NON EXCL-LP+INSERT+SINGLE
LIMITED TO 500COPIES

Nirvana's third LP is a masterpiece of late UK sixties popsike turning into symphonic pop, but not having received proper promotion despite being equally good as, if not better than their previous releases, it also marked the end of the collaborations between Patrick Campbel-Lyons and Alex Spyropoulos back in 1969.



Nirvana presented it to Island boss Chris Blackwell under the title of Black Flower. Blackwell, however, decided to turn it down for release, but gave the masters to Campbell-Lyons and Spyropoulos so they could find a new label to release the album. That was to happen in the USA through Metromedia Records in 1969. At that time, the label's owner went through a scandal due to the payola days, which left Nirvana's third offering without any promotion - as a result of that, very few copies were pressed. There was also a UK release on PYE and it was even released by Metromedia in Japan. However, for years it remained as "the lost" Nirvana release, with the added fact that none of the released editions launched the album under its original title of Black Flower but under the rather cryptic Dedicated To Markos II (read why in the liner notes!).



Musically, this is Nirvana at their best. The tune that should have been the title track, Black Flower, is an incredible piece of symphonic psychedelia and probably the best produced Nirvana track ever. Campbell-Lyons and Spyropoulos were backed for the occasion by Spooky Tooth, who played on many tracks of the album, and big orchestral arrangements mesmerize the listener in one of the duo's darkest offerings. This song aside, the rest of the album was deemed as sounding too much like a French soundtrack by Island, which may do at some points –without that being a bad thing,– but there is a lot more to it, since Nirvana have not lost that popsike edge that characterised their sound in their two previous outings.



This is also a record that was widely acclaimed in the hip hop scene. And samplers of it have been used by several artists, most notably DJ Shadow used Love Suite in his 1996 debut album Endtroducing.



The Wah Wah edition has been remastered from the original tapes by Roger Prades @ Prades Mastering and comes with a bonus 7" EP and a four page colour insert with liner notes by Malcom Dome, plus a sheet with the lyrics of the songs. First ever official vinyl reissue since 1970 in a limited edition of 500 copies only!

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12" - Essential Balearic heat beat! Follow up to the labels previous album of Frank & Maria's work 'Echoes' SL104

Tracklist:

Side A
A1- Loveroom - Frankie's Deluxe Mix
A2- Down By The Rio - Frankie's Deluxe Mix

Side B
B1- Down by the Rio - Frakas Mix
B2- Down by the Rio - Julien Dyne Mix

Short info:
Deep into lockdown, Frank pulled out Bernie Grundman's original 24 track masters of the "In a Minor Mode" ep, digitizing and exploring the original multi track recordings. Inspired by newly rediscovered parts recovered from the editing floor, what followed was a faithful but full-blown reimagining of 'Loveroom' Strangelove are proud to present this definitive version alongside a deep dive into Echoes LP favourite 'Down By The Rio' Frank's FM friendly take flipped on the B side with Frakas' trippy diced up vibe alongside a bumping beatdown version from New Zealand's finest Julien Dyne. Essential Balearic heat beat!





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Genre: Detroit Techno, Techno, Soulful Techno

Tracklist 12":
A1. 313 Hazy Days 06:55
A2. Shimmering Lights 07:27

B1. Motor City Dreams 07:41
B2. X-Ray Eyes 05:25





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Territories: WORLD EXCL Japan

LP: Heavyweight Sleeve with Selective Varnish Print, Special Paper Obi

Tracklisting LP
A1. Sonatine ~act of violence~
A2. Light And Darkness
A3. Play OnThe Sands
A4. Rain After That
A5. A On The Fullmoon Mystery
A6. Into A Trance
A7. Sonatine ~in the beginning~
B1. Magic Mushroom
B2. Eye Witness
B3. Runaway Trip
B4. Mobius Band
B5. Die Out Of Memories
B6. See You...
B7. Sonatine ~be over~


Info

WRWTFWW Records is honored to announce the first ever vinyl release of Joe Hisaishi’s original soundtrack for the critically acclaimed and all around classic 1993 Japanese yakuza/crime/thriller movie Sonatine. The legendary album comes in a limited edition housed in a luxurious heavyweight sleeve with selective varnish printing and a special paper obi belt.

The celebrated Sonatine was directed, written and edited by Takeshi Kitano, who also takes center stage as the main protagonist of the thrilling yakuza film. Director, screenwriter, comedian, actor, tv personality and icon, 'Beat' Takeshi is also known for Boiling Point, Hana-Bi, Battle Royale, Johnny Mnemonic, Ghost in the Shell and many many more.

Considered one of the greatest ever, Joe Hisaishi is a composer, musical director, conductor and pianist behind over 100 film scores including Kitano’s A Scene at the Sea, Kikujiro, and Brother, as well as his famed work for director and animator Hayao Miyazaki’s Studio Ghibli masterpieces Castle in the Sky, My Neighbor Totoro, Princess Mononoke and the list goes on. Little known fact: his first ever produced-album is a collaboration with percussionist Midori Takada (Through the Looking Glass): MKWAJU Ensemble’s MKAWJU also released on WRWTFWW Records.

The Sonatine movie score showcases the composer’s more contemplative, minimalistic, and intimate side in a superb and deeply evocative neo-classical and ambient musical journey. The depth and emotional resonance of the compositions make for an exceptional and timeless soundtrack. It is known to be one of Hisaishi’s own favorites.

