lim. 180 Gr Vinyl!

Hot summer rain hits the cracked pavement in uneven rhythms. A neon sign flickers above a café that never seems to close, its warm white light reflected in the wet ground like a fever dream. The air smells of summer and the world hums with an easy tone, as if the city itself is holding its breath. A light flooded film noir-ish scene, that needs a soundtrack like "POOL JAMS", the new album of INIT, the Berlin based duo, that already caused quite a stir with their albums for Hivern Discs and Optimo Music. This time, they bring their latest creations out on R.i.O. - a label, with whom they are deeply associated. Their fourth longplayer is a playful one. One that brings trip hopping feelings. That has r'n'b grace, without catering regular trademarks of the genre. Dub, trance, drone, is all there too. Yet, nothing is present in pure definition. Rather suggested, interwoven, or newly twisted in a songwriting style, that haunts and seduces. On top the voice of Nadia D'Alò dances, steps and hums tempting to the grooves she created with her partner in crime Benedikt Frey. Together they fashioned a record, that, as INIT puts it, is "some kind of old photo from an old dry empty pool that got faded by sunlight ". A dreamy, sunny piece of song art, made for endless smoky LA freeway drives, and other adventures that seek for infinite riddance. You can dream it. You can trance it. You can't escape it, as soon as it rotates in your dream device for sound and vision.

Tracklist:

A1 INIT - Liquid
A2 INIT - The Bell
A3 INIT - Jaded
A4 INIT - Pinata
A5 INIT - F.O.O.D
B1 INIT - Vacumized
B2 INIT - Shiver
B3 INIT - Carrier


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Tracklist:
A1. Generic Mix
B1. Alternate Mix


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Back Catalogue - shipping beginning by June 20


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12" - Essential Balearic heat beat! Follow up to the labels previous album of Frank & Maria's work 'Echoes' SL104

Tracklist:

Side A
A1- Loveroom - Frankie's Deluxe Mix
A2- Down By The Rio - Frankie's Deluxe Mix

Side B
B1- Down by the Rio - Frakas Mix
B2- Down by the Rio - Julien Dyne Mix

Short info:
Deep into lockdown, Frank pulled out Bernie Grundman's original 24 track masters of the "In a Minor Mode" ep, digitizing and exploring the original multi track recordings. Inspired by newly rediscovered parts recovered from the editing floor, what followed was a faithful but full-blown reimagining of 'Loveroom' Strangelove are proud to present this definitive version alongside a deep dive into Echoes LP favourite 'Down By The Rio' Frank's FM friendly take flipped on the B side with Frakas' trippy diced up vibe alongside a bumping beatdown version from New Zealand's finest Julien Dyne. Essential Balearic heat beat!





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Special remarks : 2LP, 2022 Repress Edition

Vital Sales Points:
- Released by popular NTS show Noise In My Head
- Liner notes from Ivan Smagghe and artwork from Misha Hollenbach (Perks and Mini)
- Features many rarities reissued for the first time ever (Karen Marks' most wanted Australian cold wave single last sold for 290€ while Once traded for 170€)
- All tracks officially licensed, sourcing original masters when available
- Includes digital download

Tracklist
A1. Linda Smith - I So Liked Spring , A2. Karen Marks - Cold Café , A3. Bruce Langhorne - Leaving Del Norte , A4. The Seraphims - Conciousness of Happening
B1. Garry Davenport - Sarra , B2. Some of My Best Friends Are Canadians - Feeling Sheepish , B3. The Rising Storm - Frozen Laughter
C1. Warfield Spillers - Daddy's Little Girl , C2. Joyce Heath - I Wouldn't Dream Of It , C3. Joe Tossini and Friends - Wild Dream , C4. Scott Seskind - I Remember
D1. Angel - Driving (Down) , D2. Nini Raviolette and Hugo Weris - Slow , D3. Nora Guthrie - Home Before Dark , D4. Once - Joanna

Short info:
Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. A seemingly disparate suite of selections of forgotten fables by more or less neverknowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery.

