9
DJ City - B4 Drunk Satellites (03:02 min)
10
DJ City - B5 Bonus Track (03:26 min)
LP
Tracklist:
A-Side
A1 DJ City - Cities In Dust (04:56 min)
A2 DJ City - Paris, Rome (04:43 min)
A3 DJ City - Oh Ah (04:46 min)
A4 DJ City - Bergtagen (04:57 min)
A5 DJ City - Safe (04:54 min)
B-Side
B1 DJ City - A Lover’s Discourse (03:28 min)
B2 DJ City - War & Peace (04:31 min)
B3 DJ City - Good Morning (06:48 min)
B4 DJ City - Drunk Satellites (03:02 min)
B5 DJ City - Bonus Track (03:26 min)
Short info:
DJ City hailing from Stockholm, a D.J., a poet, a producer, a chronicler of contemporary urban
nightlife, a romantic. His home the clubs of Europe, the streets of cities like Stockholm, Berlin, Milano,
Munich, Paris, Rome… Berlin where he lives a good part of the year has become a second home,
Cocktail D‘Amore, Panorama Bar, or his own party Bad Dad are his playgrounds. Places he D.J.s at, a
scene he is contemplating about on his first Album. Musically a journey between classic house,
scandinavian disco with a pleasant hint to pop. DJ City someone you want to know, meet and mingle
with. A true creature of metropolis, witty, charming, seductive, mysterious! An entertainer. The record
a mirror to his personality, find pleasure and fun, but beware there is always more below the surface. More
Tracklist:
A-Side
A1 DJ City - Cities In Dust (04:56 min)
A2 DJ City - Paris, Rome (04:43 min)
A3 DJ City - Oh Ah (04:46 min)
A4 DJ City - Bergtagen (04:57 min)
A5 DJ City - Safe (04:54 min)
B-Side
B1 DJ City - A Lover’s Discourse (03:28 min)
B2 DJ City - War & Peace (04:31 min)
B3 DJ City - Good Morning (06:48 min)
B4 DJ City - Drunk Satellites (03:02 min)
B5 DJ City - Bonus Track (03:26 min)
Short info:
DJ City hailing from Stockholm, a D.J., a poet, a producer, a chronicler of contemporary urban
nightlife, a romantic. His home the clubs of Europe, the streets of cities like Stockholm, Berlin, Milano,
Munich, Paris, Rome… Berlin where he lives a good part of the year has become a second home,
Cocktail D‘Amore, Panorama Bar, or his own party Bad Dad are his playgrounds. Places he D.J.s at, a
scene he is contemplating about on his first Album. Musically a journey between classic house,
scandinavian disco with a pleasant hint to pop. DJ City someone you want to know, meet and mingle
with. A true creature of metropolis, witty, charming, seductive, mysterious! An entertainer. The record
a mirror to his personality, find pleasure and fun, but beware there is always more below the surface. More
2LP
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V.A. - A1 Jordan Fields - Its An Interesting Thought
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V.A. - A2 - Black Eyes - Get Down 4 the hydro
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V.A. - B1 - New Digital Fidelity - Needs
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V.A. - B2 - Boo Williams - The Place to Go
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V.A. - C1 - Mosaik Kollktif - Plankton
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V.A. - C2 - Miguel Herrnandez - Sea Roots
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V.A. - D1 - Frankie M - Operating in the Red (FMs 313 Dub)
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V.A. - D2 - Delano Smith - Trapped Indise
Label:Smiling C
Cat-No:SC#14
Release-Date:30.08.2024
Genre:Indie Rock/Alternative
Configuration:LP
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Last in:02.09.2024
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Last in:02.09.2024
Label:Smiling C
Cat-No:SC#14
Release-Date:30.08.2024
Genre:Indie Rock/Alternative
Configuration:LP
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Steve Novak - Hearts Are Broken
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Richard Lee Evans - Tightrope
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Implosion - Green Dawn
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Rare Summer - Goodbye
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Max - E Minor
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Basorelief - Drum Prin Cimpie
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Erin - Good-Bye Mother Nature
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Night Rose Band - Golden Tears
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Steve Novak - Hermits Dream
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Jim Freeman - Sunrise
Charles Bals, the curator behind the America Dream Reserve compilation, continues his journey into a wasteland of obscure recordings sourced from previously unknown tapes and vinyl of the 70s and 80s. This collection is made for an overcast, rainy night. Where the nocturnal ramblings of wandering silent types can be heard over an endless stretch of asphalt.
This time, Bals has put together a compilation that contains a darker, more solitary narrative—a collection of reclusive, ‘sigh-chedelic’ folk. The anthology sources rare moments that feel like they were pulling-the-paisley-thread of a dying psychedelic folk movement. Although it passed from the mainstream, the genre continued to percolate in bedrooms, kept alive through unsigned bands and mysterious individuals. Despite recording in different countries, these artists found there way to a kindred feeling. When heard together, the feeling of an era’s aftermath comes into focus. Charles’ compilation brings out the potency of these disparate selections. More
This time, Bals has put together a compilation that contains a darker, more solitary narrative—a collection of reclusive, ‘sigh-chedelic’ folk. The anthology sources rare moments that feel like they were pulling-the-paisley-thread of a dying psychedelic folk movement. Although it passed from the mainstream, the genre continued to percolate in bedrooms, kept alive through unsigned bands and mysterious individuals. Despite recording in different countries, these artists found there way to a kindred feeling. When heard together, the feeling of an era’s aftermath comes into focus. Charles’ compilation brings out the potency of these disparate selections. More
Label:Star Creature
Cat-No:SC1252
Release-Date:12.07.2024
Genre:House
Configuration:12"
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Last in:21.10.2024
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Last in:21.10.2024
Label:Star Creature
Cat-No:SC1252
Release-Date:12.07.2024
Genre:House
Configuration:12"
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Kurtiss - Rock Your Body
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Kurtiss - Northwood Park
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Kurtiss - The Spirit
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Kurtiss - B1
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Kurtiss - B2
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Kurtiss - B3
Following a few recent wax droppings on MUTUAL INTENTIONS & DEEP FRIED MUSIC, KURTISS comes correct with a solid 6 tracker dj fusion bordering between disco edits, club tools & anthemic full-on originals. Part Detroit, Part Chicago with a touch of Squelchy Boogie Synths & Gospel vocals.
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