Sonatine (Original Soundtrack) by Joe Hisaishi follows the release of the soundtrack of Takeshi Kitano’s Violent Cop (1989), as well as music from another groundbreaking Japanese movie, Shin’ya Tsukamoto’s Tokyo Fist (1995). Collect them all on WRWTFWW Records!



Points of interests

- For fans of yakuza movies, legendary soundtracks, Takeshi Kitano, Joe Hisaishi, piano, ambient, minimalism, classical, crime thrillers of the 90s, obi belts, Ghibli, good stuff.

- First vinyl release of the soundtrack for classic Japanese crime/yakuza movie Sonatine (1993) directed by and starring the legend (Beat) Takeshi Kitano.


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FORMAT 12“ vinyl, printed sleeve, dl card

TRACKLIST
1. / A Concave 1 07:28
2. / B Concave 2 07:28

The serene source of captivating musical ideas that is Borderland, keeps on flowing and vibrating with subtle energy.
Two versions form a set of studio-refined sequences. Both parts of “Concave” are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their profound origins..


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2024 repress


The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!

WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.

Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie

Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.

Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?

"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).

The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.

At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.

Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.

Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.


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territories : ww -fr -uk -benelux

Genre: Post-punk, dub, experimental

Tracklist

A1 Extra
A2 Mute, Fastened
A3 Harbouring
A4 Overwater
A5 Hard Sell
A6 Chances Aren’t
A7 Bombast

B1 What Do I Know ?
B2 Mongrel Pretext
B3 Who’s Lumping Who / Dirywiad Gwerthwr Matresi
B4 The Morning Of The Eve
B5 Thrice Removed
B6 Phone Prefix
B7 Far And Thin
B8 Pristine

The Manchester-born, Brussels-shaped Giulio Erasmus plays with time, space, era, and the words that weave it all together.
After two solo records released on Mangel Records & Absolute Fiction (plus a freshly unveiled live album from Meakusma 2024), he now - joined by the quintet The End of The Worm - presents his new offering: Hard Sell.

A redigestion of forty years of underground English culture, collided by the urgency and freedom of Brussels' new wave; Hard Sell is an exploration led by a bassline that acts like a compass - around which swirl whispers, cut-ups, abstractions, percussion bursts and sudden clearings.
Together they shape a quiet narration, murmuring possible futures, indifferent to any of their consent.

Sloping like a jello tower block - open the bellows!! His laconic oration cuts through gauzy pigment canopy over dissolute scenes, precisely shipwrecked. For a unit so put together, Giulio Erasmus and his End of the Worm band do the do exquisitely dismantled.

Standing lean and lugubrious in what is no less than the direct continuation of the hallowed Factory-Benelux-connection lineage, here the instantly recognisable sinister-yet-seductive basslines and suavely disaffected voice of Erasmus himself run like a diverted river through an earthen channel taking in mysterious and revelatory scenes, buoyant rhythms and 80s noir phosphorescence cloaking the resultant tableaux in a lurid atmosphere that could just as easily be primal dusk as polluted canalside lamplight.

All threads trace muted affect, a sense of desire under anaesthesia, a nocturnal music of blunted hooks which posits vague statements with chemical certainty that fall apart choreographed.

There’s even a story concerning a young man’s tragic death-by-falling-mattress recited in splendid Cymraeg by an unidentified Gog! With an assembly of Euro weirdos at the helm, a cowbell-heavy Slow Scan ripple of espionage Echo-plexoid shadow-jams illuminated in the violet thrum of the Chorusflange glow carry Giulio’s hypnagogic intonations and the band’s creaking synthetic flourishes at a pace and posture which lurches sandy eyed, a dubby somnambulist suite stumbling under heavy manners between gloomy vignettes each decoding a message which continually slips through one’s grasp, last words whispered in a post-coital hiss in a patina’d dream of a sunken midnight lounge.

- Vymethoxy Redspiders



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lim. 180 Gr Vinyl!

Hot summer rain hits the cracked pavement in uneven rhythms. A neon sign flickers above a café that never seems to close, its warm white light reflected in the wet ground like a fever dream. The air smells of summer and the world hums with an easy tone, as if the city itself is holding its breath. A light flooded film noir-ish scene, that needs a soundtrack like "POOL JAMS", the new album of INIT, the Berlin based duo, that already caused quite a stir with their albums for Hivern Discs and Optimo Music. This time, they bring their latest creations out on R.i.O. - a label, with whom they are deeply associated. Their fourth longplayer is a playful one. One that brings trip hopping feelings. That has r'n'b grace, without catering regular trademarks of the genre. Dub, trance, drone, is all there too. Yet, nothing is present in pure definition. Rather suggested, interwoven, or newly twisted in a songwriting style, that haunts and seduces. On top the voice of Nadia D'Alò dances, steps and hums tempting to the grooves she created with her partner in crime Benedikt Frey. Together they fashioned a record, that, as INIT puts it, is "some kind of old photo from an old dry empty pool that got faded by sunlight ". A dreamy, sunny piece of song art, made for endless smoky LA freeway drives, and other adventures that seek for infinite riddance. You can dream it. You can trance it. You can't escape it, as soon as it rotates in your dream device for sound and vision.

Tracklist:

A1 INIT - Liquid
A2 INIT - The Bell
A3 INIT - Jaded
A4 INIT - Pinata
A5 INIT - F.O.O.D
B1 INIT - Vacumized
B2 INIT - Shiver
B3 INIT - Carrier


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