From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience.

If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release Sarra after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening.

Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled 'Fire Star', a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection.

Released by Noise In My Head offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe.






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Tracklist:
A1. Peder Mannerfelt Remix
A2. Luca Lozano Gehts Garage Remix
B1. Aasthma Remix
B2. Steve Angello Remix

A noughties classic, an earworming anthem, an eventual schoolyard ringtone favourite; Roman Flügel’s once inescapable ‘Geht’s Noch?’ celebrates turning 21 on Running Back, refreshed and remixed by a scene-spanning set of artists paying keen tribute to its absurdist energy.
Casually released as part of a Cocoon Records compilation in 2004, ‘Geht’s Noch?’ rose from the depths with the support of Sven Väth, becoming an international phenomenon, conquering and uniting the dominant scenes of minimal and electroclash alike. Some have said it laid the foundations for the ‘Dirty Dutch’
house scene, albeit from over the border in Germany.
Well known for injecting much-needed levity into the contemporary club landscape via her Live From Earth parties, DJ Gigola adds additional firepower to ‘Geht’s Noch?’, inducing a planet-shaking kick drum, before sending the track’s signature bleeps into nonsensical Morse code for even greater pleasure. Another rave
culture connoisseur, Luca Lozano, offers two alternate takes; his ‘Technocs’ mix rolls deep with additional cowbells, robotic voice commands and stadium-sized claps. Meanwhile, the ‘Gehts Garage Remix’ draws a savvy connection with the original’s as-yet-untapped UK funky potential.
Peder Mannerfelt, who straddles the line between innovation, functionality, humor and seriousness quite like its original author, takes ‘Geht’s Noch?’ to truly wuthering heights. His remix builds unexpected drama and catharsis around the enduring riff, before a collaboration with studio partner Par Grindvik as Aasthma
spins the club out with a glossy, anime-tinted take, full of whimsy and colour.
And while the digital release of Geht’s Noch? also spans interpretations from Audion, Domnik Eulberg & Moguai, this vinyl release presses Steve Angello vs Who’s Who remix to wax, that which helped take ‘Geht’s Noch?’ out of the underground and into the stratosphere. Twenty years on, and Flügel’s offbeat hit is always ascending. Love it or hate it, ‘Geht’s Noch?' will still get you good.
Words by John Loveless



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FORMAT 12“ vinyl, printed sleeve, dl card

TRACKLIST
1. / A Concave 1 07:28
2. / B Concave 2 07:28

The serene source of captivating musical ideas that is Borderland, keeps on flowing and vibrating with subtle energy.
Two versions form a set of studio-refined sequences. Both parts of “Concave” are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their profound origins..


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Worldwide except Russian
Federation

Genre: Instrumental, Ambient, Indie, Kraut

Tracklisting

01 Murmur (01:25)
02 Dog Years (03:37)
03 Almost Everywhere (02:08)
04 Loot (03:57)
05 Fawn (feat. KMRU) (02:36)
06 As ate As Possible (01:52)
07 Orb (02:47)
08 Dot (03:24)
09 Missing The Point (03:03)
10 Bliss Of Disconnect (feat. Liz Kosack) (02:05)
11 Ore (04:06)

Looking behind the obvious, forming an orchestra out of everyday surroundings.
Finding the essence in the trivial, clarity in the complex, poetry in simplicity. All of this is part of the goal, meaning and character of Oh No Noh, the project of Leipzig-based guitarist, robot programmer, magnetic tape crumpler and composer Markus Rom. All of this floats and shines through "As Late As Possible", the third Oh No Noh album, which will be released on April 4th, 2025.
The focus of this album, as the title "As Late As Possible" suggests, was patience. A creative lingering, the selfimposed principle of letting ideas mature, consciously leaving them lying and looking at them again in order to discover
and refine new things. Always looking for new ways of producing musical sounds, Markus Rom has been blurring the boundaries between LoFi, Indietronica, Postrock, Kraut and Pop with his solo project for several years. His main
instruments for this are electric guitar, MIDI robots, tapes and samples. For “As Late As Possible”, Rom expands his setup with a new sound sources (acoustic guitar, banjo, organ) and musical guests: Damian Dalla Torre (Squama) on bass clarinet and Andi Haberl (the Notwist, Sun) on drums.
“As Late As Possible” continues the signature of past releases and adds new facets. Rom's distinctive looping in and over each other is particularly evident in the tracks “Missing the Point”, “Orb” and “Almost Everywhere”. With "Loot", a straightforward and folk-pop piece finds its way onto the album and coexists with math-trained tracks like "Dog Years" or "Dot", which conjure up associations with Weilheim bands like COUCH. The tracks "Bliss of Disconnect" and "Fawn" were created in collaboration with the featured guests Liz Kosack and KMRU. The confidently unplanned is one of the principles around which Oh No Noh itself is also continuously evolving. Part of this development: the radio series "Oh No Noh Radioh", which has so far consisted of over 40 parts, for which Rom invites a guest in each episode to research music together along roughly defined concepts, ideas and inspirations. Together with technology composer Hainbach, free jazz artist Limpe Fuchs and sound artist Elsa M’Bala, for example, encounters were created whose patient search and find and whose controlled coincidences also characterize “As Late As Possible” – but here concentrated, concise, and with all the love of sound and experimentation always committed to the song. With this will to create a song-like narrative, to move, to develop, “As Late As Possible” remains suspended
and searching. Its concentration seems light-footed, its happy accidents well-placed, the melancholic beauty of outdated technologies, forgotten musical toys and broken noise sources always forward-looking. Music like the one
that comes about when someone programs an entire robot band, which then becomes just a friendly part of the whole.
The artwork for “As Late As Possible” was created by Leipzig comic artist Anna Haifisch. The album was mixed by Adam Lenox and mastered by Frida Claeson Johannsson. It will be released on April 4, 2025 by TELESKOP on vinyl
and digital.








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2LP

Electronica-dub-techno-house

Special remarks: Printed Inner Sleeves

Tracklisting:
A1-Trombe
A2-Fordizm
A3-Esika Molimo Ezali
B1-Clair de Lune à Mykonos
C1-Allô?
C2-Mange
D1-Satanique Musette
D2-La Folie Studio
D3-Théâtre de Verdure

Release Info:
This album, a product of two years of studio sessions, saw us engaging in musical dialogues, hitting record when inspiration struck. In the studio, that moment always comes, when a fragile and magical balance happens.

Château Flight says :
• Playing electronic music, whether alone or not, must be joyous, fun, and make you feel good.
• The studio is not a sanctuary but a place of life. Technology must not be intimidating.
• Welcoming friends and new objects in the studio should be an infinite source of inspiration.
• If nothing happens in the studio, turn off the light and play a percussion record.
• With 25 years of experience, Château Flight can make you forget all your troubles, instantly and painlessly.
• The key to success: midi sync + din sync + external trigs.


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Tracklist

A1. Casita Más Alta
B1. Cala Vedella
B2. Las Cicadas
B3. Niu Blau

Ruffy's back with a new four track EP Casita Más Alta and it's a love letter to Ibiza -
as he takes us on an alternative tour of his favourite parts of the pine-covered
island.

The title track opens slowly, spaced out with motifs and pads washing in like an
incoming tide, before charging headlong to the beach with a thumping kick and
distorted keyboard solo. In contrast, we get a more sundown feel with Cala Vedella,
soaking up the forest breeze and sounding like The Art of Noise but fed through a
modulator and left to float in the iciest pitcher of 7Up.

Meanwhile, the rolling congas and percussive synths of Las Cicadas take us deep
into tribal territory, Lost Woods style. The EP closes out with Niu Blau, built on
beautifully optimistic choir pads and steel pan sounds, and the evening could just
go on forever, especially if you've taken any of those power ups. It might be an
homage to Ibiza and the Balearics, but seen through the Ruf Dug prism, there's
always something new to discover.







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